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https://omeka.binghamton.edu/omeka/files/original/d3ba4417ef320b73060cbdfd128fd060.pdf
41410a996895d281d263f69ae30721e6
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State University of New York
Departm ent of Music
Master ’s Recital
Elisa Co rdova, soprano
with
Margaret Reitz, pia no
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Saturday, M ay 10, 2003
8 :00 p.m.
Casadesus Recital Hal l
�Program
.. Joaquin Rodrigo
(19011999)
CuatroMadrigalesAmatorios............................. . ene
Con que la lavare?
Vos me matasteis
De donde venis, amore?
De los Alamos vengo, madre
Die Forelle
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n n o c o o o . . . n – . n . – . . . . n n . o n . . . . . . o a o n o n – – o c o o o u c o o – o . –
Gretchen am Spinnrade
Franz Schubert
(17971828)
Giacomo Puccini
(18581924)
Sole e Amore
Terra e Mare
O, mio babbino caro from Gianni Schicchi
Intermission
Green
Extase
C’est I’extase
Le Manoir de Rosemonde
Oh, never sing to me again
Lilacs
In the silence of the secret night
Bee! I’m expecting you!
The Bird
The Serpent
.......Claude Debussy
(18621918)
Henri Duparc
(18481933)
....Claude Debussy
Henri Duparc
...........Sergei Rachmaninov
(18731943)
.............John Duke
(18991984)
.............Lee Hoiby
(b. 1926)
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�T ranslations
Con que la lavare?
(With what shall I bathe?)
With what shall I bathe the bloom of
my face,
Now that I live in so much pain.
The wives bathe their faces with lemon
water.
I’ll wash my marks of anguish.
with pain and sorrow.
Vos me matasteis
(You have killed me)
You have killed me, girl of the long
tresses.
Child, I am dead, you have made me
dead.
On the banks of the river I saw a
virgin...
Girl of the long tresses, you have killed
me.
De donde venis, amore?
(Where have you come from, my
love?)
Where have you come from, my love?
I know full well where you’ve been!
Where have you come from, my
friend?
Ah, if I could only be a witness.
De los Alamos vengo, Madre
(From the Poplars I come, Mother)
I have been to the poplars, Mother.
I have seen how the branches sway in
the breezes.
I have been to the poplars of Seville
to see my beautiful friend.
Die Forelle
(The Trout)
In a clear brook,
Merrily speeding, a playful trout shot
past like an arrow.
I stood on the bank,
Watching with happy ease the lively
little fish
Swimming in the clear brook.
A fisherman with his rod was standing
there on the bank,
Coldbloodedly watching the fish dart
to and fro...
“As long as the water remains clear,” I
thought,
“He will not catch the trout with his
rod.”
But at last the thief could not wait any
longer.
With guile he made the water muddy,
And, before I could guess it,
His rod jerked,
The fish was floundering on it,
And my blood boiled as I saw the
betrayed one.
Der Tod und das Madchen
(Death and the Maiden)
(The Maiden)
Pass me by, oh pass me by,
Go, wild skeleton!
I am still young: go, dear one,
And touch me not!
(Death)
Give me your hand, oh fair and tender
form!
I am your friend; I do not come to
punish.
Be of good cheer! I am not wild,
You shall sleep softly in my arms.
�G retchen am Spinnrade
(G retchen a t the SpinningWheel)
My peace is gone, my heart is heavy,
I can never find peace, never again.
In his absence, I feel as if dead,
And the whole world is turned to gall.
My poor head is distracted,
My poor mind is shattered,
My peace is gone, my heart is heavy,
I can never find peace, never again.
For him alone I look out of the window
For him alone I go out of the house.
His lofty carriage, his noble form,
The smile of his lips, the power in his
glance.
And the magic flow of his speech,
The clasp of his hand, and oh!
His kiss!
My peace is gone, my heart is heavy,
I can never find peace, never again.
My bosom yearns towards him,
Oh, might I grasp and hold him!
And kiss him all I could,
And on his kisses I would pass away!
Sole e Amore
(Sun and Love)
The sun joyfully taps at your windows;
Love very softly taps at your heart,
and they are both calling you.
The sun says: “Oh, sleeper,
show yourself for you are beautiful!”
Love says: “Sister, with your first
thought
Think of the one who loves you!
Think of the one who loves you!
Think!”
To Paganini, G. Puccini
Te rra e Mare
( Earth and Sea)
The long rows of poplars, bent by the
wind,
Are roaring again.
In the darkness, half asleep, I hear
them
And I dream of the voice of the sea.
And I dream of the deep voice
With its peaceful, mighty rhythms ;
Reflected in the wave, the stars shining
in the sky
Are looking at me.
But the wind rages louder
Through the long row of poplars,
It wakes me from m y joyous sleep...
Distant is the voice o f the sea!
O mio babbino caro
(Oh, my darling father)
Oh, my darling father
I like him so, h e’s so handsome!
I want to go to the Porta Rossa
to buy the wedding ring.
Yes, yes! There I want to go.
But if my love is in vain,
I will throw myself into the Arno
River.
I am so tormented, Oh, God...
I’d rather die.
Daddy, have pity.
Daddy, have pity.
�G reen
(G reen)
Here are fruits, flowers, leaves, and
branches,
And here too is my heart that beats
only for you.
U
Do not destroy it with your two white
:
hands,
and to your lovely eyes may the
humble gift seem sweet!
I come covered with dew
that the morning breeze has chilled on
my brow.
Let m y weariness, resting at your feet,
Dream of dear moments that will bring
repose.
On your young breast let me rest my
head
Still ringing with your last kisses.
Let it be appeased after the good
tempest,
That I may sleep a little as you rest.
Extase
(Ecstasy)
On a pale lily, my heart sleeps
a sleep sweet as death...
Exquisite death, death perfumed
by the breath of the beloved...
On your pale breast my heart sleeps
a sleep sweet as death...
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C ’est l’extase
(It is ecstasy)
It is languorous ecstasy,
it is loving fatigue,
it is all the tremors of the woods
in the embrace of the breezes,
it is in the gray branches,
the choir of tiny voices.
Oh, the frail, fresh murmuring!
That twittering and whispering is like
the sweet cry
breathed out by the ruffled grass...
You would say, beneath the swirling
waters,
the muted rolling of the pebbles.
This soul which mourns is subdued
lamentation,
it is ours, is it not?
Mine, say, and yours,
breathing in a humble anthem
in the warm evening, very softly?
Le Manoir de Rosamonde
(The Manor of Rosamund)
With its sudden and voracious fang,
Like a dog, love has bitten me.
By following the blood I have shed,
Go! You will be able to follow my
trail.
Take a thoroughbred horse,
set out, follow my arduous way,
bog or hidden path,
If the journey does not exhaust you!
In passing where I have passed,
you will see that alone and wounded,
I have roamed this sad world,
and that thus I went to die
far away, far away, without ever
discovering
the blue manor of Rosamund.
�Ne poi k rasavitsa pri mne
(Oh, never sing to me again)
Sing not, Oh lovely one, in my
presence
Your melodies of sorrowful Georgia,
They recall in me
Another life and a distant shore
Alas, your cruel song recalls in me
the steppe, the night, and in the
moonlight,
The features of a maiden, sad and
faraway!
I see you and forget that dear and
fateful vision
But you sing, and it comes to me anew.
Sing not, oh lovely one, in my
presence
Your melodies of fateful Georgia.
They recall in me
Another life and a distant shore.
O dolga budu ja
(In the silence of the secret night)
Oh, long will I, in the silence of the
secret night
Banish from my thought and call to
memory again
Your smile, beguiling words and gaze,
>
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your offhand gaze,
Your tresses gentle to my touch ...
In whispers to amend the thoughts of
which we spoke,
timid thoughts,
And then in rapture, against all reason,
With your cherished name awaken
the darkness of the night.
Oh, long will I, in the silence of the
secret night
With your cherished name awaken the
darkness of the night.
Sirenj
(Lilacs)
In the morning, at dawn,
Through grass wet with dew,
I will go to breathe the fresh air.
In the fragrant shade where lilacs
crowd
I will search for my happiness there...
One happiness only in my life I will
find,
And it dwells in a lilac bower,
On green branches,
In fragrant clusters,
My meek happiness blooms.
l
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�About the Performers
I
ELISA CORDOVA, a native of Chile, is a Resident Artist with TriCities
Opera where she made her debut in 2001 as Gretel in Hansel and Gretel. She
appeared last season as Nella in Ithaca Opera’s production of Gianni Schicchi.
Some of her favorite roles include Adele in Die Fledermaus with the Brevard
Music Festival, Despina in Cosi fan tutte, and Bianca in La Rondine with the
“Teatro Felice” in New York City. While residing in New York, she also toured
with the Metropolitan Opera Guild’s Outreach division for their 20002001
season.
In addition to Opera, Cordova is an active recitalist. She has premiered new
works throughout the United States, Italy, and Chile in connection with various
artists such as Steve Reich, Christopher Larkin, and her father, composer and
guitarist, Miguel Cordova. Elisa Cordova is a graduate of the Eastman School
of Music and the University of Rochester where she earned a BM in Vocal
Performance and a BA in Psychology. Cordova is a recipient of a Clark
Fellowship and is proud to be graduating with a Masters in Opera from
Binghamton University this spring. This summer, she will perform as solo guest
artist with the Orchesta Philomusica de Asuncion in Paraguay, South America.
l
MARGARET REITZ, pianist, received her Bachelor and Master of Music
degrees in piano performance with accompanying emphasis. She attended
Boston University, New England Conservatory and Binghamton University.
She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink
and Walter Ponce and accompanying with Allen Rogers. She has accompanied
throughout the United States, in England, South America, and at the American
Institute of Musical Studies in Graz, Austria. She and Binghamton University
faculty member Timothy Perry were winners of the 1997 Artistic Ambassadors
Program of the United States Information Agency in partnership with the John
F. Kennedy Center for the Performing Arts. They were invited to present a
recital at the International Clarinet Conference in Paris in 1996 and in Belgium
in 1999. She recently performed at a Chamber Music Workshop in Chapel Hill,
North Carolina. She was an official accompanist for the MTNA State and
Eastern Division Competition held at Ithaca College in 2001. She will be a
guest soloist with the Binghamton Community Orchestra in Spring 2 003. Reitz
has been on the faculty at Binghamton University since 1991 and The Ithaca
College School of Music since 1999. She maintains a private piano studio. in
Vestal.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 audio disc
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0:54:26
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Master's recital, Elisa Cordova, soprano, May 10, 2003
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Recital Tape 2003-5-10
Description
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Works of Rodrigo, Schubert, Puccini, Debussy, Duparc, Rachmaninov, Duke, Hoiby. Translations of works available in accompanying program. Held at 8:00 p.m., May 10, 2003, Casadesus Recital Hall.
Creator
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Cordova, Elisa
Reitz, Margaret
Publisher
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Binghamton University Libraries
Date
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5/10/2003
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In copyright
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455ed61fe4ca303b8e626b587419b017
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Text
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B INGHAMTON
LT N I V E R S I T
~ . 17.511,
State University of New York
Department of Music
“Maestro Mayhem!”
Conductors
Johanna Blackstone
Eva George
Al J acobsen
Vitaliy Maystru k
Talitha Phillips
John Resser
Jody Schum
I rene Strong
Sarah Williams
Emily Yanisko
Undergraduate Conducting Students of
Timothy P e rry and Bruce Borton
Featuring the University Symphony O rchestra
& University Chamber Chorus
Jennifer Lucia, soprano
Dennis Leipold, tenor
Christopher Waterstraat, bass
Thursday, May 8, 2003
8:00 p.m.
Anderson Center Chamber Hall
�Program
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University Symphony O rchestra
The Montagues and Capulets........................................................Serge Prokofiev
(18911953)
From Romeo and Juliet, op. 64
Arr. Edmund J. Siennicki
Johanna Blackstone, conductor
Edvard Grieg
( l 843 l 907)
Lyric Suite, op. 54........
II. Ganger/Norwegian Rustic March
IV. Troldtog/March of the Dwarfs
Jody Schum, conductor
Camille SaintSaéns
(18351921)
Bacchanale
From Samson and Delilah, op. 47
Arr. Merle J. Isaac
Al Jacobsen, conductor
II.
University Chamber Chorus
Homeward B
O
U
N
Sarah Williams, conductor
C
E B O A T S
(b. 1939)
Ain’a That Good News ...........................................AfroAmerican Spiritual
Irene Strong, conductor
Arr. William L. Dawson
�Plovi Barko
...Croatian Folk Song
Arranged by Talitha Phillips
Talitha Phillips, conductor
1
1
III.
University Chamber Chorus
Strings of the University Symphony O rchestra
Jennifer Lucia, soprano
Dennis Leipold, tenor
Christopher Waterstraat, bass
l
Mass No.2 in G major, D.J61........ccoi0iikdummnsnmriaabnanz Peter Schubert
(17971828)
I. Kyrie
II. Gloria
Emily Yanisko, conductor
III. Credo
Eva George, conductor
IV. Sanctus
V. Benedictus
Vitaliy Maystruk, conductor
VI. Agnus Dei
John Reeser, conductor
�Program Notes
The ballet Romeo and Juliet premiered at the Kirov Theatre in Leningrad on
January 1 1, 1940. It was written for the Kirov Ballet troupe in 1935. Prokofiev,
Lavrosky (choreographer), Ulanova (prima ballerina), and the orchestra had
some difficulty agreeing on how Prokofiev’s “strange” music should be
envisioned and performed. However, it is clear that Prokofiev created a
spectacular work full of lush harmony and unforgettable melodies. Tonight’s
selection portrays the feud between the Montagues and Capulets.
Johanna Blackstone
Edvard Grieg, a Norwegian born composer, is best known for his incidental
music to Peer Gynt. He was also an accomplished composer in lyric pieces for
piano, his many songs, and the wellknown Piano Concerto in A minor. His
Lyric Suite is an orchestrated version of his fifth set of Lyrische S tucke (Lyric
Pieces) for piano, of which he composed ten sets. Selfregarded as a Romantic
nationalist composer, G rieg incorporated Norwegian folk tunes into many of his
works, which is evident in the title of the second movement of the Lyric Suite:
Norwegian Rustic March.
Jody Schum
SaintSaens’ grand opera, Samson and Delilah, premiered on December 2, 1877
at the Hofttheartre in Weimar, Germany. As operas based on biblical settings
were not popular at this time, it would take a couple decades for its premiere in
Paris, after which it would become SaintSaéns’ most performed operatic work.
The selection heard tonight is from the third act after Samson has been deceived
by Delilah and captured by the Philistines. In celebration of his capture, the
Philistines hold a drunken celebration and dance the lively and exotic
Bacchanale. In depicting the middleeastern setting of the opera, SaintSaéns
employs minor and augmented seconds in the seductive second subject of the
dance. Finally, the full force of the percussion and brass enter bringing the piece
to an exhilarating conclusion.
Al Iacobsen
Carl Strommen was born in 1939 and was graduated from the City College of
New York. He lives on Long Island and works as a professor of Theory and
Composition at the C.W. Post campus of Long Island University. This strophic
song, as indicated by the title Homeward Bound, conveys the feelings of a man
as he is going home to be with his loved ones.
Sarah Williams
�A in 'a That Good News, published in 1937, is an AfroAmerican spiritual arranged
by William L. Dawson. This version was dedicated “To my friend Dr. Robert
Russa Moton, President Emeritus, Tuskegee Institute.” A second version was
published in 1 940 with added music, specifically in the middle section. This is a
strophic piece with three versus.
Irene Strong
Plovi Barko is a Croatian fol k song from the Adriatic Coast. Though the author of
the text is unknown, Mary Cay Brass was the first to arrange the song for a cappela
chorus. The arrangement heard tonight is by its conductor, Talitha Phillips, which
is based on the original Brass version.
Talitha Phillips
The Mass No.2, G major was composed in 1815 when F . Schubert taught in his
father’s school. That year, Schubert composed more music than in any other year
of his life. Among those works are two masses, two symphonies, a piano sonata,
numerous dances for piano, a string quartet, much choral music and some 145
songs. The G major Mass is the shortest o f all Schubert’s masses. The fact that it
took him six days to write is reflected in both brevity and its simplicity, but also in
its scoring for an orchestra composed of only strings and organ. The Kyrie at once
sets the tone with its easy flu ency, the almost Mozartian naturalness with which
the phrases and cadences go past. It is in the spirited D major Gloria that one first
becomes awar e that habits o f instrumental structure seem to drive the i nvention,
the text being fitted as best it can. In the Credo, the ‘Crucifixus’ is marked by
long notes in unison as the orchestra stamps on, now in B minor. There is a turn to
bright D major for an ‘Et resurrexit’ that adapts the opening theme. The Sanctus is
imposing but brief, ‘Osanna’ being a separate section, fugally initiated, that
matches the ‘Sanctus’ itself exactly in length. For the Benedictus, Schubert
interestingly revives the scheme that had served him well in the Mass in F.
Conciseness and expressiveness are reconciled in another neat and compact plan
for the Agnus Dei. Accordingly, he casts the movement in three segments, using
the same music for each but in different keys. By a series of carefully planned
modulations within and between segments, a close’is reached in G major, the
frame key of the work. Schubert used some counterpoint in his Mass. Much of the
writing is homophonic, but he supplied the traditional fugal endings where
expected. In Schubert’s masses, the apparent omission of portions of the standard
liturgical text are not an indication of his personal beliefs; undoubtedly, he set the
text with which he was familiar.
Vitaliy Maystruk
�Student Conductors
Johanna Blackstone, from Binghamton, is a junior, double majoring in
music/theatre with a concentration in voice performance. She participates in
Harpur Chorale, TriCities Opera Chorus, and Repertory Company. She is
studying voice with Mary Burgess. She cowrote and performed the music for
the main stage production of Hamlet, and coorganized Italian Night.
Eva George is a senior graduating in May with a BA in music. Her primary
interests are conducting and vocal pedagogy. She performs at the TiAhwaga
Performing Arts Center where she is the Assistant Musical Director for Grease.
Eva started and directs the children’s choir at St. Patrick’s Church in Owego,
NY. Her aspiration is to teach music in the near future and pursue her master’s
degree.
A1 Jacobsen, a resident of New City, NY, is a junior, where he is a double
major seeking a BA in music and BS in business management. He is a section
French horn member of the BU. Orchestra and studies horn with Brian
Sternberg. He is also the founder and music director of the BU Sinfonia.
Vitaliy Maystru k is a voice major studying with Eapen Leubner. He was born
in Kiev, Ukraine and graduated from the Ukrainian Culture College with a
degree in choral conducting and management of leisure activities. He came to
the U.S. in 1997 as a student at the Bible College at Cincinnati, Ohio. He is a
junior at BU and plans to pursue a master’s degree in conducting.
Talitha Given Phillips is a sophomore BMus candidate from New York City.
She studies double bass under the direction of Michael Carbone and Steve
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Harpur Jazz Project, plays in the Harpur Jazz Ensemble, and often
plays electric bass at Intervarsity Christian Fellowship.
John Reeser is a junior and is originally from New Berlin, NY. He is pursuing
a BA in music with a concentration in conducting. His musical activities
include(d): Harpur Jazz Ensemble, University Chorus, Harpur Chorale, and is a
charter member of the BU Sinfonia. His career plans include composing music
for the video game industry.
Jody Schum is a junior and is pursuing a BMus in piano performance. He
studies with Michael Salmirs. In May 2002, Schum was awarded the John M.
and Marcella M. Keeler Scholarship in Music in recognition of his work.
Schum also studies/enjoys vocal accompanying, chamber music, and voice.
Since October 2001, Schum has served as resident organist and pianist at the
First United Methodist Church of Endicott, NY.
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�Q
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I rene Strong, from Owego, NY, is a junior and music major with a concentration
in voice and conducting. She is studying voice with Hilerie Klein (TriCities
Opera Co.). She has participated in University Chorus and Women’s Chorus, the
Binghamton Madrigal Choir, and is a member of the BU Sinfonia. She teaches
beginning voice lessons and directs the youth choir at the Lounsberry Methodist
Church.
Sarah Williams is a senior and a native of Oxford, NY. She is pursuing her BA
in music and minoring in History. She sings in the Harpur Chorale and is the
music director for the Harpur Harpeggios. After graduating, she hopes to receive
her Master’s in Music Education and a chorus teacher.
Emily Yanisko, from Olney, MD, is a fifthyear music and computer science
double major with a minor in math. She studies choral singing with Peter Browne.
She has participated in University Chorus, Women’s Chorus, and Harpur Choral.
Next year, she will enter a Master’s of Education/Teacher Certification program at
the University of Maryland.
Soloists
Jennifer Lucia, soprano, is a junior at Binghamton University pursuing a BMus in
voice. She studies voice with Mary Burgess and has also studied with Judy Berry
and Rachel von Hindman. In February, she performed a trio recital with Johanna
Blackston and Samantha LaDue and on May 1 1, will give her junior recital. She is
also a member of the Harpur Chorale.
Dennis Leipold, tenor, is a graduate of SUNY Fredonia, and has done graduate
work at Ithaca College and the Peabody Conservatory. A member of the
University Chorus for more than twenty years, he is active both as a vocalist and
an instrumentalist. He has also performed as a recorder soloist with the
Binghamton Community Orchestra. A former Lecturer in Music at the University,
Leipold has for the past twentynine years been a member of the music faculty in
the UnionEndicott Central School District.
i
Christopher N. Waterstraat, bass, is pursuing his MM degrees in both vocal
performance and conducting at Binghamton University. Waterstraat studies voice
I
{
with Professor Mary Burgess and Judy Berry. He obtained an undergraduate
degree in Music Education from Syracuse University. While at SU, he was
involved in the opera workshop and in the chorus for Syracuse Opera. Waterstraat
is in the Resident Artist Training Program for TriCities Opera in Binghamton, and
has participated in the TCO chorus since Fall 2001.
�Translations
Plovi Barko, Croa tian Folk Song
Sail, ship! The sea is deep
In the ship is Anka
Your eyes are as deep as the sea
(refrain) Anka, dear Anka,
My heart and soul!
Mass No. 2 in G M ajor, Schubert
KYRIE (sung in Greek)
Lord have mercy. Christ have mercy.
Lord have mercy.
G L O R I A (sung in Latin)
Glory be to God on high, and on Earth
peace to men of good will.
We praise thee, we bless thee, we
adore thee, we glorify thee,
We give thee thanks for thy great
glory,
O Lord God, King of heaven, God the
Father Almighty.
O Lord, the only begotten Son, Jesus
Christ.
O Lord God, Lamb of God, Son of the
Father.
Thou who takest away the sins of the
world, have mercy on us.
Thou who takest away the sins of the
world, receive our prayer.
Thou who sittest at the right hand of
the Father, have mercy on us.
For thou art holy, Thou only art Lord.
Thou only art most high, O Jesus
Christ,
With the Holy Ghost, in the glory of
God the Father. Amen.
CREDO (sung in Latin)
I believe in one God, Father Almighty,
maker of heaven and earth and of all
things visible and invisible. And in one
Lord Jesus Christ, the onlybegotten
Son of God, born of the Father before
all ages. God of God, light of light,
true God of true God, being of one
substance with the Father, by whom all
things were made. Who for us men and
for our salvation came down from
heaven. And was made incarnate by
the Holy Ghost of the Virgin Mary,
and was made man. And was crucified
for us under Pontius Pilate. He suffered
and was buried. And the third day, He
rose again according to the Scriptures.
And ascended into heaven, and sitteth
on the right hand o f the Father. And He
shall come again with glory to judge
the quick and the dead; of whose
kingdom there shall be no end. And in
the Holy Ghost, Lord and giver. of life,
who proceedeth from the Father and
the Son. Who, together with Father and
the Son, is worshiped and glorified;
who spoke through the prophets. I
acknowledge on baptism for the
remission of the sins of the dead, and
the life of the world to come. Amen.
v
l
.
SANCTUS (sung in Latin)
Holy, holy, holy, Lord God of Hosts.
The heavens and earth are full of thy
glory. Hosanna in the highest.
BENEDICTUS (sung in Latin)
Blessed is he who comes in the name
of the Lord. Hosanna in the highest.
AGNUS DEI (sung in Latin)
Lamb of God, who takest away the sins
of the world, have mercy on us.
Lamb of God, who takest away the sins
of the world, have mercy on us.
Lamb of God, who takest away the sins
of the world, give us peace
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�Unive rsity Symphony O rchest ra
Violin I
Alicia F usani, ‘
coconcert mistress
Sarah Steiding,
coconcert mistress
Christine Wan
Jean Gaffney
Sheri Zola
Rosemary Gaeta
Jennifer Paull
Gloria Chen
Julia Kim
Lauren Moscowitch
Lucy Sun
Julie Cserhalmi
Violin II
Morgan Kim
Tamara Potapova
Meghan O’Loughlin '
Samara Cohen
Claude Pal
Heather Sheiman
Shauna Buckman
Miriam Reznik
Sarah Park
Viola
Suzanna Chhim
Brian Fang
1 .
Kenneth Perschke
Victoria Leung
Melissa Mattern
Leah Robinowitz
Janet Ievins
Alice Scimia
Cello
Alex W iesendanger
Emily Creo
Andrea Rico
JeongSun Oh
Alex Kim
Angela Wynne
John Yu
Andrew Lavery
Alexis Witek
Tanya Brescia
Katy Walker
Matthew Woolever
Bass
Noah Lauzon
Adam Schechter
Flute a n d Piccolo
Crystal Allard
Kelsey Bauer
Caitlynn McMullen
Kira Slocum
Oboe
Anya Stockburger
Danielle Furey
Clarine t
Jordan Pasternak
Lauren Hughes
Bass Cl arinet
Michae l Cohn
Bassoo n
Kimberly Meeker
Stephanie Eisenberg
Horn
Sarah Berloe
Patrick Lokken
Thomas Mellin
Trump et
Erinn Hibbard
Michael McKeon
Tromb one
Sean Kassof
Stephen Sorscher
Bass Tu ba
Brad Davis
Timpa ni
Matthew Chedister
�i
�University Chamb er Chorus
Soprano
Elizabeth Ellis
Maybelle Golis
Margaret Hays
Barbara Heme
Donna Lundy
Susan MacLennan
Paula Mitra
Sue Petrow
Kelly Pueschel
Marilyn Ross
Sue Sarzynski
Jane Shear
Faith Vis
Alto
Lois Bare
Barbara Bamo
Sarah Craig
Jeanne Fenzel
Janet Frederick
Anna Nicholas
Theresa Lee
Whiting
Nancy McGee
Ethel Molessa
Joyce Printz
Colleen Reardon
Shirley Zhou
Tenor
H.B. King
Dennis Leipold
Ed Schappert
Matthew C. Varghese
Floyd West
Sherry Williamson
Bass
Frank Ammirata
Ronald Beauchamp
Bruce Borton
Peter Browne
Harry Frederick
David Hanson
J. Scott Husted
David L. Schriber
l
k
I
��
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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1 audio disc
Duration
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0:56:48
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253382&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253382&change_lng=en&select_viewer=metsViewer</a>
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Title
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"Maestro May-hem!", May 8, 2003
Alternative Title
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Recital Tape 2003-5-8b
Description
An account of the resource
Works of Prokofiev, Grieg, Saint-Saëns, Strommen, an Africo-American spiritual, a Croatian folk song, Schubert. Accompanying program includes translations of some works. Held at 8:00 p.m., May 8, 2003, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Blackstone, Johanna
George, Eva
Jacobsen, Alfred
Maystruck, Vitaliy
Philips, Talitha
Schum, Jody
Strong, Irene
Williams, Sarah
Yanisko, Emily
Perry, Timothy
Borton, Bruce
Lucia, Jennifer
Leipold, Dennis
Waterstraat, Christopher
Resser, John
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
5/8/2003
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/8eab10198a97802bd0b1cda62b5f3cc1.pdf
257c4f0432c747fbce65f10ef8fb18cb
PDF Text
Text
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Ex‘ V. Z
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B INGHAMTON
2 N 1 V E
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State University of New York
Department of M usic
“ Prague to Vienna :
Field, Forest a n d Fiacre ”
UNIVERSITY SYMPHONY
ORCHESTRA:
wi t h
Timothy Perry, conductor
ChaiK you Mallinson, p iano
Margaret Reitz, p iano
Thursday, December 9, 2004
8:00 p.m. '
Osterhout Concert Theate r
�The Binghamton University Department of Music presents the
Uni versity Symp hon y O rch estra
Timothy Perry, Director
with
ChaiKyou Malli nson a nd Ma rgaret Reitz, Pianists
Osterhout Concert Theater
Anderson Cente r for the Arts
Thursday at 8:00 p.m.
December 9, 2004
Program:
“ Prague to Vienna : Field, Forest and Fiacre”
Ma Vlast (My Fatherland) ..... ....... .....Bedrich Smetana
(18241884)
No. 2. Vlta va (The Moldau)
Twin sources of the Moldau – Forest huntPeasant wedding River Nymphs
St. John Rapids – The Moldau in full breadth – Vysehrad castle – To the Sea
Concerto No. 10 in Eflat, K. 365 ... ....... ..W.A. Mozart
for T wo Pi anos a nd Or chestra
I.
ll.
lII.
Allegro
Andante
Allegro
(17561791)
ChaiKyou Mallinson and Margaret Reitz , Pianists
Intermission
Symphony No. 8 in G major, Op. 88
Allegro con brio
Adagio
Allegretto grazioso
Allegro ma non troppo
Anton in Dv orak
(18411904)
. – I I I – I I I I I I I I I I I I I I I
l I I l l l l l l l l l l l l l l l l l l l l l l l l I I I – I I I . .
The USO returns on Saturday, March 5” to perform Debussy’s Prelude to The
Afternoon of a Faun, Robert Sch umann ’s Concertpiece for Four Horns and
Orchestra and Beethoven’s Sym phony No. 2 in D major, Op. 36. Please join us!
�University Sym phony O rchestra
Flute
Kelsey Bauer
Melissa Mischke
Megan Pulver
Kira Slocum (+picc)
Oboe
Ephraim Atkinson
Rebecca Rodbart
Clarinet
Bethany Bonhoff
Caroline Bravo
Bassoon
Robin Kindig
Kimberly Meeker
David Weinberg
{
Trumpet
Erinn Hibbard
Sinan Pan
French H orn
Diana Amari
Emie Epelman
Al Jacobsen
Patrick Lokken
6
Trombon e
Harris Brenner
David Hennan
Jonathan Ludwin
Tuba
Paul Med daugh
Percussion
Matthew Chedister
Matt Cosnett
Violin I
Christina Wan
Akira Maezawa
James Leddy
Tiffany Chang
Marie Mizuno
Dana Kerker
Corinne Paull
Richard Goldman
Endre Fischer
Karen A. Krause
Karen Tang
Mark Liu
Violin I I
Micah BannerBaine
Tamara P otapova
Jennifer Paull
Emily Peterson
Lauren Moscowitch
Samuel (Sam) Wang
Jungsun (Suna) Oh
Stephanie Mawhirt
Elizabeth (Liz)
Mansdorf
Rachel Jacobs
Amanda Dumont
Jennifer Hsu
Jaehee Lee
Sarah Baird
Viola
Melissa Mattern
Leah Robinowitz
Kerry Conway
Christopher Fiore
Beth Vayshenker
Christopher Trow
Janet Lev ins
Violoncello
Katy Wal ker
C. MacKenzie Wen
Heajung Kim
Emily Creo
Nicholas Capone
Shelly Levine
Alex Wiesendanger
YiEun Park
Kathleen Bradley
Contrabass
Chris Zavala
Elizabeth H. Bartlett
Andrew Eiche
Donald Truesdail
Piano
Judy Zhu
�About the Performers
Clarinetist, Conductor and Professor of Music, TIMO THY PERRY joined the
Binghamton University faculty in 1986 as Director of the Orchestral and Wind
Ensemble programs and Instructor of Studio Conducting and Clarinet. Perry holds
D.M.A., M.M.A. and M.M. degrees in Clarinet from the Yale School of Music (as a
pupil of Keith Wilson) and a Bachelor of Music degree from the Manhattan School
of Music (as a student of Leon Russianoff). He has served as Principal Clarinet in
numerous orchestras including the Wisconsin Chamber Orchestra, New England
Chamber Orchestra, the Catskill Symphony, Glimmerglass Opera and was Assistant
Principal Clarinet of the New Haven Symphony and Northeast Pennsylvania
Philharmonic. A devoted chamber music player, Perry has performed frequently as
a member of the Catskill Woodwind Quintet, Catskill Chamber Players and Finger
Lakes Chamber Ensemble and has been selected for festivals in Vinalhaven, Maine
and Thy, Denmark. As a soloist, he has been featured with the Binghamton
Philharmonic, Catskill Symphony and Binghamton Community Orchestras, toured
Latin America and the Caribbean for the U.S. Department of State as a Musical
Ambassador in 1997, and twice presented recitals for the International Clarinet
Congress in France and Belgium. He owns and performs on historical instruments,
and his performance on 19™century clarinets was seen in the 2000 PBS miniseries
A House Divided. He is a noted specialist in the music of composer Paul Jeanjean,
recording the latter’s virtuoso 18 etudes de perfectionnement, and Karl Baermann,
whose concertino The Hour of Ghosts he premiered with the BCO in 2003. He is
researching the technical development of the Alto Clarinet and preparing works on
a recentlyacquired set of Oehlersystem clarinets.
CHAI KYOU MALLINSON on the faculty of the Department of Music at
Binghamton University, received a B.M. degree in Piano from Juilliard, Licence
d’Enseignement from Ecole Normale de Music de Paris, France and a M.A. degree
from Binghamton University, where she studied with Jean Casadesus. A prize
winner in the Korean National Music Competition, she was awarded the French
Government Scholarship, Tanglewood Summer Music School Full Scholarship and
the Fontainebleau American Conservatory Full Scholarship. She gave a debut
Recital in Carnegie Recital Hall and has been active as a recitalist, vocal
accompanist and coach, and chamber music performer, as well as an active
adjudicator of piano auditions and competitions. She appeared in a performance
with the Seoul Philharmonic Orchestra, which Eumag Choonchu, one of Korea ’s
most respected music magazines, described as “ of rare quality, moving and lyrical. ”
]
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�‘ M A R G A R E T A. REITZ, pianist, is a nativ e of the Binghamton Area. She
received her Bachelor and Master of Music degrees in piano performance
with accompanying emphasis. She attended Boston University, New
England Conservatory and Binghamton University. She has studied piano
with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce
and accompanying with Allen Rogers. She has accompanied throughout the
United States, in England, South America, and at the American Institute of
Musical Studies in Graz, Austria. She and Binghamton University faculty
member Timothy Perry were winners of the 1997 Artistic Ambassadors
Program by the United States Information Agency in pa rtnership with the
John F. Kennedy Center for the performing’arts. They both were invited to
present a recital at the International Clarinet Conference i n Paris i n s ummer
of 1996 and were invited back to perform in Belgium in 1999. She recently
was the guest soloist with the Binghamton Community Orchestra performing
“Africa” by C. Saint Saens. . She was an official accompanist for the MTNA
State and Eastern Division Competition held at Ithaca College in 2001. In
2003, she was a guest chamber music artist in Morges, Switzerland. She has
been on the faculty at Binghamton University since 1991 a nd Ithaca College
School of Music since 1999. She maintains a private piano studio in Vestal,
New York. She is on the Executive Board of the New York District MTNA
organization. She is past President of the local Southern Tier Music
Teachers Association and is an active adjudicator for the National Piano
Guild Organization.
I
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�About the Music
Bedrich Smetana is a heroic figure in Czech culture, and even today is
seen as the founder of a Czech national school of music composition. Vitava
(1874) is the second symphonic poem in M4 Vlast, and portrays the river, called
the Moldau by Germanspeaking Czechs such as Smetana, which rises in the
forest and flows through the Bohemian countryside and the city of Prague before
joining the River Elbe. For Smetana, the course of the river provided a ready
made musical structure; Vltava is a sort of rondo, with the flowing theme of the
river recurring in different forms between colorful episodes depicting Bohemian
life and folklore along the riverside. Two brooks, portrayed on two flutes, form
the sources of the river; these flow into the main stream of the river itself, the
surging string melody which Smetana is said to have derived from a Swedish
folksong but which now sounds quintessentially Czech. Hunting horns are
heard in the forests, before the river flows past a rustic wedding celebration
where the guests are dancing a polka. Smetana led the way (here and in his
String Quartet “From my Life") in introducing this lighthearted dance to
symphonic music. The next episode portrays moonlight shimmering on the river
in magical orchestral colors, and Smetana evokes the legend of the Rusalkas, the
water nymphs who feature prominently in Slav folklore and would later form the
subject of Dvordk’s bestknown opera. The music accelerates and grows
agitated as the river crashes over the Rapids of St. John, above Prague, and
finally sweeps through the Czech capital itself. The majestic choraletheme of
Vysehrad, the great rockfortress that is the symbol of the Czech nation, towers
over the closing bars, as the Vltava flows unstoppably onwards to the Elbe.
R.G. Bratby 2001
Mozart’s return from Paris in 1779 opened a difficult period in the
composer’s life. Following hard upon the death of Mozart’s mother and his
broken romance with Aloisia Weber, Mozart’s last two years working for the
Archbishop of Salzburg were, on the whole, unhappy ones. Nonetheless, his
need to express his own inner exuberance found outlet in a number of
surprisingly bright compositions including this evening’s concerto.
The Eflat concerto K. 365 was written in early 1779 and influenced by
the splendid sinfonia concertante K. 364 for violin and viola that had been
written for his trip to Mannheim. The concerto, designed in part to showcase
Mozart’s sister Nannerl (she performed the first part), shows a strong holdover
of Mannheim character in its sturdy orchestral tuttis. Entering afterlan
introductory tutti, the solo parts are the main show here, quite conversational
and competitive in a friendly spirit of virtuosic oneupsmanship. Mozart uses the
pianos together only sparingly, perhaps realizing their percussive potential, but
several passages suggest mechanical musical instruments and, in the minor keys,
deeper interior passions. The middle movement in Bflat suggests a relaxed
pastorale , while the finale runs ahead with all the enthusiasm of youth. Mozart
interpolates a large section in cminor in the finale, which teeters on but not over
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1
�the edge of seriousness. Mozart later borrowed a bit of this section for the mock
tragic trials of Papageno in The Magic Flute. With the rounding off of the rondo,
the sun reappears and the concerto concludes in high spirits.
T. Perry 2004
In the summer of 1889, at the age of 48, the struggles of D vorék’s early
career were finally over. His music had been performed across Europe, he had
an assured income, numerous offers of honors and engagements, the friendship
and esteem of his idol Brahms, and perhaps most importantly, he had proven
himself artistically. And so he wrote his Eighth Symphony, more freely and
imaginatively structured, more abundant in melody and color, more songand
dance like in short, more truly his own.
The symphony opens with a broad, hymnlike melody for ‘cellos and
violas almost an opening “prayer” or invocation before the sun comes out,
birdsong is heard from the flute, and a dancing rhythm builds to a huge climax
that really launches the symphony on its way. A string of melodies pours out, by
turns tender, dancelike and grandiose; and again and again woodwind birdsong
brightens the texture and lightens the heart. The development section is at times
stormy, but the energy unleashed is lifeaffirming rather than menacing, and as
the movement ends Dvordk’s exuberance seems to have burst its banks in a
joyful torrent of Gmajor. The lovely Adagio comes as a calm contrast,
beginning in a subdued cminor. But once again, birdsong and folkdance begin
to creep in, lightening the mood and a sweetly lyrical violin solo ushers in the
unmistakable strains of the “village music” Dvordk loved so much. Once again,
there are rumbles of summer thunder and a torrential outburst at the centre of the
movement, but all is radiant Cmajor calm as the Adagio ends. The Allegretto
grazioso is too measured and graceful to be a scherzo it more closely resembles
one of Brahms’ intermezzi complete with meter and tempo change in the
coda. Its lilting, Slavonic strain of melody and wistful, limpid Trio section need
no elaboration. The Finale begins with a stirring fanfare, and proceeds through a
colorful, increasingly lively set of variations on a theme announced by the
‘cellos. As in the “Eroica” this gives way to a bustling minorkey development
section, and then a recapitulation of the variations, with a brief, reflective
interlude before the symphony speeds to a brilliant, exuberant finish in sunlit G
:
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major.
The Eighth Symphony was premiered in February 1890 in Prague, and
then given in London shortly before Dvorak traveled to Cambridge to receive an
honorary doctorate. For this reason, it has sometimes been called the “English”
symphony a strange twist of fate, for, although Dvordk had another great
symphony in him yet, no other work of his would ever so embody the truth of
what he once said about himself “In spite of the fact that I have moved about in
the great world of music, I shall remain what I have always been a simple
Czech musician.”
R.G.Bratby, 1998
�Don ’t Miss T hese Ou tsta ndin g Co nce rts
Coming Up in th e Sp ring Semeste r!
February 11 : Guess Jazz Artists : Dena DeRose
Quartet – 8 p.m. – Osterhout Concert Theater
February 13 Guest Organist: Gerre Hancock – 4
p.m. – First Presbyterian Church, Binghamton
February 26 – Timothy LeFebvre, baritone, and
Duane Skrabalak, piano – 8 p.m. – Anderson Center
Chamber Hall
March 6 – Musica Nova with Patricia Sunwoo, violin,
and Ewa MackiewiczWolfe, piano – 3 p.m. –
Casadesus Recital Hall
April 3 Organist Jonathan Biggers – Music for
Organ and Strings – 4 p.m. – First Presbyterian
Church, Binghamton
April 10 – Chamber Music Masterpieces – 8 p.m. –
Anderson Center Chamber Hall
And man y more ensemble conce rts. Visit
http ://m usic.bin ghamton.edu for details about all
events in the 20042005 season, o r call 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
45:06
39:20
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253378&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253378&change_lng=en&select_viewer=metsViewer</a>
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Prague to Vienna: field, forest and fiacre, December 9, 2004
Alternative Title
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Recital Tape 2004-12-9b
Description
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Works of Smetana, Mozart, Dvořák. Held at 8:00 p.m., December 9, 2004, Osterhout Concert Theater.
Creator
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Perry, Timothy
Mallinson, Chai-Kyou
Reitz, Margaret
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
12/9/2004
Rights
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In copyright
-
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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0:49:58
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Thursday holiday mid-day concert, December 9, 2004
Alternative Title
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Recital Tape 2004 12-9
Description
An account of the resource
Held at 1:20 p.m., December 9, 2004, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Schum, Jody
Borton, Bruce
Basttek, Jessica
Boczar, Kathryn
Maiolo, Georgetta
Cecere, Greg
Epelman, Emie
Jacobsen, Alfred
Lokken, Patrick
Sternberg, Patrick
Wittmer, Hannah
Salmirs, Michael
Han, Che Sut
Lee, Eunjong
Kempin, Kristel
Ho, Ion
Levine, Maia
Na, Grace
:eFebvre, TImothy
Biggers, Jonatham
Publisher
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Binghamton University Libraries
Date
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12/9/2004
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In copyright
-
https://omeka.binghamton.edu/omeka/files/original/d924a47b6e8c94e2d1e1c987cc645136.pdf
c93e5e73ee21e1ac37bb05b4af72b6d0
PDF Text
Text
Un
LEN
P
A 0 0 0
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A
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7AM
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21744
‘BINGHAMTON
U n g i j v E, R s 1 T Y
State University of New York
Department of Music
UNIVERSITY PERCUSSION
ENSEMBLE
Daniel Fa bricius, co nductor
Tuesday, Decem ber 7, 2004
‘ 8:00 p.m.
Anderson Cente r Chamber Hall
�Prog ram
BRAZILIAN STREET D A N C E . . . . . . . . . . . . . . . . . . Thom
. . . . . .as A.
. . A. Brown
EINE KLEINE NACHTMUSIK. ......... Wolfgang Amadeus Mozart
MOVEMENT 1
Arranged by James L. Moore
SYMPHONY FOR PERCUSSION.............................
José S
erebrier
AdagioConga
Solo
Moto Perpetuo e Cadenza
IN TE
RMIS SI 0 N
TOOL TIME
I
SABRE DANCE
Matthew Chedister
David
ini
Aram Khachaturian
Arranged by James L. Moore
�About the Conductor
DANIEL FABRICIUS took the post of Percussion Instructor at Binghamton
University in September 1992. He also has been Director of Bands at Owego
Free Academy since 1989. Fabricius is active as a perform ing percussionist in
the Southern Tier. He is a member of the Binghamton Symphony Orchestra as
well as Timpanist/Principal Percussionist for the Orchestra of the Southern
Finger Lakes. In recent years, he also has performed as a percussion soloist in
chamber ensembles, in musical theater productions and with a variety of
nationally known artists. He performs often as a freelance musician and as a
member of the local dance band, “Classy Brass.”
As a music educator, Fabricius holds professional memberships in the New
York State School Music Association, the International Association of Jazz
Educators, the Percussive Arts Society, and the National Band Association. He
also has served two terms as President of the New York State Band Directors
Association. He has worked on the Summer Session faculty for the Ithaca
College School of Music and also serves as a cooperating teacher for senior
student teachers. He has conducted many honor band festivals, presented clinics
on a variety of music education topics, and has adjudicated at music festivals
throughout New York.
�UN IV ER SIT Y P ER CU SS IO N E NS EM BL E
Matthew Chedister, Washingtonville, NY
Matthew Cosnett, Vestal, NY
Matthew Green, Westchester County, NY
Spencer Lo, Brooklyn, NY
Richard Postel nik, Fresh Meadows, NY
Pete Tringali, Brewster, NY
Mark Turley, Cicero, NY
* * * * * * * * * * * * * * * *
* * * * * * * * * * * * * * * *
*
Co ming Events
Thu rsda y, Dec emb er 9 – Holiday Mid Day Con
cert – 1:20 p.m. –
Casadesus Recital Hall – free
Th u rsda y, D ecem ber 9 – University Symp hon y O
rche stra – P ragu e to
Vien na : Fiel d, Fore st and Fiac re with ChaiKy
ou Mallinson and
Margaret Reitz, pianists, Timothy Perry, Conduct
or – 8:00 p.m. –
Anderson Center Osterhout Concert Theater $1
0 general public; $7
faculty/staff/seniors; free for stude nts
]
¢¥
i
!£
kK
ii
:
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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0:43:20
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253372&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253372&change_lng=en&select_viewer=metsViewer</a>
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Title
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University percussion ensemble, December 7, 2004
Alternative Title
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Recital tape 2004-12-7
Description
An account of the resource
Works of Brown, Mozart, Serebrier, Chedister, Mancini, Khachaturian. Held at 8:00 p.m., December 7, 2004, Anderson Center Chamber Hall.
Creator
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Fabricius, Daniel
Publisher
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Binghamton University Libraries
Date
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12/7/2004
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In copyright
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https://omeka.binghamton.edu/omeka/files/original/806eeed23f8179da5380d05c99dd6d85.pdf
c85e709a00d301fdeea9775eebaf536d
PDF Text
Text
L4
i
i
i
o >
i
131 A
h
BINGHAMTON
U N I V E R S I T Y
a
1
i
d
oo
1 ‘ tR
a 1,
L
I .
State University of New York
Department of Music
Master ’s Recital
Robin Kindig, bassoon
with
Alex Wiesendanger, cello
Margaret Reitz, piano
Kira Slocum, flute
Theresa Perrone, clarinet
Judy Zhu, piano
Sunday, Decem ber 5, 2004
7:00 P M
Casadesus Rec ital Hall
\
�About the Performe rs
ROBIN KINDIG is from Endwell, New York. She attended the MaineEndwell
Central Schools and was involved in musical activities. Her passion for music
led her to Houghton College, where she studied bassoon with Ed Wadin. Kindig
graduated from Houghton in May 2003 with a Bachelor of Music in Music
Education. She is a Master of Music student in bassoon performance and studies
with Lynn Hileman. Upon completion of her degree, she hopes to teach
elementary or middle school band.
ALEX WIESENDANGER is a senior Music and Political Science major at
Binghamton University. He studies composition with Paul Goldstaub and cello
with Stephen Stalker. Next year, Wiesendanger hopes to work with the Jesuit
Volunteer Core.
MARGARET REITZ, piano, received her Bachelor and Master of Music
degrees in piano performance with accompanying emphasis. She attended
Boston University, New England Conservatory and Binghamton University.
She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink
and Walter Ponce and accompanying with Allen Rogers. She has accompanied
throughout the United States, in England, South America, and at the American
Institute of Musical Studies in Graz, Austria . Reitz has been on the faculty at
Binghamton University since 1991 and The Ithaca College School of Music
since 1999.
KIRA SLOCUM is a senior Music and Comparative Literature major. She is a
student of Georgetta Maiolo and is a member of the University Symphony
Orchestra and Flute Ensemble. She has also played in the Harpur Jazz Band and
participated in the 2003 Concerto and Aria Competition.
THERESA PERRONE earned her undergraduate degree in Music Education at
Ithaca College, studying the clarinet with Richard Faria. She teaches
kindergarten, first, and second grade vocal music and directs a fourth and fifth
grade chorus in the Greene Central School District in Greene, NY. In addition,
Theresa has a private studio of woodwind students. She is also pursuing her
Masters in Clarinet Performance at Binghamton University, studying with
Timothy Perry.
JUDY (YAN) ZHU, a native from Beijing, China, is a Master of Music student
major in Piano Performance at Binghamton University. She received her
Bachelor of Arts in Music in May 2002 from Binghamton University. She won
Honorable Mention in the New York State Music Teacher’s Association Piano
Competition Collegiate in October 2000. She also won Samuel Reiser
Scholarship from Department of Music at Binghamton University in Spring 2002.
She studies with Ewa Mackiewiczwolfe.
�P rogram
Sonata for Bassoon and Cello......................Wolfgang Amadeus Mozart
I. Allegro
(17561791)
II. Andante
III. Rondo
Robin Kindig, bassoon; Alex Wiesendanger, cello
S
o
n
a
t
e
P
I. Leicht bewegt
II. Langsam, Marsch, Pastorale
a
u
l Hindemith
(18951963)
Robin Kindig, bassoon; Margaret Reitz, piano
F
r
a g m e
I. Waltz
II. Solitude
III. Holiday
IV. Reverie
n
t
s
R
o
b
e
r
t Muczynski
(b. 1929)
V . Exit
Kira Slocum, flute; Theresa Perrone, clarinet; Robin Kindig, bassoon
Intermission
Trio Pathétique.................................................................Mikhail Glinka
I. Allegro Moderato (18041857)
II. Scherzo, Trio
III. Largo
IV. Allegro con spirito
Theresa Perrone, clarinet; Robin Kindig, bassoon;
Judy Zhu, piano
Please remember to turn ojf or silence all cell phones and pagers
during the performance. Thank you.
�Coming Events
Tuesday, December 7 – University Percussion Ensemble – 8:00 p.m. –
Anderson Center Chamber Hall free
Thursday, December 9 – Holiday MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall free
I
Thursday, December 9 – University Symphony Orchestra – Field, Forest
and Fiacre – 8:00 p.m. – Anderson Center Osterhout Concert Theater $10
general public; $7 faculty/staff/seniors; free for students
i
i
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
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0:45:54
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253369&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253369&change_lng=en&select_viewer=metsViewer</a>
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Dublin Core
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Title
A name given to the resource
Master's recital, Robin Kindig, bassoon, December 5, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-12-5
Description
An account of the resource
Works of Mozart, Hindemith, Muczynski, Glinka. Held at 7:00 p.m., December 5, 2004, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Kindig, Robin
Reitz, Margaret
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
12/5/2004
Rights
Information about rights held in and over the resource
In copyright
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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0:39:53
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Thursday mid-day concert, December 2, 2004
Alternative Title
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Recital Tape 2004 12-2
Description
An account of the resource
No program. Performer listing from 2004-2005 academic year performances.
Held at 1:20 p.m., December 2, 2004, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Lisi, Michaela
Mallinson, Chai-Kyou
Mattern, Melissa
Reitz, Margaret
Hochman, Leslie
Kratz, Mark
Alarcon, Amber
Maiolo, Georgetta
Grossman, Michelle
Hays, Leah
Holleran, Stephanie
Lai, Maneesha
Lean, Nicole
Lin, Subin
McMullen, Caitlyn
Nichols, Dawn
Silinonte, Lauren
Spiller, Valerie
Tate, Meghan
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
12/2/2004
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/1eb3a0ccd18fb17b2bed5120d93a6b3e.pdf
40b6a5f3bf940f9a5afa19ba52f3fdd2
PDF Text
Text
U n i v hfe
© APD
2004
Y
Z
JrELC
BINGHAMTON
EEN E V E R S
4
0
State University of New York
D e pa rtm e n t of M usi c
I . Charles Ives Remem bered
A n Af ternoon of Song and
Chamber Music
Timothy LeFebvre, baritone
Michael Salmirs, piano
Margaret Reitz, piano
Timothy Perry, clarinet a n d conductor
Patricia Sunwoo, violin
Ste phen Stalker, cello
Ben Aldridge, trumpet
and
The Rod Serling Dance Compan y at
Binghamton High School
Karen Koyanagi, director
with commentary by
Paul Goldstaub, composer
Sunday, November 21, 2004
3:00 p.m.
Anderson Center Chamber Hall
i
�Program
The Alcotts
from Sonata #2, “Concord, Massachusetts, 184060” ,
(composed 19021919)
Michael Salmirs, piano
In The Alley
(text by Ives, composed 1896)
Memories
(text by Ives, composed 1897)
The Greatest Man
(text by Anne Collins, composed 1921)
The Housatonic a t Stockbridge
(text by Robert Underwood Johnson, composed 1908)
They Are There!
(text by Ives, composed 1917)
Timothy LeFebvre, baritione
Margaret Reitz, piano
In The Barn
from Sonata #2 for Violin and Piano
(composed 1908)
Timothy Perry, clarinet
Margaret Reitz, piano
Intermission––
from The AllEnduring
Timothy LeFebvre, baritone
Margaret Reitz, piano
�Trio
(composed 190407, revised 191415)
Movement III: moderato con moto
Patricia Sunwoo, violin
Stephen Stalker, cello
Michael Salmirs, piano
Four Songs for Brass Qu intet
(arranged by Kenneth Singleton)
On The Counter
(text by Ives, composed 1920)
The Slide Show
(text by Pat Rooney, Sr., composed 1886)
Slow March
(text by L. Brewster, with additions by Ives family members)
Tarrant Moss
(text by Rudyard Kipling, composed 190203)
1
1i
Timothy LeFebvre, baritone
Margaret Reitz, piano
Erinn Hibbard, Stephen Boel, trumpets
Patrick Lokken, horn
David Henann, trombone
Daniel Gallagher, tuba
The Unanswered Question
(composed 1908)
Binghamton University Orchestra
Timothy Perry, conductor
Stephen Boel, assistant con ductor
Ben Aldridge, trumpet
Rod Serling Dancers at Binghamton High School
Cornelia Horne, Lisa Bettencourt, Karen Koyanagi
Choreography by Karen Koyanagi
Visit our Charles Ives Website, designed by graduate stud ent Christian
Ritter, at. bingweb.binghamton.edu/~musinova/
�About the Performers
Baritone TIMOTHY LEFEB VRE recently made his debut with Syracuse Opera
singing the role of Germont in La Traviata to rave reviews. LeFebvre’s other
operatic experience includes leading roles with San Francisco Opera, TriCities
Opera, Sarasota Opera, Chattanooga Symphony and Opera, Indianapolis Opera, and
Opera Theater of Pittsburgh. Also a frequent concert singer, he recently sang
performances of the Beethoven 9th Symphony with Chattanooga Symphony and
Opera, Magnificat and the Easter Oratorio with the Rochester Bach Festival, the
Brahms Requiem with the Susquehanna Valley Choral Society and The Bells by
Rachmaninoff with the Binghamton Philharmonic. LeFebvre has also appeared in
concert with the Vermont Symphony, Minnesota Symphony, Syracuse Symphony,
American Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony,
Berkshire Choral Festival, Williamsport Symphony, Syracuse Chamber Music
Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival.
He has appeared in concert at New York ’s Carnegie Hall and Alice Tully Hall.
LeFebvre is a winner of the N ew York Liederkranz Vocal Competition, and other
awards include the Richard F. Gold Career Grant, an Opera Fellowship at
Binghamton University and Regional Finalist in several Metropolitan Opera
Competitions. LeFebvre is a graduate of Carnegie Mellon University and
Binghamton University and is currently an adjunct lecturer in voice at Binghamton
University and is also on the faculty of the Berkshire Choral Festival. Future
engagements include a solo recital at Binghamton University in February,
Beethoven 9th Symphony with Syracuse Symphony in April, Sharpless in Madama
Butterfly with Syracuse Opera in lateApril, and the Count in Le Nozze di Figaro
with Waco Opera in May.
Pianist MICHAEL SALMIRS, a founding member and artistic director of the
Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber
musician performing extensively throughout the region. He has appeared as soloist
with the Corning Philharmonic, Binghamton University Orchestra, Cayuga
Chamber Orchestra, and has been a featured pianist on their Sunday chamber series.
As a performer of contemporary music, he has participated in such series as
Binghamton University’s Musica Nova, Cornell University ’s Ensemble X, and has
toured and recorded for the Syracuse Society for New Music. Salmirs studied at the
New England Conservatory and Eastman School of Music; his teachers have
included pianists Leonard Sh ure and Rebecca Penneys and composer Karel Husa.
Salmirs has taught at the Syracuse University School of Music and Hobart and
William Smith Colleges. He is a faculty member at Binghamton University and
Affiliate Artist at Cornell University. He maintains a private piano studio in Ithaca
and enjoys teaching students o f all ages and levels.
1
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MARGARET A. REITZ, pianist, is a native of the Binghamton area. She
received her Bachelor and Master of Music degrees in piano performance with
accompanying emphasis. She attended Boston University, New England
Conservatory and Binghamton University. She has studied piano with Jean
Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and
accompanying with Allen Rogers. She has accompanied throughout the United
States, in England, South America, and at the American Institute of Musical
Studies in Graz, Austria. She and Binghamton University faculty member Timothy
Perry were winners of the 1997 Artistic Ambassadors Program by the United
States Information Agency in partnership with the John F. Kennedy Center for the
performing arts. They bot h were invited to present a recital at the International
Clarinet Conference in Paris summer 1996 and were invited back to perform in
Belgium in 1999. She recently was a guest soloist with the Binghamton
Community Orchestra performing “Africa” by C. SaintSaens. She was an official
accompanist for the MTNA State and Eastern Division Competition held at Ithaca
College in 2001. This past summer (2003) she was a guest chamber music artist in
Morges, Switzerland. She has been on the faculty at Binghamton University since
1991 and Ithaca College School of Music since 1999. She maintains a private
piano studio in Vestal, New York. She is on the Executive Board of the New York
District MTNA organization. She is past President of the local Southern Tier
Music Teachers Association and is an active adjudicator for the National Piano
Guild Organization.
TIMOTHY PERRY is a Professor of Music at Binghamton University, where
since 1986 he has served as Director of the University Orchestra, Conductor of the
University Wind Ensemble, and Professor of Studio Clarinet and Conducting. He
recently stepped down after his tenth season as Music Director of the Binghamton
Community Orchestra. Perry holds degrees from the Manhattan and Yale Schools
of Music, where he earned numerous honors as a doublemajor student of Otto
Werner Mueller, John Mauceri, Arthur Weisbergand, Szymon Goldberg (in
conducting) and Leon Russianoff and Keith Wilson (in clarinet). Perry is widely
known as a virtuoso solo and chamber music clarinetist with pianist Margaret
Reitz, twice appearing as a featured artist at the International Clarinet Conferences
ll
in Belgium and France, and touring Latin America and the Caribbean for the
Department of State as a United States Musical Ambassador. He appeared as solo
clarinetist at festivals in Thy, Denmark (1998) and Vinalhaven, Maine (1999) and
with the Binghamton Philharmonic in 2001. He has recorded the complete 18
Etudes de Perfectionnemen t of Paul Jeanjean and prem iered his reconstruction of
The Hour of Hosts by the Romantic Munich virtuoso Karl Baermann in 2003.
�Canadianborn violinist PATRICIA SUNWOO made her New York orchestral
debut in 1995, performing Alban Berg’s Violin Concerto at Alice Tully Hall, and
has since been active as a recitalist and chamber musician throughout the United
States. She has won prizes from the Canadian Music Competitions, Montreal
Symphony Orchestra Competition, and CIBC Festival of Music. As a member of
the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she
performed to critical acclaim across the United States, France and South America,
recorded works of Artur Schnabel and Michael Whalen for labels CP2 and
Arabesque Recordings, and was aired by NPR and Japan’s NHK. Recent
engagements include appearances at the Carnegie Hall’s Weill Recital Hall,
Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and
L’Espace Pierre Cardin in Paris. She has worked with composers John Corigliano,
Joan Tower and George Crumb, and given premieres with the Whitman Quartet,
Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an
active advocate of music education, and has been a teaching artist for the Midori
Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she
joined the faculty at Binghamton University. Her major teachers include John
Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard
School, where she received her doctorate.
v¥
1
STEPHEN STALKER, cello, has performed in chamber groups throughout the
United States and Europe. As a member of the Madison Quartet, he performed in
the U.S., France, Germany and Switzerland, recorded for the Orion and Musical
Heritage Society labels, was a finalist in the Evian International String Quartet
Competition and the Naumburg Chamber Music Competition, and was an Artistin
Residence at Colgate University. Since 1980, he has played in the Catskill
Chamber Players, performing and premiering many compositions by prominent
American composers, including the world premiere of the late string quartets of
Henry Bryant, “Four Score,” at the Weill Recital Hall in New York City. He has
performed the complete Beethoven Trio cycle with colleagues at Binghamton
University. He performed with Solisti New York on their Alaskan cruise of the
Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady
Philharmonic. He teaches cello and double bass at Binghamton University.
BEN ALDRIDGE holds both Bachelor’s and Master’s degrees from Yale
University, and began teaching trumpet at Binghamton University in 1976.
Aldridge has directed both trumpet and mixed brass ensembles throughout his
tenure at BU, has performed both solo and chamber repertoire, and has taught
theory as well. Aldridge is a member of the Binghamton Philharmonic and the
Utica and Catskill Symphonies, as well as the Glimmerglass Opera Orchestra. He
also performs with and arranges for the Catskill Brass Quintet. Aldridge is a charter
member of the International Trumpet Guild, and has been recorded on Columbia
and Redwood records.
[4
‘
�PAUL GOLDSTAUB is associate professor of music theory and composition at
Binghamton University. His works have been performed by the Guthrie Theater,
the Minnesota Opera and the Cincinnati Opera; at Lincoln Center and Carnegie
Hall; and in Canada, Great Britain, Japan, Germany and Italy. His comic opera,
The Marriage Proposal, based on Chekhov, was produced offoffBroadway.
Binghamton University faculty, including Bruce Borton, the late Janet Brady,
Mary Burgess, Mike Carbone, Dan Fabricius, Al Hamme, April Lucas, Ewa
MackiewiczWolfe, Georgetta Maiolo, ChaiKyou Mallinson, Timothy Perry,
Margaret Reitz, Stephen Stalker and Brian Sternberg, have given many of his
works their local or world premieres. A national finalist in the St. Paul Chamber
Orchestra’s American Composer Competition, he has been awarded grants by the
National Endowment for the Arts, the National Endowment for the Humanities,
Meet the Composer and the Minnesota State Arts Board. He is also an annual
ASCAP award recipient. A compact disc of instrumental compositions was
released in 1998. He is a frequent guest lecturer at the Chautauqua Institution,
and has presented papers and conducted workshops at the Oberlin Conservatory,
Syracuse University, St. Olaf College, the Crane School of Music at SUNY
Potsdam, and national and regional meetings of the College Music Society and
the National Association of Schools of Music.
KAREN KOYANAGI was trained in Canada. Koyanagi has a BFA (Honors) in
Dance from York University (Toronto) and a BSC in Marine Biology from the
University of British Columbia. Before moving to Binghamton, she danced in
Toronto, Vancouver and San Francisco. While primarily working in modern
dance, she has choreographed musicals, been involved in music and performance
videos and collaborated with innovative high tech performance artists. She has
taught for organizations such as Binghamton University, Whitney Center for
Dance, 171 Cedar Arts, Inc., the Southern Tier Institute, and the Imagination
Celebration. Koyanagi is a frequent performer with the American Dance Asylum
and a member of the B.F. Harridans Women’s Morris. Presently, Koyanagi is
Task Force Chair working with the New York State Department of Education to
develop a statewide Regents exam for dance. She teaches at the Rod Serling
School of Fine Arts at Binghamton City Schools, New York and is artistic
director of the Rod Serling Dance Company.
Special thanks to Timothy Rolls, Audio Production ,
Steve Machlin, Technical Director, Anderson Center, and
Dan Sonnen, Assistant Technical Director, Anderson Center
�[las
University Orchestra
Violin
Akira Maezawa
Micah BannerBaine
Corinne Paull
Tamara Potapova
Jennifer Paull
Emily Peterson
Jungsun Oh
James Leddy
Tiffany Chang
Karen A. Krause
Richard Goldman
Mark Liu
Christina Wan
Samuel Wang
Sarah Baird
Viola _
Melissa Mattern
Leah Robinowitz
Kerry Conway
Christopher Fiore
Janet Ievins
Cello
Alex Wiesendanger
Nicholas Capone
Emily Creo
YiEun Park
Heajung Kim
Katy Walker
Bass
Andrew Eiche
Chris Zavala
Flute
Megan Pulver
Joanna Hunt
Caitlynn MacMullin
Erin Lahm
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Coming Events
Thursday, December 2 – MidDay Concert with faculty and student
performers – 1 :20 p.m. – Casadesus Recital Hall – free for students
Thursday, December 2 – Student Performance of Elizabethan Madrigal
Dinner – 6:30 p.m. – Mandela Room of University Union – $16
Friday, December 3 – Flute Studio Recital 10:30 a.m. – Fine Arts Room
1 1 l – free
Friday, December 3 – Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela
Room of the University Union $35
Saturday, December 4 Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela
Room of the University Union $35
1
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Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audio discs
Duration
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36:32
46:17
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253362&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253362&change_lng=en&select_viewer=metsViewer</a>
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FacingCoverContinuous
Dublin Core
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Title
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Charles Ives remembered: an afternoon of song and chamber music, November 21, 2004
Alternative Title
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Recital Tape 2004-11-21
Description
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Works of Ives.
Held at 3:00 p.m., November 21, 2004, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
LeFebvre, TImothy
Salmirs, Michael
Reitz, Margaret
Perry, Timothy
Sunwoo, Patricia
Stalker, Stephen
Aldridge, Benjamin
Goldstaub, Paul
Koyanagi, Karen
Publisher
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Binghamton University Libraries
Date
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11/21/2004
Rights
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In copyright
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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1 audio disc
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0:24:03
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253359&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253359&change_lng=en&select_viewer=metsViewer</a>
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Title
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Jazz improv class, November 18, 2004
Alternative Title
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Recital Tape 2004 11-18c
Description
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Jazz improv class November 18, 2004
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
11/18/2004
Rights
Information about rights held in and over the resource
In copyright
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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0:49:49
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253356&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253356&change_lng=en&select_viewer=metsViewer</a>
Dublin Core
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Harpur jazz midday program, November 18, 2004
Alternative Title
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Recital Tape 2004 11-18b
Description
An account of the resource
Works of Lederer, Puente, Hubbard, Shorter, Coltrane. Held at 1:20 p.m., November 18, 2004, Anderson Center Osterhout Theater.
Creator
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Washburne, Chris
Lederer, Jeff
Velez, Eric
Carbone, Michael
MacMillan, Molly
Phillips, Talitha
Chaluisant, Carlos
Ludovico, Vinny
Publisher
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Binghamton University Libraries
Date
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11/18/2004
Rights
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In copyright