77 10 1775 https://omeka.binghamton.edu/omeka/files/original/a6846927916b6038b7698aa1a9d4038b.jpg 77b86feece46791118a7e73d6d4880f6 https://omeka.binghamton.edu/omeka/files/original/5e38cf9520730e092e263d456fc5ca55.jpg 64f0c54fd6b7a439a118f16a04690943 https://omeka.binghamton.edu/omeka/files/original/fac81bfeeb9559670804c75aa7c47c84.jpg 16fb99181e94b8538c013613e47f3a46 https://omeka.binghamton.edu/omeka/files/original/44243a1f4bd386a8f8dc7f911d27bc1d.jpg 2f431a7fc040cc24cd425b7d7fddc186 https://omeka.binghamton.edu/omeka/files/original/45acf08407421b7cfea2c12cc5684828.jpg 704f49e28f023cb82e552c75effe6a7f https://omeka.binghamton.edu/omeka/files/original/d4e87818b5988fc628aadb25bbbe65a1.jpg ad73d4d4cb8504809b12fca9d367531d https://omeka.binghamton.edu/omeka/files/original/94a52e3316df416208a32ac0bcf5f9ec.jpg b62885d759577b5de1f6fa8ce1155f33 https://omeka.binghamton.edu/omeka/files/original/1f05c86f8aed3df7d5905c65019f7ed8.jpg 84eeb31626e3361653109bc463618948 https://omeka.binghamton.edu/omeka/files/original/ac33b0254f02b59ae81b8419eee1d5a6.jpg 72da23f1e556ef1cdc4439efa56ec38f https://omeka.binghamton.edu/omeka/files/original/dc027a8b62c1416a8a9fbcaa7e0953a1.jpg f44aaab793d40917266e9adb00b08bb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Loose pages in a folder labelled “Othello Act IV Scene 3.”Text in English. Handwritten notes in German. Markings in black pencil, red pencil, and purple pen. Markings found throughout, not extensive. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29.5cm x 22cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.111 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Othello [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. Promptbook Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3204 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Type The nature or genre of the resource text https://omeka.binghamton.edu/omeka/files/original/8e3a790802a619619539039ed5eb1d9f.jpg 9a9d33febe6cf9fe26ef0e63477db834 https://omeka.binghamton.edu/omeka/files/original/e5cbeaecc324c06c5cbbaef61048bf4e.jpg 8955edae383ffa1f202a64c4c70ede41 https://omeka.binghamton.edu/omeka/files/original/5ec85f4b05245f3ae79259f0f7e1b277.jpg 50207b3f65aeac7bdd03c89c75f841d1 https://omeka.binghamton.edu/omeka/files/original/ec93ab376b767eba9c1487624a585dc6.jpg ccf76b8fc7df07f9435812e1f7398604 https://omeka.binghamton.edu/omeka/files/original/742a59d4c18365350856ecbabe1dd8aa.jpg b5ce8cffcd82d3a2072f7ef2b57a197e https://omeka.binghamton.edu/omeka/files/original/069c88ec6e647ca71107ab1f8f523023.jpg 4c300c2d8a610f58fb0e9f559960a48d https://omeka.binghamton.edu/omeka/files/original/81ef95ff4a5fb85314246ff5357e2774.jpg 3747fd6cbe4c964e4d1836cf8cd59b89 https://omeka.binghamton.edu/omeka/files/original/21e78b732c2555c649d1ffeb45c71c77.jpg 5a6975c0417cbb747a887fbf739a60c0 https://omeka.binghamton.edu/omeka/files/original/e616d6e236b1fd32ea5f2335965b6115.jpg b628d783fba568f809877b757183eb08 https://omeka.binghamton.edu/omeka/files/original/1008c8578b3f8fccc96ae6596920ef91.jpg 64a6a9095556161ed721582f9eeb7b2a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Note: this promptbook is a motion picture script. [Part I] Text in both German and English, side-by-side translations. Markings in purple pencil, pink pencil, black pencil. Few notes throughout. Most written notes found on English language pages. [Part II] Text in both German and English, side-by-side translations. Markings in black pencil and red pencil. Contains more notes than I. Teil, however still not extensive. Written notes more common. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29.5cm x 25cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.114 Production(s) Not specified. Supporting materials: Box 9A Folders 3-6: Photographs; Max Reinhardt directed movies; characters, program Oversized mounted 5, 11 Box 15: Oversized programs Box 16 Folders 71-73: Programs; other programs; movies Box 29 Folder 7: Retrospective assessments and reference materials Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midsummer Night's Dream [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616 Promptbook Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3207 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/75ffb89472f8d22706d57ee735d40590.jpg dc70ac46892b0c9f80f2596916e0dc58 https://omeka.binghamton.edu/omeka/files/original/e188e6b77f9cf0173bde4ba399672c40.jpg bcbbbeb728f431dd69e89a6ec05121e4 https://omeka.binghamton.edu/omeka/files/original/76d65e9731c18e30cdbb575988211221.jpg 6e548c6029b87abf8a33feee8095c147 https://omeka.binghamton.edu/omeka/files/original/373c6c3ee15afb0eb8cb3449c9c7da1d.jpg 166ea999cb19c0af51c60ffafa592d1c https://omeka.binghamton.edu/omeka/files/original/96bc1d92533fb0b3a0d625e3934efde1.jpg 707ce7f6e62765997f33f6580821286f https://omeka.binghamton.edu/omeka/files/original/c32b8e2dfccc1753535e1ebb5efeed3e.jpg 3c00b3ac3273b86b4505a61f48e5c5ab https://omeka.binghamton.edu/omeka/files/original/1264b207976c6b99c472dd41deed0c4e.jpg 5e4a15a5551f42286345b27250119407 https://omeka.binghamton.edu/omeka/files/original/f209320db2cc9c8d66dd8ae8fdbe6501.jpg ac3541ba61d81472cb26a8d404c72ac1 https://omeka.binghamton.edu/omeka/files/original/745a4946b4fa8115cb2026ff2f5c6a4f.jpg deefa198c5e1aa2fefec92589268c9ed https://omeka.binghamton.edu/omeka/files/original/8114dddaf078f4ba8b8db96f2389e43a.jpg 7b7e1a5c5b1c4a954e6af6a998b1697f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Stamped "Deutsches Theater zu Berlin." Stage instructions, stage drawing, cast list all found opening pages. Markings in purple pen, black pen, red pencil, blue pencil, black pencil, orange pencil. Contains extensive written markings throughout promptbook. Written markings consistent throughout - black pen used for play notes, colored pencils used mainly for staging directions, set designs, etc. Various stage/scene drawings found throughout promptbook. Appears that Reinhardt may have created his own scene start and endpoints throughout promptbook, marked in red pencil with roman numerals. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 19cm x 13.5cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.117 Production(s) July 1914, Marina dei Ronchi, Scotti, Italy July 1915; August 9, 1915, Kloster Hiddensee. -Supporting materials: Box 7 Folder 3: Photographs Box 11 Folder 23: Photographs Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sturm [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616 Promptbook Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3210 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/9abb07a21c62c5804aacb032fcaa972d.mp3 a0c7302483390102113fd5f96032833d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Armenian Oral History Contributor An entity responsible for making contributions to the resource Aynur de Rouen, Ph.D. Description An account of the resource This collection includes interviews in English with informants of all ages and a variety of backgrounds from various parts of Armenia.  The interviews provide deeper insight into the history of the Armenian culture through personal accounts, narratives, testimonies, and memories of their early lives in their adoptive country and back in Armenia.   Rights Information about rights held in and over the resource In copyright.  Relation A related resource <a href="https://www.binghamton.edu/libraries/about/collections/oral-histories/index.html#sustainablecommunities">Sustainable Communities Oral History Collection</a> Language A language of the resource English Template: Simple Audio Player with Transcription This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field. This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. Date of Interview 3/11/2019 Interviewer The person(s) performing the interview Jacqueline Kachadourian Interviewee The person(s) being interviewed Sam Hagopian Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:25 Language English Digital Publisher Binghamton University Interview Format Video or Audio Audio Rights Statement This audio file and digital image may only be used for educational purposes. Please cite as Armenian Oral History Project, Binghamton University Libraries, Binghamton University, State University of New York. For usage beyond fair use please contact the Binghamton University Libraries for more information. Biographical Text Sam Hagopian was born and raised in Philadelphia. His father was the son of the son of immigrants who escaped the Armenian genocide. Sam learned about the Armenian culture from his grandmother and father. He still resides and works in Philadelphia. Keywords Armenians, Family, Genocide, Food, Traditions, Culture, Church, Sacrifices, Generations. Transcription Any written text transcribed from a sound, or alternative text from a visual medium Armenian Oral History Project Interview with: Sam Hagopian Interviewed by: Jackie Kachadourian Transcriber: Aynur de Rouen Date of interview: 11 March 2019 Interview Setting: Phone interview -------------------------------------------------------------------------------------------------------------------- (Start of Interview) 00:02 JK: My name is Jackie Kachadourian. I am interviewing Sam Hagopian for Binghamton University's Armenian oral history project. Today is March 11, 2019. Can you please start with some basic biographical information, your name birthplace? 00:19 SH: Sure. My name is Samuel John Hagopian. I was born July 7, 1981. I have lived in the suburban Philadelphia region all my life. 00:31 JK: Great. And can you tell me a little bit about your parents’ your background? Were they both Armenian, your parents? What's their names? 00:41 SH: Sure. My father was Jack Hagopian. He obviously was Armenian. My mother, Eleanor Hagopian, was not. My father passed away in September of 2012. 00:58 JK: Okay, and I am ̶ So you said your father was Armenian? Was he 100 percent Armenian? 01:05 SH: Yes, he was. My grandmother and my grandfather obviously on my father's side were both Armenians. I believe my grandfather was born in America. However, my grandmother was born in [indistinct] in Turkey. 01:21 JK: Okay. And she was, I am assuming, was she born around or during the Armenian massacre? 01:29 SH: Yes. Yes, she was. She was a survivor. 01:32 JK: She was and do you recall any stories or the ̶ how she travelled from that region to America or wherever she ended up? 01:41 SH: Yeah, I mean, she was and I will be bluntly honest, she was put on mother's death marches. She was actually saved by a Turkish general. Who knew the family because my, my grandmother's family was ̶ he was a mayor. She, she stayed with them for a while she moved to Syria, spent some time in Versailles. Meanwhile, some OF the older ̶ she was the youngest one in her family and the older relatives or her brothers and sisters had come to America. And they kept in contact and eventually they brought her to New York. 02:24 JK: Okay, wow. So she traveled a lot. Yes, your journey did. Uh, did you have any siblings with her while she was in the death march besides her brothers who were in the States? 02:39 SH: The one or two one or two of her. One or two of them. 02:44 JK: So she ended up going by herself? 02:47 SH: Yes. Yeah. 02:48 JK: Okay. And on your grandfather's side, was there any others ̶ in a particular stories that you remember from that you can recall? 03:00 SH: Nothing really that I can recall. I actually never met my grandfather he died before I was born. And by the time I came along, we really ̶ the two sides, were not talking between my, my on my father's side. 03:21 JK: Okay. And growing up in the household, was it interesting having an Armenian side versus a ̶ non-Armenian side and how did the culture influence each other? 03:37 SH: Um, that is actually a really good question. I mean, my ̶ I would say that my mother adapted to the Armenian culture very well. Um, you know, the food and the traditions. Um, you know, it was just it was, it was it was part of who we were. I mean, really, to me. No big deal and we were Armenian. And we were proud to be Armenian. 04:04 JK: And growing up in the Philadelphia area, I know there is a few Arme ̶ It is a popular Armenian spot to grow a family and attend church and stuff like that. Did you have any Armenian friends growing up or ̶ 04:19 SH: No? Would they really where I grew up? There were not too many Armenian kids. Um, the schools I went to would have one or two Armenian families in it, but never, never many. 04:32 JK: Okay. And was there an Armenian Church around you when you were growing up or no? 04:39 SH: Yes. Yeah. There were two, there was, there was Holy Trinity in Cheltenham and St. Gregory. 04:47 JK: Okay. And did you ̶ Did you guys attend church regularly as a child? 04:53 SH: As a child? No. After my grandmother passed away, we did go to Holy Trinity some. 05:00 JK: Okay. And did you have any siblings growing up? 05:06 SH: Yes, I have one older sister, 05:08 JK: One older sister. Okay. And um, growing up do you guys ̶ I know you said prior that you are aware of that you are meaning that you are proud to be Armenian. But were there any specific things that you guys would do that connected your Armenian traditions in pass? 05:28 SH: You know, it is funny, I do not know how after you have gotten this answer, but I always remember the food. You know, it was always that was that was the main thing the food. You know, and, you know, as you got older, you know, I know I was ̶ I have managed to read Peter Balakian’s Black Dog of Fate, I believe it is. So, you know, there was always that, you know, and learning, you know, famous Armenians, you know, so I think that is the answer you are looking for there? 06:01 JK: Yeah. Do you recall ̶ did you ̶ did your father cook a lot or your grandmother when she was alive? Did she cook a lot? Like ̶ 06:12 SH: Yeah, my grandmother always cooked a lot and she was an excellent cook. My father did cook a little bit he enjoyed cooking. I mean my mother in ̶ you know, shared responsibilities a lot. But yeah, my father liked to cook too, but my grandmother was the best book I ever, ever know. 06:34 JK: Yes. And did ̶ when you were around your grandmother and your father in that side. Did you guys speak Armenian when you were around them or did you guys speak English? 06:49 SH: I spoke English. My grandmother could speak Armenian. My father could speak some Armenian. I have never learned other than the occasional profanity. 07:02 JK: Oh, yes. And did you ̶ So growing up you never learned Armenian or learn how to write Armenian, correct? 07:06 SH: Yeah, I did not go ahead. My sister did take some lessons on on learning how to write learning ̶ how to write and speak Armenian. 07:16 JK: Okay and growing up, did you go to Armenian like Sunday school at all when after you started going to church or? 07:28 SH: I did I was in my late teens at that point. 07:29 JK: Yeah. Um, so do you ever ̶ do attend church regularly now? 07:40 SH: I do not, no. 07:41 JK: Okay. But you still ̶ do still believe that you have like a strong Armenian presence within you and you still want to spread that Armenian culture? 07:52 SH: Yes, yes, I do, yeah I mean, it is, it is you know I know ̶ It is you know, the funniest thing about Armenians is the last three letters of our names. And, you know, when you when you explain to someone, you know, how it breaks down, you know, the, the word, I am looking for the etymology of the word, you know the name, you know, and how it means and what it means and they learn live their life. So anytime I see an IAN an YAN, and I should ask if they know you, yeah, pretty much you know, but that is, you know, more just, you know, you know, I can it goes back to the food. I know, I am sorry. But, you know, you are teaching people Armenian food and those customs and you know, how people, you know, always take to it, and how much they love it. 08:46 JK: Mm hmm. Exactly. And It is really true. I am on your mom's side was ̶ what cultural background did she have? 09:01 SH: She was ̶ her, her father was Scots Irish. Her mother was Swedish. 09:06 JK: Okay. And did you guys which do you think mostly prevailed in the culture ̶ Did you mainly learn about mostly like Armenian stuff? Or also like the Irish Swedish side as well? 09:22 SH: I would say we learned about both equally. You know, we always ̶ you know, the traditions of the family you know, what they did growing up and, and that sort of thing. 09:36 JK: Yeah, exactly. And, and ̶ to you now is, let us see. Um, so, going back to, I am jumping around here going back ̶ Was there any memories that your grandmother shared of her living in Armenia, or the Ottoman Empire agent before the genocide occurred? 10:13 SH: Not really. And when it came to talk about that. I can only remember her ever doing that once. And it really took a lot convincing from my father to have her open up and talk about that. I do not think she really wanted to talk about that. Too much. It was, you know, I mean, she saw her mother and father killed right in front of her. 10:47 JK: Okay, so her grandparents, I mean, parents never made it to the United States. 10:55 SH: No. 10:57 JK: Okay. And do you know how her brothers ended up, u p in the United States. 11:02 SH: They ̶ not really I mean, they were managed to, to, to to ̶ I think some of them had come over already. And they had kept in touch. Okay. 11:20 JK: When your grandmother came over here, was it? Did you sense that it was important to her for to keep the Armenian traditions alive? And ̶ 11:31 SH: Yes. I do not mean to interrupt you there, but yeah, of course. Yeah, yeah. 110 percent. You know, it was not that she ̶ you know, was showing her path. She just did not want to talk about that. 11:44 JK: Mm hmm. Yeah, that's very understandable. And I am sure it was her very horrific. The circumstances that she went through ̶ 11:55 SH: And I should also say ̶ she was only ̶ she was a very young girl. She was probably nine or ten years old. 12:03 JK: Oh, wow. That is crazy. Um, and so it must have been hard prior before the massacres occurred to really remember anything at all. 12:20 SH: Yeah, I mean, I know she had some memories. But yeah, I think it was more important. You know, coming to America. 12:28 JK: Yeah. And starting the new life and when she came over she settled in Philadelphia or ̶ 12:40 SH: She actually settled in New York and then she moved. She, she married my grandfather and came down to the Philadelphia region. 12:49 JK: Okay. And um, what ̶ Growing up half Armenian 50 percent Armenian ̶ Did you guys ever celebrate ̶ like Armenian traditions? Like, I know we have our own Armenian Christmas? Or do you guys celebrate both? 13:09 SH: I mean, we mainly celebrated the main ̶ you know, Christmas, Christmas and Christmas and, you know, there was always, you know, phone call that day from my grandmother and you know, even now as we move on in our extended families you know, we kind of we always have like ̶ It seems like it works out for and when I say extended family meaning not blood, blood relatives ̶ Yes, just family, the people that you consider family, it always works for us to get together on our meaning Christmas ̶ to have a Christmas celebration. So in some ways it lives on. 13:54 JK: Yes, exactly. And going off of that have you ever traveled to Turkey or Armenia? 14:04 SH: I have not. 14:08 JK: And would you, would you have a desire to do that in the future? 14:12 SH: Yes. Yeah, I think I would. I would like I would like to go there. 14:15 JK: Okay. And like learn about the culture more. 14:19 SH: Yeah. 14:20 JK: Great. And, uh, what would you identify ̶ say you identify as your homeland? Like ̶ 14:29 SH: America. You know, I do have Armenian roots, but I was born here in America. 14:36 JK: Yes. And so you would, and how would you identify yourself like Armenian American, American Armenian, or just American? 14:47 SH: I would probably be American Armenian. 14:53 SH: But I would also be an American, you know, Irish Americans. You know, I mean, you know, I would like that Am I selfish who I am and what I, what my past is as well? 15:03 JK: Yes. And now that you are older ̶ rather than looking now at today, do you see yourself holding on to those Armenian traditions? And if so, why and why is it important to you? If it is ̶ 15:25 SH: I do hold on to a lot of them. You know, just you know, I keep coming back to the food I am sorry, Jacqueline. You know, it is, it is, you know, recreating those memories of growing up and then you know, having shish kebab and having, you know, all this great food and you know, talking with people ̶ It is, it is something that I always enjoyed, and I, I do not want to see that go away. 15:56 JK: Mm hmm, exactly. And did you ever learn how to cook these foods from your grandmother or your father? 16:02 SH: Um, not so much for my grandmother. You know, I watched her, I learned some from my, you know, through my sister, who, you know, my grandmother taught some things to. Learn a little bit from my father. Um, but you know, a lot of it is just been, you know, reading on Armenian culture online and watching you know, you know if there is a documentary, they always mentioned the food and, you know, just, just watching that and learning from there. 16:36 JK: Yes, exactly. And I am going back to the idea of the church. Do you think Christianity plays an important role in being Armenian? If so, why or why not? 16:55 SH: I do believe so. You know, when you had, you know, all these people coming to America It gave them an identity and something to, you know, for lack of a better term, you know, stay together and, you know, be surrounded by people, you know. 17:15 JK: Yeah, exactly. And what do you think is the most important part of being Armenian? Is it the language you talk to a lot about the food? The church, what do you think are the most important aspects of the Armenian culture? 17:39 SH: There is ̶ I cannot give you one answer. Jacqueline, I would have to almost say almost everything you mentioned. I mean, you know, the church being the first Christian nation. You know, when you tell someone that they, they, they almost are taken aback because so many people have never heard of Armenia, Armenians. The food because that is you know, that is how we always identified that it was, you know, our family would come down from New York and it would be, you know, this big party and there would be tons of food and, you know, everyone telling stories and laughing and joking. You know, the language I mean, there is, there is no language, like, the Armenian language in the Armenian alphabet that I know of. You know, you cannot, you know, it is it is, it is almost often ̶ It is like, own area. So I think there is, you know, you cannot just put one thing down us. 18:49 JK: Yes, yeah. As Armenian. Um, that is true. And as you grow older I forgot to mention, are you married at all? 19:02 SH: I am not, no. 19:04 JK: If growing up, was it ever pressured for you to like bury in Armenian or? 19:11 SH: No. 19:11 JK: So you could. Okay, that is, that is good to hear. And if very when you have children, if you do, do you want to teach them about the Armenian culture and keep that alive? Or do you think it's going to be more of an Americanized way of living? 19:33 SH: No, there will be Armenian culture and where they came from. I mean, they would they would have to know that ̶ to know who they are, and I am probably jumping around here but like to, you know, what my grandmother always taught me was, you know ̶ Let me let me rephrase this. To ̶ You know, every day, you know, when I think of I had a bad day or something went wrong, you know, I think of what she went through and the sacrifices she made to get to America. And if I did not ̶ If she did not make those sacrifices, I could not have the life I live now. You know, I own my own home, I work I have a successful job. You know, that is ̶ she made those sacrifices for me. So, you know, me having a child at some point of my life would be some extension of her dream. You know, to have, to have you know, grandkids and great grandkids. So, I know I am rambling here but that is essentially what I you know, why would teach them where they have been? 20:59 JK: Yeah I know, that is super important I completely agree. So I think that is it. Is there anything else you would like to add? 21:10 SH: No, thank you very much for contacting me. I think this is an amazing thing you are doing so important to who we are. 21:18 JK: Yeah, I completely agree. Really documenting the history. 21:22 SH: Yes. 21:23 JK: Yeah. All right. Well. (End of Interview) Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Sam Hagopian https://omeka.binghamton.edu/omeka/files/original/2d2fa9b2ad043cc37f34f6a6df867780.jpg 27b42223671c5388d9f11c6d07a4e2ee https://omeka.binghamton.edu/omeka/files/original/600b3625cdde9ba094ab8062e78c95ad.jpg 42dad14af3a61f56f9960d588b511d39 https://omeka.binghamton.edu/omeka/files/original/0037552c463ac48a307e4bcff67a8e26.jpg 4ebe253ee3f69ab52b3f83f0dae91f8b https://omeka.binghamton.edu/omeka/files/original/44268a648d2b0da06ffb7a3e73e030b5.jpg ae46c79bbda1d6cf7e170b9b0e9ab5ec https://omeka.binghamton.edu/omeka/files/original/27ed7728db3d710312f0e8c5f6929e7d.jpg 6d40e2537f64a3103071a43c7120d4f5 https://omeka.binghamton.edu/omeka/files/original/b111d7b27370242cc9958fd8c83c7967.jpg 8bc190ebfa4f41369c990e0e8cfc6311 https://omeka.binghamton.edu/omeka/files/original/50d604986adc3fde40404ab56c0c5c45.jpg 39ec96e118f3f293a9601f244e0fc0b8 https://omeka.binghamton.edu/omeka/files/original/2bb6050fcdb81def1283dfe2c3b2cfa6.jpg aa1c3d208b9ee7ef104194d579fc945c https://omeka.binghamton.edu/omeka/files/original/c454acb632f36d2ac4c6180dde29fd56.jpg e64e5029f792fafb20ff7f30bcc49188 https://omeka.binghamton.edu/omeka/files/original/e4faa9f4c0b44e6877758b337efcd3ba.jpg 069e4a4a6aba5d7142858cef6a37bae5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Collection Miscellaneous Promptbooks Description Found library note sheet inside book detailing promptbook. Markings in black pencil, black pen, blue pencil. Illegible, handwritten notes appear inside front cover. Not many written marks, mainly black pen and blue pencil deletion marks. Property of German 19th/20th century actor, Albert Bassermann. Inserted note sheet on p.99 with extensive handwritten notes, rewritten scene. Dimensions Physical dimensions of item Pages 1-120; 23cm x 15.5cm Production(s) Not specified. Notes Located in Binghamton University Special Collections PT2635.E548 P752 v.6 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hamlet : Prinz von Dänemark [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616 Promptbook Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Contributor An entity responsible for making contributions to the resource Bassermann, Albert, 1867-1952 Language A language of the resource German Type The nature or genre of the resource text Identifier An unambiguous reference to the resource within a given context 8294 https://omeka.binghamton.edu/omeka/files/original/cd3b702c68816a07686170aefa7f0e9f.jpg 8fbb7063d0863dc28ab63c61754ae58b https://omeka.binghamton.edu/omeka/files/original/7cc2908e3b2e6176a9bf238845930634.jpg 86d149d59540b231b1113cfa2372cdb1 https://omeka.binghamton.edu/omeka/files/original/948e12f937ac92200006aa948dd9100e.jpg 255c5f0f5f07dd2475e5df24f05a7855 https://omeka.binghamton.edu/omeka/files/original/4bcf1cceeb5b33cb5e4f60873bfe69c1.jpg 7aa9c71570b9c0344744f01b6c8cc8d7 https://omeka.binghamton.edu/omeka/files/original/617563f9a249b733bd3cde2a62f8b034.jpg 72ea1fef77dc242ee9443de67ebe9699 https://omeka.binghamton.edu/omeka/files/original/fe646cac599f67bc7c8d7cecd684a946.jpg f2df7ec22e083cb27768db35419b165d https://omeka.binghamton.edu/omeka/files/original/6dc2ea2ae810905075b8f98b7c92eb66.jpg 206dd511dbb401419a8acdfc83c473c5 https://omeka.binghamton.edu/omeka/files/original/c08295559c0779b06d5bb4eedaa47be8.jpg 1f611b2fe79252b66d17c150a7521e7c https://omeka.binghamton.edu/omeka/files/original/c40f45ad380dd5fe574aa00b234c1ec6.jpg 0b17273f45046cf715a7fa18bf61ba87 https://omeka.binghamton.edu/omeka/files/original/5a10df7d010e21fce978e973380f83f5.jpg f652395fa4babfeab590235a22a31446 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Collection Miscellaneous Promptbooks Description Appears to be a lost section of another promptbook. Book consists of detailed, printed staging arrangements for play. Handwritten markings found throughout in red pencil, black pencil. Owner unknown, play is “Gräfin Mariza.” Dimensions Physical dimensions of item Pages 81-112; 22.5cm x 15cm Production(s) Not specified. Notes Located in Binghamton University Special Collections PT2635.E548 P752 v.7 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gräfin Mariza [promptbook] Subject The topic of the resource Kálmán, Emmerich, 1882-1953 Promptbook Stage directions Creator An entity primarily responsible for making the resource Kálmán, Emmerich, 1882-1953 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Contributor An entity responsible for making contributions to the resource Unknown Language A language of the resource German https://omeka.binghamton.edu/omeka/files/original/3880d8b3d53013f66b8d09225ec7cfa6.jpg 234b77765388735ed2770decdd2c3e4a https://omeka.binghamton.edu/omeka/files/original/50ae5ef12b4c329259a54928617f53a8.jpg e5f48e6c2152a3d1a9677fb493ae82b1 https://omeka.binghamton.edu/omeka/files/original/73f22d7b2e2ff4f653242046957c77d6.jpg 38bf2534711a945316cd96b1d3637b51 https://omeka.binghamton.edu/omeka/files/original/b3f76af84222da02a684814521222153.jpg 8237d92162b28c5a4ddaf81e79ad9b3c https://omeka.binghamton.edu/omeka/files/original/959539069c00817f7d49b4aca30ca9d2.jpg 8fd554a74735ab40b2bb5eb4f9ebae02 https://omeka.binghamton.edu/omeka/files/original/f99dde97d42227d61dcbb1978d9a6c02.jpg 660b61909fbf254f8d53b221c3e437f6 https://omeka.binghamton.edu/omeka/files/original/a0e9386bff47b4b9a1fb4ef085d2b017.jpg f82804611d78a959891a52659ea751f5 https://omeka.binghamton.edu/omeka/files/original/555a9b3aff731ac2b8b66ef8f12d1647.jpg aa98f7abd0747e0716f6db7513ece8a5 https://omeka.binghamton.edu/omeka/files/original/b2a103b7b8c884787ba849511da2f7c8.jpg 11fe7203c326b87fd937c11e414749e6 https://omeka.binghamton.edu/omeka/files/original/f14388010ccc5aa24a43594721c2c1e9.jpg de723d7f4eb0f0c93ba5abdbcb79bb3c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Collection Miscellaneous Promptbooks Description Detailed library notes from previous cataloging on inside cover with plentiful information regarding this particular promptbook. Markings in faded pen, black pencil, blue pencil. Abundance of markings found throughout; complete stage directions, sketches, comments, various annotations, etc. According to library note inside:“An important piece of documentation on the evolution of the prompt book in the ‘modern’ theater sense.” “This volume is from Max Reinhardt’s collection and quite probably served as his model for the production of the same play that opened at the Deutsches Theater in 1918.” See Reinhardt, Volume 66. Dimensions Physical dimensions of item Pages 1-93; 21.5cm x 18cm Production(s) September 1, 1888 (Deutsches Theater zu Berlin). Notes Located in Binghamton University Special Collections PT2635.E548 P752 v.8 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hermannsschlacht : ein Drama in fünf Aufzügen [promptbook] Subject The topic of the resource Kleist, Heinrich von, 1777-1811 Promptbook Stage directions Creator An entity primarily responsible for making the resource Kleist, Heinrich von, 1777-1811 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Contributor An entity responsible for making contributions to the resource L'Arronge, Adolph, 1838-1908 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context 8296 https://omeka.binghamton.edu/omeka/files/original/2384734911b91cce1c3d7ae8cc981181.jpg 7c88fa7e7be9630d57668270c874a356 https://omeka.binghamton.edu/omeka/files/original/114b91b939c882d17d287f4ab59f1064.jpg 71f52264bd436f0c3697512db96d78b6 https://omeka.binghamton.edu/omeka/files/original/93a16b940015e6a342c5d05d82035df7.jpg 552342552d2af059750086ad9186c63a https://omeka.binghamton.edu/omeka/files/original/e9adab0857372ae96d4801f88b7c819c.jpg f9795f0c7ce0168705d48aca8c81405d https://omeka.binghamton.edu/omeka/files/original/f8ec6afe5a9069b9490555cb549a541b.jpg c316673d33ed0117dac1666e75de3bc5 https://omeka.binghamton.edu/omeka/files/original/aab59a80a9f67d77a81c0b93d4995deb.jpg 2467ac651078d7018dccde39c80736fc https://omeka.binghamton.edu/omeka/files/original/e2c54817fab1339b0c097b61179332a4.jpg 5e1d90a25b0fa4f23e6adc6bcc33dbcb https://omeka.binghamton.edu/omeka/files/original/65fdd06728b5862575f2e85ed0a72de8.jpg 261f29659745692a9f6e5f613711a921 https://omeka.binghamton.edu/omeka/files/original/d4ca5d1a453a25f06cc940a5363927ff.jpg a82620ef9fcd5ed4e03cc82b361bd62d https://omeka.binghamton.edu/omeka/files/original/2ebfbac99d6dc759ac85ed7b36a85b90.jpg bcb5e13c52a17fd45e9d365ff3cd9ac8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Collection Miscellaneous Promptbooks Description List of dates given inside front cover. Markings in black pen, red pen, black pencil, blue pencil. Promptbook completely handwritten; copy. Page numbers handwritten in black pencil. Pasted page excerpts found on p. 146, 216, 219. Not many annotations throughout, presumably because all annotation of previous copy were written in in copying process. Annotations are found throughout however, in black pencil.Also found envelope with twelve pages of dialogue, presumably missing/accompanying the promptbook. No page numbers given. Dialogue between Richard and Elizabeth, 21cm x 16.5cm. Dimensions Physical dimensions of item Pages 1-227; 23cm x 19.5cm Production(s) August 10, 1884-April 26, 1896 (Deutsches Theater zu Berlin). Notes Located in Binghamton University Special Collections PT2635.E548 P752 v.9 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource König Richard der Dritte [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616 Promptbook Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Contributor An entity responsible for making contributions to the resource Unknown Language A language of the resource German Identifier An unambiguous reference to the resource within a given context 3202 https://omeka.binghamton.edu/omeka/files/original/d13b10cea27f43c063adb8efdcee405b.pdf 7bb8fe7ecfe87677968fa690ebb3a418 PDF Text Text �PHILIPPE ENTREMONT shot into the musical ﬁrmament like a comet but soon became a star. His scintillating combination of French brio and brilliance, his extraordinary artistry, sensitivity and ﬂashing technique have led critics to describe him as “a titan” and as “an aristocrat of the piano.” Internationally acclaimed, Entremont occupies a preferred place in the ranks of the world’s virtuosi. Especially noted for his sensuous interpretation of the romantic repertory, the “electric,” “magnetic,” “atomic pianist” is equally at home in the works of Scarlatti and Stravinsky. He is known to au diences across six continents through his concert tours and his Columbia Records releases. Tall and slim, with a Gallic charm, the globetrotting Frenchman has been a perennial favorite with American concert audiences since 1953. Over a million of his longplaying Columbia Records are in American homes including his bestselling collaborations with Eu gene Ormandy and The Philadelphia Orchesta and with Leonard Bernstein and The New York Philharmonic. Entremont’s doubleheader debut–a recital in Washington, D. C. on January 4, 1953 and with symphony orchestra at Carnegie Hall the following day–brought him instant recognition; in the words of the New York Times, he “brought down the house,” a feat: he has repeated wherever he appears in recital and with the leading or chestras of the world. Philippe Entremont was born on June 7, 1934 in Rheims, France in the heart of the champagne country. This may account for his exuberant personality and ebullience which he communicates so well to his audiences. His musical genius is inherited: his father is a conductor; his mother, a Grand Prix pianist. She gave him his ﬁrst lessons at six and he completed his studies under the tutelage of the eminent teacher Marguerite Long. At 17, he became First Laureate and Grand Prix winner at the Marguerite LongJacques Thibaud International Concours, won the Harriet Cohen Piano Medal, and launched his career as a concert pianist. COLUMBIA ARTISTS MANAGEMENT INC. Personal Direction : NELLY WALTER and RONALD WI LFORD 165 West 57th Street, New York, N Y. 10019 Steinway Piano Columbia Masterworks Records STA TE U NIVE RSITY OF N E W YO RK A T BI NGHAMTO N Convocations Committee presents PHILIPPE E N T R E M O N T PIANIST Don A. Watters Theater THURSDAY, MARCH 5, 1970 at 8:15 P.M. Sonata in E ﬂat major, Opus 31, No. 3 Allegro Scherzo Allegretto vivace . Ludwig van Beethoven Menuetto : Moderato e grazioso Presto con fuoco Papillons, Opus 2 . . Robert Schumann L’Isle joyeuse Claude Debussy Pavane pour une Infante défunte . Maurice Ravel Alborada del Gracioso . Ravel — I N TE R M I S SI O N — II The Four Ballades Ballade No. 1 in C minor, Opus 23 Ballade No. 2 in F major, Opus 38 Ballade No. 3 in A ﬂat major, Opus 47 Ballade No. 4 in F minor, Opus 52 Frédéric Chopin m � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63185 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63185">Philippe Entremont, Pianist, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Philippe Entremont, Pianist, Recital, March 5, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Schumann, Debussy, Ravel, Chopin. Held at 8:15 pm, March 5, 1970 at Don Watters Theater. Creator An entity primarily responsible for making the resource Entremont, Philippe Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-3-5 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Schumann, Robert, 1810-1856 Debussy, Claude, 1862-1918 Ravel, Maurice, 1875-1937 Chopin, Frederic, 1810-1849 State University of New York at Binghamton. Department of Music Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064378 39091020064428 39091020064477 39091020064527 https://omeka.binghamton.edu/omeka/files/original/867dcfa7427ea80c8e83cd6ccff1e9b0.pdf 642a552981e16566bf4bf6cd1821be91 PDF Text Text S T A T E U NI VER SIT Y O F NEW Y OR K A T BI N G H A M T O N H A R P UR CO L L EG E THE D E P A R T M E N T O F M U S I C presents G A B R I E L C H O D O S pianist S unday, M a r c h 8, 1970 3 :00 p . m . Recital Ha l l �P R O G R A M GABRIEL CHODOS, P i an i s t V a r i a t i on s i n F ma j o r , Op . 34 =–––– Bee t hoven Sona t a i n D ma j o r , Op . 10 , No. 3 =–– Bee t haven Young Ame r i can p i a n i s t Ga b r ie l Chodos h as won awa r ds i n t he C as e l l a I n t e rn a t i on a l P i an o f o r t e Comp e t i t i on i n N ap les an d t he M i chae ls Compe t i t ion i n Ch i cago, and has pe r f o rmed ex tens i ve ly Large e mes t o i n re c i t a l and ove r rad i o and t e le v is ion t hroughou t t he Un i ted S t a t es and i n E urope . His many o r ches t ra l pe r f o rmances i n c l ude Menue t t o : A l leg ro appea rances w i t h t he Ch i cago Symphony O r ches t ra a t t he P res t o Ravin ia Fes t i va l . Rondo : A l le g ro Ba r c a r o l l e , Op . 6 0 –––– _ –– _ _ _ _ – Chop in A P h i Be t a Kappa i n P h i losop hy f rom t he Un i ve rs i t y o f Ca l – i f o rn i a a t Los An ge les , Mr . Chodos a lso ho lds a Mas te r of Ar ts i n Mus i co logy f rom t ha t Un i ve rs i t y and an Ar t is t D i p loma i n P i an o f rom the Akade mie f ur Mus ik and dars te l lende Kunst i n V ienna, whe re he s t ud ie d unde r a Fu lb r i g h t g ran t . His p r in c i pa l p i an o s t ud ies we re w i t h Aube Tzerko o f Los An ge les , f o rme r ly a p up i l I NTEFWI 551 ON of Ar tur S chnabe l ; f ur the r ins t r uc t ion was w i t h Josef D i ck le r o f V ienna , Leona rd Sh u re a t Aspen , and C a r l o Ze cch i a t t h e Mozar teum l n Sa lzb u r g. Mr . Chodos s t ud ie d t heo ry and comp os i t ion Fan tasy, Op . 17 –– –––––––––––––––– – Schumann Durchaus phan tas t isch und le i denscha f t l i ch vorzut ragen M i ss i g. Du r chaus en e r g is ch . Langsam gettagen. Durchweg l e i s e zu hal t en. Sonata No. 2 –—– –– – –– _ _ _ _ – – App le t on Toccata, op . 11 _ _– – –_ _ _ _ _ – _ P rokoﬁe v w i t h Leonard S te in . Mr . Chodos has f o rme r ly t augh t a t t he Un i ve rs i t y o f Ca l – i f o rn i a a t Los An ge les and the Un i ve rs i t y o f O regon . He i s now i n res i dence a t the S t a te Un i ve rs i t y o f New York a t B u ﬀ a l o . His 19 70– 71 Debu t Tour of Europe was t he cour tesy o f t he Mar tha Ba i rd Rocke f e l ler Founda t ion . JON APPLETON, , Compose r Mr . Jon App le t on i s on t he mus i c f a c u l t y o f Dar tmou th Co l le ge and i s Head o f Dar tmou th ’ s Elec t ron i c Mus i c S t ud i os . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63191 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63191"> Gabriel Chodos, Pianist, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gabriel Chodos, Pianist, Recital, March 8, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Chopin, Schumann, Appleton, and Prokofiev. Held at 3:00 pm, March 8, 1970 at Recital Hall Creator An entity primarily responsible for making the resource Chodos, Gabriel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-3-8 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Schumann, Robert, 1810-1856 Chopin, Frederic, 1810-1849 Prokofiev, Sergey, 1891-1953 Appleton, Jon H., 1939-, State University of New York at Binghamton. Department of Music Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064576 39091020064626 39091020064675 39091020064725