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                    <text>BINGHAMTON
U N I V E R S I T Y
STATE  U N I V E R S I T Y  OF  N E W   Y O R K

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D E P A R T M E N T

M U  P H I  E P S I L O N

FALL SEMESTER RECITAL

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(m  J

Sunday, N ovember 9, 2014

2:00 p.m.

Casadesus Recital Hall

�80  PROGRA M  c s
Variations on a Theme by Rossini . 
F  FTG
IAEEL
from the opera, La Cene’rentola for ﬂute and piano 
A
Theme
I.  Con anima
II.  Piu lento
III.  Vivo
IV.  Con brio

Jessica Biagiotti, ﬂute
Natasha Talukdar, piano

An die Musik 

Franz S N
A  (179 A
 ’ '
Deanna Feuerbach, soprano 
i
Danielle Stoner, piano

Sonata for Bassoon and Piano, Op, 168................Camille Saint­S .

Laura Earls, bassoon
Karen Fu, piano

(1835­192

Revolutiona ry Etude, Op. 10, No. 12 ..

..............Frédéric0
(1810­18 k
Natasha Talukdar, piano

Quatour pour saxophones........................Faustin &amp; Maurice Jean
I.  Gaiete Villageoise 
(1897­1 9
II.  Doux Paysage
III.  Papillons

Nicholas Follett, soprano saxophone
Stephi Verha ge, alto saxophone
Danielle Stoner, tenor saxophone
Andrew Pﬁeﬀer, baritone saxophone

�i  fraternity s6rtcd on
in
2Collcge of Music” 
. Sterling  and  Elizabeth
 eh V’ﬁ’lmnity is  to  recognize

ﬀ? develop a bond among is
nce  musi c in  the community,

t h e  promotion of musicianship,
tion, with an emphasis on service
rt ;   ­ , '

‘ ­ you all for coming  to  our  event  today.
all free event, we would ask tha t if you like our
 ­. . ease donate to our fra ternity. Your donations
‘more proliﬁc throughou t the community.

etion go to facebook.com/muphibing

�Binghamton Universi ty M usi c De part m en t’s
Comin g Ev  en ts
n

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Sunday, November 9  ­  Composers Concert : Hugunine and Silrora ­  4:00 p.m.  ­  Phelps
Mansion  Museum ­ $10  general  public;  free  for BU  students with  lD.  For reservations call  the
Phelps Mansion at (60 7) 7 2 2 4 8 7 3 .

l 
4 

Thursday, November 1 3 ­Mid­Da y Co n ce r t  1 : 20 p.m. – Casadems Recital Hall ­ free

Saturday, November 1 5 – U niversity Chorus: Haydn’s Mass i n  Time  o f  War ­  7:30 p.m.
~ Osterhout Concert Theater ­ $7 general public; $5 faculty/staﬀ/senims/alumni; free for students

Sunday, November 16  ­  Senior Reci t a l: Alexio Chang, vio lin ­  3 :00 p.m.  ­  Casadesus
Recital Hall – free

Monday, November 1 7  – Momenta Quarte t Master Class ­ 8:15 ­  10:00 p.m. ­ Casadem

Recital Hall

Tuesday, November 18 ­ Momenta Qua­ten­ Music Now! ­­ 7:30 p.m. ­ Camdesus Recital
Hall ­ $10 general pubic; $5 faculty/staﬀ/seniors/alumni; free for students
Thursday, November 20 ­ Jazz Mid Day Concert with jeﬁStockbam, mumpet and Mike
Dubaniewicz, saxophone ~ 1:20 p.m. ­ Osterhout Concert Theater ­ free
Thursday, November 2 0  – Harpur Jazz Ensemble Concert wi tb gueet artist ­  7:30 p.m. –
Osterhout Concert Theater ­ $ 7 general public; $5 faculty/staﬀ/seniors; free for students
Sunday, November 2 3  ­  Universi ty Wind Symphony: I n M
  emory and I n  Tribute ­ An
Homage  in  Music  –  3:00  p.m.  –  Anderson  Center  Chamber  Hall  ­  $ 7  general  public;  $5
faculry/staﬀ/seniors/alumni; free for students
Tuesday, December 2  ­  Per cussion Ensemble Concert ­  7:30  p.m.  ­  Osterhout Concert

Theater ­ $ 7 general public;  $5 faculty/staﬀ/seniors/alumni; free for students

ﬂ é w w b ﬂ é M d b ­ a é l b ­ G M M M M M Q ­

— 

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For  tickets or  to be  added  to our  email  list, uuit anderwnibinghamtonedu or
call  (607) 7 7 7­ARTS  For a complete  list  of our  concern  call  (607) 7 7 7­
2 592, visit music.binghamton.edu or  become a fan on  Facebook.
If  you were  inspired  by  this performance, consider supporting the Department
of Music with a ﬁnancxal  gift . Your  support  helps  to  continue  the work of
students, faculty, and guest artists and their contributions to our community.
Please  make  your  donation  payable  to  the  Bmghamton  University  Music
Department,  and  send  your  check  to  BU  Music  Department,  P.O.  Box
6000, Bmghamton, NY 13 902 .

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                    <text>BINGHAMTON
U N I V E R S I T Y
STATE  UNIVERSITY  O F 

NEW YORK

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0

D E P A R T M E N T

HOLIDAY CONCERT
Festive M usic fo r Orga n, Brass
a nd Percussion
J onathan Biggers, orga n
Th e  I thaca Brass
J ulie Licata, percussion

Saturday, December 1, 2012

4:00 pm

United Presbyterian Church
Bing/ram ton, N ew  Y ork

�PROGRAM
Craig Phillips

Toccata on Antioch 

(b.1961)

Four pieces for Adve nt and Christmas
arr. Richard Price
Rejoice and be Merry 
Ralph Vaughan­Williams
Greensleeves 
Johannes Brahms
oming 
o
Lo, how a Rose ere bl
].S. Bach
Sleepers wake, a mice is calling 
(Wachet auf, fuft uns die Srimme)

Fantasy and Fugue on the Choral 
Wachet auf, ruft uns die Stimme, op.52,nr. 7 

Max Reger
(18734916)

81) 1NTERMISSION «3

David Conte

Christmas Intrada 

(1L 1955)

Two Pieces for Christmas
Once in  Royal Dar­id’s City 
Silent Night  (from Die Natali, op.37) 

Suite for Organ, Brass and Percussion  (2001) 

Prelude
Cantilene
Toccata
Hymn:  O Come All Ye Faithful 

arr. Richard Price
Samuel Barber

Craig Phillips

(b.1961)

Adeste Fideles, arr. R. Webster

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ANTIOCH 

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failh  ­  ﬁll. 
greet  Thee.  Born this  hap­p)’  mom ~ ing , ’
an  ­  gels.  Sing  in  e !  ­  ul  ­  l l   ­  tion!

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the  curse  is 
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�ABOUT T H E  PERFORMERS
J o n a t h a n B igge rs,  hailed  as  “one  of  the  most  outstanding  concert
organists  in  the United States,”  maintains  an active  career  as both  a
professor of organ and harpsichord, and as a concert organist of the ﬁrst
order.  He holds the  prestigious Edwin  Link  Endowed  Professorship in
Organ  a nd  Harpsichord  at  Binghamton  U niversity/State  University  of
New York, and has presented hundreds o f concerts i n  concert hall, church
and  university  settings  throughout  the  United  States,  Canada,  and
Europe,  including solo and  concerto  performances  for several  regional
and national conventions of the American Guild of Organism.  He has
appeared  as  a  featured  soloist  with  orchestras  in   the  United  States,
Canada, and Europe, including performances with the Atlanta Symphony
Orchestra, the Minnesota Orchestra Chamber Ensemble, and the Calgary
Philharmonic  Orchestra,  and  has  been  featured  frequently  on  NPR
(“Pipedreams”),  the  Canadian  Broadcast  Corporation  (CBC),  and  on
Radio and Television Suisse Romande broadcasts in Geneva, Switzerland.
Scott  Cantrell, classical critic  o f The  Dallas  Morning  News,  stated  tha t
Biggers’  performances  demonstrate  “authority  and  eloquence",  and
further stated “were there more performers like this, the organ would be
far less a minority interest".

Dr.  Biggers  studied  with  Russell  Saunders (Eastman  School  of  Music,
DMA);  Lionel  Rogg  (Conservatory  of  Music,  Geneva,  Switzerland;
Fulbright study);  ]. Warren Hutton (The University of Alabama, MM and
BMus);  and with Wallace Zimmerman (Atlanta, pre­college);  he has also
worked  extensively  with  Harold  Vogel  (Bremen,  Germany),  and  with

A champion of new music for the organ, he has premiered other works by

notable  20th  and  21st  century  composers,  including Richard  Proulx
(Chicago: Concerto  for Organ and  Orchestra),  Craig Phillips (Los Angeles:
Suite for Organ, Brass and  Percussion), Persis Vehar (B uﬀalo :  Smmdpiece  for

Organ),  and David  Brackett (Montreal: Nightworlu  for Organ solo), and

others.

Established in 1966, Th e  I t ha ca B rass is one of the oldest existing brass
quintets in America.  The members of the group are all on the faculty of

Ithaca  College’s  renowned  Whalen  Center  for  Music.  The  group  is
conversant  in  every style  from  early  music  to  jazz,  and  performs for  a
variety of local, regional and national events.  The members of the Ithaca
Brass  are  Frank  Campos  and  Kim Dunnick  (crumpet),  Alex  Shuhan
(horn),  Harold  Reynolds  (trombone),  and  Aaron  Tindall  (tuba);
substituting for Alex Shuhan today is Kelly Tindall on horn.

J u lie  L i ca ta   has  been  teaching  percussion  lessons  and  percussion
ensemble at Binghamton University since Fall  2013.  Julie also serves a.
Assistant Professor of Music at State University of New York, College at
Oneonta. At Oneonta, Julie teaches ensembles  and private lessons  that
span a wide range of percussion instruments and styles, and  teaches  a
seminar  course  Music  Cultures  o f  the  World.  Julie  has  received
performance degrees  in  percussion  from  the  University of North  Texas
(D.M.A.), University o f South Carolina (M.M.) and  Capital University
(B.M.).

Arthur Poister (former  Professor o f  Organ  a t Syracuse University).  A

prizewinner of dozens of competitions, he was awarded a unanimous ﬁrst

prize  in  the  1985  Geneva  International  Competition,  one of the  most

prestigious music competitions for organ in the world;  second prize in the
1982 American Guild of Organists National Organ  Playing Competition
(at National Presbyterian Church in Washington D.C.);  and a unanimous
ﬁrst  prize  in  the  1990  Calgary  International  Organ  Festival  Concerto
Competition,  where  he  presented,  with  the  Calgary  Philharmonic
Orchestra, the world premier performance of Snousvalker:  A Concerto  for

Organ and Orchestra by Pulitzer prize­win ning composer Michael Colgrass.

w w w
This  concert  marks  the  2 0”  anniversary  of  D r. Jonathan  Biggers
appointment  as  Link  Professor  of   Organ,  Endowed  Chair,  at
Binghamton University.

1

�Bingham ton University Music Department’s

U P C O M I N G  E VENTS
Tuesday, December 4 – Percussion Ensemble Concert – 8:00 p.m. –
Anderson Center Chamber Hall – $6 general public; $3 faculty/staﬀ/seniors;
free for students
Thursday, December 6 – Holiday Mid­Day Concert – 1:20 p. m. – Casadesus
Recital Hall – free

Saturday, December 8 – University Symphony Orchestra – 3:00 p.m. –
Osterhout Concert Theater– $6 general public; $3 faculty/staﬀ/seniors; free for
students
Saturday, December  8 – Master ’s Recital : Meghan Cakalli, soprano – 8:00
p.m. – Casadesus Recital Hall ­­ free
Sunday, December 9 – Hansel and Gretel – 1:00 p.m. – Anderson Center
Chamber Hall – $9 general public; $6 faculty/staﬀ/seniors; $3 students

Sunday, December 9 – Hansel and Gretel – 4:00 p.m. – Anderson Center
Chamber Hall – $9 general public; $6 faculty/staﬀ/seniors; $3 students
Sunday, December 9 – Senior Recital : Sungkyun Ryu, piano – 7:30 p.m. –
Casadesus Recital Hall – Free

Thursday, December 13 – Harpur Chorale and Women ’s Chorus – 8:00
p.m. – Trinity Memorial Church, Binghamton – a good will donation will be
collected at the door

Friday, December 14 ­­ Nukporfe African Drumming and Dance Ensemble
– 7 :00 p.m. – Watter ’s Theater– $ 3 general public

Friday, December 14 – Singing Chinese Class Recital – 7:00 p.m. –
Casadesus Recital Hall ­­ Free
Saturday, December 15 – “The History and Technique of Music in Video
Games " with senior Matthew Gukowsky – 8:00 p.m. – Casadesus Recital
Hall – free
Sunday, December 16 – Master ’s Recital : Robert Hee­Pyoung Oh, baritone
– 7 :30 p.m. – Casadesus Recital Hall – free
x 

E 

E 

­

— 

E

For tickets or to be added to our email list, visit anderson.binghamton.edu or call
  ) 777­ARTS.  For  a complete  list of  our  concerts  call  (607) 777­2592, visit
(607

music.binghamton.edu or become a f a n  on Facebook.

If you were inspired by this performance, consider su pporting the Department of
Music with a ﬁnancial g ift . Your su pport helps to continue the work of students,
faculty, and guest artists and their contributions to our community. Please make
your donation payable to the Binghamton University Music Department, and send
your check to BU  Music Department, P.O. Box 6000, Binghamton, NY 13902.

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                    <text>BINGHAM TON
U  N  I  V  E  R  S  I  T  Y
STATE  U N I V ER S I T Y   O F   NEW  Y O R K

D

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_

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—

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HOLIDAYM
  ID­DA Y
C ON C ER T

Th ursday, Decem ber 11, 2014

1:20 p.m.

Casadesus Recit al Hall

T

�PROGRAM
Adolphe Adam

O Holy Night ..

(1803­1856)

Jenny Gac, soprano
Michael Lewis, piano

Ludwig Van Beethoven
Violin Concerto in D, Op. 61.. 
(17 70­182 7)
3. Rondo (Allegro) 
Eleanor Krasner, violin
1 
Margaret Reitz, piano
d  1 0 0  

The Twelve Days of Christmas (1780) 
0

2 ­ 0 ,  0

Traditional English Carol

T  he Voice Studio of Tom Goodheart

Flute Quartet
Rudolph The Red­Nosed Reindeer“ 

d !  7  . S  

] 

...Johnny Marks

(1909­1985)

Jessica Biagiotti, ﬂute

Eleni Florakis, ﬂue
Michelle Li, ﬂute
Jacqueline Robins, ﬂute

Trombone Choir
Traditional Carols
Deck the Halls ~ O Christmas Tree ~ The First Noel
3  9  1 2 4 0  

( 
 
{ 5 L1 
S 

Christopher Beard, trombone

Jacob Strohm, trombone
Patrick Jones, trombone
Bradley Marquardt, trombone
Mike Sugarman, euphonium

q ua f

from Messiah. 
“Comfort Ye My People” 
“Ev’ry Valley Shall Be Exalted ”

“4613

.. Georg Frideric Handel
(1685­1759)

Jordan Schreiner, tenor
Michael Lewis, piano

What Child Is  This

Arr. By James Christensen
o

.Evan Flury
(b. 1992)
ake Stamatis, baritone; Cole Tornberg, tenor
John lsenberg, piano
Stephen Stalker, cello

This Day, Will Be.

.Ernst Victor Wolﬀ
(1886­1961)
g / g  , ’  1 ­ [ 9  
Georg Frideric Handel
from Messiah. 
(1685­1759)
Rejoice Greatly, O Daughter of Jerusalem 
S  7 1  5 
l  3 

Sleigh Ride ..

m‘ma

Meroé Adeeb, soprano
Michael Lewis, piano

Leroy Anderson

(1908­1975)

Margaret Reitz and  , iris Bartlette, piano duet

�Binghamton U niversity  Depa rtment of Music
Coming Events
e webe me a ebe a ebe meb a e mebeb

Thursday, December 11 – Har pur Ch orale  a nd  Women ’s Ch orus  H o liday C on cer t – 7:3 0
p.m. – Trinity Memorial Church, Binghamton – a free donation will be collected at the door
Frida y, Dece mber 12 – Chinese Singing  Class Rec i tal ­  7:30 p.m. – Casadesus Recital Hall –

free

Saturda y, Dece mber 1 3 – Italian Diction Class Re c i tal ­  7:30 p.m. ­  Casadesus Recital Hall
~ free

Saturday, january 31 ­ Musica Nova: A tribute concert i n  mem ory o f P
  au l R .  Golds taub
~ 7:30 p.m, – Anderson Center Chamber Hall ­~  TBA
Friday, February 6 ­  Tri­Ci ties Opera presents Rossini’s The  I talia n  G ir l i n A
  lgiers ­  8:00
p.m. ­  The Forum Theater ­  c all (607) 772­0400 for tickets

Saturday, February 7 ­  Guest Artist: Pianist Gleb Ivanov ­  7:30 p.m. ­  Anderson Center
Chamber Hall ­  TBA
Sunday, February 8 ­  Tri­Ci t ies Opera presents Rossini’s The  Italia n G ir l i n  A lgiers – 8:00
p.m. ­  The Forum Theater ­  call (607) 772­0400 for ticke ts
Sunday, Februa ry 15  ­  Jonathan Biggers Lecture/R ecital Baroq ue Organ Pe rforma nce
P ractice  Concert  ­  4500  p.m.  ­  Fine  Arts  Room  21  ­  $7  general  public;  $5
faculty/staﬀ/seniors/A’lumn i; free for students

Th ursday, February 26– Mid­Day Concert – 1 :20 ­  p.m. ­  Casadesus Recital Hall ­ free
Sunday, Ma rch 1 ­  Piano &amp; Cello Masterworks with Stephen Zank and Stephen Stalker
­  3:00  p.m.  ­  Anderson  Center  Chamber  Hall  ­  $10  faculty/smﬀ/seniors/alumn i;  $5

forstudents

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» 

. 
— 

For  tickets  or  to  be  added  to  our  email  list,  visit
anderson.binghamton.edu or call (607) 777­ARTS. For a comple te
list ofour concerts call (607) 77 7­2592, visit musictbmghnmtonredu

or become a fan on Faceboolc.

[ = ] E  

If you  were  inspired  by  this performance, consider supporting the
Department of Music with a ﬁ nancial gift. Your support helps to
continue the work of  students, faculty, and guest artists and their
contributions  to  our  community.  Please  make  your  donation
payable to the Binghamton University  Music Department, and
send  your  check  to  B U  Music  Department,  P.O.  Box  6000,
Binghamton, NY  13902.

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                    <text>INGHAMTON
B
U N I V E R S I T Y
S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K

rede

D E P A R T M E N T

T H E  N U K P O R F E
A F R I C A N  D A N C E ­
D R U M MIN G  E N S E M B L E

WARAARAARIAA

RNAAAAAAAAAA
F riday, D ecember  14, 2012
7:00 p. m.
W a tter ’s  T hea ter

�PROGRAM
Tonight’s program presents a meeting between several folkloric dances from West Africa

Entrance of Shango (Cuba). Shango was a former Yoruba king, who became a
deiﬁed ancestor associated with lightening and divine punishment. He is also a
powerful warrior, and wields a thunder axe.

and the Caribbean, focusing on the similarities in their musical languages and oral
traditions, while also celebrating their unique local expressions. This evening we will be
focusing on traditional dance­drumming styles from Ghana and Cuba. Ghana is a country
of immense cultural diversity, with over 10 major ethnic groups, each with their own
unique music and dance forms. During the Trans­Atlantic slave trade, many of these
forms were brought to Cuba, where they developed into their own distinct traditions. In
particular, Afro­Cuban culture was heavily inﬂuenced by the cultural heritage of the Ewe­

VI. Solo dance ﬂights from the dance Agbekor (Ghana). The following ten solo dance

important cultural retentions in Cuba is the Yoruba pantheon of deities, known as Orisha.
and the set of three bata drums used to call them to dance. which we will be featuring

VII. Entrance ot Oya (Cuba). Oya is the goddess who guards the underworld, and is

Fon people of Ghana and the Yoruba people of Benin and Nigeria. One of the most
tonight.

A performance of African traditional music is a multimedia event that includes singing,
dancing, drumming, fashion design, and other forms of cultural expression. To simulate
that experience  in an  academic setting has required the generous support of the
Departments of Africana Studies. Music, and Theatre Dance. and represents collective
work between the four classes: the Beginning and Advanced sections of African Dance
(THEA 289J/389J;AFST 289J/389J) and the African Music Ensemble (MUS 143B/MUSP
257;AFST 188B). These courses are oﬀered each semester through the Departments of
Africana Studies, Music, and Theatre Dance.
I. 

Entrance of Eleggua (Cuba). In Yoruba mythology, Eleggua is the deity of the
crossroads, who opens the channels of communication between human beings
and the other gods. He is normally saluted at the beginning of every performance
to ask for his blessings. Eleggua is often depicted as an old man who likes to play
tricks on people– he can appear feeble and then surprise everyone by suddenly
exhibiting the strength of a young man.

Il.  Sohoun (Ghana). Following the theme of invocation, we present the dance
Sohoun, an Ewe­Eon dance originally used to open ceremonies of the Yeve
shrine. which also contains a pantheon of deities that are related to those of the
neighboring  Yoruba, whose own  pantheon  inspired  the  Afro­Cuban  version
presented above!
III.  Entrance of Ogun (Cuba). Ogun is the deity of war, who is known for his rough
countenance. and lack of social graces. In the new world, he is often depicted as
a wild man from the bush, who is a ﬁerce warrior and defender of the weak.
IV.  Processional from the dance Agbekor (Ghana). Agbekor is a war dance of the
Ewe people of Ghana. The opening song calls the warriors to battle against the
European colonial powers. The second song memorializes the great warrior
Kundo who led warriors into battle and has been killed. The movements of the
dancers imitate moments of the battle, and follow the drum language of the lead
drum, atsimevu.

movements come from the climax of the Ewe Agbekor war dance introduced
above. Each sequence is introduced by the lead drum, and is completed with a
turning movement.
also known as a warrior– she once grew a beard so that she could light with the
men. She is also associated with tomadoes, earthquakes and other dangerous

natural phenomena. In Nigeria she is the goddess of the river Niger, one of the
most important rivers in West Africa.

VIII. Togo  Atsid  (Togo,  Ghana). This  dance  piece  is  made  up  of  a  series  of
choreographed dance sequences known as atsia. These sequences are cued by
drum language phrases [vugbe] played by the lead drummer on atsimevu ­ the
tall drum leaning on the stand ­ which are answered by the response drum kidi ­
the medium­sized drum. In the 19605, expert choreographers and drummers in
the Ghana Dance Ensemble arranged this series of atisa movements into a
performance piece, which they dubbed Togo Atsié. in recognition of their origin
within Ewe groups in Togo.
w  INTERMISSION c3

IX. Entrance of Oshun (Cuba). Oshun is the goddess of sensuality and beauty, which

is tempered by an inner sadness due to the lack of love and caring in the world.
She is revered as a divine mother. and also as the queen of the marketplace. In
Nigeria, she is associated with the river Oshun, and is an important water spirit,

Kpatsa (Ghana). This dance comes from a neighboring group of the Ewe, known
as the Ga­Adangbe. They share many linguistic and cultural aﬀinities with the
Ewe. and these two groups have historically interacted with each other. The
characteristic movement of Kpatsa is a limping gait that imitates the movements
of dwarfs. a magical race of beings which inhabit rural areas in Ghana. These
movements were embellished with dance combinations and eventually became a
social and recreational dance known as Kpatsa, whose name is an onomatopoeic
reference to the movement of dwarfs.

Xl. Entrance of Yemaya (Cuba). Yemaya is the divine mother, who gave birth to
many of the Orisha and also humanity; she is also the goddess of the ocean.
Yemaya is the protector of all human beings, who are all her children.

�XII.  Gahu (Ghana). Gahu is a neo­traditional dance that has been adopted and
adapted by the Ewe people of Ghana. It is an oﬀshoot of the Gome dance, a Pan­
Atlantic African dance form that emerged in the 19th century from the synthesis of
European hymns and marches with West African musical sensibilities. The name
Gahu  suggests  an  airplane,  and  represents  local  experiences  with  new
technology and culture. The songs are often humorous and fun, suggesting
themes of courtship and celebration.
XIII.  Kinka (Ghana). Kinka is a relatively modem style of Ewe funeral music that
became popular in the 1950s. It features a distinctive body of songs and drum
language phrases that juxtapose images and themes from traditional Ewe culture
with modern life. The choreography uses only one basic movement so tonight we
would like to invite members of the audience to come up and join in the dancing!

If y ou like the music please follow our Facebook page (Nukporfe African Dance­
Drumming Ensemble) for upcoming performances.
We are also an SA Chartered group, and welcome students and faculty to join our group
at:  http://paws.binghamton.edu/organization/Nukporfe. All of the music and dance that
you see today is performed by students at Binghamton University who are taking a
course in the Departments of Music, Africana Studies, and/or Theatre Dance. If you are
interested in Ieaming the dancing please register for the Beginning (THEA 289J / AFST
289J) or Advanced (THEA389J / AFST389J) sections of African Dance. If you are
interested in drumming and singing, register for the African Music Ensemble (MUS 143B
/ AFST 188B).

Bing hamton U niversit y M usic Depart ment ’s
Coming Events
m

m

m

m

m

e

s

b

Saturday, Decem ber 15 – “The His tory and Tech nique of  Music i n
Video Games ” w ith se n io r Matthew Guk owsky– 8:00 p.m. –
Casadesus Recital Hall – free

Sunday, Decem ber 16 – Master ’s Recital : Robert Hee­P young Oh,
baritone – 7:30 p.m. – Casadesus Recital Hall – free

m a s h ­ m a m m a r y
E 

O

For  tickets  or  to  be  added  to  our  email  list,  visit
anderson.binghamton.edu or call (607) 777­ARTS. For a com plete list of

­

=  [ m E ]  

f

 

our concerts call (60 7 ) 777­2 592, v isit music.binghamto n.edu or become

a f an on Facebook.
If  you  were  inspired  by  this  performance,  consider  supporting  the
Department of Music with a ﬁnancial gif t. Your support helps to continue
the work of  students, facult y, and guest artists and their contribution s to
our communit y. Please make your donat ion payable t o the Binghamton
University  Music  Department,  and  send  your  check  to  BU  Music
Department, P.O. Box 6000, Binghamton, NY 13902.

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                    <text>BINGHAMTON
UNIVE RSITY
STATE UNIVERSITY OF NEW YORK

UNIVERSITY PERCU SSION
ENSEMBLE CONC ERT
Joel Smales, Directo r

Tuesday, December 2, 2014

7:30 PM
Anderson Center Concert Theater

�&amp;e

PROGRAM

The General ..........................................................................Joel Smales

(b. 1967)
Sharpened Stick ······························,····························· .. ••• ..... Brad Dietz

(b. 1972)
Slap Happy ............................................................................Joel Smales

(1967)
O' Sacred Head ............................ ............... ............................. J.S. Bach

(1685-1750)
Marianne ...............................................................................Traditional

Three Little Birds ................. :............................................... Bob Marley

(1945-1981)
One Love ..................................................... . ........................ Bob Marley

(1945-1981)
Extremes ......................................................................... David Mancini

(b. 1952)
Galloping Comedians ........................................................... Kabalevsky

(1904-1987)

The Binghamton University Percussion Ensemble
Emily Goetz
Bobby Hopkins
David Indictor
Alex Rava

Alex Strong
Carly VanOpdorp
Nick Cioffi
Kasha Pazdar

�ABOUT THE DIRECTOR
Joel Smales is Adjunct Professor of Percussion at Binghamton
University and Director of Bands at Binghamton High School's Rod
Serling School of Fine Arts, in Binghamton, NY. He holds music
degrees from the Crane School of Music (BM) and Binghamton
University (MM).
His school ensembles have performed for Bands of America in
Indianapolis, New York State School Music Association Winter
Con(erence, New York State Band Directors Association Winter
Conference, Music Educators National Conference National
Conference in Minneapolis, Percussive Arts Society International
Co9vention in Nashville, First Night Virginia, First Night International, '
the World Physics Conference an, numerous Steel Drum Festivals and a
concert tour throughout Oklahoma.
I

As a performer, Mr. Smales performs as Principal Percussionist with
the Tri-Cities Opera Orchestra, with the Binghamton Philharmonic
Orchestra, eNeRJee Jazz Trio and Caribbean steel band PANIGMA.
He has performed on over thirty professional CD recordings and runs
an annual Summer Percussion Camp in Binghamton for area school
students. His published works include solos, ensembles, books and
method books published by Kendor, HoneyRock, Drop6, House
Panther Press and Phantom Music Publishing.
Mr. Smales has presented clinics for MENC, NYSSMA, NYSBDA and
the NJMEA and his articles on music and percussion have appeared in
Percussive Notes, School Band and Orchestra, School Music News,
The Instrumentalist, Vermont Music Educator and Band World
magazmes.
Smales served as the Percussion Chair for the New York State School
Music Association from 2004-2011 and V.P. for the NYS Percussive
Arts Society from 2005-2010.
Joel and his wife Athena live in
Kirkwood, NY with their four children.

�Binghamto n University Departmen t of Music
Coming Events

Thursday, Decemher4 -Mid-Day Concert-.1:20 p.m. - Fine Arts Building, Room 21 - free
Friday, Decemher 5 - Flute Studio and Flute Chamber Concert- 10:45 a.m. - Casadesus Recital
Hall- free

Friday, December 5 - Holiday Organ Concert featuring Jonathan Biggers - 7:30 p.m. - United
Presbyterian Church, 42 Cheango Street, Binghamton • $5 general public; free for students
Saturday, December 6 - Italian Diction Class Recital- 7:30 p.m. - Casadesus Recital Hall - free
Sunday, Decemher 7 - First Act of Verdi's ''Falstaff"- 1 p.m &amp; 4 p.m. -Anderson Center Chamber
HaU - $10 general public; $ 7 faculty/ staff/ seniors/alumni; $5 for students
Tuesday, December 9-Piano Ensemble Concert- 7:30 p.m. - Casadesus Recital Hall -free
Wednesday, December 10 - Nukporfe African Drumming and Dance Ensemhle - 7:30 p.m. Watters Theater - $5 general admission at the door
Thursday, December 11-HolidayMid-D ay Concert- 1:20 p.m. - Casadesus Recital Hall - free

Thursday, December 11 - Harpur Chorale and Women's Chorus Holiday Concert - 7:30 p.m.
- Trinity Memorial Church, Binghamton - a free donation will be collected at the door

Friday, December 12 - Chinese Singing Class Recital- 7:30 p.m. - Casadesus Recital Hall- free
Saturday, January 31 - MusicaNova: A tribute concert in memory of Paul R. Goldstaub 7:30 p.m. - Anderson Center Chamber Hall - TBA
Friday, February 6- Tri-Cities Opera presents Rossini's The Italian Girl in Algiers - 8:00 p.m.
- The Forum Theater - call (607)772-0400 for tickets

For tickets or to be added to our email list, visit anderson.binghamton.edu
or call (607) 777-ARTS. For a complete list of our concerts call (607)
777-2592, visit music.binghamton.edu or become a fan on Facebook.
If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to continue
the work of students, faculty), and guest artists and their contributions to
our community. Please make your donation payable to the Binghamton
University Music Department, and send your check to BU Music
Department, P.O. Box 6000, Binghamton, NY 13902.

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