71 10 1775 https://omeka.binghamton.edu/omeka/files/original/5523193cbcd064ea6726ff37255516f8.pdf 090d12323ab28361877833e595a8a92d PDF Text Text INGHAMTON B U N I V E R S I T Y OF  N E W  Y O R K S T A T E   UNIVERSITY  vdeo [4 D E P A R T M E N T SAXOPHONE STuDIO RECITAL E  X 21 23)  ,  “ '  g , ‘   « v ­ . V Sv  = 513  i  R H I   '  ¢ 0 A b  I with M a r g a r e t72  04134  Pia/no Frid ay, April/30, 2010 4.00 p . rm CmadeéwkecémJ/Hafl/ �PROGRAM Sicilienne  Pierre Lantier Dean Papadopoulos. Alto Saxophone Margaret Reitz, Piano (1910­1993) PittCountyExcurs/ons...  A .  ..  .  .  .  William Duckworth March  (b. 1943) Serenade Air Ragtime Bradley Alder, Tenor Saxophone Margaret Reitz, Piano Three Romances  IliA  N ot F a st  .Robert Schumann (1810­1956) Transcribed by Fred Hemke Andrew Block, Alto Saxophone Margaret Reitz, Piano Scaramouche A .  .  A .  .  .  .  .  .  .  4  .ADarius Milhaud II.  Modere  III. Brazileira (1892­1974) Daniel Fagen, Alto Saxophone Margaret Reitz, Piano Six Barefoot Dances4..  .  ..  A .  .  .  .  ..John David Lamb 1 .  F i r m   (b. 1 935) 2. Swinging 3. Walking 4. Lively 5. Jaunty 6. Brisk Daniel Fagen and Dean Papadopoulos Alto Saxophones Premier Quatour  A .  .  .  .  A  ... Jean Baptiste Singelee l. Andante  (1812­1875) Allegro Petit Quatour.  .  .  .  .  .  4  .  .  .  .  .  Jean Francaix I.  G ag uenardise  Cantina Band. (1912­1997) John Williams (b. 1 932) The Binghamton University Saxophone Quartet Daniel Fagen, Soprano Saxophone Andrew Block, Alto Saxophone Raymond Hendricks, Tenor Saxophone Dean Papadopoulos, Baritone Saxophone Two Rags for Saxophone Ensemble ..  .  Arthur Frackenpohl 1. S a d  R a g  2. Glad Rag Daniel Fagen, Soprano Saxophone Andrew Block, Alto Saxophone I Nicholas Lord, Alto Saxophone II Raymond Hendricks and Bradley Alder, Tenor Saxophone Dean Papadopoulos, Baritone Saxophone Special Guest, Anthony Alduino, Bass Saxophone (b.1923) �ABOUT THE PERFORMER S PEJ REI TZ, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis.  She attended Boston University, New England Conservatory and Binghamton University.  She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain and at the American Institute of Musical Studies in Graz, Austria.  She was a  winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. She has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is on the Executive Board of the New York District MTNA organization.  She is President of the local District V I I  Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. TONY ALDUINO is a music educator in the Susquehanna Valley School District and an active musician in the Southern Tier.  He is frequently called upon to play  saxophone with the Sammy  Kay  Orchestra, Music Unlimited, the Terry Walker Project and the Southern Tier Concert Band. Mr. Alduino is also the baritone saxophonist with the Empire Saxophone Quartet, a  professional  ensemble  of  the  highest  caliber.  They  have toured throughout the United States and can be heard on several CDs. Mr. Alduino has also recorded with the Rascher  Saxophone Ensemble, the Fredonia Saxophone Ensemble, and the Saxophone Sinfonia, an 18 piece saxophone ensemble that performed in Alice Tully Hall at Lincoln Center.  He teaches saxophone at The Woodwind Studio in Conklin.  He is  on  the  Executive  Board  of  BCMEA  and  is  a  NYSSMA  All­State adjudicator.  Prior to coming to the Binghamton area, Mr. Alduino was a member of the Onondaga Community College faculty and saxophonist with the Syracuse Symphony Orchestra.  He is the father of two, Gina Kline, a music teacher in the Union Endicott School District and Angelo Alduino, a computer expert in  NYC.  He  enjoys kayaking, biking  and skiing. BRADLEY ALDER, Sophomore, Major: Biochemistry ANDREW BLOCK, Freshman, Major: Engineering D A N I E L  FAGEN, Senior, Major : Psychology/Music RAYMOND HENDRICKS , Sophomore, Major: Industrial Engineering NICHOLAS LORD, Senior, Union Endicott High School DEAN PAPADOPOULOS , Sophomore, Major: Accounting/M15 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:12:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154600">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154600</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saxophone studio recital, April 30, 2010 Recital Tape 2010-4-30b Description An account of the resource Works by Lantier, Duckworth, Schumann, Milhaud, Lamb, Singelée, Williams, Frackenpohl. Held at 4:00 p.m., April 30, 2010, Casdesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/65bf0d28198d0625c8c9e8162415a80f.pdf bc12847adab9756e6e9b48702d817a4c PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y STATE  U N I V E R S I T Y   O F  N E W   Y O R K ZEAL D E P A R T M E N T 117055011 Y 17172014 YC’OMC’E’ET Tursday, Apzal 2/9, 2010 £ 2 0 p . m . Casadasus Recital Hal �PROGRAM Trio in B­flat Major, Op. 11 ..  Allegro con brio  .Ludwig van Beethoven Kim Metaxas, clarinet Joanne Li, piano Jennifer Chen, cello Seligkeit Die Manner sind méchantl, Op. 95, no. 3 .   Samantha Banton, soprano Chai­Kyou Mallinson, piano (1770­1827) Har pur  Chorale & Women’s Chorus Th ur., M a y  6th a t 8  p.m. ­­ Anderson Centcrchaml’w Hall ­ Free . Franz Schubert (1797­1323) as est  . ‘ 1  “Os­G? A,  2. Beth’s Aria, “Have peace, Jo,” from Little Women (1998).. Mark Adamo Amanda Chmela, soprano Margaret Reitz. piano Ze svych pini triin ti udelam.  (from Five Evening Songs)  Darek z Iasky.  (b. 1962) 7  l a   ' g   .j . Bedfich Smetana (1824­1884) r  g  ,  C  T da B 3 0   4M fogmore information; VISIL ourgs”  [ ­ 7 b BINGHAMTON  ‘  ‘  ' '  1  t ‘ ‘_‘ '  Swebsitelat;musicibinghamton.edu’’  \ * ­ .. Pavel Haas (from Seven Songs)  (1899­1944) Ten ptacek, ten se naspiva (from Evening Songs). .Antonin Dvorak Nahrobek “Donu Janovi” (from Express  Train)..  ..Jaroslav Jezek Jana Kucera. soprano Chai­Kyou Mallinson, piano Sonata in C minor.  2’" movement: Poco Adagio  Daniel Bessel. bassoon Emily’s Aria, “Take me back,” from Our Town (2006) Amanda Chmela, soprano Margaret Reitz. piano Don Quichotte a Dulcinée  Chanson Romanesque  Chanson Epique Chanson a Boire Julian Whitley. baritone William James Lawson, piano (1841­1904) (1906­1942) Melodienstrauls A Spring Bouquet oi’ German Lieder, $i.rlss & Ensembles q German Lye­Ir Diction Final Concert ­ Judy Berry, Instructor . C. P. E. Bach (1714­1788) Ned Rorem (b. 1923) ”31?  $632  4 3/3“, $ 8 i n . Maurice Ravel (1875­1937) ~~  The, May 13th  31  ; 8 pm . 1’ (5959485118 Recital HQLL­ Free  6) Y o BINGHAMTON UNIVERSITY �Binghamton  University M usic Depart ment ’s U P C O M I N G  E V E N T S D 9 5 3 Thursday, April 2 9 ”  Brass Studio Recital, 8:00 PM – FREE Casadesus Recital Hall Fri da y, A pri l 3 0 ”  Flute Studio and Flute Chamber Concert, 10:15 AM, Casadesus Recital Hall, FREE Fri da y, A pri l 30™ Saxophone Studio Recital, 4:00 PM – FREE Casadesus Recital Hall Satur d a y,  M a y 1% Composition Seminar Studio Recital, 3:00 PM, Casadesus Recital Hall, FREE Su nda y, M a y 2 ” University Sympho   ny Orchestra: Slavic Spring, 7:30 PM, Osterhout Concert Theater, $$ (FREE for students) W ed nesda y, Ma y 5%"  Composition I Class Concert, 2:00 PM – FREE Casadesus Recital Hall W ed nesda y, M a y 5°h Conductor s’  Concert, 8:00 PM  – FREE Anderson Center Chamber Hall T h ursd a y, M a y  6 ” S  tudent Recognition Mid­Day Concert, 1:20 PM, Casadesus Recital Hall, FREE T h ursda y, M a y 6"h Harpur Chorale and Women s’  Chorus, 8:00 PM, Anderson Center Chamber Hall, FREE Fri da y, Ma y 7 ”  Master s’  Recital: Julian Whitley, baritone, 8:00 PM, Casadesus Recital Hall, FREE For ticket information, please call the Anderson Center Box Office at 777­ARTS To see all events, please visit music.binghamton.edu Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:38:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145277">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145277</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, April 29, 2010 Recital Tape 2010-4-29 Description An account of the resource Works by Beethoven, Schubert, Adamo, Smetana, Haas, Dvorak, Ježek, Bach, Ravel. Held at 1:20 p.m., April 29, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Metaxas, Kim Chen, Jennifer Banton, Samantha Chmela, Amanda Kucera, Jana Whitley, Julian Li, Joanne Mallinson, Chai-Kyou Reitz, Margaret A Lawson, William James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-29 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/24788ed76c81f50902999cbae0d2713d.pdf cfbb767190a5ce7167fa907ff77c3737 PDF Text Text BINGHAMTON U N I V E R S I T Y ] State University of  New York e d e [4 D E P A R T M E N T UNIVERSITY PER CUSSION ENSEMBLE CON CERT H Daniel Fabricius, Conductor Marc Silvagni, Assistant Conductor and Drum Set Soloist Lee Vilinsky, Student Conductor Tuesday, April 27, 2010 8:00 P M Anderson Center Chamber Hall �PROGRAM You’re So Cool.  UNIVERSITY PERCUSSION ENSEMBL E PERSONNEL .. Hans Zimmer Arranged by Lee Vilinsky Lee Vilinsky, Conductor Forrest Rain (1974) . Niel DePonte Blue Rondo A La Turk (1960)  . Dave Brubeck Arranged by Steve Yeager BO  INTERMISSION cu Ogoun Badagris (1981) ..  .Christopher Rouse Rush Arranged by Marc Silvagni Marc Silvagni, Conductor Suite for Solo Drum Set & Percussion Ensemble (1982). . Dave Mancini Marc Silvagni, Drum Set Samuel Bae Adam Goldenberg Amanda Jacobs Mike McManamon Marc Silvagni Devan Tracy Lee Vilinsky Andrew Williamson DANIEL  FABRICIUS  has  been  a  member  of  the  Binghamton University  faculty as percussion instructor since  1992 and has also served as Director of Bands at Owego Free Academy since 1989.  He has  been  a  member  of  the  Binghamton  Philharmonic  percussion section since  1982 and  is also  comfortable  performing in  popular, rock,  jazz,  and  other  styles.  He  has  played  as  a  free­lance percussionist accompanying national touring artists such as Michael W.  Smith,  Tommy  Tune,  Jerry  Vail,  Lorrie  Morgan,  Ringling Brothers Circus, the Smothers Bothers, and Ella  Fitzgerald.  He is highly regarded  in the region as a percussion soloist and ensemble player.  He has served the New York State School Music Association as an All­State Percussion adjudicator for many years.  In addition he is the Instrumental Jazz Reviews editor of The School Music News and was the Jazz editor for the recently published NYSSMA Manual, Edition XXIX.  Dan serves on the faculty of the Binghamton  High School  Percussion  Camp  each  summer  and  over  the  years  has presented  many percussion  clinics at several  state conventions and conferences.  He also oflen serves as a guest conductor for honor band festivals  and  has  adjudicated  Jazz  Ensemble  and  Concert  Band performances at music festivals throughout New York. �L E E  VILINSKY is a senior Psychology and Music double major from Long Island, New York.  At Binghamton University, he distributes his time  between  doing  research  involving  human  and  animal  cognition under the supervision of Dr. Ralph Miller, acting as a recording engineer for  the  music  department,  participating  in  the  Evolutionary  Studies (EvoS) program, carrying out  activities with  MOE and  Psi  Chi, and performing in various musical groups, including the BU orchestra, BU percussion ensemble, and Lady Skaga.  Lee has been actively involved in percussion since fourth grade, but discovered his passion in pop and rock music when first learning drumset in ninth grade.  Since then, Lee has become  interested  in  music theory and composing and  arranging music of various styles and  for various groups.  After graduation, he plans to attend graduate school for experimental psychology to continue doing research involved in music cognition and auditory perception.  He also plans to become a rock star. MARC  SILVAGNI  is  a  senior  at  Binghamton  University.  He  is currently double majoring in Percussion Performance and Psychology. He plans on attending graduate school after Binghamton to earn a MSEd degree in Social Studies. Marc started his m usic career relatively late in 7” grade under band director and amazing  jazz drummer Marc Copell. During  the  summers  following  7” and  8  grade,  Marc  attended  the Manhattan  School  of  Music  Summer  Camp  and  studied  under percussionist  Jeff Kraus  who  taught  him  about  the  entire  world  of percussion. He  then  attended  St. Francis Preparatory High  School  in Fresh Meadows, Queens, and studied under percussionist Mark Teofilo. In  the summer of his sophomore year, Marc and other students, under teacher David Kobayashi (Binghamton Alum), traveled to Australia and played with the Tallahassee Winds in the Sydney Opera House for the Eric  Whitacre Festival. Marc began college at  Binghamton University under percussionist Dan Fabricius. Here he has had featured solos with the Percussion Ensemble and has played with the Harpur Jazz Ensemble, University  Orchestra,  Harpur  Chorale,  Women’s  Chorus,  and  the Commencement Wind Ensemble. He has also played at the Musica Nova concert and at Stephanie Lehman’s Masters Recital. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:18:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145271">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145271</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, April 27, 2010 Recital Tape 2010-4-27 Description An account of the resource Works by University Percussion Ensemble, Bae, Goldenberg, Jacobs, McManamon, Silvagni, Tracy, Vilinsky, Williamson, Fabricius. Held at 8:00 p.m., April 27, 2010, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Silvagni, Marc Vilinsky, Lee Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/cfd5bf70d22156b432e51313d98f1254.pdf ec4f964d607128a855680bc891acc99d PDF Text Text B INGHAMTON U N I V E R S I T Y S TAT E  U N I V E R S I T Y  O F  N E W  Y O R K   ­ odee [4 D E P A R T M E N T STRING FEVER STRING STUDIO & CHAMBER RECITAL 3 . E o  §  A  A  a H 3  ” % ”V S  s ‘   “i  1 a v f FY   Tu es day,  Apr/220, 2 0 1 0 8 . 3 0 p .m   C W R W F K M �PROGRAM Meditation from “Thais”  Gregory Gerald Greene, violin Michael Salmirs, piano On Wings of Song .. Taylor Reitmeier, cello Margaret Reitz, piano Rudolfph Koegl, double bass Margaret Reitz, piano . Piotr Tchaikowsky (1840­1893) Robert Schumann Jin Woo Lee, cello Margaret Reitz, piano Salut d’Amour...  Zeno Pittarelli, cello Margaret Reitz, piano The Swan..  Ryan Joyce, cello Margaret Reitz, piano Fond Recellections...  Eric Wuu, cello Margaret Reitz, piano Concerto for Cello in E minor, Op. 85 ..  Adagio—Moderato  Jennifer Chen, cello Margaret Reitz, piano Violin Concerto No. 1 in G minor, Op.26.  Adagio  ..Max Bruch (1838­1920) Ella Serrano, violin .. Felix Mendelssohn (1809­1847) Chanson Tn’ste..  Traumeri ..Jules Massenet (1842­1912) (1810­1856) . Edward Elgar (1857­1934) .. Camille Saint­Saéns (1835­1921) . David Popper (1843­1913) Margaret Reitz, piano PAUSE String Quartet, K 168.  Fuga  ...W.A. Mozart (1756­1791) Chris Rogers, violin Janey Choi, violin Benjamin Pochily, viola Jin Woo Lee, cello String Quintet in C minor, K 405 (516b)...  Allegro  ...W.A. Mozart (1756­1791) GaEun Kim, violin Imji Choi, violin Maxim Pelarskiy, viola Shane Thorne, viola Zeno Pittarelli, cello Brandenburg Concerto No. 3 in G major, BWV 1048  J.S. Bach (1685­1750) Allegro  . Edward Elgar (1857­1934) Aléfl‘udean/and/fiwally a r e / 9 0 m m   a g o r v o d e / ram b e r  P r o g r a m StringL �String Fever Participants ‘Violin Janey Choi* Xiang He* Ella Serrano* Hemangi Shah Richard Law Andrew Tsai GaEun Grace Kim Wesley Ha Imji Choi Gregory Gerald Greene Edwin Kabigting Chris Rogers MinJeong Jaime Jeon Viola Roberta Crawford* Maxim Pekarskiy* Benjamin Pochily* Shane Thorn VWII Grandin Kevin Christie Cello Stephen Stalker* Eric Wuu* Jennifer Chen* Jin Woo Lee Zeno Pittarelli Ryan Joyce Rayleen Bichler Bass Stephen Brooks Taylor Reitmeier Rudolf Koegl Piano Margaret Reitz Michael Salmirs * Brandenburg Concerto Soloists � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:10 16:27 Streaming Audio Streaming URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145267 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource String Fever: string studio and chamber recital, April 20, 2010 Recital Tape 2010-4-20 Description An account of the resource Works by Massenet, Mendelssohn, Tchaikovsky, Schumann, Elgar, Saint-Saëns, Popper, Bruch, Mozart, Bach. Held at 8:30 p.m., April 20, 2010, Casdesus Recital Hall. Creator An entity primarily responsible for making the resource Greene, Gregory Gerald Serrano, Ella Rogers, Chris Choi, Janey Kim, GaEun Choi, Imji Pochily, Benjamin Pelarskiy, Maxim Reitmeier, Taylor Lee, Jin Woo Pittarelli, Zeno Joyce, Ryan Wuu, Eric Chen, Jennifer Salmirs, Michael Reitz, Margaret A. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-20 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9a688efe63320d0b16bc93005a7ee3e5.pdf 203f00e01b1e9c381235c18cc3f4d658 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E  U N I V E R S I T Y  O F  N E W  Y O R K zedec D E P A R T M E N T P IANO EXTRAVAGANZA FROM TH E STUDIO  O F MICHAEL SALMIRS Ss N Sunday,  ApréL25, 2010 7:30 p. m/. CWReCdUJ/Hflu/ �PROGRAM Nocturne in E­flat, Op. 9, No. 2  Jennifer Micceri Frédéric Chopin (1810­1849) Sonata No. 31 in A­flat, Op. 11 0.......... Ludwig van Beethoven Moderato cantabile molto espressivo  (1770­1827) David Gaita Nocturne in C­sharp minor, Op. 27, No. 1 ......Frédéric Chopin Liebestraum No. 3 in A­flat Ya­Tzu Chen Waltz in B minor, Op. 69, No. 2  Shoko Kubotera .. Frédéric Chopin Arabesque No. 1.  Iori Tanabe Sonata in B­flat, D 960 .  Molto moderato  Ella Serrano Franz Schubert (1797­1828) Sungin Ahn Polonaise in A­flat, Op. 53...  Gil Cohen Prelude in C..  (1811­1886) .. Claude Debussy (1862­1918) .. Sergei Prokofiev (1891­1953) Molly Adams­Toomey .. Frédéric Chopin Sergei Prokofiev Sonata No. 3, Op. 28.. Allegro tempestoso Jieun Jang BOINTERMISSIONm ..Franz Liszt �Binghamton University Music Department’s U P C O M I N G  E V E N T S tb­ Tu esday, April 2 7 ” P  ercussion Ensemble, 8:00 PM – FREE Anderson Center Chamber Hall   id­Day Concert, 1:20 PM — FREE Thursday, April 2 9 ” M Casadesus Recital Hall Thursday, April 29'" Brass Studio Recital, 8:00 PM – FREE Casadesus Recital Hall   Friday, April 3 0 ” Flute Studio and Flute Chamber Concert, 10:15 AM, Casadesus Recital Hall, FREE Friday, April 3 0 ” S  axophone Studio Recital, 4:00 PM – FREE Casadesus Recital Hall S aturday, M ay 1St Composition Seminar Studio Recital, 3:00 PM, Casadesus Recital Hall, FREE   niversity Symphony Orchestra:S/avic Spring, S unday, May 2 ™ U 7:30 PM, Osterhout Concert Theater, $$ (FREE for students)   Wednesday, May 5 ” Composition I Class Concert, 2:00 PM – FREE Casadesus Recital Hall Wednesday, May 50: Conductor’s Concert, 8:00 PM – FREE Watters Theater For ticket information, please call the Anderson Center Box Office at 777­ARTS To see all events, please visit music.binghamton.edu Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:07:37 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145316">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145316</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano extravaganza from the studio of Michael Salmirs, April 25, 2010 Recital Tape 2010-4-25 Description An account of the resource Works by Chopin, Schubert, Beethoven, Liszt, Debussy, Prokofiev. Held at 7:30 p.m., April 25, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Micceri, Jennifer Chen, Ya-Tzu Tanabe, Iori Ahn, Sungin Cohen, Gil Gaita, David Kubotera, Shoko Serrano, Ella Adams-Toomey, Molly Jang, Jieun Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/25c72c397b3fed1ee47dc29aef92f323.pdf 25988f4e78ceb762f5731e34aea7aa97 PDF Text Text BINGHAMTON  U N I V E R S I T Y   W ­  : STATE  UNIVERSITY  OF NEW  YORK zelda D E P A R T M E N T THURSDAY MID­DAY CONCERT  1 Thursday, Apzal 2 2 ,  2000 1.20 p.m. Céasadesus Recital Hall �PROGRAM PROGRAM TRANSLATION ‘Vani sono ilamenti...&1sgliafevinel core,”.... George Frederic Handel “In uomini, in soldati ” from Cosi fan tutte (K. 588) Cabiria Jacobsen, mezzo–soprano Margaret Reitz, piano “In men, in soldiers ” from Giulio Cesare  Turkish March, from Sonata K. 331  (1685­1759) .Wolfgang Amadeus Mozart (1756­1787) Steven Collazos, piano Franz Schubert (1797­1828) An die Laute, Op. 81, no. 2  Die Manner sind méchanf, Op. 95, no. 3....  Die Forelle, Op. 32 Franz Schubert Samantha Ng, piano Aria of Despina, “In uomini, in soldati,".  from Cosi Fan Tutte  Fétes Galentes  Infldelifé  Quand je fus pris au pavillon Paysage ­  (1797­1828) Wolfgang Amadeus Mozart Briana Sakamoto, soprano \Mlliam James Lawson, piano .  (1756­1787) Reynaldo Hahn (1875­1947) Loveliest of Trees  When I was One and Twenty Look Not in my Eyes Think No More, Lad The Lads in their Hundreds Is my Team Ploughing? George Butterworth (1885­1916) William James Lawson, piano Chanson ds la Marisa  La­bas, vers le’ glise Quel galant m‘esf oonparabls Chanson des cueilleuses da lantisques Tout gei! Jennifer Groves, soprano Margaret Reitz, piano They are all made of the same pasta­ False tears, deceiving glances, Beguiling voices, flattering lies, Are their primary qualifies! They only love us for delight, Then they scorn us and deny us affection. It’s not worth asking the barbarians for pity! Pay them back, oh ladies, in their own coin, This malevolent, indiscreet race Let’s love for convenience, for vanity! molloam a d a ggifiéfilfi seal­5” nenivn 5d hed   e e  — Julian Whitley, baritone Cinq Melodies Populaires Grecques.  Don‘t let anyone hear you say that, For pity’s sake! Public Broadcasting Jana Kucera, soprano Chai­Kyou Mallinson, piano A Shropshire Lad  Get out! Long gone are the times When we’d spin such tables to babies! In men, in soldiers, You hope for fidelity? Windblown leaves and inconstant breezes Are more reliable than men! Raquel Rozner, soprano Chat­Kyou Mallinson, piano Impromptu, Op. 142, no. 2. W.A. Mozart (1756­1791) .Maurice Ravel (1575­11937) In set ­ loll �Bing’ha’mtan University Music Department’s U P C O M I N G  E V E N T S Friday, A pr il 2 3 ” J unior Recital: Mengru Zeng, piano, 8:00 PM, Casadesus Recital Hall, FREE Satur day, A pr il 2 4 ”  Master’s Rectal: Robert Muller, French hom, 3:00 PM, Casadesus Recital Hall, FREE Satur day, A pr il 2 4 ”  Master’s Recital: Julie Williams, soprano, 8:00 PM, Casadesus Rectal Hall, FREE Sunday, A pr il 25°” Wind Symphony, 3:00 PM —  FREE Anderson Center Chamber Hall Sunday, A pr il 2 5 ?  Piano Evtravaganm from the studio of Michael Salmirs, 7 :30 PM, Casadesus Redtal Hall, FREE Tuesday, Apr il 2 7 ”  Percussion Ensemble, 8:00 PM —  FREE Anderson Center Chamber Hall T hursday, A pr il 2 9 ”  Mid­bay Concert, 1 :20 PM —  FREE Casadesus Recital Hall T hursday, Apr il 2 9 ” '  Brass Studio Rectal, 8:00 PM —  FREE Casadesus Recital Hall Fr iday, A pr il 30°” Flute Studio and Flute Chamber Concert, 10:15AM, Casadesus Recital Hall, FREE Fr iday, A pr il 3 0 ”  Saxophone Studio Rectal, 4:00 PM – FREE Casadesus Recital Hall For ticket information, please call the Anderson Center Box Office at 777­ARTS To see all events, please visit music.binghamton.edu Became a fan on Facebook by visiting B“  ghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:25:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145264">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145264</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, April 22, 2010 Recital Tape 2010-4-22 Description An account of the resource Works by Handel, Mozart, Schubert, Hahn, Butterworth, Ravel. Held at 1:20 p.m., April 22, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Jacobsen, Cabiria Rozner, Raquel Sakamoto, Briana Kucera, Jana Groves, Jennifer Whitley, Julian Reitz, Margaret A. Collazos, Steven Mallinson, Chai-Kyou Lawson, William James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-22 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:14:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145261">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145261</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, April 15, 2010 Recital Tape 2010-4-15 Description An account of the resource Works by Bach, Hindemith, Rossini, Liszt, Wagner, Previn, Puccini. Held at 1:20 p.m., April 15, 2010, Fine Arts room 21. Creator An entity primarily responsible for making the resource Eng, Kevin Lawson, William James Rossnagel, Mark Wu, James Goodacre, Kerry Marsiglia, William Reitz, Margaret A. Cannizzo, Victoria Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9c89c83a01d0b6d567f6299d225df0bd.pdf 5095b843e70e6ef84888b4f3c6f207d0 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E   U N I V E R S I T Y  O F  N E W  Y O R K zedec Swpfiwfifidaammv D E P A R T M E N T MID­DAY C O N C E R T Thursday, MW 6, 20/0 1:20p.m. Casadesus 2661631 17311 �PROGRAM Sonata In G­mlnor  Largo  PROGRAM . Henry Eccles (1670­1742) Corrente Stephen Brooks, double bass Margaret Reitz, piano Introduced by Stephen Stalker Aprile  Paolo Tosti Dan Ibeling, tenor Introduced by Duane Skrabaiak Fantasy on Japanese Woodprints  (1846­1916) .Alan Hovhaness It is A pril! It’s the season of love! Come! o my love, into the blooming fields! (1911­2000) Nocturne Sweetly fragrant linden­blossoms Introduced by  Dan Fabricius Nocturne.  In  the flowing June­night. Joseph Marx (1882­1964) Amanda Chmela, soprano Margaret Reitz, piano Introduced by  Mary Burgess .Charles Ives (18741954) Briana Sakamoto, soprano William James Lawson, piano Introduced by Mary Burgess Cello Concerto Op. 85 .  Edward Elgar Moderato  (1857­1934) Margaret Reitz, piano Introduced by  Stephen Stalker A s  if rang in my ears softly the song of happiness, echoing softly. Jleun Jang, piano Introduced by  Michael Salmirs Two Little Flowers (and dedicated to them).  A feeling of delight in my heart Is awakened in my consciousness. the long lost song of youth. .Sergei Sergeyevich Prokofiev (1891­1953) Jen Chen, cello Your paths are  strewn with violets, you will dress with roses and bluebelis, and pure white butterflies will dance lightly around your hair. Marc Silvagni, manmba Margaret Reitz, piano Etude, Op. 52  Aprile Do you not smell on  the air the wafting perfume of Spring? Do you not hear in your soul the tunes of a new coaxing voice? It is April – the season of love: Come! Come, my love, to blooming fields... Sweetly fragrant linden­blossoms In  the flowing June–night. A feeling of delight in  my heart Turns to pain within me. �The Binghamton University Department of Music is proud to present its 2010­2011 season concerts. The Department of Music presents over 100 concerts (most of which are free) from solo recitals to orchestra concerts to jazz presentations which include a variety of performances by guest, faculty and student artists. For a complete list of our concerts and more, visit us at music.binghamton.edu Summer Youth Musical Theater Workshop presents Titanic August 14 & 15 , Jonathan Biggers, organ September 26, November 19, February 17, April 3 Reunion Recital with Marietta Simpson, mezzo­soprano October 9 University Symphony Orchestra’s Children’s Concert: All Creatures October 15 and 16 Viola Plus: Roberta Crawford presents Chamber Works of the 20th and 21st Centuries October 17 Guest Organists: Michael Bauer & Man’e Rubis October 24 University Chorus November 14 Czech Vocal Music: Mary Burgess, soprano, Timothy LeFebvre, baritone, and guest artist Timothy Cheek, piano November 21 University Symphony Orchestra: All­American Program December 4 Harpur Jazz Ensemble with guest artist December 9 Faculty Recital: Timothy LeFebvre, baritone and Michael Salmirs, piano February 20 University Symphony Orchestra February 26 Pianist Michael Salmirs presents a Chopin & Schumann 200th Birthday Celebration April 9 Harpur Jazz Ensemble with guest artist April 14 University Chorus with the University Symphony Orchestra present Choral Masterworks: Roman Maciejewski and Requiem: Poulenc Gloria May 8 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145258">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145258</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recognition mid-day concert, May 6, 2010 Recital Tape 2010-5-6 Description An account of the resource Works by Eccles, Tosti, Hovhaness, Marx, Prokofiev, Elgar. Held at 1:20 p.m., May 6, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Brooks, Stephen Reitz, Margaret A Jang, Jieun Lawson, William James Ibeling, Dan Silvagni, Marc Chmela, Amanda Sakamoto, Briana Chen, Jen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-05-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e84b35b727327e96de274ea313cc0dc8.pdf dc5b5483ba1d661c0851864cc2e8f29a PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F  N E W   Y O R K vwdee D E P A R T M E N T [4 Melodienstrauld A Spriné Bouquet of German Lieder, fitters?) Ensembles German Lyric Diction Finsl Concert Judy ‘Berry. Instructor Tlvfllbm Lawson. plmo “\<{/’ s e x y / K £  63/93/53 13, 2010 Casadests Recrtzrl Hell �PROGRAM Der Frtlhling (Spring) Fruhlingsmorgen, Gustav Mahler (1860­1911) Jennifer Groves, soprano 898980 INTERMISSION  cscscs Der Tod (Death) Der Tod und das Madchen, Franz Schubert (1797–1828) Tahnee Fallis, mezzo soprano Das Veilchen, Clara Wieck­Schumann (1819­1896) Jana Kucera. soprano Anakreons Grab, Hugo Wolf (1860 –1903) Wie Melodien, Johannes Brahms (1833­1897) Cabiria Jacobsen, mezzo soprano Loreley, Clara Wieck­Schumann (1819­1896) Jana Kucera, soprano Die Traume (Dreams) Nacht und Traume. Franz Schubert (1797–1828) Laura MacAvoy, soprano “Himmel und Erde” (Heaven & Earth) Ich harrete des Herrn (Psalm 40), Felix Mendelssohn­Bartholdy (1809­ 1847) Briana Sakamoto, soprano & Cabiria  Jacobsen, mezzo soprano Traum durch die Dammerung, Richard Strauss (1864–1949) Briana Sakamoto, soprano Traume, Richard Wagner (1813­1883) Julie Williams, soprano Das Wald (Woods ) Waldseligkeit, Joseph Marx (1882­1964) Amanda Chmela, soprano Waldesgeprach, from Liederkreis Op. 39, Robert Alexander Schumann (1810­1856) Julian Whitley, baritone Die Manner (Men!) “Kommt ein schlanker Bursch gegangen’ from Der Freischiitz by Carl Maria von Weber (1786 – 1826) Briana Sakamoto, soprano Die Manner sind méchant, Franz Schubert (1797–1828) Samantha Banton, soprano Das verlassene Magdlein, Hugo Wolf (1860 –1903) Victoria Cannizzo, soprano Der Leiermann, Franz Peter Schubert (1797­1828) Heather Worden, mezzo soprano Der Herbst (Autumn) Herbstlied, op. 63, no. 4, Felix Mendelssohn­Bartholdy (1809­1847), Jana Kucera, soprano & Briana Sakamoto, soprano Julian Whitley, baritone Seligkeit, Franz Schubert (1797–1828) Samantha Banton, soprano Die Liebe (Love) “Dein ist mein ganzes Herz” from Das Land des Lachelns by Franz Lehar (1870 –1948) Dan Ibeling, tenor Widmung, Robert Alexander Schumann (1810­1856) Julie Williams, soprano Lachen und Weinen, Franz Schubert (1797–1828) Laura MacAvoy, soprano Unbewegte laue Luft, Johannes Brahms (1833­1897) Cabiria Jacobsen, mezzo soprano Zueignung, Richard Strauss (1864­1949) Jennifer Groves, soprano Von ewiger Liebe, Johannes Brahms (1833­1897) Victoria Cannizzo, soprano Hat dich die Liebe beruhrt, Joseph Marx (1882­1964) Amanda Chmela, soprano Zu guter Letzt (Finale) “Wohl mir, dass ich Jesum habe” chorale from Herz und Mund und Tat und Leben, BWV 147, Johann Seba stian Bach (1685 –1750) entire class, conducted by Heather Worden �PROGRAM TEXTS Friihlingsmorgen (Sprlng Morning) There taps at the window the linden tree With branches, blossomladen: Arise! Arise! Why do you lie in a dream? The sun has come up! Arise! Arise! And what is more, I saw your merry sweetheart already. Arise, you sleepyhead! Sleepyhead, arise! Arise! Arise! Das Veilchen (The Violet) A little violet Stood on the meadow Bent over itself, And unknown Along came a shepherdess With light step and air, And sang “Ah!” (Thought the little violet) “Were I the most beautiful bloom of nature­ Ah! If she were to press me to her bosom for just a quarter hour!” Ah! The maiden came! And paid no attention To the little violet It sank and withered But rejoiced For even though he died, He died at herfeet Wie Melodien (Like Melodies) Like melodies it moves, Gently through my mind ; Like spring flowers it blooms, And wafts away like fragrance. Then comes language and grasps it, And draws it before my eyes, Like a gray mist it pales, And disappears like a breath. And yet, remaining in poetry There hides a fragrance still, Which mildly from the quiet bud My moist eyes call forth. Nacht und Traume (Night and Dreams) Hallowed night, you sink down! Downward float also the dreams, like your moonlight, through space, through the silent bosom of men. They listen to you with pleasure­ cry out, when the day breaks: Come back, hallowed night; lovely dreams, come ba ck. Traum durch die Dammerung (Dream through the twilight) Wide meadows in the twilight’s gray; The sun is sunk, the stars are moving, Now I go there to the loveliest women, Far over meadows in the twilight’s gray, Deep into bushes of jasmine. Through the twilight’s gray in love’s land; I do not go quickly, I do not hurry. I am drawn by a soft, velvet band Through the twilight’s gray in Iove’s land, Into a blue, mild light. Trauma (Dreams) Tell me, what kind of wondrous dreams Are embracing my senses, That have not, like sea­foam, Vanished into desolate Nothingness? Dreams, that with each passing houn Each passing day, bloom fairer, And with their heavenly tidings Roam blissfully through my heart! Dreams which, like holy rays of light Sink into the soul, There to paint an eternal image: Forgetting all, remembering. Dreams which, when the Spring sun Kisses the blossoms from the Oh flee! Oh flee! You don‘t know who I am.’ So richly adorned is horse and lady, So wondrously beautiful is the young body; Now I know you, God stand with me! You are witch, Loreley! You have recognized me from the high cliffs, My castle gazes silently deep into the Rhine. It is already late, it has become cold, snow, You will never again come out of this forest! So that they grow, so that they bloom, and dreaming, bestow their fragrance, These dreams gently glow and fade on your breast, And then sink into the grave. Kommt ein schlanker Bursch gegangen (When a slim guy comes along) When a slim guy comes along, Blond haired or brown, Bright eyed, rosy­cheeked, Yeah, one can take a good look at him! Sure, one drops her eyes towards her bodice, In the bashful maiden’s manner; But stealthily lifts one’s eyes, When the little man is not looking Should your glances find each So that into unsuspected bliss They greet the new day, Weldseligkelt (Forest Bliss) The forest begins to rustle, night descends upon the trees as if they blissfully eavesdrop, gently touching each other. And under their branches here I am completely alone, here I am completely myself, yet completely yours. Waldgesprach (Conversation in  the woods) “It is already late, it is already cold, Why do you ride alone in the woods? The woods are large and you are alone, You beautiful bride! I will lead you here! ‘The deceit and cunning of men is great, My heart is broken from pain There strays the forest horn here and there, other, Now, where’s the harm in that? No one‘s going to turn blind on the spot, Even if someone turns a little red. A little glance here and a little glance there, Till the mouth becomes just as bold! He sighs: Beautiful! She says: Lovey! Soon they’re called bride and groom. Come closer, dear little people! Do you want to see me with a bridal wreath, Well, isn’t that a nice little bride, And the guy no less beautiful? �Die Manner sind méchant O would it were gone again! leave. Men are faithless, you told me, mother: He’s a young rascal! I wouldn’t believe you Until I had tormented myself sick. Yes, now I know he really is, I’d simply misjudged him. You told me, mother. Der Leiermann (The hurdy­gurdy men) There, behind the village, stands a hurdy­gurdy­man, And with numb fingers he plays the best he can. Der Tod und das Madchen (Death and the Maiden) (Das Madchen) Vomber, ach, vorliber! Geh, wilder Knochenmann Ich bin noch jung, geh. Lieber! Und rithre mich nicht an. (Men are naughty) ‘Men are faithless!‘ Yesterday, as dusk fell silently, In the grove outside the village I heard a whispered ‘Good evening!‘ And a whispered ‘Many thanks!‘ I crept up and listened, Stood there as if transfixed: It was he, with another ­ ‘Men are faithless!‘ O mother, what torture! It must be said, it must! It didn’t just stop at whispering, It didn’t just stop at greetings! From greetings it went to kisses. From kisses to holding hands, From holding hands . . . ah, dear mother, ‘Men are faithless!‘ Das verlassene Mégdlein (The forsaken maiden) Early, when the cock crows, before the stars disappear. I must stand at the hearth; I must light the fire. Beautiful is the blaze of the flames; the sparks fly. I gaze into the fire, sunk in grief. Suddenlyl it  comes to  me, Barefoot on the ice, he staggers back and forth, And his little plate remains ever empty. No one wants to hear him, no one looks at him, And the hounds snarl at the old man. And he lets it all go by, everything as it will, He plays, and his hurdy­gurdy is never still. Strange old man, shall I go with you? Will you play your hurdy­gurdy to my songs? Herbstlied (Autumn song) Ah, how so soon the cycle ends, Spring turns into wintertime! Oh how so soon into moumful Silence All happiness turns as well! Soon the last sounds have faded! Soon the last songbirds have flown! Soon the last green is gone away! All of them want to return home! Ah, how so soon the cycle ends, Happiness turns into yearning pain. unfaithful boy, that last night I dreamed of you. Were you a dream, you thoughts of love? Sweet as spring and fast Tears upon tears then pour down; So the day comes ­ One, only one thing will never waver: It is the yearning that will never vanishing? (Der Tod) Gib deine Hand, du schon und zart Gebild! Bin Freund und komme nicht zu strafen. Sel gutes Muts! ich bin nicht wild, Sollst sanft in meinen Armen schlafen! Anakreons Grab (Anakreon’s Grave) Here, where the rose still blooms, Where the vines and laurel entwine, Where the turtledove coos, Where the grasshopper rejoices, What grave is here, which all the gods have adorned with beautiful living plants? It is Anakreon’s resting place. Spring, Summer and Autumn were enjoyed by the happy poet, And he was shielded from the Winter by the hills. Loreley (Loreley) I don’t know what it means, Why I feel so sad; An old tale, Won’t leave my mind. The air is cool and dark And Rein flows peacefully The top of the rocks Sparkle in the evening sunshine The most beautiful maiden sits Atop it, sorrowfully; Her golden jewels twinkle; She combs her golden hair, She combs it with a golden comb, And sings a song It has a wondrous, powerful melody A sailor in a little ship, Is seized with wild pain He doesn’t see the rocky reef, He looks up at her in the end I think the waves swallow And kill the sailor and his boat And that, with her singing, The Loreley has done Ioh harrete des Herrn (I waited for the Lord) I waited for the Lord, And he leaned down to me And heard my prayer. Blessed are they who put their hope in the Lord! Blessed are they who put their hope in Him! Seligkeit (Bliss) Joys without number bloom in heaven’s hall of angels and transfigured beings, just as ourfathers taught us. 0 ,  there I would like to be and rejoice forever! Upon everyone dearly smiles a heavenly bride; harp and psalter resound, and everyone dances and sings. 0,  there I would like to be and rejoice forever! But I‘d rather remain here i f  L aura would smile a t  m e with one glance that said I should end my lamenting. Blissfully then with her, I would stay here forever! �Dein ist mein ganzes Herz {My heart is yours alone) My heart is yours alone! I cannot be without you. Like a flower that wilts when unkissed by the sun! My most beautiful song is yours, for it is created out of love. Tell me once more, my one and only. oh tell me once more: I love you! Wherever I am I feel you are near. I want to drink your breath and kneel adoringly at your feet, yours, yours alone! How wonderful your shining hair is! Dreamy and full of longing is your radiant gaze Full of dreams and ancient longing When I hear your voice, it is like music My whole heart is yours. Wldmung (Dedication) You my soul, you my heart. You my bliss. o you my pain, You the world in which I live; You my heaven. in which I float, O you my grave. into which I eternally cast my grief. You are rest, you are peace, You are bestowed upon me from heaven. That you love me makes me worthy of you; Your gaze transfigures me before you; You raise me lovingly above myself, My good spirit, my better self! Lachen und Weinen (Laughing and weeping) Laughing and weeping, at whatever hour, are based, in the case of love. on so many different reasons. Every morning I laughed for joy; and why I now weep in the evening’s glow is even to myself unknown. Weeping and laughing, at whatever hour, are based, in the case of love. on so many different reasons. Evenings I have wept for sorrow; and how can you wake up in the morning with laughing. must I ask you. oh heart. Unbewegte Iaue Luft (Motionless. warm air) Motionless, warm air, Deep rest of nature; Through the still garden­night Only the fountain splashes. But in my heart there surges Hot desires, But in my veins swells Life. and a longing for life. Should not also your breast Lift itself to longing wishes? Should not the call of my soul Reverberate deeply in yours? Softly, with ethereal steps. Do not tarry to float to me! Come, oh come, so that we might Give each other heavenly satisfaction! Zueignung (Dedication) Yes, you know it, dearest soul, How I suffer far from you, Love makes the heart sick. Have thanks. Once I, drinker of freedom. Held high the amethyst beaker, And you blessed the drink, Have thanks. And you exorcised the evils in it. Until I, as I had never been before. Blessed, blessed sank upon your heart, Have thanks. Iron and steel can be recast by the Von ewiger Liebe ( Of eternal love) Dark, how dark it is in the forest But who would transform our love? Iron and steel can melt; Our love, our love will have to last and field! Night has fallen; the world now is silent. Nowhere a light and nowhere smoke. Yes, now even the lark is silent. From yonder village there comes the young lad, Taking his beloved home. He leads her past the willow bushes, Talking so much, and of so many things: “If you suffer shame and if you grieve. If you suffer disgrace before others because of me, Then our love shall be ended ever so fast As fast as we once came together; It shall go with the rain and go with the wind, As fast as we once came together.” Then says the maiden, the maiden says: “Our love shall never end! Steel is firm and iron is firm, Yet our love is firmer still. smith forever!” Hat dich die Llebe bertlhrt (If love has touched you) If love has touched you, quietly amidst the noisy crowds, you will walk on a golden cloud, safely guided by God. As if lost, you let you glances wander, allowing others to enjoy their pleasures while you have only one desire. Timidly repressing your ecstasy, you attempt, in vain, to deny that the crown of life now radiantly adorns your brow. “Wohl mir, dass ich Jesum habe” (Happy am I, to have my Jesus) Happy am I, to have my Jesus, oh how firmly I hold on to him so that he may refresh my heart when I am sick and sorrowful, I have Jesus, who loves me and gives himself to me. Ah therefore I shall not abandon Jesus even if my heart breaks. �Binghamton University Music Departm ent ’s U P C O M I N G  E V E N T S ‘WSKG Public Broadcasting m m   vb­ The Binghamton University Department of Music is proud to present its 2010­2011 season concerts. The Department of Music presents over 100 concerts (most of which are free) from  solo recitals to orchestra concerts to jazz presentations which include a variety of performances by guest, faculty and student artists. For a complete list of our concerts and more, visit us at music.binghamton.edu. I ’ _I I _  I _ i = _ fll  l – A R I R.­,  FR I  N gut­"555355! imenifp C E E o  m   x v e t AUGUST 2010 Summer Youth Musical Theater Workshop presents Titanic  S r e e SEPTEMBER 2010 Jonathan Biggers, organ OCTOBER 2010 Reunion Recital with Marietta Simpson, mezzo­soprano University Symphony Orchestra’s Children’s Concert: All Creatures Viola Plus with Roberta Crawford Guest Organists: Michael Bauer & Marie Rubis visit­s atwskgorg WeKE MERCH  ane w.   a % t“;  “  «" magi); “%  ,   vq 3 %  [AVES 35  3.79  (SQ.  We would like to take this opportunity to thank you for your support of the Binghamton University Music Department and we look forward to entertaining you in our 2010­ 2011 Concert Season! " § $  “odajy W  NANBRR a ” 5 1.115th  . M 0 ? S  G R A C I A S !  T h a n k  1 7021!)  ( 7 q(figus   NOVEMBER 2010 University Chorus Jonathan Biggers, organ Czech Vocal Music: Mary Burgess, soprano, Timothy LeFebvre, baritone, and guest artist Timothy Cheek, piano DECEMBER 2010 University Symphony Orchestra: All­American Program Harpur Jazz Ensemble with guest artist FEBRUARY 2011 Faculty Recital: Timothy LeFebvre, baritone and Michael Salmirs, piano University Symphony Orchestra Jonathan Biggers, organ APRIL 201 1 Harpur Jazz Ensemble with guest artist Jonathan Biggers, organ Pianist Michael Salmirs presents a Chopin & Schumann 200th Birthday Celebration MAY2011 University Chorus with the University Symphony Orchestra present Choral Masterworks: Roman Maciejewskl : Requiem, Book 1; Poulenc: Gloria � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:50 39:56 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145196">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145196</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Melodienstrauß, a spring bouquet of German lieder, arias and ensembles : German Lyric Diction final concert, May 13, 2010 Recital Tape 2010-5-13 Description An account of the resource Works by Brahms, Strauss, Wagner, Marx, Schumann, Von Weber, Schubert, Wolf, Mendelssohn, Wieck-Schumann, Lehar, Strauss, Bach. Held on May 13, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Berry, Judy Lawson, William Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-05-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a3814b2da16e5070ed24456fc80a875e.pdf 35ee5fcaef4e9decae1af3433f8df176 PDF Text Text BINGHAMTON U N I V E R S I T Y I  K  S I T Y   O F  N E W   Y O R K eta/0b D E P A R T M E N T CONDUCTOR’S CONCERT GLORIA ANTONIO V I V A L  D I fe a t u rin g t  h e 3inghamt‘0w U niversity S t r i n g O   rchestra B i n g h a m t o nU   n v e r s i t y  C h a m b e r  Chara/8 Wednesday,  May 5, 2010 8:00 p . m   A ndergon/Cent’er Chamber Halb �PROGRAM VII.Domine Fili Unigenite I.Gloria in E xcelsis Domine fili unigenite Jesu Christa, Lord Jesus Christ the only­begotten Son Conducted by Molly Adams­Toomey Gloria in excelsis deo Glory to God in the highest Conducted by Jieun Jang VII/Domine Deus, Agnus Dei II. Et in Terra Paxr Domino Deus,agnus Dei, Filius parris, Lord God. Lamb of  God, Son of  the Father, Conducted by Shane Thorn Cabiria Jacobson. mezzo soprano Et in tone pax hominibus bonae voluntatis And on earth peace to people of  good will. Conducted by Adam Hess lll.Laudamus Te Laudamus te, benedicimus te, adoramus te, glorificamus te. We praise thee, we bless thee,  We worship thee, we glorify thee. Conducted by Briana Sakamoto Samantha Banton, soprano Raquel Rozner, soprano IV.GRATIAS Agimus Tib IX. Q ui Tollis Qui tollis pascala mundi,  Suscipe deprecationem nosfrarn Thou who takest away the sins of  the world. Hear our prayer. Conducted by Krystiana Resto X.Qui Sedes ad Dexteram Qui sedes ad dexteram par/is,  Miserere nobis. Grarias agimus tibi We thank thee Conducted by Ya Tzu Chen V. Proprer Magnam Gloriam Propter magnam gloriam ruam,, For Thy great glory, Conducted by Ya Tzu Chen VI.Domine Deus Domine Deus, rex coelestis, Deus pater omnipotens Lord God, Heavenly King, Almighty God and Father, Conducted by Laura MacAvoy Raquel Rozner. soprano Who sittest on the right hand of  the Father, Have pity upon us. Conducted by Krystiana Resto Cabiria Jacobsen, mezzo soprano XI.Quoniam t u Solus Sanct us Quoniam tu  solus sanctus, Tu solus Dominus,  Tu solus altissimus, Jesu Christa, For thou alone an holy, Thou alone art the Lord, Thou alone an the Highest. Jesus Christ, Conducted by Jennifer Easley XlI.Com Sancfo Spiritu Cum sancto spiriru, in gloria Dei palris, Amen. With the Holy Spirit, in the glory of  God the Father, Amen. Conducted by Tahnee Fallis �PROGRAM NOTES Though  Antonio  Vivaldi  was one  of the  most  influential  composers  of  his generation, he died a poor pauper and his music was neglected for many years after  his  death.  He  was  gradually  “rediscovered”  amidst  a  surge  of  Bach scholarship, Bach having been a great admirer of Vivaldi’s work.  Vivaldi did not entirely receive due credit  for his great contribution  to the western canon until the mid 20” century.  The Gloria (RV 589) was almost entirely lost, and due to the lag between its composition and popular revival, it is difficult to find a definitive edition of the work.  For a large part of his life the composer lived comfortably, employed by the Pio Ospedali della Pieta in  Venice, one of four all­girls quasi orphanage­conservatories of its kind,  Vivaldi acted as teacher, violin virtuoso, composer and priest, his red hair earning him the nickname “il Prete Rosso,” the Red Priest.  Because  Vivaldi was writing primarily  for his students at the Ospedali, some scholars have gone so  far as to theorize that, originally, Gloria may have been performed without men, the tenor and bass parts sung by low­voiced females or transposed, a fascinating notion, however incredible  it  may be.  Vivaldi’s  fondness  for  the  violin and his roots  in  the Corelli model are evident in the kind of melodic interest in  the violin part and the structure w e  see in  movements such as  G lori a in  e xc elsis D eo  the rousing opening movement.  Et in terra pax hominibu: is a radical change of gears with its slow ebb and flow of evocative chromaticism.  Such stylistic contrasts appear throughout  Gloria.  Laudamus  te  celebrates  especially  the  female  voice, alternating  between  imitative  declamations  of  sparsely  yet  vibrantly accompanied soloists and  fuller orchestral ritornelli.  Following this, Gratias agimus  tibi,  creates  a  striking  effect,  being  entirely  homophonic  and  highly sustained.  It acts as a partner to the next movement, the percussive Propter magnam gloriam, which develops its opening melody in expanding segments, in a similar manner to  that  of the third movement, though it is a much shorter episode.  Domine  Deus  features singer, oboe  obbligato and  continuo  in  the softest  o f   the  twelve  movements,  functioning  like  a  delicately  transparent interlude between the first and second half of the piece.  Domine Fili Unigente brings back a similarly full­bodied texture as that of the opening movement, and very much bears Vivaldi ’s stamp in its use of t h e s trings, imitation and rhythmic energy.  Domine  Deus,  Agnus  Dei,  in  solemn  contrast  to  the  preceding movement, starts  with  entrances  o f entirely  solitary  human and  instrumental voices into silence, slowly joined by continuo.  Then choral echoes interj ect into this  texture,  looming  and  growing  throughout  the  movement.  This  scgucs seamlessly  into  the  entirely  choral Qui tollis  peccata  mundi.  which seems to flesh  out  the fragmented  choral statements  introduced  in  Domine  Deus.  Qui sedes ad dexteram features the last vocal solo of the piece, a humble yet urgent r e qu e st   f o r   “ m e r c y ”   b e fo r e   t h e   u l t i m at e   exa l l at i o n   o f  t h e   last  m ove m e n t s . Quoniam tu solus sanct us is a brie f reprise of the music of Gloria in  excelsis Deo, a retum to the invigorating opening motive, the fast octave leap.  Finally, the triumphant Cum Sancto Spiritu draws upon many elements of the rest of the piece, imitation, quick modal fluctuations, textural changes, including a striking disappearance of the  orchestral  “floor” beneath  the  chorus, and  so forth.  (It would seem that Vivaldi adapted this final movement from an older Ruggieri composition on  the same text, and used  it in another mass after  Gloria, a not uncommon practice in his oeuvre.)  The connections between movements across the work, such as from the first to penultimate, or from Gratias agimus tibi to Qui  tollis  peccata  mundi, contribute  to the  dramatic  arch and  sense  of unity about a world of textures and emotions contained within this half hour of music. T onight ’s per formance is the culminat ing proj ect for the students o f M U S 428, Conducting I I  For two semesters, the members of t h e c  lass have worked to gain a  fundamental  understanding  of  conducting  mechanics,  the  study  and interpretation of a score and the manner in which one communicates a musical vision to and through an  ensemble,  Additionally, the students were responsible for  the  logistics  of this  concert,  in  a  practical  study  of the conductor‘s  non­ musical responsibilities.  Each specializing in different instruments and musical genres, and pursuing a variety of degrees in  addition to music, we’ve learned a great  deal  from  each  other’s  perspectives.  We  hope  you  will  enjoy  our collectively eclectic approach to the Vivaldi Gloria. Sources: Michael Talbot  Tenors and Basses at the Venetian “Uspedah. " Acta Mustcologtca, Vol  66, Fasc  2, pp  123­138.  International Mustcological Society http //www istor org/stable/932767 1  Peter  Burkholder  A  History  of  Western  Music,  7 ”  edition.  New  York  W . W .   Norton  and Company, 2006 Michael  Talbot  Vivaldi.  Antonio  Grove Music  Online  Ox ford Music  Onltne  28  Apr  2010 http //wvwv oxfordmustconline com/subscribcr/amcldyovelmustdw120 �ABOUT THE PERFORMERS Molly Adams­Toomey is a Junior majoring in Music and minoring in Theater. She is a member of the Women’s Chorus, studies voice under Timothy Le febvre and piano under Michael Salrnirs, and is a member of Mu Phi Epsilon. She has written  and  performed  the  music  for  the  Binghamton  University  Theater Department’s spring production of Henry V, as well as writing and arranging the music for the Studio production of White Liars. Ya Tzu Chen is a Music major from Taiwan studying for her Masters in Piano with Michael Salmirs.  In  Taiwan, she studied piano with Hsin­l Chen.  She received  her  Bachelor’s  degree  in  Physics  from  National  Taiwan  Normal University. Jennifer  Easley  is  currently  enrolled  in  her  final  semester  at  Binghamton University, pursuing a Master of Music in Choral Conducting.  She earned a Bachelor  of  Music  in  Music  Education  with  a  concentration  in  voice  from Gordon College.  She is a full­time music teacher at Binghamton High School, where she gives classes in piano, guitar and special­education general music. Ms. Easley is v ery interested in  teaching music overseas and w i ll  be  traveling to Thailand this coming July.  She and her husband, Timothy, reside in  Windsor with their two lovely daughters, Naomi (2 1/2) and Sophia (1). Tnhnee Fallis is a first year Choral Conducting graduate student at Binghamton University. Earlier in the  semester she led the  women’s  chorus in a concert comprised of music from East Asia and will continue to conduct many choruses in  the  coming year  in  Binghamton. Miss  Fallis  graduated  in  2009  from  The College of St. Rose in Albany with a bachelor’s degree in Music Education and hopes to continue on to get her doctorate to teach music in a college setting. A dam  Hess  is a  Senior Electrical Engineering and Music  major. Next  year Adam will receive a Masters in  Electrical  Engineering with a specialization  in Communication Systems and Signal Processing. After this he plans to work on a PhD in  either composition, musicology or  choral conducting. In  his free time, Adam  is  an active member  of MOE  spreading  love, kindness  and sincerity through philanthropic activities through the power of music. Jieun  Jang  is  a  Junior  Music  major  from  South  Korea.  At  Binghamton University, she is studying piano with Michael Salmirs. She has performed with university  ensembles  such  as  University  Symphony  Orchestra  and  Wind Symphony. Recently she performed with the University Symphony Orchestra as a solo pianist, and she also held a junior rec ital in  April. Laura  MacAvoy  is  a  Bachelor  of  Music  in  Vocal  Performance  student, currently finishing her junior year.  Originally from  Saratoga Springs NY, Ms. MacAvoy has been performing musically since the age of six.  At Binghamton University, she has  sung  with the University  Chorus, Women’s Chorus, Tri­ Cities Opera Chorus and in solo performances.  She studies with Mary Burgess. Michael  Mechmnnn  is a Senior  Music major studying composition.  He  is  a member of the Harpur Chorale, and has  played in the  Theater  Orchestra  for Binghamton University musical productions. Krystiana Resto is a Senior Music Major from Poughkeepsie, New York. She is currently a member and President of the Harpur Chorale, and has also sung in the University  Chorus. She  i s  the President o f  Mu  Phi Epsilon Pro fessional Music  Fraternity,  which  was  founded  at  Binghamton  in  the Fall  o f  2008.  In addition, Krystiana is the Musical Director of the University’s only all­female a cappella group, the Harpur Harpeggios. Briana Sakamoto is a Senior Music major pursuing a Bachelor of Music degree in vocal performance.  She is a member of the Tri Cities Opera chorus and this season covered the roles of Barbarina in  “Le nozze di Figaro” and  Gianetta in “L’elisir d’amore.”  She is also a BU Scholar. Shane Thorn is a Junior majoring in  Music composition, which he has studied with Paul Goldstaub and Christopher Loy. He plays in the University Orchestra, and has studied viola, voice and piano, in addition to singing in the independent Canterbury  Choir. He also  organizes  and directs the  Avant­garde  Troupe, a small group o f artists, actors and musicians who engage in partly­improvised performance art events in public areas. Mezzo­soprano Cabiria Jaeobsen recently performed the roles of Chcrubino in Mozart’s Le nozze di Figaro, Hansel in Humperdink’s Hansel and Gretel, and La Ciesca in Puccini’s Gianni  Schicchi,  all with Tri­Cities Opera.  Other credits include  Idamante  (/domeneo/OperaHub);  Annina (Der  Rosenkavalier/Iowel/ House Opera); and Mauyra (Riders to the  Sea/Northwestern University Opera Theater).  She received  her  BM. in  Voice and  her  B.A. in  Drama (Literature and Critic ism) from Northwestern University. R aq ue l  R ozner i s  currently a  freshman at Binghamton University, wher e she studies biochemistry and music. Raquel has studied voice extensively for seven years  and  has  been  involved  with  many  summer  programs  and  vocal opportunities since entering high school. R aquel was chosen to sing in the 2007 and 2008 New  York  All­State Mixed Chorus, in which she  was the soprano soloist in 2008. She was also chosen to  sing in the 2009  All­Eastern Honors Mixed Chorus. Raquel has accumulated many vocal honors and awards, but she is  most  proud  to  have  been  accepted  into  the  2008  Boston  University Tanglewood Institute Young Artists Vocal  Program  in  which she studied with Phyllis Hoffman and attended a master clas s with Renee Fleming. Soprano Samantha  Banton  is a  Junior  majoring  in  Music.  She  has  recently appeared in the Music Department Mid­day Concert series and the Composition Seminar composer’s concert. �BINGHAMTON UNIVERSITY STRING ORCHE STRA Chantal Berendsen Alex Spadaro Violas Victoria Brown Erica Koslowsky Max Pekarskiy Li fan Hsu Fanny Chu Elana Streim Cellos Ben Peak Taylor Reitmeier Violins E lan A shendor f Elizabeth Magowan Edwin­Nikk o K abigting  Meaghan Petix Jin Park Allison Jaekle Gozda Y ildiz Basses Rachel Casey Sam Smith C larinets Heather Worden Timothy Perry Basso­continuo Chai­Kyou Mallinson BINGHAMTON UNIVERSITY CHAMBER CHORUS Soprano Jennifer Easley Cathie Makowka Sioux Petrow K elly Pueschel Megan L. Roppolo Ligita Roznere Christine Ryder Susan Sarzynski Siobhan Sculley Faith Vis Jennifer Walsh Lois Wilston Alto Kathryn Baine Lois Bare Maria Luisa Cook Michelle Doherty Tahnee Fallis Jean Fenzel Diane A. Ferraccioli Sylvia Horowitz Grace Houghton Cheryl Jacobson Pat Labzentis Ethel Molessa Anna Nicholas Joyce Printz Constanze Schonermark Jane Shear Danielle Sisson Susan Szczotka Tenor Martin Bidney Kevin Doherty H.B. King Dennis Leipold Sherry Williamson Bass Eric Bare Ronald Beauchamp Bruce Borton Carl Bugaiski Emanuele Delucchi Joseph E. Nelson Edward Orosz David Schriber � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 52:59:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145274">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145274</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Conductor's concert: Vivaldi's Gloria, March 25, 2010 Recital Tape 2010-3-25 Description An account of the resource Works by Vivaldi. Held at 1:20 p.m., March 25, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Banton, Samantha Rozner, Raquel Jacobsen, Cabiria Jang, Jieun Hess, Adam Sakamoto, Briana Chen, Ya Tzu MacAvoy, Laura Adams-Toomey, Molly Thorn, Shane Rest, Krystiana Easley, Jennifer Fallis, Tahnee Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-03-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound