69 10 1775 https://omeka.binghamton.edu/omeka/files/original/aa300d62f25e0b46223a5e86fa530bc5.pdf 940476b0c3005d11efaa73c2ee08b64e PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC The Catskill A Wo A o dw i n d Quintet’ - t THURSDAY APRIL 14, 1977 8:15 P. M, CASADESUS RECITAL HALL \ » B l, J a �i sdy PROGRAI ~~ Kleine Kammermusik §Urn glng BLHser.. Paul Hindemith Lustig. MUssig schnelle Vierntel Walzer. Durchweg Sehr Leise Ruhig und einfach. Achtel Schneﬂe Vierntel Sehr Lebhaft THE CATSKILL WOODWIND QUINTET Quintet i n D Major, Opus 91, Number 3 . . Anton Reicha Lento: Allegro assai Adagio Menuetto Finale: Allegretto Julia Hasbrouck Clay, horn Floyd Hebert, ﬂ u t e Frank Holden, bassoon David Niethamer, clarinet Rene Prins, oboe (oa \5 - - - INTERMISSION - - - “Pour Le Con A n gl a i s " . . . . . . . . . . . . . . A n t o n Reicha Andante arioso Adagio L d Andante Q U A R L E E s 5 1 0 0 6 5 3 5 5 5 1 0 s a 0 n i s J e a n F r Andante Thanquillo: ALLegno a s s a l Presto Theme and Variations Tempo d i marcela grancese a n c a i x � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:04 26:18 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333637">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333637</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catskill Woodwind Quintet, Recital, April 14, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 4-14 Description An account of the resource Works of Hindemith, Reicha and Francaix. Held at 8:15 pm, April 14, 1977, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Catskill Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/28ab3a7ebfe48ccf39400a100920d5c4.pdf b45dc391e4502f9f39fd6d16ec353b74 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC SAMUEL BARON ﬂute CAROL BARpON iano AUDUBON STRING QUARTET FRIDAY, APRIL 15, 1977 8:15 P. M. CASAPESUS RECITAL HALL �PROGRAM SAMUEL BARON, ﬂute CAROL BARON, piano THE AUDUBON STRING QUARTET Dennis Cleveland Janet Brady Thomas Shaw Doris Lederer String Quartet in Ee Major, Opus 12........... Felix Mendelssohn Adagio non troppo; Allegro non tardante Conzonetta Andante espressivo Molto Allegro e vivace Sonata for Flute and Piano (1957)............. Ezra Laderman Moderato Allegro Molto Fugato Allegro INTERMISSION Sonata for Flute and Piano (1957) Francis Poulenc Allegro malincolio Cantilena Presto giocoso “Celestial Bodies” (1972).........Ezra Laderman Concerto for Flute and String Quartet Andante; Molto Allegro ~ Adagio Presto presented by MEET THE CQIPOSER, a project of the American Music Center and the New York State Council for the Arts. �COMING EVENTS Saturday, April 16 at 8:15 University Chorus Sunday, April 17 at 3:00 Jazz Ensemble Sunday, April 17 at 8:15 Concert Series: Ponce Saturday, April 23 at 8:15 Irene Rosenberg, piano Sunday, April 24 at 8:15 David Hoppe, cello Monday, April 25 at 8:15 Jay Hilﬁger, conducting Saturday, April 30 at 8:15 George Myers, violin Sunday, May 1 at 8:15 Sara Whitmore, organ Tuesday, May 3 at 8:15 Collegium Musicum Wednesday, May 4 at 8:15 Paul Ketchoyian, clarinet Thursday, May 5 at 8:–15 Composers Concert Saturday, May 7 at 8:15 Miriam Greenberg, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:20 37:54 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333641">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333641</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Audubon String Quartet, Recital, April 15, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 4-15 Description An account of the resource Works of Mendelssohn, Laderman and Poulenc. Held at 8:15 pm, April 15, 1977, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Audubon String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-04-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/08d3739543edd640076e0bed9d3d66d4.pdf 91c8d88ad7c5995ad04c35ae4efe69d0 PDF Text Text requiem SATURDAY APRIL 16 ER WATTERSTHEAT1977 AT SUNYBINGHAMTON & SUNDAY APRIL17 8:15PM UNION HUNT ATBALLR 8:00pm SUNY OOM ONEONTA �Brian Seidman, President Sylvia Horowitz, Secretary Norma Yohai, Librarian Carl Dashman, Stage Manager Carole Townsley, Vice-President Laurie Goodheim, Treasurer Janet Slechta, Publicity —P E R S O N N E L — The University Chorus of SUNY Binghamton David Buttolph, Director Chai-Kyou Mallinson, Accompanist Sopranos : Patricia Cashwell, Lizabeth D ’Angio, Judy Elkin, Lois Fischthal, Lisa Goldberg, Laurie Goodheim, Terry Hogan, Connie Horn, Harriet Johnson, Cathy Klotz, Sue Kovacic, Karen Lovejoy, April Lucas, Mary Ellen Monahan, Susan Riale, Jeane Shipman, Janet Slechta, Susan Smith, Noreen Spota, Susan Petty, Barbara Taggart, Jill Trinka, Lori Vitaliano ; Contraltos : Kinga Armer, Linda Barucco, Robin Bilinkoﬀ, Clara Budin, Phyllis Burr, Joanne Cronin, Mary Eleanor Edwards, Ruth Foley, Stacey Foodim, Theresa Gallagher, Judy Goldman, Gloria Herzig, Sylvia Horowitz, Grace Houghton, Rhonda Klein, Lisa Miller, Astrid Petterson, Irene Rosenberg, Doris Schmidt, Jane Shear, Margaret Starke, Joanne Taggart, Carole Townsley, Jill Weston, Norma Yohai ; Tenors : Brad Bennett, Russell Cashwell, Lee Gartenberg, Ken Gorden, Frank Holby, Edward Houghton, Eugene Napolitano, Thomas Nytch, Vincent Pinque, Edward Schappert, Stephen Straight, Donald Weiskopﬀ, Floyd West ; Basses : Lynn Aylesworth, Thomas Baynes, Peter Bolan, Lawrence Brooks, Richard Carmody, Robert Clark, Carl Dashman, Richard Davis, Michael DiFonzo, Richard Gelber, David Hanson, Lawrence Hayes, Fenwick Horn, James Landy, Jaesung Lee, Bryan Matheson, Patrick M cGrady, Roger Norton, Larry Orinstein, Mit chell Schonfeld, Brian Seidman, Jack Simmons, Douglas Trezza. The Harpur Chorale of SUNY Binghamton Peter Horvath, President David Buttolph, Director Emily Parker, Treasurer Emily Parker, Accompanist Nancy Roper, Home Area Manager Stuart Silverman, Richard Wiebe, Tour Managers Richard Briggs, Beth Schoonmaker, Men ’s & Women ’s Wardrobe Cynthia Carter, Secretary Sue Lawson, Librarian Meg Sperber, Publicity Sopranos : Michel Dom ser, Teresa Green, Lisa Griﬀin, Marcia Hausner, Lori Knapp, Wendy Osborn, Nancy Roper, Louise Ulrich ; Contraltos : Jill Benjamin, Ellen Bernstein, Cindy Carter, Jean Cataldo, Susan Glass, Emily Hathorn, Sue Lawson, Dolly Murphy, Emily Parker, Beth Schoonmaker, Meg Sperber, Liz Sussman ; Tenors : Michael Duggan, Joshua Farrell, Steven Lutvak, Matthew Pass, Robert Sarachan, Stuart Silverman ; Basses : Richard Briggs, Mark Freeman, Thomas Gutherz, Peter Horvath, Daniel Lotto, John Parry, Michael Pierce, Jason Surow, Richard Wiebe. Nancy Newkerk, President Billie Miller, Secretary Keith Andre, Vice President Jerry Lutkenhouse, Treasurer The Community Chorale of Oneonta Charles C. Burnsworth, Musical Director Jenifer Whitehill, Accompanist Sopranos : Dorothy Caswell, Margaret Conant, Donna Dox, Elizabeth Eggleston, Sue Fisher, Muriel Hammond, Dorothy Heyler, Margaret Laurier, Billie Miller, Alda Peinkofer, Antha Robbins, Helena Roman, Gail Rubin, Karen Schmitt, Alane Starko, Debbie Van Slyke ; Altos : Kathy Burnsworth, Kathy Diakoﬀ, Rita Dibert, Betsy Diver, Sandy Fitz-Henry, Dorothy Foell, Jane Frisch, Ruth Hartley, Beth Hebert, Susan Mayer, Jean Miller, Nancy Newkerk , Elizabeth O ’Donnell, Mary Schutt, Tricia Shedlock, Margaret Sluiter, Linda Zeek ; Tenors : Dwayne Croft, Gary Doupe, Kay Gallup, Gordon Hammond, Gwen Johnson, Peter Macris, Doug Parsons, Richard Schneider, George Silvernell, John Willis ; Basses : Dave Baldwin, Clarence Carlson, Bill Dietz, Charles Eddins, Don Embling, Bill Frisch, Howson Hartley, Bill Hause, Mike Jones, Jim Lawrence, Jerry Lutkenhouse, Paul Scheele, Jim Schmitt, Bob Starko, Laverne Thomas. �—ORCHESTRA — First Violins *George Myers, Concertmaster *Joan Weitzman *Ross Levinson Andrea Andros *Paul Turco Mary Jane Wojtowitz *Eileen Pasternak Donna Bjorkman Second Violins *Olev Viro, Principal *Neil Blachman *Andy Stack John Wojtowitz *Eric Sadowitz, President Byron Green Cheryl Schneider Ray Zeckler Violas *Barbara Thompson, Principal Vice President Russell Colton *Laura Stein Reynolds Johnson *Geoﬀrey Brooks, Manager Henry Kicinski Celli *Holly Wilson, Principal David Mordoﬀ *Claire Liva Jennifer Allen *Dan Politi Walter Chaikowski Basses *Neil Conaty, Principal Donal O’Buckley *David Weinsoﬀ Tom Ives Clarinets *Chris Kielb *Debbie Neu Bassoons *Lois Chantry Frank Holden Trumpets *David Bespalko Scott Kelley Graphic design - m a n l ey , g r ave n associates Trombones Michael Williams *Eric Schwartz *Richard Gower Timpani Peter Buttolph *Harpur Symphony Orchestra �—PROGRAM — . . . . .Zoltan Kodaly Jesusand the Traders. . . . . . . . . . . . . . . . . The University Chorus and the Harpur Chorale of SUNY Binghamton . . . . . .W. A. Mozart R e q u i e m ia n i n o r (K. 62 6) The Combined Choirs and Orchestra Soloists Lynne Engstrom Janet Parker Gerald Grahame Richard Jaynes I. II. III. IV. V. VI. VII. VIII. IX. X. XI. XII. Requiem Dies Irae Tuba Mirum Rex Tremendae Recordare Confutatis Lacrymosa Domine Jesu Hostias Sanctus Benedictus Agnus Dei . . . . .Soprano . . . . . Contralto . . . . .Tenor . . . . .Bass . . Soprano and Chorus . . . . . Cho r us . . . . . Quartet . . . . . . C ho r u s . . . . . Quartet . . . . . .Chorus . . . . . . C ho r u s . Quartet and Chorus . . . . . . C ho r u s . . . . . Cho rus . Quartet and Chorus . Soprano and Chorus �—NOTES — Jesus and the Traders - Zoltan Kodaly The story of Jesus entering Jerusalem, ﬁnding the money changers in the temple and driving them out, is strongly portrayed in this setting of verses from St. John, St. Mark, and St. Luke, with English words adapted from the Hungarian by Edward Dent. The music is written in motet and homophonic style with skillful use of modal harmonies which underline the unfolding drama. Wolfgang A. Mozart (1756-1791) The international concert tours of Mozart as a young prodigy earned him the reputation of genius early in life. He was familiar with all the masters and their styles through his wealth of musical contacts and acquaintances in every important city of Europe. His father provided him with a thorough musical foundation, and by age twenty-one he possessed perhaps the most unique and valuable training that any young musician had ever received. Mozart lived only thirty-ﬁve years, but his music reached a perfection which deﬁes comparison. His melodies are perennially fresh, and his works display an uncanny feeling for form. He was astoundingly productive. At age eight his ﬁrst compositions were published, and early symphonies followed soon after. His ﬁrst oratorio was composed at age eleven, and he conducted his own Solemn Mass at age twelve, the same year that produced his ﬁrst opera. His compositions include: 15 masses (plus numerous other church works), 21 operas and dramatic works, over 100 vocal compositions, over 40 symphonies (plus 74 other orchestral works), 52 concertos, 97 chamber works, more than 50 compositions for piano, and 17 sonatas for organ. The Requiem Mass (K. 626) Much has been written about the sinister and romantic story surrounding the commissioning of the Requiem, Mozart ’s ﬁnal work. The anonymous stranger who approached Mozart was in actuality a steward of Count Franz von Walsegg, who wished to have the work composed in memory of his wife. Mozart worked feverishly on the score despite a progressive illness, and the music shows traces of the agony of his spirit as he composed, undoubtedly believing that he was writing his own requiem. Prophetically, the Requiem was left unﬁnished, and his wife Constanze engaged his favorite student Siissmayer to complete the work. Stissmayer used the voice parts, notes of accompaniment, and rough sketches left by Mozart for the incompleted sections, and followed Mozart ’s style throughout. To provide cyclic unity he ended the work by repeating most of the opening movement, and reset the Kyrie fugue to the text of cum sanctis. The genius of the Requiem lies in its perfect proportions, the disposition of both intricate and simple rhythms, and of varying textures and instrumental colorings. A solo quartet is featured in contrasting ensemble passages against the full choir, but there are no traditional arias. The Mozart Requiem is universally regarded as one of the undisputed pinnacles of devotional music. Jean T. Miller �—SOLOISTS — Lynne Engstrom has been heard in leading soprano roles with the Tri-Cities Opera, most recently as Musetta in the 1976 production of La Boheme. In addition to postgraduate work at Hofstra and the State University colleges at Fredonia and Potsdam, Miss Engstrom studied voice for two summers at the Chautaugua School of Music, winning the Chautauqua Symphony Award and appearing as soprano soloist with that orchestra in August of 1976. Miss Engstrom continues her study with Tri-Cities Opera, is organist and choir director at the First Presbyterian Church in Owego, and teaches music part-time in the Union-Endicott School system. Janet Parker, most recently heard in the role of Suzuki in Madama Butterﬂy with Tri-Cities Opera, appeared in the 1975-76 productions of Die Fledermaus, Il Trovatore, and The Magic Flute. She has a Bachelor of Music degree and a Master of Music in Applied-Voice from Ithaca College. A student of both piano and oboe, she currently studies with Tri-Cities Opera, teaches part-time in the Maine-Endwell school system, and is alto soloist at Tabernacle Methodist Church. Gerald Grahame is a graduate of State University College at Fredonia and has performed with the Fredonia Opera Theater, the Greater Utica Opera Guild, and the Upstate Lyric Theater. In addition to his many appearances with Tri-Cities Opera, Mr. Grahame has been heard as tenor soloist in Mendelsshon’s Elijah, the Mozart Requiem, and Gounod’s St. Cecilia Mass. During the 1977 spring season Mr. Grahame will be soloist with the Corning Symphony in Handel’s Judas Maccabeus. Richard Jaynes trained in both voice and dance at Ithaca College and for six years danced professionally in Montreal. He made his debut with Tri-Cities Opera in 1973 and has since sung several roles annually as well as contributing to the regular training program by giving classes in body movement. Mr. Jaynes has sung with the Syracuse Oratorio Society and has been heard as soloist in Handel’s Messiah and Mendelssohn’s Elijah. �REQUIEM – (Traditional Mass for the Dead) Introit I Requiem a et er nam dona eis, Domine : e t lux pe r pe t ua iuceat eis. Te d e ce t hymnus poenis inferni, et d e profundo lacu : l i b e ra eas de ore leonis, n e absorbeat eas tartarus, ne cadant i n obscurum: sed E t ernal rest give unto them, O Lord : a nd let per pet ual light shine u pon them. A hymn, O God, becometh The e in Sion; and a vow shall be paid to Thee in Jerusalem. O hear my praye all ﬂesh shall co m e to The e . E ternal rest . Deus in Sion, et tibi reddetur votum in Jerusalem : exaudi orationem meam : ad te omnis caro veniet. Requiem. Kyrie eleison Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy upon us. Kyrie eleison. Ch rist e eleison. Kyrie eleison. signifer sanctus Michael, repraesentet eas in lucem sanctam: Quam olim Abrahae promisisti, et semini ejus. IX Sequence II VII Dies irae, dies illa, Solvet saeclum in favilla : Teste David cum Sibylla. Through earth ’s sepul chers it ringeth, All before the throne it bringeth. I v Rex tremendae majestatis, Qui salvandos salvas gratis, Salva me, fons pietatis. King of majesty tremendous, W ho dost free salvation send us, Fount of pity, then befriend usl V Recordare, Jesu pie, Quod sum causa tuae viae : Ne me perdas illa die. Think, good Jesu, my salvation Caused Thy wondrous Incarnation. Leave m e n o t t o reprobation. Confutatis maledictis, Flammis acribus addictis, Voca me cum benedictis. While the wicked are confounded, Doomed to ﬂames of woe unbounded, Call me with Thy saints surrounded. Lacrimosa dies illa, Qua resurget ex favilla Ah, that day of tears and mourning! From the dust of earth returning VI VII ejus. Day of wrath, O day of mourning, See fulﬁlled the prophets’ warning; Heav’n and earth in ashes burning. Tuba mirum spargens sonum P e r se pul cra region um, C o g e t om nes ant e thronum. ‘Wondrous sound t he t rumpet ﬂingeth, Oﬀertory V I I I Domine Jesu Christe, Rex gloriae, libera animas omnium ﬁdelium defunctorum de O"Lord, Jesus Christ, King of Glory, deliver the souls of all the faithful departed Hostias et pr e ces tibi, Domine, laudis oﬀerimus : tu suscipe pro animabus illis, quarum hodie memoriam facimus: fac ens, Domine, de morte transire a d vitam : Quam olim Aliraliae promisisti, et seinini X from the pains of hell and from the dee p pit : deliver them from t he lion’s mouth, that hell may not swallow them up, and may they not fall into darkness ; but may Thy holy standard-bearer, Michael, lead them into the holy light ; which Thou didst promise to Abraham and to his seed. W e oﬀer to Thee, O Lord, sacriﬁces and prayers: do Thou receive them in behalf of those souls whom we commemorate this day. Grant them, O Lord, to pass from death unto life ; which Thou didst promise to Abraham and to his seed. Sanctus Holy, Holy, Holy Lord God of Sabaoth. Sanctus, Sanctus, Sanctus Dominus Deus Salinoth. Pleni sunt coeli et t e rra glo ria tun. O sa n na in cxcclsis. Heaven and earth are ﬁlled with Thy glory. Hosanna in the highest. Benedictus XI Ben cdict us qui venit in nom in e Domini . O s a n n a i n excelsis. XII A gnus Dei, qui tollis pe ccata mundi, dona eis requiem. Agnus Dei, qui tollis peccata niundi, dona eis requiem. Agnus Dei, qui tollis pe ccata inumli, dona eis req uiem a et e r nam. Blessed is H e who cometh in the name of the Lord. Hosanna in the highest. Agnus Dei Lamb of God, who takest away the sins of the world, grant them rest. Lamb of God, who takest away the sins of the world, grant them rest. Lamb of God, who takest away the sins of the world, gra n t t he m e t e r nal rest . Communion L u x aeterna luceat eis, Domine: cum Ma y light eternal shine on them, O Lord. sanctis tuis i n aeternum, q u i a pius es. Re q u i e m aeternnm dona eis, D o m i n e , et lux p e r p e t u a lu ce a t eis. C u m sa n ct is t uis in a e t e r n u m , q u ia pi us e s. W i t h Th y saints forever, for Thou a rt merciful. E ternal rest give to them, O Lord: and let perpetual light shine upon them. Wit h Thy saints forever, for Thou art merciful. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 08:03 27:13 25:22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333645">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333645</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Chorus, Harpur Chorale, Concert, April 16, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 4-16 Description An account of the resource Works of Kodaly and Mozart. Held at 8:15 pm, April 16, 1977, Watters Theater. Creator An entity primarily responsible for making the resource University Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-04-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/38cd05e380ce0972f0645e21733b8dd0.pdf 5b45f41ae9cb326ca23cb0ee3e9ba365 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC WA LT E R PONCE Piano SUNDAY, APRIL 17, 1977 §:15 P.M. WATTERS THEATER �PROGRAM *kkkkkx Three Moments Musicaux, Opus 94. - - - . - F.3chubejz/t C Major Al Major § minor WALTER PONCE, PIANO So n ata i n § minor, Opus 5 7 . . . . . L . van Beethoven Allegro Assad Andante con moto Allegro ma non thoppo ¥* * * INTERMISSION * * * Sonata i n BP M a j o n . . . . . . . . . . . . . . . . . . . F. S c n a b e j u t Molto moderato Andante Sostenuto Scherzo: Allegro vivace con d el i catez z a Allegro ma non troppo �COMING EVENTS RRRRRRRKRRK KK Satu rday, A p r i l 23 a t §:15 Inene Rosenberg, piano Sunday, A p r i l 24 a t §:15 David Hoppe, c e l l o Monday, April 25 a t §:15 J a y H i lg i g e r, conducting Saturday, A p r i l 30 a t 8:15 George Myers, violin Sunday, May 1 a t 8:15 Sara Whitmore, organ Tuesday, May 3 a t §:15 Collegium Musicum Wednesday, May 4 a t §:15 Paul Ketchoyian , c l a r i n e t Thursday, May 5 a t 8:15 Composers Concent Saturday, May 7 a t 8:15 Miriam Greenberg, piano Sunday, May § a t 3:00 Doug Beardsle y, piano Sunday, May 8 a t 8:15 E l i o t Friedman, oboe Tuesday, May 10 a t 8:15 J a n Lawiidsen, paino � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:16 18:14 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333650">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333650</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Walter Ponce, Recital, April 17, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 4-17 Description An account of the resource Works of Schubert and Beethoven. Held at 8:15 pm, April 17, 1977. Creator An entity primarily responsible for making the resource Ponce, Walter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-04-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/3cd7b2d0700e519400728903afc1ee81.pdf 5b45f41ae9cb326ca23cb0ee3e9ba365 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC WA LT E R PONCE Piano SUNDAY, APRIL 17, 1977 §:15 P.M. WATTERS THEATER �PROGRAM *kkkkkx Three Moments Musicaux, Opus 94. - - - . - F.3chubejz/t C Major Al Major § minor WALTER PONCE, PIANO So n ata i n § minor, Opus 5 7 . . . . . L . van Beethoven Allegro Assad Andante con moto Allegro ma non thoppo ¥* * * INTERMISSION * * * Sonata i n BP M a j o n . . . . . . . . . . . . . . . . . . . F. S c n a b e j u t Molto moderato Andante Sostenuto Scherzo: Allegro vivace con d el i catez z a Allegro ma non troppo �COMING EVENTS RRRRRRRKRRK KK Satu rday, A p r i l 23 a t §:15 Inene Rosenberg, piano Sunday, A p r i l 24 a t §:15 David Hoppe, c e l l o Monday, April 25 a t §:15 J a y H i lg i g e r, conducting Saturday, A p r i l 30 a t 8:15 George Myers, violin Sunday, May 1 a t 8:15 Sara Whitmore, organ Tuesday, May 3 a t §:15 Collegium Musicum Wednesday, May 4 a t §:15 Paul Ketchoyian , c l a r i n e t Thursday, May 5 a t 8:15 Composers Concent Saturday, May 7 a t 8:15 Miriam Greenberg, piano Sunday, May § a t 3:00 Doug Beardsle y, piano Sunday, May 8 a t 8:15 E l i o t Friedman, oboe Tuesday, May 10 a t 8:15 J a n Lawiidsen, paino � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:20 51:08 56:41 39:31 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333654">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333654</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Recital, April 17, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977-4-17b Description An account of the resource Held April 17, 1977. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-04-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ec100896dc2f35b37d566535643387c5.pdf 225373976069ff3c4ed97f2afc171ac8 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC s COMPOSERS CONCERT 0 . THURSDAY, MAY 5, 1977 8:15 P. M. CASADESUS RECITAL HALL �PROGRAM Kyrie: Gloria fram Missa Pro Meo Patri David McKenas for 4-part chorus, oboe, and cello Madrigal group fram Harpur Chorale Eliot Friedman, oboe Holly Wilson, cello Seven Songs Howard Weinberg set to poems by Theodore Roethke Karen Haight, soprano Vicky Gordon, piano Fusion Andante con moto Perpetual Motion Allegro Vivace Amy Lipton, ﬂute Debbie Neu, clarinet Ross Levinson, violin George Myers, viola David Hoppe, cello Geoﬀ Brooks, marimba Amy Mereson Three Pieces for Chamber OrchestraBob Halliday Flauntoushe Myxtypodip Piece for Violin and Piano Pat McGrady Robert Seletsky, violin Bill Lawson, piano Dragons Live Forever... David Denhard Karen Tax, ﬂute Jay Hilﬁger, horn George Myers, violin David Hoppe, cello Cindy Peterson, piano Marty Ricciardi, vibraphone Geoﬀ Brooks and Joseph Pazienza, percussion INTERMISSION Brounk The third movement is dedicated to the memory of Louis Kennell (1890–1969), a ﬁne young man, a jolly old fellow ... _ ... s hdbonskie �ENSEMBLE FOR THREE PIECES FOR CHAMBER ORCHESTRA First Violins Olev Viro George Meyers Neil Blachman Joan Weitzman Flute Nancy Becker Second Violins Bob Seletsky Andy Stack Eric Sadowitz Nigel Allen Clarinet Augie Venturini Violas Carol Isaacson Barbara Thomson Laura Stein Cellos Holly Wilson David Hoppe Claire Liva Caleb Davison Basses Neil Conaty David Weinsoﬀ Oboe Debbie Vatcher Trumpet Steve Winans Trombone : Richard Gower Percussién Geoﬀ Brooks � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:11 35:20 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333660">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333660</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers Concert, May 5, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 5-5 Description An account of the resource Works of student composers: David McKenas, Howard Weinberg, Pat McGrady, David Denhard, Amy Mereson, Bob Halliday. Held at 8:15 pm, May 5, 1977, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-05-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c3f91566dc97ac07bf93fb3abb8d5585.pdf 9da234dd9589ae587b89653e561167f4 PDF Text Text b, S t at e University o f New York a t Binghamton - DEPARTMENT OF MUSIC cC A S A D ES U S R E C I T A L H A L L ' SEPTEMBER 1 6 , 1 9 7 7 f 4100 F . 0 . ' - OPEN REHEARSAL Composers String Quartet Matthew Raimond, violin Anahid Ajemian, violin ' Jean Dane, viola Wark shuman, cello EZRA LADERNAN : Str ing Quartet No. 5 (1976) 1 I. “ . I I . First Themes Prelude: Allegro L istless . minuet: Alleg rett o Andante Double: Vivo Le Andante c o n moto Loure and Sarabande: Andante - Andantino Moderato Second Themes Development Gigue --Toccata: Fresto _Return Adagletto . I I I . Var iations Theme Var. 1 - d =60 Var. 2 - Impassioned Var. aP- Forceful Var ' ‘ – Waltz Var. 5 - Frenzied var, 6 - Almost beyond control Canons: Var. 8 Tinale vay, Yar. 9 - Lpilogue PLEASE ANNOUNCE THIS EVENT TO ALL STUDENTS Thanks very much, ALM . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:55 34:56 16:46 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333664">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333664</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Open Rehearsal, Composers String Quartet, September 16, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 9-16 Description An account of the resource Works of Ezra Laderman. Held at 4:00 pm, September 16, 1977, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-09-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/74871c6acf3ccedec810a76f1e6f343a.pdf 552042c134a88a71ab2f9af6b7d4b853 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE DEPARTMENT OF MUSIC PRESENTS COMPOSERS STRING QUARTET SATURDAY, SEPTEMBER 17, 1977 8:15 P.M. DON WATTERS THEATER �COMPOSERS STRING QUARTET JEAN DANE, VIOLA MATTHEW RAIMONDI, VIOLIN ANAHID AJEMIAN, VIOLIN MARK SHUMAN, CELLO PROGRAM Haydn : String Quartet in D Minor Opus 76, No. 2 “Quinten” I. Allegro II. Allegro a piu tosto allegretto ITI. Menuetto – Allegro ma non troppo IV. Vivace assai Ezra Laderman : String Quartet No. 5 (1976) I. Prelude: Allegro II. First Themes Listless (d = 112) ( 4 d Minuet: Allegretto ( d = 72) ( d = Andante Double: Vivo Second Themes Andante cO N moto (d=60) (d= ( d = 52) ( d = Loure and Sarabande: Andante - Andantino " Moderato Development Gigue – Toccata : Presto Return Adagietto III. Variations Theme Var. 1 ~ d = 60 Var. 2 Impassioned Forceful Var. 3 Var. 4 Waltz Var. 5 Frenzied Var. 6 Almost beyond control Var. 7 Canons Var. 8 Finale Epilogue Var. 9 kkkkkk INTERMISSION Kkkkkk Mozart: String Quartet in C Major No. 19, K. 465 “Dissonant” I. Adagio; Allegro II. Andante cantabile ITI. Menuetto IV. Allegro molto 88) 94) 56) 64) �kkkkkkhkhkhkkk * * COMING EVENTS 25 Tuesday, October ¥1 MEET THE COMPOSER - LEO KRAFT Thursday, October 13 GUARNERI STRING QUARTET Sunday, October 23 PAUL JORDAN, ORGAN * * Kdekk kdkkdedk kk kkk � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:58 45:02 30:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333669">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333669</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers String Quartet, Recital , September 17, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 9-17 Description An account of the resource Works of Haydn, Laderman, and Mozart. Held at 8:15 pm, September 17, 1977, Watters Theater. Creator An entity primarily responsible for making the resource Composers String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-09-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/00b73e00e4b2627d5f3f237c065b02da.pdf 618176a8920053e9685756097e160808 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON presents AN ORGAN RECITAL by SEARLE WRIGHT – assisted by Matthew Kuhn, Oboe I. Choral Alleluiatique (L ’Orgue Mystique – Livre 44) Prayer of Christ Ascending (L ’Ascension) Charles Tournemire (1870 - 1939) Olivier Messiaen ) (1908 Louis Vierne Scherzetto (Pi&ces en Style Libre) (1870 - 1937) II. Dietrich Buxtehude Nun Bitten Wir den Heiligen Geist (1637 — 1707) J. S. Bach (1685 - 1750) Passacaglia and Fugue in C Minor INTERMISSION (5 minutes) III. G. H. Handel Concerto in B Flat for Oboe (No. 8) (1685 - 1759) Adagio Allegro Stetliana Matthew Kuhn, Oboe Vivace IV. Hermann Schroeder ) (1904 — Preludes and Intermezzi Maestoso Andante sostenuto Andantino Poco vivace Hermann Schroeder Schoenster Jesu Leo Sowerby Pageant of Autumn (1895 — 1968) - Casadesus Recital Hall 8 p.m. October 8, 1977 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:28 33:35 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333674">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333674</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Searle Wright, Organ Recital, October 8, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 10-8 Description An account of the resource Works of Tournemire, Messiaen, Vierne, Buxtehude, Bach. Held at 8:00 pm, October 8, 1977, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Wright, Searle Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-10-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/28b35c754a2d3d25df320fce4cd562a7.pdf 70c762c764ed874a3ba2973289ab5dec PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON ON HARPUR COLLEGE The Department of Music presents 1 the GUARNERI STRING QUARTET 1 Thursday, October 13, 1977 8:15 P.M, WATTERS THEATER �Schubert Quartet in i Major 1813, of This piece,written during November old years sixteen was was composed when Schubert ﬁrst and was his seventh string quartet. The movement, Allegro moderato, opens with a theme based on a three-note motive that will permeate the entire work. Second is a brilliant Scherzo, with a droning central trio section for contrast, the whole played Prestissimo . After the gentle and graceful slow movement,Adagio, cames the ﬁnale, Allegro, built in part of passages in a galloping rhythm which Schubert later used to close many of his greatest works. Lutoslawski Quartet (1964) Lutoslawski’s String Quartet, written in 1964, was commissioned by the Swedish Radio for the 10th anniversary of a Stockholm concert series. The formal progress of the work is arti– culated such that what has gone before takes on, in retrospect, the function of a prelude to what succeeds it. Thus, the two movements have the relationship to one another of introduction and principle section. The violin solo which opens the work appears at ﬁrst to be the exposition of a principle musical idea, until suddenly the presentation of a more powerful ﬁgure indicates this to be the real principle theme, converting what has gone before into a brief introduction. Brahms Quartet in A Minor The Quartets of Opus 51 date from the summer of 1873. The A Minor Quartet is stern in expres– sion, but not in an over–intellectual way. It is extraordinarily uniﬁed, and particularly note– worthy is the melodic material used so eloquently by the composer. Each instrument is allowed its characteristic expressivity, and the resultant warmth and richness of color conveyed by Brahms through his complete command of instrumental resources, aﬀords a sense of unity and fulﬁll– ment quite unique in chamber music. THE GUARNERI STRING QUARTET Arnold Steinhardt, violin John Dalley, violin Michael Tree, viola David Soyer, cello PROGRAM Quartet in E° Major (1813) Schubert Allegro moderato Scherzo: Prestisissimo Adagio Allegro Quartet (1964) Introductory movement Main movement Lutoslawski > *kkkk INTERMISSION Kkk kk Quartet in A Minor, Op.51, No.2 Allegro non troppo Andante moderato Brahms Quasi minuetto: Moderato Allegro non assat The Guarneri String Quartet records exclusively on RCA Red Seal Records. �*kkkkkkkk COMING EVENTS LEO KRAFT MEET THE COMPOSER 8:15 P.M. Tuesday, October 25 Casadesus Recital Hall MEET THE COMPOSER Tuesday, November 8 ROGER REYNOLDS 8:15 P.M. kkkkkkkk d y � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:53 33:53 44:09 47:45 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333678">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333678</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guarneri Quartet, Concert, October 13, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 10-13 Description An account of the resource Works of Schubert and Brahms. Held at 8:15 pm, October 13, 1977, Watters Theater. Creator An entity primarily responsible for making the resource Guarneri Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-10-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound