74 10 1775 https://omeka.binghamton.edu/omeka/files/original/63a9c10a4c47666b93515d1e0606e889.pdf d7e3a0e6f73b8d0f4734db811fc0f8a4 PDF Text Text INGHAMTON B U N I V E R S I T Y STATE  U N I V E R S I T Y   O F  N E W   Y O R K wdee [4 D E P A R T M E N T S ING I N T O SPRING Women’s Chorus Jushin Choi, conductor Har pur Chorale Peter Browne, conductor Sunday, April 29, 2012 3:00 p. m . Anderson Center Chamber Hall �PROGRAM SPRING SONGS Women’s Chorus Jushin Choi, conductor Peter Browne, piano F or the Beauty of the Earth . Early in the Spring FrfilingsgIaube. John Rutter . Traditional English .  Arr. Ralph Vaughan Williams Franz Schubert Arr. Bruce Borton Die linden Litfte sind crwacht, The gentle winds are awakened. Sie sausein und wehen Tag und Nacht, they murmur and waft day and night Sie schaffen an allen Enden. They create in every comer. 0 frischer Duft, o neuer Klang! Oh fresh scent, oh new sound! Nun. armes Herze, sei nicht bang! Now, poor heart, fear not! Nun muss sich allcs, alles wenden. Now everything, everything must change. Die Welt wird schoner mitjcdem Tag, Man weiss nicht, was noch werden mag, Das Blithen will nicht enden. Es blitht das fernste, tie fste Tal: Nun, armes Herz, vergiss derQuai! Nun muss sich alles, alles wenden. — Ludwig Uhland The world grows more beautiful every day. One does not know what may yet happen, The blooming doesn’t want to end. The farthest, deepest valley blooms: Now poor heart, forget your pain! Now everything. everything must change. (Translated by Hyde Flippo) Ching­A­Ring Chaw. Traditional American Arr. Aaron Copland The Water is Wide Traditional Ameri can Arr. Luigi Zaninelli A ­Tisket, A­Tasket Ella Fitzgerald and Al Feldman Arr. David J. Elliott �SETTINGS OF SHAKESPEARE WOMEN’S CHORUS Jushin Choir, conductor Harpur Chorale Peter Browne, conductor Full Fathom Five . Charles Wood Shall I Compare T hee.“ Bruce Barton to a Summer’s Day .Christian Martin Walls of Glass .. Jushin Choi, piano The Silver Swan .. ..Orlando Gibbons The Silver Swan .. ..Paul Goldstaub Stephanie Naru, Carrie Buck Brandon Seabrook, Daniel Romberger, soloists Came Be My Love... It Was a Lover and His Lass Alto Amy Conway Soprano Michaela Andriatch .Relly Raffman John Rutter Ashley Grumman Erika Noach Maggie Pictor Alida Cooke Crystal Gonzalez Jennifer Micceri Susan Rosenberg Joanna Wallace Wei Jie Zhao Kaitlyn Mulligan Megan Orcutt Jessica Pyne Ariel Schlesinger Fangling Zeng HARPUR CHORALE Peter Browne, conductor Soprano Michelle Goldrich Stephanie Naru Sabrina Scull Katherine Sucha Samantha van Adelsberg Hollie VanDerHeide Tenor Ari Hausman Ricky Nan Joshua Rovou David Schwartz Brandon Seabrook Alto Denise Aquino Carrie Buck Suzanne Greene Bass David Clark Thomas J. Furey Pak Lok Pio Lau Christian Martin Daniel Romberger David Stern Shoshana May Katherine Moscowitch �rm.­.“ P = .n= :i& . x3 Bl . & u ‘5 i  8 ‘ O '  D —< =2 vo 5Pa = an B [nighamo tn g h e y _  Orchesra B I N G H A M T O N   José=Luis Novo  PHILHARmONIC Music Director “REAL TIVE none.  ­  "  4  '  m um Sara Davis Buechner Sha i Wosner Amit Nu! Mayuko Kamio Pops Sertes Motowr’s Greatest ms Sunmflhw ChamS bo e rv Seieris ni K m h er ­ 0 1 m W alt ­ r o am Vienna Boys (not WWW.BINGHAMTONPHILHARMONIC.ORG  G r q u e Symphoni   e i public service media for your com munity www.wskg.org &  Q a �Binghamton University Music Department’s MPOOMllK/q E V E N TS Mid­Da y concerts are held on Thursdays, 1:20 PM in Casadesus ReC/ta/ Ha/l unless otherwise noted and are FREE Tuesday, May 1 – String Department Recital: String Fever ­­ 8:30 p.m. – Casadesus Recital Hall – free Thursday, May 3 – Jazz Mid­Day Concert with guest artist Mark Buselli, trumpet – 1:20 p.m. – Osterhout Concert Theater – free Thursday, May 3 – Harpur Jazz Ensemble Concert with guest artist Mark Buselli, trumpet – 8 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students Friday, May 4 – Flute Studio and Flute Chamber Concert – 10:15 a.m. – FA21 – free Saturday, May 5 – Wind Symphony Concert celebrates Cinco de Mayo – 3 p.m. – Anderson Center Chamber Hall – $6 general public ; $3 faculty/staff/seniors; free for students Tuesday, May 8 – Composition Seminar Class Recital – 8:00 p.m. – Watter’s Theater ­ free Wednesday, May 9 – Student Conductor’s Concert ­­ 7:30 p.m. – Anderson Center Chamber Hall ­ free Thursday, May 10 – Student Recognition Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 10 – German Lyric Diction Class Recital  – 8 p.m. – Casadesus Recital Hall – free Thursday, May 1 0 – Percussion Ensemble – 8 p.m. – Watters Theater – free Saturday, May 12 – Senior Recital: Mark Rossnagel, organ – 4:30 p.m. – First Presbyterian Church, Binghamton – free For ticket information, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44 minutes :03 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142207">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142207</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sing into Spring, April 29, 2012 Description An account of the resource Works by Rutter, Williams, Schubert, Copland, Zaninello, Fitzgerald, Wood, Martin, Goldstaub, Raffman Held at 3:00 p.m., April 29, 2012, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Choi, Justin Browne, Peter Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/29/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36 minutes: 46 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142204">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142204</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 26, 2012 Description An account of the resource Works by Weissenborn, Pachelbel, Bach, Shaw, Gershwin, Gates, Popper Held at 1:20 p.m., April 26, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Elliot, Paige Reits, Margaret Ng, Samantha Mallinson, Chai-Kyou Saturnino, Kathryn Arenstein, Zachary Birnbaum, Zachary McAuliffe, Matthew Stoner, Danielle Westcott, Phillip Matthews, Paul Booher, Michael Edwards, Xander Wuu, Eric Watrobski, Paul Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/26/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/bbd865544a59163f5f3276b4aae32c6a.pdf 4b329e2c3fbef393591f3f233815b0e4 PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E   U N I V E R S I T Y   OF  N E W  Y O R K wdee [4 D E P A R T M E N T BRAHMs’s “REGENLIEDER” EVOLUTlON FROM SONG TO  SONATA Janey Choi, violinist & lecturer Michael Salmirs, piano Mary Burgess, soprano Tuesday, April 24, 2012 8 p.m. Casadesus Recital Hall �PROGRAM ABOUT THE PERFORMERS Lecture: Regenlieder— The Evolution from Songs to Sonata «8 A­INTERMISSION # ­  «5 Regenlied, op.59 no. 3.  .Johannes Brahms Nachklang, op.59 no. 4  (1833­1897) Violin Sonata No. 1 in G, op. 7 8 . Vivace ma non troppo Adagio – Piu Andante – Adagio Allegro molto moderato Johannes Brahms Canadian violinist, Janey Choi gave her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active career performing on recital and chamber series, on Broadway, and with such groups as the Ardelia Trio, Ensemble X, New York City Ballet, and the Teaching Artists Ensemble of the New York Philharmonic. The recipient of numerous awards including the Chalmers Performing Arts Grant from the Ontario Arts Council (Canada) and National First Prize in the Canadian Music Competition, she has participated in such festivals as Mostly Mozart, Norfolk, Taos, the Spoleto Festivals in the U.S. and Italy, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera. An avid inter­arts and cross­genre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co., most notably at the Kennedy Center in Washington, DC, and at the New Victory Theater in Times Square. She also initiated a collaboration with the Paul Taylor Dance Company and the Binghamton University Music Department.  Her other interests have taken her to the visual arts world, developing and presenting an annual “Music + Art” show commissioning artwork based on chamber works.  She has recorded and appeared with such mainstream performers as Bono (U2) and Quincy Jones, Adele, Beyoncé, Aretha Franklin, Enya, Elton John, Jay­Z, Sarah McLachlan, Lenny Kravitz, and Kanye West, on the Grammys, MTV, Saturday Night Live, the Today Show, at Live 8, Radio City Music Hall and Royal Albert Hall in London, England. Dr. Choi holds the distinction of being the youngest, and only Pre­ College student ever accepted by her late mentor, Joseph Fuchs at The Juilliard School, where she graduated from the accelerated BM/MM program with the Joseph Fuchs Graduation Prize. Her other major teachers include Joel Smirnoff, Victor Danchenko, Harvey Shapiro, and Arnold Steinhardt.  She attained her Doctor �of Musical Arts degree at Rutgers University with full scholarship and was the recipient of the Graduate Fellowship Award. Strongly committed to education, she has been on the faculty of Binghamton University since 2006 and is a Teaching Artist for the New York Philharmonic and Chamber Music Society of Lincoln Center. She has presented educational workshops for the College Music Society National Conference, Tokyo College of Music and Lincoln Center Institute. In her free time, she enjoys marathon and triathlon training, playing soccer and ice hockey. Mary Burgess, soprano, a graduate of the Curtis Institute of Music, has been a member of the Binghamton University voice faculty for over twenty years.  Ms. Burgess made her US operatic debut with New York City Opera while still a student at the Curtis Institute, and subsequently appeared with Santa Fe Opera, Washington Opera, New Orleans Opera, Nevada Opera, and many other regional companies including Tri­Cities Opera in Binghamton. Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and with Dublin Grand Opera.  Ms. Burgess has appeared as soloist with more than two dozen US orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon).  She has been a frequent guest at such prestigious festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival. Her repertory of forty roles in five languages ranges from Monteverdi and Cavalli to Britten and Virgil Thomson.  Her performances of Britten’s Les Illuminations and Mahler’s Symphony No. 2 with the Omaha Symphony were filmed for broadcast by Nebraska ETV. She has recorded for Columbia, Masterworks, CRI, Sony Classical, and Telarc. Pianist Michael Salmirs, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Coming Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and an Affiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. �TRANSLATIONS ABOUT THE SERIES The Friedheim Memorial Series honors the memory o f Professor REGENLIED (Rain Song; text by Groth) Pour, pour down, rain; reawaken in me the dreams that I dreamt in childhood when the moisture foamed in the sand! When the weary summer sultriness fought indolently against the fresh coolness, and the gleaming leaves dripped dew, and the fields of grain took on a deeper blue, the fields of grain took on a deeper blue. What bliss to stand in the downpour at such times with bare feet, to brush against the grass and reach out and touch the foam, or else to catch cool drops on one’s flushed face and to open one’s childlike heart to the newly awakened scents, to open one’s childlike heart! Like the calyxes that were dripping there, one’s soul was wide open and breathing, like the flowers intoxicated with fragrances, sunk in the heavenly dew. Each drop gave a thrill of pleasure and cooled you down to your beating heart, and the holy weaving of Creation penetrated the hidden sources of life, penetrated the hidden sources of life. Pour, pour down, rain; awaken my old songs, which we sang in the doorway when the drops fell noisily outside! I would like to listen to them again, to their sweet moist murmuring; I would like to bedew my soul gently with that holy childlike awe, that holy childlike awe. Nachklang (Lingering Sound; text by Groth) Raindrops are falling from the trees into the green grass; tears from my dulled eyes are moistening my cheeks. When the sun shines again, the lawn becomes twice as green: my hot tears will burn twice as fiercely on my cheeks, my hot tears will burn. Philip  Friedheim  (1930–1986)  whose  remarkable  tenure  at Binghamton University featured many memorable lecture­recitals with faculty and  guest artist­performers on major works of the classical  music  tradition.  We  seek  to recreate  Phil’s  special combination  of  scholarship  and  performance  that  served  to deepen our understanding for — and love of — great works of musical  art.  All  proceeds  of  the  series  will  go towards  the undergraduate scholarship funds of the Department of Music. The 2009–2010 series opened in September 2009 with Professor Emeritus Harry Lincoln’s remarks on J. S. Bach’s Sonata in b minor featuring Georgetta Maiolo on flute and Jonathan Biggers on harpsichord. Today’s  performance  in  the  series  will  highlight  Brahms’s Regenlieder. Please join us as we explore Brahms’ “Regenlied & Nachklang for voice & piano, Op.59 No.3” and “Violin Sonata No. 1 in G Major, Op.78". The favorite of his three violin sonatas, Johannes  Brahms’  “Regenlieder”  (Rain  Song)  Sonata  used thematic material from a set of songs, the Regenlieder, composed six  years  earlier. Both  were  presented  to Clara  Schumann  in difficult times and  seemed to communicate beyond words, his desire to comfort her with their melancholy beauty and enduring spirit. Lecturer and violinist Janey Choi will bring these works to life with pianist Michael Salmirs and soprano Mary Burgess. �Bingh amton  Unive rsity Music Department’s M POO/Vt w q E V E NT  s Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, April 26 – Mid­Day Conc ert – 1:20 p.m. – Casadesus Recital Hall —  free Thursday, April 26 –Brass  Studio Recital – 8 p.m. – Casadesus Recital Hall —  free Friday, A pril 27 – Tri­Citie s Opera presents  “The Magic Flute ” – 8 p.m. – The Forum Theatre – call (607) 772­0400 for tickets Saturday, April 28 – University Sy mphony  Orchest ra: The Three B’s (Bach, B rahms a nd Beethoven) with  faculty v iolinist Janey Ch oi and oboist J ohn Lathwel l – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students Sunday,  April 29 – Harpu r Chorale and Wo men’s C horus: S ing into S pring – 3 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staff/seniors; free fo r students Sunday,  April 29 – Tri­Cit ies Opera presen ts “The M agic Flut e” – 3 p.m. – The Forum Theatre – call (607) 772­0400 for tickets Tuesday, May 1 – Strin g Departm ent Reci tal: Strin g Fever – 8:30 p.m. – Casadesus Recital Hall – free Thursday, May 3 – Jazz Mid­Day Concert w ith guest ar tist Mark Buselli, trumpet – 1:20 p.m. – Osterhout Concert Theater – free Thursday, May 3 – Harpu r Jazz Ensemb le Conce rt with guest ar tist Mark Buselli, trumpet – 8 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students Friday, M ay 4 – Fl ute Stud io and Flute Chamber Concert – 10:15 a.m. – FA21 – free Saturday, May 5 – Wind S ymphony Concert celebrates Cin co de Mayo – 3 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staff/seniors; free for students For ticket information, please call the Anders on C enter B ox  O ffice a t 7 77­ART 5. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38 minutes :15 seconds 27 minutes :7 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142200">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142200</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brahms's "Regenlieder," Evolution from song to sonata, April 24, 2012 Description An account of the resource Works by Brahms Held at 8:00 p.m., April 24, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Choi, Janey Burgess, Mary Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/24/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56 minutes: 2 seconds 16 minutes :44 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142196">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142196</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior honors lecture recital, Matt Gukowsky, April 21, 2012 Description An account of the resource Works by Gukowksky, Soule, Shimomura, Kondo Held at 8:00 p.m., April 21, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Gukowsky, Matthew Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/21/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55 minutes :59 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142153">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142153</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Chorus Haydn: Missa in Angustiis Mozart: selections from Vespearae solennes de confessor, K.339, April 22, 2012 Description An account of the resource Works by Haydn, Mozart Held at 3:00 p.m., April 22, 2012, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource MacLennan, Susan Starks, Kathy Gleason, James Messing, Randy Borton, Bruce Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/22/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0deb5ae1fd6c2c34272b201c05849f03.pdf 7741498ebb721bf6de3d9c305ab9c2dd PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S TAT E   U N l V E R S I T V   O F  N E W  Y O R K ede D E P A R T M E N T THURSDAY MID­DAY CONCERT x %­  1; A N \  ­ 4 , > O .   a APRIL 19, 2012 1:20 P.M. FA 21 �PROGRAM Core ’ngrato .. ..Salvatore Cardillo Mario Eun­Hwan Bae, Tenor Chai­Kyou Mallinson, Piano (1874–1947) .... Giovanni Legrenzi (1626–1680) What PowerArt Thou..  from King Arthur  .. Ryohei Hirose (1930–2008) Meditation......  Che fiero costume .. Fantasia 8 in g minor.. .. Georg Phillipp Telemann (1681–1767) Alexander Baron, Recorder Joseph Keller, Baritone William Lawson, Piano Passacaglia and Fugue in C­minor.... Johann Sebastian Bach (1685–1 750) Jonathan Biggers, Organ .. Santino DeAngelo (b. 1990) Christina Santa Maria, Soprano William Lawson, Piano Claire de Lune... ..Johann Sebastain Bach Chorale­Prelude on  (1685–1750) Schmucke dich, o liebe See/e  “Deck thyself, my Soul, with gladness” Master Tallis’ Testament Mark Rossnagel, Organ Herbert Howells (1892–1983) . Henry Purcell (1659–1695) �Binghamton University Music D epartment’s U P C O M I N G  E V E N T  5 6 & M M 1 3 0 Saturday, April 21 – Junior Recital: Matthew Gukowsky, tuba – 8:00 p.m. – Casadesus Recital Hall – free Sunday, April 22 – University Ch orus – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students Tuesday, April 24 – Friedheim M emorial Lecture/Recital Series: Brahms “Regenlieder” from Song to  Sonata (lecturer Janey Choi, pianist Michael Salmirs and sop rano Mary Burgess) – 8 p.m. – Casadesus Recital Hall – $6 general public; $3 faculty/staff/seniors; free for students Thursday, April 26 – Mid­Day Co ncert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, April 26 – Brass Stud io Recital — 8 p.m. Casadesus Recital Hall – free Friday, April 27 – Tri­Cities Opera presents “The Magic Flute” – 8 p.m. – The Forum Theatre – call (607) 772­0400 for tickets Saturday, April 28 – University S ymphony Orchestra: The Three B’s (Bach, Brahms and Beethoven)  with faculty violinist Janey Cho i and oboist John Lathwell – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students Sunday, April 29 – Harpur Chora le and Women’s Chorus: Sing in to Spring – 3 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staff/seniors; free for students Sunday, April 29 – Tri­Cities Opera presents “The Magic Flute” – 3 p.m. – The Forum Theatre – call (607) 772­0400 for tickets Tuesday, May 1 – String Department Recital: String Fever – 8:30 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Office at 7 77­ART5. For more information, please call (607) 777­2592, visit music. binghamton. edu or become a fan on Facebook. To see all events, please visit mus ic. b inghamton. e du � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 66 minutes :15 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142150">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142150</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 19, 2012 Description An account of the resource Works by Cardillo, Hirose, Telemann, DeAngelo, Bach, Howells, Legrenzi, Purcell Held at 1:20 p.m., April 19, FA 21. Creator An entity primarily responsible for making the resource Bae, Eun hwan Mallinson, Chai-Kyou Baron, Alexander Santa Maria, Christina Lawson, William James Rossnagel, Mark Keller, Joseph Biggers, Jonathan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/19/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/aeb0e8a8627abc9afca2883df48a006e.pdf 18697a17abe83b84a07adf155832744e PDF Text Text BINGHAMTON OU  N I V E R S E K I T Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K oide e [4 D E P A R T M E N T GUEST ORGAN CONCERT CARLA EDWARDS Co­Sponsored by the Bin ghamton  Chapter of the A merican G uild of O rganists Su nday, Ap ril 15, 20 12 4:00 p.m . Un ited Pres byterian Church Bingham ton, New York �PROGRAM ABOUT THE PER FORMER Festive Proclamation .  .Samuel Adler (b. 1928) Chorale­Prelude :  .. Jo han n Sebastian Bach Wachet au f, raft uns die S timme, BW’V 64 5  (1685­1750) Chorale­Partita on.  Wachet auf, ruft uns die Stimme, op.8, no.2  Hugo Distler (1908–1942) I.  Toccata II.  Bicinium III.  Fugue C a r l a  E d w a r d s  is Professor of Organ and  Harpsichord  at De Pauw University in Greencastle, Indiana.  She received her Bachelor o f M   usic degree with highest distinction from The University of Kansas, a Master of Music  degree  from  the  University of Alabama, and  her  Doctor of Musical  Arts degree  from  Indiana University.  She  has  studied with Larry Smith, Delores Bruch, James Moeser, Catharine Crozier, Robert Noehren, Michael Schneider, and J. Warren Hutton. Passacaglia quasi Toccata na tema EACH ..  ..Milos Sokola (1913­1976) &  INTERMISSION a s A Triptych of Fugues  ...Gerald Near (l). 1942) I.  Lively, with dash II.  Slowly, expressively III.  Broadly Choralvorspiele fur Orgel, op.67..  . Max Reger (1873­1916) Wie schon leucht ’t uns der Morgenstern Jesus, meine Zuversicht Herzlich tut mich verlangen Meinen Jesum lass ich nicht Vom Himmel hoch, da komm ich her Prélude et Fugue sur le nom d’Alain, op.7. .Maurice Duruflé (1902­1986) + G uilbault­Thérien Organ, 1996 * Dr. Edwards has been featured several times on the nationally syndicated radio program Pipedreams, and she has performed in England, Italy, and Finland.  Nationally, she  was a  featured artist at the  1994 American Guild of Organists National Convention held in Dallas; the 1997 AGO Region V Convention held in Evansville, Indiana; the 2001 AGO Region V  convention  held  in  Ft.  Wayne,  Indiana;  and  at  the  2007  Organ Historical Society National Convention held in Indianapolis.  She has performed as a concerto soloist with the  Virginia Symphony, and has recently  presented  a  solo  organ  concert  at  the  2008  AGO  National Convention  held  in  Minneapolis,  Minnesota.  Most  recently,  she presented a solo organ concert at the Region V AGO Convention, held in June 2011 in Lexington, Kentucky. Dr. Edwards has recorded two CDs on the Calcante Recordings label, two  CDs  with  the  Del’auw  University  Band,  one  CD  of  works  for soprano/organ with Professor Caroline Smith (vocal faculty at DePauw University). and has recently recorded a solo organ CD on the Hellmuth Wolff organ at DePauw University. �gbam tan University Music Departm en t’s Bin  UPCOMING E V E N T S a5»  {3­64 5­64 5­6t3’6t5’ Mid­Day concerts are held on Thursdays, 1:20 PM  in Casadesus Recital Hall unless otherwise noted and are FRE E Saturday, April 14 – Robert Smith, e uphonium, presents “El Bombardino” with Margaret Re itz, piano –  3 p.m. – Casadesus Recital Hall – $6 general public; $3 faculty/staff/seniors; free for students Sunday, April 15 – Africanaise: An even ing of African Inspired Compositions — 3 p.m. – Anderson Center Chamber Hall – $10 genera public; $6 faculty/staff/seniors; $3 studen ts Sunday, April 15 – G uest Organist Carla Edwards – 4 p.m. –  First Presbyterian Church, Binghamton – $10 general public; $6 faculty/staff, seniors; $3 students Thursday, April 19 — M id­Day Concert –  1:20 p.m. – Casadesus Recita Hall – free Friday, April 20 — U n ive rsity St ring Orchest ra — 4 :00 p.m. – G rand Corridor – free Saturday, April 21 — J unior Recital: Matthew G ukowsky, tuba — 8:00 p.m. – Casadesus Recital Hall – free Sunday, April 22 – Un ive rsity Chorus: Haydn’s “Lord Nelson Mass” – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/ staff/seniors; $3 students For ticket information, please call the A nd ama n  Can t er  Box Offi ce at 7 7 7 ­AR T S To see all events, please visit mus i c.bi ngbamtan.e du Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32 minutes :34 seconds. 44 minutes :17 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142102">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142102</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest organ concert, Carla Edwards, April 15, 2012 Description An account of the resource Works by Adler, Bach, Distler, Sokola, Near, Reger Held at 4:00 p.m., April 15, 2012, United Presbyterian Church. Creator An entity primarily responsible for making the resource Edwards, Carla Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/15/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d99c448886aa3ce7b73c1dde13774461.pdf a6e3d9dbd1c1d49810e2223d54aaf9ff PDF Text Text BINGHAMTON U  N  T V  E  R  S  T T  Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K zed e C D E P A R T M E N T STUDENT R ECI TAL ALEXANDER BARO N , RECORDER with Pes  Reitz;  Harpsichord Ad am Goldenberg, Peycussconv Friday, Aprib13, 2012 8:00 p. W C W R W M H M �PROGRAM Sonata in f minor  Triste  Allegro ABOUT THE PERFORMERS .  .  .  .  .. George Philipp Telemann (1681–1767) Andante Vivace Bravade.  Modo 1  '  '  Modo 2 Modo 3 '  '  '  '  '  '  '  '  La Luna.  Meditation..  Sonata Seconda.  Wayfaring Stranger  .Jacob van Eyck (c.1590–1657) Alexander Baron has performed with the Binghemton Baroque. Manhattan Recorder Orchestra, and Adirondack Recorder Guild, at Binghamton University Mid­day Concerts, and at various private events and nursing homes. He attended the Indiana Recorder Academy in 2006–2009. and  the Amherst Early Music Festival in 2011. He was the winner of the 2011 American Recorder Society President’s Scholarship. Previous studies have been mainly with Eva Legene and Michael McCraw. Current studies are with Rachel Begley, Daphna Mor, and Pete Rose. Alexander has interests in both early and modern music. He plays both the recorder and native American flute. He is scheduled to play selections from the GP Telemann Concerto for Recorder, Flute, Strings, and Basso Continuo with the University String Orchestra and flutist Georgetta Maiol o later this April. .. Christiane Mar tini Ryohei Hirose (1930–2008) Dario Castello ­(c.1590­c.1 658) Pete Rose (b.1942) Improvisation .  . Alexander B aron (b. 1989) Sonata in g minor  Vivace  jimi  l  gdin  Allabreve Largo Allegro ma non Presto . Antonio Vivaldi '  (1678–1741) Pej Reitz, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis.  She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus. Victor Rosenbaum. Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States. in England, South America. Spain and at the American Institute of Musical Studies in Graz, Austria.  She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F.  Kennedy Center for the performing arts. She is currently on the faculty at  Binghamton University since 1991 and Ithaca College School of Music since 1999.  She is Treasurer of the local District VII Music Teachers Association and is an active adjudicator for the National  Piano Guild Organization. Adam Goldenberg is a senior biochemistry major and music minor. Mr. Goldenberg studies with Professor Daniel Fabricius, and regularly performs with the University Wind Ensemble and Percussion Ensemble. In 2011, Mr. Goldenberg was a featured soloist in Terry Gillingham’s “Concertino for Percussion and W ind Ensemble” a nd in Paul Creston’s Concertina for Marimba and Wind Ensemble. In spring of 2012, Mr. Goldenberg will be performing Keiko Abe’s “The Wave” Concertino for Marimba and Percussion Ensemble on May 10th at the spring percussion ensemble concert. �Bingha mton Univer sity Music D epartm ent’s U P C O M I N G  E V E N 7  3 S a  eDoas M’s­mesme­ Saturday, April 14 – Mas terclass with organist  Carla Edwards  – 10 a.m. – 12 noon – First Presbyterian Church, Binghamton – free Saturday, April 14 – Rob ert Smith, e uphoniu m, prese nts “ E l  Bombard ino” with  Margare t Reitz, pi ano – 3 p.m. – Casadesus Recital Hall – $6  general public; $3 faculty/staff/seniors; free for students Sunday,  April 15 – Afri canaise:  A n  e vening o f  A frican Inspired  Compos itions – 3 p.m. – Anderson Center Chamber Hall – $10 general public; $ 6 faculty/staff/seniors; $3 students Sunday,  April 15 – Gue st Organ ist Carla Edwards  – 4 p.m. – First Presbyterian Church, Binghamton – $10 general public; $6  faculty/stafflseniors; $3 students Thursda y, April 19 – Mid­Day Conce rt – 1:20 p.m. – Casadesus Recital Hall – free Friday, A pril 20 – Universi ty String  Orchest ra – 4:00 p.m. – Grand Corridor – free Saturday, April 21 – Junior  Recital: Matthew  Gukows ky, tuba – 8:00 p.m. – Casadesus Recital Hall – free Sunday,  April 22 – Univer sity Cho rus: Hay dn’s “Lo rd Nelson Mass” – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students For ticket information, please call the Anderson  Center B ox  O ffice a t 777­ART S � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53 minutes :17 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142099">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142099</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recital, Alexander Baron, April 13, 2012 Description An account of the resource Works by Telemann, Eyck, Martini, Hirose, Castello, Rose, Baron Held at 8:00 p.m., April 13, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Baron, Alexander Reitz, Margaret Goldenberg, Adam Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/13/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f0d9f48c2d3c4563ce2177b58598dd0b.pdf e34d21e12495b86e92f5684f5ed799b6 PDF Text Text BINGHAMTON U  N 1 v  E R s  1 T  Y STATE  U N I V E R S I T Y   O F  N E W   YORK wdee D E P A R T M E N T SPRING CONCERT The Nukporfe African Dance­Drumming Ensemble of Binghamton University Thursday, March 29, 2012 8:00 p.m. Anderson Center Chamber Hal l �between the lead drummer and dancers is absolute –~ every note cues a movement or gesture. PROGRAM Tonight we will present a selection of traditional dance­drumming pieces from  southern  Ghana.  These  ensembles  are  the  collective  work  the Beginning and Advanced sections of African Dance (THEA 289J/389J; AFST 289J/389J) and the African Music Ensemble (MUS 143B/MUSP IV.  tomime  to  dramatize  battlefield  events such  as  firing  a gun, hiding in the brush, pursuing the enemy, and so on. Each story sequence is introduced by the lead drum, and is completed with a 257; AFST 188B). These courses are offered each semester through the Departments of Africana Studies, Music, and Theatre Dance. Students who complete one of these courses can audition into Nukporfe, which is a touring, professional dance company based at Binghamton University. Nukporfe provides drumming and singing for all of the dance classes at Binghamton University, and gives workshops in African music through­ out the Northeastern United States. turning movement by the dancers. Beginning African Dance Class/Nukporfe African Music Ensemble V.  Advanced African Dance Class/Nukporfe African Music Ensemble I.  Vulolo [Processional from the dance Agbekor]. These first four pieces  present  the  dance  Agbekor,  a  war  dance  of  the  Ewe people of Ghana. Tonight we are attempting to recreate the way this sequence  of dances  would  occur  in  an  Ewe  village,  be­ ginning with the vulalo, which serves to draw the community to the performance grounds. As the drummers and dancers proceed to the stage in traditional fashion, they sing a war song that calls the warriors to battle against the European colonial powers. The second  song  memorializes  the  great  warrior  Kundo  who  led warriors into battle and has been killed. The movements imitate experiences  of  the  warriors  in  battle,  and  follow  the  drum language of the lead drum, atsimevu. II.  III.  Banyinyi [Asking the ancestors to bless the occasion]. After the village has gathered to the performance space, it is customary for the  group  elders  to  pour  libation,  and  then  to  lead  a  short sequence of the Afa dance, an important ritual dance, in order to obtain a favorable outcome for the performance. Adzotsotso [Preludes]. These short dance interludes introduce the solo dance section that follows. Both of these pieces are among the  most  technically  demanding  works  in  traditional  African music.  The  accompanying  music  is  played  in  a sharp  presto tempo between 190­200 beats per minute, and  the musicians must  maintain  several  highly syncopated  musical  lines whose strokes  tend  to  fall  between  the  beats.  The  communication Vutsotsoe [Solo dance  flights].  The  following  ten  solo dance movements each  tell a story using symbolic gestures and pan­ Gahu. Gahu is a neo­traditional dance that has been adopted and adapted  by the  Ewe people of Ghana.  It  is an offshoot of the Gome dance, a Pan­Atlantic African dance form that emerged in the  19th  century  from  the  synthesis  of European  hymns  and marches  with  West  African  musical  sensibilities.  The  name Gahu suggests an airplane, and represents local experiences with new technology and culture. The songs are often humorous and fun, suggesting themes of courtship and celebration. Advanced African Dance Class/Nukporfe African Music Ensemble VI.  Sohaun.  Sohoun  is an  Ewe­Fon sacred  dance  used  to  open  a ceremony of the Yeve shrine. The original movements danced at the shrine inspired the choreography for this folkloric version, created by Dr. Opoku for the Ghana Dance Ensemble. Nukporfe African Music Ensemble VII.  Agbadza. Agbadza is a common funeral dance in  Eweland that encourages community participation by restricting the choreog­ raphy to a single movement sequence that can be quickly learned and  personalized  by anyone.  In  our  version  we  have tried  to evoke this sense of inclusiveness by featuring several first time dancers (who thought  they only signed up to drum!) intermixed with experienced dancers from the group. As is customary in the village,  it  is perfectly acceptable to cheer them  on  when  they come out to dance! �Beginning African Dance Class/Nukporfe African Music Ensemble VIII.  Kparsa. This dance comes from a neighboring group of the Ewe, known  as  the  Ga­Adangbe.  They  share  many  linguistic  and cultural affinities with the Ewe, and these two groups have his­ torically interacted with each other. The characteristic movement of Kpatsa  is  a  limping  gait  that  imitates  the  movements  of dwarfs, a magical race that is believed to inhabit rural areas in Ghana. This movement was combined with dance combinations Alexandra  Abel, Abena  Afful,  Solip  Ahn, Alexandra  Bloom, Tiffany Campbell,  Elissa  Connors,  Afua  Donkor,  Alexandra  Escalante,  Lydia Gyampoh, Alexandria  Hall,  Mirim  Han,  Kimberly  Hoffman, Ataveria participants. A DVA N C E D  DANCE­CLASS Togo Atsia. This dance piece is made up  of a series of choreo­ graphed dance sequences known as atsia. These sequences are cued  by  drum  language  phrases  [vugbe]  played  by  the  lead drummer on aisimevu — the tall drum leaning on the stand — which are answered by the response drum kidi — the medium– sized drum. In the 1960s, expert choreographers and drummers Joannie Almonte, Yae Sl Bae, Elizabeth Brown, Tanesha Brown, Megan Buah, Hanna Chang, Imji Choi, Jin Choi, Kimberly Cruz, Jessica Davis, Jennifer  Etienne, Jieun Gang, Zeinah  Issah,  Mujiberehman  Kamil, Na Hyun Kim, Soo Yun Kim, SunWoo Kim, Gabriella Layne, Fedia Louis, Shannon  McKenzie,  Monica  Morales,  Kaitlyn  Orr,  Sasha  Powell, Elizabeth  Song,  ltoro­Chloe  Udo,  Leslie  Vargas, Shaloma  Wagstaffe, Suycon Yu. NUKPORFE  DANCERS in  the  Ghana  Dance  Ensemble  arranged  this  series  of  atisa movements into a performance piece, which they dubbed Togo Atsia, in recognition of their origin within Ewe groups in Togo that had migrated to the Ghanaian capital of Accra. Cynthia  Amoah,  Vanessa Ayivi,  Sarah  Kuras,  Mildred  Ngminebayihi, Camille Adolphe, Brianna  Padilla, Amy Merke, Aisatou Toure, Jacky Tibbett, Christelle Dossous, Mildred Ngminebayihi, Michaela  Pinnock. Kinka. Kinka is a relatively modern style of Ewe funeral music that became popular in the 1950s. It  features a distinctive body of songs and drum language phrases that juxtapose images and themes from traditional Ewe culture with modern life. Like the Agbadza dance presented above, the original choreography uses Drumming directed and arranged by James Burns, Departments of Music and Africana Studies Again, we feature several first time dancers intermixed with ex­ perienced dancers from the group. As is customary in the village, it is perfectly acceptable to cheer them on when they come out to dance! Yan Ding, Carolyn  Fann, Ki Yoon Jeong, Wangjin Lee, Yuqiao Shi, Max Aaronson, Jobin Arikurmel, Dennis Asante, Bingye Chen, Chun Chen, Evan Flury, Donovan Hotz, Alexander  Irwin, Yea Jee  Lim, Nathan  Schmaling, Evan Schulz, Fangling Zeng Gota. Gota  is another Ewe dance that  was adapted  from  their linguistic cousins the Fon of Benin. For this piece we would like to invite members of the audience to come up and join in  the dancing! NUKPORFE  DRUMMERS only  one  basic  movement  so  that  everyone  can  participate. XI.  B E G I N N I N G  DANCE­CLASS Johnson, Ramzi Kakish, Jessica Katon, Yooji Kim, Amanda Kohn, Ann Kossachev,  Sungjae  Lim, Nina  Marinara,  Jasmin  Martinez,  Jenelle Murling,  Melanie  Rivkin,  Sarit  Sandowski,  Victoria  Scalzo,  Alyssa Starrantino, Priscilla Tong, Kancheng Wang, Jessica Wu. Nukporfe African Music Ensemble X.  Assisted by Ambre Avery, Seth Awotwi. Brianna Padilla, Karin Tifa drawn from the Dipo rites, an  Adangbe  female coming­of­age ceremony where young women are presented to the community as  being  mature  and  suitable  for  marriage.  The  Dipo  dances feature movements that emphasize the beauty and talents of the IX.  Dances Directed and Choreographed by Marcel March, Department of Theatre Dance Assisted by Maritza Rodriguez, Wayne Papke, Devon Tracy, David Sharwell BEGINNING DRUMMERS Jeffery  Appeagyei,  Chen  Chen,  Junxin  Chen,  Seon  Ho  Choe,  David Donaphin, Asuanana Etuk, Hyunkyung Kim, Helena Levi, Dan  Lee, Barry Jackson,  Juan  Restrepo,  Eliana  Rodriguez,  Devan  Tracy,  Christopher Tristano, SangEun Yoon. �I f  you like the music please follow our Facebook page (Nukporfe African Dance­Drumming Ensemble) for upcoming performances. e E VV ? } N   We are also an SA Chartered group, and welcome students and faculty to join our group at: http://paws.binghamton.edu/organization/Nukporfe Ne w Beginnings All of the music and dance that you see today is performed by students at Binghamton University, who are taking one of the following courses in the Departments of Music, Africana Studies, and Theatre Dance: B a c k  t o  o u r  R o o t s Sunday,  ucwbe11s.2011.~1m p.m. ST. Patrick’s Catholic Church Beginnings B’ 9 Leroy Street, Binghammn.NY   . Sunday,  \1m1.11.20u. 4 : 0 0 m Trinity Memorial Church 44 Main Street, Binghamtnn. NY Lessons and Carols for Christmas Crossroads C h u n k  ot‘thc Holy Trinity Tabernacle United Methodist Church 83 Main Street. Burglummn NY if  you  are  interested  in  learning  the  dancing  please  register  for  the Beginning  (THEA  289J/AFST  289])  or  Advanced  (THEA389J/ AFST389J) sections of African Dance. Saturday, November 26, 2011 ‘  . Sunday,  N o r e m b e t l ' .  2 011,  0 0 9 m . 146 Prospect Srieerlanghamzon. NY _ Q ~ _ c , \ s _ — 1  .  “ \ S i s A u  ‘  — _ — / ur “ ll / 6 0 – ­  1 0 4 . 6 – l  ~N\ Fm Tickers: wicwsmadvigalchoir.com if  you  are  interested  in  the  drumming  and  singing,  register  for  the African Music Ensemble (MUS 143B/AFST 188B). . Sunday, June 3, 2012, 4:00 p.m. [ e 5 5  5  2011–2012  H u m e The Madrigal L’hoir rifillngharnrnn U; MAMPARUS!  1  x im – m c  c a?” 13 9 < ,.4  19° { DAGOMEA  i(  f (  \. w ,~  ~ i551)  — A   \ i  G o m a   ’  IGUAN)  /  !  _4\  A & \   11 Ea  ­’737’03.W e”  . va i1  1 \  n\ ,­/EC.;~\ J e  i  \ Ethnic Groups  h  of Ghana  w  U !  m x en ) enoups/ o n   " " '   7.1.— — m  ,~‘/ l b . »   7.1:   N a A , a” oy “ewe N ;  “U: 3"be “1ff H __:C:  h ”   Coo­1  public service media for vour community am­ °  — ­ _ ~ . _ L J — ~ — P  v n o t u b m u w w \ \  u  ~.\  . \ \  9 1 , 1 5 3 . 1 5   &  © 1 1 5 5 ­ �Binghamton University Music Department’s U P C O M I N G  E V EN TS l a m b ­ M M Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, April 12 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall free —  Friday, April 13 – Senior Recital : Alexander Baron, recorder – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 14 – Masterc lass with organist Carla Edwards – 10 a.m. – 12 noon – First Presbyterian Church, Binghamton – free Saturday, April 14 – Robert Smith, euphonium, presents “El Bombardino” with Margaret Reitz, piano – 3 p.m. – Casadesus Recital Hall – $6 general public; $3 faculty/staff/seniors; free for students Sunday, April 15 – Africanaise : An evening of African Inspired Compositions – 3 p.m. – Anderson Center Chamber Hall – $10 general public; $6 faculty/staff/seniors; $3 students Sunday, April 15 – Guest Organist Carla Edwards – 4 p.m. – First Presbyterian Church, Binghamton ­­ $10 general public ; $6 faculty/staff/seniors; $3 students Thursday, April 19 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall free —  Friday, April 20 – University String Orchestra – 4:00 p.m. – Grand Corridor – . free  Saturday, April 21 – Junior Recital : Matthew Gukowsky, tuba – 8:00 p.m. – Casadesus Recital Hall – free Sunday, April 22 – University Chorus – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students For ticket information, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 75 minutes :1 second 8 minutes :38 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142084">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142084</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spring concert: The Nukporfe African Dance-Drumming Ensemble of Binghamton University, March 29, 2012 Description An account of the resource Held at 8:00 p.m., March 29, 2012, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Nukporfe African Dance-Drumming Ensemble Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/29/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/cee04d5941d675046e37d71167d019d2.pdf 29b83382c882fa0791fce91f53f90b71 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F   N E W   Y O R K D E P A R T M E N T THURSDAY Mib­DaY Conan­r _­, j' / / , 0 '   X e S MARCH 29, 2012 1:20 B.M. CASADESUS RECITAL HALL �Springtime Blues PROGRAM Morceau de Concours. WeiJie Zhao, flute .Gabriel Fauré (1845–1924) .James Mayr Crystal Gonzalez, piano James Mayor, piano I know what I want to say and I will say it I know the odds to weigh and I’ll weigh them but when I drift off to sleep and dream that I am complete, the rain is pitter pattering, the thunder claps the scattering and I am all alone How I remember in December daydreaming of you now that we’re through my mind can’t get enough of you, now that we’re through but last Spring when you held me in your arms Felicia C. Scalzetti, cello Maxim Pekarskiy . Christopher Morgan Loy Two Selections from Homages and Fantasies, op. 56 Petals from Igor’s Rose (A Fantasy) In Memoriam: Jamie Cannon C. M. Loy, piano Whenever I’m crazy or hazy or lazy or right in between I think to myself it really could help if I just fled the scene Chorus .Maxim Pekarskiy Fine Arts in the Afternoon . John Lathwell, oboe One by one and two by two my eyes, they rest on something new, on A few, seconds linger as they touch the air and I stare and I stare but no one’s there Ilyssa Baine, guitar Maxim Pekarskiy, viola Hunters’ Caper  Chorus: It’s what you do, follow my clue, all I can take, all I can take when you walk through the door you .Ilyssa Baine Springtime Blues.  Haven’t you heard my only call my only cry I don’t know why when Spring has sprung you sprung by When I feel lonely and stinky and homely I look for a clue of mystic persistence but when cataclysmic, sparks something new Pak Lok Pio Lau, piano Home  The straw that breaks your camel’s back broke mine instead The mystery, topsy turvy inside my head Chorus �Binghamton University M usic Department’s UPCOMING E V E N TS fi t fi M fi M W M fi ­ fi w fi w Thursday, March 29 – Nukporfe African Drumming and Dance Ensemble – 8 p.m. ­­ Anderson Center Chamber Hall – $5 per person (tickets will be sold a t the door) Thursday, April 12 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Friday, April 13 – Senior Recital : Alexander Baron, recorder – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 14 – Masterclass with organist Carla Edwards – 10 a.m. – 12 noon – Fine Arts 21 – free Saturday, April 14 – Robert Smith, euphonium, presents “El Bombardino” with Margaret Reitz, piano – 3 p.m. – Casadesus Recital Hall – $6 general public; $3 faculty/staff/seniors; free for students Sunday, April 15 – Africanaise : An afternoon of African Inspired Compositions – 3 p.m. – Anderson Center Chamber Hall – $10 general public; $6 faculty/staff/seniors; $3 students Sunday,ApriI15 – Guest Organist Carla Edwards – 4 p.m. – United Presbyterian Church, Binghamton – $10 general public; $6 faculty/ staff/seniors; $3 students   Thursday, April 19 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall – free Friday, April 20 – University S tring Orchestra – 4:00 p.m. – Grand Corridor – free Saturday, April 21 – Junior Recital : Matthew Gukowsky, tuba – 8:00 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Office at 777­ARTS To see all events, please visit music. binghamton . e du Become a fan on Facebook by visiting Binghamton University M usic Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34 minutes :38 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142051">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142051</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 29, 2012 Description An account of the resource Works by Faure, Mayr, Baine, Pekarkskiy, Loy Held at 1:20 p.m., March 29, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Zhao, WieJie Lau, Pak Lok Pio Gonzalez, Crystal Mayor, James Baine, Ilyssa Pekarskiy, Maxim Scalzetti, Felicia Lathwell, John Loy, Christopher Morgan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/29/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound