79
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/f6c4dd06a41fdccfde53e25c4efaa38d.pdf
52723d91fae2d1c518ab4eb0422d8169
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
[4
wdee
D E P A R T M E N T
MASTER’S RECITAL
Brister Hay IV, tenor
John Isenberg, piano
Saturday. April 27. 2013
3:00 p.m.
Casadesus Recital Hall
�PROGRAM
Per la Gloria d’adorarvi.
.Giovanni Bononcini
(16701747)
Alessandro Scarlatti
Le Violette
(16601725)
Alma del core.
. Antonio Caldara
Caro mio Ben.
. Giussepe Giordani
(17511798)
Gia iI sole dal Gange
Alessandro Scarlatti
(16601725)
(16701736)
Die Schone Mullerin excerpts .
Das Wandern
Wohin?
Halt!
Danksagung An den Bach
Der Neugierige
. Franz Schubert
(17971828)
mlNTERMlSSIONw
. Lee Hoiby
I have a dream.
(19262011)
Drink to me only with thine eyes.
Where the music comes from.
You‘ll never walk alone
Because.
.. Roger Quilter
(18771953)
Lee Hoiby
(19262011)
. Richard Rogers (19021979)
and Oscar Hammerstein Jr. (18951960)
Guy d’Hardelot
(18581936)
�TRANSLATIONS
ABOUT THE PERFORMERS
BRISTER HAY IV. tenor. was a recipient of the Clark fellowship
while pursuing his MM degree at SUNY Binghamton University.
JOHN ISENBERG. a native of Endicott, NY, holds a Bachelor’s
Per Ia glorIa d’adorarvi
voglio amarvi.
o luci care.
Amando penero,
ma sempre v’amero.
si. sl, nel mio penare,
For the glory of adoring you
I want to love you.
oh dear eyes.
In love I will suffer,
yet always I will love you,
Yes, in my suffering
penero,
I will suffer.
I will love you,
dear. dear eyes.
Senza speme di diletto
v’amero.
radio broadcasts of numerous Opera/ogue preview performances
Iuci care!
Without a hope of pleasure
It is vain affection
to sigh.
Yet your sweet glance
Who can ever admire them,
No, and not love you?
I will suffer.
I will love you,
with various other groups in the Binghamton area, including the
Le Vlolette
Rugiadose
Odorose
Dewy
Scented
Degree in Music and a Master’s Degree in Italian Literature from
Binghamton University. He performs many different musical
genres including Opera, Gilbert and Sullivan, classical Art Song.
Broadway, Celtic. Rock. and many styles of sacred music. For 11
years, John worked for the TriCities Opera in Binghamton. NY,
first as Accompanist, then later as Education Outreach
Coordinator and Chorus Master. As part of OperaGoRound
touring program, he organized over 300 performances and
accompanied over 500 performances throughout New York
State and northern Pennsylvania. John has played for WSKG
including Puccini’s Madama Butterfly. Donizetti’s Lucia a’i
Lammermoor and Mozart’s The Ma gic Flute. He has worked
Madrigal Choir of Binghamton. the Binghamton Downtown
Singers and SRO Productions. John is also the Organist/Pianist
and Choir Director at Sarah Jane Johnson Memorial United
Methodist Church in Johnson City.
v’amero,
luci care.
vano affetto
é sospirare,
ma i vostri dolci rai
chi vagheggiar pud mai
e non, e non v’amare?
penero,
Violette graziose,
Voi vi state
Vergognose,
Mezzo ascose
Fra Ie foglie,
dear, dear eyes.
Pretty violets,
You are standing
Shy.
Half hidden
Among the leaves,
E sgridate
And you scold
My desires,
That are too ambitious.
Alma del core,
Spirto dell’alma,
Soul of my heart,
Spirit of my soul,
Always contantly will I adore
you!
I will be contented
In my torment
If only I could kiss that beautiful
lip.
Le mie voglie.
Che son troppo ambiziose.
Sempre costante t’adorero!
Saro contento
NeI mio tormento
Se quel bel labbro baciar potro.
�Caro mio ben.
credimi almen.
senza di te
Ianguisce il cor.
My dear beloved.
believe me at least,
without you
my heart languishes.
ll tuo fedel
sospira ognor.
Cessa, crudel.
tanto rigor
Your faithful one
always sighs:
Gia il sole dal Gange
Already. from over the Ganges,
the sun
Sparkles more brightly
And dries every drop
of the dawn, which weeps.
Piu chiaro sfavilla,
E terge ogni stilla
Dell’alba che piange.
Col raggio dorato
Ingemma ogni stello.
E gli astri del cielo
Dipinge nel prato.
Das Wandern
ist des Muller; Lust.
Das Wandern!
Das mull ein schlechter Muller
sein.
Dem niemals fiel das Wandern
cease, cruel one.
so much punishment!
With the gilded ray
It adorns each blade of grass:
And the stars of the sky It paints
in the field.
Das sehn wir auch den Rédern
ab.
Den Radern!
Die gar nicht gerne stille stehn,
Die sich mein Tag nicht mude
drehn.
Die Rader.
Und wollen gar noche schneller
sein, Die Steine.
O Wandern. Wandern, meine
Lust,
O Wandern!
Herr Meister und Frau Meisterin,
LaBt mich in Frieden weiterziehn
Und wandern.
Wohln?
Ich hort ’ ein Bachlein rauschen
Wohl aus dem Felsenquell.
Hinab zum Tale rauschen
So frisch und wunderhell.
The stones!
Oh, wandering. wandering. my
joy.
Oh. wandering!
Oh. Master and Mistress.
Let me continue in peace,
And wander!
I hear a brooklet rushing
Right out of the rock’s spring.
Down there to the valley it
rushes,
So fresh and wondrously bright..
I know not, how I felt this,
Nor did I know who gave me
advice:
I must go down
With my wanderer’s staff.
Hinunter und immer weiter
Und immer dem Bache nach.
Und immer frischer rauschte
Und immer heller der Bach.
Down and always farther,
And always the brook follows
after;
And always rushing crisply,
And always bright is the brook.
It‘s always thinking of its
Ist das denn meine Strafie?
O Béchlein, sprich, wohin?
Du hast mit deinem Rauschen
Mir ganz berauscht den Sinn.
Is this then my road?
7
O, brooklet, speak! where to?
You have with your rushing
Entirely intoxicated my senses.
We see this also with the wheels,
With the wheels!
Was sag ich denn von Rauschen?
Das kann kein Rauschen sein:
Es singen wohl die Nixen
Dort unten ihren Reihn.
But why do I speak of rushing?
That can’t really be rushing:
Perhaps the waternymphs
are singing rounds down there in
the deep.
He must be a miserable miller.
Who never likes to wander.
Wandering!
Das Wandern.
Das Wasser.
Die Steine!
Sie tanzen mit den muntern
The stones themselves, heavy
though they are. The stones!
They join in the cheerful dance,
And want to go yet faster.
Nicht, wer den Rat mir gab,
Ich muBte gleich hinunter
Wandering is the miller’s joy,
Wandering!
ein.
Vom Wasser haben wir’s gelernt,
Vom Wasser!
Das hat nicht Rast bei Tag und
Nacht.
lst stets auf Wanderschaft
bedacht.
Die Steine selbst, so schwer sie
sind.
We’ve learned this from the
water.
From the water!
It does not rest by day or night.
journey,
The water.
They don’t like to stand still.
And turn all day without tiring.
With the wheels.
Ich weiB nicht, wie mir wurde.
Mit meinem Wanderstab.
�Let it sing, my friend. let it rush.
And wander joyously after!
Der Neugierlge
Ich frage keine Blume,
I ask no flower,
1 ask no star:
In each clear brook.
Sie kénnen mir nicht sagen,
Was ich erffihr so gern.
know.
Eine Muhle seh ich blicken
Aus den Erlen heraus,
Durch Rauschen und Singe
Bricht Radergebraus.
I see a mill looking
Out from the alder s:
Through the roaring and singing
Bursts the cla tter of wheels.
Ich bin ja auch kein Gartner.
Ei willkommen. ei willkommen.
Stiller Muhlengesang!
Und das Haus. wie so traulich!
Und die Fenster. wie blank!
Hey, welcome. welcome!
Sweet millsong!
Und die Sonne. wie helle
Von Himmel sie scheint!
Ei. Bachlein. Iiebes Bachlein,
War es also gemeint?
And the sun, how brightly
it shines from Heaven!
Hey, brooklet, dear brook,
Was this, then. what you meant?
Danksagung an den Bach
War es also gemeint,
Was this, then, what you meant.
My rushing friend?
Your singing and your ringing?
LaB singen. Gesell, laB rauschen
Und wandre frohlich nach!
Es gehn ja Muhlenrader
In jedem klaren Bach.
Halt!
Mein rauschender Freund?
Dein Singen. dein Klingen.
War es al so gemeint?
Zur Mullerin hin!
So Iautet der Sinn.
Gelt. hab’ ich’s verstanden?
Zur Mullerin hin!
Hat sie dich geschickt?
Oder hast mich bertickt?
Das mocht ich noch wissen.
Ob sie dich geschickt.
Nun wie’s auch mag sein.
Ich gebe mich drein
Was ich such’, ist gefunden,
Wie’s immer mag sein.
Nach Arbeit ich frug.
Nun hab ich genug
Far die Hande, furs Herze
Vollauf genug!
Millwheels turn
And the house, so comfortable!
And the windows, how clean!
Was this what you meant?
To the Millermaid!
it seems t o say...
Have I understood?
To the Millermaid!
Has she sent you?
Or am I deluding myself?
I would like to know,
Whether she has sent you.
Now. however it may be,
I commit myself!
What I sought. l have found.
However it may be.
After work I ask.
Now have I enough
for my hands and my heart?
Completely enough!
Ids frage keinen Stern.
None of them can tell me,
What I so eagerly w ant to
I am surely not a gardener,
Die Sterne stehn zu hoch:
Mein Bachlein will ich fragen.
The stars stand too high:
My brooklet will I ask,
Whether my heart has lied to
me.
O Bachlein meiner Liebe,
Wie bist du heut so stumm?
Will ja nur eines wissen,
Ein Wortchen um und um.
O brooklet of my love,
Why are you so quiet today?
Ja heith das eine Wortchen,
Das andre heiBet Nein,
Die beiden Wortchen
SchlieBen die ganze Welt m ir ein.
The one little word is “Yes":
The other is “No",
Both these little words
Make up the entire world to me.
O Bachlein meiner Liebe.
Was bist du wunderlich!
Will‘s ja nicht weitersagen,
Sag, Bachlein, liebt sie mich?
O brooklet of my love,
Why are you so strange?
I’ll surely not repeat it:
Tell me, o brooklet, does she
love me
Ob mich mein Herz belog.
I want to know just one thing
One little word again and again.
�I Have A Dream
I have a dream that one day this nation will rise up. and live out the true
meaning of its creed. We hold these truths to be selfevident, that all men
are created equal. I have a dream, that one day on the redhills of
Georgia, sons of former slaves and sons of former slave owners will be
able to sit down together at the table of brotherhood. I have a dream. I
have a dream. that one day, even the state of Mississippi. a state
sweltering with the heat of oppression will be transformed into an oasis
of freedom and justice. I have a dream. That my four little children will
one day live in a nation where they will not be judged by the color of
their skin, but by the content of their character. I have a dream. I have a
dream. That one day right down in Alabama little black boys and black
girls will be able to join hands with little white boys and white girls as
sister’s and brother’s, I have a dream today. That every valley shall be
exalted. and every mountain and hill shall be made low. the rough places
will be made plain and the crooked places will be made straight and the
will of the lord shall be revealed and all flesh shall see it together. This is
our hope. this is our faith. and with this faith we will transform the
jangling discord of our nation. into a beautiful symphony of brotherhood.
with this faith we will be able to work together. pray together. struggle
together. go to jail together. stand up for freedom together. knowing that
we will be free one day the day that all God’s children, will be able to
sing. with new meaning.
My country tis of thee sweet land of liberty of thee I sing, land where my
fathers died. land of the pilgrim’s pride, from every mountain side, let
freedom ring! Let freedom ring! From the prodigious hilltops of New
Hampshire let freedom ring. from the mighty mountains of New York. let
freedom ring! From the high Alleghenies of Pennsylvania let freedom ring.
from the snow capped rockies of Colorado. let freedom ring! From the
curvaceous slopes of California, let freedom ring. Not only that! Let
freedom ring from Iookout mountains of Tennessee, let freedom ring
from every hill and mole hill of Mississippi. from every mountain side, let
freedom ring! When we let freedom ring. when we let it ring from every
village. and every hamlet. from every state and every city, we will speed
up that day. when black men and white men. jews and gentiles,
protestants and catholics, will be able to join hands and sing! Free at last!
Free at last! Thank God almighty! We‘re Free At LAST!!!
Drink to me only with thine eyes
and I will pledge with mine.
Or leave a kiss within the cup and I’ll not ask for wine. The thirst that
from the soul doth rise, and ask the drink divine, but might I of Jove‘s
nectar sup, I would not change for thine.
I sent thee late a rosy wreath, not so much honouring thee
As giving it a hope that there it could not wither be. but thou there on
dids‘st only breathe. and senst it back to me. Since when it grows, and
smells, I swear. Not of itself but thee.
Where the Music comes from
I want to be where the music comes from where the clock stops where its
now. I want to be with the friends around me who have found me. who
show me how. I want to sing to the early morning see the sunlight melt
the snow, and Oh, I want to grow.
I want to wake to the living spirit. here inside me. where it lies. i want to
listen till I can hear it. let it guide me. and realize. that I can go with the
flow unending that is bending that is real. and oh. I want to feel.
I want to walk in the earthly garden far from cities far from fear. I want
to talk to the growing garden. to the devas. to the deer. and to be one
with the breezes blowing. rivers flowing. skies above. And oh. I want to
love.
You’ll never walk alone
When you walk through a storm. keep your chin up high. and don‘t be
afraid of the dark. at the end of the storm is a golden sky, and the sweet
silver song of a lark. Walk on through the wind walk on through the rain,
though your dreams be tossed and blown. walk on. walk on. with hope
in your heart. and you’ll never walk alone. you’ll never walk alone.
Because
Because you come to me. with naught say love. and hold my hands and
lift mine eyes above, a wider world of hope and joy I see, because you
come to me. Because you speak to me in accent sweet. I find the roses
quaking round my feet, and I am led through tears and joy to be. because
you speak to me. Because God made thee mine. I’ll cherish thee through
light and darkness through all time to be. and pray his love. may make
our love divine. Because, God made Thee minell
�Binghamton University Music Department’s
Coming Events
Saturday, April 27 – Faculty Recital: Christopher Morgan Loy – 8:00 p.m. –
Casadesus Recital Hall $6 general public; $3 faculty/staff/seniors; free for
students
Sunday, April 28 – Senior Recital: David Gaita, piano – 7:30 p.m. –
Casadesus Recital Hall – free
Sunday, April 28 – TriCltles Opera presents Mascagni’s “CA VALLERlA
RUSTICANA” and Lacncavallo’s ‘PAGLIACCI" 3:00 p.m. – The Forum Theatre
– call (607) 7720400 for tickets
Tuesday, April 30 – Percussion Ensemble Concert – 8:00 p.m. – Anderson
Center Chamber Hall – $6 general public; $3 iaculty/stali/seniors; free for
students
Wednesday, May 1 – Percussion Recital: Devan Tracy and Andres Castillo
– 8:00 p.m. – Casadesus Recital Hall – free
Thursday, May 2 – MidDay Concert– 1:20 p.m. – Anderson Center Chamber
Hall free
Thursday, May 2 – Opera Scenes – 8:00 p.m. – Anderson Center Chamber Hall
– $6 general public ; $3 laculty/stali/seniors : free for students
Friday, May 3 – Music from the Seminar (Christopher Lay’s Class) –7 p.m. –
Casadesus Recital Hall – free
Saturday, May 4 – Master‘s Recital: Molly AdamsToomey, mezzosoprano
– 8 p.m. – Casadesus Recital Hall – free
Sunday, May 5 – University Symphony Orchestra and Chorus: Schubert’s
“Unfinished Symphony” & Dumflé's “Raqulom"– 3:00 p.m. – Osterhout
Concert Theater – $6 general public; $3 faculty/staff/seniors; free for students
Wednesday, May 8 – Nukporfe A frican Drumming and Dance Ensemble –
7:00 p.m. – Walter’s Theater – $3 general admission at the door
M
M
For tickets or to be added to our email list, visit anderson.binghamton.edu or call
(607) 777ARTSt For a complete list of our concerts call (607) 7772592, visit
music.binghamton.edu or become a fan on Facebook.
E
O
_
f
If you were inspired by this performance, c onsider supporting
[ = ] the Depart ment of Music with a financial gift. Your support helps
to continue the work of students, faculty, and guest artists and
their contributions to our community, Please make your
donation payable to the Binghamton University Music
Department, and send your check to BU Music Department,
P.O. Box 6000. Binghamton, NY 73902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
52:55
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130160">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130160</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital with Brister Hay IV and John Isenberg, April 27, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Bononcini, Scarlatti, Caldara, Giordani, Schubert, Hoiby, Quilter, Rodgers, Hammerstein, d'Hardelot. Held at 3:00 p.m., April 27, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Hay, Brister
Isenberg, John
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-27
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/e50dedc0459dd6d601a6532c84984b32.pdf
84f5d9db8ece66469e66f2a328cb0c03
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TA T E U N l V E R S I ’ Y O F N E W Y O R K
d
e
[4
e
D E P A R T M E N T
B i n g h a m t o n U niver sit y
W i n d S ymphony
presents
TH E
D EVEN E
CQMEDY
DANIEL FABRICIUS, CONDUCTOR
Friday, April 26, 2013
8:00 p.m.
Anderson Center Chamber Hall
�UNIVERSITY WIND SYMPHONY
PROGRAM
Daniel Fabricius, Conductor
PICCOLO
A LT O SAXOPHONE
TROMBONE
Andrea Dewhirst
Devan Kasinki
Veronica A. Mantilla
:
Christopher Murdock
TENOR SAXOPHONE
Kevin Clements
Eric Seaman
Neel Tarikeri
©
Daniel Romberger
EUPHONIUM
H a g ” Dayan
OBOE
Brittany Wilson
J e r e Gran
CLARINET
George Deutsch
Mary McGahay
Erin Annis
BARITONE SAXOPHONE
Philip H. Westcott
Toni Bruno
TRUMPET I
Jason Boniello
Brandon Young
Joshua Golub
Jared Biunno
TUBA
Elliot Bowen
Michael Burgner
PERCUSSION
Emily Goetz
Benjamin Ramos
Alexander Rava
Wesley Roth
Cara Natale
SATIRIC DANCES (1975).
.. Norman Dell Joio
(1913 – 2008)
Vaclav Nelhybel
(1919 – 1996)
CORSICAN LITANY (1976) ..
SALVATION IS CREATED (1912)
Pavel Tschesnokoff
(1882 – 1961 )
Arranged by Bruce H. Houseknecht
GALOP, from the musical comedy, Moscow, Cheremushky (1958)
Dmitri Shostakovich
(1906 – 1975)
Transcribed by Donald Hunsburger
FLUTE o b s
‘Sickie R
Nicole Safran
Stephanie Sheintul
David Mossissey
JooWon Kim
Dii ' n
ana S h
rfz
C wa
BASS CLARINET
Molly Rice
Stephi Verhage
Robert Barley
FRENCH HORN
David Luther
Lauren Corey
Molly O’Brien
Jeffrey Barker
Christopher Beard
Ryan Shumaker
Justin Canaday
Tyler P. Steere
Devan Tracy
Alex Valera
CONDUCTOR
DANIEL FABRICIUS is the newly appointed conductor of the Binghamton University
Wind Symphony. Professor Fabricius has been a member of the music faculty since
1992, serving as percussion instructor for twenty years before accepting this new
ro’INTERMISSIONé
SYMPHONY NO. 1, The Divine Comedy (1995) .. Robert W. Smith
(b. 1958)
1. The Inferno
2. Purgatorio
3. The Ascension
4. Paradiso
appointment. H e holds degrees from Mansfield University and Ithaca College and has
studied conducting with Donald Stanley (Mansfield University), Rodney Winther (Ithaca
College), Stephen Peterson (Ithaca College), Col. Arnald Gabriel (US Air Force), and
Mallory Thompson (Northwestern University). In addition to his duties at BU he also
serves as Director of Bands at Owego Free Academy where he has developed an
outstanding instrumental music program that features a concert band, two jazz bands,
and various chamber music ensembles. He is highly regarded in the region as a
conductor. as a percussion performer, and as a music educator. He has been a
member of the Binghamton Philharmonic percussion section since 1982 but is also
comfortable performing in popular, rock, jazz, and other styles. He has played as a free
lance percussionist, accompanying national touring artists such as Michael W. Smith,
Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers
Brothers, and Ella Fitzgerald. Professor Fabricius has served the New York State
School Music Association as an AllState Percussion adjudicator for many years. He
also serves NYSSMA as the Instrumental Jazz Reviews editor of The School Music
News and is the Jazz Editor for the NYSSMA Manual. In addition to his collegiate work
at BU, he has also served Ithaca College as a consultant, as a member of the Summer
Session faculty, and as a cooperating teacher for over 30 student teachers. He also
serves the Summer Music Academy at Ithaca College as a percussion instructor and
jazz ensemble conductor. He has presented many clinics at music conventions and
conferences and often serves as a guest conductor for honor band festivals.
�Vaclav Nelhybel (1919 ~ 1996) was born the youngest of five children in Polanka.
Czechoslovakia. He studied at Prague University, the University of Frlbourg in Switzerland and at
the Prague Conservatory, beginning his career in 1939 as conductor at Radio Prague. In 1950,
PROGRAM NOTES
SATIRIC DANCES The Town of Concord, Massachusetts wished to make a tangible
recognition of the Bicentennial of April 19, 1775. The commission of Satiric Dances was funded
by the Town of Concord and assistance was given by the Eastern National Park and Monument
Association in cooperation with the National Park Service. Once the band had decided on a
composer,theycouldonlyhopehewouldagreetowriteanewworkforthesmallfeetheyhad
available to pay. Norman Dello Joio accepted the commission and took a special interest in the
project and even attended band rehearsals to offer suggestions on the perfonnance. After the
scheduled performance was rained out, Satiric Dances was premiered on July 17, 1975 at
Minuteman National Park with Norman Dello Joio and his family in attendance. Satiric Dances
was published shortly after the premier. Featuring Mediterranean folk dance influences it has
been one of the bestselling and most performed pieces of the wind band repertoire.
Dello Joio agreed to do the commission but stipulated it would be a piece he had used as
background music fora comedy by Aristophanes. The most famous comic dramatist of ancient
Greece, Anstophanes was born an Athenian citizen about 445 BC. His plays commented on the
political and social issues of fifth century Athens and frequently employed satire. The first dance
movement is annotated as allegro pesante. The brass entry signifies the importance of the work,
but the brisk tempo keeps the simplicity of “peasantry” from being ponderous. Taking a much
slower adagio mesto tempo, the second dance begins with a melancholy tune from the flutes and
low brass. The movement has light and delicate features that are quite exposed. Its central
theme might evoke thoughts of a dance in a meadow that eventually reverts into a more solemn
theme. Without a break in the music, the final movement is introduced by the percussion section.
The tempo is indicated as allegro spumante and is the fastest of the composition. The quick tums
and dynamics evoke images of the objects that were the titles of Aristophanes’ plays: Clouds,
Wasps, and Birds.
CORSICAN LITANY Music has often been used to express emotion. A strong sense of sorrow
and vengeance is evident in Nelhybel’s Corsican Litany, composed in 1976. The composer has
provided some background upon which this work is based:
“In many parts of the world it was once common practice during burial ceremonies to
have professional mourners dramatize the grief of the bereaved by means of loud
and emotional lamentations, repeated endlessly like a chant. In some places, notably
the Meditenanean countries, these laments were actually sung, usually by women
who were skilled in this macabre art and could command pay for their services.“
“Corsican laments, like Corsican deaths, were divided into two types: the ordinary
lamento for death from natural causes, and the vocero if the moumed had been
murdered. The latter then became a song of grief so intense, so filled with pain, that it
could only be assuaged by an act of direst vengeance. The murderer was accused
and identified by name, and the singer solemnly swore to see to it that he who had
murdered would pay for it with his life.”
“Corsican Litany is based on a vocero first known to have been sung in 1775 at the
funeral of a country doctor named Matju who had been murdered by his own patient,
one Natale. The melody is introduced mournfully, but grows steadily in passionate
intensity until an astonishing climax is reached in the final menacing oath of
vengeance.”
he became the first musical director of Radio Free Europe in Munich, Germany. Nelhybel
l
immigrated to the United States in 1957, and became a citizen five years later. He taught at
several schools, including the University of Massachusetts Lowell and the University of Scranton
(PA). where he was composer in residence at the time of his death. The creation of music was a
driving force in Nelhybel’s life. He wrote over 600 compositions, which included orchestral works,
operas, and works for solo, small, and full concert wind ensembles. Nelhybel described
European bands as “just functional marching units.“ In 1962, he received his first exposure to a
concertband.Hewrote:'Thefirstband I heardplayedapiecebyPersichetti.anditwassogood
Iiustcaugttfire. I wasfascinatedwiththepoasibilitiesolmatyoucandowithhalfanacreot
clarineb,halfanacreofflutes,andhalfanacreofpercussionfiolsaidmrhynottryit?ldid,and
itseemedtoopennewueativechannelsin mymind.‘ Itwastheenthusiasrnotthestudentsthat
truly inspired him to compose. His music is complex and exciting; it employs linear counterpoint.
freely dissonant harmonic textures, and forceful rhythms. Notable works for concert band include
Trittico, symphonic Movement. and Processron to the End of Time.
SALVATION IS CREATED Salvation Is Created was one of the very last sacred works
composed by Pavel Tschesnokoff before the oppressive Soviet regime forced him to tum to
secular arts. In 1917, the peasants of Russia started a revolution and ovenhrew the reign of the
tsars. The new form of government that took over established communism. Among the many
changes that resulted was the shutting down of the Russian Orthodox Church. The government
held a great deal of control over the type of music composers could write, and music for the
church was discouraged. Composers wrote sacred music at the risk of being killed or having their
families taken. Tschesnokoff opted to save his family and himself and never wrote another piece
of sacred music. Years after his death communism fell, the Berlin Wall came down and the
Russian Orthodox Church opened its doors again. Salvation Is Created became the unofficial
anthem of the church. Tschesnokofl never heard the piece performed. but his children were
finally able to hear it years later. This piece was originally written as vocal music. The English
translation is: “Salvation is created, in the midst of the earth, 0 God, 0 our God. Alleluia.”
GALOP Admirers of Shostakovich’s dramatic symphonies and concertos are likely to be
unaware that the composer also wrote a very substantial quantity of lighter music as well, never
scorning the possibility of creating a hit song. In his early days he composed incidental music
and songs for many plays and even created a fullfledged operetta in the 1930s. He composed
film music throughout his career as well, for both tragic and comic tales. In 1958 Shostakovich
returned to the operetta for a fullscale threeact work. Moskva, Cheryomushki (the title refers to
a region in the city of Moscow), which opened on January 24, 1959, to substantial success.
Dmitri Shostakovich (1906 1975) studied at the Leningrad Conservatory under Glazunov,
among others. Intemational fame came to Shostakovich at the age of nineteen when his powerful
and mature First Symphony was performed in Leningrad, and later in Moscow. Following this
success, his next works were disappointing and attacked by the Soviet press as a product of
“bourgeois decadence.” Like many Soviet composers, Shostakovioh found himself constantly
under pressure from restrictions imposed by the Soviet musical world with its concem for the
moral and social. rather than the purely aesthetic aspects of music. The musical style of
Shoslakovich remains unbalanced with works containing crude parodies, programmatic devices.
and conventional simplicity countered by works of originality, distinction, and significance.
�THE DIVINE COMEDY Based on Dante Alighieri‘s literary classic of the same name, The
Divine Comedy is the subtitle for Flobert W. Smith’s Symphony No. 1. The story of Dante’s
“The Ascension' The movement begins with Dante on the Mountain of Purgatory. Having been
instructed and purified in Purgatory, he is prepared for his journey to Paradise. Beatrice, his
Paradise and attains a glimpse of the face of God.
to discover wonderful music, the music of the spheres, surrounding them. Swifter than thought,
their flight of incredible speed begins. Dante and Beatrice, accompanied by sounds of wondrous
beauty and intensity, ascend to the Sphere of Fire.
trilogy is basic: One day Dante finds himself lost in a dark wood. Virgil, a character based on a
revered Roman poet, appears and rescues him. Virgil guides Dante to a contemplation of Hell
and Purgatory. Dante, having confessed his faults, and with Beatrice as his guide, is lead into
“The Infemo” Dante’s vision of Hell consists of nine concentric circles divided into four
categories of sin. The principal theme behind the literary work is the concept of symbolic
retribution. In other words, man’s eternal damnation in Hell is directly correlated to the character
and weight of his sins on earth.
Like Dante’s Inferno, the movement is divided into four sections. The opening melodic statement
in the oboe represents the sins of “incontinence.” As Dante finishes his relatively short journey
through the sections of “The Inferno,” he is confronted with the Wall of Dis (the gate of Hell). The
next section is structured around the sins of “violence” with its incredibly intense storms and fiery
sands. The crimes of “ordinary fraud” follow the violent sinners. The composer used the sin of
hypocrisy as visual imagery in the formation of this section of the musical work. Dante describes
the hypocrites as they file endlessly in a circle. clothed in coats of lead, which represent the
weight of the hypocrisy on earth.
The final section of “The Inferno” features the sins of “treacherous fraud.” As Dante enters this
circle of Hell, he hears the dreadful blast of a bugle. “Not even Roland’s horn, which followed on
the sad defeat of Charlemagne had lost his holy army, was as dread as this.” Dante and Virgil
are lowered into the last section of Hell by giants who are constantly pelted with bolts of thunder.
As their journey nears the end, they are confronted with the sight of Dis (Lucifer), whose three
mouths are eternally reading Judas, Brutus. and Cassius. Dante and lfirgil climb down the flanks
of Lucifer, exiting to the other hemisphere and leaving the fiery world of “T he Inferno” behind.
“Purgatorio" Dante, having completed his journey the “The Inferno,” is brought by Virgil to the
shores of the island Mountain of Purgatory in the midst of the southern ocean. The mountain is
comprised of seven terraces, each representing one of the “seven deadly sins.” In each terrace,
sinners are given an appropriate penance which is symbolically tied to their transgressions on
earth. The suffering endured is accepted voluntarily by the spirits in atonement for their sins.
The composer has woven together musical elements which depict each of the sins of the seven
terraces. For example, the sin of the first terrace is “pride.” The souls plod slowly around the
mountain, bowed double by huge rocks on their backs. As the composition develops, the sounds
of lamenting souls, dragging their heavy loads, can be heard against the haunting melody line.
The souls of Purgatory are often musical beings: they express their sensations in songs, hymns,
and psalms. Purgatory is the realm of hope, where the proud, envious, wrathful, slothful,
prodigal (avaricious), gluttonous, and lustful make atone for their sins on earth. As Dante and
Virgil continue up the mountain, they feel a violent quaking at which all of the spirits proclaim
“Gloria in Excelsis Deo!” (Glory to God in the Highest). Dante teams that the quaking signals the
completion of one soul‘s penance, for which all other souls give thanks. The completion of the
penance allows the soul to ascend to “Paradiso” (heaven), taking his or her rightful position in
relation to God.
guide, lifts her eyes toward the sun. Following her example, Dante looks to the sun and is at that
moment transformed (“transhumanized") in preparation for his great adventure. He is surprised
“Paradiso” – Dante has ascended at an incredible speed from the top of the Mountain of
Purgatory to the first sphere of the heavens. He is enamored with the sight of light, growing
brighter and more intense with each sphere of his journey. The composer has called upon mallet
percussion instruments to represent those beams of light. Beginning with a single tone (beam),
the intensity grows with each entrance until we are surrounded by sights of multiple colors and
complexities. As the light engulfs the listener, we are presented with the sounds of joy, peace,
love, and hope...growing ever brighter as the journey through the spheres progresses.
As the listener arrives at the Empyrean (the region of pure light), the “Music of the Spheres,” first
introduced in The Ascension (Movement Ill), is restated in brilliant fashion by the brass section.
The light continues to intensify as the woodwind colors swirl around the brass figures. The sights
and sounds grow even brighter as Dante sees a river of light which transforms into a great rose
at whose center is the wonderful source of the lights. Upon the petals are seated the saints, clad
in the whitest of robes. Angels fly, like swarms of bees, up from the heart of the rose petals, their
faces of living flame, their wings of gold, and their bodies white as the purest snow. Dante looks
to the highest tier, where Mary sits enthroned, surrounded by a thousand angels. Mary is
surrounded by heroines of the Old Testament: Eve, Rachel, Sarah, Rebecca, Judith, and Ruth.
On Mary’s opposite side are the male figures of the Christian era: John the Baptist, St. Francis,
St. Benedict, and St. Augustine, as well as Adam, Peter, Moses and John the Apostle. The
lower tiers of the rose are filled with thousands of infants, purified in their glorious innocence.
With a gracious smile from the Virgin Mary, Dante is permitted the Beatific Vision. He lifts his
eyes toward the heart of the rose. With one blinding light, he recognizes three separate lights in
the form of interlocking circles (a symbol of the Trinity). Within one circle he perceived the dim
image of a human face, a reminder that God, through Christ, lived and still lives as man on earth.
�Binghamton University Music Department’s
Coming Events
M
M
Saturday, April 27 – Master’s Recital: Brister Hay IV, tenor – 3:00 p.m. – Casadesus
Recital Hall – f ree
Saturday, Apri127 – Faculty Recital: Christopher Morgan Loy – 8:00 p.m. – Casadesus
Recital Hall – $6 general public; $3 faculty/staff/seniors; free for students
Sunday, Apri128 – Senior Recital: David Gaita, piano – 7:30 p.m. – Casadesus Recital
Hall – free
Sunday, April 28 – TriCities Opera presents Mascagni’s ”CA VALLERIA RUSTICANA”
and Leoncavallo’s “PAGLIACCI”– 3:00 p.m. – The Forum Theatre – call (607) 7720400
for tickets
Tuesday, April 30 – Percussion Ensemble Concert – 8:00 p.m. – Anderson Center
Chamber Hall – $6 general public; $3 faculty/staff/seniors; free fo r students
Wednesday, May 1 – Percussion Recital: Devan Tracy and Andres Castillo – 8:00 p.m.
– Casadesus Recital Hall – free
Thursday, May 2 – Opera Scenes – 8:00 p.m. –Anderson Center Chamber Hall – 56
general public; $3 faculty/staff/seniors; free for students
Friday, May 3 – Music fr o m the Seminar (Christopher Loy’s Class) – 8:00 p.m. –
Casadesus Recital Hall – f ree
Saturday, May 4 – Master’s Recital: Molly AdamsToomey, mezzosoprano – 8:00
p.m. – Casadesus Recital Hall – free
Sunday, May 5 –University Symphony Orchestra and Chorus: Schubert’s “Unfinished
Symphony” & Duruflé’s ”Requiem” – 3:00 p.m. – Osterhout Concert Theater – 56
general public; $3 faculty/staff/seniors; f ree fo r students
Wednesday, May 8 – Nukporfe African DanceDrumming Ensemble – 7:00 p.m. –
Watter’s Theater – $3 general admission a t the door
m
–
l
—
m
For tickets or to be added to our email list, visit anderson.binghamton.edu or call
(607) 777ARTS. For a complete list of our concerts call (607) 7772592, visit
music.binghamton.edu or become a fan on Facebook.
If you were inspired by this performance, consider supporting the Department of
Music with a financial gift. Your support helps to continue the work of students,
faculty, and guest artists and their contributions t o our community. Please make
your donation payable to the Binghamton University Music Department, and send
your check to BU Music Department, P.O. Box 6000, Binghamton, NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
57:07
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130157">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130157</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton University Wind Symphony presents The Divine Comedy, April 26, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Nelhybel, Chesnokov, Shostakovich, Smith. Held at 8:00 p.m., April 26, 2013, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
University Wind Symphony
Fabricius, Daniel
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-26
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:10:45
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129374">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129374</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joint voice recital with Ricky Nan and Max Rydqvist, May 3, 2014
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schumann, Tosti, Mozart, Schönberg, Rota, Williams, Yi, Liu, Xu. Held at 7:30 p.m., May 3, 2014, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Nan, Ricky
Isenberg, John
Rydqvist, Max
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-5-3
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/f6928e1fcddf8cd9705d065436684c2c.pdf
5e9881dc5baa2fc4e9165289fb429893
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
[4
D
E
P
v w dee
A
R
T
M
JAZZ ENSEMBLE
CONCERT
with jazz pianist Larry Ham
Thursday, April 25, 201 3
8 p.m.
Osterhout Concert Thea ter
E
N
T
�PROGRAM
Second Half with guest a rtist L a r r y H a m
First Half
Program selected from the following:
Program selected from the following:
I Gotta Right to Sing the Blues.
Black Orpheus.
. Harold Arlen
arr. by Sammy Nestico
Blues in the Closet .
In the Mood ..
. Joe Garland
arr. by Jeff Tyzik
Carmelo’s by the Freeway.
Luiz Bonfa
arr. by Eric Richards
Oscar Pertiford
arr. by Mark Taylor
. Bob Florence
J e ff J arvis
Jordu..
Li ’l Darlin ’
.Neal Hefti
Maiden Voyage.
Herbie Hancock
arr. by Erik Morales
Stolen Moments.
. Oliver Nelson
arr. by Paul Jennings
Sister Sadie
This I Dig of You.
Duke Jordan
arr. by Mark Taylor
. Horace Silver
arr. by Michael Abenc
.Hank Moblcy
arr, Mike Tomaro
�Abou t the Guest Artist
Pianist, composer, and arranger La rry Ha m has long been a noted
New York sideman, performing, touring, and recording with many
great jazz artists. More recently he has received international critical
acclaim for his trio CD “Carousel” featuring his own compositions
and arrangements, and a second solo piano release “Just Me, Just
You " on Arbors Jazz Records. Both are available on the “CDs” page.
David Dupont of Cadence Jazz Magazine writes, “He glides over the
keys with each note articulated cleanly...his playing is masterful.”
And Mike Neely in All About Jazz calls him "...a pianist well on his
way to becoming a master.”
La rry began his professional career in the Lionel Hampton
Orchestra in the late ‘80’s. He was pianist in the Illinois Jacquet Big
Band 199095 and has worked extensively with countless other jazz
legends, including the late Junior Cook and Dakota Staton. He has
appeared at jazz festivals, concerts and nightclubs throughout the
United States, Europe, West Africa, and Japan. His recent New
York appearances include Jazz at Lincoln Center, Carnegie Hall,
Iridium, The Village Vanguard, Small’s, The Kitano Hotel, and
Harlem’s historic Lenox Lounge.
His jazz festival performances include the Grande Parade du Jazz in
Nice, France, the North Sea Festival in The Hague, Holland, the
Pori Jazz Festival in Finland, Jazz Yatra in Bombay, India, The
Charlie Parker Festival in New York, the Ottawa Jazz Festival, and at
the Kennedy Center in Washington DC. He also performed at the
White Hou for President Reagan and for President Clinton ’s
1992 Inaugural Ball. La rry appeared in the jazz film “Texas Tenor”
and has been a guest on TV programs including “The Today Show”
(NBC) “Breakfast Time” (FX) and has been featured on NPR
programs such as “Jazz Set with Dee Dee Bridgewater” and on Judy
Carmichael’s “Jazz I nspired.”
As a United States Department of State Jazz Ambassador, Larry
toured eleven West African nations in 200102 in a cultural
exchange program, performing in concert, and conducting
workshops on the art of playing jazz. From 200205 he was pianist
and musical director for the New York Tapdance Festival, also
touring the United States and Russia, Greece and Italy.
During the past few years he hat toured extensively in the US, and
performed in Japan, Canada, Germany, Poland, England,
Switzerland, Austria and France. In 2007, he appeared at the
Kennedy Center and a t Zankel Hall (Carnegie Hall) with Catherine
Russell, and in Prague, in the Czech Republic. Recent festival
appearances include The Montreal Jazz Festival, The Rochester Jazz
Festival, The Cape Cod Jazz Festival, the New Jersey Jazz Fest, and a
performance for The West Texas Jazz Society.
Larry earned a BA in Musical Studies from the Crane School of
Music at SUNY Potsdam, a nd an MA in Jazz Performance from the
Aaron Copland School of Music at Queens College in New York
City. He is currently an Adjunct Professor at Dutche.. Community
College in Poughkeepsie, NY, teaching Jazz Piano, Jazz History, and
I mprovisation.
�Harpur Jazz Ensemble Sgring 2013
SAXOPHONE
Stephi Verhage
Darin Mihalik
Ray Hendricks
Chris Angyal
Danielle Stoner
Bob Pompi
1 “ a lto
2 ” alto
1 ” tenor
2 ” tenor
Baritone
Baritone
TRUM PETS
M a r k Adler
Brandon Young
Ryan Ginsburg
Richard Ba rley
Timothy Clement
T ROM BONES
Mo “ Reese ” Taylor
Ryan Meehan
Patrick McGrath
Andrew Rosenberger
1 GUITAR
Rya n Kelly
Trenton Stafford
1
‘ PIANO
William Sa nders
[
/ BASS
J Lucas Hennessey
1 J e re my Raphael
E DRUM SET
n A nd res Castillo
F LUT E
Weijie Zhao
'
1 C LARINET
E M arcella Green
[
�Binghamt on University M usic Department ’s
Co m i ng E ven t s
Friday, April 26 Flute Studio and Flute Chamber Concert – 10:15 a.m.
Casadesus Recital Hall free
Friday, April 26 – Wind Symphony Concert: “The Divine Comedy ” –
8:00 p. m. – Anderson Center Chamber Hall – S 6 general public; $3
faculty/staft/seniors; free for students
Friday, April 26 – TriCities Opera presents Mascagni’s “CA VALLER/A
:00 p.m. – The Forum
/ " 8
RUS77CANA " and Leoncavallo'’s “PAGLIA CC
Theatre – call (607) 7720400 for tickets
Saturday, April 27 – Master’s Rea’tal: 8r7’ster Hay IV, tenor 3:00 p. m.
C asadesus Recital Hall – free
Saturday, April 27 – Faculty Recital: Christopher Morgan Loy – 8:00 p.m.
– C asadesus Recital Hall – S 6 general public: $3 faculty/staft/seniors; free
for students
Sunday, April 28 – Senior Recital: David Gaita, piano – 7:30 p. m. –
C asadesus Recital Hall – free
Sunday, April 28 – TriCities Opera presents Mascagni’s “ CA V ALLERIA
/ " 3 :00 p.m. – The Forum
RUST ICANA " and leonca val/o ‘s “PA Gl/A CC
Theatre – call (607) 7720400 for tickets
Tuesday. April 30 – Percussion Ensemble Concert 8:00 p.m. Anderson
Center Chamber Hall – $6 general public: $3 faculty/staff/seniors; free for
students
Wednesday. May I – Percussion Rea’tal: Devan Tracy and Andres Castillo
– 8:00 p. m. – C asadesus Recital Hall – free
m
m
m
m
m
m
For tickets or to be added to our email list, visit anderson.binghamton.edu or call (60 7)
7 7 7ARTS. For a complete list of our concerts call (60 7) 7772592, visit
music.binghamton.edu or become a fan on Facebook.
_
E
I f you were inspired by this performance, consider supporting the
Department of Music with a financial gi ft. Your support helps to
continue the work of students, faculty, and guest artists and their
contributions to our community. Please make your donation
payable to the Binghamton University Music Department, and
send your check to B U Music Department, P.O. Box 6 000,
Binghamton, N Y 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:02:01
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129371">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129371</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mid-day concert featuring jazz pianist Larry Ham, April 25, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Ham, Young, Greer, Romberg, Hammerstein. Held at 1:20 p.m., April 25, 2013, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Ham, Larry
Hamme, Al
Carbone, Mike
Marino, Tony
Roma, Joe
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-25
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/3530b797edc756f5df63ee2c3b02dceb.pdf
0435f4c7d34a7f8b9f45755fbbf63e47
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
W
[4
0
D E P A R T M E N T
S TUDEN T RECI TAL
SUNGKYUN RYU, PIANO
Saturday, April 20, 2013
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
..J.S. Bach
(16851750)
Prelude and Fugue in C. BUl/V848............
from Well Tempered Clavier Bo ok 1
Etude in C. Op. 10, no. I..
Nocturne in Dflat, Op. 27, no. 2
Ballade in F, Op. 38
Piano Sonata in F minor, Op. 57..
“Appassionata”
.. Frédéric Chopin
(18101849)
.. Ludwig v an Beethoven
Allegro as sai
Andante con moto
Allegro ma non troppo Presto
(17701827)
~–Please do not applause in between pieceses
From the studio of Michael Salmirs
�Binghamton University Music Department?
Coming Events
firfi–firbfifirbfiranéraefiéfifiéefiéofirae
Saturday, April 20 –Senior Redtal: Sungkyun Ryu, piano – 8:00 p.m.
Casadesus Recital H all – free
Sunday, April 21 – Mu Phi Epsilon Concert – 3:00 p.m. Casadesus
Recital Hall – free
Thursday, April 25 – Jazz MidDay Concert with jazz pianist Larry Ham
1:20 p.m. – Osterhout Concert Theater – free
Thursday, April 25 – Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham – 8:00 p.m. – Osterhout Concert Theater – $6 general public: $3
faculty/staft/seniors; free for students
Friday, April 26 – Flute Studio and Flute Chamber Concert – 10:15 a.m. –
Casadesus Recital Hall free
medy” –
Friday, April 26 – Wind Symphony Concert: “The Divine Co
8:00 p.m. – Anderson Center Chamber Hall – $6 general public; $3
faculty/staff/seniors; free for students
Friday, April 26 – TriCities Opera presents Mascagn i ’s “CA VALLERIA
I " – 8:00 p.m. – The Forum
RUST ICANA " and Leoncavallo’s “PA GL IA CC
Theatre – call (607) 7720400 for tickets
Saturday. April 27 – Master’s Recital: Brister Hay IV, tenor – 3:00 p.m. –
Casadesus Recital Hall – free
Saturday, April 27 – Faculty Recital: Christopher Morgan Loy – 8:00 p.m.
– Casadesus Recital Hall – $6 general public; $3 faculty/staft/seniors; free
for students
666r36f3’mc3’6r36Mr56r3’
For tickets or to be added to our email list, visit anderson.binghamton.edu or call
(607) 777ARTS. For a complete list of our concerts call (607) 7772592, visit
music. binghamton. edu or become a fan on Facebook.
_
]
[ = = [wm]
If you were inspired by this performance. consider
supporting the Department of Music with a financial gift.
Your support helps to continue the work of students.
faculty, and guest artists and their contributions to our
[=]¢
community. Please make your donation payable to the
Binghamton University Music Department, and send your
check to BU Music Department, P.O. Box 6000.
Binghamton. NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
41:43
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129102">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129102</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sungkyun Ryu, student recital, April 20, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Bach, Chopin, Beethoven. Held at 8:00 p.m., April 20, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Ryu, Sungkyun
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-20
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/d9978f277c27d7c0fa1ace88396e03d4.pdf
f4485383059bc2d22a11b90b45ee0844
PDF Text
Text
BINGHAMTON
UNIV ERSIT Y
STATE UNIVERS I TY O F NEW YORK
D
E P A
R T
M
E N
STRING
ORCHESTRA
CONCERT
Directed by Heather Worden
Friday, April 19, 2013
4p.m.
Grand Corridor
T
�PROGRAM
Dobra, Dobra .............................................. ... ..... arr. by H. Worden
Symphony No. 1 for Strings ......................... ... ........... .Jeff Manookian
BRIEF
PAUSE
Game of Thrones Theme ............................. ........ ..... arr. H. Worden
Pavane pour un Infante Defunte ... .......... .... ........ ...... .. Maurice Ravel
arr. by Jeff Mookian
Viva La Vida ...... ......... .. .. ...... ............ .. .... ............................ Cold play
arr. Sebastia Salvà
�MEMBERS OF THE STRING ORCHESTRA
Directed by Heather Worden
Violins
Won Jae Lee, principal
Fanny Chu
Henry Savit
Trey James
Wesley Ha, principal
Julia Kenny
Kimberly Griffin
Ron Miles+
Caleb Chang
In the String Orchestra we
alternate the violins between
first and second parts with each
piece. This gives every player
the challenge of playing lead
parts.
#Community member
+Binghamton University Faculty
Violas
Tom Fuchs, co-principal
Tamera Raysor, coprincipal
Alison Tuck
Cellos
Ryan Ference, principal
Danielle Koontz
Raeleen Bichler
Dae Young Jung+
Dennis McGee+
Basses
Nicholas Hoyos
Tim Roossien#
�Binghamton University Music Department's
Coming Events
Saturday, April 20 -Senior Recital: Sungkyun Ryu, piano - 8:00 p.m. Casadesus Recital Hall - free
.Sunday, April 21-Mu Phi Epsilon Concert- 3:00 p.m. - Casadesus
Recital Hall - free
Thursday, April 25 - Jazz Mid-Day Concert with jazz pianist Larry Ham 1:20 p.m. - Osterhout Concert Theater- free
Thursday, April 25 - Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham - 8:00 p.m. - Osterhout Concert Theater - $6 general public; $3
faculty/staff/ seniors; free for students
Friday, April 26- Flute Studio and Flute Chamber Concert- 10:15 a.m. Casadesus Recital Hall - free
Friday, April 26 - Wind Symphony Concert: ''The Divine Comedy" 8:00 p.m. -Anderson Center Chamber Hall - $6 general public; $3
faculty/staff/ seniors; free for students
Friday, April 26- Tri-Cities Opera presents Mascagni's "CAVALLERIA
RUST/CANA " and Leoncavallo's "PAGL/ACC /"- 8:00 p.m. - The Forum
Theatre - call (607) 772-0400 for tickets
Saturday, April 27 -Master's Recital: Brister Hay IV, tenor- 3:00 p .m. Casadesus Recital Hall - free
Saturday, April 27 - Faculty Recital: Christopher Morgan Loy- 8:00 p.m.
- Casadesus Recital Hall - $6 general public; $3 faculty/staff/ seniors; free
for students
For tickets or to be added to our email list, visit anderson.bin ghamton.edu or call
(607) 777-ARTS. For a complete list of our concerts call (607) 777-2592, visit
music.bingha mton.edu or become a fan on Facebook.
If you were inspired by this performance, consider
supporting the Department of Music with a financial gift.
Your support helps to continue the work of students,
faculty, and guest artists and their contributions to our
community. Please make your donation payable to the
Binghamton University Music Department, and send your
check to BU Music Department, P.O. Box 6000,
Binghamton, NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
22:12
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129099">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129099</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
String Orchestra concert, April 19, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Manookian, Ravel. Held at 4:00 p.m., April 19, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Worden, Heather
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-19
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/99e69f164e6c459bdbbafe99ecb0a313.pdf
6490d91bab189a75fe7539aec6ba849c
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N l V E R S I T Y O F N E W Y O R K
[4
2 d EeC
D E P A R T M E N T
/
«
LL
d
vs
Se g a
,
{
p”
) » B e E
v
Py J " , bn
., 1.” ~ V a t s
l
,
7
1 . ) “ ( 9 3 t ; , . ' 1 * . ’ ?
. « i v y " * '
MIDDAY
CONCERT
Thursday, April 1 8, 2013
1:20 p.m.
‘ '.
W
a
Casadesus Recital Hall
�PROGRAM
Six Studies in English Folk Song .
Ralph Vaughan Williams
I. Adagio
Il. Andante sostenuto
(1 872 1958)
V. Andante tranquillo
VI. Allegro vivace
Joo Won Kim, clarinet
Margaret Reitz. piano
Ricky Nan. tenor
John Isenberg, piano
..Franz Liszt
(18111886)
GiI Cohen, piano
The Green Hills of Somerset.
. Eric Coates
(18861957)
Mister Snow. from C AROUSEL (1945).... Richard Rogers (19021979)
and Oscar Hammerstein Jr. (18951960)
Elizabeth Keyes, soprano
William James Lawson. piano
Edouard Lalo
(18321892)
.. Benjamin Britten
(19131976)
The Choirmaster’s Burial..
Cole Harrison Tornberg, tenor
William James Lawson, piano
. Leonard Bernstein
Duets from WEST SIDE STORY (1957).
(1918 1990)
One hand. one heart
Tonight
Christina Santa Maria, soprano
Un sospiro (A Sigh).
Vainement, ma bienaimée. from LE ROI D’YS
Als Luise die Briefe, K.520
. Wolfgang Amadeus Mozart
Ridente la calma. K.210a.
. Wolfgang Amadeus Mozart
(17561791)
(17561791)
. Wolfgang Amadeus Mozart
(17561791)
Kerianna Krebushevski, soprano
Willliam James Lawson. piano
Vado, ma dove?. K.583
.Edvard Grieg
Six Songs, Op. 48
Gruss
Dereinst. Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
Molly AdamsToomey, mezzosoprano
William James Lawson, piano
(1 8431907)
�Binghamton University Music Department’s
m
Coming Events
m
m
m
m
m
Friday, April 19 – String Orchestra Concert– 4:00 p.m. – Grand Corridor
— free
Saturday, April 20 Senior Recital: Sungkyun Ryu, piano – 8:00 p.m. –
Casadesus Recital Hall – free
Sunday, April 21 – Mu Phi Epsilon Concert – 3:00 p.m. – Casadesus
Recital Hall – free
Thursday, April 25 – Jazz MidDay Concert with jazz pianist Larry Ham –
1:20 p.m. – Osterhout Concert Theater – free
Thursday, April 25 – Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham – 8:00 p.m. – Osterhout Concert Theater – $6 general public: $3
faculty/staft/seniors; free for students
Friday, April 26 – Flute Studio and Flute Chamber Concert – 10:15 a.m. –
Casadesus Recital Hall ~f ree
Friday, April 26 – Wind Symphony Concert: “The Divine Comedy” –
8:00 p.m. – Anderson C en fer Chamber Ha ll – $6 general public: $3
faculty/staft/seniors; free for students
Friday. April 26 – TriCities Opera presents Mascagn i’ s “CA VALLERIA
A GL/AC Cl ”– 8:00 p.m. – The Forum
R UST lCANA " and Leoncavallo’s “ I P
Theatre – call (607) 7720400 for tickets
Saturday, April 27 – Master’s Recital: Brister Hay IV, tenor – 3:00 p.m. –
Casadesus Recital Hall – free
Saturday. April 27 – Faculty Recital: Christopher Morgan Loy – 8:00 p.m.
– C asadesus Recital Hall – $6 general public: $3 faculty/staff/seniors; free
for students
m
E
[=l¢
m
m
m
m
m
For tickets or to be added to our email list. visit
anderson.binghamton.edu or call (607) 777ARTS. For a
complete list of our concerts call (607) 7772592. visit
music.binghamton.edu or become a fan on Facebook.
I f you were inspired by this performance, consider supporting
the Department of Music with a financial gift. Your support
helps to continue the work of students faculty, and guest artists and their
contributions to our community. Please make your donation payable to the
Binghamton University Music Department. and send your check to BU Music
Department. P.O. Box 6000. Binghamtan. N Y 1 3902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
54:34
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129096">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129096</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mid-day concert, Thursday, April 18, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Williams, Bernstein, Liszt, Coates, Rodgers, Hammerstein, Lalo, Britten, Mozart, Grieg. Held at 1:20 p.m., April 18, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Kim, Joo Won
Reitz, Margaret
Santa Maria, Christina
Nan, Ricky
Isenberg, John
Cohen, Gil
Keyes, Elizabeth
Lawson, William James
Tornberg, Cole Harrison
Krebushevski, Kerianna
Adams-Toomey, Molly
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-18
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/56f871e36e2bdea29909fcc567e127bc.pdf
0d5931a8a0039cb0716f6f5989bc9f49
PDF Text
Text
BINGHAMTON
‘ U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
W
[4
0
D E P A R T M E N T
String students from the
Studio Lesson and Chamber Music
program present
STRING FEVER
Assisted by Margaret R eitz, piano
Tuesday, April 16, 2013
8 p.m.
Casadesus Recital Hall
�PROGRAM
Variations on Lo, How a rose ‘ere Blooming.
for solo cello
Paul Watrobski, cello
.Mark Summer
(b. 1963)
DMO for cello quartet .
with energy
. Shirl Jae Atwell
Paul Watrobski
Eric Wuu
Andew Card
Xander Edwards
Concerto for Violin. Op. 14
Emily Sui, violin
Margaret Reitz. piano
Salmacis. A Tale of Unrequited Love
Dance of Salmacis and Hermaphroditus
Transformation and Finale
.Samuel Barber
(19101981)
Teasing Song #26
Burlesque #16
Mosquito Dance #22
Santino DeAngelo
(b. 1990)
Eric Wuu, cello
Margaret Reitz. piano
. Bela Bartok
Duos for Two Violins, Sz. 98..
(18811845)
Rebecca Sgroi
Na ta lie Bock
Sorrow #28
Ife Samms
Nicholas Thompson
Baal Shem: Three Pictures from Hassidic Life .
Nigun (Improvisation)
Eleanor Krasner, violin
Margaret Reitz. piano
Sonata in E minor, Op. 38 ..
for cello and piano
Allegro non troppo
'
Xander Fdwards, cello
Margaret Reitz. piano
.Ernest Bloch
(18801959)
. Johannes Brahms
(1 8331 897)
Ruthenian Kolomeika #35
Eleanor Kramer
Joseph Vanderpool
Pillow Dance #1 4
Bagpipes #36
BU String Studios Violin Ensemble
.arr. Natalie Bock
Celtic Medley..
BU String Studios Ensemble
zolNTERMlSSIONos
�MEMBERS OF THE BU STRING STUDIO
AND CHAMBER MUSIC PROGRAM
Violins
Violas
Natalie Bock
Nathaniel Christman
Fanny Chu
Wesley Ha
Sara Kohtz
Eleanor Krasner
Jillian Chen
Harrison Dulin
Tom Fuchs
Ethan Schaber
Tamera Raysor
Kaila Umbach
Jingwei Li
Gabrielle Maire
Cellos
Andrew Card
WonJae Lee
Jiwon Namm
Jaclyn Podd
Xander Edwards
Deborah Mariottini
Emily Sui
Eric Wuu
Ife Samms
Rebecca Sgroi
Nicholas Thompson
Joseph Vanderpool
Kelly Mercer
Paul Watrobski
Basses
Robert Durante
Evan Flury
Lucas Hennessey
Nicholas Hoyos
From the studios of Roberta Crawford,
Stephen S talker, Janey Choi and Peter Rovit
If you were inspired by this performance, consider
s upporting the Department of Music with a financial gift.
Your support helps to continue the work of students.
faculty, and guest artists and their contributions to our
community. Please make your donation payable to the
[=]¢
Binghamton University Music Department, and send your
check to BU Music Department, P.O. Box 6000, Binghamton. NY 13902.
a.
– p
[uw] “ E
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:04:12
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145267">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145267</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
String students from the Studio Lesson and Chamber music Program present String Fever, April 16, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Summer, Barber, DeAngelo, Bloch, Brahms, Bartók. Held at 8:00 p.m., April 16, 2016, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Reitz, Margaret
Watrobski, Paul
Sui, Emily
Reitz, Margaret
Wuu, Eric
Krasner, Eleanor
Edwards, Xander
Card, Andrew
Sgroi, Rebecca
Bock, Natalie
Samms, Ife
Thompson, Nicholas
Vanderpool, Joseph
BU String Studios Violin Ensemble
BU String Studios Ensemble
Members of the BU String Studio and Chamber Music Program
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-16
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/23107c56c645d5e16e9610757d133f1d.pdf
e452b0bc62cd98da4dec88c2134d810d
PDF Text
Text
BINGHAMTON
UN I V ER S IT Y
STATE UNIVERSITY OF NEW YORK
,,
usic
D E P A R T M E N T
MASTER'S RECITAL
Charles Hyland, baritone
John Isenberg, piano
Sunday. April, 14, 2013
7:30 p.m.
Casadesus Recital Hall
�PROGRAM
My Home Town ............................................................. Tom Lehrer
The Masochism Tango
(b. 1928)
I Hold your Hand in Mine
lch habe genug, BWV 82 .................................................... .J.S. Bach
(1685-1750)
Che imbarazzo è mai questo ... Crudel, perchè finora .....W.A. Mozart
from Le nozze di Figaro, Act Ill
(1756-1791)
Kathleen Jasinskas, soprano
Hai già vinta la causa ... Vedrò mentr'io sospiro
INTERMISSION
Im Walde (Waldesnacht), D. 708 ............................... Franz Schubert
(1797-1828)
Danse macabre ....................................................Camille Saint-Saens
(1835-1921)
Three Macabre Songs .................................................... Kyle Gullings
I. To One in Paradise
(b. 1983)
II. Sonnet - Silence
Ill. The Conqueror Worm
�ABOUT THE PERFORMERS
CHARLES HYLAND, Baritone, is currently pursuing a Master of Music in
Opera at Binghamton University, and also sings regularly with the TriCities Opera. Over the past two years, Charles has sung the roles of
Schaunard in La bohème (TCO), Papageno in Die Zauberflote (TCO),
Yamadori in Madama Butterfly (TCO), the Father in Hänsel and Crete!
(BU), and Melchior in Amahl and the Night Visitors (BU), as well as
performing as a Studio Artist with Central City Opera in Colorado. Other
previous roles include Masetto in Don Giovanni (Prelude to
Performance, Martina Arroyo Foundation), Figaro in Le nozze di Figaro
and Dr. Falke in Die Fledermaus (Catholic University of America). as well
as Haly in L 'italiana in Algeri and Lorenzo in / Capuleti e i Montecchi (Bel
Cantanti Opera). He has also appeared as the baritone soloist in several
oratorios and choral works, including Mozart's Requiem, Dubois' The
Seven Last Words of Christ, and Vaughan Williams' Five Mystical Songs.
This past March, Charles competed in the Eastern Region NATS (National
Association of Teachers of Singing) competition and placed first in the
Advanced Lower category. After graduation, Charles plans to spend most
of his time rocking back and forth in a fetal position and wondering why
he ever left the protective cocoon of academia.
JOHN ISENBERG, a native of Endicott, NY, holds a Bachelor's Degree in
Music and a Master's Degree in Italian Literature from Binghamton
University. He performs many different musical genres including Opera,
Gilbert and Sullivan, classical Art Song, Broadway, Celtic, Rock, and
many styles of sacred music. For 11 years, John worked for the Tri-Cities
Opera .in Binghamton, NY, first as Accompanist. then later as Education
Outreach Coordinator and Chorus Master. As part of Opera-Go-Round
touring program, he organized over 300 performances and accompanied
over 500 performances throughout New York State and northern
Pennsylvania. John has played for WSKG radio broadcasts of numerous
Opera/ague preview performances including Puccini's Madama Butterfly,
Donizetti's Lucia di Lammermoor and Mozart's The Magic Flute. He has
worked with various other groups in the Binghamton area, including the
Madrigal Choir of Binghamton, the Binghamton Downtown Singers and
SRO Productions. John is also the Organist/Pianist and Choir Director at
Sarah Jane Johnson Memorial United Methodist Church in Johnson City.
�TRANSi.ATIONS
lch habe genug
l have enough!
I have taken the Savior, the hope of the faithful, into my yearning
arms!
I have seen him!
My faith has pressed Jesus to my heart!
Now, even on this day, I wish to depart from here with joy!
Le nozze di Figaro, Act Ill
Count: What an embarrassment! An anonymous letter, the maid
locked in the closet, the Countess confused, a man who jumps
from the balcony into the garden, and another man who claims to
be that one - l don't know what to think! And Susanna ... who
knows if she has already betrayed my secret? If she has told
anyone, I'll make Figaro marry the old woman!
Susanna: (Marcellina!) My lord!
Count: What do you want?
Susanna: You appear to be angry...
Count: Do you want something?
Susanna: My lord, your wife has the vapors again, and she's asking
for her jar of smelling salts.
Count: Take it.
Susanna: I'll bring it right back!
Count: No - you can keep it for yourself.
Susanna: For myself? The vapors aren't an affliction of low-born
women.
Count: A woman in love, who loses her dear husband at the very
moment of gaining him ... ?
Susanna: But if I were to pay off Marcellina with the dowry you
promised me?
Count: l promised you? When?
Susanna: l thought we had come to an understanding ...
Count: Yes, but only if you wanted to "understand" me yourself.
Susanna: It'smy duty - and it pleases me to do whatever your
lordship wishes.
Count: Cruel girl! Why have you made me languish like this until
now?
Susanna: My lord, a woman always needs some time before she
says "yes."
Count: So you'll come to the garden?
�Susanna: If it pleases you, I'll come.
Count: And you won't leave me waiting?
Susanna: I won't leave you waiting.
Count: I feel so happy; my heart is filled with joy!
Susanna: [aside] Forgive me for lying, all you who understand
love!
Count: But the Countess will be needing her smelling salts ...
Susanna: That was only a pretext; l couldn't have spoken to you
without one.
Count: Dearest!
Susanna: Someone's coming!
Count: [aside] She belongs to me and no other!
Susanna: [aside]Wipe away that smile, shrewd master.
Figaro: Hey, Susanna -where are you going?
Susanna: Quiet! You've just won your case without needing a
lawyer!
Figaro: What's happened?
Count: "You've just won your case!" What do I hear? Into what
trap have l fallen? Liars! I want to punish you in such ways - your
sentence will be at my pleasure! But if they've paid off the old
woman ... Paid her? In what way? And then there's Antonio, who
will refuse to let his niece marry a man of questionable birth like
Figaro! Nurturing the pride of that imbecile ... everything lends
itself to my trick! The blow has been struck!
Count: Shall l see my servant happy while l sigh? And should he
possess a love which I desire in vain? Shall I see the woman who
has aroused an unrequited passion in me become united by the
hand of love to a base-born thing? Ah, no - I refuse to leave this
happy man in peace! Audacious one, you were not born to
torment me and possibly even to laugh at my unhappiness! The
mere hope of revenge already consoles my heart and makes me
rejoice!
Im Walde (Waldesnacht)
The whispering of the wind, the wings of God,
Deep in the cool night of the forest!
As the hero leaps into the S?}ddle of his steed,
So does the power of thought soar.
As the old evergreens rustle,
So do we hear the surging spirit roar.
�Wonderful is the gleaming of fire
In the red light of morning's radiance.
Or the lightning which illuminates the fields.
Often the harbinger of death.
The flame quickly flickers and blazes,
As if called upward to God.
The eternal murmuring of gentle springs
Conjures flowers forth from woe,
But amid the waving linden trees,
Enticing pain strikes us in the heart:
The spirit is pulled far away,
Through the waves which beckon to us.
Life longs to cast off its shroud.
The wild struggle of powerful desires
Becomes the most beautiful fullness of love,
Eased by the breath of the spirit.
We feel the wafting of creative airs
Spread throughout our souls.
The whispering of the wind, the wings of God,
Deep in the dark night of the forest!
With all its reins released.
The power of thought soars.
We listen without fear
As the song of the spirits rings in the air.
Danse macabre
Zig, zig. zag! Death. in rhythm,
Is striking a tomb with his heel.
Death plays a dance tune a midnight,
Zig. zig, zag, on his violin.
The winter wind blows and the night is dark,
Groans drift out of the linden trees;
White skeletons move through the darkness,
Running and leaping beneath their great shrouds.
�Zig, zig, zag! Each one dances about,
You can hear the bones of the dancers rattling,
A lustful couple sits down on the moss,
As if to savor long-lost pleasures.
Zig, zig, zag! Death continues
To endlessly scrape on his shrill instrument.
A veil has fallen! The dancer is nude!
Her partner grasps her amorously.
The lady is, they say, a marquise or baroness,
And her green admirer a poor wheelwright Horror! And see how she gives herself to him,
As if the boor were a baron!
Zig, zig, zag! What a sarabande!
What circles of the dead offering their hands!
Zig, zig. zag! One can see among the group
A king frolicking with a serf!
But hush! All of a sudden, they abandon the ronde,
They move aside, they flee; the cock has crowed.
Oh! What a beautiful night for the poor world!
And long live death and equality!
�Binghamton University Music Department's
Coming Events
Tuesday, April 16 - String Fever (String Classes and Studio String Recital) 8:00 p.m. - Casadesus Recital Hall - free
Thursday, April 18 - Mid-Day Concert - 1:20 p.m. - Casadesus Recital
Hall-free
Friday, April 19-String Orchestra Concert- 4:00 p .m. - Grand Corridor
-free
Saturday, April 20 -Senior Redtal: Sungkyun Ryu, piano - 8:00 p.m. Casadesus Recital Ha/I-free
Sunday, April 21- Mu Phi Epsilon Concert - 3:00 p.m. - Casadesus
Recital Hall- free
Thursday, April 25 -Jazz Mid-Day Concert with jazz pianist Larry Ham 1:20 p.m. - Osterhout Concert Theater- free
Thursday, April 25 - Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham - 8:00 p.m. - Osterhout Concert Theater - $6 general public; $3
faculty/staff/seniors; free for students
Friday, April 26 - Flute Studio and Flute Chamber Concert- 10:15 a.m. Casadesus Recital- free
Friday, April 26 -Wind Symphony Concert: "The Divine Comedy" 8:00 p.m. - Anderson Center Chamber Hall - $6 general public; $3
faculty/staff/seniors; free for students
Friday, April 26 -Tri-Cities Opera presents Mascagni's "CAVALLERIA
RUSTICANA" and Leoncavallo's "PAGLIACCI" - 8:00 p.m. - The Forum
Theatre - call (607) 772-0400 for tickets
For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607)
777-ARTS. For a complete list of our concerts call (607) 777-2592, visit
music.binghamton.edu or become a fan on Facebook.
If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to
continue the work of students, faculty, and guest artists and their
contributions to our community. Please make your donation payable
to the Binghamton University Music Department, and send your check
to BU Music Department, P. 0. Box 6000, Binghamton, NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
57:33
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129071">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129071</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital with Charles Hyland, April 14, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Lehrer, Bach, Mozart, Schubert, Saint-Saëns, Gullings. Held at 7:30 p.m., April 14, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Hyland, Charles
Isenberg, John
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/3b41b8a4c0904678c96f85495a161301.pdf
3e0f13286d564275297fbbc62354988f
PDF Text
Text
BINGHAMTON
U N I V E R S l T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
7
%
D E P A R T M E N T
MASTE R’S REClTAL
MARIO EUN HWAN BAE, TENOR
JOHN ISENBERG, PIANO
Sunday, April, 7, 2073
7:30 p.m.
Casadesus Recital Hall
�ABOUT THE PERFORMERS
PROGRAM
MARIO EUN HWAN BAE, tenor, is from Busan, South Korea
currently studying at Binghamton University for his MM
.. Francesco Paolo Tosti
Non t‘amo piu.
(18481916)
Ideale
Segreto
Ich trage meine Minne..
'
Allerseelen
Heimliche Aufforderung
Zueignung
La donna & mobile.
from Rigoletto
.
;
. Richard Strauss
(18641949)
. Giuseppe Verdi
(18131901)
Extase
Le Manoir de Rosemonde
A cycle of Life
Prelude
Down in the forest (Spring)
Love I have won you (Summer)
The winds are calling (Autumn)
Drift down, drift down (Winter)
in Vocal Performance at Yonsei University in Seoul, Korea
and his BM at The Korea National University of Arts in Seoul.
Korea. He has performed with TriCities Opera as “First
Priest/Armored Guard” in The Magic Flute. “Arturo” in Lucia
di Lammermoor and “Rodolfo” in La Boheme. Other
appearances include: KEPCO Art Center, Seoul, Korea;
“Alfred” in Die Fledermau, Seoul Opera: “Matteus” in Hamel
e Sanhong. Sejong Center; The Night of Opera and Aria
(Highlight); “Alfredo” in La Traviata. Zenus Opera:
“Roderigo” in Otello, Sejong Center; Summer Classic Series, 3
Tenor Concert, Seoul Metropolitan C horus: and performed as
a soloist with Prime Philharmonic Orchestra in 30th
Anniversary of Concert.
JOHN ISENBERG. a native of Endicott. NY, holds a
Bachelor’s Degree in Music and a Master‘s Degree in Italian
wlNTERM/SSIONCJ
Lamento.
Opera degree in Vocal Performance. He has received an MM
Literature from Binghamton Univer sity. He performs many
different musical genres including Opera. Gilbert and Sullivan.
. Henri Duparc
(18481933)
. Sir Landon Ronald
(18731938)
classical Art Song, Broadway, Celtic, Rock, and many styles of
sacred music. For 11 years, John worked for the TriCities
Opera in Binghamton, NY, first as Accompanist. then later as
Education Outreach Coordinator and Chorus Master. As part
of OperaGoRound touring program, he organized over 300
performances and accompanied over 500 performances
throughout New Y ork State and northern Pennsylvania. John
has played for WSKG radio broadcasts of numerous
Opera/ogue preview performances including Puccini‘s
Madama Butterfly. Donizetti’s Lucia di Lammermoor and
Mozart‘s The Magic Flute. He has worked with various other
groups in the Binghamton area, including the Madrigal Choir
of Binghamton, the Binghamton Downtown Singers and SRO
Productions. John is also the Organist/Pianist and Choir
Director at Sarah Jane Johnson Memorial United Methodist
Church in Johnson City.
�TRANSLATIONS
Non tamo pia
(1 don’t love you anymore)
Do you still remember the day we
met,
Do you still remember the promises
you made...?
Loveinsane l followed you... We
loved each other
And next to you I dreamt. love
insane.
I dreamt of a lustful chain of
caresses
And kisses fading into the sky;
But your words weren’t truthful...
Because your heart is as cold as ice.
Do you still remember that?
Do you still remember that?
Now you aren’t my only faith any
more.
My immense desire nor my dream
of love
i don’t long for your kisses. and
don’t think about you anymore:
I dream other dreams:
i don’t love you anymore.
Through the days dearly passed
together,
I strewed flowers across your path:
I would have offered my body and
soul!
Do you still remember it?
Do you still remember that?
Now you are no longer my faith...
Ideale
(Ideal)
I followed you like a rainbow of
peace
Along the paths of heaven:
I followed you like a friendly torch
in the veil of darkness,
And I sensed you in the light. in the
air,
In the perfume of flowers,
And the solitary room was full
of you and of your radiance.
Absorbed by you, I dreamed a long
time
Of the sound of your voice,
And earth’s every anxiety, every
torment
I forgot in that dream.
Come back, dear ideal, for an
instant
To smile at me again,
And in your face will shine for me
a new dawn.
You were the only hope of my
heart:
You the only thought of my desire.
Segreto
(Secret)
You forced me to beg you, you
turned me pale,
You saw me dying in your
presence:
Only in order to fulfill a desire of
yours
That little by little will make me
There is a wound in my heart that is
bleeding.
die.
Pierced by pain. my soul languishes:
I am in love and I cannot tell my
secret.
I sometimes see my secret love
»
beside me,
As beautiful as the light.
She passes by me and I feel
shattered.
It is a force of joy and of pain..
*
I never had hope. Even from the
first day,
I closed my secret love within me.
And she will never know that she
was loved.
She will see me lying dead and will
not know why.
And when I see her, I want to open
my arms,
to tell her that I love her and that I
give her my heart.
I want to look into her face with
courage.
But my heart trembles and I cannot
lift up my eyes.
There is a wound in my heart that is
bleeding.
That little by little will make me
die.
Ich trage meine Minne
(1 carry my love)
I carry my love mute with delight,
In my heart and in my mind with
me wherever.
Yes, that l have found you, you
beloved child,
That makes me joyful everyday,
and that is granted to me.
And no matter if the sky is gloomy,
coalblack the night.
Brightly shines my love’s gold
shining splendor.
And even as the world lies through
its sinfulness, and I am heavy
hearted.
The evil must become blind from
your snowy innocence.
Allerseelen
(All Souls’ Day)
Place on the table the fragrant
mignonettes,
Bring inside the last red asters,
And let us speak again of love.
As once we did in May.
Give me your hand, so that I can
press it secretly:
And someone sees us. it ’s all the
same to me.
Just give me your sweet gaze,
As once you did in May.
Flowers adorn today each grave,
sending off their fragrances:
One day in the year are the dead
free.
Come close to my heart. so that I
can have you again,
As once I did in May.
Heimliche Aufforderung
(Secret invitation)
Up, raise the sparkling cup to your
lips,
And drink your heart’s fill at the
joyous feast.
And when you raise it, so wink
secretly at me.
Then I’ll smile and drink quietly, as
you...
And quietly as I. look around at the
crowd
Of drunken revelers don’t think
too ill of them.
No. lift the twinkling cup. filled
with wine,
And let them be happy at the noisy
meal.
�But when you’ve savored the meal.
your thirst quenched,
Then quit the loud gathering’s joyful
fest.
And wander out into the garden. to
the rosebush,
There shall I await you, as often of
old.
And ere you know it shall I sink
upon your breast.
And drink your kisses, as so often
before.
And twine the rose’s splendor into
your hair.
Oh, come. you wondrous, longed
for night!
Zueignung
(Dedication)
Yes, you know it, dearest soul.
How l suffer far from you,
Love makes the heart sick,
Have thanks.
Once I, drinker of freedom.
Held high the amethyst beaker.
And you blessed the drink.
Have thanks.
it’s untrue.
.
Woman is flighty. '
Like a feather in the wind,
she changes in voice
and in thought!
Always miserable
is he who trusts her.
he who confides in her
his unwary heart!
Yet one never feels
fully happy
who from that bosom
does not drink love!
Woman is flighty.
Like a feather in the wind,
she changes her words.
and her thoughts!
Lamento
(Lament)
Do you know the white tomb
Where floats with plaintive sound.
The shadow of a yew tree?
On the yew a pale dove,
Sad and alone under the setting sun.
Sings its song:
And you exorcised the evils in it.
Until I. as i had never been before,
Blessed. blessed sank upon your
heart.
Have thanks.
One would say that an awakened
soul
Is weeping under the earth in
unison
With this song.
And from the misfortune of being
La donna é mobile
(Woman is flighty)
Moans its sorrow in a cooing
Always a lovely.
pretty face.
in tears or in laughter.
Oh! Never again near the tomb
Shall 1 go, when night lets fall
lts black mantle.
To hear the pale dove
Sing on the limb of the yew
Its plaintive song!
Woman is flighty.
Like a feather in the wind.
she changes in voice
and in thought.
forgotten,
very softly.
Extase
(Ecstasy/Nocturne)
On your pale breast my heart is
sleeping
A sleep as sweet as death
Exquisite death, death perfumed
By the breath of the beloved
On your pale breast my heart is
sleeping
A sleep as sweet as death
Le manoir de Rosamonde
(Rosamonde‘s ManorHouse)
Love. like a dog, has bitten me
with its sudden, voracious teeth
Come, the trail of spilt blood
will enable you to follow my tracks.
Take a horse of good pedigree
And set off on the arduous route i
took.
Through swamps and overgrown
paths.
I f that’s not too exhausting a ride
for you!
As you pass where l passed.
You will see that l travelled
Alone and wounded through this
sad world.
and thus went off to my death
far, far away, without ever finding
Rosemonde’s blue manorhouse.
�Binghamtan University Music Department’s
Coming Events
M 6 M & 6 M & M w é fl v § &
Thursday, April 11 – MidDay Concert – 1:20 p.m. – Fine Arts Room 21
free
Thursday, April 11 – Harmony Club Fundraiser C onert – 7 :30 p.m. –
C asadesus Recital Hall – free (a $10 donation will b e accepted at the
door)
Sunday, April 14 – Master’s Recital: Charlie Hyland, baritone – 7:30 p.m.
– Casadesus Recital Hall – free
Tuesday, April 16 – String Fever (String Classes and Studio String Recital) –
8:00 p.m. – Casadesus Recital Hall – free
Thursday, April 18 – MidDay Concert – 1:20 p.m. – Casadesus Recital
Hall – free
Friday, April 1 9 – String Orchestra Concert – 4:00 p.m. – Grand Corridor
— free
Saturday, April 20 Senior Recital: Sungkyun Ryu. piano – 8:00 p.m. –
Casadesus Recital Hall – free
Sunday, Apri121 – Mu Phi Epsilon Concert – 3:00 p.m. – Casadesus
Recital Hall – free
Sunday, April 21 – Master’s Recital: Seanghyang Kim, piano – 7:30 p.m. –
C asadesus Recital Hall – free
Thursday, April 25 – Jazz MidDay Concert with jazz pianist Larry Ham –
1:20 p.m. – Osterhout C oncert Theater – free
Thursday, April 25 – Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham – 8:00 p.m. – Osterhout Concert Theater – $6 general public: $3
faculty/staft/seniors; free for students
Friday, April 26 – Flute Studio and Flute Chamber Concert – 10:15 a.m. –
Casadesus Recital free
6&6t3’666Mr3ér3«6Mé«fita
For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607)
777ARTS. For a complete list of our concerts call (607) 7772592, visit
musicbinghamtonedu or become a fan on Facebook.
o p ‘ E If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to
confinue the work of students, faculty, and guest artists and their
contributions to our community. Please make your donation payable
to the Binghamton University Music Department, and send your check
E
to BU Music Department, P.O. Box 6000, Binghamton, NY 13902.
t
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
49:06
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129068">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129068</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital with Mario Eun Hwan Bae, April 7, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Tosti, Strauss, Verdi, Duparc, Ronald. Held at 7:30 p.m., April 7, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Bae, Eun Hwan
Isenberg, John
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-7
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound