64
10
1775
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
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2 audio disc
Duration
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45:08
38:03
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146095">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146095</a>
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Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jonathan Biggers, October 3, 2010
Recital Tape 2010-10-3
Description
An account of the resource
Works by Cook, Phillips, Locklair, Hampton, Widor
Creator
An entity primarily responsible for making the resource
Biggers, Jonathan
Campos, Frak Gabriel
Publisher
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Binghamton University Libraries
Date
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2010-10-03
Rights
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In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/ab35d6e00aa0cf144bfc9657fc97bbda.pdf
9cd44f669529d3a6b791e78fdd0842d2
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
l REUNlON REC lTAL
D E P A R I L M E N I T
RAUL MELO
TENOR
MICHAEL RECCHIUTI
PIAN IST
Saturday, October 9, 2010, 8 pm
Osterhout Concert Theater
Cosponsored by the Department of Music and the Office of
Alumni and Parent Relations
�Program
I.
Le violette
Sento nel core
Air de Faust.................
from La damnation de Faust
Il.
. Alessandro Scarlatti
(16591725)
Hector Berlioz
(18031869)
III.
. Franz Liszt
(18111886)
Petrarch Sonnets..
Pace non trovo
Benedetto sia’l giorno
I vidi in terra
Intermission
3 Songs.................
Deprisa Tierra, Deprisa
Dialogo
Mi carazon lo trajé el mar
IV.
Gisela Hernandez
(19121971)
V.
Joaquin Turina
(18821949)
Poema en forma de canciones ..
Nunca Olvida
Cantares
Los dos miedos
Las locas por amor
Quando:le sere al placrdo
from Luisa Miller
Ma se m'é forza perderti..
aschera
from Un ballo i n M
1
VI.
VII.
Giuseppe Verdi
(18131901)
...Giuseppe Verdi
(18131901)
�3 / vidi in terra
Text Translations
I. Alessandro Scarlatti
Le Violette The Violets
text by Adriano Morselli
(16741691)
Dewy. scented. pretty violet s.
You are standing. shy.half hidden
Among the leaves,
And you scold my desires,
That are too ambitious.
Sento nel core –
/ feel in my heart
(Anonymous)
I feel in my heart a certain sorrow
Which goes on disturbing my peace:
There shines a torch which inflames my soul:
I f it is not love, i t will be love [soon].
II. Hector Berlioz
Text by Almire Gandonniere
Based on Goethe’s Faust
Air de faust Faust’s Aria
Thank you gentle twilight. you are welcome.
Reveal to me at last this secret, secret sanctuary
Where I feel peace fall over me like a dream.
Like the fresh kiss of soft morning air:
It is of love. it is of love. I hope . . .
Oh. how here I feel
Cares vanish in this place!
I adore this silence and breathe
A pure air of serenity!
Oh sweet girl. my enchanting one,
My too longed for lover!
What feelings possess me in this moment of
destiny!
How I love to look upon your maiden bed.
What pure air of tranquility I breathe!
Lord! Lord!
After my long martyrdom
What happiness!
I beheld on earth angelic grace.
Ill. Franz Liszt
Text:Francesco Petrarca
(1304 – 1374)
!
I Pace non trovo
I find no peace, but for war am not inclined:
I fear. yet hope: I burn. yet am turned to ice:
i
l soar in the heavens. but lie upon the ground:
I hold nothing.
Though I embrace the whole world.
i
;
Love has me in a prison which
He neither opens nor shuts fast:
He neither claims me for his own
r
l
Eyeless I gaze. and tongueless I cry out:
I long to perish, yet plead for succour;
I hate myself. but love another.
And heavenly beauty unmatched in this world.
Such as to rejoice and pain my memory.
Which is so clouded with dreams,
My heart was brought by the sea
And sounds of sea shells against the ear.
Sea shells of sand and sun.
Shadows. mists.
Made of waves and in the sea purified.
And I beheld tears spring
If cast up by the sea was my heart
In the night the sea would beat against my chest.
From those two bright eyes.
Which many a time have put the sun to shame.
And heard words unuttered with such sighs
As to move the mountains and stay the rivers.
Love. wisdom, excellence. pity and grief
Made in that plaint a sweet er concert
Than any other to be heard on earth.
And heaven on that harmony was so intent
That not a leaf upon the bough was seen to stir.
Such sweetness had filled the air and winds.
Nor loosens my halter;
He neither slays nor unshaddes me;
He would not have me live.
Yet leaves me with my torment.
(INTERMISSION)
IV. Gisela Hernandez
l
1 Deprisa, tierra, deprisa
(Faster. world. faster!)
I feed on grief. yet weeping, laugh:
Death and life alike repel me:
And to this state i am come,
Faster world. faster: Move faster sun:
Destroy the system. For love awaits.
2 Benedetto sia’l giorno
What matters this universe?
Let the earth and sun be thrown down!
All is smoke: the only is glory is that love awaits.
My lady, because of you.
Blessed be the day. the month. the year,
The season. the hour,
The moment. the lovely scene,
The spot when I was put in thrall
By two lovely eyes which bind me fast.
And blessed be the first sweet pang
I suffered when love overwhelmed me.
The bows and arrows which stung me.
And the wounds which pierce to my heart.
l
li
l
]
l
And blessed be all those writings
In which I have spread her fame.
And my thoughts,
Which stem from her and centre on her alone.
Faster. world.
Out to the snow with the thorn!
Fly earth: run sun!
Make brief my waiting.
For love awaits!
Faster. world . . .
2 Dialogo – (Dialogue)
Ah! STAR S ARE FALLING!
Blessed be the many voices which have echoed
When I have called Laura’s name,
The sighs and tears, the longing:
4
!i
3 Mi corazon lo trajo el mar
(My heart was brought by the sea)
What are you saying brother?
They are only meteors.
What strange thoughts.
See how from the clear sky
The stars are coming loose! . . .
Place your open hands skyward
So that we can gather them.
Ah! STARS ARE FALLING!
What are you saying brother?
They are only meteors.
They do no fall to us nor can we gather them.
It does not matter.
OPEN YOUR HANDS!
Of the night, the sea would have its voice.
Its joyous voice of the ships in the sea.
In the nets of a fisherman
From the sea return friends when they die.
To the sea returns my heart,
My heart of the deep sea ship.
My heart was brought by the sea.
V. Joachin Turina
Poem by Ramon Maria de las Mercedes de
Campoamor y Campoosorio (18171901)
1. Decicatoria (Piano solo)
2. Nunca o/vida . . . Never forget . .
Now that I am leaving this world.
And before I give my account to the lord.
1 will confess to you.
Here. between the two of us.
With all my soul I forgive those
Whom l have always hated.
You. whom I have deeply loved.
I will never forgive!
3. Cantares – Song
Flee as I try your embraces.
Much closer forever I’m caught:
But your image is with me. in me
The dream of my thoughts.
Ah . . . say it again. say it again.
For yesterday, as I was enraptured.
I listened to you without hearing,
I looked at you without seeing.
4. Los dos miedos (The two fears)
With the onset of that night,
She. remote from me. said:
Why do you come so close to me?
I am afraid of you.
And after the night had passed.
She. close to me. said:
Why do you move away from me?
I am afraid without you!
�5. Las locas por Amor (Extremes of L ove)
I will love you, Divine Venus. if you desire that
I love you eternally and with discretion. The
goddess of C ythera replied to me:
I prefer, as all women do. that you
love me for a short time and passionately.
I will love you, Divine Venus, I will love you.
VI. Guiseppe Verdi (Luisa Miller)
Librettist: Salvadore Cammarano (1801 1852)
lacido
Quando le sere al p
Only with my own eyes could I deny my faith!
If heaven and earth. if mortals and angels
Would testify that she is not guilty.
Lies. I would respond. alI lies.
It is by her hand! So much treachery!
A soul so black! So false!
My father knew her well!
But where are the promises, the hopes. the joy.
The tears. the anguish?
All lies. betrayal, deception!
When in the calm night
Clarity of a starry sky
I gazing through the ether
Saw a love filled glance.
Her hand held mine
Through her hand I felt . . .
Ah! She betrayed me!
Then [ sat mute. ecstatic
From her lips (The words) hung,
And she in angelic tones.
“I love only you” she said.
It seemed the entire universe
Opened to my soul . . .
Ah! She betrayed me!
Raul Melo
VII. Guiseppe Verdi (Un ballo)
Librettist: Antonio Somma (1809 1864)
Ma se m 'é forza perderti
Perhaps she (Safely) reached her threshold,
She reposes at last. Honor and duty,
Have broken open an abyss between our hearts.
Ah! yes. Renato returns to his homeland . . .
and his wife will follow.
Without a goodbye, the immense
Ocean separates us . . .
and the heart must be silent.
I hesitate still?
Tenor
Metropolitan Opera Tenor Raul Melo is a celebrated performer in the US. Europe and Asia.
He has performed the principal tenor roles with Berlin’s Deutsche Oper and State Opera,
Hamburg State Opera, Stuttgart’s State Opera, Zurich State Opera. Dusseldorf’s Deutsche Oper
am Rhein. Frankfurt Opera. and Dresden State Opera to name a few. In the United States
But i f a m forced to lose you
with The Metropolitan Opera, Washington Opera, Dallas Opera, New York City Opera,
Seattle Opera, Cleveland Opera, Palm Beach Opera, and Connecticut Opera among others.
Mr. Melo won the prize of “Best Lyric Tenor” in the 1992 Alfredo Kraus Competition.
Mr. Melo’s 200910 season includes covers at the Met of Le Damnation du Faust, Hamlet and
La Traviata while singing Rigoletto for Fresno Opera, concerts for El Paso Opera and the tenor
lead in WolfFerrari’s The Jewels of the Madonna with Teatro Gratticielo at Lincoln Center.
And now what wicked omen
What spirit overwhelms me.
Desiring to see you again announces
He began his 200809 season singing Manrico in II Trovatore with El Paso Opera before
returning to the Met to sing Madama Butterfly and cover Rigoletto. La Rondine and Le
Damnation de Faust. He also continued his relationship with New York City Opera. singing
their New York parks concerts and also their concert performance of Massenet‘s rarely
performed La Navaraisse. Last season he returned to City Opera to sing Tosca in addition to
being at the Met for Romeo. Pinkerton and Rodolfo. He made his Spoleto Festival USA debut
But heavens. do I not will this?
Ah. I have gned it.
I have signed my sacrifice.
Forever. O my light.
To you will come my heartbeat
No matter what sky you are under.
Shut is your memory
In the depths of my heart.
Locked in the depths of my heart.
An almost a fatal wish
As if it were the last. the last hour.
The last hour our of our love?
Oh, what a foreboding overwhelms me.
As if it were the last
Hour of our love.
As if it were the last moment of our love?
as the Navigator in Anthony Davis” Amistad in addition to being the tenor soloist in the
Beethoven Ninth. He also sang the Verdi Requiem at the Teatro Colon in Buenos Aires.
In 20052006 Mr. Melo made his Metropolitan Opera debut as the Duke in Rigoletto.
returned to Palm Beach Opera to sing Tosca, sang Madama Butterfly at the New Orleans
Opera and performed a gala Puccini concert with the Orchestre Philharmonique de Monte
Carlo conducted by Nello Santi. He returned to the Met roster for Madama Butterfly and
Rigoletto. He also sang Pinkerton in Madama Butterfly at the New York City Opera, Faust in
Kalamazoo and La Boheme in Tokyo.
He first joined the Met in 2004 covering for Arrigo in I Vespri Siciliani and Gustavo in Un Ballo
in Maschera. He also sang his first Rodolfo in Luisa Miller for his Dallas Opera debut. Other
performances included Rodolfo in La Boheme in Palermo and Alfredo in La Traviata in Oslo.
�MICHAEL RECCHIUTI, Artistic Director of the American Opera Theater. and founding
Principal Conductor of the New Jersey Opera Theater. is active internationally as a conductor.
and as a pianist and accompanist. He has collaborated with stars of the international opera
stage. Grammy and Tony award winners, and major musical theater personalities.
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In Italy. he was engaged as head of the musical staff/assistant conductor at Venice’s Teatro La
Fenice. and as Consulente Musicale at the Ente Lirico in Cagliari, Sardegna, where he helped
prepare the first full performance of Rossini’s Guillaume T e l l F rench presented in Italy
starring Chris Merritt.
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He has appeared as accompanist to some of Europe’s leading singers in recitals at Parma’s
Teatro Regio. Teatro dell’Opera di Roma, and for the RAI. In 1990 he conducted the Budapest
Philharmonic during the Budapest Spring Festival.
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In recording. he has conducting the Orchestra di Camera di Padova e del Veneto in bel canto
arias with tenor Chris Merritt, which was chosen as “Best of the Year” by Opera News. Opera
International. and CD Classica magazines. As a pianist. he and American tenor Paul Austen
Kelly released a disc of English art songs by Benjamin B ritten and Roger Quilter for GM
Records.
In America, as Associate Conductor of the New Jersey State Opera. he prepared and
conducted Mascagni’s Lodo/etta, Iris, and Zanetto, and Puccini’s Le Villi. At the New Jersey
Opera Theater now Opera New Jersey, he was founding Principal Conductor. and led
performances of Mozart’s Le Nozze di F igaro. Don Giovanni, and Verdi’s // Trovatore. As
Music Director of the Opera Ensemble of New York he performed Gluck’s Orfeo, and Robert
Ward’s The Crucible, under the supervision of the composer. For the Long Beach Opera he
conducted acclaimed productions of Puccini’s La Rondine, Mascagni’s Ca valleria Rusticana, and
Massenet’s La Navarraise.
=
at the FORUM THEATRE in Binghamton » Txi & Info: 607772–0400 » www 1 icihesopera.com
He was invited by the Orchestra of St. Luke’s to conduct Haydn’s L o Spezia/e at New York’s
Town Hall. He also conducted the Korean Symphony of New York, and the Musician’s
Emergency Fund Gala. both at Lincoln Center.
From 1999 to 2001 he conducted over 70 performances of 15 different work s dividing his
time between the Orlando Opera, the DiCapo Opera in New York. and the National Lyric
Opera in New England.
He was the founding Music Director of Opera de las Americas. the national opera of the
Dominican Republic.
In New York. Michael Recchiuti studied under Giuseppe Patané. and. earlier in Philadelphia.
under Joseph Primavera, who engaged him as Assistant Conductor of the Philadelphia Youth
Orchestra, and choral conducting with Michael Korn. where he was Assistant Conductor of the
Philadelphia Singers. He went to the Aspen Music Festival as Fellowship Conductor. and later
returned as Music Director of the Vocal Institute. He was accepted into Italy’s prestigious
Accademia Chigiana in Siena, where he studied with Franco Ferrara. Carlo Maria Giulini, and
B runo Bartoletti. Consequently he was awarded the Diploma di Merito in Direzione della
Lirica. and was chosen to conduct public performances of Bellini’s Beatrice d i T enda with the
soprano Cecilia Gasdia.
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F If you would like a CD of RAUL MELO '
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I please fill out this form and include it and a check for $15
i payable to: The Binghamton University Music Department,
Attn: Melo CD, P.O. Box 6000, Binghamton, NY 139026000
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l Name:
] Address:
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l O Yes, please include me the BU Music mailing list
I O No, I prefer not to be on our mailing list
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City/State/Zip:
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A portion of the proceeds will benefit the
Binghamton University Music Department.
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_ _ — _ — — — — _ _ — _ — J
�Binghamton Univer sity Music Department ’s
UPC OM ING E V E N T S
W
W
W
Midaay concerts are held on Thursdays, 1:20pm in Casadesus Recital
Hall unless otherwise noted and are FREE
Recital: cellist Mark Rudofi‘ from Ohio State University, Thursday,
October 14, 2010, 8pm, Casadesus Recital Hall, FREE
University Symphony Orchestra ’5 “All Creatures ” Children’s Concert:
Saturday, October 16, 2010, 2pm, Osterhout Concert Theater, $$$
Viola Plus: Roberta Crawford’s “Chamber Works of the 20” and
2r” Centuries? Sunday, October 17, 2010, 7:30pm, Casadesus
Recital Hall, $$$
Family Weekend Concert (Harpur Chorale, Women’s Chorus and
Wind Symphony): Saturday, October 23, 2010, 3pm, Osterhout
Concert Theater, FREE
Guest organist: Michael Bauer, Sunday, October 24, 2010, 4pm,
First Presbyterian Church, Binghamton, $$$
Song of Silk: Saturday, November 6, 2010, 8pm, Osterhout Concert
Theater, $$$
Student Recital: Dan Bessel, bassoon, Sunday, November 7, 2010,
3pm, Casadesus Recital Hall, FREE
University Chorus: First Steps and Final Thoughts, Sunday,
November 14, 2010, 3pm, Osterhout Concert Theater, $$$
For ticket information, please call the
Anderson Center Box Office at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Information about rights held in and over the resource
In copyright.
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1 audio disc
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59:27:00
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145718">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145718</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Raúl Melo, October 9, 2010
Recital Tape 2010-10-9
Description
An account of the resource
Works by Scarlatti, Liszt, Hernandez, Turina, Verdi
Creator
An entity primarily responsible for making the resource
Recchiuti, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-10-09
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
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1 audio disc
Duration
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50:58:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE155416">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE155416</a>
Accessibility
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Title
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Midday October 7, 2010
Recital Tape 2010-10-7
Description
An account of the resource
Works by Marx, Glazunov, Muczynski, Donizetti, McPherson, Bizet,
Creator
An entity primarily responsible for making the resource
Burgress, Mary
Reitz, Margaret
Muller, Robert
Perry, Timothy
Chmela, Amanda
Cannizzo, Victoria
Lee, Ü
Stalker, Stephen
Publisher
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Binghamton University Libraries
Date
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2010-10-07
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/103a6b265636441a3c7c374fbcfc6e72.pdf
3e789e1f793199cb72be4cb5f6c40081
PDF Text
Text
BINGHAMTON
U N I V R R E I T Y
STATE U N I V E R S I T Y O F N E W Y O R K
vwdee
(4
D E P A R T M E N T
THURSDAY
MIDD AY CONCERT
o ( § §; § —
(J
/ i ’
(II/ff, Y
B
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e
&
.
h
OCT. 14,2010
1:20 P.M.
HALL
�PROGRAM
Aria of Blondchen, “Durch Zart/ichkeit,
from Abduction from the Seraglio
W A. Mozart
(17561791)
Christina Kompar, soprano
Margaret Reitz, piano
Ora/son funebre,
Hector Berlioz
from Grande Symphonie Funebre
(18031869)
et Triomphale, Op. 15
(2nd movement)
William Marsiglia, trombone
William James Lawson, piano
Two Impromptus, Op. 90............... .................. Schubert
No. 2 in Gflat
(17971828)
No. 3 in Eflat
Stephen Zank, piano
Impromptu, Op. 35, no. 9............ Reyn’gold Moritsevich Gliere
Humoreske, Op. 35, no. 8
G
l
i
e
(18751956)
r
e
Dan Bessel, bassoon
Margaret Reitz, piano
Ondine (from Gaspard de la Nuit)......................Maurice Ravel
David Gaita, piano
(18751937)
Tre Sonnetti di Petrarca.......................................... Franz Liszt
Pace non trovo
Benedetto sia’l giorno
I vidi in terra
Victoria Cannizzo, soprano
Margaret Reitz, piano
(18111886)
�Binghamton University Music Department ’s
U P C O M I N G E V E N T S
a
fi
M
M
M
M
M
M
M
M
Thursday, October 14 – Recital: cellist Mark Rudoff from Ohio State
University – 8:00 p.m. – Casadesus Recital Hall – free
Saturday, October 16 – University Symphony Orchestra’s “All
Creatures” Children’s Concert (general public) – 2 :00 p.m. –
Osterhout Concert Theater – $5adults; $3 students (Sponsored by the
Binghamton University Music Department, the Discovery Center and the
Binghamton Zoo at Ross Park)
Sunday, October 17 – Viola Plus : Roberta Crawford’s “Chamber
Works of the 20'" and 21* Centuries” – 7:30 p.m. – Casadesus Recital
Hall – $10 general public; $5 faculty/staff/seniors; $2 students
Thursday, October 21 – MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Saturday, October 23 – Master Class with guest organist Michael
Bauer – 10 a.m. – 12 noon – FA21 – free
Saturday, October 23 – Family Weekend Concert (Harpur Chorale,
Women’s Chorus and Wind Symphony) – 3:00 p.m. – Osterhout
Concert Theater – free
Sunday, October 24 – Guest organist : Michael Bauer – 4 p.m. – First
Presbyterian Church, Binghamton – $15 general public ; $10
faculty/staff/seniors; $5 for students
Thursday, October 28 – MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Thursday, November 4 – MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Saturday, November 6 – Student Recital: Briana Sakamoto, soprano
(tentative) – 8:00 p.m. – Casadesus Recital Hall – free
For ticket information, please call the
Anderson Center Box Office at 777ARTS
To see all events, please visit music.binghamton.edu
Become a fan on Facebook by visiting
Binghamton University Music Department
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
59:03:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145715">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145715</a>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Thursday Mid-day Concert, October 14, 2010
Recital Tape 2010-10-14
Description
An account of the resource
Works by Mozart, Berlioz, Schubert, Moritsevich, Gliere, Ravel, Liszt
Creator
An entity primarily responsible for making the resource
Kompar, Christina
Reitz, Margaret
Marsiglia, William
Lawson, William James
Zank, Stephen
Bessel, Daniel
Gaita, David
Cannizzo, Victoria
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-10-14
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/bb96d2be0453f425e1e40827dcabdff1.pdf
10bfb2fea9c56f78cefcc97f9d430149
PDF Text
Text
BINGHAMTON
U N 1 v E R s 1 T Y
STAT E U N I V E R S I T Y O F N E W Y O R K
(247724
D E P A R T M E N T
RECITAL WITH CELLIST
MARK R U DOFF
PIANIST
SANDRA JOY
Thursday, Octo ber 14, 2010
8 p m
Casadesus Rec ital Hall
�He has also been artistinresidence and chamber music instructor at t h e ”
PROGRAM
Variations on “Bei Mannem, welche Liebefihlen"Ludwig van Beethoven
(1770 1827)
from Die Zauberflote by W.A. Mozart, WoO 46
Sonata in Bflat Major, Op. 71
I. Andante molto sostenuto
I. Andante molto sostenuto
I. Andante molto sostenuto
Dmitri Kabalevsky
(1904 – 1987)
INTERMISSION
Sonata in Bflat Minor, Op. 8
I. Allegro ma non troppo
Il. Scherzo: Vivace assai
Ill. Adagio non troppo
IV. Tema con Variazioni: Allegro moderato
Erné Dohnanyi
(1877 — 1960)
Variations on a Theme of Rossini, H. 290............. Bohuslav Martino
(1890 – 1959)
ARTIST BIOGRAPHIES
Ohio State University cello professor Mark Rudoff has demonstrated
extraordinary versatility as a performer and pedagogue. Applauded by critics
as “an exceptionally gifted cellist” and “a charismatic performer,” Mark has
performed in solo recitals and with orchestras in Canada and the United
States, and his solo and chamber performances have been recorded for
broadcast on CBC. A respected chamber musician, he performs with the
Galileo Trio, Chiarina Piano Quartet, and Emerado, and has performed as a
guest with groups including the Music Project, Allegri Quartet, and Marble
Cliff Chamber Players. Equally accomplished in the orchestra sphere, Mark
has served as principal cello of the Calgary Philharmonic and Saskatoon
Symphony Orchestras, and in the sections of orchestras including the New
York Philharmonic, Brooklyn Philharmonic and New York City Ballet. Mark
has appeared as guest artist with the Canadian Chamber Choir and at the
Winnipeg Symphony’s Centara New Music Festival, New Music North, and
the Grand Teton Music Festival.
In addition to his teaching activities at OSU, Mark teaches and serves as
Dean at The Quartet Program in residence at SUNY Fredonia.
Prior to joining the Ohio State faculty, Mark Rudoff was professor of cello,
chamber music’and orchestra at Brandon University in Manitoba, Canada.
Mountain View Festival of Song in Sundre, Alberta; and from 200205
directed the Winnipeg Youth Symphony. He has presented at the ASTA
National Convention. and students throughout Canada and the northern U.S.
have enjoyed Mark’s work as an adjudicator and workshop clinician.
Mark earned Bachelor’s and Master’s of Music degrees from The Juilliard
School, graduating with the Edward Steuermann Prize. He studied there with
Harvey Shapiro, Lynn Harrell, Lorne Munroe and Joel Krosnick, and was
appointed teaching assistant to the Juilliard Quartet. Mark also holds a
Bachelor of Laws degree from the University of Saskatchewan, where he
was appointed to the editorial board of the Saskatchewan Law Review and
graduated with distinction in 1990. He enjoys the odd distinction o f having
published an article about music in the Alberta Law Review, and one with a
legal slant in American String Teacher.
Sandra Joy performs internationally with a diverse range of repertoire and
style, from classical to contemporary to modern improvisation. She has
performed with several West Coast orchestras, recently premiering a
concerto by Larry Nickel with the Canada West Chamber Orchestra, and
earning acclaim for her performance of Gershwin‘s Rhapsody in Blue with
the San Capistrano Valley Symphony. A passionate advocate for Canadian
music, Sandra represented the University o f Alberta and Canadian
composers at the 2009 Brazil Association for Canadian Studies X Congress
(Goiania, Brazil) and before that, in October 2008, at the Mexican
Association for Canadian Studies XIII Congress (Guadalajara, Mexico)
supported by the Canadian Embassy in Mexico. Other recent international
work has been a music and art improvisation performance project with
painter Werner Friesen and concert pianist Douglas Finch, at Trinity/Laban
College in London; and performances at the Castelfranc Piano Summer
Music School in Tarn, France. Sandra has recorded a solo piano volume
Garden of Music by Canadian Alain Mayrand, and a commissioned work To
the Garden the World by Stephen Chatman (CMC Centrediscs) nominated
for a 2010 Juno Award.
As a collaborative pianist, Sandra performed with the Erato Ensemble for the
“2008 Cultural Olympiad” (Vancouver & Whistler, British Columbia)
supported by organizations of Canadian Heritage Society, SOCAN,
Canadian Music Centre and the 2010 Winter Olympics; and with saxophonist
Julia Nolan through Canada, United States and Slovenia. Previous chamber
recital tours have also included North Dakota, northern Mexico, western
Canada, and Vancouver Island. On personal invitation from Dr. Deen
Larsen, this past July she performed at the esteemed FranzSchubert
Institute in Austria).
After years as faculty member of Kwantlen Polytechnic University, Sandra
returned to school for doctoral studies in piano performance at the University
of Alberta researching experimental Canadian works of the midtwentieth
century. She gratefully acknowledges support for her educational research
from the Canadian Federation of University Women (National) – receiving
their highest award, the Margaret McWilliams Fellowship. From the U of A,
she is a recipient of an Honorary Izaak Killam Memorial Scholarship, a
SSHRC Doctoral Award, a Queen Elizabeth II Scholarship, the Beryl Barns
Award and the Leah Memorial Scholarship.
�Binghamton University Music D epartment’s
U P C O M I N G E V E N T S
Midday concerts are held on 7hursdays, 1:20pm in Casadesus
Recital Hall unless otherwise noted and are FREE
University Symphony Orchestra’s “All Creatures” Children’s
Concert: Saturday, October 16, 2010, 2pm, Osterhout
Concert Theater, $$$
Viola Plus: Roberta Crawford’s “Chamber Works o f the 20”
and 21° Centuries”, Sunday, October 17, 2010, 7:30pm,
Casadesus Recital Hall, $$$
Family Weekend Concert (Harpur Chorale, Women’s Chorus
and Wind Symphony): Saturday, October 23, 2010, 3pm,
Osterhout Concert Theater, FREE
Guest organist: Michael Bauer, Sunday, October 24, 2010,
4pm, First Presbyterian Church, Binghamton, $$$
ilk: Saturday, November 6, 2010, 8pm, Osterhout
Song o f S
Concert Theater, $$$
Student Recital: Dan Bessel, bassoon, Sunday, November 7,
2010, 3pm, Casadesus Recital Hall, FREE
University Chorus: First Steps and Final Thoughts, Sunday,
November 14, 2010, 3pm, Osterhout Concert Theater, $$$
For ticket information, please call the
Anderson Center Box O ffice a t 7 77ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
44:41
41:35
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145711">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145711</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Mark Rudoff October 14, 2010
Recital Tape 2010-10-14
Description
An account of the resource
Works by Beethoven, Kabalevsky, Dohnányl, Matinü
Creator
An entity primarily responsible for making the resource
Joy, Sandra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-10-14
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/c013b9ed3d88b658ac540318b3874129.pdf
1a9ec9db110bb0fa897a3fb004e14ab7
PDF Text
Text
BINGHAMTON
U NAY V E R S ] ) ] 1
S TAT E U N I V E R S I T Y O F N E W Y O R K
vdec
’
D E P A R T M E N T
V IOLA P LUS !
Roberta Craw ford viola
Michael Salmi rs piano
Janey Choi violin
Stephen Stalker cello
Timothy Perry clarinet
Mary Burgess soprano
Timothy LeFe bvre baritone
Sunday, October 17, 2010
7:30 p.m.
Casadesus Recital Hall
�PROGRAM
Sonata for Viola and Piano.............cccoeeueeenn.......Robert Palmer
(19152010)
Andante con moto e sempre cantabile
Allegro risoluto
Silenced Voice for Soprano, Baritone,.............Michael Salmirs
(b. 1955)
Clarinet, and Piano Quartet (premiere)
Vanessa’s Lament
Never Shall I Forget
O You Tender Ones
INTERMISSION cx
E
l
e
1
Evocations of Slovakia
The Mountain
Night
Dance
g
y
Elliort Carter
(b. 1908)
Karel Husa
(b. 1921)
Heartfelt thanks to my wonderful colleagues who have given
so freely of their time and talent to make this program possible.
�SILENCED VOICE
Dedicated to violist, Roberta Crawford
and to the memory of Rachel Corrie
and all those who have fought oppression
with only the goodness of their hearts.
I was inspired to compose Silenced Voice after hearing a radio interview on
Democracy Now with host, Amy Goodman and guest, actor/peace activist,
Vanessa Redgrave regarding the play, My Name is Rachel Corrie. Rachel
Corrie, a 23yearold American peace activist from Olympia, Washington, was
crushed to death by a n Israeli bulldozer on March 16, 2003, while standing in
front of a Palestinian family’s h ome, attempting to shield it from demolition. The
play, based on her diaries, was to be produced in NY City, but due to the
‘sensitive‘ nature of the material and the current political climate (2006)
between Israel and Hamas, the theatre canceled the production which the
producers claim was an act of censorship.
Vanessa Redgrave o n Democracy Now:
"...the terrible thing was that it was silencing that girl, and she was killed to be
silenced....l don’t know of a single government that actually abides by
international human rights law, not one, including my own. In fact, violate these
laws in the most despicable and obscene way, I would say. But to cancel a
play, and it wasn’t really a play, to cancel a voice, because it was her voice, is
an act of such catastrophic cowardice, because we are living in times when
people are quite fearful enough about speaking out, for losing their career or,
you know, whatever, and I think it‘s—people in the theater, in film, radio,
television, dance, music, we have to do what we must do.”
Listening to the soulful voice of Vanessa Redgrave tell of this tragic event
touched me so deeply, that I began composing the first movement of Silenced
Voice for Viola and Piano—the viola being for me the closest reflection of
Vanessa’s voice.
Elie Wiesel’s horrific witnessing of the holocaust is the point of departure for the
second movement, Night. Although I wasn’t consciously trying to evoke Jewish
musical pathos, the influence of klezmer can be heard in the extended clarinet
and cello solo.
In the wake of all this pain and suffering in the world, I have to ask myself,
“Where do I stand? How do I go on with my life while these horrors continue
every day?” While I believe that one should defend human rights, whether
through words or actions, and that one should bear witness and shed light on
atrocities whenever possible, there has to be a place inside oneself where fear
and anger can be released—hence, O You Tender Ones. My wife, Roberta
Crawford gave me a gift of Rilke’s Sonnets to Orpheus many years ago. I was
always drawn to this particular sonnet and the lines:
Even the trees you planted as children
Long since grew too heavy, you could not sustain them.
Ah, but the breezes...ah, but the spaces...
These words have lived within me for over thirty years. Now they ’re released in
music.
–Michael Salmirs
Night
Never shall I forget that night, the first night in camp,
that turned my life into one long night seven times sealed.
Never shall I forget that smoke.
Never shall I forget the small faces of the children whose bodies
I saw transformed into smoke under a silent sky.
Never shall I forget those flames that consumed my faith forever.
Never shall I forget the nocturnal silence that deprived me for all eternity of the
desire to live.
Never shall I forget those moments that murdered my God
and my soul and turned my dreams to ashes.
Never shall I forget those things, even were I condemned to live
as long as God Himself. Never.
—Elie Wiesel, Night
translation: Marion Wiesel
O Yo u Tender Ones
O you tender ones, step now and then
into the breath that takes no heed of you;
let it part as it touches your cheeks,
it will quiver behind you, united again.
O you who are blessed, o you who are whole,
you who seem the beginning of hearts.
Bows for the arrows and targets of arrows,
tearstained your smile shines more everlasting.
Fear not suffering; the heaviness,
give it back to the weight of the earth;
the mountains are heavy, heavy the oceans.
Even the trees you planted as children
long since grew too h eavy, you could not sustain them.
Ah, but the breezes...ah, but the spaces...
—Rainer Maria Rilke Sonnets to Orpheus First Part No. 4
translation: M.D. Herther Norton
�ABOUT THE PERFORMERS
ROBERTA CRAWFORD, violist, performs extensively as a recitalist and
chamber musician. As associate director and a founding member of the Finger
Lakes Chamber Ensemble, Ms. Crawford has participated in over one hundred
solo, chamber, and lecturerecitals presented by the ensemble since its
formation in 1990. She has performed with the Catskill Chamber Players,
appeared frequently on the Cayuga Chamber Orchestra’s Sunday Chamber
Music Series and has been a guest performer with the Ariadne String Quartet.
Ms. Crawford has played with the Portland and Syracuse symphonies and has
served as principal violist for the Cayuga Chamber Orchestra.
An advocate of n ew music, Ms. Crawford has premiered numerous works
featuring viola and has been the dedicatee of several works written specifically
for her. She has participated in music festivals throughout the United States
and in the Caribbean and has appeared in live performance broadcasts for
public radio and television. A dedicated teacher, Ms. Crawford has served as
clinician, coach, and adjudicator for numerous music organizations and is
director of ViolaFest at Binghamton. She has been a guest faculty member at
Phillips Academy, the Quartet Program, Ithaca College, and the Eastman
School of Music and is currently coordinator of strings at Binghamton
Canadian violinist, JANEY CHOI, gave her Carnegie Hall recital debut in 1997 as
a winner of the Artists International Auditions and continues an active career
performing on chamber and recital series, and with such groups as the New York
l
l
University.
MARY BURGESS, soprano, a graduate of the Curtis Institute of Music, has
been a member of the Binghamton University voice faculty for over twenty
years. Ms. Burgess made her U. S. operatic debut with New York City Opera
while still a student at the Curtis Institute, and subsequently appeared with
Santa Fe Opera, Washington Opera, New Orleans Opera, Nevada Opera, and
many other regional companies including TriCities Opera in Binghamton. Her
European operatic debut was at the Holland Festival in Amsterdam; she has
also performed at the Spoleto Festival in Italy, at the Theatre Royale de la
Monnaie in Brussels, and with Dublin Grand Opera. Burgess has appeared as
soloist with more than two dozen U. S. orchestras, including the Boston
Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel,
Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati
Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest
at such prestigious festivals as Marlboro, Monadnock, Ravinia, Aspen,
Blossom, Casals, Chautauqua, and the Cincinnati May Festival. Her repertory
of forty roles in five languages ranges from Monteverdi and Cavalli to Britten
and Virgil Thomson. Her performances of Britten’s Les Illuminations and
Mahler’s Symphony No. 2 with the Omaha Symphony were filmed for broadcast
by Nebraska ETV. She has recorded for Columbia, Masterworks, CRI, Sony
Classical, and Telarc.
City Ballet, Harrisburg Symphony, and the Key West Symphony. The recipient of
numerous awards including the Ontario Arts Council’s Chalmers Performing Arts
Training Grant and First Prize in the Canadian Music Competition, she has
participated in such festivals as Mostly Mozart, Norfolk, Taos, the Spoleto
Festivals in the U.S. and Italy, Festival Musical de Santo Domingo, the Santa Fe
Opera and the Sarasota Opera.
An avid interarts and crossgenre collaborator, she is the Music Director of
Thomas/Ortiz Dance, and has performed numerous times with the Parsons
Dance Co., most notably at the Kennedy Center in Washington, D.C., and at the
New Victory Theater in Times Square. Her other interests have taken her to the
visual arts world, developing and presenting an annual “Music + Art” show
commissioning paintings based on chamber works. She has recorded and
appeared with such mainstream performers as Bono (U2) and Quincy Jones,
Enya, Elton John, Adele, Sarah McLachlan, Lisa Loeb, Lenny Kravitz, Kanye
West, JayZ and Beyoncé, on the Grammys, MTV, Saturday Night Live, The
Today Show, at Live 8, Radio City Music Hall and Royal Albert Hall in London,
England.
Dr. Choi attained her Doctor of Musical Arts degree at Rutgers University,
studying with Arnold Steinhardt as the recipient of the Graduate Fellowship
Award. She holds BM and MM degrees from The Juilliard School where her
major teachers were Joseph Fuchs and Joel Smirnoff. In addition to being on
faculty at Binghamton University, she is a Teaching Artist for the New York
Philharmonic and Chamber Music Society of Lincoln Center. In her free time,
she enjoys marathon training, swimming, playing soccer and ice hockey.
fl
1
Baritone, TIMOTHY LEFEBVRE, retum’s to Binghamton University for today’s
concert from the Oberlin Conservatory of Music, where he was appointed
assistant professor of voice. LeFebvre’s diverse operatic repertoire includes
leading roles in Amahl and the Night Visitors, The Ballad of Baby Doe, The
Barber of Seville, La Boheme, Carmen, The Coronation of Poppea, Cosi fan
tutte, The Crucible, L’elisir d’amore, Faust, Die Fledermaus,Hansel and Gretel,
Madama Butterfly, Le nozze di Figaro, Regina, Rigoletto, La traviata and
Turandot. Other operatic roles include those in The Crucible, Dead Man Walking,
H.M.S. Pinafore, Pagliacci. and Tosca. He has appeared with Central City
Opera, Opera
Delaware, Indianapolis Opera, Opera Theater of Pittsburgh, Sarasota Opera,
Syracuse Opera, and TriCities Opera, among others.
LeFebvre’s concert performances include Fauré’s Requiem (Syracuse
Symphony), Handel’s Messiah (Jacksonville Symphony), Brahms’ Requiem
�(Binghamton Philharmonic), and, with the New Dominion Chorale in Washington
D.C., VaughanWilliams’ Five Mystical Songs and Liszt’s Christus. Other
orchestras with which he has appeared are the American Symphony Orchestra
and the Minnesota, Pittsburgh, and Williamsport symphonies. He has performed
in concert at New York’s Carnegie Hall and Alice Tully Hall; at the Marlboro
Music Festival; the Berkshire Choral Festival, where he served on the faculty;
and the Rochester Bach Festival.
A winner of the New York Liederkranz Vocal Competition, LeFebvre has received
a Richard F. Gold Career Grant and an Opera Fellowship at Binghamton
University, and he was a regional finalist in several Metropolitan Opera
competitions.
TIMOTHY PERRY, conductor and clarinetist, is Professor of Music and
currently Chair of the Department of Music for Binghamton University. A
graduate of the Manhattan and Yale Schools of Music, Dr. Perry joined the
Binghamton University faculty in 1986, becoming Professor of Music in 2002,
and receiving the Chancellor’s Award for Creative Activities in 2005. As Music
Director, Dr. Perry has directed the University Orchestra (since 1986), directed
the University Wind Ensemble 19862005, and led the Binghamton Community
Orchestra from 19942004. Widely known as a clarinetist in virtuoso solo and
chamber music, he toured Latin America and the Caribbean as a United States
Musical Ambassador and has presented recitals at three world conferences of
the International Clarinet Association. During 20082009, he appeared as
concerto soloist with the Catskill Symphony, as guest conductor with the
Binghamton Community Orchestra, and as guest artist with the Finger Lakes
Chamber Ensemble. In Summer/Fall 2009 Dr. Perry will serve as Music
Director in Binghamton and Santiago, Chile for a new production of the
Brecht/Weill ThreePenny Opera and will lead the Binghamton University
Orchestra in a gala October 2009 program with the Paul Taylor Dance
Company. With longtime collaborator Margaret Reitz, he will present an All
English recital program “Sweet Albion” in April 2010. In addition to his duties
as Chair, he currently serves as President of the Northeast Division of the
College Orchestra Directors’ Association (CODA) and New York representative
to the National Association of Music Executives of State Universities
(NAMESU).
Pianist MICHAEL SALMIRS is well known as a recitalist and chamber
musician. As a founding member and artistic director of the Finger Lakes
Chamber Ensemble, he maintains a full season of chamber concerts and
lecture recitals and recently presented a series on the last three piano sonatas
of Beethoven. He has appeared as soloist with the Corning Philharmonic,
Binghamton University Orchestra, Cayuga Chamber Orchestra, and is
frequently a featured pianist on their Sunday Chamber Series. In addition to
performing most of the standard chamber music repertoire for strings and
piano, he has premiered numerous solo and chamber works, and recently gave
the world premieres of David Liptak’s and Marek Harris’s Piano Quintets. He
has also participated in such contemporary music series as Binghamton
University’s Musica Nova, Cornell University’s Ensemble X, Chiron, and has
toured and recorded for the Syracuse Society for New Music.
Mr. Salmirs studied at the New England Conservatory and Eastman School of
Music; his teachers have included pianists Leonard Shure and Rebecca
Penneys and composer Karel Husa. Salmirs has taught at the Syracuse
University School of Music and Hobart and William Smith Colleges. He is
currently a faculty member at Binghamton University where he teaches piano
and coaches chamber music. He also maintains a private piano studio in Ithaca
and enjoys teaching students of all ages and levels.
STEPHEN STALKER, cellist, teaches at Binghamton University. He formerly
taught at Colgate University, Mansfield University, Ithaca College and the
Binghamton City School District. He was the principal cellist of the Cayuga
Chamber Orchestra in Ithaca, NY, and has performed extensively with the
Catskill Chamber Players of Oneonta, NY, and in concerts at Binghamton
University. Performing with the Catskill Chamber Players he has presented
Meet the Composer concerts with prominent American composers including
John Cage, Virgil Thomson, Lou Harrison and George Crumb. The Chamber
Players appeared at Weill Recital Hall, premiering a set of four string quartets
by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he
performed the complete Beethoven Trio cycle at SUNYBinghamton. He
performed with Solisti New York on their Alaskan cruise of the Inner Passage
from Vancouver to Juneau. As a member of the Madison String Quartet, he
was a finalist in the Naumberg Chamber Music Competition in New York City
and the Evian International String Quartet Competition in Evian, France. He has
performed in many recital appearances with pianist, Michael Salmirs. He
performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in
concerts at Binghamton University. He is a past president of the New York
State Chapter of the American String Teachers Association and was Strings
Chair for the New York State School Music Association. He is a founder of the
Southern Tier Music Teachers Association and the Binghamton Cello Festival.
He is a graduate of the Manhattan School of Music in New York City.
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�Binghamto n University Music D epartment ’s
U PC O M I N G E V E N T S
Midday concerts are held on Thursdays, 1:20pm in Casadesus Recital
Hall unless otherwise noted and are FREE
University Symphony Orchestra’s “All Creatures” Children’s Concert:
Saturday, October 16, 2010, 2pm, Osterhout Concert Theater, $$$
Viola Plus: Roberta Crawford’s “Chamber Works of the 20” and
2r° Centuries”, Sunday, October 17, 2010, 7:30pm, Casadesus
Recital Ha//, $$$
Family Weekend Concert (Harpur Chorale, Women’s Chorus and
Wind Symphony): Saturday, October 23, 2010, 3pm, Osterhout
Concert Theater, FREE
Guest organist: Michael Bauer, Sunday, October 24, 2010, 4pm,
First Presbyterian Church, Binghamton, $$$
Song of Silk: Saturday, November 6, 2010, 8pm, Osterhout Concert
Theater, $$$
Student Recital: Dan Bessel, bassoon, Sunday, November 7, 2010,
3pm, Casadesus Recital Hall, FREE
University Chorus. First Steps and Final Thoughts, Sunday,
November 14, 2010, 3pm, Osterhout Concert Theater, $$$
For ticket information, please call the
Anderson Center Box O ffice at 777ARTS.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 audio disc
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51:54:00
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145708">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145708</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Viola Plus, October 17 2010
Recital Tape 2010-10-17
Description
An account of the resource
Works by Palmer, Salmirs, Carter, Husa
Creator
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Crawford, Roberta
Salmirs, Michael
Choi, Janey
Stalker, Stephen
Perry, Timothy B.
Burgess, Mary
LeFebvre, Timothy
Publisher
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Binghamton University Libraries
Date
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2010-10-17
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/1d587436c330b80ac65dbaa44edff290.pdf
94c4c06639483315c9acf4ce2aeaf50b
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TAT E U N I V E R S I T Y O F N E W Y O R K
zedec
D E P A R T M E N T
THURSDAY
MIDDAY CONCERT
o ( ve ; >
O
‘
Ne
5,
//
OCT. 21,2010
1:20 P.M.
CASADESUS HALL
�PROGRAM
Sonata, Op. 1 7 . . . i c c a i i i i i n van Beethoven
Rondo
(17701827)
Robert Muller, horn
Margaret Reitz, piano
In dem SchattenmeinerLocken................................................HugoWolf
(18601903)
Ich wollt ein Stréusslein binden......
Das Variassone Magdle/n
Morgen..
E
l
f
e
n
l
i
e
d
Richard Strauss
(18641949)
. . . . . . . . Wo l f
verre... Strauss
W
o
l
f
Briana Sakamoto, soprano
William James Lawson, piano
“Me voila seule...Comme autrefois,".................................... Georges Bizet
from “Les Pecheurs des Panes”
(18381875)
Laura MacAvoy, soprano
William James Lawson, piano
Le Baiser de L’enfant Jesus,
from “Vingt Regards sur L’enfant Jesus”
Olivier Messaien
(19081992)
David Gaita, piano
Romance ..
Les Cloches
Paysage Sentimental
.....Claude Debussy
(18621918)
Christina Kompar, soprano
William James Lawson, piano
Emily’s Aria, “Take me Back”
from “Our Town”
Laura MacAvoy, soprano
Margaret Reitz, piano
.. Ned Rorem
(b.1923)
�Binghamton University Music Department’s
U P C O M I N G E V E N T S
M M M M M M M M F I
Saturday, October 23 – Master Class with guest organist Michael
Bauer – 10 a.m. – 12 noon – FA21 – free
F
I
Saturday, October 23 – Famil y Weekend Concert (Harpur Chorale,
Women’s Chorus and Wind Symphony) – 3:00 p.m. – Osterhout
Concert Theater – free
Sunday, October 24 – Guest o rganist: Michael Bauer – 4 p.m. – First
Presbyterian Church, Binghamton – $
Thursday, October 28 – MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Thursday, November 4 – MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Saturday, November 6 – Song o f Silk – 8:00 p.m. – Osterhout Concert
Theater – $15 general public; $10 faculty/staff/seniors; $5 for students
Sunday, November 7 – Student Recital: Dan Bessel, bassoon – 3:00
p.m. – Casadesus Recital Hall – free
Monday, November 8 Multimedia music performance o f
“Schlsmism: Natural Law” wi th Lisa Karrer and David Simons,
based on the life of Charles Darwin – 5:00 6:00 p.m. – Casadesus
Recital Hall – free (cosponsored by the Department of Music and
Evolutionary Studies)
Thursday, November 11 – MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Saturday, November 13 – Student Recital: Briana Sakamoto,
soprano – 8:00 p.m. – Casadesus Recital Hall – free
Sunday, November 14 – University Chorus: First Steps and Final
Thoughts – 3 p.m. – Osterhout Concert Theater – $
Thursday, November 18 – MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Thursday, November 18 – Friedheim Memorial Lecture/Recital
Series: Claudio Monteverdi, II lament d’Arianna – 8 p.m. – Casadesus
Recital Hall – $; free for students
For ticket information, please call the Anderson Center Box Office
at 777ARTS. To see a listing of all events, please visit
music.binghamton.edu or become a fan on Facebook.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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1 audio
Duration
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48:29:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145705">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145705</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Thursday Mid-day Concert, October 21, 2010
Recital tape 2010-10-21
Description
An account of the resource
Held October 23, 2010. Works by Beethoven, Wolf, Bizet, Messaien, Debussy, Rorem, Strauss
Creator
An entity primarily responsible for making the resource
Muller, Robert
Reitz, Margaret A
Sakamoto, Briana
Lawson, William James
MacAvoy, Laura
Gaita, David
Kompar, Christina
Publisher
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Binghamton University Libraries
Date
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2010-10-21
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/f9327a3e31697405a9f1a00fde35a041.pdf
5a5256289d1ef62b0ec43dfd0825b688
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U
N I V E R S I T Y O
F N E W Y
ORK
dee
r
D E P A R T M
E N T
Family Weekend Concert
Featuring
The Women ’s Chorus
Ta h nee F allis, conductor
William La wson, piano
The Ha r p u r Chorale
Peter Browne, conductor
The Wind Symphony
Ro be rt Sm ith, conductor
Saturday, October 23rd, 2 01 0
3:00 p.m.
Osterlzout Concert Theater
�I I. The H a r p u r Chorale
Peter Browne, conductor
PROGRAM
I. The Women ’s C horus
Sicit C
Tahnee Fallis, conductor
William Lawson, piano
Sound the T
r
u
m
p
e
t weeesses. HENTY Purcell
( 1 6591 695 )
( 18091847)
Oh. how soon the cycle ends, Spring turns into wintertime!
Oh how soon all happiness turns to sad silence!
The last sounds soon fade! The last songbirds are soon flown!
The last green is soon gone! They all want to return home!
Oh, how soon the cycle ends. Merriness turns to longing sorrow.
Were you a dream, you thoughts of love?
Sweet as spring and fast disappearing?
Only one thing will never wane: The longing that never goes.
Ah, how soon the cycle ends:
Oh how soon all happiness tums to sad silence! (Karl Klingemann)
T
R
I
N
A cere... Pablo Cassals
( 18761973)
I am very dark, but comely. O daughters of Jerusalem. . .
Therefore, the King loved me. and brought me into his chamber.
And he said to me: Arise my love, and come:
For now the winter is past. the rain is over and gone.
The flowers have appeared in our land.
The time of pruning is come. Alleluia! (Song of Solomon)
Sigh No More, Ladies
(from Sir John in Love)
Ralph Vaughan Williams
The Parting G l a s s
Traditional I rish Folksong
V
U
S
N
.. Eleanor Daley
(b. 1 955)
From an Unknown P
a
s
arr. Moses Hogan
( 19572003)
t
.
1. The Lover in Winter P l a i n e t h the Spring
2. Hey Nonny No!
3. My Blood So Red. . .
4. Suspiria
5. The Miracle
6. Tears
7. Crabbed Age and Youth
Ned Rorem
(b. 1923)
O What a Beautiful City...........c...ccoecueeueen......... Traditional Spiritual
Arr. Jeffrey L. Webb
(b. 1976)
Samantha VanAdelsberg, soloist
III. The Wind Symphony
Robert Smith, conductor
Pastime: A Salute to Baseball(1999) ...............................Jack Stamp
(b. 1954)
S h e n a n d o a h ( 1 9 9 8 )
Arr. Molly AdamsToomey
(b. 1 9 87)
E E D 8 5 G P . Palestrina
( 1 5251 594)
Upon Your Heart..
( 18721 958)
Stephanie Naru, soprano soloist
Molly AdamsToomey, conductor
Music Down in my Soul
r
As the deer longs for the waterbrooks,
So longs my soul for you. O God. (Psalm 42: 1)
. Felix Mendelssohn
Herbstlied.
e
American Folksong
arr. Frank Ticheli
(b. l 958)
Variations on “America (1891,)..
.. Charles Ives
( 1 8741 954)
Orch. Trans. W. Schuman(1963)
Band Trans. W. E. Rhoads
The Stars and Stripes Forever(1887)..................... John Philip Sousa
( 1 8541 932 )
�Tex t of F ro m A n Unknown Past
T H E P E R F O R M E R S
(Poems by anonymous or unconfirmed authors)
1. The Lover in Winter Plaineth for the Spring
Western wind, when wilt thou blow, that the small rain down can rain?
T H E W O M E N ’ S CHORUS
Christ. if my love were in my arms, and I in my bed again!
Tahnee Fallis, conductor
William Lawson, performance pianist
Jushin Choi, rehearsal accompanist
2. Hey Nonny No!
Hey nonny no! Men are fools that wish to die!
Is’t not fine to dance and sing when the bells of death do ring?
Is ’t not fin e t o sw i m in wi ne. a n d t u rn u pon the toe,
And sing hey nonny no!
When the winds blow and the seas flow? Hey nonny no!
3. My Blood So Red
My blood so red for thee was shed
Come home again, my own sweet heart. come home again.
You’ve gone astray out of your way. come home again.
[
.l
4. Suspiria
O would I were where I would be!
There would 1 be where I am not:
For where I am would I not be,
And where I would be I can not.
5. The Miracle
Behold a wonder here! Love hath received his sight!
Which many hundred years hath not beheld the light.
Such beams infused be by Cynthia in his eyes
As first have made him see and then have made him wise.
Love now no more will weep for them that laugh the while!
Nor wake for them that sleep, nor sigh for them that smile!
So powerful is the Beauty that Love doth now behold,
A s Love is turned to Duty that’s neither blind nor bold.
Thus Beauty shows her might to be of double kind;
In giving Love his sight and striking Folly blind.
Peter Browne, conductor
Weep you no more. sad fountains; What need you flow so fast?
Look how the snowy mountains Heaven’s sun doth gently waste!
But my sun ’s heav ’nly eyes view not your weeping, That now soflly lies sleeping.
Sleep is a reconciling. a rest that peace begets;
7. C robbed Age and Youth
Crabbed Age and Youth cannot live together:
Youth is full of pleasure, Age is full of care;
Youth is like a summer mom, Age like winter weather:
Youth like summer brave, Age like winter bare.
Youth is full of sport. Youth is nimble, Age is lame;
Youth is hot and bold, Youth is wild, and Age is tame.
Age. 1 do abhor thee; Youth, I do adore thee; O my love is young!
Age. I do defy thee: O sweet shepherd hie thee! For methinks thou stay’st too long.
Briana Hanson
Ashley K oo
Bora Lim
Stephanie Naru
Jessica Pyne
Hayley Rein
Julia Rose
Christine Scherer
Siobhan Sculley
Hyeyon Sco
Hannah Wentz
T H E HARPUR CHORALE
6. Tears
Doth not the sun rise smiling when fair at even he sets?
Rest you then. rest sad eyes! Melt not in weeping, While she softly lies sleeping
Elyssa Ackerman
Molly AdamsToomey
Sophie Bass
Carrie Buck
Jiaying Cheng
Meredith Collins
Rebecca Dinhofer
Annie Ferro
Sheena Finlayson
Samantha Grieco
Ashley G rumman
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Samantha Banton
Katie Besemer
Tahnee Fallis
Eliana Frim
Nuala Gaffey
Alexandra Kirby
Kerianna Krebushevski
Yiting Liang
Marisa Sweeney
Samantha VanAdelsberg
Mookey Van Orden
Adam Demetros
Brian Evans
David Frey
Matthew Francis Gawors
Ariel Hausman
Adam Hess
Tomas Kerr
Gabriel Lotto
Gavin McClelland
Glenn Parker
Mark Rossnagel
Joshua Rovou
Joshua Setren
Leander Tanner
Alexander Turo
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Rebecca Falik
David Morrissey
Gregory Norman
Samuel Weintraub
Brian Lee
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Derek Moran
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Sarah Jane Jeheson Chixch
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Amneal STMTA Winners Concent
Tim Perry, Conductor
Frieda Abdo, Soprano
For more information:
www.BCOrchestra.com. conductor@BCOtchestra.com or 607 7569004
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Sunday, October 2 4 – Guest organist: Michael Bau er – 4 p.m. –
First Presbyterian Church, Binghamton – $
Saturday, November 6 – Song of Silk – 8:00 p.m. – Osterhout
Concert Theater – $
Monday, November 8 Multimedia music performance of
“Schismism: Natural Law” w ith Lisa Karrer and David Simons,
based on the life of Charles Darwin – 5:00 6:00 p.m. –
Casadesus Recital Hall – free (cosponsored by the Department of Music
and Evolutionary Studies)
Sunday, November 1 4 – University Chorus: First St eps and Final
Thoughts – 3 p.m. – Osterhout Concert Theater – $
For ticket information, please call the
Anderson Center B ox Office at 777ARTS
To see all events, please visit music. binghamton. e du
Become a fan on Facebook by visiting
Binghamton University M usic Department
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Family Weekend Womens Chorus Harpur Chorale Wind Symphony, October 23, 2010
Recital tape 2010-10-23
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Held October 23, 2010. Works by Purcell, Mendelssohn, Cassals, Williams, Hogan, Daley, Stamp, Ives, Sousa
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Fallis, Tahnee
Lawson, William James
Naru, Stephanie
Adams-Toomey, Molly
Browne, Peter
Adelsberg, Samantha Van
Smith, Robert
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Binghamton University Libraries
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PDF Text
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T h e Confucius Institute of Chinese Opera at
Binghamton University ( C I C O ) is a nonprofit
organization jointly formed b y Binghamton University
a n d the N at i o n a l A ca d e my of C h i n es e Theatre Arts
i1
( N A C T A ) , a n d is sponsored b y the C o n f u c i u s Institute
Headquarters in Beijing, China. Like all Confuci us
Institutes a ro u n d the world, the CICO teaches C h i n e s e
language a n d culture. As a specialized C o n f u c i u s
I nsti t ute, it al so foc uses on p ro m o t i ng Ch i n ese ope ra,
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m u s i c a n d p e r f o r m i n g a r t s . I n a d d i t i o n t o o ff e r i n g
c o u rs e s o n the B i n g h a m t o n c a m p u s , C I C O o r ga n i ze s
lectures, w o r k s h o p s a n d va r i o u s o t h e r activities. It has
also fo r m e d S o n g o f S i l k , a C h i n e s e performance group.
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y .
Silk, native to China, signifies m usic in Chinese culture
d u e t o i t s a s s o c i a t i o n s w i t h s t r i n g e d i n s t r u m e n t s . I n
a d d i t i o n , “ S i l k R o a d ” refers t o t h e a n c i e n t ro u t e o n
w h i c h C h i n a interacted w i t h the M i d d l e East and
the We st . I n a b ro a d e r sense, S o n g o f Silk h o p e s
to b r i d g e the Ea st a n d We s t b y p re s e nt i n g C h i n e s e
p e r f o r m i n g arts. S o n g o f S i l k features C h i n e s e vocal
m u s i c , i n st r u m e nta l m u s i c , dance, and B e i j i n g opera.
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[ts performers i n c l u d e B i n g h a m t o n U n i ve rs i t y faculty,
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NACTA faculty, and guest musicians and dancers,
all h i g h l y professional. As the o n l y performance
g r o u p o f its k i n d i n the U n i t e d States, S o n g o f Silk
eijing
plays a n i m p o r ta nt role i n the p r o m o t i o n o f B
opera, Chinese music and Chinese culture o n college
c a m p u s e s a n d i n c o m m u n i t i e s n a t i o n w i d e .
��SONG OF SILK: A CHINESE CONCERT
ONFUCIUS INSTITUTE FOCHINESE OPE
Program Notes
1. The Purple Bamboo 2 1 4 i
This lively tune is popular south of the Yangtze River. Traditionally, the
main melody is played alternately by the flute instruments and the stringed
instruments, which is typical of the Silk and Bamboo music.
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7. Birds amid Tree Shadows 75 EliQ
The sound of flute is bright and crisp, which
resembles a flock of birds flying and chirping in the woods.
8. Autumn River #451
2. Descending the Mountain TLL
In the Song Dynasry (1 1271279), scholar Pan Bizheng stays with his aunt at
a Taoist temple. Pan falls in love with the Taoist nun Chen Miaochang. His
aunt discovers the love affair, and forces him to leave the temple and to go
to the capital to take the civil service examinations. When Chen Miaochang
finds out that Pan was sent away, she runs to the riverbank, where she hires an
old fisherman to take her across the river to follow him. In the end, they a re
reunited and go to the capital to get married. This excerpt is the scene where
Chen Miaochang rushes to the riverbank and hires the old fisherman. The
humorous fisherman senses what she is going after and mocks her as he rows
the boat to catch up with that o f P ans.
A young monk named Ben Wu escapes from the Buddhist temple. On the way,
he encounters a nun, Se Kong, who happens to escape from her temple as well.
Both of them contemplate resuming secular life. Having a lot in common , Ben
Wu and Se Kong develop feelings for each other and plan to get married. This
excerpt is the scene where Ben Wu expresses how much he longs to be a husband
and a father, and decides to escape from the temple when no one is around.
3. Spring Arrives at the Qing River $21] 5? S I
Beautiful melodies describe a spring scene along the Qing River in Hubei, China.
9. Peach Blossoms # t X
4. Moon over the Placid Lake F # F
f B
The music depicts the breathtaking tranquility and brightness of the autumn
moon shining over the mirrorlike lake.
5. Step by Step 2553???
This famous Cantonese piece is cheerful and enthusiastic, and is usually played
for festivals.
6. New Song of the Herdsmen 4% RR #7 &
x
This famous flute music depicts a herdsmen’s happy life.
A traditional dance of the Han Dynasty’s (220206 BC) style, which is based on
the classic Chinese poem “The Luxuriant Peach Blossoms.” The dance is filled
i
I
with youthful spirit.
1 0 . F l y i n g S o n g s o v e r t h e E
a r t h x i h 3x (brief translation of the lyrics)
Walking on the mountains, I sing mountain songs; casting the fishing net, I
sing fishing songs. When I sing pastoral songs, sheep and horses grow, more
than the stars in the sky. Peonies bloom, I sing flower songs; lychees ripen,
I sing sweet songs. After the spring songs, I sing autumn songs; after the tea
songs, I sing wine songs. I sing of the beautiful scenery before my eyes; good
days pass, one by one, in my songs.
�ONG OF SLIK :
I S
CONFUCU
CHINESE CONCE
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17. Match Made by a Top Scholar IX JTi%
1 1 . H e a v e n l y R o a d x i (brief translation of the lyrics)
I stand on the high mountain at dawn, watching the railroad built in my
hometown. A huge dragon flies through the mountain peaks, bringing lu ck
and prosperity to our snowy plateau. That is a wonderful road to the sky —
the mountains are no longer high and the roads are no longer far. The wi ne is
sweet, the tea is fragran t; happy songs fly everywhere.
1 2 . B e a u t i f u l M o o d E
m B 9 0 1 H (brief translation of the lyrics)
W i n d sends the doves to the starry sky; the moon shines upon our happy dancing .
Let our d reams grow auspicious wings; let beautiful moods follow us everywhere.
13. Moonlight over the Lotus Pond fi
IESE OPER
INSTITUTE O F CHN
&
This is a love story between Princess Chai and General Yang Liulang of th e
Song Dynasty. W h e n the Emperor and Princess C h a i are captured b y enemies,
Yang Li ulang rescues both of them. The princess gives Li ulang a poem and
a pearl shirt as tokens of her affection. Mistaking Liulang with another
nobleman. the E mperor orders the princess to marry him. Fortunately, with
help from a top scholar, all turns out well : Li ulang and the princess eventually
marry each other. This excerpt is the scene in which Princess Chai is reflecting
on how she fell in love with Li ulang. She then prays for a better future for
herself a n d for the S o n g Dynasty.
18. Love Song of Kangding & E 1 x5
While the music develops from a famous folk song with the same name,
This delicate piece resem bles lotus flowers in the wind.
this dance portrays pret ty Ti betan girls in their vivacious youth ful spirit,
14. Tune: Zhengfan bacha E l i / t e a r s
CXPress t h e m .
who tease each other about their love feelings and the lack of courage to
Jinghu is a stringed instrument that accompanies singing i n Beijing opera.
T h i s tune is played to reflect characters’ inner thought, memory, narrative,
monologue, dialogue, etc.
8
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15. Tune: Xipi xiao kaimen E l i / M m g h i
One of the most famous Beijing opera tunes. it is usually played in scenes of
welcoming relatives and friends, hosting banquets and parties, and wedd ings.
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16. Joy of Spring $96 B
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This dance descri bes a Uyghur girl enjoying life during spring. She calls to her
friends to join her in em bracing the beautiful season.
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About the Performers
Ta n g n u e r ABUDULA was born into a Uyghur/Uzbek family and grew up
in Xin jiang, China. Having learned ethnic dances in her childhood, she was an
active member of the dance group of the Southwest Ethnic University and has
performed dance solo and choreographed for various events.
J I Hong is a famous yangqin (Chinese hammer dulcimer) player with Melody
of Dragon. She graduated in 1978 from Shenyang Academy of Music (Yanan
Lu Xun Academy) and became a principal yangqin player for the Liaoning
Provincial Song and Dance Troupe. Since moving to the United States in 1999,
she has performed at Lincoln Center and Carnegie Hall as well as on ABC News
and Channel 51 in New York. She has been interviewed and received extensive
coverage by US Digest Magazine, The Washington Post, World journal and Ming Pao.
JIANG XII'I is a jinghu expert and a National FirstRank Artist in China.
He has been teaching at NACTA since 1976 and is a professor of its Beijing
Opera Department and a distinguished research fellow of the Chinese Opera
Music Institute. Author of books on the art of jinghu, he is currently a visiting
associate professor of music at Binghamton University.
CONFUCIUS INSTITUTE OF CHINESE OPERA
Mama Theater, the Metropolitan Museum of Art and other New York venues.
In 2002, she collaborated on the movie music recording of “Hero” composed
by Oscar winner Tan Dun with world famous violin master Itzhak Perlman.
P e j REITZ is currently on the faculty of Binghamton University and
Ithaca College School of Music. She holds degrees in piano performance
with accompanying emphasis from Boston University, the New England
Conservatory and Binghamton University. She has accompanied throughout
the United States and in England and Austria, and has performed in concerts
with clarinetist Timothy Perry in South America, France, Belgium and Japan.
CHEN Tao, founder and director of Melody of Dragon, is a wellknown
Chinese woodwind musician. The New York Times called him a “poet in music”
and his playing “a miracle of the oriental flute.” Conductor Herbert Von
Karajan praises him as an artist who “performs with his soul.” A graduate and
former associate professor at the prestigious Central Conservatory of Music in
Beijing, he was the winner of the 1989 National Folk Instrument Competition
in China and has performed on tours of the United States, Germany, Italy,
France, England, Holland, Finland, Singapore, Hong Kong, Taiwan and Macao.
and a master’s degree in theatrical performance in 2004, both from the National
Academy of Chinese Theatre Arts. He has been teaching at NACT A since 2002.
A winner of national performance competitions, Jiao specializes in playing chou
(clown) characters. He is currently teaching two Beijing opera courses in the
WANG Tien J o u is a Chinese twostring fiddle virtuoso and member of
Melody of Dragon. He graduated from the Guangdong (Canton) Conservatory
of Music, where later he became a faculty member. Since moving to the
United States, he has performed and lectured throughout the country. He has
performed at the Lincoln Center, New Jersey Performing Arts Center, Carnegie
Hall, Merkin Concert Hall, Columbia University, Peabody University and with
different ensembles in New York City.
LIU Ku i ra n graduated from the National Academy of Chinese Theatre
Arts in 1998 with a bachelor’s in Beijing opera performance and completed
her graduate studies in theatrical theories in 2006. She specializes in playing
qingyi characters (female with gentle and refined dispositions) in the style of
Zhang Junqiu. A master teacher and actress, she is currently a visiting associate
professor of theater at Binghamton University.
H o n g Z H A N G holds a master o f m
usic degree i n voice performance from
Binghamton University, and a bachelor of music degree in voice performance
from the University of WisconsinMadison. Currently a senior lecturer of
Chinese, she is the founder and director of Song of Silk. Her recent and
upcoming performances include solo concerts at Purdue University, Elmira
College, SUNY College of Optometry, Western Michigan University and the
University of Michigan.
LIU LI is a guqin and ruan soloist for Melody of Dragon. Since moving to the
United States in 1994, she has performed and lectured frequently throughout the
country. Her collaboration with the New Music Consort of the Manhattan School
of Music’s Chamber Orchestra received high critical praise. She has also performed
at Lincoln Center, New Jersey Performing Arts Center, Japanese Society, La
A m b e r D a n c e Tr o u p e is a student dance group founded at Cornell
University in 2003. Amber promotes the beauty of Chinese culture through
traditional and contemporary Chinese dances that represent a variety of genres
and ethnic groups in China. Over the past seven years, Am ber has become a
rising star that claims the national spotlight.
JIAO J i n gg e received a bachelor’s degree in Beijing opera performance in 2002
capacity of visiting assistant professor of theater at Binghamton University.
�BINGHAMTON
U N I V E R S I T Y
S T A T E U N V f ‘ l ’ s 'V O
F N E W Y
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Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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1 audio disc
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01:18:16
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154635">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154635</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Song of Silk: a Chinese concert celebrating the first anniversary of the Confucius Institute of Chinese Opera at Binghamton University, November 6, 2010
Recital Tape 2010-11-6
Description
An account of the resource
Held November 6, 2010. Works by Weikang, Guangyi, Qing, Qingyun, Peidong,
Creator
An entity primarily responsible for making the resource
Jingge, Jiao
Kuiran, Liu
Zhang, Hong
Reitz, Margaret A
Xin, Jiang
Abudula, Tangnuer
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-11-06
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/09cb7c9b2d4bb14c37f8b6714c002b38.pdf
c71297f5737d6c8bf905e7e8d24f96d9
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TAT E U N I V E R S I T Y O F N
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D E P A R T M E N T
HARPUR JAZZ ENSEMBLE
FEATURING
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Thursday, A pr il 14, 2011
8: 00 p.m.
Osterhout Concert Theater
HJFE Directo
r: M r. Michae
Cosponsored by the Binghamton Un l Carbone
iversity Music Department
and the Harpur Jazz Project
�PROGRAM
PA RT
.. .. H . Silver
..
Filthy McNasty.............
Arranged by John LaBarbera
D. Ellington & B. Russell
Don’t Get Around Much Anymore
Arranged by Bill Holman
S Nestico
How Sweet It Is
J. Davis, R. Ramirez, J Ramirez, & J. Sherman
Lover Man
Arranged by Kai Winding
Angelika...........................................................................F.Mantooth
.. H. Hancock
Chameleon......................................................
Arranged by Jay Chattaway
PART II — Featur ing Tom D empsey
(To be selected from the following)
T Jones
A Child Is Born
. H. Hancock
Dauphin Dance
The E
I
Arranged by Bob Mintzer
e
v
lt Shouldn’t Happen to a Dream
0
Nica’s Dream
Sambandrea Swing
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t
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r
P Hand
J. Hodges & D. Ellington
Arranged by Peter Hand
..H. Silver
Arranged by Frank Mantooth
D Menza
�ABOUT THE PERFORMER
Guitarist Tom Dempsey’s reputation in the New York jazz scene for hard
swinging sophistication and pure musicality have made him a distinct voice in
the New York Jazz Scene. In recent years Tom has performed and/or recorded
with a virtual “Who’s Who” of world renowned jazz musicians including:
Wynton Marsalis, Paquito D’Rivera, Jim HaII, John Abercrombie, Joh n
Scofield, Tal Farlow, Buddy Montgomery, George Coleman, Kenny
Barron, Roy Hayn es, Jack McDuff, Bobby McFerrin, Gerald Wilson, M el
Torme, Richard W yands, Muhal Ric hard Abrams, and Dave Brubeck. He
has recorded four CDs as a leader: W hat’s Going On (City Tone Records),
Perspectives (Imaginary Records), B lues In The Slope (Igmod Records), I f
Only We Knew (Self Release). Tom has also recorded as a sideman on many
recordings. Since 1992, Tom has been performing as a leader and a sideman
at some of the top jazz venues throughout the world including the JVC Jazz
Festival, Jazz at Lincoln Center, San Francisco Jazz Festival, The Blue Note,
Yoshi’s, Smalls and Smoke. Dempsey has worked extensively with tap dancing
virtuoso Savion Gl over in Bring i n ‘da Noise, Bring i n ‘da Funk as well as in
live concerts. He has made numerous appearances on New York radio and
television including performances on The Rosie O’Donne ll Show and the HBO
series Sex and th e City. Tom is an Artist Endorsee for ThomastikInfe ld
Strings. Along with his active performing career, Tom Dempsey’s talent as a
composer is receiving noteworthy attention. Because of his distinctive sound
and style Dempsey’s music has been described as having “fine compositional
ability and stylistic accessibility.” His music has been featured on his
recordings as well as television and radio programs throughout the world
including the HBO hit series Sex an d the City. Tom’s deep commitment to
education has made him a highly sought after educator and clinician. In recent
years he has been teaching at Jazz at Lincoln Center, SUNY New Paltz,
Rutgers University, New York Jazz Academy and as Artistic Director of the
Jazz Summit at the National Guitar Workshop. He is also the Director of Music
for the National Guitar Workshop. His books Jazz E ras for Guitar, Ea sy
Soloing for Jazz Guitar, SightReading for the Contemporary Guitarist and
Classic Jazz Styles for Guitar are available through Alfred Music and
Workshop Arts. Dempsey has also recorded over 170 online lessons for
WorkshopLive.com covering jazz guit ar performance, repertoire developme nt
and music theory. Tom received his Bachelor of Music Degree in Jazz Studies
from Mason Gross School of the Arts a t Rutgers University in May 1991. In May
1996, he acquired his Masters Degree in Jazz/Commercial Music at Manhattan
School of Music.
www.tomdempseymusic.com info@tomdempseymusic.com
ABOUT THE SERIES
l
l
The Harpur Jazz Ensemble studies and performs bigband repertoire
and appears frequently on and off campus. Guests who have appeared
in concert with this popular ensemble include, among others, Clark
Terry, “Slam” Stewart, Manny Albam, Urbie Green, Frank Wess, Phil
Woods, Jimmy Owens, Marian McPartland, Steve Brown, Mel Lewis,
Slide Hampton, Peter Appleyard, John Faddis, Rufus Reid, Houston
Person, Walter White, Sherrie Maricle, Tia Fuller, Eddie Allen, Bruce
Johnston, Steve Davis, Harry Allen, Bill Easley, Jennifer Leitham, Mike
Davis, Tony Kadleck, Rob McConnell, Chris Jensen, Eddie Allen, John
McNeil, Cynthia Scott, Tony Marino, Ron Vincent. and Chris
Washburne.
ABOUT THE HARPUR JA ZZ ENSEMBLE
l
l
The Harpur Jazz Ensemble director, MICHAEL J. CARBONE, is a
native of Utica, New York. H e moved to the Binghamton area in 1981
and is an instrumental music teacher in the Johnson City School district
where he currently is Coordinator o f Music, Director o f Concert Band,
and Jazz Ensemble at the high school. He joined the Binghamton
University music faculty in 1997 and serves as the Director of the Jazz
Studies Program and the Director o f the Harpur Jazz Ensemble. He
holds a B.M.E. from the Crane School of Music and a M.M. from
Binghamton University. Carbone has performed as a side man with
many wellknown artists including AI Marino, Natalie Cole, Tommy Tune,
Mel Torme, The Jimmy Dorsey Orchestra, Danny D’Imperio’s Big Band
Bloviation, the Central New York Ja zz Orchestra, and The Temptations.
Mike currently is t he saxophonist with the local and popular jazz quartet
Miles Ahead.
�The 2011 Spring semester of the Harpur Jazz Ensemble includes the
following:
SAXOPHONES
Andrew Block
Jasmine Aiken & ZaI Mirza
Dean Papadopoulos
Ray Hendricks
Mercedez Koo
1* alto
2 ” alto
1% tenor
2 ” t enor
Baritone
Sax
TRUMPETS (al phabet ical ord er)
Mark Adler
Tomasz Falkowski
John Marschauser
Jeff Martinez
Kim Metaxas
TROMBONES
Nicholas Carter
Mo “Reese” Taylor
Andrew Rosenberger
Jay Bartishevich
PIANO
Matthew Kos
Joey Lieber
BASS
Paul Watrobski
DRUM SET
Devan Tracy
Alex Gregorio
Michael McManamon
VIBES
Devan Tracy
VOCALIST
Carrie Buck
public service medai
for your community
PES
ane
�Bingh amton Unive rsity Music D epartm ent’s
14 POO/V1 / N 4 E V E N T S
Friday, A pril 15 – Lecture “M other, Co me and Cure Me”: Son gs o f “ Blind
Tom” Wiggins by Stephani e Jensen Moulton – 3:00 p.m. – Casadesus
Recital Hall – free
Thursday, April 28 – MidDay Concer t – 1:20 p.m. – Casadesus Recital Hall
free
—
Thursday, April 28 – Trump et Studio Concert – 8:00 p.m. – Casadesus
Recital Hall – free
Saturday, April 30 – Harpur Chorale and Wom en ”s Chorus – 8:00 p.m. –
Anderson Center Chamber Hall – free
Sunday, May 1 – Wind Sym phony Co ncert: So lo Compe tition Win ners –
3:00 p.m. – Anderson Center Chamber Hall – free
Sunday, May 1 – M aster’s Recital: Ja mes Hsia, violin – 7:30 p.m. –
Casadesus Recital Hall – free
Thursday, May 5 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall –
free
Thursday, May 5 – African M usic Ense mble – 7:00 p.m. – Anderson
Chamber Hall – free
Friday, May 6 – Flute Stud io Recita l – 10:15 a.m. – Casadesus Recital Hall –
free
Friday, May 6 – Faculty Re cital: Jina h Lee, pia nist – 8:00 p.m. – Casadesus
Recital Hall – $5 general public
Saturday, May 7 – A frican Dr um Ense mble – 3:00 p.m. – Library Tower
(Spring Fling) – free
Saturday, May 7 – Master’s Recital: Robert M uller, French h orn – 3:00 p.m.
– Casadesus Recital Hall – free
Saturday, May 7 – Student Recital: B riana Sakamoto, so prano – 8:00 p.m.
– Casadesus Recital Hall – free
Sunday, May 8 – U niversity Chorus w ith the Universit y Symph ony
Orchestra: Mass M asterwor ks – 3:00 p.m. – Osterhout Concert Theater –
$10 general public; $5 faculty/staffiseniors; free for students
Sunday, May 8 – Senior Voi ce Recital: Samantha Banton a nd Molly
AdamsToomey – 1:00 p.m. – Casadesus Recital Hall – free
Sunday, May 8 – Senior Hon ors Recital: J ieun Jang, piano – 7:30 p.m. –
Casadesus Recital Hall – free
For ticket information, please call the
Anderson Center Box Office a t 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:39
40:31
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145517">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145517</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Harpur Jazz Ensemble featuring Tom Dempsey, April 14, 2011
Recital Tape 2011-4-14c
Description
An account of the resource
Held at 8:00 p.m., April 14, 2011, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Dempsey, Tom
Carbone, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-04-14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound