65 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 14:58 20:40 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145513">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145513</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz improv class, 4/14/11 Recital Tape 2011-4-14b Description An account of the resource Held on April 14, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:07:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145446">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145446</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trumpet studio concert, April 28, 2011 Recital Tape 2011-4-28 Description An account of the resource Held on April 28, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8ec35eedcffb56ec8985c0475ab8fbb3.pdf b2022d3122b2edf107c0891232bcf46a PDF Text Text BINGHAMTON E E N 1 V E R S 1 T Y S T A T E U N I V E R S I T Y O F N E W Y O R K E T A zedeC T M E N T BIN GHA MTO N UNI VERSITY S Y M P H O N Y C ONcER T O & ARIA CO M PE TIT IO N Sunday, September 18, 2011 6:30 p. m. Casadesus Recital Hal l �PROGRAM Concerto # 2 in F minor, Op. 21, I * Movement................. C o n c e r t o Trombone in f minor, 2 & 3 movements......Gréndahl William Marsiglia, trombone Chopin SungKyun Ryu, piano ConcertoM arimba, 1° movement............................ ............Ewazen “Eri tu, che macchiavi” from Un ballo in maschera........... Adam Goldenberg, marimba Verdi HeePyoung Oh, baritone Cello Concerto in e minor, I ’ movement ..................... S R R Xander Edwards, violoncello “O zittre nicht”from Die Zauberﬂo’te.................................Meee. Mozart Meghan Cakalli, soprano 5 “Glitter and be Gay” from Condide.... .........cinssrssasivssssssas .. Bernstein A th Cello Concerto in e minor, 4 movement..................... Eric Wuu, violoncello ..........Elgar Christina Kompar, soprano Der Schwanendrehrer, I” MOVEMENL.......... cososassns, weveerenennnn . Hindemith “Che gelida manina” from La Boheme Puccini Benjamin Pochily, viola EunHwan Bae, tenor “Ah...tardai troppo...O luce di quest” anima f rom Linda di Chamounix Donizetti Kathleen J asinskas, soprano Special thanks to accompanists Pej Reitz & John Isenberg, and our Jury, Professors Stephen Zank, Paul Schleuse & April Lucas �Binghamton U niversity Music Department’s U P C O M I N G E V E N T S $ M ﬁ w é ﬂ ﬁ w b ﬁ r y ﬁ t ﬁ w Saturday, September 24 – Binghamton University Symphony Orchestra Alumni Jam – 10:30 – 11:30 a.m. – FA111 – Free Thursday, October 6 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, October 13 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Sunday, October 16 – Mobius Ensemble and Friends: Chamber Music Masterpieces – 3 p.m. – Watters T h e a t e r $10 general public; $6 faculty/staﬀ/seniors; $3 students ~ Thursday, October 20 – MidDay Concer t – 1:20 p.m. – Casadesus Recital Hall – free Friday, October 21 – TriCities Opera presents “Madame But terﬂy” – 8 p.m. – The Forum Theatre – call (607) 7720400 for tickets Saturday, October 22 – Family Weekend Concert (Harpur Chorale, Women’s Chorus and the University Symphony Orchestra) – 3 p.m. – Osterhout Concert Theater – free Sunday, October 23 – TriCities Opera presents “Madame Butterﬂy” – 3 p.m. – The Forum Theatre – call (607) 7720400 for tickets Sunday, October 23 – Alumni Organ Recital: John Novak (MM ’06) – 4 p.m. – First Presbyterian Church, Binghamton – $1 0 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, October 23 – Binghamton University Symphony Orchestra: Concerto and Aria Competition Concert – 7:30 p.m. – Osterhout Concert T he at er $1 0 general public; $6 faculty/staﬀ/seniors; $3 students Thursday, October 27 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free Friday, October 28 – Pianist Margaret Reitz presents “Forty Fingers” with pianists Ida TiliTrebicka, Amy Heyman and Tina Toglia – 8 p .m. – Casadesus Recital Hall $6 general public; $3 faculty/staﬀ/seniors; free for students Call t h e A nderson Center B o x O ﬀice a t 7 7 7 A RT S f o r t ickets. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 10:05 39:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145509">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145509</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concerto & Aria Competition, September 18, 2011 Recital Tape 2011-9-18 Description An account of the resource Held on September 18, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-09-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:55 22:22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145505">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145505</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Chorale and Women's Chorus, April 30, 2011 Recital Tape 2011-4-30 Description An account of the resource Held at 8:00 p.m., April 30, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/1fbfa465581b89e80262a5280fa957b4.pdf bda631fa91a8ddaca27c823f26d14f85 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K o d e & D E P A R T M E N T PICTURES AT AN EXHIBITION J ieu n Jang, Piano Sunday, May 8, 2011 7:30 p.m. Casadesus Recital Hall �PROGR AM ABOUT THE PE RFORM E R Piano Sonata in C# minor, Hob. XVI No. 36........... Joseph Haydn (17321809) Moderato Scherzando J ieun J ang is a senior Bachelor of Music student from South Korea. She has been studying piano with Michael Salmirs, and she Menuetto Ballade No. 2 in F major, Op. 38.....................Frédéric Chopin (1 8101 849) 80 IN TERMISSIO N 3 ..................Modest Mussorgsky Pictures at an Exhibition .. (1 839–1 881 ) Promenade I. Gnomus Promenade II. II vecchio castello [The old castle] Promena de III. Tuileries (Dispute d’enfants apres jeux) [Dispute between children at play] IV. Bydio [cattles] Promena de V . b a n e t H eBbinynu eLumxca n t e H y o s [ Ba lle t o f t h e unhatched chickens] VI. Samuel Goldenburg und Schmuyle Promenade VII. Limoges, Ie marché [The market at Limog es] VIII. Catacombae/Cum mortuis in lingua mortua IX. N3byLwika Ha kypbux HOoxkax (babaAra) [The hut on fowl’s legs (BabaYaga)] X. BoraTblpckue BopoTa (B ctonbHoM ropone Bo Kuese) [The Bog atyr gates (in the capital in Kiev)] is graduat ing this se mester. She plans to pursue a Master’s degree in music history at Hunter College. She p erformed with many departmental ensembles such as Universi ty Symphony Orchestra, Wind Symphony, University S tring Orchestra and U niversity Chamber Chorus. S he plans to specialize in Sergei Prokoﬁev’s music. �Binghamton University Music Department’s U P C O M I N G E V E N T S ﬁ m m w m w a w s m Tuesday, May 10 – Percussion Ensemble – 8 p. m. – Anderson Center Chamber Hall – free Wednesday, May 1 1 – Composition Seminar Concert (Loy) – 7 p. m. – Casadesus Recital Hall – free Thursday, May 12 – Student Recognition MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Friday, May 13 – Chinese Music Ensemble Class Concert – 5:00 p.m. – Casadesus Recital Hall – free Wednesday, May 18 – Voice Class Recital (MUS143 Chmela) – 1 1 a.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:00:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154632">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154632</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pictures at an exhibition, Jieun Jang, May 8, 2011 Recital Tape 2011-5-8b Description An account of the resource Held at 7:30 p.m., May 8, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Jang, Jieun Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/dbb82ec123b0547b91d55d06e53bc524.pdf d0f099147de851c1c65caeded92e3943 PDF Text Text BINGHAMTON U N I V E R S l T Y S T A T E U N I V E R S I T Y O F N E W Y O R K E N T D E P A R T M STUDENT RECOGNITION M I D D AY CONCERT 0 / P= p {"§’#t<\ a t ) i NE 1 > , / Led v / V / & S 4 , / v a . 4 Thursday, May 12, 2011 1:20 p.m. Casadesus Recital Hall �Madama Butterﬂy — Flower Duet The Binghamton University Department of Music presents its 201 1–12 S tudent Recognition MidDay Outstanding achievement in Music Scholarship, Leadershi p and Performance Program Prof. Timothy Perry, Chair Welcome H ee e a s t e ...............BurrellPhillips Daniel Bessel, Bassoon nominated by Prof Martha Weber Kdyz mne stard (Songs My Mother Taught Me) Op. 55, No. 4 ...... Antonin Dvorak Briana Sakamoto, Soprano nominated by Prof. Mary Burgess Alexa Weinberg, A rts Ad ministration nominated by Prof. Paul Schleuse Jieun Jang, Piano nominated by Prof Michael Salmirs . Robert Schumann Marienwiirmchen (Ladybug), Op. 79, No. 13 . Samantha Banton, Soprano nominated by Prof. Mary Burgess H eath e r W ord en, I nstr u mental Cond ucting nominated by Prof Timothy Perry Laura MacAvoy, Soprano weveeeneen. Richard Strauss nominated by Prof. Mary Burgess String Quartet No. 8 in c minor, Op. 1 10 (Movement 2)........ Dmitri Shostakovich Alla Corda Quartet James Hsia & Gabrielle Maire, Violins Benjamin Pochily, Viola Xander Edwards, Cello nominated by Prof Roberta Crawford Flower Duet (from Madama Butterﬂy) .. Cabiria Jacobsen, MezzoSoprano Victoria Cannizzo, Soprano nominated by Prof. Peter Sicilian .Giacomo Puccini Many thanks to our accompanists .. ChaiKyou Mallinson, Margaret Reitz and U. Lee Reception to follow . Signora, quetatevi... quel pianto.. Bu tterﬂy: No: rido, rido! Quanto lo dovremo aspettar? Che pensi? Un ’ora? Suzuki: Di piu. Butterﬂy: Due ore forse. Tu tto... tu tto sia pien di ﬁor, Pictures at an Exhibition : X. The Great Gate of Kiev.............Modest Mussorgsky Schlagende Herzen (Throbbing Hearts), Op. 29, No. 2.. Butterﬂy: Scuoti quella fronda di ciliegio e m ’innonda di ﬁor. Io vo ’ tuﬀar nella piggioa odorosa l’arsa fronte. Suzu ki : ..in the Green Room, across the hall Come la notte e di faville. Va pei ﬁor! Suzu ki : Tutti i ﬁor? Butterﬂy: Tutti ﬁor... tutti, tutti, Pesco, viola, gelsomin, Quanto di cespo o d ’erba o d ’albero ﬁori. Suzuki: Uno squalor d ’inverno sara Tutto il giardin. Butterﬂy: Tutta la primavera voglio Che olezzi qui. Suzuki: A voi signora. Butterﬂy: Cogline ancora. Suzuki: Sovente a questa siepe veniste a Riguardar lungi, piangendo Nella deserta immensita. Butterﬂy: Giunse 1’atteso, nulla piu chiedo al mare. Diedi pianto alla zolla, essa i suoi ﬁor mi da! Butterﬂy: Shake that branch of cherry tree and bathe me in ﬂowers. I want to plunge my burning brow into the perfumed rain of cherry blossoms. Suzuki: Madame, calm yourself, those tears. Bu tterﬂy: No: I’m laughing, I’m laughing! How long will we have to wait for him? What do you think? An hour? Suzu ki : More. Butterﬂy: Two hours perhaps. Let everything be full of ﬂowers, Just as the night is full of sparkling stars. Go for the ﬂowers! Suzuki: All the ﬂowers? Butterﬂy: All the ﬂowers... all... Peach, violet, jasmin, Anything that has bloomed on bush, grass or tree. Suzuki: The garden will have a look of wintry squalor. Bu tterﬂy: All of the springtime I want that smells here. Suzuki: Here, madame. Butterﬂy: Pick some more. Suzu ki : Often to this hedge you came to look far away, weeping in the deserted immensity, Bu tterﬂy: The awaited man has arrived; I ask no more of the sea. I poured my tears onto the earth & it gives me back its ﬂowers! �Suzu ki : Spoglio e I’orto. Butterﬂy: Spoglio ‘e I’orto? Vien, m ’aiuta. Suzuki: Rose al varco della soglia. Butterﬂy & Suzu ki : Tutta la primavera voglio Che olezzi qui. Seminiamo intorno April. Suzuki: Gigli, viole? Butterﬂy: Intorno, intorno spandi. Il suo sedil s’inghirlandi di convolvi. Butterﬂy & Suzuki: Gettiamo a mani pi ene, Mammole tuberose, Corolle di verbene, Petali d ’ogni ﬁor! Suzuki: The garden is stripped. Butterﬂy: The garden is stripped? Come, help me. Suzuki: Roses at the opening of the threshold. Butterﬂy & Suzu ki : I want all o f springtime to pene trate this room with its scents. Let us sow the mo of April around us. Suzuki: Lilies, violets? Butterﬂy: Around, around spread them. His seat b garlanded with morning glories. Butterﬂy & Suzuki: Let’s throw with hands full, shrinking violets and tuberoses, corolla: verbenas, petals of every ﬂower! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:35:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145502">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145502</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recognition mid-day concert, May 12, 2011 Recital Tape 2011-5-12 Description An account of the resource Held at 1:20 p.m., May 12, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bessel, Daniel Sakamoto, Briana Jang, Jieun Banton, Samantha Worden, Heather MacAvoy, Laura Hsia, James Maire, Gabrielle Pochily, Benjamin Edwards, Xander Jacobsen, Cabiria Canninzzo, Victoria Mallinson, Chai-Kyou Reitz, Margaret A Lee, Ü Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/026effa678e01a24735f5b654dcb68a0.pdf ec6367ba2606bd61fe9d4c9539447890 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y O F N E W Y O R K o d e [4 D E P A R T M E N T UNIVERSITY PERCUSSION ENSEMBLE CONCERT Daniel Fabricius, Conductor Paul Goldstaub, Guest Conductor Ben Ramos, Xylophone Soloist Assisted by the Binghamton University Low Brass Ensemble Donald Robertson, Conductor Tuesday evening, May 10, 2011 8:00 PM Anderson Center Chamber Hall �University Percussion Ensemble Personnel Program John Erdman . Adam Goldenberg Amanda Jacobs Mike McManamon Benjamin Ramos Rose Steenstra Tyler Steere Devan Tracy Andrew Williamson ++ ose yotr llyich Tchaikovsky Arranged by Matt Chedister March Slav Halgorhythms. .................. .................. .......PaulGoldstaub Binghamton University Low Brass Ensemble Paul Goldstaub, Guest Conductor Trombones: Jay Bartishevich, William Marsiglia, Rob Menard, Drew Perotti, M att Kratenstein Baritone Horn : Andrew Kaufman Donald Robertson, Advisor DANIEL FABRICIUS has been a member of the Binghamton University faculty as percussion instructor since 1992. He also serves as Director of Bands at Owego Free Academy where he has developed an outstanding instrumental music program that features a concert band, two jazz bands, and various chamber music ensembles. He is highly regarded in the region as a percussion soloist and ensemble player. He has been a member of the Binghamton Philharmonic percussion section since 1982 but is also comfortable performing in popular, rock, jazz, and other styles. He has played as a freelance percussionist, accompanying national touring artists such as Michael W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Brothers, and Ella Fitzge rald. Professor Fa bricius has served the New York State School Music Association as an AllState Percussion adjudicator for many years. He also serves NYSSM A as the Instrumental Jazz Reviews editor of The School Music News and is the Jazz editor for the NYSSMA Manual. In addition to his col legiate work at BU , he has also served on the Summer Session faculty at Ithaca College. He has trained many student teachers from IC and recently served as a consultant and guest lecturer at the college for a summer workshop titled, Teaching Jazz f o r NonJazz Educators. This summer he will be on the faculty of the Ithaca College Summer Music Academy. He has presented « . v v v . . . . . C h ri s t o p h e r Bonham WINTERMISS IONC3 PulpFriction ................... ................... .....Chris S E ThreeBrother s.................. ................... ...Michael C O I N Xvlophonia............. .Joe Green Arranged by Bob Becker Ben Ramos, Xylophone SabreDance. ................... ............ ........Aram K hachaturian Arranged by James L. Moore man y clinics at m usic con ventions and conferences and often serves as a guest conductor for honor band festivals. 4 PAUL GOLDST AUB has been P rofessor of Music Theory and Composition. Coordinator for M usic Theory and director of Musica Nova concerts since 1998. He holds degrees from Ithaca College and the Eastman School of Music and has studied composition with Karel Husa, Samuel Adler and Warren Benson. Dr. Goldstaub‘s compositions have been performed at Lincoln Center, Carnegie Hall, oﬀBroadwa y, and in Canada, Great Britain, Germany, Japan, Russia and Italy. He has bee n awarded grants from the National Endowment for th e Arts. the National Endowment for the Humanities, Meet the Composer, and the Minnesota State A rts Board. �Program Notes DONALD ROBERTSON h as taught Low Brass at Binghamton University since 1974. He also taught middle school band in Sidney, N Y from 1969 until 2006. He was a founding mem ber of the Glimmerglass Opera Orchestra in 1975 and retired as Principal Trom bone in 2010. He is currently Principal Trombone with the Binghamton Philharmonic and also performs with the Catskill and Utica Symphonies. He is a m ember of the International Trombone Association and has performed at several I.T.A Festivals and Eastern Trombone Workshops. BEN RAMOS is a sophomore at Binghamton University c urrently majoring in Computer Science and planning on minoring in Music and G eneral Engineering. Has been playing percussion since 4th grade and began his fascination with mallet percussion instruments while in high school. Ben performed at NYSSMA solo competitions and was pa rt of the PatchogueMedford HS Wind Ensemble under the direction of Peter Randazzo. Earlier this semester Ben was one of the featured percussionists for a University Wind Symphony pe rformance of David Gillingham ’s Concertino for Four Percussion and Wind Ensemble. Ben was l1. M A R C H SLAV — In J une of 1876, in what would be a prelude to the Russo Turkish War, Serbia declared war on the Ottoman Empire. Russia openly supported Serbia, and many Russians volunteered to ﬁght with the Serbians. Shortly thereafter, the director of the Russian Musical Society commissioned an orchestral piece of music from Tchaikovsky for a concert to aid the Red Cross Society, which in turn cared for the wounded soldiers and veterans of the conﬂict. The Slavonic March (or Slave Marche) was ﬁrst performed in Novem ber 1976 in Moscow. This piece was both challenging and rewarding to arrange. The challenging part was embodied by the fact that I was working from a condense score, written in Italian, and had no experience in any clef other than treble or bass. Those circumstances resulted in me studying this piece in great depth, and in the process I learned more about advanced music theory, caught a glimpse of Tchaikovsky’s brilliance, and made myself a better musician. The real reward, however, is producing a piece that I hope will be truly enjoyable. (Notes by the arranger, Matt Chedister, BU Class of 1995) born in Queens, N Y and now currently lives in Medford, N Y. H ALGORHYTHMS — is a joyful, playful piece in one movement for four trombones and percussion. “Halgothythms” is a madeup word, using “HAL” for Hal Reynolds, Professor of Trombone, and “GOR” for Gordon Stout, Professor of Percussion, both from the School of Music at I thaca College. First, the trombones begin slowly, and then the four percussionists move to a faster tempo. Eventually, the rhythmic patterns build in complexity and the dynamic range becomes broader, ending with a bold, crisp unison. (Notes by the com poser, Professor Paul Goldstaub) [ l v BONH AM — Scored for a percussion ensemble of eight players, Bonham is an ode to rock drumming and drummers, most particularly Led Zeppelin ’s legend ary drummer, the late John (“ Bonzo”) Bonham. The core ostinato of the score, played by the drum set, is reminiscent of Led Zeppelin ’s When the Levee Breaks, although there are references to other Led Zeppelin songs as well, such as Custard Pie and Royal Orleans. In addition, two other sources are cited: The Butterﬁeld Blues Band (Get Yourself Together) and Bo Diddley, whose adoption of the traditional “hambone” rhythm added so much to the distinctive style o f his material. Completed in Fairport, New York on November 13, 1988, Bonham was com missioned by the New England Conservatory of Music through funds provided by the Massach usetts Arts Council. It was ﬁrst performed in April 1989 at the New England Conservatory in Boston by the Conservatory Percussion Ensemble conducted by its Music Director, Frank Epstein, to whom the work is dedicated. (Notes by the composer, Christopher Rouse) �P U L P FRICTION – Stomp, a combination of percussion, movement and visual comedy, was created in Brighton, UK, in the summer of 1 991. It was the result of a tenyear collaboration between its creators, Steve McNicholas and Luke Cresswell. Stomp uses a variety of everyday percussion instruments in their shows. The “theatrical percussion” aspect of Stomp has prompted many new compositions. Most of these pieces have a rather loose “story” that unfolds through the piece. Chris Crockarell and his partner in music publishing, Chris Brooks, have created a special line of percussion methods, music books, and percussion ensemble compositions for those educators looking to bring fun to the art of music. (Notes by Dan Fabricius) T H R E E BROTHERS — How did you start in music? — 1 was raised in a small town, Brookﬁeld, IL, which was absolutely devoid of music, dance or theater. Movies were m y culture. At age 1 0 I saw drummer Ray Bauduc in a lines as “ragged” these melodies were set against a steady, marchlike bass pattern played by the pianist ’s left hand. After 1915, the rag began to be transformed, and its infectious syncopation was applied to many types of popular and some classical music. Stra vinsky’s Rag time for Eleven Instruments and Debussy’s Golliwog’s Cakewalk are examples. The term “Ragtime“ came to refer to all music that used the characteristic “four against three” syncopation of the earlier piano rags. By 1920 a t ype of ragtime became popular along with a new dance called the foxtrot, known as “Novelty Ragtime,” this music was highly technical, programmatic and speedier than previous rag music, and it was a perfect vehicle for an instrument which had recently been engineered to a high standard of quality by manufacturers in the Chicago area — the xylophone. movie play “Big Noise from Winnetka” with bassist Bobby Haggart and l was mesmerized. I hounded my father for a drum, and when I got it I immediately played the rhythms I heard Bauduc play in that movie. I soon formed my own band, the Three Jacks and a Jill, and started my career as a selfemployed musician. I traveled into Chicago to hear the big bands and imitated every drummer I heard. Jazz was my only ambition up to age 19. During the 1920’s, the xylophone as a solo instrument reached a peak in popularity. Xylophone soloists appeared with piano accompanim ent, in dance orchestras and concert bands and were heard regularly on radio broadcasts and phonograph records. George Hamilton Green, Sammy Herman and Harry Breuer, the best known xylophonists of this era, won critical acclaim as well as What happened then? — 1 went to the University o f Illinois and studied percussion with Paul Price, who was just starting the percussion ensemble as an xylophonists. He was a great technical innovator, as well as a proliﬁc composer, and hence played a major role in the creation of an extensive solo literature for the xylophone. This body of music came to include transcriptions of standard overtures, Hungarian rhapsodies, violin concertos and concert piano selections as well as original compositions for the xylophone in the form of medleys, rags and novelty dance music. accredited course in universities. But I was a bad student academically because I was playing a jazz band six nights a week. How did you start composing? — Price invited me to a percussion ensemble concert in a last ditch attempt to get me to be a serious classical music student. After the concert he asked me what I thought of it. I arrogantly told him I admired the students’ playing but that I thought the music was “terrible.” These were works by Varese, Harrison, Cage, Cowell, and the other giants of early percussion composition. He took a long look at me and said quietly, “If you don ’t like what you heard, why don ’t you try your hand at it.” 1 was thunderstruck by his suggestion because I thought you had to be dead to write music. He showed me some scores and I immediately dived into my ﬁrst piece, “Three Brothers” for nine percussionists. We performed the work soon after it was completed (8 May 1950). Then it was published and recorded, and has become a percussion classic, of all things! I‘ve been writing ever since. (Notes are from am interview with Michael Colgrass found at wwunMichaeICoIgrass. com) XYLOPHONIA — During the last twenty years of the 19th century, a revolutionary method of playing popular music emerged in the United States, a style of creative, syncopated transformation and embellishment of a melody. Essentially an AfroAmerican phenomenon, the style was crystallized by black pianists into a genuinely classical compositional form called the “rag", a word probably derived from vernacular descriptions of the highly syncopated melodic tremendous public esteem. All were great artists, but perhaps the most important was George Green, who, until his retirement in 1940, reigned supreme among Ragtime music became a staple of percussion ensemble performances in the mid1970’s after the release of a recording dedicated to this style by the Torontobased ensemble, Nexus. (Notes by Bob Beck, arranger and member of Nexus) SABRE DANCE — is one of the catchiest, most familiar — perhaps most maddening tunes to come out of the 20th century. It was heard in cartoons and even heightened the drama of plate spinners doing their shtick on the Ed Sullivan Show. Sabre Dance is part of the Armenian composer’s Gayane Ballet, which he completed in 1942. Khachaturian came of age as a composer during the Stalin regime. Though he wasn ’t considered a party apparatchik, he was swept up in the fervor of the new socialist dream. Khachaturian churned out wellcrafted, partypleasing compositions such as the Song of Stalin, Ode in Memory of Lenin and a popular violin concerto. But in 1948, Khachaturian suddenly found himself on the wrong side of the Soviet art police — oﬀicially denounced, along with fellow composers Dmitri Shostakovich and Sergei Prokoﬁev. Khachaturian apologized and even agreed to be sent back to Armenia to be “reeducated.” In 1957, four years after Stalin died, Khachaturian was re– appointed to the Composer ’s Union. (Notes by Tom Huizenga, National Public Radio) �Binghamton University Music Department ’s U P C O M I N G E V E N T S p.m. – Wed nesday, M ay 11 – Com position S eminar Concert (Lo y) – 7 Casadesus Recital Hall – free Thursday, May 12 – Student Recognition MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free .m. Friday, May 13 – Ch inese Music Ensemble Cl ass Concert – 5 :00 p – Casadesus Recital Hall – free Wednesday, May 18 – Voic e Class Recital (MUS143 Chmela) – 11 a.m. – Casadesus Recital Hall – free For ticket information, please call the And erson Cen ter Box Oﬀic e at 777 ART S. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:22:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145499">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145499</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percussion Ensemble, May 10, 2011 Recital Tape 2011-5-10 Description An account of the resource Held at 8:00 p.m., May 10, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Ramos, Benjamin Robertson, Donald C. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/545e55fba906c3652f87d12491d7b0e6.pdf e81b291e2c34a2392a156d9d370de6b2 PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E U N I V E R S I T Y O F N E W Y O R K o d e O D E P A R T M E N T FACULTY RECITAL Jinah Lee, Piano Friday, M a y 6 , 2011 8 p.m. Casadesus Recital Hall �A PROGRAM B O JINAH LEE ..................Joseph Haydn Sonata in AFlat major, Hob.16/46 ..... (1732–1809) Allegro moderato Adagio Finale: Presto .....Sergei Rachmaninov Sonata No.2 in BFlat minor, op.36...... (1873–1943) (1931 Edition) Allegro agitato No n allegro – Lento – Pi u mosso resto Allegro molto – Poco me no mosso – P INTERMISSION Sonata in BFlat major, 0 9 6 0 Andante Sostenuto za Scher zo, Allegro vivace con delicatez Allegro ma no n troppo Fra nz Schubert (17 97 182 8) Jinah Lee is currently a faculty me U T mb er in the Music Department at Seoul, she graduated from Seoul Binghamton University. Born in d her master’s degree from the National University and receive she continued as an associate Manhattan School of Music, where ts from the University of Illinois at instruc tor, and a Doctor of Musical Ar ed in numerous concerts and UrbanaChampaign. She has per form de her performance at Sunset recitals around the world, which inclu inway New York , a recital at Ste Concer t at Shandlee Music Festival in an Ensemble Concer t at the Hall in Ne w Yor k and a Recital and Caplarora, Italy, where she wasf Concer to Italiano Music Festival in at Ar t Cult Center at Universit y o awarded a full scholarship, a recital rnational Music Festival. She made Vienna, in Austria and a Prague Intel debut as th e winner of the Ar tist her New York Carnegie Ha ll recita , she had a solo recital at Seoul Art International Competition. Same year de her na me known better in the Center in Ko rea . Recently, Sh e h as ma nes through a series of major U.S. and Korean classical music sce Recital at Phillip Hall in George recitals she has given, such as UI Symphony Orchestra as a Washington University, Concert with a, Illinois and Beethoven Sonata Soloist at Krannert Art Center in UrbanSeoul, and Alice Miller Hall at Ser ies recital at Wo oin Art Hall in the “Best Per formance of Polish Northwestern Universit y. She won on International Pia no Artists Composer” at the ﬁfth Washingt s the gran d p rize winner o f th e Competition in 2007 and also she wa ition in 2006. University of Illinois Concer to Compet �Bin gha mto n Uni ver sity Mu sic D epa rtm ent ’s U P C O M I N G E V E N T S ﬁﬁwﬁﬁﬁtﬁﬁwﬁ'ﬁtﬁﬁtﬁm Satu rday, May 7 – A frican Drum Ense mble – 3:00 p.m. – Library Tower (Spring Fling) – free Satu rday, May 7 – M aster ’s Re cital: Rob ert M uller, Fren ch ho rn – 3:00 p . m. – Casadesus Recital Hall – free Satu rday, May 7 – S tuden t Rec ital: B riana Saka moto , sop rano – 8:00 p.m . – Casadesus Recital Hall – free Sund ay, M ay 8 – Sen ior Vo ice Recita l: Samantha Ban ton and M olly A d a m s To o m e y 1:00 p. m. – Casadesus Recital Hall – free Sund ay, M ay 8 – Un ivers ity C horu s wit h the Univ ersit y Sym phon y Orch estra : Mas s Ma sterw orks – 3:00 p.m. – Osterhout Concert T h e a t e r $10 general public; $5 faculty/staﬀ/seniors; free for students Sund ay, M ay 8 – Sen ior H onor s Recital: Ji eun J ang, piano – 7:30 p.m. Casadesus Recital Hall – free Tues day, May 10 – Perc ussio n Ens embl e – 8 p. m. – Anderson Center Chamber Hall – free Wed nesd ay, M ay 1 1 – Co mpos ition Semi nar C once rt (Loy) – 7 p. m. – Casa desu s Recital Hall – free Thur sday, May 1 2 – S tuden t Rec ognit ion MidDa y Con cert – 1:20 p.m. – Casadesus Recital Hall – free Frida y, May 13 – Chinese Music En semb le Class Co ncert – 5:00 p.m. – Casadesus Recital Hall – free Wed nesd ay, M ay 18 – Voic e Cla ss Re cital (MUS143 C hmel a) – 1 1 a.m . – Casadesus Recital Hall – free For ticket information, please call the And erso n Cen ter B ox Oﬀic e at 77 7A R T5. To see all events, please visit mus ic. b ingh amto n. e du or become a fan on Facebook by visiting Bing ham ton Univ ersit y Mu sic Dep ar tmen t. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:44 35:04 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145483">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145483</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty recital, Jinah Lee, piano Recital Tape 2011-5-6b Description An account of the resource Held at 8:00 p.m., May 6, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lee, Jinah Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a183e5806213a2c6f1360c4389c42f33.pdf 7f35a27f9e44a7b4e3e2b00363803a6b PDF Text Text BINGHAMTON N L STATE U N I V E R S I T Y O F N E W Y O R K ztdec [4 D E P A R T M E N T BINGHAMT ON UNIVERSITY FLUTE TRIO CONCERT Natalie McCrea ry, Flute Emily Morris, Flute Mark Zhuang, Flute ChaiKyou Mallinson, Piano Saturday, April 9, 2011 12:00 Noon FA #21 �A PROGRAM EIdin Burton (1913–1979) Sonatina for Flute and Piano Allegretto grazioso Andante sognando Allegro giocoso Mark Zhuang, Flute ChaiKyou Mallinson, Piano .Gabriel Faure Fantasy, Opus 79 for Flute and Piano (18451924) Natalie McCreary, Flute ChaiKyou Mallinson, Piano The Carnival of Venice, Opus 78 with Variations GIUIIO Briccaldi (1818–1881) Edited by Frederick Wilkins Emily Morris, Flute ChaiKyou Mallinson, Piano ac) x & INTERMISSION x3 <= cs THE BINGHAMTON UNIVERSITY FLUTE TRIO Sonata in D Major ........... for Three Flutes ...Johann Joachim Quantz (1697–1773) Vivace Menuet Vivace Suite for Three Flutes.. Andante Allegro Adagietto Scherzo ..William Presser (b. 1916) Rondeau from Suite Pastorale .........................JeanMichel Damase (b. 1928) Circus March.. The Drunken Sailor.......... ..........Ricky Lombardo (b. 1946) .. Traditional Arranged by C. Cowles B O U T Natalie McCreary graduated salutatorian of Ross Corners Christian Academy in 2009. She is a sophomore at Binghamton University, majoring in Human Development with future plans of a master degree in Elementary Education. During high school, she performed in the NYSSMA Solo Festivals and the music competitions of ACSI (Association of Christian Schools International) at Houghton College, Houghton, New York. Natalie is a member of the Binghamton University Symphony Orchestra and the Bingha mton University Flute Trio. She is a member of the Flute Studio of Georgetta Maiolo. Emily Morris is a senior at Binghamton University, with a major in Man agement Information Systems and Environmental Studies. She is a member of the Binghamton University Orchestra, Binghamton University Flute Trio, Pep Band, and a former member of the Binghamton University Wind Symphony and Flute Ensemble. She is a member of the Flute Studio of Georgetta Maiolo. Emily graduated from Syosset High School in 2008. While in High School, she performed with the Metropolitan Youth Orchestra and the Na ssauSuﬀolk Performing Arts Wind Symphony as well as the AllCounty Band and Orchestra. Last year, Emily studied abroad twice, traveling on a winter interim trip to India to study internationa l business, and then attending Southern Cross University in Lismore, Australia for the spring semes ter to study environmental science. She attended Usdan Center for the Performing Arts for four summers, participating in the senior band and senior chorus. She will return there this summer for her third season as a member of their administrative staﬀ. Mark Zhuang, from Staten Island, New York, is a freshman at Binghamton University. He is a member of the Bingha mton University Wind Symphony and the Binghamton University Flute Trio. He is a member of the Flute Studio of Georgetta Maiolo. Mark graduated from Staten Island Technical High School, where he participated in the High School Band, NYSSMA Solo Festivals, All State Symphonic Band (2009) and the All State Wind Ensemble (2010). From 2007 thru 2010 he studied ﬂute with Keriann DiBariOverle. Mark was a ﬁnalist in the U.S. Army Band “Pershing’'s Own” soloist competition. ChaiKyou Mallins on, currently on the faculty of the Department of Music at Binghamton University, received a B.M. degree in Piano from Julliard, Licence d’Enseignement from Ecole Normale de Musique de Paris, France and a M.A. degree from Binghamton University. Her teachers include Jean Casadesus, JeanMichel Damase, Jules Gentil and Alton Jones. She also performed in Master Classes by Robert Casadesus. A prize winner in the Korean National Music Competition, Ms. Mallinson was awarded the French Government Scholarship, Tanglewood Summer School Full Scholarship and the Fontainebleau American Conservatory Full Scholarship. Ms. Mallinson gave a debut Recital in Carnegie Recital Hall and has been active as a recitalist, vocal coach, accompanist, and chamber music performer, as well as an active adjudicator of piano auditions and competitions. She is a member of the Music Teachers National Association, the Southern Tier Music Teachers‘ Association, and of the board of judges for the National Guild of Piano Teachers. �Bingham ton Univer sity Mus ic Departm ent’s U P C O M I N G E V E N T S é w M M M M é ' ﬁ w é ﬁ é ' MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Sa turda y, A pril 9 — Pia nis t Micha el Sal mirs : For the Love o f M usic — 8:00 PM — Anderson Center Chamber Hall — $15 general public; $10 faculty/staﬀ/ seniors; $5 students Sunday, Ap ril 1 0 — Senior Recital : Laura MacAv oy, soprano — 3:00 PM — Casadesus Recital Hall — free Tuesday, A pril 1 2 — String Departmen t Recital : String Fever — 8:00 PM — Casadesus Recital Hall — free Thursday, April 14 — Harpur Jazz Ensemble Concert w i th g uest a rti s t — 8:00 PM — Osterhout Theater — free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, April 15 — Lecture on “Blind Tom ” Wiggins, 1 9 ” c entury A fricanA merican co mposer by Stephanie JensenMo ul ton — 3:00 PM — Casadesus Recital Hall — free Friday, Apr il 15 — Universi ty S tring Orchestra — 4:00 PM — Grand Corridor — free Thursday, April 28 — Trumpet Studio Con cert — 8:00 PM — Casadesus Recital Hall — free Saturday, A pril 3 0 — Harpu r Chorale a nd Women ’s Chorus — 8:00 PM — Anderson Center Chamber Hall — free Sunday, M a y 1 — W ind Symph ony Conce rt : Solo Compe tition Winners — 3:00 PM — Anderson Center Chamber Hall — free Sunda y, Ma y 1 — Ma s ter ’s Recital : Ja mes Hsia , v iol in — 7:30 PM — Casadesus Recital Hall — free For ticket information, please call the Ander son Cen ter Box Oﬀice at 7 77ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:34:00 Streaming Audio Streaming URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145496 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Flute Trio concert, April 9, 2011 Recital Tape 2011-4-9 Description An account of the resource Held at 3:00 p.m., April 9, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource McCreary, Natalie Morris, Emily Zhuang, Mark Mallinson, Chai-Kyou Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/169ebe3560192232ebc06af3d125fabb.pdf d963d650ba1033d9e55cb11e6e9e8199 PDF Text Text BINGHAMTON U N I V E R S I T Y STAT E U N I V E R S I T Y O F N E W Y O R K P E P F A R T M E N T MASTER’S RECITAL ROBERT MULLER FRENCH HORN w ii h P e sR eitz; Piano James Hsiaz Violin Maxim Pekarskiy, Viola Fe lic ia Scalgetty; Cello Sa tu rd ay , M ay 7 , 2 01 1 3 . 0 0 p . n u Casadesus Recalid Hal �PROGRAM Sonata for Horn and Piano, Op. 17....Ludwig van Beethoven (1770–1827) I. Allegro moderato ll. Poco Adagio, quasi Andante III. Rondo: Allegro moderato BOIN TE RMIS S IONovs Horn Concerto No. 1 in Eﬂat Major, Op. 11..Richard Strauss (1864–1949) I. Allegro Il. Andante Ill. Rondo: Allegro BOIN TE RMIS S IONos Quartet in F Major for Horn, ...................Johann Andreas Amon Viola, Violin, and Cello, Op. 20 No. 1 (1763–1825) l. Allegro moderato Il. Adagio III. Rondo: Allegretto �p. 11 is the ﬁrst horn Horn C onc erto No. 1 in Eﬂ at m ajor, O ritten in 1 883 for his concerto written by Richard Strauss. It was wavaria, Franz father, Franz Strauss. Born in Parkenstein, Bears old by pla ying Strauss began his musical career at seven y age of his uncles utel the violin a t a wedding dance. Under the t alter, he learned to el W icha nz M Fra Johann Georg Walter and ts. At the age of play clarinet, guitar, and all bra ss instrumen ilian of Bavaria as a xim ﬁfteen, he entered the service of Duke Mahorn which eventually guitarist, but continued his studies on the 889, he served as a to 1 became his main instrument. From 187 1 s well as serving on tra a hes t orc our hornplayer for the Ba varian c h until 1896. In 1863, the faculty a t the Academy of Music in Munic wife and daughter to after losing his son to tuberculosis and his r, with whom his ﬁrst cholera, he remarried to Josephine Pschor trauss was also son wa s composer Richard S trauss. Franz S Wagner’s operas such known for performing in the premieres of PROGRAM NOTES mposed by Sonata for Horn an d Piano, Op. 17 was co ayer named Giovanni Beethoven for a Bohemian virtuoso horn pl esta te of Count the Punto. Born Jan Vaclav Stich in 1746 on t singing, violin, and ugh s ta Joseph Johann von Thun, Punto wa him later study with the horn growing up. Count von Thun had rz in Munich, and Joseph Ma tiegka in Prague, Jan Schindela erved in the court of Anton Joseph Hampl in Dresden. He then sd a bad reputation. Count v on Thun for four years, but acquire Roman empire oly Due to his circumstances, he ﬂed to the H to. The Count even Pun where he changed his name to Giovanni out to render him eth s te k hi noc to k sent his men after Punto 8, he taught the horn una ble to play the horn. From 1777 to 177 rge Ill of England and, players of the private orchestra of K ing Geo Mozart who with around 1778, Punto became acquainted oncertante, K. 297 b. In composed for him the now lost Sinfoni a C tre des Variétés héa 1789, he became the conductor of the T en years. After fa iling to or t ed f serv he Amusa ntes in Paris where nservatory of Paris, Punto obta in a position at the newly created co 9 where he met moved to Munich and then to Vienna in 179 et are unknown, but Beethoven. The exact details of how they m red at the mie the result was the Sonata. After its ﬁrst preond time, in Pest, sec d a aye s pl wa Burgtheater in Vienna, it d “Who is this Hungary where a local music critic commente Of course, Punto is Beethoven? His name is not known to us. trated to Beethoven very wellknown.” This experience demonsthen proceeded to use the capabilities of the instrument which he like to dedicate this uld more often in his symphonies. Robert wo Robert Georges Dr. late , the performance to his grandfa ther l of the United Nations Muller, former AssistantSecretaryGenera and a lover of Beethoven’s music. I r I I as Tristan und Isolde (1865), Die Meist : I ersi nger (1868), D as ). The Horn Concerto Rheingold (1869), and Die Wa lkir e (1870 d in 1888, b ut not b y iere No. 1 was completed in 188 3, and prem performed, in the horn Franz S trauss on the horn. Instead, it was of S trauss, with ent and pia no version, by Bruno Hoyer, a stud o remains a mainstay cert con This Richard Strauss at the piano. essential by many a in the horn repertoire and is considered an horn player. p. 20, N o. 1 was Qua rtet for Horn, Violin, Viola , an d Cello, O erman virtuoso horn composed by Johann Andreas Amon, a G on was born in player, violist, conductor, and composer. Amt taught singing by Bamberg, Ba varia in 1763, where he was ﬁrs taught instrumental court singer Madame Franca ssini, then later aris to study work by Giovanni Punto, who took Amon to P on then tra veled . Am composition with Antonio Sacchini in 1781 musical director at the ame with Punto, until 1789, when he bec er to the Prince of Heilbronn. In 1817, he became kapellmeistuntil his dea th in 182 5. OettingenWallerstein, holding this position eer at Oettingen This piece was composed during Amon’s car Wallerstein. �ABOUT THE PERFORMERS Robert Muller is a graduate French Horn performance student. He was also an undergraduate student at Binghamton University holding a BA in Music and Spanish with a minor in International Studies. Born on May 19, 1987, he is a native of Poughkeepsie, NY. Robert began playing the horn in 5 ” g rade and fell in love with it immediately. During his Jr. High and High School careers, he participated in the school ba nds and in the NYSSMA festivals. In High School, he attended Tabernacle Christian Academy, and since the school did not have a band program, he studied the horn privately with Andrew Carr and Craig Fryer. All four years, Robert participated in the Vocal Ensemble and, in his junior year, sang tenor for the Zone 10 Area AllState Chorus. In his senior year, he played horn for the Marist College Symphonic Band, Football Marching Band, and Basketball Pep Band under the direction of Art Himmelberger. At Binghamton University, he studies with Brian Sternberg and has studied w ith Harry D itzel of the West Point Military Band during the winter and summer breaks. In the spring semester of 2010, Robert also studied under Donald Robertson, professor of low brass at Binghamton University. He is a member of the Zeta Eta Chapter of Mu Phi Epsilon, the CoEd Professional Music Fraternity, and a DJ for WHRW 90.5FM Binghamton. He has also played for the University Symphony Orchestra, Wind Ensemble, and Commencement Wind Ensemble over the course of his career at Binghamton University. Robert is glad to be achieving his dreams of being a musician and hopes that the music he performs will touch the hearts of those who listen. Pej Reitz is a native of the B inghamton area. She received her Bachelor and Master of Music degrees in piano performa nce with accompanying emphasis. She attended Boston University, New England Conserva tory and Binghamton University. She has studied pia no with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompained throughout the United States, in England, South America, Spain, and the American Institute of Musical Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Program by the United States Informa tion Agency in partnership with the John F. Kennedy Center for the performing arts. She has been on the faculty a t Bingham ton University since 1991 and Ithaca College School of Music since 1999. Ms. Reitz is on the Executive Board of the New York District MTNA organiza tion and is President of the local District VII Music Teachers Association. She is also an active adjudicator for the National Piano Guild Organization. James H sia is a Taiwanese violinist who has performed regularly throughout New York State presenting a wide range of repertoire including concertos by Paganini, Mendelssohn, and Bruch, leading numerous chamber groups, and in ensembles such as the Empire State Youth Orchestra, and the Southern Tier Symphony under the director John Whitney. While attaining his Bachelor of Music Education degree at SUNY Fredonia, studying with Janet Sung, he was regularly featured on their performance series a s recitalist and chamber musician, and was selected from the SUNY Fredonia Symphony Orchestra to perform in the Chamber Orchestra, and Chamber Opera Orchestra under the direction of David Rudge from 20062010. This past summer, he participated in the Hot Springs Music Festiv al working with violinist Jessica Mathaes, and Todd Cranson, Director of the University of Illinois Chamber Orchestra . He has also appeared in concert halls including Carnegie Hall, the Tanglewood Music Hall, and Troy Savings Bank Music Hall. He is currently a student of Janey Choi, studying at Bingham ton University pursuing a Master of Music Degree in Violin Performance. Ma xim Peka rskiy is a junior violist a t Binghamton University double majoring in Music and Financial Economics. He is also a composer and his focus on ﬁlm music has led him to collabora te with upandcoming ﬁlmmakers in New York City, the lnterlochen Arts Festival, and the cinema department at Binghamton University. Maxim also frequently writes shorts for BTV and is the cofounder of the Binghamton University Explorchestra, an orchestra for composers on campus to have their works pla yed. Felicia S calzetti is a freshman cellist who has been playing for eight years and is double majoring in Music and Biology at Binghamton University. �Binghamton University M usic D epartment ’s U P C O M I N G E V E N T S ﬁ ﬁ M ﬁ t ﬁ O ﬁ M M r ﬁ ﬁ ﬁ ' ﬁ t b ’ w Sa turda y, Ma y 7 — African Drum Ensemble — 3 :00 PM — Library Tower (Spring Fling) Saturday, May 7 — Student Recital : Briana Sa kamoto, soprano — 8:00 PM — Casadesus Recital Hall Sunday, May 8 — Senior Voice Recital : Samantha Banton and Molly AdamsToomey — 1:00 PM — Casadesus Recital Hall — free Sunday, May 8 — Senior Honors Re cital : Jieun Jang, piano — 7:30 PM — Casadesus Recital Hall — free Sunday, May 8 — University Choru s w i th t he U niversity Symphony Orchestra : Mass Masterwork s — 3:00 PM — Osterhout Concert Theater — $10 general public; $5 faculty/ staﬀ/seniors; free for students Tuesday, May 10 — Percussion Ensemble — 3:00 PM — Anderson Center Chamber Hall — free Thursday, May 12 — Student Recognition MidDay Concert — 1:20 PM — Casadesus Recital Hall — free Friday, May 13 — Chinese Music Ensemble Class Con cert — 5:00 p.m. — Casadesus Recital Hall — free Wednesday, May 18 — Voice Class Recital (MU5143 Chmela) —11 a .m. — Casadesus Recital Hall — free For ticket information, please call th e Anderson Center Box Oﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:44:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145470">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145470</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Robert Muller, May 7, 2011 Recital Tape 2011-5-7 Description An account of the resource Held at 3:00 p.m., May 7, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Muller, Robert Reitz, Margaret A. Hsia, James Scalzetti, Felicia Pekarskiy, Maxim Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound