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BINGHAMTON
V I N L I LV E R S I I Y
S TAT E U N I V E R S I T Y O
F N E W Y O R K
D E P A R T M E N T
UNIVERSITY PERCUSSION
ENSEMBLE CONCERT
Daniel Fabricius, Conductor
Adam Goldenberg, Assistant Conductor
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Thursday Evening, December 8, 2011
8:00 PM
Anderson Center Chamber H all
�PROGRAM
Rafael Hernandez
Arranged by Phil Faini
El Cumbanchero
Introduction & Fugue (1954)..................................Robert Buggert
Adam Goldenberg, Conductor
5
9
9
1
Martian Tribes (
) Emmanuel Sejourne
Marimba Quartet
Emily Goetz, Adam Goldenberg
Ben Ramos, Devan Tracy
& IN TERMISSION or
To Those Who Are Brave (2002) .......................... J. Mikula
R
c
e
c
y
l
e
d
J
u
I
i
a Davila
Bucket Brigade
Emily Goetz, Benjamin Ramos, Alexander Rava
Tyler Steere, Alex Valera
a Chris Crockarell
d
l
Clean Up Crew
Emily Goetz, Adam Goldenberg, Rose Steenstra
Tyler Steere, Devan Tracym, Andrew Williamson
Brooms H
i
The Little Drummer Boy
Katherine K. Davis
Arranged by Daniel Fabricius
�UNIVERSITY PERCUSSION ENSEMBLE PERSONNEL
John Erdman
Alex Gregorio
Rose Steenstra
Alex Valera
Emily Goetz
Benjamin Ramos
Tyler Steere
Adam Goldenberg
Alexander Rava
Devan Tracy
Andrew Williamson
DANIEL FABRICIUS has been a member of the Binghamton University faculty
as percussion instructor since 1992. He also serves as Director o f Bands at
Owego Free Academy where he has developed an outstanding instrumental
music program that features a concert band, two jazz bands, and various
chamber music ensembles. He is highly regarded in the region as a percussion
soloist and ensemble player. He has been a member of the Binghamton
Philharmonic percussion section since 1982 but is also comfortable performing
in popular, rock, jazz, and other styles. He has played as a freelance
percussionist, accompanying national touring artists such as Michael W. Smith,
Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers
Brothers, and Ella Fitzgerald. Professor Fabricius has served the New York
State School Music Association as an AllState Percussion adjudicator for
many years. He also serves NYSSMA as the Instrumental Jazz Reviews editor
of The School Music News and is the Jazz editor for the NYSSMA Manual. In
addition to his collegiate work at BU, he has also served on the Summer
Session faculty at Ithaca College. At Ithaca College he has also served as a
consultant for the music education department, taught percussion for the
Summer Music Academy, and has trained over thirty music student teachers.
He has also presented many clinics at music conventions and conferences and
often serves as a guest conductor for honor band festivals.
ADAM GOLDENBERG is a senior Biochemistry major with a minor in music.
Adam is an active performer who performs with the Binghamton University
Wind Symphony and the Southern Tier Concert Band in addition to the
University Percussion Ensemble. In the spring of 2011, Adam made his solo
debut with the Binghamton University Wind Symphony performing Paul
Creston’s Concertino for Marimba and Wind Band, and was also a member of
the quartet which performed David Gillingham’s Concertino for 4 Percussionist
and Wind Ensembles. In spring of 2012 Mr. Goldenberg will be performing a
new composition by BU composer, Paul Goldstaub, for marimba and piano at
the annual Musica Nova concert. He will also be performing The Wave: Con
certino for Marimba and Percussion Ensemble with the University Percussion
ensemble. Tonight Adam will make his conducting debut with the Binghamton
University Percussion Ensemble conducting Robert Buggert’s Introduction and
Fugue. He would like to thank Professor Daniel Fabricius and Professor Robert
Smith for their instruction and guidance as to how to become a mo re efficient
conductor.
PROGRAM NOTES
EL CUMBANCHERO — Rafael Hernandez was an important musician in
Puerto Rico in the mid20” century. As arranged by Phil Faini, El Cumbanchero
is a fine example of ethnic music for percussion ensemble. Faini served at
West Virginia University for 40 years as an educator and an administrator. His
areas of expertise include jazz theory and African music. At WVU, h e headed
the percussion program, directed the Percussion Ensemble and founded the
World Music Center. Throughout his career, he worked in radio, television, with
symphony orchestras and with popular bands and singers. During the 1970s,
the Percussion Ensemble, under his leadership, appeared on the To day Show,
on a nationally televised PBS program called “Percussion Noel” that was nomi
nated for an Emmy Award.
After a slow and almost mysterious introduction the piece picks up tempo and
drives to a stunning conclusion. Alex Gregorio will be featured as drum set
soloist.
INTRODUCTION & FUGUE — Robert Buggert is considered an early pioneer
in the area of contemporary percussion ensemble composition. In the early
1960s Buggert was one of the founding organizers of the Percussive Arts
Society. He is a former Dean of Visual Arts, Music, Theater and Dance at
Northern Illinois University but is now retired and living in New Mexico. He is
still active in the arts.
Introduction and Fugue was written for the University of Wichita Percussion
Ensemble, and was first performed in November 1954. The work begins with an
introduction in free form and continues with the fugue using contrapuntal
devices in rhythm only. The fugue is based upon a three measure subject
stated by the snare drum. This in turn is stated by eight percussion instruments
and appears in stretto, and later in diminution. A theme from the introduction
(now in augmentation) later reappears against the recapitulation of the fugue
subject.
MARTIAN TRIBES — Emmanuel Séjourné was born July 16th, 1961 in
Limoges, France. After classical music studies at the National Conservatory of
Strasbourg (piano, violin, music history, and analysis), he is introduced by Jean
Batigne, Director and Founder of the Percussions de Strasbourg, to the world
of percussion, particularly in contemporary and improvised music. After study
ing percussion, he now specializes in keyboards percussion and since 1981
has been active both as a composer and a performer.
�Martian Tribes is a three movement work which was premiered by the
Rotterdam Percussion group in 1995. The second movement of the work is
frequently performed as a standalone work as the most substantial of the three
movements and gives the four per formers a chance to produce a substantial
amount of music while utilizing only one 5.0 octave marimba. Unlike th e works
Stubemic and AftaStuba by Mark Ford, Martian Tribes does not have a
featured soloist. Instead, each of the musicians is expected to work together to
produce a system of grooves and patterns which are utilized throughout the
piece to produce a spacey “otherworldly” feel. Special thanks to Percussionists
Emily Goetz, Devan Tracy, and Ben Ramos who have put an enormous
amount of time to pulling this complex piece together! ~ Adam Goldenberg
TO THOSE WHO ARE BRAVE — A graduate of the Eastman School of Music,
Phillip Mikula received both a Bachelor of Music in Percussion Performance
and Music Education, and the prestigious Performers Certificate. He studied
percussion with John Beck, Norman Weinberg and Robert Clarke and composi
tion with Augusta Read Thomas. After completing his undergraduate studies,
Mikula attended Rice University’s Sheperd School of Music for graduate work.
An active performer, Mikula was the Principal Percussionist and CoPrincipal
Timpanist for the 1996 Eastman Wind Ensemble tour of Japan and the United
States. In addition, many of his arrangements and compositions for drumline
have been performed throughout the United States.
To Those Who Are Brave is a HUGE work — with lots of players, many
instruments, and substantial musical content. The following is a description by
the composer:
~ To Those Who Are Brave ~
is dedicated to the people we come across in everyday life.
People who face fear with a mind o f perseverance,
People who save lives,
People who do jobs others would not desire,
People who stand up for what they believe in,
People who fight for fairness,
People who give when receiving is not possible,
People who love unconditionally,
People who rejoice in knowing there are better days to come,
And people who face the unknown with a sense of trust.
It is these people that we all desire to be,
And we must realize,
That in the end reward will come,
To those who are brave.
RECYCLED & BROOMS HILDA — Julie Davila (composer of Recycled) is a
member of the chamber percussion ensemble the CAIXA TRIO. In addition to
her membership in the CAIXA TRIO, she has served as the chair of the
Percussive Arts Society Marching Percussion Committee and is the founder
and executive director of Percussion XS, a dynamic new honors percussion
group featuring middle and high school students. As a member of the CAIXA
TRIO and as an active clinician specializing in contemporary and marching
percussion, she has performed in Seoul, South Korea, Paris, France, Puerto
Rico and extensively throughout the United States. Julie received her degree
from the University of North Texas. She has published numerous marching and
concert percussion features through RowLoff Productions and Drop6 Media.
Chris Crockarell (composer of Brooms Hilda) and his partner in music
publishing, Chris Brooks, have created a special line of percussion methods,
music books, and percussion ensemble compositions for those educators
looking to bring fun to the art of music. RowLoff Productions is one of the main
publishers of theatrical percussion pieces.
Members of the Binghamton University Percussion Ensemble always look
forward to performing “theatrical percussion” pieces. The inspiration for these
pieces is “Stomp,” troupe of performers who combine percussion, movement
and visual comedy. Stomp uses a variety of everyday percussion instruments in
their shows and this has prompted many new compositions. While these pieces
have a great appeal to the audience and may seem very loose — precise
musical execution is always a part of the finished production. Tonight the
ensemble members will present two contrasting pieces featuring our “bucket
brigade” and our “clean up crew!”
THE LITTLE DRUMMER BOY — Originally known as Carol of the Drum, the
composition The Little Drummer Boy is a very popular piece of “seasonal”
music — and also has a VERY appropriate title for a percussion ensemble
concert! Featured performers for this piece are Adam Goldenberg on Vibes,
and Devan Tracy on drum set. This percussion ensemble arrangement is one
of a series written by Daniel Fabricius for his students at Owego Free Acad
emy.
�Bin gha mto n Un ive rsit y Mu sic D epa rtm ent ’s
U P C O M I N G E V E N T S
MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
he
Frida y, Febr uary 3 — Pian ist Ewa M ackie wiczWol fe presen ts “T
eral
Cele brati on” — 8 p.m. — Anderson Center Chamber Hall —$10 gen
public; $6 faculty/staff/seniors; $3 students
rinity
Sund ay, Febr uary 5 — Univ ersit y Ch amb er Ch orus — 3 p.m. — T ors;
Memorial Church, Binghamton — $6 general public; $3 faculty/staff/seni
free for students
:
Tues day, Febr uary 7 — Frie dhei m Mem orial Lect ure/ Reci tal Series
erry,
Moz art’s “Sin fonia Concertante f or Violi n an d Vio la” (T imot hy Pbers
o f the
spea ker, J aney Cho i, vio lin, Rober ta Cr awfo rd, v iolis t and mem all — $6
Univ ersit y Sy mph ony Orch estra ) — 8 p.m. — Casadesus Recital H
general public; $3 faculty/staff/seniors; free fo r students
oor”
Frida y, Febr uary 10 — TriC ities Opera presen ts “L ucia di Lam merm
— 8 p.m. — The Forum Theatre — call (607) 7720400 for tickets
oor”
Sund ay, Febr uary 12 — TriC ities Opera present s “Lu cia d i Lam merm
— 3 p.m. — The Forum Theatre — call (607) 7720400 for tickets
arito ne —
Satu rday, Febr uary 18 — Fac ulty Recita l: Th oma s Go odheart, b
8 p.m. — Anderson Center Chamber Hall — $10 general public; $6
faculty/staff/seniors; $3 students
Recital
Thur sday, Marc h 1 — Mid Day Conc ert — 1:20 p.m. — Casadesus
Hall — FREE
For ticket information, please call the
Anderson Cen ter B ox Offi ce at 777ARTS
To see all events, please visit music.binghamton.edu
Become a fan on Facebook by visiting
Bing ham ton Univ ersi ty Mus ic D epa rtme nt
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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University Percussion Ensemble, December 8, 2011
Recital Tape 2011-12-8
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Works by Marín, Buggert, Sejourne, Mikula, Davila, Crockarell, Davis. Held at 8:00 p.m., December 8, 2011, Anderson Center Chamber Hall.
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Fabricius, Daniel
Goldenberg, Adam
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Binghamton University Libraries
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2011-12-08
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sound
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Mid-day concert, December 8, 2011
Recital Tape 2011-12-8
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Works by Martin, Blane, Sheppard, Jones, Marks, Busser, Handel, Hopkins, Pierpont, Reger, Adam, Anderson. Held at 1:20 p.m., December 8, 2011, Casadesus Recital Hall.
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Canterbury Choir (Binghamton, N.Y.)
Binghamton University Low Brass Ensemble
Binghamton University Saxophone Quartet
Kompar, Christina
Reitz, Margaret A
Bush, Peter C
Cornwall, Claude
De Moya, David
Keller, Joseph
Romberger, Daniel
Shephard, Edward J
Snyder, Wm. Clark
Thorn, Shane
Wallis, Judson
Lawson, William James
Burgess, Mary
Stalker, Stephen
Marsiglia, William
Perotti, Drew
Strohm, Jacob
Dutton, Kevin
Kaufman, Andrew
Georges, Kenrick
Grukowsky, Matt
Cakalli, Meghan
Papadopoulos, Dean
Aiken, Jasmine
Mirza, Zal
Mihalik, Darin
Biggers, Jonathan
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Binghamton University Libraries
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2011-12-08
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sound
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01079ab5b82d3f548704976b52b39d41
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TA T E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
THE BIN G IIAM T ON UNIVERSITY M U S I C
DEPARTMENT I N CONJUNCTION W I T H
TRI CI TIES OPERA
PRESENTS
HOLIDAY
EXTRAVAGA NZA!
AMAHL
AND THE
ISITORS
NIGHTV
b y G ian Carlo Menotti
Sunday, December 4, 2011
Two Performances
A t 1:30 and 4:30 p.m.
Anderson Center Chamber Hall
�A C R E T
Director ’s Note
Welcome to Binghamton University and our production of Amahl
and the Night Visitors. In the midst of the holiday season while
experiencing the complexities of modern life, I hope you will
enjoy reflecting on the timeless and universal themes in this
opera. First seen by American audiences as a made for TV opera
in 1951 and shown annually during the holidays for many years,
the opera’s themes still resonate with contemporary audiences.
Gian Carlo Menotti draws us into the story with soaring melodies,
and strong themes of hope in the face of despair, the loving
bond between mother & son, spiritual searching, transformation
and healing. These themes speak to the humanity within each of
us. This opera tells the tale of a poor widow Mother and her
crippled son. They share what lit tle they have with three kings
who are on a spiritual journey following a star. The kings stop at
the widow’s hut and ask to be taken in for the night. The story
and colors of the music are interwoven to create a magical
atmosphere. After performing the role of King Melchior many
times, I have en joyed revisiting the story through the eyes of a
director. I hope you will enjoy our retelling of this beautiful
tale.
–Thomas Goodheart
Amahl
Matthew Goodheart
Mother
Hilerie Klein Rensi
KingKaspar .......... .......... .......... ....... ..Richard Leonberger
Brister Hay
King Me lchior ........... ..........
Charles Hyland
King Bal thazar............cccc.ccccc...........RODErt Heepyoung Oh
Page
David Schwartz
Dancing S h e p h e r d s .
Angela Kucera
K Morgan Prikazsky
Chorus of Shepherds
Women:
Christina Kompar, Kathleen Jasinskas, Kerianna Krebushevski,
Molly AdamsToomey (cover for Mother), Meghan C akalli,
Christina Santa Maria, Caitlyn Gotimer, Kaitlyn Mulligan,
Kimberly Torres
Men:
Mario Eun hwan Bae, David DeMoya, David Schwartz, Daniel
Romberger, Johnny Only, Patrick Tombs
Stage Di rector ........... ........... ........... ....Thomas Goodheart
E
E
R
I
R
I
C
E
I
N Zachary
Nobile Kampler
Chorus M aster .......... .......... .......... .......... ...John Isenberg
Lighting Designer
Edward Pottorff
Assistant Director....... .......... .......... ........Christina Kompar
�~ ORCHESTRA ~
Violin I
James Hsia
Flute
Melanie Adler
Violin II
Ella Serrano
Oboe
John Lathwell
Viola
Benjamin Pochily
Clarinet
Sarah Chandler
Cello
Paul Wautrobski
Keyboard
John Isenberg
~ ARTIS T BIOGRAPHIES ~
Hilerie Klein Rensi (Mother) is a recent graduate of the Resident Artist
Training Program with TriCities Opera. She has performed 20 operatic roles
with TriCities Opera including Rosina in The Barber of Seville, Dido in Dido
and Aeneas, Cherubino in Le Nozze di Figaro, Dorabella in Cosi fan Tutte,
Nicklausse in Les Contes D ’Hoffman, Stephano in Roméo et Juliette, and The
Mother in Amahl and the Night Visitors. She has also performed with Natchez
Festival of Music, Lake George Opera, Spoleto Festival USA, Binghamton
University Orchestra, The Binghamton Downtown Singers, Hamilton College
and Community Oratorio Society, Basically Bach Ensemble, Traverse
Symphony Orchestra, Orchestra of the Southern Fingerlakes, and Cleveland
Institute of Music Orchestra. Ms. Klein Rensi has been a featured soloist in
Mendelssohn’s Elijah, Handel’s Messiah, Ein feste Burg ist unser Gott by
Bach, Mozart ’s Requiem Mass in D Minor, Bach’s Cantata BWV 132, John
Rutter’s Requiem, Mozart ’s Great Mass in C Minor, Bach’s Easter Oratorio,
Mozart ’s Litany in BFlat Major, Serenade to Music by Vaughn Williams,
Bach’s Cantata BWV 10 Meine Seel ’ Erhebt Den Herren, and Haydn’s St.
Nicolai Mass. She continues to tour her cabaret Alto on the Loose, with Pej
Reitz at the piano and this December will perform in a Christmas Gala at
Westminster Presbyterian Church in Pittsburgh, PA. She received a MM Degree
in Operatic Performance with TriCities Opera and Binghamton University and
completed her Bachelor Degree in Vocal Performance at Cleveland Institute
of Music. She is an alumna of Interlochen Arts Academy. When not on the
stage, Ms. Klein Rensi resides in Pittsburgh, PA with her husband and two
sons, while teaching private voice lessons and inspiring new young artists to
pursue their musical ambitions.
Matthew Goodheart, Boy Soprano ( Amahl). Matthew was born in New York
City into a singing family. He spent his formative years listening to lessons,
operatic rehearsals and performances, including Amahl & the Night Visitors
which was performed annually at Purchase College Conservatory of Music
where his parents were on the voice faculty. Last summer Matthew
participated in The Songe d'été en Musique Festival in Quebec and performed
on CBC radio. Matthew joined the The Parlor City Boys Choir when he was
seven and last year was invited to attend the American Boy Choir Academy
Summer Program in Princeton, New Jersey. Last December he performed the
role of Amahl in Amahl & the Night Visitors at the Anderson Center in a
Binghamton University Music Department Production. Locally he has
performed in the Nutcracker, Circus Minimus and The Dramatic Arts
Workshop at The Discovery Center. Elevenyearold Matthew is a sixth grade
honor student at St. John the Evangelist School. He is equally at home
playing sports, especially basketball & baseball.
Charles Hyland (King Melchior) (baritone) is a Binghamton native and a
graduate of the Catholic University of America, and is currently in the MM
Opera program at Binghamton and a Resident Artist at the TriCities Opera.
Most recently, Charles sang the role of Yamadori and covered the role of
Sharpless in Madama Butterfly at the TCO, and will be appearing in their
upcoming productions of Lucia di Lammermoor and The Magic Flute. Previous
roles include Masetto in Don Giovanni (with the Martina Arroyo Foundation’s
Prelude to Performance Program), Haly in L’/taliana in Algeri, Melchior in
Amahl and the Night Visitors, Papageno in The Magic Flute, Dr. Falke in Die
Fledermaus, Figaro in Le Nozze di Figaro, and Schaunard in La Boheme.
Richard Leonberger ( King Kaspar). Mr. Richard G. Leonberger is originally
from Waco, Texas, where he studied voice under Lise Uhl at McLennan
Community College. He sang lead roles in multiple operas, including Nanki
Poo in The Mikado, Tamino in The Magic Flute, and Frederic in Pirates of
Penzance, and performed as a soloist in concert works such as Mozart ’s
Requiem Mass. Mr. Leonberger eventually completed his undergraduate
education at Stephen F. Austin State University, studying under Dr. Scott
LaGraff. While at Stephen F. Austin, Mr. Leonberger continued to perform
opera roles including Jenik in The Bartered Bride, Rinuccio in Gianni Schicchi,
and Little Bat in Susannah. He has performed with multiple chorus groups
presenting master works, singing as the tenor soloist in Handel’s Messiah and
Haydn’s Lord Nelson Mass. Mr. Leonberger has performed professionally both
in the United States and abroad, and now studies at Binghamton University
under Tom Goodheart. Mr. Leonberger has sung both with TriCities Opera
�and with Binghamton University, presenting roles such as Frantz in Les Contes
d ’Hoffmann, and Goro in Madama Butterfly, and performed both at
Binghamton University’s presentation of Maciejewski’s Missa de Profundis and
most recently in Felix Mendelssohn ’s Elijah.
Robert Heepyoung O h {King Balthazar). Baritone Robert Heepyoung Oh is in
his first year as a student in the Master of Music program at Binghamton
University with a concentration in Opera. He is also a Resident Artist with the
TriCities Opera. A native of Seoul, South Korea, Mr. Oh received a Bachelor
of Music degree in voice from the Korea National University of Arts. He has
sung leading and supporting roles with the Korea Opera Company and the
University of Texas at El Paso. His most recent appearance was as the
Registrar in the TCO performance of Madama Butterfly. He was a KwangJu
1
International Vocal C ompetition winner, Korea Vocal Competition 2 ” Prize
winner, Bimok Vocal Competition 2 ” P rize winner in Korea. In the U.S. his
competition credits include the NATS Competition Rio Grande chapter Adult
Division 1** winner and Most Promising Singer Prize (201 0). Fifth Lois Alba Aria
Competition 2 ” P rize winner and Audience Choice Prize (201 0), Fifth Charles
A. Lynam Vocal Competition Semifinalist (2010) in USA. His previous oratorio
solo appearances include Weber Messe in G dur, Mozart ’s Coronation Mass,
Handel’s Messiah and Beethoven’s Symphony 9.
Brister Hay, Tenor { King Kaspar ). Brister is from Brooklyn, New York and is
currently in the MM opera program at Binghamton University. He received his
BM Vocal/ Opera degree from SUNY Purchase College Conservatory of Music
where his performances included Tamino in Die Zauberflote; Gherardo in
Gianni Schicchi and Ferrando in an abridged version of Cosi fan tutti. Brister
is a 201 0 recipient of a Clark Fellowship at Binghamton University.
Angela Kucera (Dancing Shepherd). A Binghamton native, Angela received
her Bachelor’s and Master’s of Science in Industrial and Systems Engineering
from Binghamton University. While at BU, she was a member of the Kickline
Dance Team. Angela began her ballet training at the Roberson School of
Ballet over 20 years ago and has been studying and teaching at Rafael
Griogorian ’s School of Ballet since 1998. Angela also teaches at the Southern
Tier Academy of Dance and attends classes at the Dance Connection. She
studied at the New York State Summer School of the Arts program for ballet
five consecutive summers. Angela has attended the Russian Balle t Seminar in
Scranton, PA, and the Dance Teacher Summit in NYC. With the TriCities
Opera, Angela has danced in Faust, Hansel and Gretel and La Traviata.
Angela has also danced with other local theater companies, including the
Kermidas Dance Company and SRO Produc tions III.
0
K Morgan Prikazsk y (Dancing Shepherd ). A Union Endicott student, K Morgan
currently studies at the Southern Tier Academy of Dance and studies dance
privately with Carolyn Wallace and Rita Pilotti. K Morgan is a member of the
Union Endicott Tigerettes Dance Team as w ell as a member of the choir. She
has danced in various school productions, including Oklahoma! and Joseph
and the Amazing Technicolor Dreamcoat. K Morgan made her stage debut as
The Nutcracker in Rafael Grigorian ’s The Russian Nutcracker. For the past
three years, she has been a member of the United States Dance Team,
performing at Madison Square Garden, the Manhattan Center, and Times
Square. In addition to dance, K Morgan sings at Northminster Presbyterian
Church and studies voice and piano privately with Jill Smith.
Thomas Goodheart, Baritone (Director). Currently a Visiting Assistant
Professor of Voice at Binghamton University. BM, MM Manhattan School of
Music. Past voice faculty Purchase College Conservatory of Music 19992010.
Baritone Thomas Goodheart has performed over 40 leading roles in opera and
oratorio with companies throughout the United States. In New York City he
has been a soloist at Avery Fischer Hall, Merkin Concert Hall, Kaye Playhouse
and the Cathedral of St. John the Divine. He has received awards from The
Metropolitan Opera National Council, The New York State Council on the Arts,
The Joy in Singing Competition, Bel Canto Opera Foundation, The Ezio Pinza
Council for American Singers and The TriC ities Opera. He has been a
performer / teaching artist with the education departments of The New York
Philharmonic, Lincoln Center Institute and The New York Festival of Song.
Mr. Goodheart maintains a private voice studio in NYC and is on the voice
faculty of The Westchester Summer Vocal Institute and C.W. Post College at
Long Island Universit y. Last summer he was the Director of the Voice and
Opera studies program at The Songe d’été en Musique Festival in Quebec. His
students have gone on to Graduate study at The Juilliard School, Eastman
School of Music, Mannes College of Music, Indiana University, Manhattan
School of Music, Guild Hall (London, England) and The Opera Institute of
Boston University among others. His students are currently singing
professionally throughout the United States and Europe.
Zachary Nobile Kampler, (Conductor). Zachary Israel Nobile Kampler is the
Founder, Artistic Director, and Conductor of The Eastern Festival Symphony
Orchestra, which he formed at age 19. A graduate of the Juilliard PreCollege
program, he has performed in Alice Tully Hall and Juilliard Hall. Kampler has
conducted for TAB Productions (2007), Crystal Opera (2008), and Nickel City
Opera, where he has been Music Director since 2009. Previous operas include
Amahl and the Night Visitors, The Barber of Seville, La Boheme, Le Nozze di
Figaro, Pagliacci, Rigoletto, Suor Angelica, Il Tabarro, La Traviata, and
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Il Trovatore. Kampler holds a BA in music from New York University and is
currently pursuing a Master’s in Orchestral Conducting at SUNY Binghamton,
under the tutelage of Maestro Timothy Perry.
John Isenberg , (Chorus Master). John Isenberg, a native of Endicott , NY, has
served as Staff Accompanist for the TriCities Opera since 2001 , additionally
as Education Outreach Coordinator since 2005 , and as Chorus Master since the
beginning of the 20 1 0201 1 season. He holds a Bachelor’s Degree in Music and
a Master’s Degree in Italian Literature from Binghamton University. John has
developed an extensive repertoire of Opera, including Purcell, Mozart,
Donizetti , Rossini, Verdi, Puccini and Menotti. He has also accompanied and
performed many different styles and periods of sacred music and Oratorio. As
Outreach Coordinator for TCO, he has organized and accompanied over 300
performances throughout New York State and northern Pennsylvania. He has
worked with various other groups in the Binghamton area, including the
Summer Savoyards and the Binghamton Downtown Singers. John has taught
piano both privately and in classroom settings. He also taught Italian as part
of an assistantship at Binghamton University, and briefly at Broome
Community College. For twenty years he has served as organist and music
director i n various churches in the Binghamton area. John currently serves as
organist at Sarah Jane Johnson Methodist Church in Johnson City.
Christina Kompar, ( Assistant Director ). Soprano Christina Kompar, from
Greenwich, CT, i s currently a Resident Artist with TriCities Opera Company,
as well as a Master’s of Music degree candidate in Opera at Binghamton
University. During the 20102011 season, Kompar appeared as the Soprano
Soloist in the Poulenc Gloria with the Binghamton University Orchestra and
Chorus, and sang Annina in TriCities Opera’s production of La Traviata.
Kompar has also appeared with Nickel City Opera, Eastern Festival Opera,
Bronx Opera, Dell ’Arte Opera Ensemble, Troupers Light Opera, TAB
Productions, Westchester Summer Vocal Institute and New York Summer
Opera Scenes. Roles performed include Inez (I l Trovatore), Young Lover (I l
Tabarro) , Barbarina (Le Nozze di Figaro), Mabel (The Pirates of Penzance) ,
Tessa (The Gondoliers), Suor Genovieffa (Suor Angelica) , Lucy (The
Telephone), Annina (La Traviata), Die Kind (Konigskinder), and Second Spirit
(The Magic Flute). Kompar earned her Bachelor’s of Music degree from New
York University.
Special thank you to Dr. Timothy Perry, Music Department Chair, Judy Berry
and Reed Smith at TriCities Opera and Barbara Wolfe in the Theater
Departme nt at Bing hamton University for assis tance wi th the se t and
costumes for our production.
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�Binghamton University Music Department’s
U P C O M I N G E V E N T S
MidDay concerts are held on Thursdays, 1.20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Wednesday, December 7 — Comp osition Seminar C la s s
Casadesus Recital Hall — FREE
Concert / Recital — 8 PM —
Thursday, December 8 — Holiday MidDay Concert — 1:20
PM — Casadesus Recital Hall — FR EE
Thursday, December 8 — Percuss ion Ensemb le — 8 PM —
Anderson Center Chamber Hall — FREE
Friday, December 9 — Singing Chinese C la s s Recital — 7
PM — Casadesus Recital Hall — FR EE
If you enjoyed and were inspired by this performance,
please consider supporting the Department of Music with
a financial gift. Your support helps to continue the work
of students, faculty, and guest artists and their
contributions to our larger community. Please make your
donation payable to the Binghamton University Music
Department, and send to P.O. Box 6000, Binghamton, NY
13902.
For ticket information, please call the
Anderson Center Box O ffice at 777ARTS.
For our full concert listing, visit music. binghamton. edu
or become a fan on Facebook.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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46:26:00
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Holiday extravaganza!: Amahl and the Night Visitors, December 4, 2011
Recital Tape 2011-12-4
Description
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Held at 1:30 AND 4:30 p.m., December 4, 2011, Anderson Cener Chamber Hall.
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Menotti, Gian Carlo
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Binghamton University Libraries
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2011-12-04
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sound
-
https://omeka.binghamton.edu/omeka/files/original/7e07492da95c68ae5f4a13385c6a9ba4.pdf
21ac090b9eaccf4a4df110c9823f24f2
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
HOLIDAY
EXTRAVAGANZA!
Heason s_Foys
University Symphony Orchestra
University W ind Symphony
Harpur Chorale
and
Women’s Chorus
Sunday, December 4, 2011
3:00 p. m.
Osterh out Concert Theater
�Deason 3
Sos
The Binghamton University Department of Music presents
Sunday. December 4 at 3 :00 P.M.
Osterhout Concert Theater
l. The University Wind Symphony
Robert Smith, Director
Sleigh Ride
. Leroy Anderson
Fantasia on Silent Night .
. Julian Bond
The Eighth Candle .
..Steven Reisteter
And the Mountains Echoed: Gloria!
Robert Longfield
Il. The Harpur Chorale
The Women’s Chorus
Peter Browne. Director
Molly AdamsToomey &
Jushin Choi. Conductors
Processional: Masters in this Hall.
.arr. Peter Browne
Glolicestershire W a s s a l l . . . . . c o v i o c l i s i s a rr. Bruce Borton
A Feaste of Madrigals
(selections will be announced)
Winter Wonderland a
r
r Peter Browne
lll. The University Symphony Orchestra
Timothy Perry. Director
March of the Toys, from “Babes in Toyland” .....................Victor Herbert
Three Dances for The Nutcracker
...
. Peter lIyich Tschaikovsky
Dance of the Sugarplum F a i r A
y r a bDance — Russian Dance
Festive Sounds of Hanukah (SINGALONQ)
arr. Holcombe/Rothrock
Maoz Tsur — MiY’Malel — Dreidel Song — $'Vivon
Hanukah. O Hanukah
A Christmas Festival (SINGALONG)
.. ..Leroy Anderson
Joy to the World — Deck the Halls —
G o dRest
Ye. ‘Merry Gentlemen
Good King Wenceslas — Hark. the Herald Angels Sing
Silent Night — Jingle Bells
Thank You for attending today’s concert — w e appreciate your support for our
studentmusicians! For complete uptodate information on Department of Music
events, please visit our web site at music.binghamton.edu
The faculty. staff and students of the Department of Music
wish you a safe and happy holiday season.
�Womens C
’ hours
The University Wind Symphony
Peter Browne. Director
Robert Smith, Director
Piccolo
Hagar Dayan
Flute
Kohar Bedonian
Andrea Dewhirst
Raquel Goldsmith
Kimberly Hom
Judy Kahn ‘11
Allysa King
Hannah Lewis
Lindsay Ralbovsky*
Nicole Safran
Recorder
Alexander Baron
Eb Clarinet
Hector Mendez
Bb Clarinet
Carrie Goodacre”
Mirim Han
Joo Won Kim
James Mayr
David Morrissey
Stephanie Scheintul
Bass Clarinet
Robin DeSantistAFM)
Carolina Montenegro
Oboe
Kimberly Muller*
H a o S u n
Alto Saxophone
Cori Berg
Nicollete Clark
Anthony DeGelorm*
Danielle Stoner
Tenor Saxophone
Kevin Acker
Kevin Clements
Stephen Kassinger*
Phillip Westcott
Baritone Saxophone
Bradley Alder
Trumpet
Jason Boniello*
Eric Engleman
Ray Futia
Casey Levine
John Marschhauser
Gregory Smaldone
Andrew Vaccaro
F
Horn
Zachary Birnbaum
Matthew McAuliffe
Molly O’Brien
Katherine Saturnino*
Natalie Rivera
Trombone
Kacie Kalies
Matthew Kratenstein
Daniel Romberger
Drew Perotti*
Sai Ravilisetty
Euphonium
Kenrick Georges
Andrew Kaufman*
Tuba
Elliott Bowen
Matthew Gukowsky
Percussion
Emily Goetz
Adam Goldenberg*
Mike McManamon
Benjamin Ramos
Alexander Rava
Tyler Steere
Alexander Valera
Graduate Assistant
James Hsia
* Denotes Principal
Jennifer Chen
Amy Conway
Janelle Dmochowski
Sheena Finlayson
Crystal Gonzalez
Samantha Grieco
Ashley Grumman
Kaitlyn Mulligan
Erika Noach
Maggie Pictor
Jessica Pyne
Susan Rosenberg
Christina Santa Maria
Ariel Schlesinger
Joanna Wallace
The Harpur Chorale
Molly AdamsToomey. Conductor
Soprano
Katie Besemer
Michelle Goldrich
Kerianna Krebushevski
Sabrina Scull
Katie Sucha
Hollie VanDerHeide
Alto
Denise Aquino
llyssa Baine
Carrie Buck
Suzanne Greene
Shoshana May
Tenor
Ari Hausman
Tomas Kerr
Josh Rovou
David Schwartz
Brandon Seabrook
Bass
Thomas Furey
Christian Martin
Gavin McClelland
Daniel Romberger
�FESTIVE SOUNDS OF HANUKAH
University Symphony Orchestra
MAOZ TSL’R (Rock of Ages)
Timothy Perry. Director
The USO employs
rotating seating;
Woodwinds, Brass and
Percussion rotate by
composition and are
listed alphabetically.
Strings rotate by concert
and are listed in seating
order.
Flute
Kaitlin Armstrong
Natalie McCreary
Oboe
Kathy Karlsen*
Clarinet
Jaclyn Adler
James Wu
Bass Clarinet
Zach Stanco
Trombone
Billy Marsiglia
Jacob Strohm
Tuba/Keyboard
Matthew Gukowsky
Percussion
Benjamin Rothschild
Andrew Williamson
Adam Goldenberg
Violin I
Gabrielle Maire
Emily Wong
Natalie Bock
Jaclyn Podd
Simon Benarie
Yuansi Du
Jeffrey Lu
Brandon Luu
Daniel Park
Jiwon Nam
Kimberly Griffin
Karen Fu
Bassoon
Paige Elliott
Natalie Spitzer
French Horn
Zack Arenstein
Matt McAuliffe
Trumpet
Kevin Hannon
Nicholas Polacco
Violin ll
Sara Sunshine
Nick Thompson
Chris Rogers
Ashley Fancher
Gregory Green
Won Jae Lee
Julia Kenny
Jin Park
Alyssa Starrantino
Viola
Daniel Rodabaugh
Mimi Nam
Kevin Christie
Jillian Chen
Daniel Rodriguez
Maeve Murray
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Violoncello
Eric Wuu
Felicia Scalzetti
Xander Edwards
Deborah Mariottini
Peter Hiraldo
Alan Wang
Ryan Ference
Contrabass
Kristine Beckmann
You amidthe ra ging foes
Rocket Ages, Letoursong Praise your saving Po wer;
MI Y’MALEL (Who can retell?)
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�Binghamton University Music Department’s
UPCO MING E V E N T S
MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Thursday, D ecember 8 – Holiday M idDay Con cert – 1:20 p.m.
– Casadesus Recital Hall – free
Thursday, D ecember 8 – Percussi on Ensemble – 8 p.m. –
Anderson C enter Chamber Hall – free
Friday, December 9 – Singing Chinese Cl ass Recital – 7 p.m.
– Casadesus Recital Hall – free
If y ou enjoyed and were inspired by this performance, please consider
supporting the Department of Music with a financial gift. Your support
helps to continue the work of students, faculty, and guest artists and
their contributions to our larger community. Please make your donation
payable to the Binghamton University Music Department, and send to
P.O. Box 6000, Binghamton, NY 13902.
For ticket information, please call the
Anderson Center Box O ffice at 777ARTS.
For our full concert listing, visit music. binghamton. edu
or become a fan on Facebook.
�
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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01:00:41
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145395">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145395</a>
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Title
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Holiday Extravaganza!: Season's Joys, December 4, 2011
Recital Tape 2011-12-4
Description
An account of the resource
Works by Anderson, Bond, Reisteter, Longfield, Browne, Borton, Herbert, Tchaikovsky, Holcombe, Rothrock. Held at 3:00 p.m., December 4, 2011, Osterhout Concert Theater.
Creator
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University Symphony Orchestra
University Wind Symphony
Harpur Chorale and Women's Chorus
Publisher
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Binghamton University Libraries
Date
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2011-12-04
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/539c19b008f452c703e6d8511e7e7c72.pdf
7e07fef4eb4f7e233d2ed2d05613e796
PDF Text
Text
BINGHAM TON
U
N
I
V
E
R
S
I
T
W
D E P A R T M E N T
;
flute Studio and Flute
Chamber Conc ert
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1
Friday. Dec ember 2 . 2 01 I
I 0 : I 5 A.M.
Casadesus R ecital Hall
�PROG RAM
& Binghamton University Flute Quartet &
Kaitlin Armstrong
Hagar Dayan
Natalie McCreary
Lindsay Ralbovsky
La Cac i a
Andante
Adagio
i
t
i
n
g John
(b. 1972)
Tempo D i Minuet
Andante
l
Raquel Goldsmith, Flute
Mrs. Margaret Re itz, Piano
Georg Philipp Telemann
(1681–1 776)
Edite d by Gio vanni Gatti
Lovely Fields So Gentle ..
Sonatina for Flute and P iano s. c
. Christoph Willibald Gluck
(1714–1 787)
— Arranged by Author Ephress
Sonatina for Flute and Piano.
.Peter Lamb
Andante
Con Moto
(b. 1925 )
Hagar Dayan, Flute
Mrs. Margaret Reitz, Piano
Air De Ballet from “Ascanio”
. Camille SaintSaens
(1835–1 921)
Mississippi Rag
W H. Krell
(1873–1 933)
— Arranged by Arthur Frackenpohl
& Binghamton University Flute Studio &
Suite De Ballet for Flute and Piano
Gavotte
Humoresque
Ralph Vaughan Williams
( 1872–19 58)
Raquel Goldsmith, Flute
Mrs. Ma rgaret Reitz, Piano
Mrs. Ma rgaret Reitz, Piano
Contest Solo No. 1 for F lute and Piano
Moderato
Allegro Moderato, Allegro
Arthur F oote
( 1 853–1 937)
.Robert Gray
(b. 1945 )
Lindsay Ralbovsky, Flute
Mrs. Margaret Reitz, Piano
Minuet from “Orfeo and Euridice ”
Kaitlin A rmstrong, Flute
Mrs. Ma rgaret Reitz, Piano
Aubade Villageoise for F lute and Piano.
Natalie M cCreary, Flute
Christoph Willibald Gluck
(1714–1 787)
Alyssa K ing, Flute
Mrs. Margaret Reitz, Piano
Siciliana and Giga from Sonata in F Major ........................George Frideric Handel
( 1 685–1 759)
Alyssa K ing, Flute
Mrs. Margaret Reitz, Piano
– Flutists are from the Flute Studio of Georgetta Maiolo —
�Binghamton University Music Department’s
U P C O M I N G E V E N TS
a eoasd
0 5
MidDay concerts are held on Thursdays, 1 :2 0 PM in Casadesus
Recital Hall unless otherwise noted and are FREE
Friday, Decemb er 2 & Saturd ay Decem ber 3 — Elizabetha n
Madrigal Feaste (Harpur Chorale and Wom en’s Chorus) — 6:30 PM
— Mandela Room — $40 general public; $20 students (Special thanks to
Sodexo for underwriting the student price)
Sunday, December 4 – D ouble Holiday Ext ravaganza!
Tw o events o n o ne ticket !
“Amahl a nd the N ight Visi tors” at 1:30 and 4:30 PM (you choose)
and Holi day Gala & Sing A long (Un iversity S ymphony
Orchestr a, Wind S ymphon y, Harpur C horale an d Women ’s
Chorus) — 3:00 PM — Anderson Center Chamber Hall & Osterhout
Concert Theater — $1 0 general public; $6 faculty/staff/seniors; $3
children and students
Wednes day, Dec ember 7 — Comp osition S eminar C lass C o n c e r t
Recital — 8 PM — Casadesus Recital Hall — FREE
Thursda y, Decem ber 8 — Holiday MidDay Conce rt — 1:20 PM —
Casadesus Recital Hall — FREE
Thursday, December 8 — Percuss ion Ensemble — 8 PM — Anderson
Center Chamber Hall — FREE
Friday, D ecember 9 — Sin ging Chi nese Cla ss Recita l — 7 PM —
Casadesus Recital Hall — FREE
If y ou enjoyed and were inspired by this performance, please consider
supporting the Department of Music with a financial gift. Your support
helps to continue the work of students, faculty, and guest artists and
their contributions to our larger community. Please make your dona
tion payable to the Binghamton University Music Department, and
send to P.O. Box 6000, Binghamton, NY 13902.
For ticket information, please call the
Anderson Center Box Office at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
56
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145392">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145392</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Flute studio and flute chamber concert, December 2, 2011
Recital Tape 2011-12-2
Description
An account of the resource
Works by Telemann, Gluck, Krell, Vaughan Williams, Foote, John, Lamb, Saint-Saëns, Gray, Handel. Held at 10:15 a.m., December 2, 2011, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Armstrong, Kaitlin
Dayan, Hagar
McCreary, Natalie
Ralbovsky, Lindsay
Reitz, Margaret A
Goldsmith, Raquel
King, Alyssa
Maiolo, Georgetta
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-12-02
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/9f2141a28340bf7fc4abcce65e5b29b6.pdf
0b14112896d8faf1837617441e152734
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BINGHAMTON
U N I V E R S I I
Y
STATE U N I V E R S I T Y OF N E W Y O R K
Go
Ze I e
D E P A R T M E N T
THURSDAY
MIDDAY CONCERT
(DP
December 1, 2011
1:20 p .m.
Casadesus Recital Hall
�PROGRAM
‘From Four SilhouelteS{ (Op. 4 1 ) . . . : . . . . . c . 0 . 0 5 0 D
avidov
In the Morning
(1838–1889)
Waltze
Stephen Stalker, cello
Carol Bernstein, piano
from COSI FAN TUT T E (1790)
Wolfgang Amadeus Mozart
(1756–1791)
Fiordiligi: Kaitlyn Mulligan, soprano
Dorabella: Kimberly Torres, mezzosoprano
Don Alfonso: David DeMoya, bass
John Eisenberg, piano
“Vi ravviso, ”from LA SONNAMBULA .....................V incenzo Bellini
(1801–1835)
David DeMoya, bass
William James Lawson, piano
Nocturne, Op. 15, no. 2
Trio, “Soave sia il vento,
voveere. Frédéric Cho pin
(1810–1849)
How Sweet the Sound
...........David Gaita
(b. 1991)
Etude No. 4 : Fanfares
Gyorgy Ligeti
(1923–2006)
David Gaita, piano
1
Weep you no more, sad fountains
Love’s P h i l o s o p h y . . . . . . . . . . . . .
Kerianna Krebushevski, soprano
William James Lawson, piano
Roger Quilter
Roger Quilter
(1877–1953)
Duet, “Ah, guarda, sore/la,
from COSI FAN TUTT E (1790)
Wolfgang Amadeus Mozart
Fiordiligi: Kerianna Krebushevski, soprano
Dorabella : Caitlyn Gotimer, mezzosoprano
John Eisenberg, piano
y
Duet, “Signor ne principe...E il sol dell’anima,
Giuseppe Verdi
from RIGOLETTO (1851)
(1813–1901)
Gilda : Christina Kompar, soprano
Duke of Mantua : Mario Eun Hwan Bae, tenor
John Eisenberg, piano
Aria, “Caro nome
from RIGOLETTO
Gilda : Christina Kompar, soprano
John Eisenberg, piano
Giuseppe Verdi
(1813–1901)
�Bi ng ha mt a n U ni versit y M usic D epar tm en
t ’s
U P C O M I N G E V E N T S
6 6 M6 0
6 & 6 W M & 6 6 9 6 & M
Flu te Cham ber
Fri day , Decem ber 2 — Flu te S tud io a nd
all — FREE
Co nce rt — 10 :15 AM — Casadesus Recital H
ber 3 — Elizab eth an
Fri day , De cem ber 2 & Sa turd ay, Decem
men’s Chorus) — 6: 30
Ma drig al Feas te (Harpur Chora le a nd Wo
$20 students (Special
PM — Mandela Room — $40 general public;
dent price)
tha nks to Sodexo for underwriting the stu
Sunday , December 4
ts o n one tick et!
Do ubl e H olid ay Extrav aga nza! Tw o e ven
nd 4:30 PM (you choose)
“Amahl an d th e N igh t Vi sitors” at 1:30 a
y S ym phony
and Ho lida y G ala & S ing Alo ng (Un iversit
ale an d Women’s
JOrchestra , Wind Symphony, Harp ur Chor ber Ha ll & Osterhout
am
Ch oru s) — 3:00 PM — Anderson Center Ch
fac ulty/staff/seniors; $ 3
Concert Theater — $10 general pub lic; $6
children and students
Seminar C las s
We dne sda y, Dece mb er 7 — Co mp osi tion
ecital Hall — free
C o n c e r t Re cita l — 8 PM — Ca sadesus R
ay Co ncert — 1: 20 PM
Thu rsd ay, De cem ber 8 — Ho lida y M idD
— Casa desus Recital Hall — free
em ble — 8 PM —
Thu rsd ay, De cem ber 8 — Percu ssi on Ens
Anderson Center Chamber Hall — free
this performance, please consider
I f you enjoyed and were inspired by a fi
nancial gift. Your support helps to
supporting the Department of Music with guest artists and their contributions
and
continue the work of students, faculty,your
donation payable to the Binghamton
ake
se m
Plea
ity.
to our larger commun
.O. Box 6000, Binghamton, NY
Universit y Music Department, and send to P
13902.
For ticket information, please call the
An der son Center Box Off ice at 7 77 AR TS
on . edu
To see all events, please visit music. b ing ha mt
Become a fan on Facebook by visiting .
en t
Bin gh am ton Un iversit y M usic De par tm
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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46:02:00
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145389">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145389</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Mid-day concert, December 1, 2011
Recital Tape 2011-12-1
Description
An account of the resource
Works by Davydov, Bellini, Chopin, Gaita, Ligeti, Quilter, Mozart, Verdi. Held at 1:20 p.m., December 1, 2011, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Stalker, Stephen
Bernstein, Carol
DeMoya, David
Lawson, William James
Gaita, David
Krebushevski, Kerianna
Mulligan, Kaitlyn
Torres, Kimberly
Eisenberg, John
Gotimer, Caitlin
Kompar, Christina
Bae, Eun Hwan
Publisher
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Binghamton University Libraries
Date
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2011-12-01
Rights
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In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/63cd968ac85c71e7de10400f7113a550.pdf
0140b954f57a0653b6e9e2aaec14653a
PDF Text
Text
BINGHAMTO N
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
de c
[4
D E P A R T M E N T
ELIJAH
F
E L I X MENDE
LSSOHN BARTH OLDY
Robert H eepyoun g Oh as Elijah
Meghan Cakalli, Soprano
Cabiria Jacobsen, Mezzo Soprano
Richard Leonbe rger, Tenor
Matthew Good heart as the Yout h
With the
Binghamton University C horus
And Sym phony O rchestra
Bruce Borton, Conductor
S unday, N ove m be r 13, 20 11
3 :00 p.m .
Osterho ut Conc e rt Theat er
�ELIJAH
P a rt I
P a rt I I
Opening
Opening
Introduction As God the Lord of Israel Liveth...........................El ijah
Overture.
Orchestra
Chorus Help, T o r d !
.. The people
Duet and Chorus Tord bow thine ear . .Soprano arid Me zzo
Soprano
Recit Ye People, rend your hearts
..................Obadiah
Aria If w
ith all your hearts
Obadiah
Chorus Yet doth the Lord see it not
The People
Scene 2
Recit and Chorus 4 s God the Lord............. E lijah, Ahab, The People
Chorus Baal we cry to thee ...
..
.. The People
Recit and Choru s Hear our Cry, O Baal
..Elijah and The People
Recit and Chorus Baal! B a a l !
..... El ijah and The People
Recit and Aria Draw near/Lord G od of Abraham.....................Elijah
Chorale Cast thy burden upon t he Lord
Chorus
Recit O Thou, w ho makest thine angels spirits.........................Elijah
Chorus The fire descends from Heav ’n
The People
Aria Is not his w ordlike a fi r e
...Elijah
Arioso Woe unto them who forsake Him.’... .
serene. MEZZO soprano
Scene 3
Recit O man of God help thy people
...Obadiah
Recit and Chorus Open the He a v e n s El1Jah A Youth The People
Chorus Thanks be to G
o
d
T
h
e People
Aria Hear ye, Israel! ...............
Chorus Be not afra1d
.. Soprano
The People
Scene 4
Recit The Lord hath exalted thee ........
.
...Elijah
Recit and Chorus Have ye not h e ar d ?
Jezebel and the people
Chorus Woe to him...
.. The People
Recit Man of God letm
my
“words be precious...
Obadiah and Elijah
Scene 5
Aria It is enough
Elijah
Recit See now he sleepeth............................................
....Tenor
Chorus Lift thine e y e s
... Angel Chorus
Chorus He, wat ching over
“Israel...
...Chorus
Scene 6
R ec t Arise, Elijah
The Angel and E lijah
Aria O rest in th e Lord
The Angel
Chorale He that shall endure...........................
..Chorus
Recit Night falle th round me...
Elijah and the A ngel
Chorus Behold, God the Lord passed by
Chorus
Closing
©
INT E RMISSION «3
Aria Then shall the righteous shine forth
Chorus And then shall your light break forth
»
Tenor
Chorus
�Mendelssohn’ s Elijah
A D ramat ic O utl ine
Part 1
Part 11
Opening scene : Elijah “spontane ously” appears on scene and utters
the curse of three years of drought upon the land of Israel because
they have forgott en the Lord and replaced him with worship of
Baal. The orchestra pla ys a dramatic ove rture beginning w ith a
Part ll opens with the soprano soloist admonishing t he people to
hold fast to the true God, and their chorus in response, “Be not
afraid, Thy help is near,” seems to suggest they are ready to do so.
But as we will se e, they eventually fall back into the ir old ways.
after another, gradually building to a monumental cl imax which
carries directly into the opening ch orus of t h e people crying out
“Help Lord.” The people, aided by the soprano a nd alto soloists,
lament their mise rable situation created by th ree years of droug ht.
The prophet Obad iah offers r e l i e f only they would “forsake your
idols and return t o God.” The people, howe ver, remain
unconvinced, cla iming “his wrath will pursue us till He destroy
us.”
Scene 4 : Elijah again con fronts Ahab who has allowed the people
to regress to their former ways. Q ueen Jezebel arouses people
against Elijah. Obadiah warns Elijah that the queen has convinced
the people to seek him out and kill him. He urges Elijah to flee.
restive b ut quiet series of entrances of one grou p o f instruments
Scene 2 : Elijah confronts Ahab and challe nges the Priests o f Baal
to a contest as to which God will a nswer. The challenge is to light
a sacrificial fire b ut rather than lighting it themselves, to call upon
their gods to do so. Although they call and pray and cut
themselves with knives and lancets, the entreaties o f the priests of
Baal and the peop le are met with si lence. Elijah mocks them and
offers a single pra yer to the “Lord God of Abraham.” His prayer is
answered by fire from heaven, the altar is lit, and El ijah calls on
the people to slay the false priests a nd follow the true god.
Scene 3: Obadiah asks Elijah to call upon God to se nd rain to the
parched land. Elijah sends a yo uth to the hilltop to watch for signs
of rain as he prays to God supported by the echoing prayers of t h e
people. A t first, t he yo ut h re ports n o sign o f rain, but a fter
continued prayers, he sights a smal l cloud (“like a m an ’s hand”).
The cloud grows, the storm gathers momentum, and finally
releases a massive rainstorm to wh ich the people cry “Thanks be to
God who reviveth the thirsty land!”
Scene 5 : Elijah escapes to the desert. He is weary oft h e struggle
and asks God to e nd his life. He falls asleep be neath a Juniper tree.
God sends angels to protect him and provide sustenance. The
angels sing in ass urance that the Lo rd will always offer help and
will never sleep.
Scene 6 : God ’s angel awakens Elijah and inform s him that he is
about to embark on a long journey. A discouraged El ijah reflects
on his failure to win the hearts and minds of the people, and wishes
again to die. The angel urges h im to “rest in the Lord” and “wait
patiently” for the Lord to provide for him. After journeying 40
days to Mount Horeb in the Sinai, an angel instructs him to stand
on the mount whe re he will see God face to face. The chorus
describes the encounter in which a mighty wind ren ds the
mountains, and u pheaves the sea, followed by earthq uake and fire.
Yet, we learn that the Lord was not in all oft h i s , but came only
after in a “still, small voice.”
The oratorio ends with a moralizing “sermon” sung by the tenor
stating t hat t h e righteous will o bta i n e v e r l a s t i n g in their
“Heavenly Father ’s realm.” This idea is echoed in the climactic
chorus “Then shall your light brea k forth / Lord our Creator.”
Ll
�ABOUT T H E PE RFOR ME RS
The Binghamton Univ ersity Chorus has been performing major work s for
chorus and orchestra since 1971. Its 125+ members include university
students, faculty, staff, and a large and loyal group of community singers from
throughout the Southern Tier and northern Pennsylvania. With representatives
of all ages and singing experience, it is the most diverse of all of the ensembles
at the University. lts repertoire has included virtually all the major choral
works in the standard repertoire including the major works o f Bach, Beethoven,
Brahms, Verdi, Mendelssohn, Mozart, Haydn, and a sizable number of
twentieth and twentyfi rst century composers. They perform regularly with the
Binghamton University Symphony and the Binghamton Philharmonic
including recent performances of Brahms Ein deutsches Requiem and
Beethoven Symphony No. 9 under conductor JoséLuis Novo.
Baritone, Robert Heep young Oh, is in his first year as a student in the Master
of Music program at Binghamton with a concentration in opera. He is also a
Resident Artist with the TriCities Opera. A native of Seoul, South Korea, Mr.
Oh received a Bachelor of Music degree in voi ce from the Korea Nati onal
University of Arts. He has sung leading and supporting roles with the Korea
Opera Company and the University of Texas at El Paso. His most recent
appearance was as the Registrar in the TCO ’s performance o f Madama
Butterfly. He was a KwangJ u International Vocal Competition winner, Ko rea
Vocal Competition 2nd Prize winner, Bimok V ocal Competition 2nd Prize
winner in Korea. In the U.S. his competition credits include the NATS
Competition Rio Grande chapter Adult Division 1st Prize winner & Most
Promising Singer Prize (201 0), Fifth Lois Alba Aria Competition 2nd Prize
winner & Audience Choice Prize (201 0), Fifth Charles A. Lynam Vocal
Competition Sem ifinal ist (2010) in U SA. His previous oratorio so lo
appearances include W eber Messe in Gdur, M ozart Coronation Mass , Handel
Messiah, and Beethoven Symphony 9.
Meghan Cakalli is a co loratura soprano from t he Philadelphia area. S he
performed recently with the Tri Cities Opera in May 201 1 as Olympia in Les
Contes D Hoffmann, in which role she was hai led as “a bright and fluid
coloratura.” Other notable opera roles include Kénigin der Nacht (Die
Zauberflote), Gianetta (L ‘Elisir D ’amore) during an apprenticeship with Center
City Opera Theater, and Barbarina (Le Nozze di Figaro) at Temple Un iversity,
where she graduated with a degree in vocal pe rformance. During her
undergraduate studies at Temple, Meghan attended the Daniel Ferro V ocal
Program in the advanced section, where she performed in public concerts
masterclasses in Greve in Chianti, Italy. She is currently pursuing a master’s
degree in Opera from Binghamton University and is a resident artist with Tri
Cities Opera in Binghamton, NY.
Mezzosoprano Cabiri a Jacobsen was recently praised as “A revelation” by the
Broome Arts Mirror, and as “one to watch as her career ascends,” for her
performance in the role of Dorabella / Cosi fan tutte at TriCities Opera . In
April and May 201 1, Cabiria won the Ilene D. Kaplan award in the Connecticut
Opera Guild’s annual scholarship competition, and was an Encouragement
Grant winner in the Career Bridges Foundation Competition. In August 2011
Cabiria sang the role of Cherubino / Le n
di Figaro at Opera North, where
the Classical Voice of New England called her performance “exquisite,” and
“intoxicatingly understated, yet believably endearing.”
As a Resident Artist at TriCities Opera, Cabiria has also performed the roles of
Nicklausse / Les contes d ’Hoffman and Cherubino / Le nozze di Figaro on the
mainstage, as well as Hansel / Hansel and Gretel; La Ciesca / Gianni Schicchi;
and Mom and Grandma / Litt le Red Riding Hood in their chamber opera and
outreach series. In the summer o f 201 0, Cabiria covered the role o f Siebel /
Faust t Opera New Jersey, under the direction of Mark Flint.
A proud native of Brooklyn, NY, Cabiria began singing at a young age with the
New York City Opera Children’s Chorus, and attended the Boston University
Tanglewood Institute the summer before her senior year at the Bronx High
School of Science. At Northwestern University, Cabiria continued to pursue
both opera and theater, graduating in 2006 with bachelor’s degrees in Voice as
well as Drama. She subsequently moved to Boston, where she performed with
the Lowell House Opera and OperaHub, a company she cofounded in 2007.
The South End News described her performance of Carmen’s arias at a
fundraiser for OperaHub as “fascinating and coquettish.” Cabiria joined the
Resident Artist Training Program at TriCities Opera in 2009, and entered the
University program with a full scholarship and teaching assistantship at
Binghamton University that January. She graduated in June 2011 with an MM in
Opera.
Richard G. Leonberg er, tenor, is originally from Waco, Texas, where he
studied voice under Lise Uhl at McLennan Community College. He sang lead
roles in multiple operas and sang as a soloist in concert works such as Mozart’s
Requiem Mass. Mr. Leonberger eventually completed his undergraduate
education at Stephen F. Austin State Universit y, studying under Dr. Scott
LaGraff. While at Stephen F. Austin, Mr. Leonberger continued to perform
opera roles including as Jenik in The Bartered Bride, Rinuccio in Gianni
Schicchi, and Little Bat in Susannah. He has performed with multiple chorus
groups presenting master works, singing as the tenor soloist in Handel ’s Messiah
and Haydn ’s Lord Nelson Mass. Mr. Leonberger has performed professionally
both in the United States and abroad, and now studies at Binghamton University
�THE UNIVERSITY CHORUS
Bruce Borton, conductor
William Lawson, rehearsal accom panist
under Tom Goodheart. Mr. Leonberger has sung both with TriCities Opera and
with Binghamton University, presenting roles such as Frantz in Les Contes
d ’Hoffmann, and Goro in Madama Butterfly , and sang last year at the
Binghamton University’s presentation o f Maciejewski ’s Requiem Mass.
Matt hew G ood h ea rt, Boy Soprano, was born in New York City into a singing
family. He spent his formative years listening to lessons, operatic rehearsals and
performances, including Amahl & the Night Visitors which was performed
annually at Purchase College Conservatory of Music where his parents were on
the voice faculty. Last sum mer Matthew participated in The Songe d ’été en
Musique Festival in Quebec and performed on CBC radio. Matthew joined the
The Parlor City Boys Choir when he was seven and last year was invited to
attend the American Boy Choir Academy Summer Program in Princeton, New
Jersey. Last Decem ber he performed the role of Amahl in A mahl & the Night
Visitors at the Anderson Center in a Binghamton University Music Department
Production. Locally he has performed in the Nutcracker, Circus Minimus and
The Dr amatic Arts workshop at The Discovery Center. EIe venyearold
Matthew is a sixth grade student at St. J ohn the Evangelist School. He is equall y
at home playing sports, especially basketball and baseball.
Bruce Borton has been director o f choral activities at Binghamton University
since 1988. H e was director of the Binghamton Symphony Chorus from 1988–
91, and continues to prepare choral performances for the Binghamton
Philharmonic. In addition to his conducting duties, Bo rton teaches
undergraduate and graduate conducting and choral techniques, choral
arranging, voice, and directs the Master of Music in Choral Conducting
program. He was Music Department chair from 1 998–2004. He presently
serves as Director o f Graduate Studies in Music.
Before com ing to N ew York, Borton taught at West Georgi a College near
Atlanta. While living in Georgia, he spe nt fourteen seasons as a member of and
conducting assistant with the Atlanta Sy mphony Chorus conducted by the late
Robert Shaw. Dr. Borton holds degrees from Illinois W esleyan University,
Southern Illinois University, and the University of Cincinnati, College
Conservatory of Music.
In addition to his University duties, Borton has been active in the Triple Cities
area serving as a church musician, member of the board of directors of t h e Tri
Cities Opera from 1998–2004, and is se rving in his first year as the Artistic
Director of the Madrigal Choir of Binghamton. In 2008, he was selected by the
Broome County Arts Council as a recip ient of the annual “Heart of the Arts”
award.
i
Soprano 1
Susan Bachman
AdaOsha Belleh
Ency Burhans
Ellen Chiu
Rose Ann Clough
April Drumm
Glenda Ely
Lorraine Emmons
Lorrina Fuentes
Mary Gilda
Emily Goetz
MayBelle Golis
Margaret Hays
Katherine Hutson
Susan MacLennan
Cathie Makowka
Mary Barb Martin
Megan Orcutt
Marilyn Ross
Ligita Roznere
Gloria Salamida
Sadie Schwartz
Barbara Alhart Simon
Barbara Thamasett
Faith Vis
Soprano 2
Teresa Almendros
Alida Cooke
Joanne Corey
Elaine Ezrapour
Barbara Heme
Harriet Horowitz Becker
Kelsey Krause
Sioux Petrow
Kelly Pueschel
Susan Sarzynski
Kimberly Torres
Deborah Vought
Lois Wilston
N. Eva Wu
A lto 1
Molly AdamsToomey
Carolyn E. Blake
Nanette Borton
Susan G. Campbell
Maria Luisa Cook
Carole Dickinson
Michelle Doherty
Diane A. Ferraccioli
Olivia Hon
Sylvia Horowitz
Grace Houghton
Cheryl Jacobson
Joan Kellam
Mallory Kotik
Claire Labbe
Pat Labzentis
Yan Lin
Arlene Lyon
Margit Mayberry
Katherine Moscowitch
Greta L. Myers
Anna Nicholas
Joyce Printz
Archana Susarla
Pam Turrigiano
Stephanie Wei
Mary Woestman
Alto 2
Kathryn Baine
Lois P. Bare
Anna Bitterbaum
Kate Bouman
Phyllis S. Burr
Renee Daily
Jeanne Fenzel
Janet Hammond
Maggie Kirkaldy
Cheryl Labban
Alina Martinez
Ethel F. Molessa
Samantha Ng
Shirley Rodgers
Jane Shear
Lee Shepherd
Tenor
Brad Bennett
Martin Bidney
Edward Brotons, Jr.
Carol Chandler
Kevin Doherty
H.B. King
Dennis Leipold
Dallas Marsh
David W. Martin
Kevin Mootoo
Brian Presser
Carlton Sackett Jr.
Judson Wallis
Sherry Williamson
Bass 1
Eric Bare
Ronald Beauchamp
Peter Cody
Richard Dutko
Kendrick Georges
Michael Jabo, J.D.
Joseph Keller
Daniel Kim
Wan Kim
Tom Lamphere
Edward J. Orosz
Myron F. Shlatz
William Clark Snyder
Nicholas Whitley
Bass 2
Ayal Adamit
Robert Armitage
Donald Blake
Carl Bugaiski
J ushin Choi
David DeMoya
Mark Epstein
Kevin B. Fischer
Adam Geier
David Hanson
Pak Lok Pio Lau
Greg Lipsit
Michael A. Little
Arlo H. Meeker
Joseph E. Nelson
Adam Rauth
David Schriber
Bob Sullivan
�University Symphony Orchestra Timothy Perry, Director
Flute
K e y bo a rd
Violoncello
Kaitlin Armstrong
Melanie Adler
Matthew Gukowsky
Paul Watrobski
Eric Wu u
Xander Edwards
Deborah Mariottini
Peter Hiraldo
Felicia Scalzetti
Natalie il/cCreary
Oboe
Kathy Karlsen
Timothy Perry
Clarinet
Jaclyn Adler
James Wu
Bass Clarinet
Zach Stanco
James Hsia
Ella Serrano
Yuansi Du
Nicholas Thompson
Sara Sunshine
Emily Wong
Jeffrey Lu*
Chris Rogers
Gregory G. Greene
Ashley Fancher
Alyssa Starrantino
Julia Kenny
Bassoon
Violin II
Natalie Spitzer
Paige Elliott
Gabrielle Maire
Natalie Bock
Siomon Benarie
Jaclyn Podd
Brandon Luu
Daniel Park
Karen Fu
Won Jae Lee
Jiwon Nam
Jin Park
Kimberly Griffin
French Horn
Matt Mc Auliffe
Zack Arenstein
Trumpet
V iolin l
Kevin Hannon
Nicholas Polacco
Trombone
Billy Marsiglia
Jacob Strohm
The USO employs rotating
seating; Woodwinds, Brass
and Percussion rotate by
composition and are listed
alphabetically. Strings
rotate by concert and are
listed in seating order.
Viola
Benjamin Pochily
Jillian Chen
Daniel Rodriguez
Kevin Christie
Daniel Rodabaugh
Maeve Murray
Mimi Nam
Alan Wang
Ryan Ference
Thank You for attending
today ‘s program.’
Since its inception in the late 1950 ’s, the University Symphony Orch estra has
provided a musical avenue for dedicated majors and nonmajors to rehearse and
perform a wide range of orchestral works from varying genres, periods and
nationalities. In addition to its formal concerts, whi ch o ften feature outstanding faculty
artists from the Department of Mus ic, the orchestra presents children’s concerts, holiday
concerts, works for chorus and orchestra, and winners of its biennial Student Concerto
& Aria Competition. The orchestra has been a featured performer in Binghamton
University’s Scottish and Greek Festivals and has been honored with an invitation to
present a second collaboration with New York’s Paul Taylor Dance Company in March
of 2012.
Next USO P ro gra m
Sunday, Decem ber 4th
A Dou ble Hol iday G ala!
Two joyous holidaythemed
events — in one afternoon!
holiday opera A mahl and
the Night Visitors
by Gian Carlo Menott,
presented withfu/lfrom
TriCities Opera
set/costumes!
At 3:00 pm move into the
Concert Theater for a one
hour concert of holiday
favorites for C hristmas and
Hanukah presented by the
Orchestra, Wind
Sy mphony, Harpur
Chorale and Women ‘s
Chorus, complete with
audience singalong!
One ticket gets you both!
1:30 Amahl + 3:00 Concert
or
3:00 Concert + 4:30 A mahl
~. 3 '
.,
' ,
> 3
At 1: 30 pm in the Cham ber
Hall (or at 4: 30) enjoy the
classic 40minute oneact
>
Ne w Beginnings
Back to our Roots
Beginnings
St. Patricks Cacholic Church
9 Leroy Street, B i n g h a m t o n ,
Trinity Memorial Church
44 Main Street, B inghamton, N Y
Sunday, O ctober 1 6 , 2 0 1 l . 4 : 0 0 p. m.
Lessons anil Carols tor Christmas
Sacurday, November 26, 2 0 1 1, 7 : 3 0 p. m. &
S uaday, N o v emb er 2 7 , 2 0 1 1 , 4 : 0 0 p. m.
Church o f the Holy Trinity
3 46 Prospect Street. B inghameon, NY
Sunday, March [ 1 , 2 0 1 2 , 4 : 00 p. m.
Crossroads
Sunday, June 3, 2 0 1 2 . 4 : 0 0 p. m.
Tabernacle United Methodist Church
$3 Main Street, Binghamton, N Y
For Tickers:
i ’ l ‘ fl “ f ' m a d r i g a l c h o i r . o
or c a l l 6 ” ? 7 3 0 4 “ 6 .
(
D
O 201
1201 2 2 34th Season
20 The Madrigal Choir of Binghamton
m
�Binghamton University Music Department ’s
U P C O M I N G E V E N T S
fi w m w t fi ' w w é o
MidDay concerts are held on Thursdays, 1 :20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Thursday, Nov ember 1 7 — Jazz MidDay C oncert w ith g uest art ist
— 1 :20 PM — Osterhout Concert Theater — free (Cosponsored by the
Binghamton University Music Department and the Harpur Jazz Project)
Thursday, Nov ember 1 7 — Harpur Jazz En semble Concert with
guest art ist — 8 PM — Osterhout Concert Theater — $10 general public;
$6 faculty/staff/seniors; $3 students (Cosponsored by the Binghamton
University Music Department and the Harpur Jazz Project)
University String Orchestra — 4:00 PM —
Friday, Novem ber 1 8 —
Grand Corridor — FREE
Monday, Novem ber 2 1 — Masterc lass w ith organist W ilma Jens en
— 7 PM — First Presbyterian Church, Binghamton — FREE
Thursday, December 1 — MidDay Concert (Burgess) — 1 :20 PM —
Casadesus Recital Hall – FREE
Friday, Decem ber 2 — Flute S tudio and Flute Chamber Conc ert —
1 0 :15 AM — Casadesus Recital Hall – FREE
Saturday, December 3 — E lizabethan Madr igal Feas te (Harpur
Chorale and Women ’s Chorus) — 6:30 PM — Mandela Room — $40
general public; $20 students (Special thanks to Sodexo for underwriting
the student price)
Sunday, December 4 — Holiday Extrav aganza! Holiday Gala
(University Symphony Orchest ra, Wind Symphony, Harpur
Chorale and W omen ’s Chorus) and “Amahl and the Night Visitors”
— 3 PM — Osterhout Concert Theater & Anderson Center Chamber Hall —
$10 general public; $6 faculty/staff/seniors; $3 children and students
W ednesday, Dec ember 7 — Composition Semin ar Class
Concert /Recital — 8 PM — Casadesus Recital Hall — free
I f you enjoyed and were inspired by this performance, please consider supporting the
Department of Music with a financial gift. Your support helps to continue the work of
students, faculty, and guest artists and their contributions to our larger community.
Please make your donation payable to the Binghamton University Music Department, and
send to P.O. Box 6000, Binghamton, NY 13902.
For ticket information, please call the
A nderson Center Box Office at 7 77ARTS.
t
�
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1960's - present
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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37:53
27:30
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Elijah, November 13, 2011
Recital Tape 2011-11-13
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Held at 3:00 p.m., November 13, 2011, Osterhout Concert Theater.
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Mendelssohn-Bartholdy, Felix
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Binghamton University Libraries
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2011-11-13
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-
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1960's - present
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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African drumming, November 9, 2011
Recital Tape 2011-11-9
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Held November 9, 2011.
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Binghamton University Libraries
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2011-11-09
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-
https://omeka.binghamton.edu/omeka/files/original/631f3176c6952f2e9da94aae09d73880.pdf
13f4c3a74a8e9dc078ed5c6a1ab877ef
PDF Text
Text
BINGHAMTON
EE N
I
V
E
R
S
I
S T A T E U N I V E R S I T Y O F N E W Y O R K
[4
02475 24
D E P A R T M E N T
FRIEDHEIM MEM ORIA L
Lectur e/ Recita l
DEBUSSY’S
RH AP SO DIE S
April Lucas, Saxoph one
Timot hy Per ry, Cla rinet
Pej Re itz, Pia no
Stephen Zank, Pian o
Novem ber 8, 2011
8 p.m .
Casadesus Recital H all
�(Achille) Claud e Debussy
PROGRAM
“Debussy’s Rhapsodies: A Little Confusion Can’t Hurt”
(Discussion of the Works)
x
INTERMISSION C2?
Rhapsodie for Saxophone
Claude Debussy
(1901–10, withheld)
L’Isle joyeuse (for piano)
Claude Debussy
(1903–04)
Rhapsodie for Clarinet
Claude Debussy
(1909–10)
ABOUT THE SERIES
The Friedheim M emorial Series honors the memory of
Professor Philip Friedhiem (1930–1986) whose remark
able tenure at Binghamton University featured many
memorable lecturerecitals with faculty and guest artist
performers on major works of the classical music
tradition. We seek to recreate Phil’s special combination
' of scholarship and performance that ser ved to deepen our
understanding for — and love of — great works of
musical art. All proceeds of the series will go towards the
undergraduate scholarship funds of the Department of
Music.
Born: 22 Aug., 1862, St. GermainenLaye (outside Paris)
1870–72: Paris Commune — family retreats to Cannes; Debussy begins
piano lessons with an Italian (Jean Cerutti), then Antoinette Mauté
(Verlaine’s motherinlaw, allegedly a Chopin student); admitted to the
Paris Conservatory, as a solo pianist
1875–77: Wins minor promotion s in solfege and piano, moves into
harmony, finally wins a “Premier Prix” in acco mpanying
1880–82: Engaged by Mme von Meck (Tschaikovsky’s patron) to provide
music for her entourage and to tutor her children in the south of France,
Florence, Moscow, finally Vienna
1883–87: Fails once, then wins the Prix de Rome (1884); passes 2 years
at the Villa Medici, completing most of the required works (desultorily);
also writes a number o f songs for Marie Vasnier (an early paramour)
1888–93: Enamored of Wagner, soon yields to other foreign, eastern, and
“exotic” influences; me ets Mallarmé and atten ds his salon regularly; reads
the Faun and attempts a ballet (unachieved). Begins to write more
complex songs (i.e., the Prose lyriques). Having enjoyed a personal
relationship for some time with Gaby Dupont, Debussy in 1899 marries a
model, Lilly Texier
1893–1900: Finally gains some public notice with the extraordinary
Afternoon o f Faun and String Quart
et (1893/94); reads Maeterlinck’s
Pelléas (completing a pianovocal score of the opera by 1895); fin ds a first
publisher (Hartmann), and completes the thre e Nocturnes for orchestra
*1901–08: Accepts a commission from “The Saxophone Lady” in Boston
for a Rhapsody, 1901+; begins to write music criticism ("Monsieur
Croche”) and endures the premiere of Pelléas (1902). Completes scoring
La mer (1903–05); leaves his wife Lilly to live with Emma Bardac (Lilly
attempts suicide). Debussy’s sole child, daughter Chouchou, is born in
1905. Begins piano and orchestral series of Images and several large
(unachieved) works for the stage. Continues to produce more complex
songs and more virtuosic works for the piano, i.e., L’Isle joyeuse, 1904
*1909–14: Nominated (by Fauré) to Paris Conservatory supervisory
apparatus, requiring hi s composition of the annual “First Prize” work for
clarinet, a Rhapsody 1909–10, written quickly between December and
January, orchestrated the next year; Diaghilev commissions Jeux
(completed 1912–13); both books of piano Préludes completed by 1914
1915–18: During the war, increa singly ill, Debussy nonetheless produces
a book of piano études, a chamber work for harp, and solo sonatas for
cello and violin. Last public appearance is in performing the violin sonata,
in St. JeandeLuz
Death: 25 March, 1918, Paris
�Binghamt on University Music Departme nt’s
U P C O M I N G E V E N T S
6
M
M
M
¢
3
¢
M
$
M
¢
B
¢
MidDa y concerts are h eld on Thursdays, 1:20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Thursday, N ovember 1 0 — MidDay Conc ert (African) — 1:20 PM —
Anderson Center Chamber Hall — FREE
Sunday, Nove mber 1 3 — University Cho rus and th e Symphony
Orchestra pre sent Felix Mendels sohn’s “Elijah ” — 3 PM —
Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors;
$3 students
Thursday, Nov ember 1 7 — Jazz MidDay Concert w i t h g uest ar tist
— 1:20 PM — Osterhout Concert Theater — free (Cosponsored by the
Binghamton University Music Department and the Harpur Jazz Project)
Thursday, Nov ember 17 — Harpur Jazz Ensemble Conc ert w i th
guest ar tist — 8 PM — Osterhout Concert Theater — $10 general public;
$6 faculty/staff/seniors; $3 students (Cosponsored by the Binghamton
University Music Department and the Harpur Jazz Project)
Friday, Novem ber 1 8 — University Str ing Orchestra — 4:00 PM —
Grand Corridor — FREE
Monday, November 2 1 —
Masterclass w i t h organist Wilma Jensen
— 7 PM — First Presbyterian Church, Binghamton — FREE
Thursday, December 1 — MidDay Conc ert (Burgess) — 1:20 PM —
Casadesus Recital Hall – FREE
Friday, December 2 — Flute Studio and Flute Chamber Con cert —
10:15 AM — Casadesus Recital Hall — FREE
Saturday, December 3 — Elizabethan M adrigal Feaste (Harpur
Chorale and W omen’s Choru s) — 6:30 PM — Mandela Room — $40
general public; $20 students (Special thanks to Sodexo for underwriting
the student price)
I f you enjoyed and were inspired by this performance, please consider supporting the
Department o f Music with a financial gift. Your support helps to continue the work of
students, faculty, and guest artists and their contributions to our larger community.
Please make your donation payable to the Binghamton University Music Department, and
send to P.O. Box 6000, Binghamton, NY 13902.
For ticket information, please call the
Anderson Center B o x O ffice a t 7 77ARTS
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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01:06:25
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145383">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145383</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Friedheim memorial lecture/recital : Debussy's rhapsodies, November 8, 2011
Recital Tape 2011-11-8
Description
An account of the resource
Works by Debussy. Held at 8:00 p.m., November 8, 2011, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Lucas, April
Perry, Timothy
Reitz, Margaret A.
Zank, Stephen
Publisher
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Binghamton University Libraries
Date
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2011-11-08
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In copyright
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sound
-
https://omeka.binghamton.edu/omeka/files/original/0449cfaca3a350fcdd584ed0c8bfe1ab.pdf
36aac0c9e835c42cb4e7984f36b227a6
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
[4
(227% 2%
D E P A R T M E N T
FORTY FINGERS
A Program o f Music
Composed for 12 Pianos
and 68 Hands
Performers
Amy Heyman
Pej Reitz
Tina Toglia
Ida TiliTrebicka
Friday, October 28, 201 I
8:00 p.m.
Casadesus Recitcal Hall
�A
PROGRAM
Saint Saens
Dance Macabre Op. 40
(18351921)
Transcribed by E . Guirau d
R o ma p e es .
Sergei Rachmaninoff
Larghetto and Allegro in E flat for 2 pianos
Ida Trebicka and Amy Heyman
(18731943)
W. A. Mozart
(1756–1791)
Reconstructed from Mozart’s Fragment
by Paul BaduraSkoda
Sonata in one movement for 2 pianos................... B. Smetana
(18241884)
2 INTERM ISSION =
C. Gounod
Waltz (Faust)
(18181893)
Arranged for 8 hands by Renaud de Vilback
Overture from the Marriage of Figaro.................. W. A. Mozart
(17561791)
Arranged by Carl Czemy for 6 hands
Polovtsian Dances (Prince Igor) f o r hands . . . . . A . Borodin
(1833–1887)
Pe j Re itz a n d T ina Toglia
Sabre Dance
A. Katchaturian
(19031978)
Arranged for 8 hands by N. Jane Tan
B
O
U
T
Amy Giller Heyman received her Master of Music Degree from the
University of Wisconsin as a student of Howard Karp, and her Bachelor
of Fine Arts Degree from the University of Okla homa as a student of Dr.
Todd Welbourne. She has also studied with Hans Graf, Edith Oppens,
and Gyorgy Sebok. Her performances include solo recitals, chamber
music concerts, and concerto appearances, no tably as a featured artist
with the Syracuse Symphony Orchestra. Additionally, she has appeared
at the Sk aneateles Festival, Deer Valley Festival in Utah, Vermont
Music and Arts, Early Baroque Music Festival in Lake Tahoe, and the
Chenengo! Summer Music Fest. Locally she has appeared under the
auspices of the Society for New Music, Civic Morning Musicals,
Syracuse University, Le Moyne College, OASIS, OCC, Syracuse Vocal
Ensemble, and Syracuse Camerata. She is the past recipient of the
Civic Morning Musicals Award for Outstanding Young Musician. She
frequently performs with husband Steven Heyman as a piano duo team;
they have appeared as soloists with the Syracuse Symphony Orchestra,
South Arkansas Symphony, Skanea teles Festival Orchestra, and the
Syracuse University Orchestra. They have also performed for numerous
benefits are the pa st recipients of the Tiffany Award from Civic Morning
Musicals, honoring their musical contribution to the community.
Ms. Heyman is on the keyboard faculty at the Setnor School of Music at
Syracuse University serving as affilia te artist. Her duties include
teaching piano, keyboard skills, and piano peda gogy. In addition, she
recently joined the music fa culty at Le Moyne College.
Ms. Heyman mainta ins an active priva te studio in the Syracuse area.
She is also active in many music organizations including CoChair of
Competitions for the Central New York Associa tion of Music Teachers
and Chair of Advertising and Publicity for the New York State Music
Teachers Association following her past service as VicePresident of
Conferences.
�Pej Reitz, pianist, is a native of the Binghamton Area. She received her
Bachelor and Master of Music degrees in piano performance with
accompanying emphasis. She attended Boston University, New
England Conservatory and Binghamton University. She has studied
piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and
Walter Ponce and accompanying with Allen Rogers. She has
accompanied throughout the United States, in England, South America,
Spain and at the American Institute of Musical Studies in Graz, Austria.
She was a winner of the Artistic Ambassadors Program by the United
States Information Agency in partnership with the John F. Kennedy
Center for the performing arts.
She was an official accompanist for the MTNA State and Eastern
Division Competition held at Ithaca College. She ha s been a guest
chamber music artist in Morges, Switzerland. She also was selected to
attend the Accompanying Workshop for Singers and Pianists held at
Northwestern University with Chicago Lyric Opera Faculty and Coaches.
She was invited to the International Clarinet Conference to play a recital
in Tokyo, Japan. She was a guest artist on the Cornell Summer Series.
She was an official pianist at the International Double Reed Competition
and Convention in 2007 at Ithaca College and wa s invited to play the
2009 Convention in Birmingham, England with the Glickman Ensemble
She recorded a CD with the Glickman Ensemble a gain this summer in
Englewood, NJ. She was selected to accompanying at the Interpretation
of Spanish Music in conjunction with University of Madrid in Grenada,
Spain coached by Teresa Berganza and at Mannes School of Music.
She was a Guest Artist playing two concerts in Granada, Spain and
accompanied the Barcelona Song Festival. She soloed with the Catskill
Symphony a t the Otesaga in Cooperstown, NY under the direction of
Charles Schneider last summer. This past summer she will accompany
and at The lntemational Spanish Music Festival in Madrid, Spain.
She is currently on the faculty at Binghamton University since 1991 and
Ithaca College School of Music since 1999. She is President of the local
District VII Music Teachers Association and is an a ctive adjudicator for
the National Piano Guild Organization.
Pianist Tina Toglia is an active solo performer, collaborative pianist and
teacher in Central New York. As an advocate for new music, Ms. Toglia
has given numerous premiere performances at Stony Brook, Merkin
Hall, the 92™ St. Y, Columbia University and Princeton University. She
has been the recipient of fellowships from the Yale Summer School of
Music and Art, the Bach Aria festival, the Tanglewood Music Festival
and was a finalist in the J. S. Bach International Piano Competition. Ms.
Toglia studied harpsichord with Arthur Haas and was a harpsichordist
for the Stony Brook Early Music Ensemble and the Capital Chamber
Players in Albany, NY. JustSpring: Art Songs of John Duke, recorded
with soprano Lauralyn Kolb was released by New World Records as part
of their Recorded Anthology of American Music. Ms Toglia has taught
piano, music history and music theory at Stony Brook University, State
University College at Oneonta and at Utica College. She received a
doctorate from Stony Brook University where she studied with Gilbert
Kalish. She also studied with Alexander Fiorillo at Temple University and
with Vladimir Sokoloff at the Curtis Institute of Music in Philadelphia.
She currently lives in New Hartford with her husband and three children,
and works a s a school library media specialist at Rome Free Academy
high school in Rome, NY.
Albanian born and raised, pianist Ida Tili Trebicka performed
throughout the United Sta tes, Europe and China, a s orchestral soloist,
recitalist, and chamber musician. She performs regularly under the
auspices of Syracuse University, Civic Morning Musicals, Society for
New Music etc. and has collaborated frequently with Syracuse
Symphony Orchestra members in annual chamber music concerts. Ida
has been featured on Albanian National RadioTelevision, Italian
Broadcasting Corporation RAI 2, Radio Ancona, Italy, and locally on
WCNY in Syracuse, WBFO in Buffalo and WCCA TV 13 in Boston.
Invited by the Italian Federation of Women of Professions, Arts and
Affairs and the Universities of Torino and Ancona, she has performed
solo recitals in Ancona, and Torino. In 2004, 2005, 2006 she performed
in Florence, Italy, under the auspices of Syracuse University, and in May
�of 2005, accompanied Syracuse University’s Hendricks Chapel Choir in
a concert tour to China and Hong Kong. Ida has collaborated
continuously with members of Orchestras such as, Athens, Bari, Paris,
Sarajevo, Amsterdam, Munich etc.
Ms. Tili Trebicka made her New York City debut in 2001 at the Merkin
Hall, and continues to play at the city regularly. In January 2011, she
performed with friends at the Tenri Cultural Center. She performs all
over the United States, and has given concerts at Boston University,
Huston TX, Davis CA, Florida, Hartford Community College, Cleveland
Ohio, Hamilton College in Clinton NY, to name a few. Invited by the
Albanian American Association of Huston, TX as well as the
Massachusetts Albanian American Society, Besa, (MASSBESA,) she
has performed concerts to benefit the Albanian American Heritage
School.
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Ida is a winner of several competitions and awards, such as the
Albanian National Piano Competition, the Civic Morning Musicals Pianist
Prize, the Syracuse University’s Concerto Competition, and was
awarded the School of Music Hira Poncha and Evelyn Mulfinger Piano
Awards.
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Ida is a member of Central New Your Music Teachers Association
(CNYAMY) and member of the board, and is also a director in the Board
of Directors for the Civic Morning Musicals. She is also a member of the
Music Teachers National Association (MTNA). She is also in demand as
collaborative pianist and teacher and has served regularly as judge in
various competitions.
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�Binghamton University Music Department ’s
U P C O M I N G E V E N T S
MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Sunday, October 30 – Win d Symphon y : Holst! – 3 p.m. – Anderson
Center Chamber Hall – $6 general public; $3 fa culty/staff/seniors; free
for students
Thursday, Novemb er 3 – MidDay Con cert – 1:20 p.m. – Casadesus
Recital Hall – free
Tuesday, November 8 – Friedheim Memorial Lecture/Recital
Series : Debuss y’s “Rha psodies for saxophone and clarinet”
(Stephen Zank, speaker, Ap ril Lucas, sa xophone Timothy Perry,
clarinet, Margaret Reitz, piano) – 8 p.m. – Casadesus Recital Hall –
$6 genera l public; $3 faculty/staff/seniors; free for students
Thursday, November 10 – M idDay Concert (A frican) – 1:20 p.m. –
Anderson Center Chamber Hall – free
Sunday, November 13 – Univ ersity Chorus a nd the Symphony
Orchestra present Felix Mendelssohn’s “Elija h” – 3 p.m. –
Osterhout Concert Theater – $10 general public ; $6 faculty/staff/
seniors; $3 students
Thursday, November 17 – Jazz MidDay Concert with guest artist
– 1:20 p.m. – Osterhout Concert Theater – free (Cosponsored by the
Binghamton University Music Department and the Harpur Jazz Project)
Thursday, November 17 – Harpur Jazz Ensemble Concert with
guest art ist – 8 p.m. – Osterhout Concert Theater – $10 general
public; $6 faculty/staff/seniors; $3 students
(Cosponsored by the Binghamton University Music Department and
the Harpur Jazz Project)
Monday, November 21 – Masterclas s with organist Wilma Jensen
– 7 p.m. – First Presbyterian Church, Binghamton – free
For ticket information, please call the
77ARTS.
Anderson Center Box Office a t 7
�
Dublin Core
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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2 audio discs
Duration
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1:04:19
8:13
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145379">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145379</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Forty fingers, a program of music composed for 1-2 pianos and 6-8 hands, October 28, 2011
Recital Tape 2011-10-28
Description
An account of the resource
Works by Saint-Saëns, Rachmaninoff, Mozart, Smetana, Gounod, Borodin, Katchaturian. Held on October 28, 2011, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Heyman, Amy
Reitz, Pej
Toglia, Tina
Tili-Trebicka, Ida
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-10-28
Rights
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In copyright
Type
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sound