78
10
1775
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
44 minutes
58 seconds
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140138">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140138</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Heartfire the mysterious, mythical and mercurial world of the She that is-- the Gypsy, October 12, 2012
Description
An account of the resource
Works by Zigeunerlider, Brahms, Bizet, Verdi, Falla, Kharito, Maksimovich, Fomin Held at 8:00 p.m., October 12, 2012, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Stewart, Kasey
Reitz, Margaret
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
10/12/12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/e58dc9589166b4f4dc5d6e97d0a55a4a.pdf
04cd875a455fbeb18c568159ae7c516d
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E UNIVERSITY O F N E W Y O R K
[4
{4440
D E P A R T M E N T
MIDDAY CONCE R T
CONCERTO ISTANTE
WITH
TIMOTHY P E RRY , CLA RINET
STEPHEN STALKE R, VIOLONCELLO
MARGARET REITZ, PIANO AND HA RPS ICHORD
Thursday, October 1 1, 2 01 2
1 :2 0 p .m.
Casadesus Recital H all
�PROGRAM
Pietro Domenico Paradies
Sicilienne
(1707 1791)
Stephen Stalker
Margaret Reit z
Lili Boulanger
(1893 – 1918)
Nocturne (1918)
Timothy Perry
Margaret Reit z
.Camille Saint Saéns
Allegro appassionato, Op. 4 3
(1335 — 1921)
Stephen Stalk er
Margaret Reit z
Andre Messager
Solo de Concours
(1853 – 1929)
Timothy Perry
Margaret Reit z
Gabriel Fauré
Elegy, Op. 24
(1845 – 1924)
Stephen Stalker
Margaret Reit z
Sonata in G m inor, Livre II, no. 6 (17 30)
I. Lentement
Il. Courante
lll. Allemande
I V. Sarabande
V . Rondeau
Timothy Perry
Stephen Stalker
Margaret Reitz
Francois Francoeur
(1698 – 1787)
�Bin g ham ton Uni v ersi ty M u s ic D ep art men t ’s
Coming Events
W
W
W
Friday, October 12 Alumni Recital Series with K asey Stewart, mezzosoprano an
d
Margaret Re itz, piano 8 :00 p.m. Casadesus Recital Hall free
Thursday, October 18 MidDay Con cert 1:20 p.m. Casadesus Recital Hall free
Saturday, October 2 0 Binghamton University Symphony Orchestra’s Music Depa
rtment
Benefit Concert : “By Gershw in, by George ” 3:00 p.m. Osterhout Concert Theater $
15
general public ; $10 faculty/staff/seniors; $5 students
Thursday, October 25 MidDay Co ncert 1:20 p.m. Casadesus Recital Hall free
Friday, October 26 TriCities Opera presents Puccini’s La Bohéme 8:00 p.m. The
Forum Theatre call (607) 7720400 for tickets
Saturday, October 27 – Family Weekend Concert (Harpur Chorale, Women ’s Cho
rus, and
Wind Symphony} 3:00 p.m. Osterhout Concert Theater free
Sunday, Oct ober 28 TriCities Opera presents‘Puccini ’s La Bohéme 3:00 p.m.
The
Forum Theatre call (607) 7720400 for tickets
Thursday, November 1 MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Friday, November 2 Ch inese Concert featuring the Beij ing Opera 8 :00 p.m
Center Chamber Hall $9 general public ; $6 faculty/statf/seniors; $3 students . Anderson
Sunday, Nov ember4 Voice Recital 3 :00 p.m. Phelps Mansion Museum, 191 Court
Street, Binghamton $10 per person; BU students free with valid ID
Tuesday, November 6 Frie dheim Memorial Lecture/Recital Series: “The Evolution
Lute Solo” with Paul Sweeny, guitar & lecturer, Barbara Kaufman, recorder, and C of a
hristina
Salasny, soprano 8 :00 p.m. Casadesus Recital Hall $6 general public ; $3
faculty/staff/seniors ; free for students
Thursday, November 8 African Drummin g and Dance MidDay Co ncert 1:20 p.m.
Anderson Center Chamber Hall free
–
–
For tick ets or t o be ad de d to our email list, visit anderson.bin ghamto
n.edu or call
(60 7) 777 ARTS. For a comple te list o f our co ncerts call (60 7) 777
2592, visit
music.bingham ton.edu or beco me a fa n o n Facebook.
[su]
E
If y ou were inspired by this performanc e, consider supporting the De part
ment o f
Music with a financial g ift. Your support helps to con tinue the work of stud
ents,
faculty , a n d g uest art ists a n d their c ontributions to our co mmunit
y. Plea se ma ke
y our don ation p aya ble to t he Bin g ham ton Un iv ersity M usic D ep art
ment, a n d s end
your check to BU Music Depart ment, P.O. Box 6 000, Bingham ton, NY 1 3902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
43 minutes
53 seconds
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE139905">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE139905</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mid-day concert concerto istante, October 11, 2012
Description
An account of the resource
Works by Sicillienne, Boulanger, Saens, Messager, Faure, Francoeur Held at 1:20 p.m., October 11, 2012, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Perry, Timothy
Stalker, Stephen
Reitz, Maragaret
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
10/11/12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/40bcf9c6060c19d092efee4a9792534e.pdf
c3840a79dd2f5d62f75e174f1ff00b4d
PDF Text
Text
BINGHAMTON
U N I L V E R S T I
S T A T E U N\II V E R S I T Y O F N E W Y O R K
wide
D E P A R T M E N T
MIDDAY CONCER T
PRESE N TING
M M / O P E R A STUD E N TS
WITH
JOHN I SE NBERG , PIANO
BINGHAMTON U NIVERSITY
Thursday, October 4 , 2 0 1 2
1 :2 0 p .m.
Casadesus Recital Hall
�PROGRAM
Two Songs from
“Madamina!”, from DON GIOVANNI.
Wolfgang Amadeus Mozart
(1756–1791)
Matthew Samluk, bassbaritone
THE FIRST GERMAN NOTEBOOK
.Valery Aleksandrovich Gavrilin
(1936 – 1999)
Autumn
Talking Amongst the Paderborn Steppe
Michael Celentano, baritone
. Gioacchino Rossini
La Gita in Gondola
(1797 – 1868)
“Let Beauty Awake,” from SONGS OF TRAVEL . Ralph Vaughan Williams
(1872 — 1958)
Meghan Cakalli, soprano
Giuseppe Verdi
(1813 – 1901)
“Pieta, rispetto, amore,” from MACBETH .
Giacomo Puccini
“Avete torto,” from GIANNI SCHICCHI
(1858 – 1924)
Robert Heepyoung Oh, baritone
Hana Ryu, tenor
“What a movie!”, from TROUBLE IN TAHITI
Giacomo Puccini
“Questo amor,” from EDGAR .
(1858 — 1924)
Charles HyIand, baritone
“Recondita armonia,” from TOSCA.
. Giacomo Puccini
( 1 8 5 8 1924)
Francesco Paolo Tosti
Non t’amo piu .
(1846– 1916)
Eun Hwan Bae, tenor
Emily Geller, mezzosoprano
Leona rd Bernstein
(1918 – 1 9 9 0 )
�Bin g ha m ton Univ ersity M u s ic D ep art ment ’s
Coming Events
W
W
W
Thursday, October 11 MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Friday, October 12 Alumni Recital Series with Kasey Stewart, mezzosoprano and
Margaret Reitz, piano 8:00 p.m. Casadesus Recital Hall free
Thursday, October 18 MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Saturday, October 20 Binghamton University Symphony Orchestra ‘s Music Department
Benefit Concert : “ By Gershwin, by George " 3:00 p.m. Osterhout Concert Theater $15
general public; $10 faculty/staff/seniors,‘ $5 students
Thursday, October 25 MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Friday, October 26 – TriCities Opera presents Puccini ’ s La Bohéme 8:00 p.m. The
Forum Theatre call (607) 7720400 for tickets
Saturday, October 27 Family Weekend Concert (Harpur Chorale, Women’s Chorus, and
Wind Symphony) 3 :00 p.m. Osterhout Concert Theater free
Sunday, October 28 TriCities Opera presents Puccini ’s La Bohéme 3:00 p.m. The
Forum Theatre call (607) 7720400 for tickets
Thursday, November 1 MidDay Con cert 1:20 p.m. Casadesus Recital Hall free
Friday, November 2 – Chinese Concert featuring the Be ijing Opera 8:00 p.m. Anderson
Center Chamber Hall $9 general public; $6 faculty/staff/seniors,‘ $3 students
Sunday, November 4 Voice Recital 3:00 p.m. Phelps Mansion Museum, 191 Court
Street, Binghamton $10 per person; BU students free with valid lD
Tuesday, November 6 Friedheim Memorial Lecture/Recital Series : “The Evolution of a
Lute Solo " with Paul Sweeny, guitar & lecturer, Barbara Kaufman, recorder, and Christina
Salasny, soprano 8:00 p.m. Casadesus Recital Hall $6 general public; $3
faculty/staff/seniors; free for students
W
i
E
E
“
W
W
For tickets or to be added to our email list, visit anderson.bingham ton.edu or call
(60 7) 777ART5. For a complete list of our concerts call (60 7) 7772592, visit
music.binghamton.edu or become a f a n o n Facebook.
If you w ere inspired by this perfor mance, consider supporting the Depart ment of
M usic with a fin an cial g ift . Your support helps to continue the w ork o f students,
faculty, and guest artists and their contrib utions to o ur community. Please ma ke
your don ation p ay a ble to the Bin g ha m ton University M usic D ep art ment, a n d send
your check to BU Music Depart ment, P.O. Box 6 000, Binghamton, NY 1 3902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
53:00:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE139749">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE139749</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mid-day concert presenting MM/Opera students, October 4, 2012
Description
An account of the resource
Works by Mozart, Rossini, Puccini, Tosti, Gavrilin, Williams Verdi Held at 1:20 p.m., October 4, 2012, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Isenberg, John
Samluk, Matthew
Çakalli, Meghan
Ryu, Hana
Bae, Eun Hwan
Celentano, Michael
Oh, Robert Heepyoung
Geller, Emily
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
10/4/12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/6665e4f3a40ca3fdb79ec9fb9f5808af.pdf
376e900378a2d796a318e92c3a090883
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
Ld
w i d e
D E P A R T M E N T
S ING INTO SPRING
Women’s Chorus
Emmanuel Sikora &
Thom Baker, conductors
Margaret Reitz, accompanist
Harpur Chorale
Peter Browne, conductor
Thursday, May 9, 2013
8:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
II. The Harpur Chorale
I. The Women’s Chorus
Music Spread thy Voice Around (Solomon) .
G.F. Handel
(16851759)
.Claude Debussy
Romance.....~..
(18621918)
Emmanuel Sikora, conductor
arr. Alan Raines
1 am in Need ofMusic...
.. David Brunner
.Ned Rorem
From an Unknown Past”
1. The Lover in Winter Plaineth for the Spring
2. Hey Nonny No!
3. My Blood So Red. . .
(b. 1923)
4. Suspiria
*In Our House (Emily Dickenson)...
.. Christian Martin
(b.1984)
Thom Baker, conductor
Two Partsongs.
Tamburinschldgerin (Op.69 Nr.I)
. Robert Schumann
Der Bleicherin Nachtlied (Op.91 Nr.5)
Hymn to the Waters
Hymn to Vena
Thom Baker, conductor
Margaret Reitz, piano
7. Crabbed Age and Youth
.. Traditional
Shenandoah...
Arr. James Erb
(18101856)
Low/ands..
Emmanuel Sikora, conductor
Choral Hymns from the Rig Veda...
Hymn to the Dawn
5. The Miracle
6. Tears
..Gustav Holst
(18741934)
... Traditional Chantey
Arr. Tom Scott
Whar Shall We Do With the Drunken Sailor...
.. Traditional
Arr. Greg Smith
�WOMEN’S CHORUS
Sopranos
Altos
Adina Blaszkowsky
Ellen Chiu
Alida Cooke
Amanda Baker
Alexa Bruck
Alexa Dicken
Taylor Rae Dunn
Deanna Feuerbach
Caitlin Gotimer
Alexandra Leslie
Christiana Metaxas
Megan Orcutt
Audrey Russo
Christina Santa Maria
Loren Shannon
Danielle Stein
Hannah Westerman
Amy Conway
Linda Melissa Cruz
Kaitlyn Kang
Laura Keim
Sukyung Kim
Daniela Rivera
Kimberly Torres
HARPUR CHORALE
Sopranos
Tenors
Michelle Goldrich
Samantha Reed
Kate Sherwood
Katie Sucha
Tomas Kerr
Ricky Nan
Matthew Pedersen
Cole Tornberg
Altos
Basses
Denise Aquino
Ashley Grumman
Nazely Kirkjian
Shoshana May
Katie Moscowitch
Dan Fernandez
Thom Furey
TenYoun Guh
Jibron Harris
Joseph Keller
Christian Martin
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
48:07
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85314">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85314</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sing Into Spring, May 9, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Handel, Debussy, Martin, Schumann, Holst, Brunner, Rorem. Held at 8:00 p.m., May 9, 2013, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Women's Chorus
Sikora, Emmanuel
Baker, Thom
Reitz, Margaret
Harpur Chorale
Browne, Peter
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-5-9
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/0be332dd83d1d2d300f923f4fa22fca8.pdf
89b9f89ba1e5e60bfa15e6bc6b5bc72b
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
’
vowdee
D E P A R T M E N T
= o’re
5 “ITEA’A’AM !5f’ ' *
v
A
3
.
STUDENT RECOGNITION
MIDDAY CONCERT
Thursday, May 9, 2013
1:20 p.m.
Casadesus Recital Hall
�PROGRAM
Net, tol‘ko tot, kto znal..
. P. Tchaikovsky
(None but the lonely heart)
Fantasy, Op. 79 for Flute and Piano ..
Jessica Biagiotti, Flute
ChaiKyou Mallinson. Piano
Nominated by Georgetta Maiolo
..Gabriel Fauré
(1845–1924)
(1840 – 1893)
Robert Heepyoung Oh, baritone
John lsenberg. piano
Nominated by Thomas Goodheart
Ave Maria, transcription for piano ...
S. 558, No.12
Recondita Armonia .
Giacomo Puccini
from Tosca
(1858 – 1924)
Mario Eun Hwan Bae. tenor
John lsenberg. piano
Nominated by Thomas Goodheart
Chanson d’avril..
..Georges Bizet
Molly AdamsToomey. mezzosoprano
William James Lawson, piano
Nominated by Mary Burgess
Les collines d‘Anacapri ..
(from Preludes Bk. 1)
David Gaita, piano
(18381875)
.. Claude Debussy
(1862–1918)
Nominated by Michael Salmirs
. Franz Liszt
(1811 – 1886)
Sukyung Kim, piano
Nominated by Jinah Lee
Sonatine pour Trombone et Piano
Andante sostenuto
..Jaques Castérede
(b. 1926)
William Marsiglia, trombone
Margaret Reitz, piano
Nominated by Don Robertson
To One in Paradise.
Charles Hyland, baritone
John lsenberg. piano
Nominated by Thomas Goodheart
. Kyle Gullings
(b. 1983)
�Binghamton University Music
Department’s Coming E ven ts
M
M
M
M
M
M
é
'
W
Thursday, May 9 – Recital/Masterclass: Guest Artist
Victor Chavez Jr., clarinet 4:30 – 6 p.m. –
C asadesus Recital Hall – free
Thursday, May 9 – Harpur Chorale and Women’s
Chorus – 8:00 p.m. – Anderson Center Chamber
Hall – $6 general public; $3 faculty/staft/seniors; free
for students
Friday, May 10 – Junior Recital: Kerianna
Krebushevski, soprano – 8:00 p.m. – C asadesus
Recital Hall – free
6
1
?
“
w
a
For tickets or to be added to our email list, visit
anderson.binghamton.edu or call (607) 777ARTS. For a
complete list of our concerts call (607) 7772592, visit
music. binghamton. edu or become a fan on Facebook.
If you were inspired by this performance. consider
supporting the Department of Music with a financial gift.
Your support helps to continue the work of students. faculty,
and guest artists and their contributions to
[ = ] = [wm] our community. Please make your donation
payable to the Binghamton University Music
Department, and send your check to BU
Music Department, P.O. Box 6000,
Binghamton, NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
53:50:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85317">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85317</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Student recognition mid-day concert, May 9, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Faure, Puccini, Bizet, Debussy, Tchaikovsky, Liszt, Gullings. Held at 1:20 p.m., May 9, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Biagiotti, Jessica
Chai-Kyou, Mallinson
Eun Hwan Bae, Mario
Isenberg, John
Adams-Toomey, Molly
Lawson, William James
Gaita, David
Oh Robert, Heepyoung
Sukyung, Kim
Marsiglia, William
Reitz, Margaret
Hyland, Charles
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-5-9
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/cac9fe661ed93688d1d7c0e2281a9048.pdf
b0cd44446104fb1bfda12cdc305f7322
PDF Text
Text
. BINGHAMTON
U N I V E R S I T Y
S T A T E U
NIVERSITY O
F NEW Y O R K
D
E
P
A
R
T
M
E
N
TRANSATLANTIC JOURNEYS:
A M EETING OF MUSIC A ND DANCE
traditions FROM WEST AFRICA
AND THE CARlBBEAN
presented by:
The Nukporfe African DanceDrumming Ensemble
directed by:
James Burns and Marcel March
featuring guest artist:
Elikem Nymuame
Wednesday, May 8, 2013
7 :00 p.m.
Watters Theater
T
�io PROGRAM aé‘s
Tonight’s program presents a meeting between several folkloric
dances from West Africa and the Caribbean, focusing on the
similarities in their musical languages and oral traditions, while also
celebrating their unique local expressions. This evening we will be
focusing on traditional dancedrumming styles from Ghana and
Cuba. Ghana is a country of immense cultural diversity, with over
10 major ethnic groups, each with their own unique music and
dance forms. During the TransAtlantic slave trade, many of these
forms were brought to Cuba, where they developed into their own
distinct traditions.
I. Agbekor (Ghana). Agbekor is a war dance of the Ewe people of
Ghana. The dance movements imitate moments from battle,
and follow the drum language of the lead drum, atsimevu.
i. Processional. As the drummers and dancers proceed to the
stage in traditional fashion, they sing a war song that calls
the warrior. to battle against the European colonial
powers. The second song memorializes the great warrior
Kundo who led warriors into battle and has been killed.
ii. Preludes. These short dance interludes introduce the solo
dance section that follows.
iii. Solo dance flights. These solo dance movements are among
the most technically demanding works in traditional
African music. The accompanying music is played in a
sharp presto tempo between 190200 bea ts per minute, and
the musicians must maintain their highly syncopated
musical lines that tend to fall between the beats. The
communication between the lead drummer and dancers is
absolute every note cues a movement or gesture. Each
sequence is introduced by the lead drum, and is completed
with a turning movement.
II.
Dance of Eleggua (Cuba). In Yoruba mythology Eleggua is the
deity of the crossroads, who opens the channels of
communication between human beings and the other gods. He
is normally saluted at the beginning of every performance to ask
for his blessings. Eleggua is often depicted as an old man who
likes to play tricks on people– he can appear feeble and then
surprise everyone by suddenly exhibiting the strength of a young
man.
I I I . Galiu (Ghana). Gahu is a neotraditional dance that has been
adopted and adapted by the Ewe people of Ghana. It is an
offshoot of the Gome dance, a PanAtlan tic African dance form
that emerged in the 19th century from the synthesis of
European hymns and marches with West African musical
sensibilities. The name Gahu suggests an airplane, and
represents local experiences with new technology and culture.
The songs are often humorous and fun, suggesting themes of
courtship and celebration.
IV. Dance of Oshun (Cuba). Oshun is the goddess of sensuality and
beauty, which is tem pered by an inner sadness due to the lack of
love and caring in t he world. She is revered as a divine mother,
and also as the queen of the marketplace. In Nigeria is
associated with the river Oshun, and is an important water
spirit.
Solwun (Ghana). Sohoun is an EweFon sacred dance used to
open a ceremony of the Yeve shrine. The original movements
danced at the shrine inspired the choreography for this folkloric
version, created by Dr. Opoku for the Ghana Dance Ensemble.
VI. Kpatsa (Ghana). Th is dance comes from a neighboring grou p of
the Ewe, known as the GaAdangbe. They share many lingu istic
and cultural affinities with the Ewe, and these two groups have
historically interacted with each other. The characteristic
movement of Kpatsa is a limping gait that imitates the
movements of dwarfs, a magical race of being. that inhabit rural
areas in Ghana. These movements were embellished with dance
combinations and eventually became a social and recreational
dance known as Kpatsa, whose name is an onomatopoeic
reference to the movement of dwarfs.
�ia INTERMISSION « 5
VII. Dance of Oya (Cuba). Oya is the goddess who guards the
underworld, and is also known as a warrior– she once grew a
beard so that she could fight with the men. She is also associated
with tornadoes, earthquakes and other dangerous natural
phenomena. In Nigeria she is the goddess of the river Niger, one
of the most important rivers in West Africa .
VIII. Gota (Benin/Ghana). This is a popular funeral and recreational
dance of the EweFon people of Ghana, Togo, and Benin.
IX .
Kinka (Ghana). Kinka is a relatively modern style of Ewe funeral
music that became popular in the 1950s. It features a distinctive
body of songs and drum language phrases that juxtapose images
and themes from traditional Ewe culture with modern life,
Dance of Ogun (Cuba). Ogun is the deity o f war, who is known
for his rough countenance, and lack of social graces. In the new
world, he is often depicted as a wild man from the bush, who is
a fierce warrior and defender of the weak.
XI.
Kpanlogo (Ghana). Kpanlogo is also a new form of traditional
music that was created by the Ga people, who reside in and
around the capital of Ghana, Accra. It uses a distinct rhythmic
background that is found throughout the Black Atlantic region
in musics like Samba, Calypso and Rumba.
XII. Fumefume (Ghana). Fumefume is another new form of
traditional music among the Ga people. Mustapha Tettey
Addey, a renowned Ga drummer, is credited for having created
Fumefume out of earlier sacred dances that were performed
during traditional ritual events and ceremonies. This dance
drumming is now performed during life cycle events such as
birth, naming, initiation, marriage/wedding and funerals among
others.
ia PERFORMERS 6
Dances Directed a nd Choreographed by
Elikem Nyamuame, Departments o f M usic & Theatre Dance
BEGINNING DANCECLASS
Assisted by Gieun Lee & Mikal Padellan
Olukemi Akinde, Tamar GaffinCahn, Janice Henry, Kwang Hwang,
Dongha Kim, Jessinta Oseni, Soyeon Ro, Shangbin Wu, Natalie
Zolotareva, Elizabeth Acheampong, Seongmi An, Jeffery Appeagyei, Toni
Ann Black, Andy Chan, Salma Chaouqi, Jiahao Chen, Yu Cheng,
Dominique Descorbeth, Yan Fong, Shennell G riffiths, Hilary Hernandez,
Ariel Hunt, Ayaia Kalman, Sooyeon Kang, Bukola Kayode, Annabel Kim,
Joo Hyun Kim, Juhwi Lee, Kit Liu, Briana Renios, Julia Rivera, Carly
Rubenfeld, Whitney Seabrooks, Amenzesiofo Uzamera, Jo Wang, Claudia
Wright, Yixiang Wu, Ebony Green.
ADVANCED DANCE—CLASS
Nana Agyenim, Dan Kansiime, VargarLeone Fredmary, Rahilou Diallo,
Dionnace Campbell, Junghee Kim, Sunglee Kim, Jinchul Park
NUKPORFE DANCERS
Joyce Ajagbe, Carolyn Carate, Seabright Chen, Sadora Joanis,
Gieun Lee, Natasha Madison, Nana NkansahSiriboe, Allison
Nyamuame, Stella Ogunleye, Uchenna Okpalor, Mikal Padellan,
Michaela Pinnock, Lin Qiao, Itoro Udo, Marlande Valentin, Fei
Yan.
Drumming directed and arranged by
James Burns, Departments o f M usic a nd Africana Studies
NUKPORFE MUSICIANS
Lakim Desir, Yaw Duah, Sunny Kim, Xiaolu Lin, Melissa Marquez,
Keaton Rood, Josh Schultz, Brett Settles, Yanyan Shen, Gavin
Webb.
If you liked this concert, follow us on Facebook
(Nukporfe African DanceDrumming Ensemble)
for upcoming performances.
�We are also an SA Chartered group, and welcome students . nd
facu l ty to jo in o u r gr o u p a t :
usie.
Blnghamton University Department of
h ttp://paw’ hinghamton.edu/organi” tion/Nultporfe
All of the music and dance that you see today is performed by
students at Binghamton L’niversity. who are taking one of the
following cours in the Departments of Music, Africana Studi
and Theatre Dance:
If you are interested in learning the dancing please register for the
Beginning (THEA 289V AFST 289]) or Advanced ( the a 3 8 9] /
AFST389J) section of African Dance.
W IND S YMPHONY CONCEWf
441". ~ ‘ sa!
I f you are interested in the drumming and singing, register for the
Beginning African Drumming class (ML’S 143B/AFST 188B).
wal
maweRus
' \
acomsa J”
WEDNESDAYS
wrczngrrgn‘B, ;
, moon?
[ZANE
t eornmfl
/ u — h
o
_/
....
{
v.....‘_,,,
\
a.
u r ' ” [ r ~
S e a sm
x 1 x5"?
S r
(
Nomea
H a rp u r Cher. l
éiWomgn’é. fl_,,.
" "
o»
Ethnic Groups of Ghana
,
mab we
fia ~ L .
,.
3g»
rhursaagm, %
., ,
Decem be ri12a t8 L__"
T rinity M e m a i ( e h e :
FCC
E
y
,
Ion
�Bingham ton U niversity Depa rtment of M usic
Coming Events
m m m m m m m m m fi b w a fi a
Wednesday, December 11 – Wind Symphony Concert: Larger than Life,
Ep ic Fright! – 8:00 p.m. – Anderson Center Chamber Hall – $7 general public;
$5 faculty/staff/seniors; free for students
Thursday, December 12 – Holiday MidDay Concert – 1:20 p.m. –
Casadesus Recital Hall – free
Thursday, December 12 – Har pur Chorale and Women ’s Chorus
Ho l i da y Co nc ert – 8:00 p.m. – Trinity Memorial Church, Binghamton – a
good will donation will be collected at the door
Saturday, December 14 – Singing Chinese Class Recital – 7:00 p.m. –
Casadesus Recital Hall – free
Saturday, February 1 – University Chamber Chorus – 8:00 p.m. – Trinity
Memorial Church, Binghamton – a good will donation will be collected at the door
Monday, February 2 – Mobious Concert – 3 :00 pl.m. – Watters Theater
$10 general public; $7 faculty staff/seniors; $5 for students
Friday, February 7 – TriCities Opera presents Mozart’s Don Giovanni
8:00 p.m. The Forum Theatre call (607) 7 7 20400 for tickets
Sunday, Februa ry 9 – TriCities Opera presents Mozart’s Don Giovanni
3:00 p.m. The Forum Theatre call (607) 7720400 for tickets
Sunday, Februa ry 16 – Master’s Recital: Thom Baker, tenor (tentative)
3:00 p.m. Casadesus Recital Hall free
Saturday, March 1 – U niversity Symphony Orchestra: Student Concerto
and Aria Winners 3:00 p.m. Osterhout Concert Theater $7 general
public; $5 faculty/staff/seniors; free for students
« fi f e – M M M M M M – fi é fl w a fi é n é b n fi é fl
E
a
—
f
For tickets or to be added to our email list, visit anderson.binghamton.edu or
[ 1 ] call (607) 7 7 7ARTS. For a complete list of our concerts call (607) 777:
2592, visit music.binghamton.edu or become a fan on Facebook.
If you were inspired try this per formance, consider su pporting the
Department of Music with a financial gi ft. Your su pport helps to continue
the work o fstudents, faculty, and guest artists and their contributions to our
¢ community. Please make your donation payable to the Binghamton
University Music Department, and send your check to BU Music
Department, P.O. Box 6000, Binghamton, NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
49:6
31:06
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE131577">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE131577</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Transatlantic journeys: a meeting of music and dance : traditions from West Africa and the Caribbean, May 8, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Held at 7:00 p.m., May 8, 2013, Watters Theater.
Creator
An entity primarily responsible for making the resource
Nukporfe African Dance-Drumming Ensemble
Burns, James
March, Marcel
Ny[a]muame, Elikem
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-05-08
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/e7c39f0fad67af194b26fce1715e026f.pdf
46e265a43e60ba73b1e18c711becf1c8
PDF Text
Text
BINGHAMTON
5 F e )
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
D AVID GAITA:
MUSIC B Y THE PIANIST &
COMPOSER
Sunday, April, 28, 2013
7:30 p.m.
Casadesus Recital Hall
�PROGRAM
Introduction by Shane Thorn
J.S. Bach
(16851750)
Goldberg Variations. Aria ..
.composed by Shane Thorn
and David Gaita
La Bicicletta ..
There is music by one composer
and there is music by another.
There is also music by both, neither,
and most interestingly, from
anywhere in between.
Shane Thorn, vocals
David Gaita, piano
J.S. Bach
(16851750)
WTC Book I, Prelude in E major .
. poetry by Mario Moroni
composed by Dav id Gaita
Recitare le Ceneri .
Mario Moroni, reciter
Briana Sakamoto, soprano
David Gaita, piano
R) INTERMISSIONC’J
W TC Book 1. Prelude in Eb minor .
Veteran’s Day Parade (video recording).
.J.S. Bach
(16851750)
.David Gaita
Daniel Salinas. vio lin I, Carmen JohnsonPéjaro, violin II,
Benjamin Pochily, viola, Laura Andrade, cello
Piano Sonata No. 5
Goldberg Variations. Aria da Capo ..
.Alexander Scriabin
(18721915)
.J.S. Bach
(16851750)
�Binghamton University Music Department ’s
Coming Events
M
b
w
m
b
m
w
b
é
b
Sunday, April 28 —T riCities Opera presents Mascagnr’s “CA VALLERIA RUST/CANA " and
:00 p.m. – The Forum Theatre – call (607) 7720400 for
/ " 3
Leoncava/lo’s “PAGUACC
tickets
Tue’day, April 30 – Percussion Ensemble Concert – 8:00 p.m. – Anderson C en fer
Chamber Hall – $6 gen eral public: $3 faculty/staff/seniors: free for students
Wednesday. May I – Percussion Recital: Devan Tracy and Andres Castillo – 8:00 p. m.
Casadesus Recital Hall ~ free
Thursday. May2 – MidDay Concert – 1:20 p.m. – Anderson Center Chamber Hall – free
Thursday, May2 – Opera Scenes – 8:00 p.m. – Anderson Center Chamber Hall – $6
general public: $3 faculty/staf/seniors; free for students
Friday. May 3 Music from the Seminar (Christopher Loy’s Class) – 7 p.m. Casadesus
Recital Hall – free
Saturday, May 4 – Master’s Recital: Molly AdanaToomey, mezzosoprano – 8 p.m. –
Casadesus Recital Hall – free
S unday. May 5 – University Symphony Orchestra and Chorus: Schubert’s “Unfinished
Symphony ” & Duruflé's “Requiem " – 3:00 p.m. – Osterhout Concert Theater – $6
general public: $3 faculty/staff/seniors; free for students
Wednesday. May 8 – Nukporfe African Drumming and Dance Ensemble – 7:00 p.m. –
Watter’s Theater – $3 general admission at the door
Thursday. May 9 – Student Recognition MidDay Concert – 1:20 p.m. – Casadesus Recital
Hall – free
Thursday. May 9 – Recital/Masterclass: Guest Artist Victor Chavez Jr.. clarinet 4:30 – 6
p.m. – Casadesus Recital Hall – free
Thursday. May 9 – Harpur Chorale and Wbmen ‘s Chorus – 8:00 p.m. – Anderson C en fer
Chamber Hall – $6 gen eral public; $3 faculty/staff/seniors; free for students
Friday. May 10 – Junior Recital: Kerianna Krebushewki. soprano – 8:00 p.m. – Casadesus
Recital Hall – free
Saturday, May 11 – Sophomore Recital: Daniel Rosenau. organ – 4:00 p.m. – Trinity
Memorial Church free
M é fi w m wia fl a fi w é fl a fi b
For tickets or to be added to our email list. visit anderson.binghamton.edu or
call (607) 777ARTS. For a complete list of our concerts call (607) 7772592,
visit music . binghamfon.edu or become a_ fan on Facebook.
–
E
If you were inspired by this performance. consider
p
= [ = ] supporting the Department of Music with a financial gift.
Your support helps to continue the work of students, faculty,
and guest artists and their contributions to our community.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:03:02
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE131574">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE131574</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
David Gaita: Music by the pianist and composer, April 28, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Bach, Gaita, Scriabin. Held at 7:30 p.m., April 28, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Gaita, David
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-28
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/1bf711143cfaa0393371d8cf12f7d6a9.pdf
af8359c8a1475017b4ca06b91c233940
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O
F NEW Y O R K
vdeo
[4
D E P A R T M E N T
(
[
)
)
A
, o n'.
_
: t
y
I \ $ l N
o “ 3 , l l ; ’ QP) u rE 1 . 1 1 ” A; %
f !
w
k”
E?“ é ' fl f ‘ t s S Y ,
" MIDDAY
2 4 3 )
'.
A F T fl "
CONCERT
Thursday, May 2, 2013
1:20 p.m.
Anderson Center Chamber Hall
�PROGRAM
Left Hand Nocturne . Op. 9, No. 2
Melanie Laguerre. piano
. Alexander Scriabin
(1872 1915)
Song Cycle 1 in D Major, Op. 1 3 .
l. Spring Awakening
Il. On My Mind
Ill. Serenade
Joseph S. Keller
(b. 1993)
Joseph S. Keller, baritone
William James Lawson, piano
The pianist for the following scenes will be John lsenberg
Giacomo Puccini
Che gelida manina
(1858 1924)
from La Boheme
Mario Eun Hwan Bae (Rodolfo)
Cinque, dieci, venti, trenta.
from Le Nozze di Figaro
Matthew Samluk (Figaro)
Rachel Young (Susanna)
Michael Celentano, director
. W. A. Mozart
(1756 1791)
Sull’ aria..
from Le Nozze di Figaro
Caitlin Gotimer (Countess)
Elizabeth Keyes (Susanna)
Michael Celentano. director
. W. A. Mozart
(1756 1791)
Card Scene.
from Carmen
Christina Santa Maria (Frasquita)
Daniela Rivera (Mercedes)
Molly AdamsToomey. director
Act 1 Finale
from Die Fledermaus
Hana Ryu (Alfred)
Caitlin Gotimer (Rosalinda)
Michael Celentano (Frank)
Emily Geller, director
Georges Bizet
(1838 1875)
Johann Strauss
(1819 1 880)
�Binghamton University Music Department’s
Coming Events
m
m
é
M
M
M
M
é
M
Thursday, May 2 – Opera Scenes – 8:00 p.m. ~ Anderson Center
Chamber Hall – $6 general public; $3 faculty/staft/seniors; free for
students
Friday, May 3 – Music from the Seminar (Christopher Loy’s Class) –
7 p.m. – Casadesus Recital Hall – free
Saturday. May 4 – Master’s Redtal: Molly AdamsToomey, mezzo
soprano – 8 p.m. – Casadesus Recital Hall – free
Sunday, May 5 University Symphony Orchestra and Chorus: Schubert’s
“Unfinished Symphony” & Duruflé’s “Requiem” – 3:00 p.m. ~ Osterhout
Concert Theater – $6 general p ublic: $3 faculty/staff/seniors; free for
students
Wednesday, May 8 Nukporfe African Drumming and Dance Ensemble –
7:00 p.m. – Watter’s Theater – $3 general admission at the door
Thursday, May 9 – Student Recognition MidDay Concert – 1:20 p.m. –
Casadesus Recital Hall – free
Thursday, May 9 – RecitaVMasterdass: Guest Artist Victor Chavez Jr.,
clarinet 4:30 – 6 p.m. – Casadesus Recital Hall – free
Thursday, May 9 – Harpur Chorale and Women’s Chorus – 8:00 p.m. –
Anderson Center Chamber Hall ~ $6 general p ublic: $3
faculty/staff/seniors; free for students
Friday, May 10 – Junior Recital: Kerianna Krebushevski, soprano – 8:00
p.m. – Casadesus Recital Hall – free
m w b m w w w b fi fi b
For tickets or to be added to our email list, visit
anderson.binghamton.edu or call (607) 777AR TS. For a complete list of
our concerts call (607) 7772592, visit mu;ic.binghamton.edu or become
a fan on Facebook.
If you were inspired by this performance. consider
supporting the Department of Music with a financial
= aL
= [ = ] gift. Your support helps to continue the work of
E
students. faculty. and guest artists and their
contributions to our community. Please make your
donation payable to the Binghamton University Music
E
Department, and send your check to BU Music
E
Department, P.O. Box 6000, Binghamton, NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85320">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85320</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mid-day concert, Thursday, May 2, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Scrabin, Keller, Puccini, Mozart, Bizet, Strauss. Held at 1:20 p.m., May 2, 2013, Anderson center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Laguerre, Melanie
Keller, Joseph
Lawson, William James
Isenberg, John
Eun Hwan Bae, Mario
Samluk, Matthew
Young, Rachel
Celentano, Michael
Gotimer, Caitlin
Keyes, Elizabeth
Santa Maria, Christina
Rivera, Daniela
Adams-Toomey, Molly
Ryu, Hana
Geller, Emily
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-5-2
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/797b382db2520c210610dbcbaf308f46.pdf
820c4ec06f9f83c2cef0f6652558d598
PDF Text
Text
BINGHAMTON
E R S I T Y
P M I V
S T A T E U N I V E R S I T Y O F N E W Y O R K
W
0
[4
D E P A R T M E N T
OPERA SCENES
Thursday, May 2, 2013
8:00 p.m.
Anderson Center Chamber Hall
�Che gelida manina .
from La Bohéme
PROGRAM
The pianist for this evening‘s program is John Isenberg
Si pub?
from I Pagliacci
.Ruggiero Leoncavallo
(1 857 1919)
Robert HeePyoung Oh (T onio)
Cinque, dieci. venti. trenta .
from Le Nozze di Figaro
Matthew Samluk (Figaro)
Caitlin Gotimer (Countess)
Elizabeth Keyes (Susanna)
La ci darem la mano
from Don Giovanni
Charles Hyland (Don Giovanni)
Christina Santa Maria (Zerlina)
Hana R yu. director
W. A. Mozart
(1 756 1 791)
Soave sia il vento
from Cosi fan Tutte
W. A. Mozart
(1 756 1791)
Gaetano Donizetti
in guerra ed in amore.
(1797 1848)
from L’Elisir d’amore
Michael Celentano. (Belcore)
Kerianna Krebushevski (Adina)
Hana Ryu (Nemorino)
Charles Hyland, director
aIN TERM [55 ION FI
Leonard Bernstein
(1918 1990)
Emily Geller. director
Mr. Snow
from Carousel
Rodgers and Hammerstein Il
(1902 1970) (1895 1960)
Elizabeth Keyes (Carrie)
Caitlin Gotimer (Julie)
Thomas Goodheart. director
Ricky Nan (T ony)
Christina Santa Maria (Maria)
W . A. Mozart
(1756 1791)
Michael Celentano. director
Rachel Young (Fiordiligi)
Daniela Rivera (Dorabella)
Matthew Samluk (A lfonso)
Robert HeePyoung Oh, director
Charles Hyland (Sam)
Molly AdamsToomey (Dinah)
Tonight .
from West Side Story
Michael Celentano, director
Sull’ aria .
from Le Nozze di Figaro
Umbrella Duet.
from Trouble in Tahiti
W. A. Mozart
(1 756 1791)
Rachel Young (Susanna)
EunHwan Bae (Rodolfo)
Giacomo Puccini
(1 858 1924)
Leonard Bernstein
(1918 1990)
Thomas Goodheart, director
Golden Days
from The Student Prince
Michael Celentano (Engel)
Cole Tomberg (The Prince)
Matthew Samluk, director
Je dis que rien ne m'épouvante..
from Carmen
Kerianna Krebushevski (Micaela)
Card Scene .
from Carmen
Christina Santa Maria (Frasquita)
Daniela Rivera (Mercedes)
Molly AdamsToomey, director
Finale .
from Die Fledermaus
Hana Ryu (Alfred)
Caitlin Gotimer (Rosalinda)
Michael Celentano (Frank)
Emily Geller, director
Sigmund Romberg
(1 887 1951)
. Georges Bizet
(1838 1875)
.Georges Bizet
(1838 1875)
Johann Strauss
(1819 1880)
Special thanks to TriCities Opera for providing the set pieces
and props for this evening’s performance.
�STAGE TECHN IQUES DIRECTOR’S NOTES
Welcome to our second annual Spring Opera Scenes concert. This concert is in
partial fulfillment of the course requirements for the Stage Techniques for Singing
Actor class. Students are afforded the opportunity to hone their skills through
performances which include our Fall production of Hansel and Gretel. University
MidDay Concerts. The Phelps Mansion Recital Series and TriCities Opera
productions. This class integrates undergraduate and graduate students and provides
a unique opportunity for younger students to observe and leam from more
experienced singers. To add more depth to their knowledge of stage techniques.
graduate student s have taken on the role of stage director for this performance.
We would like to give special thanks to John lsenberg. for his tireless efforts as our
class accompanist during the semester and for his supportive. orchestral playing. A
thank you as well to Michael Celentano. who in addition to singing and directing,
has added the role of lighting designer to his responsibilities. Thank you for your
support of our singers and we look forward to see ing you in our audience next year.
Thomas Goodheart
Binghamton University Music Department’s
Coming Events
Lao S Y S
P o E p o r
May 3 – Music from the Semlnar (Christopher Lay’s Class) – 7 p. m. – Casadesus Recital
Hall – free
Saturday. May 4 – Master’s Recital: Molly AdamsToomey, mezzosoprano – 8 p.m.
Casadesus Recital Hall – free
Sunday, May 5 – University Symphony Orchestra and Chorus: Schubert’s “Unfinished
Symphony ” & Dunlflé's “Requiem” – 3:00 p.m. – Osterhout Concert Theater – $6 general
public: $3 faculty/staff/seniors; free for students
Wednaday. May 8 – Nukporfe African Drumming and Dance Ensemble 7:00 p. m. Watter‘s
Theater – $3 general admission at the door
Thursday. May 9 – Student Recognition MidDay Concert – 1:20 p. m. – C asadesus Recital Hall
~ free
Thursday. May 9 – Recital/Masterclass: GuestArtLrt Victor Chavez ./r., clarinet 4:30 – 6 p. m. –
Casadesus Recital Hall – free
Thursday. May 9 – Harpur Chorale and Women ‘ s Chorus – 8:00 p.m. – Anderson Center
Chamber Hall – $6 general public; $3 faculty/staff/seniors; free for students
Friday, May 10 – Junior Recital: Kerianna Krebushevski, soprano – 8:00 p.m. – Casadesus
Redtal Hall – free
M m m fi w b fi fi
For tickets or to be added to our email list. visit anderson.binghamton.edu or call (607) 777
S. For a complete list of our concerts call (607) 7772592. visit music.binghamton.edu or
A RT
become a fan on Facebook.
If you were inspired by this performance, consider supporting the
. E
5
[
of Music with a financial gift. Your support helps to
Department
$ I
continue the work of students, faculty, and guest artists and their
contributions to our community. Plea se make your donation payable
to the Binghamton University Music Department. and send your check
to BU Music Depa n ment. P.O. Box 6000. Binghamton. N Y 13902.
E
2
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
49:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85323">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85323</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Opera scenes, May 2, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Mozart, Donizetti, Puccini, Rodgers, Hammerstein, Romberg, Bizet, Strauss. Held at 8:00 p.m., May 2, 2013, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Isenberg, John
Oh Robert, Heepyoung
Samluk, Matthew
Young, Rachel
Celentano, Michael
Gotimer
Keyes, Elizabeth
Hyland, Charles
Santa Maria, Christina
Ryu, Hana
Rivera, Daniela
Krebushevski
Hwan Bae, Eun
Adams-Toomey
Geller, Emily
Goodheart, Thomas
Nan, Ricky
Tornberg, Cole
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-5-2
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/57ad13f8329371f802fd5e4298e22960.pdf
72506a8d56673d489954fa92b4f82329
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
C HRISTOPHER M
ORGAN L O Y
COMPOSER/ PIANIST
S a t ur d a y , A p ri l 2.7, 2.016
8 : 00 pm.
( a sa des us R
ec i t a l H a l l
�FROGKAM
Sonatina #3 in g minor D408 . .
Allegro guisto
Andante
Menuetto
Allegro moderato
Selected Songs
F. Schubert
Two Songs on Poems of Walt Whitman
How sweet the silent backward tracings
. . . . . C .M. Loy
Af ter the Dazzle of Day
William Hurley, vi olin
Christopher Morgan Loy, piano
W.A. Mozart
Three Songs.. .
Das Veilchen
Als Luise die Brief e
Ridente la calma
Selected Piano Works
Voices of the Woods, Op. 13, no. 5
ln Memorium : Jamie Cannon, O p. 56, no. 6
Kerianna Krebushevski, soprano
C.M. Loy, piano
C.M. Loy
Homage to Steven Stucky, Op. 56, no. 7
Inner Lights (Sona ta for Violin and Piano)", Op. 58 ......C M. Loy
C.M. Loy, piano
Lento reflective, Allegro assai, Allegro
Flowingly
Allegro
G. Faure
Selected Songs
Chanson d ’amore
Apres un réve
Kerianna Krebushevski, soprano
C.M. Loy, piano
®INTERMISSIONe3
William Hurley, vi olin
C.M. Loy, piano
*Premiere performance
�NOTES ON THE MUSIC
Sonatina in G Minor
Franz Schubert composed three violin works commonly called the
“sonatinas” during the spring of 1816 when he was 19 years of age.
Schubert called these works sonatas, and they remained in manuscript
form during his lifetime. When Anton Diabelli published them in 1836,
he named them sonatinas in order t o a cquire the amateur market.
These works are straightforward, beautiful and elegant and have
remained a favorite with violinists and pianists since Schubert and his
friends first performed them. The Sonatina in G Minor is dramatic and
lyrical and the dialogue between the violin and piano is fun.
Voices of the Woods
Felix FernandezMadrid, a friend and colleague who has a great love for
usic, commissioned Seven Piano Pieces in 1984. He wanted a set of
piano pieces for his musical interests and enjoyment. “Voices of the
Woods”, the fifth piece of the set, conveys the restlessness and
sometimes forbidding nature of a mysterious forest.
Homages and Fantasies is a set of eight piano pieces premiered in
Ithaca on November 19, 2011. The following two works are extracted
from this set.
In Memoriam: Jamie Cannon
Jamie Cannon was a great friend. We were roommates when I lived in
downtown Detroit. He was an exceptional artist and craftsman, and
with my compositional work and Jamie’s artwork, producti vity in the
apartment was significant. When I received the news of his passing, I
sa t down i n sorrow to remember him and to pay homage to him. This
piece came forth. Throughout the composition there are moments of
reflection and remembrance interrupted by sudden bursts of anguish.
In Memoriam. ends with the main theme modulated up a step and
continuing upward to an enigmatic resolution.
Homage to Steven Stucky
In this homage to one of the foremost American composers, I set out to
honor his vibrant palette of harmonic coloration, while main taining my
own musical energy. The piec e is i n a standard ternary form. The fi rs t
part exhibits extended triadic harmony, which is one of Stucky’s
hallmarks, and the middle sec tion displays a musical portrai t of Steven
Stucky’s name. I have had the pleasure of working with Steven Stucky
and felt this set of Homages and Fantasies wouldn’t be complete
without honoring him.
Inner Lights
l composed Inner Lights (Sonata for Violin and Piano) in 2012. It
portrays the act of revealing the Light within us. The following quote
served as inspiration:
“The Light that is begotten of the Life which has been begotten of
Love, is a radiance: i t is the radiance within with a soul. Light is the
effect of magnetic action; i t is a manifestation of magnetic power.”
Life ’s Mysteries Unveiled by John Todd Ferrier
Lento reflectivo, Allegro assai, Allegro
The opening theme stated by the violin, represents the dual motion
(ascending and descending) of Light from the Divine, as well as a call to
the Light within each of us. When the piano joins the call, harmony
ensues. The fast, jagged rhythms signal a transition t o daytoday
activities that interrupt harmony. The contra sting music that follows in
5/4 time is lyrical and hopeful, encouraging continued effort on the
path of spiritual initiation. After a return to the theme of ra pid music,
the movement ends with a quote of the original opening theme.
Flowing
This movement begins with an intricate passage by the piano, which
provides the sound palette for the high floating melody of the violin.
The melodic stream i s contemplative and serene. An agitated middle
section suspends the medita tive a ttributes of this movement, but the
music soon returns to the flowing lines of the beginning.
Allegro
The final movement is a celebration of joy and grati tude. The violin ’s
firs t theme has the feeling of exuberance, and the highspirited energy
is maintained throughout the movement ’s several connected thema tic
sections.
ABOUT THE PERFORMERS
KERIANNA KREBUSHEVSKI is a Junior at Binghamton University
pursuing a Bachelor of Music Degree in Voice. During her time here in
Binghamton, Kerianna has performed the role of the firs t spirit in Tri
Cities Opera Company’s production of Mozart ’s Die Zaubeflcite, and in
the chorus for their productions of Puccini’s La Boheme and Verdi’s Il
Trovatore. She is currently in the chorus for Cavalleria Rusticana and
Pagliacci (Mascagni/Leoncavallo). Last semester, Kerianna also
performed the role of Gretel in Humperdinck’s Hansel and Gretel,
performed by the University’s Opera Workshop class. Currently she is
preparing for her Junior Recital, which will take place on May 10, 2013
a t Casadesus Recital Hall in the Fine Arts building a t Binghamton
University. This summer Kerianna will be traveling to ltaly for the
month of June to study voice and the Italia n language with the “Si
parla, si Canta” program, organized by Benton Hess. She is very excited
to see Italy for the firs t time and to further her studies.
�ABOUT THE PERFORMERS (CONT.)
Violinist WILLIAM HURLEY is an Ithacaba sed performer and teacher. In
tha t capacity, he frequently finds himself a t the Community Sc hool of
Music and Arts, Cornell University, The Binghamton Philharmonic, The
TriCities Opera Orchestra, and somewha t less frequently with the
Cayuga Chamber Orchestra, and The Orchestra o f the Southern Finger
Lakes. He has found himself, in the pas t, wi th orches tras and chamber
ensembles in GA, SC , WV, MD, PA, and AK. Serendipity has landed him
with a fine group of students and a lovely and talented crowd of
colleagues with whom to collaborate. In the chamber arena, he is a
member of DO (violin duo), Three (piano trio), The Amity String
Quartet, various New Violin Family incarnations, Music ’s Recrea tion,
partners guitarist Matthew Ocone, and fondly remembers the DeVere
String Quartet, The Archus S tring Trio, and various and sundry other
collabora tions. New things are always i n the works, and ideas are
welcome. Otherwise, he is an apprentice with Luthier Robert Spear,
serves on the board of Music ’s Recrea tion, plays Irish fiddle, gardens
voracious ly, and a lternately helps, confuses, a nd frightens the local
string community in his capacity as “the string guy” a t Hickey’s Music,
where he has worked for some considerable time. He lives and
meanders in the Danby area.
CHRISTOPHER MORGAN LOY has presented annual recita ls in Ithaca
featuring his new works since 1989. His compositions include works for
piano, chamber ensembles, chamber orchestra , full orchestra, and
chorus. He has received more than 25 commissions from individuals
and organizations since the 1980’s. Loy’s music has been premiered in
Cleveland, Detroit, Houston, New York, San Francisco, San Antonio and
Ithaca. He earned the Doctorate of Musical Arts degree from Cornell
University in 1993. He has received grants from New York State’s M eet
the Composer fund, the Gund Foundation, and the Cornell Council on
the Creative Arts. In 1998, 2001 and 2008, he received the New York
State Council on the Arts Decentraliza tion Program Grant to compose
his Serenade, a work for soprano, violin, bassoon and harpsichord, his
String Qu artet #1 and Poet ic Rejuvenations, a largescale work for
five players and poet/narrator. Loy serves as Professor of Theory and
Compositi on a t Binghamton University and teaches piano and
compositi on a t the Community Sc hool of Music and Arts (CSMA). He is
organist/ pianist a t the First Baptist Church in Ithaca.
TRANSLATIONS
Fauré
Chanson d ’nmore
I love your eyes, I love your face,
0 my rebellious, o my fierce one,
I love your eyes, I love your lips
Where my kisses will exhaust
themselves.
I love your voice, I love the strange
Gracefulness of everything that
you say,
0 my rebellious one, o my dear
angel,
My inferno and my paradise!
I love your eyes, I love your face,
I love everything that makes you
beautiful,
From your feet to your hair,
0 you, to whom ascend a ll my
desires!
Aprés un réve
In a slumber charmed by your
image
I dreamed of happiness, ardent
mirage;
Your eyes were more tender, your
voice pure and clear.
You were radiant like a sky
brightened by sunrise ;
You were c alling me, and I left the
earth
To flee wit h you towards the light ;
The skies opened their clouds for
us,
Splendors unknown, glimpses of
divine ligh t. . .
Alas! Alas sad awakening from
dreams!
I call to you, oh night, give me
back your illusions;
Return, return with your radiance,
Return, oh mysterious night!
Loy
Two Songs on poetry of Walt
Whitman is the first set of songs I
composed. Iwas moved by the
simplicity of the poems and set
them accor dingly.
How Sweet the Silent Backward
Tracings
How sweet the silent backward
tracings!
The wanderings as in dreams the
meditation of old times resumed ~
Their loves, joys, persons, voyages.
Af ter the Da zzle of Day
After the dazzle of day is gone
Only the dark, dark night shows to
my eyes the stars
After the clangor of organ
majestic, or chorus, or perfect
band
Silent athwart my soul, moves the
symphony true.
Mozart
Das Veilchen
A violet grew in the meadow, bent
over and unrecognized,
It was a lovable violet . A young
shepherdess came by with a light
step and cheerful mood, through
the meadow, and she sang.
The violet thought, “Ah, i f only I
were the prettiest flower in all of
Nature,
just for a li ttle while, until that
darling would pick me and press
me fla t on her bosom, ah, just for
a quarter hour. ”
But a h, the girl came and did not
notice the violet.
She trampled the poor violet!
It sank down and died, and yet it
was happy :
“If I must die, at least I am killed
by her feet . ”
The poor violet! It was a lovable
violet.
�But alas, the man who wrote you,
Als Luise die Briefe
may perhaps burn for a long time
yet
Born of a fiery imagination,
brought into the world in an hour
in my heart.
o f r apture, go t o destruction, you
children of melancholy!
You owe your existence to flames ;
Ridente Ia calma
Calmness is smiling in my soul; no
trace of anger or fear remains.
now I give you back to flames
along with all of the adoring songs,
because, alas he did not sing only
You will arrive at any moment, my
dear, to tie the bonds of marriage
tha t are so welcome to my heart.
to me.
You catch fire, and soon, you dear
ones, there will be no trace of you.
Binghamton University Music Department ’s
Coming Events
M
M
M
M
M
M
t
b
M
é
é
Sunday, April 28 – Senior Recital : David Gaita, piano – 7:30 p.m. –
Casadesus Recital Hall – free
Sunday, April 28 – TriCities Opera presents Mascagni ’s “CAVALLERIA
RUSTICANA” and Leoncavallo’s “PAGLIACCI™ 3:00 p.m. – The Forum Theatre
– call (607) 7720400 for tickets
Tuesday, A pril 30 – Per cussion Ensemble Concert – 8:00 p.m. – Anderson
Center Chamber Hall – $6 general public; $3 faculty/staff/seniors; free for
students
Wednesday, May 1 – Percussion Recital : Devan Tracy and Andres Castillo
– 8:00 p.m. – Casadesus Recital Hall – free
Thursday, May 2 – MidDay Concert – 1:20 p.m. – Anderson Center Chamber
Hall – free
Thursday, May 2 – Opera Scenes – 8:00 p.m. – Anderson Center Chamber Hall
– $6 general public; $3 faculty/staff/seniors; free for students
Friday, May 3 – Music from the Seminar (Christopher Loy ’s Class) – 7 p.m. –
Casadesus Recital Hall – free
Saturday, May 4 – Master’s Recital : Molly AdamsToomey, mezzosoprano
– 8 p.m. – Casadesus Recital Hall – free
M M M fi M M b M fi n r b ‘
For tickets or to be added to our email list, visit anderson.binghamton.edu or call
(607) 777ARTS. For a complete list of our concerts call (607) 7772592, visit
music.binghamton.edu or become a fan on Facebook.
if you were inspired by this performance, consider supporting
_
. ' E the Department of Music with a financial gilt. Your support helps
E
to continue the work of students, faculty, and guest artists and
their contributions to our community. Please make your
donation payable to the Binghamton University Music
E
:
Department, and send your check to BU Music Department,
P.O. Box 6000, Binghamton, NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:06:05
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130163">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130163</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Christopher Morgan Loy, recital, April 27, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schubert, Loy, Faure, Mozart. Held at 8:00 p.m., April 27, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Loy, Christopher Morgan
Hurley, William
Krebushevski, Kerianna
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-27
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound