70 10 1775 https://omeka.binghamton.edu/omeka/files/original/58602f8dd05fbf8c98eae6c0095e3f5c.pdf cac5eead7acf600d700ab2aad199c76b PDF Text Text BINGHAMTON U  N  I  V  E R  S  I  T  Y STATE   U N I V E R S I T Y   O F  N E W  YO R K D E P A R (27% 24 T M MASTER’S RECITAL Robert Muller FRENCH HORN with Pej Reitz; Prano­ S a t u r d a y ,  A p r i l  24, 2 0 1 0 3.00 p. n u CWRecitubfialI/ E N T �PROGRAM NOTES PROGRAM Réverie, Op. 24 is a  piece written for horn and piano by Alexander  Glazunov.  Glazunov  composed  this  piece  in Réverie, Op. 24..................................................Alexander Glazunov (1865­1936) 1890 around the time that he had a creative crisis despite his international fame.  He grew out of this period with a new maturity.  It is a possibility that this “reverie” of his was his dream to come out of that hard time with a newfound spirit. Hom Concerto No. 4 in E­flat major, K. 495...................W.A. Mozart I. Allegro moderato  (1756­1791) II. Romance (Andante) III. Rondo (Allegro Vivace) ®INTERMISSIONcs “Little” Fugue  in G minor, BWV 578  Alexa Weinberg, Hom Zachary Bimbaum, Hom Kirstie Cummings, Horn J.S. Bach (1685­1750) “Zion hort die Wéchter singen” from “Wachet auf, Ruft uns die Stimme", DWV TE   J.S. Bach Alex Muller, Cello Horn Concerto No. 1 in E­flat major, Op. 1 1  I. Allegro  (1685­1750) Richard Strauss (1864­1949) Horn Concerto No. 4 i n  E­flat major, K .  495 is the last in the collection of horn concerti written by Wolfgang Amadeus Mozart and was completed in 1786.  All of the horn concerti were written for Joseph Leutgeb, a Salzburg­born musician, who was the premier horn player of the classical period. After one month  of working  as  a  court musician  for the Esterhazy family, for unknown reasons, Leutgeb moved to Salzburg  in  1763  and  became  part  of  the  musical establishment of the ruling Prince­Archbishop.  It was there and then that he became a colleague Leopold Mozart, the father of Wolfgang, and then met Wolfgang himself. The two became good friends and, as can be seen in the original manuscript  of  this  concerto,  the  notes  are  written  in multicolored inks in a jocular attempt to rattle the performer. Recently, it has been suggested that it was a color code of some sort.  In the final movement of the piece, the jumpy texture and playfulness of the tune shows that Mozart indeed wished to have fun with his good friend. Fugue i n  G minor, BWV 578 is a piece written originally for organ by Johann Sebastian Bach and is believed to have been  composed  ca.  1707  possibly  during  his  years  at Arnstadt.  The significance of Arnstadt is that it was where Bach began his musical career.  The fugue’s subject is one of Bach’s most recognizable tunes and has been transcribed for many  other  instrumentations,  the  most  famous  being Leopold  Stokowski’s  transcription  for  orchestra.  Today, Robert Muller has prepared his transcription of this piece for horn quartet. �Zion hort die Wachter singen (Zion heard the Watchmen singing) is a chorale from J.S. Bach’s Wachet auf, ruft uns die Stimme, BWV 140 (also known as Sleepers, Wake). The cantata was premiered on November 25, 1731.  The fourth movement,  Zion  hort  die  Wéchter  singen,  was  originally written for strings, tenor chorus, and continuo.  Since the piece’s text is associated with the themes of Advent, it is commonly  performed  during  that  season.  Robert  Muller transcribed this movement for horn, cello, and piano, and, along  with  Alex  Muller,  cello,  and  Nickie  Collins,  piano, performed it on  January 1, 2010 at St. Martin de Porres : church in Poughkeepsie, NY. Horn Concerto No. 1 i n  E­flat major, Op. 11 is the first horn concerto written by Richard Strauss.  It was written in 1883 for his father, Franz Strauss, who, at the time, was the principal horn for the Munich court orchestra.  It was first performed in 1888 for horn and piano by a student of Franz Strauss,  Bruno  Hoyer, with Richard  as the pianist.  This piece, along with Mozart’s concerti, has secured a place in horn repertoire and still remains a favorite of many players today. ABOUT THE PERFORMERS Robert  Muller  is  a  first­year  graduate  French  Horn performance student at Binghamton University.  He was also an undergraduate student at Binghamton University holding a  BA in Music and  Spanish  with a  minor in International Studies.  Robert would like to  pursue  a  career  in  Music Education when he has completed his studies. Born on May 19, 1987, he is a native of Poughkeepsie, NY. Robert began playing  the  horn  in  5 ”  grade  and  fell  in  love  with  it immediately.  During his Jr. High and High School careers, he  participated  in  the  school bands and in  the  NYSSMA festivals.  In High School, he attended Tabernacle Christian Academy.  Unfortunately, the school did not have a band program there, so he studied the horn privately with Andrew Carr and Craig Fryer.  In school, Robert participated in the Vocal Ensemble and, in his junior year, sang tenor for the Zone 10 Area All­State Chorus.  In his senior year, he played horn  for  the  Marist  College  Symphonic  Band,  Football Marching  Band,  and  Basketball  Pep  Band  under  the direction of Art Himmelberger.  That year, he also played horn for the Zone 10 Area All­State Band.  At Binghamton University, he studies with Brian Sternberg and has studied with Harry Ditzel of the West Point Military Band during the winter and summer breaks.  Donald Robertson, professor of low brass at Binghamton University, also gave Robert some additional guidance during this semester.  Robert is also a member of the Zeta Eta Chapter of Mu Phi Epsilon, Co­Ed Professional  Music  Fraternity,  and  an  apprentice  DJ  at WHRW 90.5FM Binghamton where he goes by the call sign “Beastman.”  He  has  also  played  for  the  University Symphony Orchestra, Wind Ensemble, and Commencement Wind  Ensemble  over  the  course  of his  career  here  at Binghamton University.  Robert is an avid transcriber and composer and some of his work will be presented on today’s recital.  Robert is glad to be achieving his dreams of being a musician and hopes that the music he performs will touch the hearts of those who listen. Pej Reitz is a native of the Binghamton area.  She received her  Bachelor  and  Master  of  Music  degrees  in  piano performance with accompanying emphasis.  She attended Boston  University,  New  England  Conservatory  and Binghamton University.  She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce  and  accompanying  with  Allen  Rogers.  She  has accompanied  throughout  the  United  States,  in  England, South America, Spain, and the American Institute of Musical Studies in Graz, Austria.  She was a winner of the Artistic Ambassadors  Program  by  the  United  States  Information Agency in partnership with the John F.  Kennedy Center for the  performing  arts.  She  has  been  on  the  faculty  at Binghamton  University  since  1991  and  Ithaca  College School of Music since 1999.  Ms. Reitz is on the Executive Board of the New York District MTNA organization and is �President  of  the  local  District  VII  Music  Teachers Association.  She  is  also  an  active  adjudicator  for  the National Piano Guild Organization. Zachary Birnbaum is a Sophomore Electrical Engineering major at Binghamton. He has been playing French Horn for nine years. Zach has played with  various orchestras and bands including Binghamton University, Maryland All State, Maryland Classic Youth Orchestra,.and the Performing Arts Institute.  In  his  spare  time  he  enjoys  finding  Waldo, pretending  he  is  a  penguin,  alligator  wrestling,  stamp collecting, and writing small paragraphs about himself. Alexa Weinberg is a senior Music and Management double major from Levittown, New York.  She has been playing the horn for 13 years.  She has performed  with the Nassau­ Suffolk Wind Symphony, NYSSMA All­State band and wind ensemble,  and  American  Music  Abroad  Empire  tour  of Europe.  Whilst studying abroad in  England, Alexa was a member of the Morendo Woodwind Quintet and nicked a Union  Jack  from  Lancaster  University’s  annual  Proms concert.  Currently, she plays in the Binghamton University Symphony Orchestra and is on the executive board of the professional music fraternity Mu Phi Epsilon.  Alexa loves traveling, playing with the Teletubbies, and making Muddy Buddies. Kirstie Cummings is a junior Pre­Veterinary student double majoring in Cell and Molecular Biology and Music.  She has been playing horn for eleven years and has studied  under Dr. Arthur Goldstein and Brian Sternberg.  Ms. Cummings performed  in  a  wide  variety  of  groups  including  the University  Orchestra  and  Wind  Symphony,  as  well  as various  pit  orchestras  and  the  Hicksville  High  School Marching Band where she won the USSBA New York State and East Coast Championships in 2006.  She is also the current vice president of the Zeta Eta  chapter of Mu Phi Epsilon,  Co­Ed  Professional  Music  Fraternity.  With  the musical part of her life aside, Kirstie is the secretary of the Binghamton Pre­Veterinary Society, participating in events such as the Binghamton H umane Society Casino Night and “Boo at the Zoo”.  If she is not in the lab, Ms. Cummings could be found frolicking through random fields or cuddling with cute animals.  Though she hopes to be a veterinarian one day, music will always be a large part of her life. Alex Muller is a sophomore at Roy C. Ketcham High School in  Wappingers  Falls,  NY  and  is  the  younger  brother  of Robert Muller. In school, he participates in the orchestra and also works with a string quartet. Alex began playing the cello at the age of ten after listening to the “Prelude” from Cello Suite No. 1 by J.S. Bach.  He studied with Emily Robison for three years, and is now a student of Nanette Koch.  He has been a member of the Stringendo program and, within the program, plays with the Chaconne orchestra which is one of the higher level orchestras in the program.  Also, part of the program, he also participates in the cello ensemble.  Alex also attends the “Summer Strings” camp for three weeks every year.  He also plays cello for both the adult and teen choirs at St. Martin de Porres church in Poughkeepsie, NY where he lives with his parents, Maria and Philippe Muller, and his two sisters, Victoria and Christina Muller.  He hopes to  study  music  when  he  enters  college  and  thanks  his brother for giving him the honor of playing at his recital. Mark Rossnagel is a sophomore double majoring in Arabic and Organ performance and is a native of Staten Island, NY. He has been playing both organ and piano for many years and is a student of Dr. Jonathan Biggers here at Binghamton University.  Today, he will be assisting Pej Reitz in turning pages and will be recording the concert. �Binghamton U niversity Musi c Department’s U P C O M I N G  E V E N T S <  >   v.'  “v  v. '  v  <  >  <  >  <  >  <  >  <  >  9  D o Satu rday,  A pril 2 4 ”  Master’s Recital: Julie Williams, soprano, 8:00 PM, Casadesus Recital Hall, FREE S u n d ay,  A p r i l  25% Wind Symphony, 3:00 PM ­ FREE Anderson Center Chamber Hall S u n d a y,  A p r i l  2 5 ”  Piano Extravaganza from the studio of Michael Salmirs, 7:30 PM, Casadesus Recital Hall, FREE Tu e s d ay,  A p ri l  27*" Percussion Ensemble, 8:00 PM  – FREE Anderson Center Chamber Hall Th u r s d ay,  A p r i l  2 9 ”  Mid­Day Concert, 1:20  PM  – FREE Casadesus Recital Hall Th u r s d ay,  A p r i l  2 9 ”  Brass Studio Recital, 8:00 PM  – FREE Casadesus Recital Hall Fr i d ay,  A p r i l  3 0 ”  Flute Studio and Flute Chamber Concert, 10:15 AM, Casadesus Recital Hall, FREE Fr i d a y,  A p r i l  3 0 ”  Saxophone Studio Recital, 4:00 PM  – FREE Casadesus Recital Hall Sa t u r d ay,  M a y 1  ° Composition Seminar S   tudio Recital, 3:00 PM, Casadesus Recital Hall, FREE S u n d ay,  M a y  g t University Symphony O   rchestra:SIavic Spring, 7:30 PM, Osterhout Concert Theater, $$ (FREE for students) For ticket information, please call the Anderson Center B ox Office at 777­ARTS To see all events, please visit music.bin ghamton.edu Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:22:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145325">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145325</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Robert Muller, French horn, April 24, 2010 Recital Tape 2010-4-24 Description An account of the resource Works by Glazunov, Mozart, Bach, Strauss. Held at 3:00 p.m., April 24, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Pej Muller, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-24 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8f81ea44306e698f12576d6371530f35.pdf 84ce2e1f05c4a9113a78e7a4eed39cf1 PDF Text Text BINGHAMTON U  N  1  V  E  R,­S 1_,—T .,  Y_ S TAT E  U N I V E R S I T Y   O F   N E W  Y O R K o d e [4 D E P A R T M E N T C L ARINET S TU D I O S PRING R EC I TA L S 77  y s  P  ,  N E  i from the studio of Sarah Chandler with Margaret Reitz, Piano Saturday, April 17, 2010 3:00 p.m. Casadesus Recital Hall �PROGRAM Five Bagatelles, Opus 23..................cccecuuennnn............Gerald Finzi (1901­1956) I. Prelude  Il. Romance Sonata (1939) for Clarinet and Piano......................Paul Hindemith (1895­1963) II Lebhaft  Ill Sehr Iangsam Adam Davis, clarinet Margaret Reitz, piano James Wu, clarinet Margaret Reitz, piano ..Gerald Finzi (1901­1956) Five Bagatelles, Opus 23  III. Carol  Reinhold Gliére Chanson  (1875­1956) Abby Cohen, clarinet Margaret Reitz, piano (Paul M. Stouffer, arr.) Andante  Allegro vivace Mark DelloStritto, clarinet Stephen Collins, clarinet Pastorale and Boumée...........i coocvivicicii Edward German (1862­1936) Himie Voxman, trans. Zach Stanco, bass clarinet Margaret Reitz, piano Five Russian Duets  In Waltz Style  Round Dance Elegiac Mood Hunter’s Call In Old­Fashioned Style (b. 1918) Anthony Kwon, clarinet Margaret Reitz, piano Sonata I in Eb Major, BWV 525................. Johann Sebastian Bach (1685­1750) I. Allegro  II. Adagio  Richard Wagner Adagio for Clarinet  (1813­1883) A.H.C., piano reduction Kerry Goodacre, clarinet Margaret Reitz, piano ....Nikolai Miaskovsy, Vasyl Barvinksy (1881­1950, 1888­1963) Anthony Kwon, clarinet Zach Stanco, bass clarinet ..............Paul Koepke Scherzo in C Minor ..... Felix Mendelssohn (1809­1847) Fun for Two with Mendelssohn..  Allegro  Ill. Allegro Howard Klug, arr. and ed. Sarah Fenster, clarinet Kyle Doyle, clarinet Brianna Palisi, bass clarinet �PEJ REITZ, pianist, is a native of the Binghamton Area.  She received her Bachelor and M a s t e r  Musicdegreesin piand performarice w ith accompanying emphasis.  She attended Boston University, New England Conservatory and Binghamton University.  She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain  and at the American Institute of Musical Studies in Graz, Austria.  She was a  winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. She has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is on the Executive Board of the New York Disu’ict MTNA organization.  She is President of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. Bingham ton Univers ity Music D epartme nt’s UPCOMING E VEN T S e w w w w w m w b é e o S a t u r d ay,  A p r i l 1  7*" University Chorus: Honegger’s KING DAVID, 8:00 PM, Osterhout Concert Theater, $$ (FREE for students) S u n d ay,  A p r i l 1  8 ” J  unior Recital: Laura MacAvoy, soprano, 3:00 PM, Casadesus Recital Hall, FREE S u n d ay,  A p r i l 1  8 ”  Senior Honors Recital: Stephen Kong, piano, 7:30 PM, Casadesus Recital Hall, FREE Tu e s d ay,  A p r i l  2 0 ”  String Fever: String Studio & Chamber Recital, 8:30 PM, Casadesus Recital Hall, FREE cert, 1:20 PM ­ FREE   Thursday,  A p ri l  2 2 Mid­Day Con Casadesus Recital Hall Fr i d ay,  A p r i l  23™ Junior Recital: Mengru Zeng, piano, 8:00 PM, Casadesus Recital Hall, FREE For ticket information, please call the Anderson Center Box O ffice at 7 77­ARTS To see all events, please visit music.b inghamton .edu Become a fan on Facebook by visiting Binghamto n University  Music D epartment � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:10:57 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145322">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145322</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet studio spring recital, April 17, 2010 Recital Tape 2010-4-17 Description An account of the resource Works by Finzi, Gliére, German, Koepke, Wagner, Hindemith, Mendelssohn, Mussorgsky, Myaskovsky, Bach. Held at 3:00 p.m., April 17, 2010, Casdesus Recital Hall. Creator An entity primarily responsible for making the resource Chandler, Sarah Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154603">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154603</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laura Macavoy, junior recital, February 20, 2010 Recital Tape 2010-4-18 Description An account of the resource Works by Bellini, Schubert, Ravel, Adamo, Copland. Held at 8:00 p.m., February 20, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource MacAvoy, Laura Lawson, William James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ba213711bf93e266df5e0b152f5cbc27.pdf 17aec939106f8957bca009ece9e77b8f PDF Text Text N O T M A H G   N I B VERSITY U N I F STAT E   UN I V E R S I T Y   O  N E W  YO R K [4 M E N T T R A P D E L A T I C E R   O I BRASS S T U D '  ”A/ilIf” W: �PROGRAM .............Arthur Honegger :  (1892­1955) Daniel Fein, trumpet Intrada Concerto in E­flat...................  Allegro con Spirito  .............Johann Nepmuk Hummel (1778­1837) Nicholas Polacco, trumpet His Majesty the Tuba R o b e r Matthew Gukowsky, tuba Legend G e o r g Kevin Hannon, trumpet Bouffonnerie. Allegro con Spirito  : t Dowling   (1942­2006) e Enesco   a (b. 1942) n Trios for H f a r o Finale from F e a u s t Robert Muller, French horn I See a Huntsman......................................... Friedrich Handel Zachary Arenstein, French horn (1685­1759) Charles Gounod  ' (1818­1893) (1835­1921) r o m v r s r o n Wolkenschatten, Op. 136 ­  Tranquillo (1756­1791) (b. 1923) Adagio from Symphony No. 3............................ Camille Saint­Saens ..........Pierre DeGenne (b. 1941) Daniel Pinkham n............Various r (1881­1955) Horn Concerto No. 4...............................Wolfgang Amadeus Mozart ®INTERMISSIONcs Aria and F T Samuel Weintraub, trumpet 1 *  movement: Allegro  .. Nicholas Perrini Festival Fanfare Oh, Dem Golden Slippers.........ccccceeeeererecnennnen. Gordon W. Bowie (b. 1938) ............Jan Koetsier (1911­2006) James A. Bland (1854­1911) �PERFORMERS Accompanist Margaret Reitz Trumpets Daniel Fein – Kevin Hannon – Ryan Levitan Nicholas Polacco – Samu el Weintraub Horns Diana Amari – Zachary A renstein Zachary Birnbaum – Kirstie Cummings – Robert Muller – Natalie Rivera – Alexa Weinberg Trombones Jay Bartishevich – Mogana Jayakumar – William Marsiglia Robert Menard – Kevin Pinkel Euphoniums Damon Dye – Andrew Kaufman Tuba Matthew Gukowsky Timpani Caleb DeGroote Binghamton Uni versity Music Department’s U PC O M I N G  E V E N T S fi f M M M M M M b ­ fi m For ticket information, please call the Anderson Center Box  Office at 777­ARTS To see all events, please visit music.binghamton.edu Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:02:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145280">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145280</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brass studio recital, April 29, 2010 Recital Tape 2010-4-29 Description An account of the resource Works by Honegger, Hummel, Enesco, Mozart, Handel, Perrini, Pinkham, Gounod, Saint-Saëns, Bowie, Bland. Held at 8:00 p.m., April 29, 2010, Casdesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret DeGroote, Caleb Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-29 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/5ffdd5f20db514a040a9f8d9b22f702d.pdf d6237f5b9db6c9df2865c80f954f1150 PDF Text Text BINGHAMTON U N L Y — S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K vwdze & D.& P A R JUNIOR RECITAL MENGRU (IVY) ZENG PIANO with Joanne Danzhou Li, piano Mélanie Laguerre, piano Friday, April 23, 2010 8:00 p.m. Casadesus Recital Hal T �PROGRAM ABOUT THE PERFORM ERS Prelude and Fugue in C Minor, BWV847.............. Johann Sebastian Bach Well­Tempered Clavier, Book 1  (1685­1750) Ten Recess  Prelude in C Major, Op.12 Ne  7  Se re ]  Prokofiev (1891­1953) Piano Sonata in A Major, K.331  I. Theme and Variations: Andante grazioso  Wolfgang Mozart (1756­1791) Piano Trio in A Major for six hands, one piano......... Sergei Rachmanivoff II. Romance  (1873­1943) Joanne Danzhou Li, piano Mélanie Laguerre, piano ® INT ERMISSION 8 Nocturne for the left hand in D­flat Major, Op.9 Ne 2  AlexanderScriabin (1872­1975) Etude in G­flat Major, O p . 5    Etude in  F Major, Op.10N9 8  Fryderyk Chopin (1810­1849) The Nutcracker Suite, Op. 71a ............................Peter Ilyich Tschaikowsky V. Arabian Dance  (1840­1893) Arranged by Eduard Langer for four hands, one piano III. Dance of the Sugar­Plum Fai ry  IV. Russian Dance (Trepak)  VIII. Waltz of the Flowers Arranged by Nicolas Economou for four hands, two pianos Joanne Danzhou Li, piano MENGRU  (IVY)  ZENG,  pianist,  is  a  junior  majoring  in Accounting  in  the  School  of  Management  at  Binghamton University.  She began studying piano at the age of four with one of the best piano teachers in her hom etown city, Dalian, China.  At the  age  of seven, she  won  the  city­wide  Piano  Competition  of Youth  and  Children,  which  was  also  the  first  award  of  many competition prizes she has earned.  In 1998, Zeng started studying piano with Lai  Yuanpei at the Central  Conservatory of Music in Beijing,  China.  She  took  part  in  the  National  Piano  Grade Examination held by the Association of Chinese Musicians in 1999 and received the highest Level­10 ce rtificate.  In 2004, Zeng was invited by the live show “Good Times This Weekend” of Dalian TV Station to perform a piano solo piece, “The Nightingale,” by Mikhail Glinka. Zeng moved to the United States in Ju ne 2004.  She is currently taking  piano  lessons  with  Professor  Ewa  Mackiewicz­Wolfe  at Binghamton  University.  Even  though  Zeng  is  not  pursuing  a professional career as a pianist, music will always be a significant part of her life. Joanne  Danzhou  Li,  pianist,  is  a  senior  at  Binghamton University, majoring in Bio­engineering.  She was born in Harbin, China, and immigrated to the United States in 2003.  In 2002, she won  the  national  Organization  Committee  for  Musical  Trials of Chinese  Youngsters in  Xiamen, China and the National Musical Instrument  Competition  (Piano  Group,  Age  1 2­16)  in  Beijing, China, and  is also the  recipient of the Gold  Medal  in  the  Local Piano Competition in Harbin, China.  Li received the certificate of the  highest  Level­10  in  the  Chinese  National  Piano  Grade Examination  in  2000.  She  has  also  been  the  pianist  for  the Binghamton Chinese Christian Churc h (Chinese division of Twin Orchard Baptist Church) for three yea rs.  She is now studying with Professor Ewa Mackiewicz­Wolfe at Binghamton University. Mélanie  Laguerre  has  been  studying  with  Professor  Ewa Mackiewicz­Wolfe  since  her  freshman  year  at  Binghamton University.  Now a sophomore, Laguerre is a pre­dental student, with a major in biology and minor in music. �Binghamton University Music Department’s. . U P C O M I N G  E V E N T S e Deas  D Muller, French horn,   Saturday, A p r i l 2  4 ” Master’s Recital: Robert  3:00 PM, Casadesus Recital Hall, FREE ,   Saturday, A p r i l  2 4 ” Master’s Recital: Julie Williams, soprano 8:00 PM, Casadesus Recital Hall, FREE Sunday, April 2 5% Wind Symphony, 3:00 PM – FREE Anderson Center Chamber Hall   Sunday, A p r i l  2 5 Piano Extravaganza from the studio of Michael Salmirs, 7:30 PM, Casadesus Recital Hall, FREE Tuesday, A p r i l  27°" Percussion Ensemble, 8:00 PM – FREE Anderson Center Chamber Hall   id­Day Concert, 1:20 PM ­ FREE Thursday, A p r i l 2  9 ” M Casadesus Recital Hall   Thursday, A p r i l  2 9 ” Brass Studio Recital, 8:00 PM – FREE Casadesus Recital Hall Flute Chamber Concert, 10:15 AM,   Friday, A p r i l 3  0 ” Flute Studio and  Casadesus Recital Hall, FREE Friday, A p r i l 3  0°" Saxophone Studio Recital, 4:00 PM – FREE Casadesus Recital Hall Saturday, M a y  1 % Composition Seminar Studio Recital, 3:00 PM, Casadesus Recital Hall, FREE Saturday, May 1 % University Symphony Orchestra: Spring Centennials, 8:00 PM, Osterhout Concert Theater, $$ ( FREE for students) For ticket information, please call the Anderson Center B o x  O ffice at 777­ARTS To see all events, please visit music. binghamton. e du Become a ran on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:03:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145286">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145286</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mengru (Ivy) Zeng, piano, junior recital, April 23, 2010 Recital Tape 2010-4-23 Description An account of the resource Works by Bach, Prokofiev, Mozart, Rachmaninoff, Scriabin, Chopin, Tchaikovsky. Held at 8:00 p.m., April 23, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Li, Joanne Danzhou Laguerre, Mélanie Zeng, Mengru Ivy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e359e800dd3c86832a6e9545be93858d.pdf 3d3a3220a263c936eb2ee34915067516 PDF Text Text INGHAMTON B U  N 1 v  E R s  1 T  Y STATE  UNIVERSITY  OF  NEW  YORK vwdec D E P A R T M E N T 720050sz Y JAZZ M I D ­ D AY  CONCERT  1 Thursday, Apral 8,  2009 £20 p.m. Osterbout Concert Theater Co­sponsored by the Department of Music and the Harpur Jazz Project �ABOUT THE PERFORMER PROGRAM Program selected from the following: Brass Walk  Michael Davis Please Don’t Forget About La Paz! Michael Davis Seabone Shuffle  Michael Davis Three Putt.  Michael Davis Zona .  Michael Davis MIDDAY MUSICIANS Gene Comma, Piano Jeff Guevin,  Bass Joe Roma,  Drums MIKE  Carbone, Alto and IENOR  Saxophone Mo  “geese ” Taylor, Trombone Special thanks to Jupiter music for their financial support Trombonist­composer Michael Davis does it all. Hailed as one of today’s premier  instrumentalists,  he  has  established  himself  as  a  first­call sideman,  both  in  the  studio  and  on  the  concert  stage,  for  the entertainment world’s biggest stars, including the Rolling Stones, Frank Sinatra, Tony Bennett, Nelly, Bob Dylan and Michael Jackson. In the field of music education, he has served as a clinician around the world, while also authoring a number of highly esteemed instructional books and band arrangements for musicians of all ages and abilities. For the past ten years Davis has been forging ahead as an entrepreneur, with Hip­Bone Music, a growing business that presently handles his publishing  activities  and  work  as  a  recording  artist.  Dedicated  to increasing  the  popularity  and  stature  of  brass  instruments  and emphasizing “how hip, cool and fun it is to play music,” Hip­Bone Music is set on expanding its educational focus and becoming a viable avenue for other brass artists. A native of San Jose, California, Davis received his musical training at the prestigious Eastman School of Music in Rochester, New York. Upon graduation he hooked up with the Buddy Rich Band for a two­year stint that brought an immeasurable amount of bandstand experience and a wealth of professional friendships that continue to this day. He settled in Manhattan in the mid­1980s and before long was being regarded as one of the top trombonists around. As testimony to his versatility and wide regard, the list of jazz and pop luminaries he has worked with over the years reads like a who’s who: Sarah Vaughan, Sting, Harry Connick, Jr., David Sanborn, Beck, Branford Marsalis, Aerosmith, Bon Jovi, Sheryl Crow, Lyle Lovett, Terence Blanchard, Bob Mintzer and scores of others. A multiple recipient of awards from the National Endowment for the Arts, Davis maintains his own jazz groups and projects as well. Through Hip­ Bone Music, Davis  has  documented  his  efforts  on five  solo  CDs— Trumpets Eleven, a showcase for 11 virtuosic trumpet masters; New Brass, a melding of jazz and classical brass styles; Brass Nation, a gathering  together  of fifty­five of the  world’s  greatest  brass  players; Bonetown,  a  pairing  of Davis  with  LA  bass  trombone  maestro  Bill Reichenbach; and Absolute Trombone, yet another musical conclave, this time with eighteen New York City­based trombonists. Acknowledged by popular musicians, fellow educators and audiences around  the  world  as  an  immensely  talented  musical  artist  who’s committed to setting the highest standards possible for both jazz and his instrument,  it is no wonder  that  legendary Rolling  Stones  drummer Charlie Watts was moved  to comment, “In this ‘bone­dry’  era,  it is essential to have Michael Davis around.” �Binghamton University Music Departrnentfs, U PC O M I N G  E V E N 7  ’ s Saturday, A p r i l 1  0°" Lecture/Demonstration on Jacques Ibert’s Concertino da Camera: Origins, Ean’y Reception History, and Current Performance Considerations for Alto Saxophone and Orchestra by Professor Daniel Gordon, 11:00 AM, FA 111, FREE (co­sponsored by the B’nghammn University Music Department and the Harpur College Dean’s Visiting Speaker Series) Saturday, A p r i l 1  0°" Junior Recital: Jieun Jang, piano, 3:00 PM, Casadesus Recital Hall, FREE Satu rd ay,  A p r i l 1  0m Sweet Albion: 7he English Cian’net with clarinetist Timothy Perry and pianist Margaret Reitz, 8:00 PM, Anderson Center Chamber Hall, $$ Thursday, April 1 5 ” '  Mid­Day Concert, 1:20 PM —  FREE, FA 21 Fri d ay,  A p r i l 1  6 ”  Master’s Recital: Stephen Brooks, double bass, 8:00 PM, Casadesus Redta/ Hall, FREE Saturday, A p ri l 1  7 ”  Giarinet Studio Redtal, 3:00 PM —  FREE Casadesus Redta/ Hall Satu rday,  A p r i l 1  7 ' ”  University Chorus: Honegger’s KING DAVID, 8:00 PM, Osterhout Concert Theater, $$ (FREE for students) Sunda y , A   p r i l 1  8m Junior Recital: Laura MacAvoy, soprano, 3:00 PM, Casadesus Recital Hall, FREE S u n d ay,  A p r i l 1  8 m  Senior Honors Redtal: Stephen Kong, piano, 7:30 PM, Casadesus Recital Hall, FREE For ticket information, please call the Anderson Center Box O ffice a t  7 77­AR T 5 To see all events, please visit musi c.binghamton.edu Become a fan on Facebook by visiting Binghamton U niversity Music D epartment � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:22:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145283">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145283</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday jazz mid-day concert, April 8, 2010 Recital Tape 2010-4-8 Description An account of the resource Works by Davis. Held at 1:20 p.m., April 8, 2010, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Maricle, Sherrie Leitham, Jennifer Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/26d8ba57a96a9001a325714b034ac5bb.pdf 90eb6221779d6af7adcd9f2504a5148a PDF Text Text BINGHAMTON U N I V E R S I P Y STATE  U N I V E R S I T Y   O F   N E W  Y O R K w i de [4 D E P A R T M E N T MUS IC FOR WIND S AND PERC USSI ON 942 Q2.  . W nd i Sm yphony Robert G. Smith, Cond uctor Sunday, April 25, 2010 3 :00 p.m. Anderson Center Cham ber Hall �THE PERFORMERS PROGRAM Bissau: Rachel Serwetz Windsprints (2004)  ..Richard Saucedo (b. 1957) J. S. Jig .  . Johann Sebastian Bach (1685­1750) Arr. Brant Karrick The Hounds of Spring (1980)  .. Alfred Reed (1921­2005) Spring Divertimento (1992)... l. Fanfare Il. Hymn .Timothy Mahr (b. 1956) F l u te Rachelle Haddad (Principal) Judy Kahn Kathleen Spelman Lindsay Ralbovsky FLUTE Kimberly Hom Rebecca Falik Raquel Goldsmith Laura Demsey Christina Peregrine ECla b  rinet Kristen Weiss lII. Scherzo IV. Serenade V. Dance VI. Flourish BClarinet b  Sarah Fenster (Principal) Kyle Doyle Kerry Goodacre Mark DelloStritto MNTERMISSIONc a Vientos y Tangos ( 2004) ...  ..Michael Gandolfi (b. 1956) American Faces (1995).  Eric Whitacre (b. 1970) .. David R. Holsinger (b. 1945) Brianna Palisi Zach Stanco Soparno Saxophone Alaninxsmhnnsx Alex Horspoal Al Saxophone to  Seonghek Kang laneLSaxmhnnc Dean Papadopoulus Baotrine Saxophone Stephen Collins M o r m o n ! Nick Polaoca (principal) Kevin Hannon cnmfiul Ebflaflnetn Anthony Kwon Cornet Kristin Hohn BClarinet b  David Morrissey Melissa Klepper Mark Norman Vanessa Kay E  Ho r n Natalie Rivera melfl Kirstie Cummings April Lucas (faculty) Nick Quackenbush Jonathan Calhoun Abby Cohen Equus ( 2000)  Bas  Caln riet Brian Lee Trumpe t I I I Kim Metaxas (Grad. st.) Samuel Weintmub th e m ! Zack Birnbaum £11911]! Alexa Weinberg Trombone Jay Bartishevich Immhnnan Mogana Jayakumar Baalmmmg Anthony Frachioni Eup honium Damon Dye (Grad. s t , Principal) Andrew Kaufman Tuba Ma tt Gukowsky Daniel Nevins Piano Jieun Jang Percussion Tom Elefante Boya Gao Adam Goldenberg Ben Ramos Andrew Williamson Michael McManamon �d Symphony. ROBERT G. SMITH is  Music  Director and  Conductor of the University Win sity  and  has Professor  Smith  holds  degrees  from  Hartwick  College,  Binghamton  Univer es advanced o teach ith als completed course work toward the Doctor of M usical Arts. Prof. Sm 2 years as a eer includes 3 instrum ental conduct ing an d grad uate w ind con ducting at BU .  His car Christmas and is form er public school music  educat or. He  conducts the  annual Tripl e Cities Tuba United States. He has conductor of the Maine Com munity Band, the oldest band of its kind in the  ensembles Smith guest conducted all­county bands throughout New York State.  Among other   United States a, The rchestr has conducted are the Goshen College(IND) Wind Ensemble and O the  Vestal and  Y)  Army  Ground  Forces  Band(GA),  the  Southe rn  Tier  Conce rt  Band(N al euphonium with th e Comm unity Band(NY).  An act ive performer, he currently plays princip ss rown City Bra Southern Tier Concert Band and tuba with the Brass Nickel quintet and the C   Music  Educators sextet.  Smith  is  the  immediate  past  president  of  the  Broom e  County .  Professional Award   Service uished  Association  and  recipient  of the  2005  BCMEA  Disting w York State the Ne ation,  Associ membe rships  include The Broome  Coun ty Music Educators  al  Band Nation The  ence,  School  Music  Association,  the  Music  Educators  National  Confer ion ssociat orld A Association, The Association of Concert Bands, The Conductors Guild, The W iation and the of Sym phonic Bands and Ensembles, The College Band Directors National Assoc International Tuba and Euphonium Association Bin gha mton U niversity  Mu sic Dep artm ent ’ s U P C O M I N G  E V E N T S F I M M M M M M M M É ' Sund a y, Apri l 2 5 ”  Piano Extravaganza from the studio of Michael Salmirs, 7:30 PM, Casadesus Recital Hall, FREE  ' T uesd a y, Apri l 2 7 ”  Percussion Ensem ble, 8 :00 PM – FREE Anderson Center Chamber Hall   id­Day Concert, 1:20 PM – FREE Th ursd a y, A pri l  2 9 ” M Casadesus Recital Hall Th ursd a y, Apri l 2 9 ”  Brass Studio Recital, 8 :00 PM – FREE Casadesus Recital Hall Fri da y, Apri l 3 0 ”  Flute Studio and Flute Chamber Concert, 10:15 AM, Casadesus Recital Hall, FREE Fri da y, Apri l 30™ Saxophone Studio Recital, 4 :00 PM – FREE Casadesus Recital Hall For ticket information, please call the Anderson Cen ter Box O ffice  at 777­ARTS To see all events, please visit m usic. bingham ton.edu Become a fan on Facebook by visiting Bing ham ton U niversity  Music Dep artm ent � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:01:02 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145319">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145319</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music for Winds and Percussion, April 25, 2010 Recital Tape 2010-4-25 Description An account of the resource Works by Saucedo, Bach, Reed, Mahr, Gandolfi, Whitacre, Holsinger. Held at 3:00 p.m., April 25, 2010, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource University Wind Symphony Smith, Robert G. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/3e2e9cee2ec03dcd9f4d017bb2bd6dd9.pdf d1848b7108f7660aea5babd09a41c09d PDF Text Text B INGHAMTON U N I V E R S I T Y STAT E  U N I V E R S I T Y   O F   N E W   YO R K L172 2% [4 D E P A R T M E N T Senior  Recital JOANNE DANZHOU LI PIANO W i th G race Kim, violin And rew Tsai, violin J enni fer Ch e n,  cello Kimberly M etaxas, clari net Mengr u Zeng, pian o Mélanie Lag uerre, piano Ewa Mackiewicz­Wolfe, piano Saturday , May 8, 2010 3 :00 p.m. Casadesus Recital Hall �ABOUT THE PERFORMERS PROGRAM Melodie. .  .Fritz Kreisler (1875­1962) G race Kim, violin Piano Concerto No. 1 in E minor, Op. 11......  ..Fryderyk Chopin I.  Allegro maestoso  II.  Ramance – Larghetto (1810­1849) Ewa Mackiewicz­Wolfe, piano II.  Romance  .  is also the recipient of the Gold Medal in the Local Piano Competition in Harbin,  China,  and  the  Silver  Medal  in  the  Provincial  Level  Piano .Sergei Rachmaninoff (1873­1943) Melanie Laguerre, piano I  Allegro con brio  ..Ludwig van Beethoven Jennifer Chen, cello (1770­1827) Kimberly Metaxas, clarinet Liebesleid (Love’s Sorrow) & Liebesfi'eud (Love’s Joy).....Fritz Kreisler (1875­1962) And rew Tsai, violin The Nutcracker Suite, Op.71..  V.  Arabian Dance ..1.Peter Ilyich Tschaikowsky (1840­1893) Arranged by Eduard Langer Sor four hands, one piano III.  Dance of the Sugar­Plum Fairy  IV.  Russian Dance (Trepak)  VIII.  Waltz of the Flowers Arranged by Nicolas Economou Jor four hands. two pianos Mengr u Zeng, piano In 2002, Li won the National Organization Committee for Musical Trials of  Chinese  Youngsters  in  Xiamen, China and  the National  Musical Competition in  the province Hei  Long Jiang, China.  Li  received the Mengr u Zeng, piano Piano Trio No.4 in B” Major, Op.11  .  .  Chen, a well known pianist and pi ano professor in local areas of Chi na. Instrument Competition (Piano Group, Age12­16) in Beijing, China.  She at) INTERMSSION ca Piano Trio for six hands, one piano.  .  JOANNE DANZHOU LI, pianist, is a graduating senior at Binghamton University,  majoring  in  Bioengineering  in  the  Watson  School  of Engineering and Applied Science.  She was born in Harbin, China, and immigrated to the United States in 2003 at the age of 16.  She started to learn the piano at the age of three with her primary piano teacher Na certificate of the highest level (Level 10) in the Chinese National Music Examinations in 2000.  During the summer of 2004, she participated in the yearly event, “The Summer o f H   arbin” concert as one o f t he pianists in the “Hundred­person piano“ performance. Moreover, she has been the pianist for the Binghamton Chinese Christian Church (division of Twin Orchard Baptist Church) for two years. Now,  she  has  been  studying  the  piano  with  Professor  Ewa Mackiewicz­Wolfe since her freshman year at BU,  Although Li  is not pursuing her future career as a musician, she will always keep learning and playing the piano as an essential part of her life because music is truly something that she cannot live without. Ewa  Mackiewicz­Wolfe,  adjunct  Piano  Professor  at  Binghamton University,  received  her  Bachelor  and  Master  degrees  in  Piano Performance from the Academy of Music in  Lodz, Poland  where she continued as an Assistant Professor and Master Lecturer in music. She won the First Prize of the International Competition of Renaissance and Baroque Music in Warsaw, Poland, and is also the recipient of numerous awards including the international  music competitions in Germany and Hungary. She continued an active performing career as a recitalist, chamber musician  and  a  soloist  with  symphony  orchestras.  She  performed throughout Europe, Canada and the Northeast United States including �Jordan  Hall  of  the  New  England  Conservatory  of  Music,  Phillips Academy and Boston  University. Acclaimed  for her performances of Fryderyk  Chopin  music, she  has given  remembrance  concerts at the Consulate  General  of France, the Consulate General  of Poland, New York City, the Hamilton Conservatory of Arts, Hamilton, Canada and the New England Chopin Society, Boston. In  the concert season of 2008­2009, Mackiewicz­Wolfe appeared in recitals and chamber music concerts featuring Grieg’s Sonata for Cello and Piano with cellist Stephen Stalker; Rachmaninoff’s Suites No. 1, 2 and Symphonic Dances for Two Pianos and the Binghamton premier of John Adams’s  Hallelujah Junction for Two Pianos with pianist Michael Salmirs as part of the Fredheim Memorial Series. Mengru  (Ivy)  Zeng, pianist,  is  a  junior  majoring  in  Accounting  in School of Management at Binghamton University.  She began studying piano at  the age  of four with  one  of the  best  piano teachers  in  her hometown city, Dalian, China.  At the age of seven, she won the city­ wide Piano­performing Competition of Youth and Children, which was also the first award of many competition prizes she has earned.  In 1998, Zeng  started  studying  piano  with  Lai  Yuanpei  at  the  Central Conservatory of Music in Beijing, China. She took part in the National Piano Grade Examination held by the Association of Chinese Musicians in 1999 and received the highest Level­10 certificate.  In 2004, Zeng was invited by the live show “Good Times This Weekend” of Dalian TV Station to perform a piano solo piece, “The Nightingale,” by Mikhail Glinka. Zeng moved to the United States in June 2004.  She is currently taking  piano  lessons  with  Professor  Ewa  Mackiewicz­Wolfe  at Binghamton University. Even though Zeng is not pursuing a professional career as a pianist, music will always be a significant part of her life. Mélanie LaGuerre, pianist, has been studying with Ewa Mackiewicz­ Wolfe  since  her  freshman year at Binghamton  University. Now as a sophomore, she is a Pre­Dental student, and her major is Biology and her minor is  music. At a young age, her piano studies started at Sylvia’s Ballet Academy in her hometown Long Island, NY.  At the academy she developed a love for classical composers such as Frederic Chopin, and Franz Liszt. Jennifer  Elizabeth  Chen  has  been  a  cellist  for  over  12  years.  A Rochester,  NY  native,  she  has  played  cello  with  several  different orchestras and ensembles, including the Rochester Philharmonic Youth Orchestra,  various  All­State  and  All­County  orchestras,  and  most recently, the Binghamton Symphony Orchestra.  She most recently won the Binghamton University Student Concerto and Aria Competition and appeared  as  a soloist  with  the  Binghamton  Symphony  Orchestra  in March.  Jennifer is in her third and final year at Binghamton University, majoring  in  Mathematics  and  Psychology.  She  has  been  actively developing her musicality through the music department at Binghamton University with involvement in several chamber groups, private studio lessons,  as  well  as  membership  in  the  orchestra.  As  a  student  at Binghamton University, Jennifer has been a Resident Assistant for two years.  This University Scholar is a member is Phi Beta Kappa and Phi Kappa  Phi,  and  has  been  awarded  with  the  President’s  Award  for Undergraduate  Student  Excellence  and  the  Chancellor’s  Award  for Student Excellence.  Upon graduation this coming May, Jennifer will be attending Columbia University as a Math for America fellow, pursuing a career in teaching secondary mathematics, but hopes to continue playing the cello in the upcoming years. Kimberly Metaxas, clarinetist, a native of Vestal, NY, is a graduate student of conducting at Binghamton University studying with Professor Robert  Smith.  Ms.  Metaxas  holds  a  Bachelor’s  Degree  in  Music Education  from  SUNY  Fredonia,  and a  Bachelor’s  Degree  in  Music Therapy from Michigan State University.  She is a music teacher for the Susquehanna Valley and Union­Endicott High School marching bands, and BOCES summer school program.  Most recently, Ms. Metaxas has been a member of Binghamton University’s Wind Symphony and Harpur Jazz Ensemble,  Vestal  Community  Band, and the Empire  Statesmen Drum and Bugle Corps. And rew Tsai, violinist, hails from Massachusetts, and has been playing the violin since the age of five. He has been in many youth and school orchestras, as well as district festival orchestras. He is currently studying under Dr. Janey Choi, and  participates in  the Binghamton University Orchestra. �Grace Kim, violinist, is a freshman at Binghamton University.  She was born in Frankfurt, Germany. Her inspiration of music came from her dad who is a pianist and a professor in Korea. She started playing violin since Binghamton University Music Department’s State and All­County Orchestra, Wisconsin Youth Symphony Orchestra, and  Several  youth  orchestras  in  Seoul,  Korea.  She  is  currently  in Binghamton  Symphony Orchestra. She is involved  in  chamber group W  45­ The Binghamton University Department of Music is proud to present its 2010­2011 season concerts. The Department of Music presents over 100 concerts (most of which are free) from solo recitals to orchestra the age of 6. She has played violin in many orchestras including All­ under  Professor  Crawford and taking studio  lessons under Dr.  Janey Choi. U P C O M I N G  E V E N T S concerts to jazz presentations which include a variety of performances by guest, faculty and student artists. For a complete list of our concerts and more, visit us at music.binghamton.edu. AUGUST 2010 Summer Youth Musical Theater Workshop presents Titanic SEPTEMBER 2010 Jonathan Biggers, organ OCTOBER 2010 Reunion Recital with Marietta Simpson, mezzo­soprano University Symphony Orchestra’s Children’s Concert: All Creatures Viola Plus with Roberta Crawford Guest Organists: Michael Bauer & Marie Rubis NOVEMBER 2010 University Chorus Jonathan Biggers, organ Czech Vocal Music: Mary Burgess, soprano, Timothy LeFebvre, baritone, and guest artist Timothy Cheek, piano DECEMBER 2010 University Symphony Orchestra: All­American Program Harpur Jazz Ensemble with guest artist FEBRUARY 2011 Faculty Recital: Timothy LeFebvre, baritone and Michael Salmirs, piano University Symphony Orchestra Jonathan Biggers, organ APRIL 2011 Harpur Jazz Ensemble with guest artist Jonathan Biggers, organ Pianist Michael Salmirs presents a Chopin & S chumann 200th Birthday Celebration MAY 2011 University Chorus with the University Symphony Orchestra present Choral Masterworks: Roman Maciejewski : Requiem, Book 1; Poulenc: Gloria �Melodienstrauld Jl Spring Bouquet of German Lieder, aflrizas & Ensembles German Lyric Diction Finzl Coneert ­ Judy Berry, Instructor a  N E 44/9?   "(\\‘§©/9/// = . Th u ,  M ay 13th at 8 pmi’  3  ;  ,  G 7”), BINGHAMTO} Lasrdesus Recital Hall ­ free  T1111}? T T TT   ' .  p  —–  rane WSKG Public Broadcasting mollumom  a l l a I : I  Lr IF  vn l ’—l I I v: — — —   – . _ — _ — — pTe n i­–­­ “ p r i aTi m m– n u n a  FvENNEN v M EER —   0 — H E inoniyn E Boe —_­——  —  y — — —   —   iridium – slum 4,th � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:24 35:21 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145295">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145295</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joanne Danzhou Li, piano, senior recital, May 8, 2010 Recital Tape 2010-5-8 Description An account of the resource Works by Kreisler, Chopin, Rachmaninoff, Beethoven, Tchaikovsky. Held at 3:00 p.m., May 8, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Li, Joanne Danzhou Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/51293554810b7e26ba041741397bdfd6.pdf 774043d1da4718ff9c88b318649d83f0 PDF Text Text INGHAMTON B U  N  I  V  E  R  S  I  T  Y S TAT E  U N I V E R S I T Y   O F  N E W   Y O R K D E P A R T M E N T MASTER’S R ECITAL JENNIFER GROVES SORRANO with M ar gar et7 361234  P i a n o Saturday, May 8, 2010 8:00 p. m CayadaSWRecétal/Halb �PROGRAM PROGRAM O leggiadri occhi belli .  Anonymous Intorno all’idol mio.  Antonio Cesti (1623­1669) Che fiero costume ..Giovanni Legrenzi (1620­1690) Vaghe stele. . Francesco Cavalli (1602­1676) Cinq mélodies populaires Grecques...  .  .  I. La réveil de la mariée  II. La­ bas, vers I'église Ill. Quel galant! IV. Chanson des cueilleuses de lentisques V. Tout gai! Maurice Ravel (1875­1937) wINTERMISSIONa .  .  .  .  .  .  ...GustavMahler (1860­1911) Early in the Morning  .  .  .  .  .  .  .  .  .  Ned Rorem O You Whom I Often and Silently Come  (b. 1923) Stopping by Woods on a Snowy Evening I am Rose Go, Lovely Rose developed a fondness for the “handsome“ youth, who is currently in a poison induced deep sleep. Oh lovely, beautiful eyes. my beloved eyes. (1858­1924) Liebstdu um Schdnheit..  Fruhlingsmorgen  Erinnerung Scheiden und Meiden Erismena, currently  disguised a s  a  young captured soldier. Aldimira  has 0 leggiadri occhl belli (Oh Lovely, Beautiful Eyes) Quando me’n vo’  .  .  .  .  .  .  .  .  .  .  Giacomo Puccini From La Bohéme  The first set of Italian songs all date to the 17'“ Century. With the exception of the first piece, each of these songs are originally from operas. “Intorno all’idol mio”  is from the opera  Orontea, which premiered in 1656.  Orontea, the Queen of Egypt sings to her secret love, Alindoro, a common painter, after he has fainted. “Che  fiero costume,”  from the opera  Ereocle  e Polinice, opened in 1675. It tells the Greek story of Oedipus’ twin sons. This arietta, one of 90 arias from the opera, is a rant about the unhappiness caused by Cupid and the irony that he is still a suckling babe. “Vaghe stelle” is from the opera Erismena. It opened in 1655 in Venice. A manuscript of an English version of the opera from the 1670‘s makes it the earliest known opera written in English. In January 2009, Bodleian Library of Oxford University announced  the  acquisition  of the  earliest  surviving  score  of Erismena purchased from a private collection. The translation given here is from this English  version.  Aldimira,  the  courtesan  to  the  king,  is  trying  to  wake living rays from heaven, so bright and clear, since you desire so much to see me languish, to see me die, lovely eyes that I adore, see how I die. Oh bright lights, oh beloved lights, so cruel and merciless to my love, since you so enjoy the fire that I feel from my severe affliction, oh look at me a little and rejoice in my fire. Intorno all’idol mio (Around my Idol) Around my idol Breathe, merely breathe, Winds sweet and gracious And on the favored cheeks Kiss him for me, courtly breezes! In my love who rests On the wings of peace Pleasant dreams provoke. And my h idden ardor Reveal to him for me O spirits of love. �Che liero costume (How Cruel the Custom) What a cruel practice, that Cupid, the winged god, Should make himself adored by causing pain. And yet in m y passion the traitorous god makes me worship a lovely face. La­bas, vers I'église (Yonder, Near the Church) Yonder, near the church, Near the church Ayio Sidero, the church, 0 Virgin Saint, the church Ayio Constanndino, are gathered together, What a cruel fate, that a blind child not yet weaned, should have made himself so important! But this tyrant, with barbarous deception entering through my eyes, made me sigh. assembled in infinite numbers, in the world, 0 Virgin Saint, all the bravest in the world. Vaghe stelle (Stars Transcendent) Stars transcendent, lights resplendent, why thus sleep ye? Que! galant! (What Gallant!) What gallant can be compared with me among those who are seen passing by? Tell me, Mistress Vassiliki? Display the serene of your beauteous eyes, Let love play his part on this stage of m y heart, Shoot hither his shafts and fix here his dart. Ye  splendors so clear, unveil and appear. Look, hanging on my belt pistols and a sharp sword And it is you whom I love. Stars transcendent, lights resplendent, why thus sleep ye? Cinq mélodies populaires Grecques (Five Popular Greek Melodies) These five songs, set in 1907, are authentic Greek folk songs harmonized by Ravel. From the fourth song, a Ientisk is a small evergreen shmb found all over Greece. It is cultivated for its resin but the leaves and fruit are also used for various uses from cooking  to lamp oil. The resin has been used as chewing gum since ancient Greece. Le réveil de la Mariée (The Awakening o f  the Bride) Wake up, dear little partridge, Open your wings in the morning. Three beauty spots have set my heart aflame. See the golden ribbon that I bring you to tie around your hair. If you wish, my beauty, come let us be married! In our two families all are related. Chanson des cuellleuses de lentisques (Song of the Lentisk Gatherers) O joy of my soul, joy of m y heart, treasure so dear to me; joy of the soul. and of the heart, you whom I ardently love, you are more beautiful than an angel. O when you appear, angel so sweet, before our eyes, like a lovely, blond angel under the bright sun, alas, all our poor hearts sigh! Tout gai! (All Gay!) All gay. ah, all gay; lovely leg, tireli that dances, lovely leg, the crockery dances. Tra­la­la. �Quando m’en vo Erinnerung (Memory) My love wakens the songs ever anew! Musetta, a coquette, has arrived at the Café Momus with her new aging admirer. She sings this to force attention from Marcello, her former lover, whom she still has feelings for. M y  songs waken my love ever anew! My lips which dream of your fervent kisses, In song and melody they have to chant of you! And if my thoughts would like to dismiss love, When I go out alone in the street People stop and stare... and they all study in m e my beauty from head to foot. And then I savor the subtle desire that breathes forth from their eyes, which know how to appreciate, the hidden beauties of my obvious charms. Thus the flow of desire completely surrounds me; It makes me happy! And you who know, who remember and are melting with passion—you avoid me so? I know well: your sufferings—you don’t want to tell them; I know well, But you feel like you’re dying! Then my songs come to m e with Iove‘s lament! Thus I am h eld captive by these two forever! The song will waken love! And love wakens the songs! Scheiden und Meiden (Partings) There rode three horsemen out of the gate Goodbye! Goodbye! Liebst  du  um  Schénheit  was  originally  composed  in  1902,  with  piano accompaniment for Mahler‘s wife Alma. On November 13, 1889, shortly after his mother’s  death, Mahler premiered Fn‘ihlingsmargen,  En’nnemng,  and Scheiden und Meiden together in a concert in Budapest. Eventually these songs were published as part of the collection Lieder und gesénge. Liebst du um Schonheit (If You Love for Beauty) If you love for beauty, 0 love not me! Love the sun, she has golden hair! If you love for youth, 0 love not me! Love the spring who is young each year! If you love for riches, O love not me!  Love the mermaid who has many shining pearls! If you love for love, oh yes, love me! Love me ever, I’ll love you always! Friihlingsmorgen (Spring Morning) There taps at the window the linden tree With branches, blossomladen: Arise! Arise! Why do you lie in a dream? The sun has come up! Arise! Arise! And what is more, I saw your merry sweetheart already. Arise, you sleepyhead! Sleepyhead, arise! Arise! Arise! i A sweetheart looked out of the window! Goodbye! Goodbye! Goodbye! And if we really must part, Then give me thine little gold ring! Goodbye! Goodbye! Yes, parting and separation causes pain! Yes, parting and separation causes pain! Goodbye! Goodbye! Goodbye! The child will leave already in its cradle! Goodbye! Goodbye! When will my sweetheart be mine? Goodbye! Goodbye! And if it won’t be tomorrow, Oh, could it be but today! It would make us both so happy! Goodbye! Goodbye! Goodbye! Goodbye! Goodbye! Goodbye! Yes, parting and separation causes pain! Yes, parting and separation causes pain! Goodbye! American composer, Ned Rorem is best known for his prolific song writing, over 500 art songs in total. The songs I have chosen are mainly from earlier in his career although he has not stopped composing.  Earty in the Morning, composed 1955, text by Robert Hillyer; O You Whom I Often and Silently Come, composed 1957, text by Walt Whitman; Stopping by Woods on a Snowy  Evening,  composed  1947,  text  by  Robert  Frost;  I  am  Rose, composed 1955, text by Gertrude Stein, Go, Lovely Rose, composed 1978­ 1979, text by Edmund Waller.  ' �ABOUT THE PERFORMERS Jennifer Groves Jennifer  Lee  Groves,  lyric  soprano,  has  been  praised  for  her “beautiful phrases and soft high notes” (Broome Art Mirror) in her recent role as Lauretta in Gianni Schicchi with Tri Cities Opera, where she is currently a resident artist. She is also finishing her Masters of Music in Opera at Binghamton University. Other roles with Tri­Cities Opera  include Gianetta (L’elisir  d’amore), Barbarina (Le  nozze di Figaro), Sandman/Dew Fairy (Hansel  and Gretel),  Miss Pinkerton (The Old Maid and the Thief), Page (Amahl and the Night Visitors), and  Page  (Rigoletto).  She  received  her  Bachelors  in  Vocal Performance from SUNY Geneseo where she studied with William Leyerle. Currently she studies with soprano Mary Burgess and TCO Artistic Directors Peter Sicilian and Duane Skrabalak. This summer she will be in Colorado  making her Crested Butte Music Festival debut as a young artist singing Musetta in La Bohéme, in addition to participating in a series of  opera scenes and concerts. Ms. Groves is a native of Pawling, NY. Margaret Reitz Pej Reitz, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master o f Music degrees in piano performance with accompanying  emphasis.  She  attended  Boston  University,  New England Conservatory and Binghamton University.  She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter  Ponce  and  accompanying  with  Allen  Rogers.  She  has accompanied  throughout  the  United  States,  in  England,  South America, Spain and at th e American Institute of Musical Studies in Graz,  Austria.  She  was  a  winner  of the  Artistic  Ambassadors Program by the United States Information Agency in partnership with the John F.  Kennedy Center for the performing arts. She has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is on the Executive Board of the New York District MTNA organization.  She is President of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:25:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145292">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145292</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jennifer Groves, master's recital, May 8, 2010 Recital Tape 2010-5-8 Description An account of the resource Works by Cesti, Legrenzi, Cavalli, Ravel, Puccini, Mahler, Rorem. Held at 8:00 p.m., May 8, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Groves, Jennifer Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:40:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145289">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145289</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jana Kucera, master's recital, May 9, 2010 Recital Tape 2010-5-9 Description An account of the resource Works by Cavalli, Cesti, Parisotti, Sarti, Haydn, Puccini, Hahn, Smetana, Haas, Dvorak, Ježek. Held at 3:00 p.m., May 9, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Kucera, Jana Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-05-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound