68 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 22:15 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333596">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333596</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Haeseler, Recital, February 13, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 2-13b Description An account of the resource Works of Schumann, Ravel. February 13, 1977. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-02-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:41 41:21 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333599">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333599</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Markov, Recital, February 14, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 2-14 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-02-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24:24 07:14 06:39 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333603">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333603</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Klenz, Recital, February 15, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 2-15 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-02-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c9a7845e7af5de512e3d50b6d9f2b214.pdf 8116a12de843493083306f611af929ea PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON THE DEPARTMENT OF MUSIC OPERA WORKSHOP DIRECTORS Roberta Schlosser, David Clatworthy presents An Evening of Opera Scenes from COSI FAN TUTTE THE ABDUCTION FROM THE SERAGLIO CARMEN LA TRAVIATA FEBRUARY 24, 25, 1977 8:15 P.M. CASADESUS RECITAL HALL �Eh Program Characters Cosi Fan Tutte COSI FAN TUTTE Wolfgang Amadeus Mozart Act I. Scene 1. A café in Naples. Act I. Scene 2. Place – The garden of the villa of Fiordiligi and Dorabella on the Bay of Naples. Guglielmo, oﬀicer betrothed to Fiordiligi Ferrando, oﬀicer, betrothed to Dorabella Don Alfonso, an old philosopher Fiordiligi Dorabella Preston Stockman, tenor Christopher Arneson, baritone Karen Haight, soprano Jacquelyne Forbes, mezzo-soprano Ladies from Ferrara and Sisters living in Naples Time – Late eighteenth century. THE ABDUCTION FROM THE SERAGLIO Richard Bartmon, baritone The Abduction From the Seraglio Wolfgang Amadeus Mozari Act I. Scene 2. Belmonte, a Spanish Nobleman Osmin, overseer of the country palace of the Pasha David Jennings, tenor Eugene Sawczyn, bass Place – Square in front of the country palace of Pasha Selim. Time – Middle of the sixteenth century. Carmen CARMEN ' Georges Bizet P l a c e Lillas Pastia’s Inn, near Seville. Time – About 1820. Place – A country house near Paris. Time – About 1850. Danette Lipten, soprano La Traviata (in order of appearance) —INTERMISSION — Act II. Carolyn Dow, soprano Frasquita } Companions of Carmen { Mercedes . Jill Small, soprano El Dancairo .. } 1 Christopher Arneson, baritone El Remendado Smugglers [ r m Preston Stockman, tenor Act II. Quintet. LA TRAVIATA Carmen, a Gypsy Girl Giuseppe Verdi Alfredo Germont, lover of Violetta Annina, Violetta’s maid Violetta Valery, a courtesan Giuseppe, servant to Violetta Giorgio Germont, Alfredo’s father Commissioner David Jennings, tenor Danette Lipten, soprano Rachel Gardner Stanton, soprano Richard Bartmon, baritone Michael David Quinn, baritone Christopher Arneson, baritone �ACKNOWLEDGEMENTS Musical Preparation Stage Director Roberta Schlosser, David Clatworthy -- David Clatworthy Accompanist and Coach ( ‘Cosi’ and ‘Carmen’ scenes) Chai-kyou Mallinson Accompanist and Coach (‘Abduction’ scene) William Lawson Accompanist and Coach ( ‘La Traviata’) Barbara Carges Lighting . Philip Kennedy, Evan Luskin Technical Consultants Stage Managers John E. Vestal, Michael Baumgarten Preston Stockman, David Jennings, Danette Lipten, Rachel Stanton Properties .. Danette Lipten Opera Workshop Oﬀicers President, Richard Bartmon Secretary, Jill Small Treasurer, Rachel Stanton Opera Workshop is SA funded. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:50 39:40 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333608">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333608</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evening of Opera Scenes/Opera Workshop, February 24, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 2-24 Description An account of the resource Works of Mozart, Bizet and Verdi. Held at 8:15 pm, February 24, 1977, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-02-24 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/523a7e621b8f46a3c2469d9e009ce4db.pdf 871c98d79f7c354c74f06e51be8163b2 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC T H E HARPUR SYMPHONY UNDER THE DIRECTION OF Peyton Hibbit WITH GUEST SOLOIST David Tanenbaum FRIDAY, MARCH 4, 1977 8:15 P. M. DON A. WATTERS THEATER �ORCHESTRA PERSONNEL THE HARPUR SYMPHONY ORCHESTRA Peyton Hi b bitt conductor Geoﬀrey Brooks, personnel manager PROGRAM Suite Number 3 in D Major.....................J. S. dBEEL Ouverture Air Gavotte Bourree Gigue I . . . Antonio Vivaldi Concerto En Re Majeur Allegro Largo Allegro David Tanenbaum, guitar —— —i— — INTERMISSION — Symphony Number 100 in G Major..............Joseph Haydn (Military) Adagio – Allegro Allegretto Menuetto Finale – Presto Joaquin Rodrigo Concierto Pe Aranjuez Allegro con spirito Adagio Allegro gentile David Tanenbaum, guitar FIRST VIOLINS George Myers, Concertmaster Joan Weitzman Neil Blachman Ross Levinson Andy Stack Evelina Chao Nigel Allen David Harrington Mark Helm Armen Boyagian SECOND VIOLINS Eric Sadowitz Lee Ann Horbatuck Susan Kindler Andrea Andros Lori Finkelman Monica Pfeiﬀler VIOLAS Barbara Thompson Laura Stein Geoﬀrey Brooks Barbara Gorin Cheryl Bronson Michael Jones Fritz Loewenstein CELLOS Holly Wilson David Hoppe Claire Liva Dan Politi Caleb Davison Walter Graves Kelly Bado BASSES Neil Conaty David Weinsoﬀ FLUTES Nancy Becker Sue Passanante PICCOLO Liann Helfer OBOES Eliot Friedman Janet Ziebur ENGLISH HORN Matthew Kuhn CLARINETS Chris Kielb Debbie Neu BASSOONS Lois Chantry Sue Lawson FRENCH HORNS Jay Hilﬁger Bob Taylor Ken Steiger TRUMPETS Al Szymaniak Steve Winans Dan Benscher TIMPANT Diane Dino PERCUSSION Joe Pazienza Pete Lowenthal �ORCHESTRA OFFICERS Eric Sadowitz, President Barbara Thompson, Vice President This concert is sponsored in part by the Student Association and the School of Arts and Sciences. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:54 39:40 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333612">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333612</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Symphony Orchestra, Concert, March 4, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 3-4 Description An account of the resource Works of Bach, Haydn, Vivaldi and Rodrigo. Held at 8:15 pm, March 4, 1977, Watters Theater. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-03-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e26dabc375178996b064e717179c8137.pdf 15cd03f4b571493fb8154ffdbf85e9f4 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE DEPARTMENT OF MUSIC SHARO N ROBINSON A n Evening of Sonatas for Cello and Piano WALTER PONCE SATURDAY, MARCH 5, 1977 8:15 P. M. DON WATTERS THEATER �PROGRAM SHARON ROBINSON, cello WALTER PONCE, piano Sonata for cello and piano.......Claude Debussy Lent Sérénade et Finale Sonata for piano and cello......Johannes Brahms e minor, Opus 38 Allegro non troppo Allegretto quasi Menuetto–Trio Allegro INTERMISSION Sonata for solo violon cello.......George Crumb (1955) Fantasia Tema pastorale con variazioni Toccata Sonata for cello and piano...Serge Rachmanino ﬀ g minor, Opus 19 Lento–Allegro Moderato Allegro scherzando Andante Allegro mosso � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:21 47:51 PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE334925">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE334925</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evening of Sonatas for Cello & Piano with Sharon Robinson and Walter Ponce, March 5, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 3-5 Description An account of the resource Works of Debussy, Brahms, Crumb and Rachmaninoff. Held at 8:15 pm, March 5, 1977, Watters Theater. Creator An entity primarily responsible for making the resource Robinson, Sharon Ponce, Walter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-03-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c67ac5df63039dfdcaad283bef974dc4.pdf 6dcfa938b420e56f38dae9b135e29bb2 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC COMPOSERS CONCERT . . . . TUESDAY MARCH 22, 1977 8 :15 P.M. CASADESUS RECITAL HALL �\ + PROGRAM kkkkkkk Piano Sonata........................Asher Raboy Allegro Scherzo – Molto Allegro Andante Asher Raboy, piano Duet for Piece for Alto Recorder and Guitar.Robert Clark Sue Lawson, alto recorder Paul Sweeny, guitar nt Augustine nd Bassoon..... itdman, oboe E1TT ank Holden, basso String Trio,Number 1l............Grant Augustine Carol Isaacson, viola David Hoppe, cello Holly Wilson, cello 4 = A” v Regrets.,...,.......................Paul Reiser -Sue Lawson, alto recorder Holly Skinner, piano Piece for Violin and Piano..........Pat McGrady Robert Seletsky, violin William Lawson, piano “Kyrie"..........................David McKennas from Missa pro meo Patri SATB chorus, oboe and cello obligato Karen Haight, soprano Jackie Forbes, alto Rich Ossias, tenor David McKennas, bass Four Songs for Alto.................Karen Clute S e based on Japanese Haiku Kate Sudekum, alto Vicky Gordon, piano Suite for Piano.....................Judy Tenant Prelude Musical Moment Dance Aria Toccata Judy Tenant, piano Elliot Friedman, oboe Holly Wilson, cello Sonata for Soprano Saxophone and Piano......... Paul Reiser Adagio Mysterioso Andante Cantabile : Presto Al Hamme, soprano saxophone Paul Reiser, piano {- �COMING EVENTS khkkkkkkkkkkkk Thursday, March 24 at 8 :15 Daphne Kallas, Eric Kaminsky Saturday, March 26 at 3 :00 Jan Lauridsen Saturday, March 26 at 8 :15 Vicky Gordon Sunday, March 27 at 8 :15 University Chorus, Orchestra Tuesday, March 29 at 8 :15 Concert Series : Clatworthy Wednesday, April 13 at 8 :15 Wind Ensemble Thursday, April 14 at 8 :15 Catskill woodwind Quintet Saturday, April 16 at 8 :15 Harpur Chorale Sunday, April 17 at 3 :00 Jazz Ensemble Sunday, April 17 at 8 :15 Concert Series : Ponce Saturday, April 23 at 8 :15 Irene Rosenberg Sunday, April 24 at 8 :15 David Hoppe � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47:42 33:34 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333620">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333620</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers Concert, March 22, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 3-22 Description An account of the resource Works of Asher Raboy, Karen Clute, Paul Reiser, Judy Tenant. Held at 8:15 pm, March 22, 1977, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-03-22 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/203155eea4d041543d047d4e7694d396.pdf 124d099518b9080f3a07514ef330650d PDF Text Text State University of N e w York at Binghamton The Department of Music presents LINK ORGAN RECITAL SERIES Spring 1977 Paul jordan Robert Noehren Searle Wr ight March 25 April 28 May 13 8:15 p . m . Casadesus Recital Hall Fine Arts Building �Link Organ ‘Concert Series I. March 25, 1977 Paul Jordan, Organist ER ER R R R R R X R K ER X K * * Intermission * * * * PROGRAM * * Fourth Symphony (Op. 13 No. 4)....Charles Marie WIDOR ' I. Toccata (1845-1937) Estampie..............................Anonymous (c. 1325) ......F, DE LA TORRE Dance: “Alta” (c. 1500) Fantasy II........................Roger JOHNSON Psalmus: .......................Samuel SCHEIDT “Da Jesus an dem Kreuze Stund” (1587–1654) Six verses “Vater Unser” Complex Simple chorale setting Chorale prelude Second simple setting Chorale fantasy Paul JORDAN (b. 1939) (6.1941) from Premier Livre d ’Orgue Récit de Tierce en taille Fugue 4 5 Fugue © from Zweite Suite ﬀir Orgel Emphases Reminiscence Contrasts Invocation . Ni c o las DE GRIGNY (1672-1703 ) Matthias KERN (b. 1924) Prelude in A minor (Op. 69) Max REGER (1873-1916) �Organist, conductor, and composer PAUL JORDAN has performed in more than twenty states of the Union and in over a hundred cities in West Germany (and West Berlin), Sweden, Holland, Austria and Cuba, including the cathedrals of Vienna, Freiburg, Schleswig, and Tréves. He has appeared on the radio in Frankfurt, Hannover, and Berlin, and at home on the nationwide CBS television network, and has recorded for Kapp, Classic Editions, and Decca. Jordan ’s doutle album rendition of J.S. Bach ’s complete “Orgelbiichlein” appeared last Fall under the Orngeldokumente (Organ Documents) label in Berlin, and has been nominated by the German Phono Akademie for the German recording industry ’s annual organ prize (Deutscher Schallplattenpredis). Recitals in the Summer of 1977 will take Jordan to France and Switzerland. A noted pedagogue, he has taught at Yale University and Sarah Lawrence College, and served as Director of Music at New Haven‘s historic United Church on the Green, before joining the faculty of SUNY–Binghamton. " ) 3-77 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:13 27:23 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333624">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333624</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paul Jordan, Recital, March 25, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 3-25 Description An account of the resource Works of Widor, Johnson, De Grigny, Kern, Scheidt, Jordan. Held at 8:15 pm, March 25, 1977, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Jordan, Paul Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-03-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e91f5c48af15378aac655df5aae5f15a.pdf e7437da07defe2edd8ac08600f4dac75 PDF Text Text S t a t e U n iv e r s i t y o f New Y or k a t B ing ham t on Har pur C o l l e g e The Dep a r t men t of Mus i c z T H E HARPUR CHORALE Sunday , Mar ch 2 7 , 19 7 7 8 : 15 P . M . Don Wa t t e r s Thea t er - — “mew o m �Verse III (chorus) Trotz dem alten Drachen, trotz dem Todesrachen, trotz der Furcht dazu! Tobe, Welt, und springe. ich stch hier und singe, in gar sicher Rul, Gottes Machs hilt mich in aciity Exd und Abgrund muss verstummen, O b sie noch so brummen, PROGRAM I JESU MEINE FREUDE J . S . Bach T h is work , composed by Bach sho r t ly a f t er he was ins t a l l ed as Can t or of t he Thomasschule , i s i n t he f orm of an una cc omp an i ed m o t e t f o r ﬁ v e – p a r t c ho r us . The t e x t i s based on s i x ver ses of a hymn wr i t t en by Johann Franck in t er sp er sed w i t h ﬁ v e verses of t he 8 t h Chap t er of Romans . The r esu l t i s a f us ion of t he ob j e c t iv e B i b l i c a l word s of S t . P a u l w i t h t he sub j ec t iv e and h i g h l y emo t i ona l hymnody pop u la r i n Bach ’s da y . Ther e a r e no ind ep end en t i ns t r um e n t a l p a r t s f o r t h e m o t e t, bu t f or t h i s per f ormance t he vo ic es ar e augment ed by s t r ing s i n keep ing w i t h t he p r a c t ic e i n Bach ’s t im e . Verse I (chorale) Jesu meine Freudc, meines Herzens Weide, Jesu meine Zier, Ach wie lang, ach lange ist dcm Herzen bange und verlangt nach dir! Gottes Lamm, mein Briutigam, ausscr dir soll mir auf Erden Nichts sonst Liebers wcrdcn. Jesus my joy, my heart ’s delight, Jesus my ornament, Oh how long, how long is my heart afraid and yearning for T hee! God’s lamb, my bridegroom, except for you nothing else on earth Shall be dearer. Chorus: Romans VIII. 1 Es ist nun nichts Verdammliches an dcncn, dic i n Christo Jesu sind, die nicht nach dem Fleische wandcln, sondern nach dem Geist, There is now nothing condenmable in those who are part of Christ, who do not live according to the ﬂesh, but according to the spirit. Verse II (chorale) Unter deinem Schirmen bin ich vor den Stiirmen aller Feinde frei, Lass den Satan wittern, lass den Feind erbittern, mir steht Jesus bei. . O b cs itzt gleich kracht und blitzt, ob gleich Siind und Holle schrekken: Jesus will mich dekken. Under your protection l am free be f ore ibe storms of all enemies. Let Satan thunder, let the enemy be angry, Jesus stands by wie. W hether it is thundering and lightening, whether sin and H ell threaten, J esus will protect me, Trio: Romans VIII, 2 Denn dns Gesete des Geistes, der da Iebendig machet in Christe Jesu, hat mich frci gemacht van dem Geseiz der Stinde und des Todes. For the law of the spirit, wirich has the power to give life in Jesus Christ has made mc free from the law of sin and death, Despite the old dragon, despite the open jaws of death, despite also , cer, Rage, world, and shake, i stand l er e and sing in complete tranquility, God‘s might kceps me protected; earth and abyss must become silent, N a matter how they grumble. ruguo chorus: Romans VI I. 9 Ihr aber seid nich ﬁeischlich, sondern geistiich, so anders Gottes Geist in euch wohnet, wer aber Christi Geist nicht hat, der ist nicht sein, But you are not mortal, but spivivual, however diﬀerently God lives within y al , but he who docs wot have Christ ’s spirit, he is not thine. Verse IV (chorale) Weg, mit allen Schiitzen! Du bist mein Lrgirzen, Jesu meine Lust! Weg, ihr citlen Ihren, ich mag cuch nicht hiren, bleibt mir unbewusst! Llend, Not, Kreuz, Schmach und Tod soll wich, ob ich viel muss leiden, Niche von Jesu scheiden. Away with all treasures! you ave my delight, Jesus my joy! Away, you vain glories, I do not want to hear of you, remain unknown to me Misery, need, trouble, humiliation, and deatly shall not separate wie From Christ, although 1 must suﬀer much. Trio: Romans VIII 10 So aber Christus in cuch ist, so ist der Leib zwar tot, um der Siinde willen; der Cuist aber ist das Leben um de Gerechrighkeit willen, But if Christ is in you, then the body is indeed dead, on account of the mortal sin; but the spirit is life for the sake of (His) justice, Verse V (Quartet – chorale) Gute Nacht, o wesen, das dic Wel t erlesen, mir geﬁllst du nicht. Gute Nacht, ihr S’inden, bleibet weit dahinten, komm t nicht mehr ans Licht! Gute Nacht, du Stolz und Prache, Dir sic gang, du Lasterleben, gute Nacht gegeben, Good night, oh creature which the world bas chosen, I am not pleased with you. G ood night, you sins, stay far behind we, come no longer into the light! Good night, you pride and splendor, to you life of wice, farcwell forever, Chorus: Romans VIIL 2 So aun der Geist des, der Jesum von den Toten auferwekket hat in euch wolinet, so wird auch der sclbige, de Christum von den Toten auferwekket hat cure sterblichen Leiber lebengdig machen : um des willen, dass scin Geist in cuch wohnet. �] If now the spirit o f him who has raised fesus frome the dead live in you T hen clso will the sa ne one whe has raised Christ front the dead put mew life into your mortal bodies, so that bis spirit live in you. Verse VI (chorale) Weichs, thr Trauergeister, dean mein Freuden meister, Jesus, tritt herein, Denen, dic Gott lichen, muss anch ihr Betriiben latter Freude sein, Duld ich schon heir Spots und Fob, dennech bieibst du auch im Leide, Jesu, meine Freunde, Yield, vou spirits of sorrow. for my lord of joy, Jesus, steps in. For those who love God, also their sorrow must become nothing but joy. Although I suﬀer bere derision and mockery, nevertheless you Romain also in my suﬀering, J esus m y joy. MUSIC FOR A MIDSUMMER NIGHT’S DREAM FAIR LOVE FAIRY SONG L ou ise U l r i c h , soprano Ron Lynch, t enor TITANIA THE HONEYBAGS Amy W i l l i am s , soprano R ichar d P easlee W i l l i a m Esses , gu i t a r N e i l Cona ty , bass D iane D ino , p er cuss ion Joe Pa z ienza , p er cuss ion \ IT MADRIGALS I N PRIDE OF MAY Thomas Weelkes I L S’EN VA TARD C lemen t Jannequ in (1575-16 23) (1485-1560) FAIR PHYLLIS I SAW John Farmer (1565-1605) Ma d r iga l Choir¥* The Four Quar t er s – Women ’s Barbershop Qua r t e t . Per cy Wenr ich / Jack Mahoney WHEN YOU WORE A.TULIP NEVER THROW A LIGHTED LAMP AT MOTHER G e oﬀr ey O ’Hara / John Bar t on Ar t hur F ie ld s / Wa l t er Donovan THE ABBA DABBA HONEYMOON VI INTERMI S S I O N ITI MY HEART PROCLAIMS HOW GREAT THE LORD (19 6 2 ) He inz Werner Z immerman (1930– ) The use of t he Ma g n i ﬁ c a t (Luke 1 : 46– 55) i n t he da i l y Vesper serv ic e of t he Ca t ho l i c l i t u r g y i s w e l l known, and a number of mus i ca l examp les have surv ived i n Eng l ish t r ans la t i on i n t he Ang l ican serv ic e . Z immerman ’s ver s ion d epar ts f r om c omp os i t iona l norms h i s t o r i c a l l y assoc ia t ed w i t h t h e m u s i c a l s e t t i n g o f t h i s f a m i l i a r t e x t and in t r od uc es t he ja zz–b lues s t y l e wh ich reached i t s z en i t h i n the l a t e 1930 ’s and ea r ly 1940 ’s . D iane D ino , V ibraphone Deborah Lemon , har ps ichor d N e i l C ona t y , ba ss M i c h e l l e Domser E l i zab e t h Sussman L isa G r i ﬀ i n Be th Ann Schoonmaker The Four B i t s ~ Men ’s Barbershop Qua r t e t SWING LOW, SWEET CHARIOT L ’ I L LIZA JANE YOU’RE THE FLOWER OF MY H E A R T (SWEET A D E L I N E ) THERE’LL BE A HOT TIME I N THE OLD TOWN THE BAND PLAYED ON YOU’RE A GRAND OLD FLAG R ich Wiebe Tom Gu ther z Ma t t Pass P e t e Horva t h VII THE SEASONINGS ( S, 1% t sp . ) P . D . Q . Bach (1847-1742 ) humb ly ed i t ed by Pr of essor P e t er Sch ickele �The S easonings i s , a s f a r a s we know, t h e on ly o r a t o r i o wr i t t e n by P . D . Q,Ba ch , and we mus t t hank God f o r sm a l l f avor s . The l a s t and l e a s t of t h e g r ea t J . S . Ba ch ’s twen t y odd ch i ld r en was no t on ly t he cd d es t b u t a l s o t he l e a s t und er s t ood s inc e ther e was so l i t t l e t o und er s tand . He l iv ed an exc ep t iona l ly p o in t l ess l i f e wh ich i s m ir r or ed w i t h ama z ing ﬁ d e l i t y i n h i s c omp os i t ions . The o r a t o r i o was wr i t t e n d ur ing t he l a s t of t h e composer ’s c r ea t iv e p er iod s ( C on t r i t i on ) , when he gave up many , though no t a l l , o f t he extravagances of t he Soused p er iod and t h e c ha r a c t e r i s t i c a l l y in c omp e t en t c ha r a c t e r i s t i c s of t he I n i t i a l P lung e . The work was ﬁ r s t pub l ished i n L iver p o o l by Jona than “Bo o zy’ Hawkes, who had been one of P . D . Q . ' s many d r ink ing companions i n Wein–am– Rhe in d ur ing t he Soused p er iod . S inc e t he o r i g ina l manus cr ip t (ms . ) has never been f ound , and t he ﬁ r s t pub l ished ed i t i o n was a lr eady i n Eng l ish w i t h no c r ed i t f or t he l i b r e t t o , we can on ly sp ecu la t e abou t t he _ 1 . au thor sh ip of t he t ex t ; or , of course , we can s imp l y no t t h ink abou t i t a t a l l . Harpur Chor a le takes p leasur e i n announc ing t ha t t on i g ht ’ s per f ormance of The S easonings w i l l be d ir ec t ed by Herr Pr of essor P f oh l D . Roh l , by sp e c ia l ar rangement w i t h Conduc t or s Un l im i t ed of New York , t he MUnich Ra thaus– am–see , and t he S . S . S . ( Soc ie t y of Sch ickel e Symp a t h i zer s ) . Chorus : “Tarragon of v i r t u e i s f u l l ” R e c i t a t iv e : “And ther e wer e i n t he same country” 3 Due t : “B id e t hy thyme” (Soprano and A l t o , w i t h S l i d e Wh is t l e , Windbr eaker , and Tromboon) 4 Fugue : Or ches tra 5 R e c i t a t iv e : “Then asked he” 6 Chora le : '"By the leeks of Babylon/ Ther e we s a t down , yea , we wep t ” 7 R e c i t a t iv e : “Then she gave in ” 8 Ar i a : '"Open sesame sced ” (Bass , w i t h Kazoos, Windbr eaker , and S l i d e Wh is t l e ) No . 1 No . 2 No . No . No . No . No . No . N o . 9 R e c i t a t iv e : ‘ S o sa y ing ” No . 10 D u e t : ”Summer i s a cum in seed ” (Soprano and A l t o , w i t h S l id e Wh is t l e and Shower Hose) No . 11 Chorus w i t h S o l o i s t s : ‘ T o cur r y f avor , . f avor cur r y ” SOLOISTS Kar en H a i g h t, sopr ano Susan G la ss , c on t r a l t o N i c ho la s O ’Donohoe , t enor Thomas Gu t her z , bass ORCHESTRA PERSONNEL V i o l i n : O l ev V ir o , Ross L ev inson , Geor ge Myer s , P a u l Tur co , Ro b er t Sa l e t s ky , E i l e en Pas t er nak V i o l a : Barbara Thompson , Ca r o l I saac son , Ca t hy E l i a s C e l l o : Ho l l y W i lson , Dav id Hoppe Ba ss : N e i l C ona t y Tr ump e t : S t eve Winans , Dave Bespa lk o Ka zoo : Ka t e Sudekum , P a u l Ke t choy ian S l id e Wh is t l e : N ick O ’Donohoe Penny Wh i s t l e : Howard Weinber g Shower Hose : Jay H i l ﬁ g e r Tr omboon : Sue Lawson T imp a n i : D iane D in o Windbr eaker : Dav id Denhard C on t inuo : Mar k Kr oss – or gan , of s o r t s H o l l y W i l son Sp ec ia l thanks t o P h i l l i p Kennedy f or L i g ht ing , L i z Roman f or “ c ouns e l ' . �HARPUR CHORALE Oﬀic er s P e t er Horva th , p r es id en t Em i l y Par ker , t r easur er Nancy Rop er , home a r e amana g er S t ua r t S i lverman , t o u r manager s R icha r d Wieb e , C yn t h ia Ca r t er , secr e tar y Sue Lawson , l i b r a r i a n Meg Sp er b er , p u b l i c i t y R icha r d Br ig g s , wardrobe Be th Schoonmaker , Sopranos : M i ch e l Domser , Ter esa Gr een , L isa G r i ﬀ i n , Ma r c ia Hausner , L o r i Knapp* Wendy Osborn , Nancy Roperf L ou ise U l r i c h C on t r a l t os : J i l l Benj am in ’ E l l en S m n s t e i n , C ind y Ca r t er , Jean Ca t a ld o , Susan G l a s s Em i l y Ha thorn , Sue Lawson , D o l l y Mur phy * Em i l y Par ker , Be th Schoonmaker” Meg Sp erber , E l i za b e t h Sussman Tenor s : M icha e l Duggan, Joshua F a r r e l l , S t even Lu tvak® Ma t t h ew P a s s ’ Rob er t Sar achan , S t ua r t S i lverman Basses : R ichar d Br ig gs , Mark Fr eeman , Thomas Gu ther z , P e t er Horva th# Dan i e l L o t t o , John ° Par ry? M icha e l P ier c e , Jason Surow, R ichar d W ieb e Harpur Chor a l e w i l l c ombin e w i t h t he Un iver s i t y Chorus and Or ches tra and Oneon ta C ommun i t y Chorus i n a p er f ormanc e o f Mo za r t ’ s Req u iem on A p r i l 16 a t 8 : 15 p . m . i n Wa t t er s Thea t er . �AS YOU MAY OR MAY NOT KNOW, THE HARPUR CHORALE REPRESENTED SUNY BINGHAMTON ON A CONCERT TOUR OF EASTERN AND WESTERN EUROPE OVER THIS PAST INTERCESSION. MANY PEOPLE CONTRIBUTED TO HELP US MEET THE EXPENSES WHICH, AS YOU MIGHT IMAGINE FOR A TOUR OF THIS SCOPE, WERE CONSIDERABLE. I N A VERY REAL SENSE WE CONTINUE TO PAY FOR OBLIGATIONS INCURRED . I T I S WITH THIS I N MIND THAT WE ASK YOUR SUPPORT TONIGHT I N THE FORM OF A VOLUNTARY CONTRIBUTION. OUR USHERS WILL STAND WITH RECEPTACLES NEAR THE EXITS FOR YOUR CONVENIENCE. WE THANK YOU FOR YOUR THOUGHTFULNESS AND GENEROSITY. HAVE A PLEASANT EVENING. ENJOY THE CONCERT AND � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:42 47:10 21:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333628">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333628</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert Harpur Chorale, March 27, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 3-27 Description An account of the resource Works of Bach, Zimmerman, Peaslee, and P.D.Q. Bach. Held at 8:15 pm, March 27, 1977, Watters Theater. Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-03-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/eecbeb39a9d5f4d1383077ac80034dec.pdf 0ccca2b9e4793913e9ddeb6da177263b PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC DAVID C L A T W O R T H Y Baritone E i > t i c h a c d s o n TUESDAY, MARCH 29, 1977 8:15 P. M. DON WATTERS THEATER �PROGRAM I Already the sun I Gia il sole dal Gange Dolente immagine di Fille mia Ma rendi pur contento Maliconia, Ninfa gentile A. Scarlatti Bellini Bellini Bellini II Der Jungling und der Tod Gruppe aus dem Tartarus Abendstern Rastlose Liebe Schubert Schubert Schubert Schubert III G. Verdi Per me giunto from Don Carlo A. Scarlatti Already the sun sparkles more clearly from the Ganges, and wipes away every tear from the weeping dawn, He adorns every stem with a golden ray, and paints the stars of the sky in the ﬁeld. Oh love, bring contentment Bellini Oh love, bring contentment to my beloved ’s heart and I shall forgive you if my own heart is heavy. I fear her suﬀerings more than my own, because I live more in her than in myself. IV Chanson gaillarder La maitresse volage Chanson a boire Madrigal . Invocation aux parques Couplets bachiques L ’oﬀrande La belle jeunesse Serenade V ?H 7? H F. Poulenc Sad likeness of my Phyllis Bellini Sad likeness of my Phyllis , Why do you sit by me so gloomily? What more do you desire? I have been shedding bitter tears over your ashes. Do you fear that, my sacred vows forgotten, another ﬂ ame could set me on ﬁ re? Ghost of Phyllis, rest in peace, the old passion of love is inextinguishable ; ghost of Phyllis. Melancholy, sweet nymph Melancholy, sweet nymph, I consecrate my life to you ; he who despises your pleasures is not born of true pleasure. I asked the gods for fountains and hills ; they heard me at last, I shall live contented nor shall I ever wish to pass beyond that spring or that hill, nor ever desire to go further, nor ever go further, no, no, never. Bellini �Johann Wolfgang von Goethe Restless love Into the snow, into the rain, Against the wind, II Josef von Spaun The youth and death Youth: The sun ’s setting, ah, could I but go with it, Escape with its last ray! Ah, avoid these unnamed torments And move out into fairer worlds! Oh, come, death, loosen these bonds, I smile at you, skeleton, Lightly take me to dreamt–of lands! 0, come, do touch me, now, o, come! Death: Rest is cool and gentle in my arms, You call –– I ’ll take pity on your plight. Group from Tartarus Friedrich von Schiller Hark –– ressembling the murmur of the lashing seas, And as the river sobbing carves its way through pale and bare rock, So rises from dark depths an empty, heasy Tortured groan. Pain distorts Their features –– their jaws A cursing chasm of despair. They ’re asking in-urgent whispers, Is fulﬁlment not yet near? O’er their heads, eternal circles –– And the scythe of Saturn breaks. Why are you so lonely in the sky, 0, fairest star? –– And so mild ; Why does the array resplendent Of brother–stars keep away from you? “I am true love,s obedient star, They keep from love away.” Rather through suﬀering would I win through, Than be forced to bear The pleasures of life! All that longing From heart to heart, Oh, how unique Is this agony! How can I ﬂ ee , Shall I to the forests? All is in vain! Crown of life, Bliss without peace, Love this is you! IV Anonymous 17th century Chanson gaillarder La maitresse volage My mistress is ﬁckle, my rival is happy. Hollow are their eyes –– straining to peer With anguished looks toward Cocytus ’ bridge. Following tearfully the river ’s mournful course. Star of eve Through spray from cliﬀs, Through fog and mist, Keep on, keep on! No rest, no peace! \ " Chanson a boire The kings of Egypt and Syria had their bodies embalmed so as to enjoy a life after death. Come, let us drink, drink “and embalm ourselves before death. How sweet is this balm! Madrigal You are beautiful as an angel, sweet as a little lamb. Johann Mayrhafdr Invocation aux parques E swear to love you as long as I live. Fates, who hold the thread of life in your hands, I pray you to prolong mine as long as you can. Couplets bachiques When I see a bottle without wine I am sad ; if it is full I am happy. When I am with my wife I am sober –– if the pretty girls take me on I am jolly. L ’oﬀrande A maiden oﬀered a candle to the god of love in order to gain a lover. Smiling at the request, the god said,“Beauty, while waiting, always yourself be the oﬀering.” �La belle jeunesse One needs to love but not always to marry. Make love to many, but if you are wise you ’ll not marry. Sérénade With so beautiful a hand and such charms, how well you use Cupid ’s weapon. BIOGRAPHICAL BACKGROUND DAVID CLATWORTHY is enjoying his ﬁfteenth consecutive year as a leading baritone with the N.Y.C.Opera Company. As a student at the University of Arizona, he was encouraged by the legandary Metropolitan baritone Richard Bonelli to study seriously for an operatic career. After completing undergraduate college studies and two years service as an oﬀicer in the U.S.Army,Mr. Clatworthy enrolled at the Juilliard School of Music and Columbia University where he received his Master of Arts degree. His appearances at Lincoln Center have featured him in a variety of roles from the Count in Mozart ’s The Marriage of Figaro to such contemporary operas as Janacek ’s The Makropolos A ﬀ air and Gianstera ’s Don Rodrigo. In addition to his performances with opera companies in San Francisco, Chicago, Houston, Fort Worth, and Central City, the Michigan born singer has appeared as soloist with the Boston, Chicago, Detroit, and Dallas Symphonies, as well as the Philadelphia Orchestra and the New York Philharmonic. He has made recordings for RCA Victor, Mercury, and Vanguard record companies, and has appeared periodically on CBS, NBC, and ABC television networks. Next month Mr. Clatworthy will appear with the Ft. worth Opera Company, and in May he will be heard at Spoleto West, Charleston, South Carolina, in a new production of The Consul, staged by its composer Gian–Carlo Menotti, and participate in its recording on Columbia records. DIANE RICHARDSON attended the Oberlin Conservatory of Music as a piano scholarship student and received her Bachelors of Music degree. To pursue an early interest in the art of accompanying, she traveled to New York to work with Sergius Kagen, Robert Starer, and Adele Marcus at the Juilliard School of Music. Later she attended Columbia University and received a Master of Arts degree. Miss Richardson has toured throughout the United States and Europe in the past ﬁ v e years. Being equally at home in operatic and lieder repertoire, she has collaborated in recitals and privately coached many leading artists from the Metropolitan Opera Company, the N.Y.C.Opera, Covent Garden, and Sadlers Wells Opera Company. She has been on the faculty of the Oberlin Conservatory and Juilliard School, and is presently an assistant conductor and coach with the New York City Opera Company. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:00 37:06 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333633">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333633</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Clatworthy and Diane Richardson, Recital, March 29, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 3-29 Description An account of the resource Works of Scarletti, Bellini, Schubert, Verdi, Poulenc. Held at 8:15 pm, March 29, 1977, Watters Theater. Creator An entity primarily responsible for making the resource Clatworthy, David Richardson, Diane Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-03-29 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound