7 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150501">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150501</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An afternoon with Debussy : a senior honors recital, April 25, 2009 Recital Tape 2009-4-25 Description An account of the resource Works of Debussy. Held at 3:00 p.m., April 25 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mallinson, Chai-Kyou Reitz, Margaret Sterling, Elizabeth Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/41acb8c0d7b5b550d9b6b2cf862c1c61.pdf aefbd744ccc894766950e1dc61438d76 PDF Text Text BINGHAMTON U N I V E R S I T Y State University  of  N ew York ONIV AeC a  q...‘ a  O N e d e 0 1 “i“ W   D E P A R T M E 1 = \ 2 N T “AN AMERICAN TOUR” steC  C o l – ~~ The —e  ­ — ­ — ­ – — — m o  o Wind “Snsemble a e   D Jessica Williamson Associate Conductor Robert Smith Music Dire ctor and Conductor featuring Emily Alkiewicz, alto saxophone Amy Natiela, alto saxophone Sunday, November 12, 2006 3 :00 p.m. Anderson Center Chamber Hall �PROGRAM 4 Jessica Willia mson, associat e conductor Black Granite (1996)  James Hosay (b.1959) Chester (1957)  W1ll1am Schuman (1910­1992) Yosemite Autumn (2004) ............ ......cc............M .....  ark Camphouse (b. 1954) Tribute to Rudy W iedoeft (1893­1940) ............arr.Gunther Schuller I. Valse Erica (1917)  (b.1925) II. Saxarella (1923) III. Saxophobia ( 1920) Emily Alkiewicz, alto saxophone Amy Natiela, alto saxophone = INTERMISS ION Robert Smith, conductor Rocky Point Holiday (1969)....................ccceeuveen.........RONn Nelson (b. 1929) Zion (L998)  ADA  Welcher  » (b.1948) The Stars and Stripes Forever! (18 97) .................Jo hn Philip Sousa (1854­1932) �FLUTE Sarah Harper Julie Liao Sara Shafer Jennifer Weintraub* PICCOL O ALTO SAXOPHONE Emily Alkiewicz .  Amy Natiela* Katherine Navarette TENOR SAXOPHONE Melissa Voldan Steven Inganamort OBOE BARITONE SAXOPHONE Ephraim Atkinson CLARINET Marissa Roe Lisa Carpinone Kyle Doyle Christa Heschke Melissa Klepper Andrei Lee Mark Norman Richard Silvagni Dong Soon Shin Jillian Stark Maggie Venti Daniel Zaccarini* TRUMPE T BASS CL ARINET TROMBONE Heather O’Gara CONTRABASS CLARIN ET Lisa Eppich+ Thomas Osa+ Sinan Pan+ Andrew Sanfratello+ EUPHONIUM Matt Sanders TUBA  : Daniel Brisk@ Katherine Winchell* PIANO Karmi Knight­Winnig TIMPAN I Caleb DeGroote PERCUSSION Chris Jacobson* Jana Kucera Subin Lim Kelly Tufo F HORN Megan Caruso+ Robert Muller+ Mateusz Rek William Stallsmith+ Harris Brenner* Chris Chen Richard Mokan Kristen Weiss fi * Principal + Co­Principals @ Graduate Conductor ABOUT THE  MUSIC Black Granite b y James L. Hosay Black Granite wa s inspired by the honor and courage displayed by the men and women o f the U.S. Armed Forces during the Vietnam War.  Many of them gave their lives to prot ect our c ountry w ithout re gard to political o r cultural agendas . This march was dedicated to all those that gave their lives and whose sacrifices and heroic deeds went unsung. ­ James  L.  Hosay  was born  in  Nashville, Tennessee and  was raised  in  Norfolk, Virginia.  After high school, Hosay joined the United  States Army as a trumpet �player.  He eventually landed a job as a Staff Arranger for th e U.S. Army.  He was  called  upon  to  write  arrangements  for  many  famous  artists,  foreign dignitaries and the President of the  United  States. During  his  military career, Hosay received two Meritorious Service Medals and two Army Commendation Medals. Chester by William Schuman l l Chester  was originally the  third  movement of an orchestral  work  called  New England Tritych: Three Pieces after William Billings.  Schuman based this work on William Billings because he was a prominent figure in American music and served as a teacher, conductor, composer, publisher and promoter of music.  The tune from Chester was composed by Billings and included in a book of tunes and anthems called The Singing Master ’s Assistant around the time of the American Revolution.  Chester  was  so  popular  that  it  became  known  throughout  the colonies and was sung around the campfires of the Continental Army.  The words to this popular tune capture the spirit of courage and freedom. Let tyrants shake their iron rod, And Slav’ry clank her galling chains We fear them note, We trust in God New England’s God forever reigns The Foe comes on with haughty strides Our troops advance with martial noise, Their Vet’rans flee, before our Youths, And Gen’rals yield to beardless Boys. What grateful Off’ring shall we bring? What shall we render to this Lord? Loud Hallelujah let’ us sing, And praise His Name on Ev’ry Chord. Yosemite Autumn by Mark Camphouse Mark Camphouse wrote Yosemite Autumn after being inspired by the beauty and grandeur of Yosemite National Park while on vacation with  his family. In the published score, Camphouse writes: “How could any human not be profoundly moved by such stunning beauty?  How could any American not take immense pride in our nation being so richly blessed with such an abundance of natural beauty?” Camphouse portrays these feelings in his music, hoping that his audience with be able to see the “glow of life” that he saw in Yosemite. 1 h Mark  Camphouse,  born  in  Oak  Park  Illinois,  began  composing at  the  age  of seventeen.  Since then, he has published fifteen works for band that are frequently performed all over the world.  Camphouse is currently Professor of Music and Director of Bands at Racliff University in Virginia. �Tribute to Rudy Wiedoeft, arranged by Gunther Schuller Tribute to  Rudy  Wiedoeft, arranged by Gunther  Schuller, was inspired  by the virtuostic  compositions  of  Rudy  Wiedoeft.  The  movements,  “Valse  Erica,” “Saxarella,”  and  “Saxophobia”  are  all  original  compositions by Weidoeft  that Schuller has arranged for concert band. Rudy  Wiedoeft  was  born in  Detroit,  Michigan  and  began  playing  violin  and clarinet at a very young age. He switched to the saxophone soon after moving to New York City; at  that time, the saxophone  was still  very new.  He quickly became known as a virtuoso saxophone player and popularized the saxophone in the United States. He also introduced the C­melody saxophone to mass audiences and later recorded on the B­flat soprano saxophone as well. Rocky Point H o l i d a y  Ron Nelson Born in Joliet, Illinois, Ron Nelson began studying piano at age 6 and changed to organ at age  12. A concerto  for piano and band  written at age  17 led to  his acceptance at the Eastman School of Music. His composition teachers include Howard Hanson, Bernard Rogers and Tony Aubin. In 1956, he joined the Brown University music faculty, serving as chairman from 1963 to 1973 and upon his retirement in 1993 was named professor emeritus. Nelson’s diverse forms and styles make his works difficult to categorize. His music can be light, exuberant and  extroverted  or  somber,  profound  and  personal.  Nelson’s  prolific  output includes two operas, a mass, a cantata, an oratorio, television and film music, 90 choral  works, and over 40 instrumental works, half of which were written for wind band. Rocky Point Holiday was commissioned in 1969 and was Nelson’s first major composition  for  wind  band.  Conductor  Frank  Bencriscutto  wanted  an “Americana” work to open his University of Minnesota Concert Band’s tour of Russia. The transparent orchestration was a result of Nelson hearing the Eastman Wind Ensemble under Fennell and has been said to mark a change in the general philosophy of wind band scoring. The piece was written during a vacation at the Rocky Point, Rhode Island seaside resort. Zion by Dan Welcher Born in Rochester, N.Y., Dan Welcher is one of the most­played composers of his generation  having  written  more  than  100  works.  A  bassoonist  and  pianist,  he carned degrees from the Eastman School of Music and the Manhattan School of Music. He was principal bassoonist with the Louisville Orchestra and served as assistant conductor of the Austin Symphony Orchestra from 1980 to 1990. He has conducted the premier of over  120 new works.  Welcher  has taught theory and �composition  at  The  University  of  Louisville,  the  Aspen  Music  Festival  and currently  holds  the  Lee  Hage  Jamail  Professorship  in  Composition  at  the University of Texas at Austin. Zion is the last in a series of  three works for wind ensemble that  includes The Yellowstone Fires and Arches. Collectively called Three Places In The West, they draw their inspiration from the national parks in the western United States. They reflect the feelings the composer had while in the parks rather than being literally descriptive.  Dedicated  to  the  memory  of  Aaron  Copeland,  Zion  was commissioned in 1994 by the wind ensembles o f the University of Oklahoma, The University of Texas and the University of Texas at Austin. I [YA l 3 5 { The Stars a nd Stripes For ever!  by John Philip Sousa John Philip Sousa was a conductor, a composer, an arranger, and a businessman as  well  as  a  patriot.  Born  in  1854  in  Washington,  D.C.,  Sousa ’s  parents encouraged  his  interest  in  music.  He studied  piano,  flute, comet, euphonium, trombone,  alto  horn,  theory,  harmony  and  voice  along  with  his  primary instrument, the violin. His father was a trombonist in the U.S. Marine Band and Sousa was allowed to occasionally rehearse with the band becoming an apprentice musician in the Marine Corps at age 13. He was appointed leader of the Marine Band in 1880 and after 12 years in that position organized his own professional band. The Sousa Band was famous in the U.S., Canada and Europe performing at at the Paris Exposition in 1910, making 4 European tours and world tour in 191 1. Although  most  well  know  as  the  “March  King,”  Sousa  is  credited  with  15 operettas, 136 marches, 2 descriptive pieces, 70 songs, 7 other vocal works, 11 waltzes,  12  dance  pieces,  14  humoresques,  27  band  fantasies,  3  orchestra fantasies, 6 incidental pieces, 4 overtures, 2 concert pieces, 4 instrumental solos, 12 trumpet and d rum pieces and over 300 arrangements and transcriptions. “Aboard the Teutonic, as it steamed out of the harbor on my return from Europe in 1896, came one of the most vivid incidents of my career. As I paced the deck, absorbed  in  thought, suddenly  I  began  to  sense  the  rhythmic  beat  of  a  band playing  within  my  brain.  It  kept  on  ceaselessly,  playing,  playing,  playing. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re­echoing the most distinct melody. I did not transfer a note of that music to paper while I was on the steamer, but when we reached the shore, I set down the measures that my brain­band had been playing for me, and not a note of it  was ever changed. The composition is known the world over as “The Stars and Stripes Forever” a nd is probably my most popular march.” ­ John Philip Sousa ‘i‘ J4 �ABOUT THE PERFORMERS ROBERT G . SMITH  holds a Bachelor of  Science. in Music Education from Hartwick College, a Master of Music in Conducting from Bingha mton University and is a candidate for the Doctor of Musical Arts in Music Education from Boston University. Prof. Smith studied conducting with F rederick Fay Swift, Thurston Dox, Timothy Perry, Robin  Linaberry, Jo hn Graulty and Mariusz  Smolij.  He conducts the annual Triple Cities TubaChristmas and is the former conductor of the Maine Community Band, the oldest band of its kind in the United States. He has guest  conducted all­county and community bands throughout central New York as well as the Goshen College (IND) Wind Ensemble and Orchestra. An active performer, he currently plays principal euphonium with the Southern Tier Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass sextet. Professor Smith is the immed iate past president of the Broome Co unty Music Educators Association and recipient of the 2005 BCMEA Distinguished Service Award. Professional memberships include : The Broome County Music Educators Association, the New York State School Music Association, the Music Educators National Conference, The National Band Association, The Association of Concert Bands, The Conductors Guild, The World Association of Symphonic Bands and Ensembles, The College Band Directors National Association and the International Tuba and Euphonium Association. JESSICA W ILLIAMSO N holds a Bachelor of Music in Music Education from SUNY College at Fredonia and is currently a candidate for the Master of Music in Conducting from the University of Binghamton. Her conducting teachers include: Timothy Perry, Patrick Jones, David Rudge and Rudolph Emilson. Jessica is the director of the Whitney  Point Middle School Concert Band, Sixth Grade Band and Jazz Band. She has performed with the Long Island Winds, the Southern Tier Concert Band and with the EVEA Youth Commission of Germany. Memberships include New York State  School Music Association, the National Association of Music Educators and the Broome­County Music Educators Association. Mrs. Williamson’s performance is in pa rtial satisfaction of the requirements for the Master o f Music degree in Conducting. EMILY AL KIEWICZ is from Hopewell Junction, NY.  She has been a member of the Binghamton University Wind Ensemble for 3 years.  She is also a member of  the  Binghamton  University  Saxophone  Quartet.  Emily  studied  with  Jim Trainor and  Steven Kieley during junior high and high school, she now st udies under  April  Lucas.  Emily  is  graduating  in  May  2007  and  seeks  a  BA  in sociology. �Coming  “Cents Thursday, Novem ber 16 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital hall ­ free F riday, November 17 – Trio Amici – 8:00 p.m. – Casadesus Recital Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Sunday, November 19 – Music of the World : Afrika ­­ Music and Dance – 3 :00 p.m. – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors; free for students Sunday, November  19 –  Clarinet  Studio  Recital  –  7:30  p.m.  –  Casadesus Recital Hall – free Tuesday,  November  28 ­­  University  Percussion  Ensem ble  –  8:00  p.m.  – Anderson Center Chamber Hall – free Thursday, November 30 – Mid­Day Concert ­­ 1 :20 p.m. – Casadesus Recital Hall ­ free F riday, Decem ber 1 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free Friday, December 1 – Elizabethan Madrigal Feaste – 6:30 p.m. – Old Union Hall – Tickets:  $38 general public; $20 students with ID Saturday, December 2 – Flute Ensemble Recital ­ 12 noon – Casadesus Recital Hall ­ free Saturday, December  2  –  Elizabethan  Madrigal  Recital  –  6:30  p.m.  ­ Old Union Hall – Tickets:  $38 general public; $20 students with ID Sunday,  December  3  –  University  Symphony  Orchestra  –  3:00  p.m.  – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors; free for students Thursday, Decem ber  7  –  Ja zz Mid  Day  Concert  with  guest  artist,  Bruce Johnstone – 1 :20 p.m. – Osterhout Concert Theater – free Thursday, Decem ber 7 ­ Ja zz Ensem ble with guest artist, Bruce Johnstone – 8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7 faculty/staff/seniors; free for students ] � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:49:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204933">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204933</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An American Tour, November 12, 2006 Recital Tape 2006-11-12 Description An account of the resource Works of Hosay, Schuman, Sousa, Camphouse, Schuller, Nelson. Held at 3:00 p.m., Nov. 12, 2006, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Williamson, Jessica Smith, Robert Alkiewicz, Emily Natiella, Amy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID d0c10766-eec3-47af-acb6-d1551782ac2c https://omeka.binghamton.edu/omeka/files/original/fa793a862b472b512ed15e31d8f719f5.pdf f4bf97844b543532f5d6bb4f86795df0 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F  N E W  Y O R K [4 122 5224 D E P A R T M E N T   NCHANT ED A NE   VENING ITALIANE Maria Cook, instructor with Molly Adams­Toomey, Michael Celenta no, Emily Geller, Charlie Hyland, Hana Ryu, and Matthew Samluk Sunday, November 18, 2012 7 p.m. Casadesus Recital Hall �PROGRAM Giacomo Puccini Opening Act I .  (1858­1924) from “La Bohéme”  entano, Han a Ryu, Michael Cel Matthew Samluk, Charlie Hyl and Svegliatevi nel core .  from “Giulio Cesare”  Emily Geller George Frideric Handel (1685­1789) . Francesco Paolo Tosti (1846­1916) Non t’amo piu .  Michael Celentan o II segreto per esser felici  from “Lucrezia Borgia”  Molly Adams­Too mey .Gaetano Donizetti (1797­1848) Renato Brogi Visione veneziana  . (1873­1924) Charlie Hyl and ..Eduardo di Ca pua ‘O Sole Mio...  (1865­1917) Hana Ry u . Giacomo Carissimi Vittoria, mio core! (1605­1674) Matthew Samluk Duetto buffo di due gatti, .Gioacchino Rossini MollyAdams­ Toomey, Emily Geller Ave Maria  (1792­1868) .Johann Sebastian Bach/Charles Gounod arr. by Pio Capponi (1685 ­ 1750/1818­1893) Molly Adams­Too mey, Michael Cel entano, Emily Geller, Charlie Hyl and, Han a Ryu, Matthew Samluk �Binghamton Unive rsit y Music De part ment ’s Co min g Events m m m m m m Thursday, November 29 ­ Mid­Day Concert­ 1:20 p.m. ­ Fine Arts Room 21 ­ free Friday, November 30 ­ Flute Studio and Flute Chamber Concert­ 10:15 a.m. ­ Casadesus Recital Hall ­ free Saturday, December 1 ­ “Holiday Concert for Organ, Brass and Percussion " featuring Jonathan Biggers and the Ithaca Brass ­ 4:00 p.m. ­ United Presbyterian Church, 42 Chenango Sheet Binghamton ­ $9 general public; $6 faculty/statT/seniors; $3 students Sunday, December 2 ­ Wind Symphony Concert ­ 3:00 p.m. ­ Anderson Center Chamber Hall ­ $6 general public; $3 taarlty/statT/senbrs; free for students Tuesday, Decemberl ­ Percussion Ensemble Concert­ 8:00 p.m. ­ Anderson Center Chamber Hall ­ $6 general public; $3 faculty/staff/seniors; free for students Thursday, December 6 ­ Holiday Mid­Day Concert­ 1:20 p.m. ­ Casadesus Recital Hall ­ free Friday, December 7 ­ Hansel and Gretel (school performance and civ ic groups) ­ 10:00 a.m. ­ Anderson Center Chamber Hall­ call (607) 7770004 for group reservations Saturday, December 8 ­ University Symphony Orchestra ­ 3:00 p.m. ­ Osterhout Concert Theater­ $6 general public; $3 faculty/staff/seniors; free forstudents Saturday, December 8 ­ Master’s Recital: Meghan Cakalli, soprano (tentative) ­ 8:00 p.m. ­ Casadesus Recital Hall­ free Sunday, December 9 ­ Hansel and Gretel ­ 1:00 p.m. ­ Anderson Center Chamber Hall ­ $9 general public; $6 faculty/staff/'seniors; $3 students Sunday, December 9 ­ Hansel and Gretel­ 4:00 p.m. ­ Anderson Center Chamber Hall­ $9 general public; $6 faculty/staff/seniors; $3 students Sunday, December 9 ­ Senior Recital: Sungkyun Ryu, piano ­ 7:30 p.m. ­ Casadesus Recital Hall ­ Free Thursday, December 13 ­ Harpur Chorale and Women’s Chorus ­ 8:00 p.m. ­ Trinity Memorial Church, Binghamton ­ a good will donation will be collected at the door Friday, December 14 ­ Nukporfe African Drumming and Dance Ensemble ­ 7:00 p.m. ­ Watter’s Theater ­ $3 general public M ­ fi m m a e ­ fi w m t fi fi e For  tickets  or  to  be  ad ded  to  our  ema il  list,  visit onderson.bin ghomt on.edu or c all ( 607) 777­ARTS. For a co mplete list of   [ = ] —  l  [ = ]   o ur concerts call ( 607 ) 777 ­2 5 92, v isit m usic.bin ghamt on.edu o r  beco me a f an  on Facebook. If  you  were  inspired  by  this  performance,  consider  sup porting  the De part ment of M usic wit h a fin ancial g ift . Your sup port help s t o continue t he w o rk o f  student s, fa c ul t y, a n d  g uest art i sts a n d  t he ir cont rib ut ions t o E  our community. Please make your d on at ion pay able to the Binghamton Universit y  M usic  De part ment ,  an d   send  your  check  to  BU  M usic De part ment , P.O. Box 6 000 ,  B in ghamt on, N Y 1  3 90 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 443 minutes :59 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140919">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140919</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An enchanted Italian evening, November 18, 2012 Description An account of the resource Works by Puccini, Handel, Tosti, Donizetti, Progi, Capua, Carissimi, Rossini, Bach Held at 7:00 p.m., November 18, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Cook, Maria L Adams-Toomey, Molly Celentano, Michael Geller, Emily Hyland, Charles Ryu, Hana Samluk, Matthew Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/121f28bdef5bcda36ac9c0b5bb74583b.pdf 7c3993465621801919838d0f99c92658 PDF Text Text I y) N31 N   Q  ¢ BING HAM TON \ 3 ) ¢ 2  U N I V E R S I T Y ' % ¥  r ’ State University of New York De partme nt of M usic   nglish Legacy : AnE Work s for  Viola with Robe rta C rawfo rd, viola assisted by Ma ry Burgess, soprano Micha el Salm irs, piano F riday, October 31, 2003 8 :00 p.m. Casadesus Recital Hall �P rogram Studies in English Folksong .....................Ralph Vaughan Williams Adagio (1872­1958) Andante sostenuto Larghetto Lento Roberta C rawford, viola Michael Salm irs, piano Piling, .... Frank Bridge (1879­1941) Roberta C rawford, viola Michael Salm irs, piano Two Songs ... lf My Complaints Could Passions Move Flow, My Tears Lacrimae .  John Dowland (1563­1626) Mary Burgess, soprano Michael Salm irs, piano Lachrymae, O p. 48........... .....Benjamin Britten (1913­1976) Roberta Craw ford, viola ' Michael Salm irs, piano Sonata for Viola and Piano Impetuoso Vivace Adagio Roberta Craw ford, viola Michael Salm irs, piano .. Rebecca Clarke (1886­1979) �About the Perform ers ROBERTA CRAWFORD  enjoys an active career  as a recitalist and chamber musician.  As  Associate  Director  and  founding  member  of the  Finger  Lakes Chamber Ensemble, Crawford has participated in more than one hundred solo, chamber, and lecture­recitals presented by the ensemble since its formation in 1990.  She  has  performed  with  the  Catskill  Chamber  Players,  appeared frequently on the Cayuga Chamber Orchestra’s  Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Crawford has played with the Portland and Syracuse symphonies and has served  as principal violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written specifically for her. She has participated in music festivals throughout  the  United  States and  in  the  Caribbean and has appeared in  live performance  broadcasts  for  public  radio  and  television.  A dedicated teacher, Crawford has served as clinician, coach and adjudicator for a numerous  music organizations  and  is  co­director  of  the  NYASTA  ViolaFest,  hosted  by Binghamton  University.  She  has  been  a  guest  faculty  member  at  Phillips Academy,  the  Quartet  Program,  Ithaca  College  and  the  Eastman  School  of Music and is Coordinator o f Strings at Binghamton Un iversity. Pianist MICHAEL SALM IRS, a founding member and artistic director of the Finger  Lakes Chamber  Ensemble , is well  known  as a  recitalist and chamber musician  performing  extensively throughout  the  region.  He  has appeared  as soloist  with  the  Corning  Philharmonic,  Binghamton  University  Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has  toured  and  recorded  for  the  Syracuse  Society  for  New  Music.  Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers  have  included  pianists  Leonard  Shure  and  Rebecca  Penneys  and composer Karel Husa. Salmirs has taught at the Syracuse University School o f Music  and  Hobart  and  William  Smith  Colleges  He  is  a  faculty member  at Binghamton University and Affiliate Artist at Cornell University. He maintains a private piano studio in  Ithaca and enjoys teaching students of all ages and levels.  In  May,  Salmirs  will  perform  Poulenc’s  Aubade  with  the  Cayuga Chamber Orchestra. �MARY BURGESS, associate  professor  of voice  at  Binghamton  University, recently  celebrated  the  thirty­fifth anniversary  of her  New  York  City Opera debut, which occurred while she was an undergraduate at the Curtis Institute of Music in Philadelphia.  Her European operatic debut at the Holland Festival, in the  title  role  of  Cavalli’s  L’Erismena,  brought  engagements  at  the  Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and several consecutive seasons in  leading roles at Dublin Grand Opera in  Ireland.  Her repertoire of thirty­eight  roles  in  five  languages includes six, which  she  has performed in Binghamton at Tri­Cities Opera:  Madama Butterfly, La Traviata, Tosca, Marguerite in Faust, The Merry Widow, and most recently, Norma.  A frequent soloist with orchestras, Burgess has appeared with more than two dozen U.S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (Lorin Maazel, Eduardo Mata), Chicago Symphony (with Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon).  She has been a  frequent  guest at  such  festivals as Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival.  In August 1996, at Monadnock Music Festival in New Hampshire, Burgess made a critically acclaimed debut in the  role  of Susan  B. Anthony  in  Virgil  Thomson’s  The  Mother  of Us  All, honoring the centenary of his birth.  She  returned to Monadnock  Festival  in August 1997 as Violetta in a gala concert performance of Verdi ’s La T raviata. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Coming Events Thursday,  November  6  –  Mid­Day  Concert  with  faculty  and  student performers – 1 :20 p.m. – Casadesus Recital Hall – free Saturday,  November  8  –  Contrasts :  An  Evening  of  Chamber  Music Treasures with guest artists from Belgium – 8:00 p.m. – Anderson Center Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6 students Thursday,  November  13  ­­  Mid­Day  Concert  with  faculty  and  student performers – 1 :20 p.m. – Casadesus Recital Hall – free Thursday, November 13 – Pharaoh ’s Daughter – A six­piece electric groove ensemble that  blends Jewish  music with world beat – 8 p.m. – Anderson Center  Chamber  Hall  –  $14  general  public;  $12  faculty/staff/seniors;  $6 students (Co­sponsored by Hillel at Binghamton) Saturday,  November  1 5  –  University  Chorus  with  the  Binghamton Philharmonic  –  Rachmaninoff’s  The  Bells  –  8  p.m.  –  Anderson  Center Concert Theater – Contact the Binghamton Philharmonic for tickets � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:54:28 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253409&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253409&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An English Legacy: works for viola, October 31, 2003 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2003-10-31 Description An account of the resource Works by Vaughan Williams, Bridge, Dowland, Britten, Clarke. Held at 8:00 p.m., October 31, 2003, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Crawford, Roberta Burgess, Mary Salmirs, Michael Date A point or period of time associated with an event in the lifecycle of the resource 10/31/2003 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/186e4e58c17eeddaeff6bea670830a4a.pdf bdab289726dd88c6364b4063a627ab7d PDF Text Text BINGHAMTON U N I V E R S T I X S T A T E   U N I V E R S I T Y  O F  N E W  Y O R K d e e [4 B E F A  R T M   E N T AN E VENING O F  A FRICAN D ANCE P rese nted by : T h e N u k porfe Africa n Da nce–D rum mi ng Ensemble, Bin gham ton University Directed by J a mes Bu rns a n d  P ierrette Aboad ji Friday, May 8, 2009 8 p.m. Casadesus Recital Hall �PROGRAM wINTERMISSION¢3 In  this  program  we  present  an  evening  of  dance­drumming  from  southern Ghana.  The  Nukporfe  Dance­Drumming ensemble is  made  up  of advanced drummers  and  dancers  who  have progressed  through  various  introductory courses  including  the  Beginning  and  Advanced  sections  of  African  Dance (THEA  289J/389J;AFST 289J/389J) and  the African  Music  Ensemble  (MUS 143B/AFST  188B).  These  courses  are  ofiered  each  semester  through  the commonly used to  open dance performances throughout southern Ghana, Togo and Benin. I. Agbekor. Agbekor is a war dance of the Ewe people of Ghana. As the drummers and dancers proceed to the stage in traditional fashion, they sing a war song that calls the warriors to battle against the  European colonial powers. The second song memorializes the great warrior Kundo who led warriors into battle and has been killed. This was originally a war dance of the Ewe people. The movements imitate moments of the battle, and follow the drum language of the lead drum, atsimevu. VII. Togo Atsia. This dance piece is made up of a series of choreographed dance  sequences  known  as  atsia. These  sequences  are  cued  by  drum language phrases [vugbe] played by the lead drummer on atsimevu – the tall drum leaning on the stand – which are answered by the response drum kidi –  the  medium–sized  drum.  In  the  19605,  expert  choreographers  and drummers  in  the  Ghana  Dance  Ensemble  arranged  this  series  of  atisd movements into a performance piece, which they dubbed Togo Atsia, in recognition of their source within Ewe groups in Togo. Departments of Africana Studies, Music, and Theatre Dance. II. Kinka. Kinka is a funeral dance of the southern Ewe. It  only uses one basic movement so that regular members of the community can participate in the dance. III. Kpatsa. This dance comes from a neighboring group of the Ewe, known as the Ga­Adangbe. They share many linguistic and cultural affinities with the Ewe, and these two groups have historically interacted with each other. T he characteristic movement of Kpatsa is a limping gait that imitates t he movements of dwarfs, a magical race of beings which inhabit rural areas in Ghana. These movements were embellished with dance combinations and eventually became a social and recreational dance known as Kpatsa, whose name is an onomatopoeic reference to the movement of dwarfs. IV. Adzokpa  ‘Ele  ‘lodo – ge matso ’ [It is tired, let it fall and I will pick it up!]. In southern Ewe drumming, an adzokpa is an interlude to the main dance(s) consisting of a drum language conversation between the lead drum and the chorus. The lead drum intones the first part of the conversation (before the hyphen) and the chorus intones the second part. The adzokpa presented here is a humorous quip about to a woman’s big buttocks, the drums say, ‘let it fall, we will catch it!” V. Gahu. Gahu is a neo­traditional dance that has been adopted and adapted by the Ewe people of Ghana. It  is an offshoot of the Gome dance, a Pan­ Atlantic  African  dance  form that  emerged  in  the  19” century from  the synthesis  of  European  hymns and  marches  with  West  African  musical sensibilities. The  name Gahu suggests an airplane, and  represents local experiences  with  new  technology  and  culture.  The  songs  are  often humorous and fun, suggesting themes of courtship and celebration. VI. Invocational Song “Hunye de". A music performance typically begins wit h a n invocation consisting of o ne o r m ore songs normally used to notify t he spirits a n d a ncest ors t hat t hey a re goi ng t o pe rfo rm . T h e  p rese nt so ng is VIII. Adzokpa  ‘Kpo towo gbo  d ’asi mado lo, adzianye vi, d ’asi mado lo ’ [Go back home, my love, let me sleep!]. This adzokpa is another humorous tale of an exhausted lover, who begs their partner for a moment of rest.  It could be spoken from the male or female point of view. IX. Sohoun. Sohoun is an Ewe­Fon sacred dance used to open a ceremony of the Yeve shrine. The original movements danced at the shrine inspired the choreography for this folkloric version, created by Dr. Opoku for the Ghana Dance Ensemble. X. Sikyi. This dance is another neo­contemporary dance of the Akan people of southern  and  central  Ghana.  Sikyi,  pronounced  see  chee,  forms the rhythmic  foundation  of  Ghanaian  Highlife  music,  the  primary style  of popular music in Ghana. X1.  Gota. Gota  is a  Fon dance that  is  played for  many different social occasions.  lts  original  version  is  played  on  gourds  rather  than  drums; however, the Ewe have transferred it  on to their standard drum set. It  was also choreographed by the Ghana Dance Ensemble. We would like to invite members of the audience to come up and participate in this dance. �ABOUT T H E  PERFORME RS Dances Directed and Choreographed by Pierrette Aboadji, Department of Theatre Dance Professor Aboadji is a Ghanaian performer and teacher of A frican dance.  As  a  performer,  she has  been  a  member  of the Ghana Dance Ensemble since 1995; as a  teacher, she is a lecturer in African dance at Binghamton University. Da ncers : Tamara  Pitter,  Amber  Ri vers,  Evelyn  Quist,  Latoya  Jean­ Baptiste, Genev a Johnson, Marcel March, Aarong Lee, Tinesha Feiton,  Emmy  Alba,  Vera  Adutwumwaah ,  Janet  Addae, Bernice Osei,  Megan  Buah, Michelle Nusinov, Lau ren G use, Marissa Schwa rtz, Fatima Nagaya, K risten Donaphin Drumming directed and arranged by James Burns, Departments of Music and Africana Studies Professor James Burns is an ethnomusicologist in the Depart ments of  Africana  Studies  and  Music  at  Binghamton  University.  His research focuses on music in West Africa and the Diaspora. D rum m e rs : Samuel  Young, Keaton Rood, Samuel Yaggy, Wayne Papke, Sacha Sigelma n­Schwartz, M elanie Clark, A lexander Crave r, Graham Feltha m, Randy Benje nk, Thomas Elefante r x E .  “ f “   lk  Elli”: _f. ‘ 4 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:02:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150679">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150679</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An evening of African dance, May 8, 2009 Recital Tape 2009-5-8 Description An account of the resource Traditional dance-drumming pieces from southern Ghana. Held at 8:00 p.m., May 8, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Nukporfe African Dance-Drumming Ensemble, Burns, James Aboadji, Pierrette Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6536b120b174d8132c7d74a44425f220.pdf 8b62be7b44f7bf7aa5b5ba373076ac36 PDF Text Text AN EVENIN:; OF BAROQUE CHAMBER MUSIC Friday, March 12, 1971 8:15 p.m. Don A. Watters Theater �PROGRAM Trio Sonata in G Major J. J. Quantz (for flute, oboe and continua) J. P. Rameau Les Tendres Plaintes La Triomphante Gavotte and Six Doubles Andante Allegro Un poco largo Vivace G. P. Telemann Quartett in D Minor Sonata No. 5 J.E. Galliard (for Bassoon and continua) Adagio Allegro e spiritoso Alla Siciliana Allegro Assai Sonata in E Minor (for flute and continuo) Three Pieces for Harpsichord Andante Vivace Largo Allegro J.M. Leclair Adagio Allegro ma poco Sarabande Allegro THE ARTISTS Members of the New York Woodwind Quintet: Thomas Nyfenger, flute Ronald Roseman, oboe Arthur Weisberg, bassoon INTERMIS S ION Sonata in G Major (for oboe and continua) Andante Allegro Adagio Minuetto G. Sammartini Guest artist: Christine Lindsay, harpsichord � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:21:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63400 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63400">An Evening of Baroque Chamber Music with Members of the New York Woodwind Quintet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Evening of Baroque Chamber Music with Members of the New York Woodwind Quintet, March 12, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Quantz, Galliard, Leclair, Sammartini. Held at 8:15 pm, March 12, 1971, Don A. Watters Theater Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-3-12 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Quantz, Johann Joachim, 1697-1773 Galliard, Johann Ernst, 1687-1747 Leclair, Jean-Marie, 1697-1764 Sammartini, Giovanni Battista, 1700 or 1701-1775, composer Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020069914 39091020069864 https://omeka.binghamton.edu/omeka/files/original/81f3f09da64043db7d5659d726e078cc.pdf c8d59bd682c734360c1fb6a1aa7c67c7 PDF Text Text NEWYORK AT BINGHAMTON S'Vfl'E UNIVERSITY THE DEPARTMENT MUSIC OF CHAMBER MUSIC in the Pufcmnance of ChamberMusic Seminar by MBnbers of the Lenox Quartet AN EVENING Se Saturday, June 26, 1971 8 :15 p.m. nc.i A. tters ter PROGRAM Quartetin E-flat jor, K. 428 Allegro non troppo Andante con moto violin Lewis, Le Roy Carol Anderson, violin Qi artet Mary Ellen &drq, viola Sarah HarUhorne, cello 76, No. 5 o Major, Op. in Menuetto(Allegro) (Presto ) Finale . , viola Perry, Timothy cello Martha Strassberger, violin Browning Cramer, violin Qartat in F Modéré - Tres doux rythmé ez - Très vifs As Joanna Jenner, uest, ra W ba ra B ar INTERMI i.ffga, Op. 44 in E-flat Major for Piano and Allegro triW.Aute In modod 'una Marcia WI\ poco largamente) Scherzo (Moltovivace) Allegro, ma nontaJppo Quintet Robert Rozek, Andrea Birczak, Patricia Foley, Vivian King, Diana Wan, Schumann � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 17:59 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63511 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63511">An Evening of Chamber Music by Members of the Lenox String Quartet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Evening of Chamber Music by Members of the Lenox String Quartet, June 26, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Haydn, Ravel, and Schumann. Held at 8:15 pm, June 26, 1971, Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-6-26 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Haydn, Joseph, 1732-1809 Ravel, Maurice, 1875-1937 Schumann, Robert, 1810-1856 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073270 39091020073221 39091020073767 39091020073718 https://omeka.binghamton.edu/omeka/files/original/e2f852d339d46d3a42ce81a10f79034d.pdf f2a001a0d8d476277258b2a5696017b3 PDF Text Text Y OF N EWYORKAT S TATE U NIVERSIT BINGH AM N F MUSIC Monda Jun y, 28, 1971e 28, 8:15 P. M. Don Al legro con brii o Adagio Bl Te ma: Pria .f! llegro Watters br l' 'impegno ch'io A. (Allegre tto) energico Lynn Case, vi Ellen Bridger, Betty Woo , , , olin cello piano INTERMISSION _________________ ________ Str ing Quartet I Lebhaft No. und i in sehr :JQr Seh r r langsam III Finale - Aube.. st 16 C, Op. (1921) e n ergisch lebhaft Mark Andrew John Norm an violin Sokol, Jenning Kochanowski, Fisher s, violin viola viola Theater � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 26:10:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63517 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63517">An Evening of Chamber Music by Members of the Lenox String Quartet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Evening of Chamber Music by Members of the Lenox String Quartet, June 28, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Brahms, and Hindemith. Held at 8:15 pm, June 28, 1971, Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-6-28 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Brahms, Johannes, 1833-1897 Hindemith, Paul, 1895-1963 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073379 39091020073320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:50:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196868">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196868</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An evening of clarinet music Gregg Ackerman, Bethany Bonhoff, Alexander Vincenzi, November 3, 2007, Recital Tape 11-3-2007 Description An account of the resource Held at 8:00 p.m., November 3, 2007, Casadesus Recital Hall. Works of Weber, Reade, Crusell, Strauss. Creator An entity primarily responsible for making the resource Ackerman, Gregg Bonhoff, bethany Vincenzi, Alex Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-11-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 751b807a-ede1-4c52-a90c-f7362f451157 https://omeka.binghamton.edu/omeka/files/original/822789d68455d2a4282d891204418712.pdf 970cbde82720c67ed050b869ac6bb1ca PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON THE DEPARTMENT OF MUSIC OPERA WORKSHOP ROBERTA SCHLOSSER, Director presents An Evening of Comedy SCENES FROM LA BOHÈME MERRY WIVES OF WINDSOR TALES OF HOFFMANN COSÌFAN TUTTE James Osborne, Musical Director Jon Carbery, Dramatic Director FEBRUARY 24, 25, 1975 CASADESUS RECITAL HALL 8:15 P.M. �PROGRAM CHARACTERS La Bohème LA BOHÈME Giacomo Puccini Act I. Scene 1. The action takes place in a cheerless attic studio. Time-about 1830 in Paris. Act II. 'Musetta's Waltz' Outside the Café Momus in the Latin Quarter on Christmas Eve. Otto Nicolai THE MERRY WIVES OF WINDSOR Act I. Scenes 1 and 2. A courtyard on a summer afternoon in the Town of Windsor. Rodolfo, a poet -------------- ------------------········----··------ Anthony Brienza, tenor Marcello, a painter ------------------- --- ---------- Michael David Quinn, baritone Schaunard, a musician ---------------------------------- Thomas Fordham, baritone Colline, a philosopher -------------------------------------------------- Gary Levine, bass Benoit, a landlord ------------------------------------------------ Arthur Sherry, baritone Musetta, a grisette ------------------------------------------------ Ursula Raeth, soprano Mimi, a seamstress ------------------------------------------ Victoria Deuany, soprano Aleindoro, a man about town ___ _____ ______ ___ _______ __ James Osborne, baritone The Merry Wives of Windsor Mrs. Ford, a well-preserved, very merry woman of thirty-five ----------- --------------------------- Shirley Brown, soprano ( Mon. performance) Karen Haight, soprano ( Tues. performance) Mrs. Page, lively, but less so than her friend -------------- ------------------------------ Rachel Gardner, soprano The Tales of Hoffmann Frantz, an aging, nearly-deaf servant to Crespel, a musician -------------------------------- Preston Stockman, tenor Così Fan Tutte - INTERMISSION - THE TALES OF HOFFMANN Jacques Offenbach Act. IV. Frantz's Aria. Crespel's house in Munich. Fiordiligi ----------------- ----- -------------------------------- ------ Victoria Devany, soprano Dorabella ---------- ----------- ---------- -------------------- -- ----- Alice Weintraub, soprano Ladies from Ferrara and Sisters, living in Naples Guglielmo, officer, betrothed to Fiordiligi ---------------- ------------ ---- -------- Michael David Quinn, baritone Ferrando, officer, betrothed to Dorabella --------- ------------------ ------------ ---- --------- Anthony Brienza, tenor Despina, chambermaid to the ladies ______ Mary Ann Ferraiolo, soprano Don Alfonso, an old philosopher ______________ Thomas Fordham, baritone ACKNOWLEDGEMENTS COSÌ FAN TUTTE Act II. Duet. A room in the sister's home. Act I. Finale. The action takes place in Naples. Time-late eighteenth century. Wolfgang Amadeus Mozart Musical Preparation ---- -------------- -------- Roberta Schlosser, James Osborne Accompanist and Coach ( 'Bohème' and 'Hoffmann' scenes) __________________________ Barbara Benvin Accompanist and Coach ( 'Così' and 'Merry Wives' scenes) ___ ____________ __ _ Chai-kyov Mallinson Staging Concept ( 'Casi' scenes) ---------------------- ---------------- James Osborne Technical Supervisor ( Lighting, Costumes, Properties, Make-up) -------------- ------------------------------------------ Roy Abbott Stage Manager ------------------------------------------------------------------ Vincent Pantuso �PROGRAM NOTES La Bohème Act I In their cold, shabby attic--Rodolfo, the poet and Marsella, the painter--hungry and freezing, are trying in vain to concentrate on their work. Colline, the philosopher enters complaining that because the pawnshops are closed on Christmas Eve he has been unable to sell his books. Schaunard, the musician, had better luck. He comes bringing fuel and provisions. During the preparation of their meal, the landlord enters unexpectedly and demands payment of his long overdue rent. The Bohemians offer him wine and turn him out amidst joking and laughter. On to Café Momus. Act II At the Café Momus, Rodolfo has just introduced Mimi to his friends when Musetto appears escorted by old but rich Alcindoro. Marcello, whom she loves--if only periodically--describes her fickle character to Mimi. Musetta, angered by Marcello's simulated indifference, breaks into a description of her charms, hardly modest but entirely accurate. The Merry Wives of Windsor The Nicolai treatment ( first performance-1849) of the Shakespearean subject preceded the Verdi version ( Fallstaff-1893) by nearly a half century. Hermann von Mosenthal's tight and fast moving libretto employed only the main sections of the comedy. In the opening scenes, therefore, we deal immediately with Falstaff's extraordinary love letters which both Mrs. Ford and Mrs. Page have just received. The two women compare letters, and discovering them to be alike plan revenge. The Tales of Hoffmann Crespel has just left his house in a rage because his nearly-deaf old servant Frautz misunderstood everything he said. Frautz then consoles himself with singing, although he knows his technique is wrong-and with dancing, although he lands on his well-polished floor. Così Fan Tutte An early revision of 'Cosi' stated that the theme of this opera was a satire on the highly praised fidelity of the female sex and an innocent playing with the ·sanctity of love. The action which leads up to the Finale of Act I concerns a wager between Don Alfonso, a cynical old philosopher and his two young officer friends, to witthat no women can be trusted. To try to prove his point, Don Alfonso concocts an elaborate scheme complete with deceit, disguises, poisonand miraculous recovery. The sisters, however, remain true to their sweethearts whom they believe have been ordered to wars. Early in Act II, after Despina derides their constancy, the sisters, especially Dorabella, weaken and decide a flirtation will do no harm. Dorabella will choose Guglielmo and Fiordiligi Ferrando. -Roberta Schlosser � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:05 29:02 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243426">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243426</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Evening of Comedy, Opera Workshop, February 24, 1975 Recital tape 1975-2-24 Description An account of the resource Works of Puccini, Nicolai, Offenbach and Mozart. Held at 8:15 pm, February 24, 1975, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Osborne, James Carbery, Jon Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-2-24 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound