80
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/1fedaf94eca25ee1bc10b6ea6c8430fa.pdf
ba389f43eaa86f1ce75aa68a1b52e172
PDF Text
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BINGHAMTON
U N I V E R S I T Y
STATE U N I V E R S I T Y OF N E W Y O R K
O
w d e c
D E P A R T M E N T
1”
11,f EE
f_ J 1,112; A L
Sun da y, A p ril 7, 2 013
3 p . m .
Phelps Mansion Museum
�PROGRAM
Cinque, dieci, venti, trenta
from Le Nozze di Figaro
Matthew Samluk (Figaro)
Rachel Young (Susanna)
In uonimi, in soldati
from Cosi fan Tu tte
Caidin Gofimer (Despina)
Mab, la reine des mensonges.
from Romeo and Juliette
Michael Celentano (Mercu tio)
. W. A. Mozart
(1756 1791)
. W. A. Mozart
(1756 1791)
Je dis que rien ne m ’épouvante
from Carmen
Kerianna Krebushevski (Micaela)
Georges Bizet
(1838 1875)
Card Aria (En vain pour éviter)
from Carmen
Emily Geller (Carmen)
Georges Bizet
(1838 1875)
raINTERMISSIONfi
. W. A. Mozart
(1756 1791)
Soave sia i l v ento
from Cosi fan Tu tte
. W. A. Mozart
(1756 1791)
Rachel Young (Fiordiligi)
Daniela Rivera (Dorabe lla)
Ma thew Samluk (Don Alfonso)
Avente Torto.
from Gianni Schicchi
Giacomo Puccini
(1858 1924)
Hana Ryu (Rinuccio)
Golden Days..
from The Student Prince
Michael Celentano (Engel)
Cole Tornberg (The Pr ince)
Mr. Snow
from Carousel
.. W. A. Mozart
(1756 1791)
Ambroise Thomas
(1811 1896)
Sull’ aria.
from Le Nozze di Figaro
Caitlin Gotimer (Coun tess)
Elizabeth Keyes (Susanna)
.Charles Gounod
(1818 1893)
. Jacques Offenbach
Barcarolle.
(1819 1880)
from Les Contes D’Hoffman
Molly Adams~Toomey (Giulietta)
Emily Geller (Nicklausse)
La c i darem la mano
from Don Giovanni
Charles Hyland (Don Giovanni)
Christina Santa Maria (Zerlina)
Me voici dans son boudir.
from Mignon
Daniela Rivera (Frédéric)
Rodgers and Hammerstein 11
(1902 1970) (1895 1960)
Elizabeth Keyes (Carrie)
Umbrella Duet
from Trouble in Tahiti
Charles Hyland (Sam)
Molly Adams Toomey (Dinah)
Si puo? .
from I Pagliacci
.. Sigmund Romberg
(1887 1951)
Robert Heepyoung Oh (Tonio)
.. Leonard Bernstein
(1918 1990)
.Ruggero Leoncavallo
(1857 1919)
�ton University Music Departm ent’s
Bingham
Co ming Events
m
m
m
m
m
w
Sunday, April 7 Master ’s Recital: Mario EuneHwan Bae, tenor 7 :30 p.m.
Casadesus Reci tal Hall – free
1 MidDay Concert– 1:20 p.m. – Fine Arts Room 21– free
Thursday, Ap ril 1
Thursday, April 11 Harmony Club Fundraiser Con cert 7:30 p.m. – Casadesus
Recital Hall – free (a $10 donation will be accepted at the door)
Sunday, April 1 4 Alaster ’s Recital: Charlie Hyland, baritone – 7 :30 p.m. –
Casadesus Recital Hall – free
Tuesda y, A pril 16 String Fever (Suing Classes an d Stu dio String Recital)
8:00 p.m. – Casadesus Recital Hall – free
Thursda y, A pril 18 AlidDa y Conc er t – 1:20 p.m. – Casadesus Recital Hall free
Friday, April 1 9 – String Orchesua Concert– 4:00 p.m. – Grand Corridor – free
Saturday, April 2 0 Senior R acial: Sungkyun Ryu, piano 8:00 p.m.
Casadesus Reci tal Hall – free
Sun da y, A pril Z I M u Phi E psilon Conc er t 3:00 p.m. – Casadesus Recital Hall
free
—
iano– 7 :30 p.m.
Sunday, Apri121 Master ’s Recital: Seonghyang Ki m, p
Casadesus Reci tal Hall – free
Thursday, Ap ril 2 5 jazz MidDay Concert with jazz pianist Larry Ha m 1:20
p.m. – Osterhout Concert Theat er – free
Thursday, Ap ril 2 5 Harpur jazz Ensemble Concert with jazz pianist Larry
H a m – 8:00 p.m. – Osterhout Concert Theater – $6 general public; $ 3
faculty/staff/ seniors; free for students
m
w
m
m
m
m
For tickets or to be added to our email lis t, visit anderson.binghamton.edu or call (607)
7 7 7ARTS. For a complete list of our concerts call (607) 7 7 72592, visit
music.binghamton.edu or become a fan on Face book.
–
[ = ]
[ = ] ;
.
—
If you were inspired by this performance, consider supporting the
Department of Music with a financial gi ft. Your support helps to
continue the work of students, faculty, and guest artists and their
contributions to our community. Please make your donation
payable to the Binghamton University Music Department, and
send your check to BU Music Department, P.O. Box 6000,
Binghamton, NY 13902.
�
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Title
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Phelps Mansion opera scenes, April 7, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Mozart, Gounod, Offenbach, Bizet, Thomas, Puccini, Romberg, Rodgers, Hammerstein, Bernstein, Leoncavallo. Held at 3:00 p.m., April 7, 2013, Phelps Mansion, Binghamton, New York.
Creator
An entity primarily responsible for making the resource
Samluk, Matthew
Young, Rachel
Gotimer, Caitlin
Celentano, Michael
Adams-Toomey, Molly
Geller, Emily
Krebushevski, Kerianna
Hyland, Charles
Santa Maria, Christina
Rivera, Daniela
Keyes, Elizabeth
Ryu, Hana
Tornberg, Cole
Oh Robert, Heepyoung
Publisher
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Binghamton University Libraries
Date
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2013-4-7
Rights
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In copyright
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sound
-
https://omeka.binghamton.edu/omeka/files/original/99b9159b99c9c9f89fbb4045da8d2a03.pdf
62d8af96ccd4ab4df713b65db215526c
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BINGHAMTON
U N I V E R S I T Y
S T A T E UN I V E R S I T Y OF NE W YORK
[4
w d e c
D E P A R T M E N T
Harmony Club
Fundraiser Concert
Thursday, April 1 1, 20 13
7:30 p.m.
Casadesus Recital Hall
�PROGRAM
. W. A. Mozart
ln uomini, in soldati.
( 1 7 56 1 791)
arr. by Benjamin Britten
( 19 131976)
from Cosi Fan Tutte
The last rose ofsummer.
Caitlin Gotimer, soprano
ChaiKyou Mallinson, piano
Sonata No. 2 in Bflat minor, Op. 35 .
Grave – doppio mwimento
Daniel Malinovsky, piano
11 Barcaiolo
Heart, we will forget him,.
from Twelve Poems of Emily Dickinson
Widmung, Op. 25, No. 1 .
Christina Santa Maria, soprano
ChaiKyou Mallinson, piano
Nigun .
from the Ball Shem Suite
Elea nor Krasner, violin
ChaiKyou Mallinson, piano
. Fr éi éric Chopin
( 1810–1849)
Gacta no Donizetti
( 187219 15)
Aaron Copland
(19001990)
Robert Schumann
( 18104856)
Ernest Bloch
( 1880 1959)
Caitlin Gotimer, soprano
Christina Sa nta Maria, soprano
ChaiKyou Mallinson, piano
A < I N T E R M I S S I O N m4
(b. 1 9 26)
Andante sostenuto
Allegro vivo
William Marsiglia, trombone
ChaiKyou Mallinson, piano
.Domenico Scarlatti
(16851757)
comp/arr. Heiner Wiberry
Sonata No. 44 .
arr. Fred Hemke
Ulla In Africa.
The Binghamton University Saxophone Quartet
Danielle Smner, soprano saxophone
Veronica Mantilla, alto saxophone
(b. 1944)
Christopher Murdock. tenor saxophone
Ph il Wes tc ot t, bari tone saxophone
Sonata 1
Cantabile
Spiritoso e staccato a Tempo Moderato
Ernst Galliard
(16871749)
Largo e Staccato
Hornpipe a l’inglese: Allegro e Staccato
Vivace
Zachary Stanco, bass clarinet
ChaiKyou Mallinson, piano
October Night (movement 1)
,Michae1 Burritt
(b.1962)
Benjamin Ramos, marimba
Gioachino Rossini
D l le t t o b u ff o d i d u e g a t t i
.Jacques Casterede
Sonatine for Trombone and Piano.
(1792 1868)
. Raymond Premru
Felicity.
(19341998)
Daniel Speer
Sonata No, 1
( 16361 707)
Allegro
William Marsiglia, trombone
Chris Beard, Gary Bennett, trombone
If you or you know someone who would like to make an additional donation,
checks can be made payable to the Harmony Club and mailed to Mary Chen,
Treasurer, Harmony Club, #1 3, 4 Oak St., Binghamron, NY 13905.
�STUDIO STARS
C hris Beard: Freshman; Computer Science major, enjoys sailing; from the studio of
Donald Robertson.
e n ne t t : Senior; Chemistry major/ M usic minor; interested in composition; from the
Gar y B
studio of Donald Robertson.
Caitlin Goti mer: Sophomore; Vocal Performance major; Resident Artist in Dickinson;
from the studio of Thomas Goodheanrt.
Elea n or Krasner: Freshman; English and Music majors; from the studios of Janey Choi
and Peter Rovit.
Dan iel M alinovsky: Sophomore, Financial Engineer major, loves to travel and would like
to go abroad to study in Italy; from the studio of Jinah Lee.
Veron ica M antilla: Sophomore; Chemistry major; Member of Student Conduct Board
and Undergraduate Art History Association; loves architecture; from the studio of April
Lucas.
Willia m M arsiglia: Senior; Biochemistry and M usic majors; works in a chemistry lab;
from the studio of Donald Robertson.
C h risto pher M urdock: Junior, Accounting Major; bowls for BU Intramural Bowling
League; from the studio of April Lucas.
Be n ja mi n j os hua Ra mos: Senior; Computer Science major; mentors at the Boys and
Girls Club of Binghamton; Webmaster 20 1 1 20 12 ; member of the Society of Asian
Scientists and Engineers; Outreach Chair 201 I 20 1 2; from the studio of Julie Licata.
Christina Santa M aria: Sophomore; Vocal Performance and Linguistics major; President
of Mu Phi Epsilon, the professional coeducational music fraternity at Binghamton
University; from the studio of Mary Burgess.
Zachary S ta nco: Senior; English and Philosophy majors; writes for the Opinion section of
the school paper; from the studio of Sarah Chandler.
Dan ielle S t o ner : Sophomore; Music and Integrative Neuro Science majors; active in the
professional music fraternity Mu Phi E psilon; plays in the pit band for the Binghamton
University Theatre musicals; from the studio of April Lucas.
P h i l Westcott: Senior; EnglishCreative Writing and M usic majors; General Manager of
BU free format radio station WHRW; intern for WSKG Community Conversations radio
show, from the studio of April Lucas.
Special thanks to pianist ChaiKyou Mallinson &
coordinator Stephen Stalker.
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1:08:52
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Harmony Club fundraiser concert, April 11, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Mozart, Chopin, Copland, Schumann, Block, Rossini, Scarlatti, Galliard, Burritt, Premru, Speer. Works by Held at 7:30 p.m., April 11, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Gotimer, Caitlin
Mallinson, Chai-Kyou
Malinovsky, Daniel
Santa Maria, Christina
Krasner, Eleanor
Marsiglia, William
Stoner, Danielle
Mantilla, Veronica
Murdock, Christopher
Westcott, Phillip
Stanco, Zachary
Ramos, Benjamin
Beard, Christophe
Bennett, Gary
Stalker, Stephen
Publisher
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Binghamton University Libraries
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2013-4-11
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In copyright
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sound
-
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Flute studio and flute chamber concert, December 5 2014
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Honegger, Telemann, Bloch, Müller, Gaubert, Mouquet, Muczynski, Vivaldi, Damase. Held at 10:45 a.m., December 5, 2014, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Kasinski, Devin
Lawson, James, William
Carolan, Lydia
Florakis, Eleni
Bedonian, Li
Robins, Jacqueline
Paye, Emily
Biagiotti, Jessica
Maiolo, Georgetta
Chai-Kyou, Mallinson
Greene, Brandy
Florakis, Eleni
Natale, Cara
Publisher
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Binghamton University Libraries
Date
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2014-12-5
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sound
-
https://omeka.binghamton.edu/omeka/files/original/0df8cc559a7cf5645eec4a8fee7d1d7c.pdf
a20c701560be3ead27985f4bee32da4b
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
[4
wdee
D E P A R T M E N T
UNIVERSITY PERCUSSION
ENSEMBLE CONCERT
Julie Licata, Conductor
Featuring
Emily Goetz, Vibraphone
Benjamin Ramos, Marimba
Tuesday, April 30, 2013
8:00 PM
Anderson Center Chamber Hall
�PROGRAM
PROGRAM NOTES
Children’s Songs #9, #2, #14 (1973/1979) ..
.Chick Corea
(b. 1941)
arr. David Steinquest
Threads (2006) .
.
I. Prelude (Aria I)
VI. Chorus ll
.
.
. Paul Lansky
(b. 1944)
Broken Silence (2002) .
Mark Glentw orth
(b. 1960)
Emily Goetz, vibraphone
Bloom ( 2011) ..
....Ivan Trev ino
(b. 19 8 3)
October Night (1986).
.. Michael Burritt
Benjamin Ramos. marimba
The Shape o f Things to C ome (2012) ..
(b.1962)
.. Nick Zammuto
(b. 1975)
Arr. SP201 3 Percussion Ensemble
Chick Corea’s Children’s Songs No. 9, 2 and I 4 (1973 and 1979) were
originally written for piano, violin and cello. Tonight. we are
performing only three of twenty short tunes in this collection. Each song
is relatively short, containing just a simple theme with little to no
development. In the preface of the annot ated version, Corea states that
he aimed to “convey simplicity as beauty. as represented in the Spirit of a
child.“
Threads (2006). written for So Percussion Ensemble by Princeton
composition professor Paul Lansky, is a halfhour long cantata for
percussion quartet in ten short movements. There are three threads
interwoven throughout the piece; arias and preludes that focus on the
metallic pitched sounds of the vibraphones, glockenspiel and metallic
pipes; choruses in which drumming predominates; and recitatives made
largely from John Cagelike noise instruments, bottles, flowerpots,
crotales, etc. The aims of the different threads are to highlight the wide
range of qualities that percussion instruments are capable of, from lyrical
and tender to forceful and aggressive, and weave them into one
continuous texture, Tonight we w ill perform tw o of the ten movements
the first metallic thread and a drumming chorus from the middle of the
cantata.
Broken Silence, by Mark Glentworth, is one of three movements from
Vibraphone Suite No. 1 the others being limo and Sunbell. Each
movement has been written in such a way that it can be performed as a
solo, or as forming a part of the suite. Although Broken Silence was the
first movement to be composed for the suite, the performer may change
the order of the movements when performing the whole suite. Mark
Glentworth is a composer living and working in London(UK), mostly
known for his solo tuned percussion pieces and his work with
Actor/Director Steven Berkoff.
�The Shape of Things to Come is the penultimate track on Nick
lvan Trevino is a musician who wears many hats. He’s a rock drummer at
heart, and brings that spirit into other avenues of his life, including
classical percussion, composing and teaching. Trevino has drummed.
recorded and composed extensively with Break of Reality. a national
touring cello rock band. Bloom. scored for four marimbas, weaves
between minimalism and postrock, reflecting the composer’s interest in
bands like Radiohead and Explosions in the Sky. Much like minimalism.
postrock compositions feature motivic ideas that develop organically
over time. Rather than utilizing the versechorus form of standard rock
music, postrockers tend to create an atmosphere of textures, utilizing
thick orchestrations and a wide range of dynamic. With Bloom. the
Zammuto‘s selftitled album. Zammuto, released on April 3, 2012. Prior
to the release of this album, Nick Zammuto was a member of a band
called The Books. Zammuto is his first release after ending The Books
project in early 2012. The arrangement you will hear tonight was put
together by all the current members of the percussion ensemble. Each
member contributed to the tasks of transcribing and notating the melody.
rhythm and harmonies of the recorded song on an open internet
program called Noteflight. Once all the notes were transcribed. specific
notes were assigned t o various percussion instruments. and parts were
assigned. the ensemble played through the piece. Upon hearing how the
piece fit together at each rehearsal. all ensemble members contributed to
composer created the same idea of texture and motivic development.
decisions about how to add t o the piece. how to compensate for the
while maintaining the energy and accessibility of the bands that inspired
the work. Bloom was awarded 1“ Prize in the 2011 Percussive Arts
differences between the original instrumentations and the chosen
percussion instruments and how to make our interpretation of the piece
unique.
Society Composition Contest. Trevino is currently on faculty at the
Hochstein School of Music & Dance in Rochester. NY, where he teaches
percussion, composition, and chamber music. He is also on faculty at the
Eastman School of Music. where he teaches a course in music business.
October Night was written in the fall of 1986 and was Michael Burritt‘s
first serious attempt at composition. The piece is dedicated to famous
marimbist Gordon Stout, a former teacher and good friend of Burritt.
The work was inspired by the Dylan Thomas poem. Do Not Go Gentle
Into That Good Night. The poem conveys two very powerful and very
different moods: one of sorrow and deep remorse and the other of
aggression and anger. Thus a piece in two movements evolved depicting
these contrasting emotions. The first movement is a chorale painting the
sadness expressed in the poem of Thomas’ father’s impending death. It is
written in a romantic style and moves between the keys of C and Bflat
major. Movement Two is an energetic allegro depicting the intensity of
the poet’s emotions as he begs his father to fight against death. It
develops motivically through the use of perfect 5ths and major 6ths
separated by minor 2nds and augmented 4ths. it is in sonata form and
concludes the work with the coda from the first movement.
�UNIVERSITY PERCUSSION ENSEMBLE
percussion from the University of North Texas (D.M.A.). University of
Andres Castillo
Emily Goetz
Steve Olson
Benjamin Ramos
Alexander Rava
Devan Tracy
Andrew Williamson
As an active performer and advocate of new music. Julie has developed
relationships with many great composers. premiering and commissioning
PERSONNEL
About the Performers
EMILY GOETZ is a sophomore at Binghamton University. majoring in
computer science. She has been playing percussion for seven years. At
BU, Emily has played in the University percussion ensemble and wind
symphony for two years. Currently. she also plays in the Binghamton
Community Orchestra and the Southern Tier concert band and formerly
played in SUNY Ulster’s Community Band and SUNY New Paltz’s
CollegeYouth Symphony.
BENJAMIN RAMOS is a senior at Binghamton University majoring in
computer science and minoring in music. Benjamin has participated in
the percussion ensemble for 3.5 years and was previously featured as a
soloist for the spring 2011 concert. After graduating, Benjamin would
like to pursue a software engineering job around the Broome County
area while also continuing his percussion studies.
JULIE LICATA has been teaching percussion lessons and percussion
ensemble at Binghamton University since Fall 2012. Julie also serves as
Assistant Professor of Music at State University of New York, College at
Oneonta. At Binghamton University and SUNY College at Oneonta, Julie
teaches ensembles and private lessons that span a wide range of
percussion instruments and styles. and teaches a seminar course Music
Cultures of the World. Julie has received performance degrees in
South Carolina (M.M.) and Capital University (B.M.).
numerous works over the last ten years by composers such as Thomas
Licata. Greg Dixon, Chapman Welch. Scott Comanzo. Jude Vaclavik.
Steve Winstead and Brett Masteller. Significant recent accomplishments
include performances at the Society for EIectroAcoustic Music in the
United States (SEAMUS). the International Computer Music Conference
(ICMC). New Music Focus Week at SUNY Oneonta, New Genre Festival
in Tulsa. Oklahoma. NOW Music Festival at Capital University and
numerous performances at the Center for Experimental Music and
lntermedia at the University of North Texas. In addition, Julie completed
her D.M.A. from the University o f North Texas in December 2009. Her
dissertation, entitled “Physical Gesture. Spatialization, Form and
Transformation in Watershed I/IV. for Solo Percussion and RealTime
Computer Span’a/Izaf/‘on by Roger Reynolds” includes several analytical
approaches demonstrated through embedded video excerpts of her
performances of Watershed IV.
In addition to contemporary music performance and research. Julie is
also active in the field of ethnomusicology. Julie spent the summer of
2008 performing, recording and transcribing traditional drumming of the
Ewe people in the Volta Region of Ghana. She is currently planning a
trip to Indonesia to study Balinese and Javanese gamelan. and a return to
Ghana to continue her study of various regional music and dance styles.
and specifically to study Ewe master drumming.
�Binghamton University Music Department ’s
Coming Events
Wednesday, May I – Percussion Recital: Devan Tracy and Andres Castillo –
8:00 p.m. – Casadesus Recital Hall – free
Thursday, May 2 MidDay Concert – 1:20 p.m. – Anderson Center Chamber
Hall – free
Thursday, May 2 – Opera Scenes – 8:00 p. m. – Anderson Center Chamber Hall
$6 general public: $3 faculty/staft/seniors; free for students
Friday, May 3 – Music from the Seminar (Christopher Lay’s Class) – 8:00 p.m.
Casadesus Recital Hall – free
Saturday. May 4 – Master’s Recital: Molly AdamsToomey, mezzosoprano
(tentative) – 8:00 p.m. – Casadesus Recital Hall – free
Sunday, May 5 University Symphony Orchestra and Chorus – 3:00 p.m.
Osterhout Concert Theater – $ 6 general public: $3 faculty/staft/seniors; free for
students
Wednesday. May 8 – Nukporfe African Drumming and Dance Ensemble –
7:00 p.m. – Watter'; Theater – $3 general admission at the door
Thursday, May 9 – Student Recognition MidDay Concert 1:20 p.m. –
Casadesus Recital – free
Thursday, May 9 – Recital/Masterclass: Guest Artist Victor Chavez Jr., clarinet –
4:30 – 6:00 p.m. – Casadesus Recital Hall free
Thursday, May 9 – Harpur Chorale and Women ' ; Chorus 8: 0 0 p.m.
Anderson Center Chamber Hall $6 general public: $3 faculty/staff/seniors; free
for students
Friday, May 10 – Junior Recital: Kerianna Krebushevski, soprano – 8: 0 0 p.m.
Casadesus Recital Hall free
Saturday, May 11 – Sophomore Recital: Daniel Rosenau, organ – 4: 0 0 p.m.
Trinity Memorial Church– free
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For tickets or to be added to our email list, visit anderson.binghamtan.edu or call (607) 777
ARTS. For a complete list of our concerts call (607) 7772592, visit music.binghamton.edu or
become a fan on Facebook.
[ = ] = [mu]
If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to continue
the work of students, f aculty, and guest artists and their contributions to
E
E
our community. Please make your donation payable to the Binghamton
University Music Department, and send your check to BU Music
Department, P.O. Box 6000, Binghamton, NY 13902.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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46:54
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University Percussion Ensemble concert, April 30, 2013
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Lansky, Glentworth, Trevino, Zammuto. Held at 8:00 p.m., April 30, 2013, Anderson Center Chamber Hall.
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Smales, Joel
Licata, Julie
Goetz, Emily
Ramos, Benjamin
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Binghamton University Libraries
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2013-4-30
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https://omeka.binghamton.edu/omeka/files/original/f9d99dc2592f9696fb8c9752cf30b7da.pdf
da8823866ecea270ce9680893b442660
PDF Text
Text
BINGHAMTON
UNI VER SIT Y
STATE UNIVERSIT Y OF NEW YORK
usi
D E P A R T M E N T
PERCUSSION RECITAL:
DEVAN TRACY AND ANDRES CASTILLO
Wedne sday, May 1, 2013
8 p.m.
Casadesus Recital Hall
�PROGRAM
Fantasy on a Shona Theme (2006) ................. .............. Glenn Kotche
(b.1970)
Devan Tracy, vibraphone
Once Removed (2003) ................. ................. ......... John Fitz Rogers
(b.1963)
Adam Goldenberg and Devan Tracy, marimba
Mashup of Us (2004) and You're Gonna Miss Me (2009) ................ .
................. ........ Regina Spektor (b.1980) & Lulu and the Lampshade s
Emily Goetz, vibraphone
Nicholas Thompson, violin
Devan Tracy, marimba & vocals
Shane Tracy, guitar
Dhanya Sridhar, vocals
Paul Watrobski, cello
INTE RM IS SI O N
Autumn Leaves ................. ................. ................. ...... .Johnny Mercer
(1909 - 1976)
Blues in F ................. ................. ................. ................. ... Eric Harland
(b.1976)
Song For My Father ..... ................. ................. .............. Horace Silver
(b.1928)
Word to Herb ................. ................. ................. ...... David Fiuczynski
(b. 1964)
Andres Castillo, drum set &vibraphon e
Anthony Gabriele, piano
Lucas Hennessey, Bass
Devan Tracy, congas & drum set
Improvised Drum Set Duet
Andres Castillo and Devan Tracy, drum set
�PERFORMERS
DEVAN TRACY is a senior at Binghamton University,
originally from Saratoga Springs, NY. She is currently
majoring in Mechanical Engineering with a minor in
Sustainable Engineering. She will be bicycling across the
country and getting a job in the sustainable energy or
infrastructure industry after graduation. De.van started her
music career in kindergarten on the piano, but soon gave up
when she realized that the musical alphabet stopped at
Nonetheless, she is back in action and has
"G#.
participated in the BU Percussion Ensemble, Harpur Jazz
Ensemble, and Nuporfke African Drumming Ensemble, and
Walnut Grove Family bluegrass band throughout college.
During the summer, she has been seen performing with the
Ryan Jenson Band, and has been working on making a selftitled CD of originals. You might also find Devan running,
hiking, motorcycling, slacklining, or doing yoga.
11
ANDRES CASTILLO is a senior at Binghamton University,
originally from Mahopac, New York. He is currently majoring
in Instrumental Music Performance. He has participated in
the Harpur Jazz Ensemble, the BU Percussion Ensemble
and has his own jazz trio, called the Andres Castillo Trio. He
also performs at Greater Faith and Deliverance as the
drummer playing gospel music. You can find him as a
DJ/producer on his free time and interacts with other
budding producers throughout the world.
�Bing hamt on Univ ersity Music Depa rtme nt's
Com ing Events
Thursday, May 2- Mid-D ay Conce rt- 1:20 p.m. -Ande rson
Center Chamber Hall - free
Thursday, May 2- Opera Scenes- 8:00 p.m. -Ande rson Center
Chamb er Hall- $6 genera l public ; $3 faculty/staff/seniors; free for
students
Friday, May 3 - Music from the Seminar (Christopher Loy's Class) 7 p.m. - Casadesus Recital Hall- free
Saturday, May 4 - Master's Recital: Molly Adams-Toomey, mezzosoprano - 8 p.m. - Casadesus Recital Hall- free
Sunday, May 5 - University Symphony Orchestra and Chorus:
- 3:00
Symphony" & Durufle's
Schubert's
p.m. - Osterh out Concert Theater - $6 genera l public ; $3
faculty/staff/seniors; free for students
"Unfinished
"Requiem"
Wednesday, May 8 - Nukporfe African Drumming and Dance
Ensemble - 7:00 p.m. - Wafter 's Theater - $3 genera l admission at
the door
Thursday, May 9- Student Recognition Mid-D ay Concert - 1:20
p.m. - Casadesus Recital Hall-f ree
Thursday, May 9- Recita[/Masterclass: Guest Artist Victor Chavez
Jr., clarinet- 4:30- 6 p.m. - Casadesus Recital Hall- free
Thursday, May 9- Harpur Chorale and Women's Choru s- 8:00
genera l public ; $3
p .m. - Anders on Center Chamber Hall - $6
faculty/staff/seniors; free for students
Friday, May 10 - Junior Recital: Kerianna Krebushevski, soprano 8:00 p.m. - Casadesus Recital Hall - free
or call (607)
For tickets or to be added to our email list, visit anderson.bingham ton.edu
visit
7-2592,
77
(607)
call
777-ARTS. For a complete list of o ur concerts
k.
Faceboo
on
fan
music.bin ghamton.edu o r become a
If you were inspired by this performa nce, consider supportin g the
Departm ent of Music with a financial gift. Your support helps to
continue the work of students, faculty, and guest artists and their
contribut ions to our commun ity. Please make your do nation payable to
the Bingham ton Universit y Music Departm ent, and send your check to
BU Music Departm ent, P.O . Box 6000, Bingham ton, NY 13902.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Title
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Percussion recital with Devan Tracy and Andres Castillo, May 1, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Kotche, Rogers, Spektor, Mercer, Harland, Silver, Fiuczynski. Held at 8:00 p.m., May 1, 2013, Casadesus Recital Hall.
Creator
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Devan, Tracy
Castillo, Andres
Goldenberg, Adam
Goetz, Emily
Thompson, Nicholas
Tracy, Shane
Sridhar, Dhanya
Watrobski, Paul
Gabriele, Anthony
Hennessey, Lucas
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Binghamton University Libraries
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2013-5-1
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sound
-
https://omeka.binghamton.edu/omeka/files/original/19d783f20162bbee0bdd5a80241b7595.pdf
742f5c2fff12b37323436d5bd2222b2b
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BINGHAMTON
UNIV ERSIT Y
STATE UNIVERSITY OF NEW YORK
MUSIC FROM THE
SEMINAR
Friday, May 3, 2013
7:00 p.m.
Casadesus Recital Hall
�PROGRAM
Sketch for Cello Quartet .......................... Emmanuel Sikora
Xander Edwards, cello
Paul Watrobski, cello
Eric Wuu, cello
Andrew Card, cello
Etude for Solo Cello ............................. ..... Christian Martin
Xander Edwards, cello
Variations on "Lo, How a Rose 'ere Blooming"Mark Summer
Paul Watrobski, cello
"Prelude" first movement from Suite ................. Peter Cody
for Unaccompanied Cello
Stephen Stalker, cello
Human Emotions for Cello and Piano ................ Wan Kim
Stephen Stalker, cello
Sungkyun Ryu, piano
INTERMISSION
�Piano Sonata No. 1............................. ....... Christian Martin
1. Largo Expressivo
2. Eerie, Otherworldly
3. Allegro Vivace
Christian Martin, piano
New River ............................. .................. ........ Peter Cody
Alexander Baron, tenor recorder
Veteran's Day Parade ............................. .......... David Gaita
Daniel Salinas, violin l
Carmen Johnson-Pajard, violin 11
Ben Pochily, viola
Lanra Andrade, cello
Spring Pools ............................. ...................... Peter Cody
Two Miniatures for ....................... ......... Emmanuel Sikora
Unaccompanied Chorus
1. Late Autumn
2. Jenny
The Altoids
�ABOUT THE PERFORMERS
PETER CODY is a graduate student in compositio n at SUNY
Binghamto n and studies with Professor Loy. He did his
undergradu ate work in compositio n at Temple University and
SUNY New Paltz. He worked with the Bucks County Center for
the Performing Arts, where he wrote music for events, scenes for
the actors, and ran a forum for local composers. He currently
teaches piano and compositio n in the Communit y Services program
at Dutchess Communit y College.
DAVID GAITA, a senior at Binghamto n University, began studying
piano at age 7, and composing at age 15. He has performed piano
solos, chamber works, and his own pieces in Manhattan ,
Barcelona, and throughout NY State. His music has been
performed by flutist Georgetta Maiolo, pianist Michael Salmirs, and
various Binghamto n University ensembles. He studies piano with
Michael Salmirs and compositio n with Christophe r M. Loy. He has
recently organized a flashmob-s ymphony for 25 musicians, which
took place on the Binghamto n University quad. He is currently
composing a score for the pilot episode of a television series
entitled "King's County," written by Andoni Elias-Nava. He will be
graduating this May with a Bachelor's degree in biology and music.
He plans to continue composing and playing piano, to begin
working in biomedical research, and to enroll in medical school in
the fall of 2014.
WAN KIM is a graduate student of State University of New York at
Binghamto n, majoring in compositio n, and he has studied with
Professor Christophe r Loy and Professor Paul Goldstaub. He
received a Bachelor of Music degree in Compositio n from KyungHee University, South Korea in 2006. He was awarded prizes at
many compositio n competition s; Contempor ary Music Society
Compositio n Competitio n 1st Prize winner, 36th Nanpa Music
Competitio n, DCMA (Daejeon Contempor ary Music Association)
Young Composer Prize winner, Daegu Internation al Contempo rary
Music Festival Young Composer Prize, and Korea Society of
Woman Composers .
CHRISTOPHER MORGAN LOY, composer-p ianist, has a catalog of
compositio ns which includes works for piano, voice, chamber
ensembles, chamber orchestra, full orchestra, and chorus. He
�earned the Doctor of Musical Arts in compositio n from Cornell
University in Ithaca, New York where he studied compositio n with
Pulitzer Prize-winni ng composers, Karel Husa (1969) and Steven
Stucky (2005). Loy has been a guest composer/p ianist in many
venues and recital series through-ou t the mid-west and New York
State. In 1987, Loy was a founding director of "EPICYCLE: an
ensemble for new music" based in Cleveland. This organizatio n
helped to establish a significant voice for new music in Cleveland.
His works have been heard and premiered in Cleveland, Detroit,
Houston, New York, San Francisco, San Antonio, and Ithaca. He
serves as Professor of Theory and Compositio n at Binghamto n
University and teaches piano and compositio n at the Communit y
School of Music and Art (CSMA) in Ithaca, NY. He is organist/
pianist at the First Baptist Church of Ithaca. Loy is a member of
BMI and the American Composers Alliance (ACA). Helianthus
Music Publishing Company publishes his music.
CHRISTIAN MARTIN received his Bachelors of Music from
Binghamto n University in 2012. He is now finishing his first year in
the compositio n masters program here at SUNY Binghamto n. He
has worked as a teaching assistant in music theory under Dr.
Christophe r Loy and has accepted a teaching assistantship and
tuition scholarship for next year. Upon the completion of his
degree he plans to work towards a OMA in Compositio n. He has
been commission ed as a transcriptio nist and arranger by Dr. Paul
Goldstaub and Schubertiad e Music LLC., and as a composer for
A.A. Michael Production s. He has won prizes in national choral
compositio n competitio ns with his works Walls of Glass, for
accompani ed SATB (2 nd place in Edwin Fissinger Choral
Compositio n Competitio n, 2011); and Purple and Pearl, for
accompani ed SATB (1 st place in the San José Choral Production s
Compositio n Competitio n, 2011). You may visit his webpage for
more information at www.wix.c om/theoryo fmusic/chr istianmarti n.
EMMANUEL SIKORA is currently completing his Masters in Choral
Conducting and Compositio n at Binghamto n University. He earned
his Bachelor's with a Concentrat ion in Compositio n from Queens
College, where his teachers included Edward Smaldone, Joel
Mendelbau m and Bruce Saylor. He is currently studying
compositio n with Prof. Loy.
�THE ALTOIDS
Jibron Harris 82
Daniel Fernandez 82
Joseph Keller Bl
Michael Celentano Bl
Matthew Pedersen T2
Thom Furey T2
Cole Tornberg Tl
Greg Keeler Tl
Denise Aquino A2
Katherine Sherwood A1
Danielle Stoner S2
Katherine Sucha Sl
Christina Santa-Maria S1
PROGRAM NOTES
SPRING POOLS for eight part mixed voices, is based on a melody by
Alexander Scriabin and sets the text of Robert Frost:
"These pools that, though in forests still reflect
The tota I sky almost without defect
And like the flowers beside them chill and shiver
Will like the flowers beside them soon be gone,
And yet not out by any brook or river,
But up by roots to bring dark foliage on.
The trees that have it in their pent-up buds
to darken and be summer woods
Let them think twice before they use their powers
To blot out and drink up and sweep away
These flowery waters and these watery flowers
From snow that melted only yesterday."
VETERAN'S DAY PARADE was performed by a student string quartet at
the Eastman School of Music, this composition is the culmination of David
Gaita's studies with Amazing Grace, having previously composed three
smaller and shorter versions of what might be called variations on the
hymn, for other ensembles.
HUMAN EMOTIONS FOR CELLO AND PIANO is written in A - B - C Cadenza - A' form to express different human emotions that appear in
life. Most people experience a variety of emotions in their daily lives, such
as anger, sorrow, and joy. Each musical section corresponds to a different
emotion. The first describes anger, while the second is sorrowful. The last
section represents joy and pleasure. To express the emotions of each
section, various musical elements are employed; a wide range of dynamics
for anger, a lyrical melody to depict sorrow, and a faster tempo and more
intricate rhythm to describe joy and pleasure.
�PIANO SONA TA NO. 1 expresses some of my deepest emotions. Unlike
my preludes, which express my appreciation and desire for the beauty
and tranquility of nature, this piece explores the two very opposite
human emotions of joy and anger. This sonata follows the traditional
fast, slow, fast three movement form. In the first movement the main
theme, representing anger, is introduced in silent contemplation. After it
is stated it is quickly thrown through a series of developmental variations.
The second theme, representing joy, is stated only once in the entire first
movement. Throughout the second movement, both themes fight back
and forth for the lead. In the third movement the second theme is the
melody, but the first theme comes back for one last time and both
motives, anger and joy. fight back and forth towards a climactic ending.
1WO MIN/A TURES FOR UNACCOMPANIED CHORUS were composed
last semester. I wanted to try my hand at choral writing in my ownlanguage. which I had not done before. After completing the first piece,
to my own somewhat haphazard poem, I had trouble finding the text for
a second. David Gaita, it turns out. had just written a short poem called
"Jenny" that he wanted someone to set to music. This I did, with great
pleasure.
Late Autumn
"Far removed from summers'
radiant warmth.
I beheld late autumn.
Murmuring from emotion.
For to see the wi ldwood so
endless.
Drifting into silence. Into
silence."
Text by Emmanuel Sikora
Jenny
Jenny did nothing but opened
the front door to her porch.
She simply sat down in a chair
and gazed out at the stars.
She sat for a while and the stars
did not change.
She went inside and shut the
door.
Text by David Gaita
SKETCH FOR CELLO QUARTET At about the same time as I was finishing
my Two Miniatures, Professor Loy told me about a cello quartet on
campus that wanted some new music to play. I worked on the Sketch off
and on (mostly off) for several months, completing it in March. I had a
very classical design in mind when I wrote it: that is, I consciously set out
tto write a piece that developed a single motif.
�Binghamton University Music Department's
Coming Events
Saturday, May 4 - Master's Recital: Molly Adams-Toomey,
mezzo-soprano - 8:00 p.m. - Casadesus Recital Hall - free
Sunday, May 5 - University Symphony Orchestra and
Chorus: Schubert's ''Unfinished Symphony" & Durufle's
"Requiem" - 3:00 p.m. - Osterhout Concert Theater- $6
general public; $3 faculty/sta ff/seniors; free for students
Wednesday, May 8 - Nukporfe African Drumming and
Dance Ensemble - 7:00 p.m. - Wafter's Theater- $3 general
admission at the door
Thursday, May 9 - Student Recognition Mid-Day Concert 1:20 p. m. - Casadesus Recital Hall - free
Thursday, May 9 - Redta!/Masterclass: Guest Artist Vidor
Chavez Jr., clarinet- 4:30- 6 p.m. - Casadesus Recital Hall free
Thursday, May 9- Harpur Chorale and Women's Chorus 8:00 p.m. -Anderso n Center Chamber Hall - $6 general
public; $3 faculty/sta ff/seniors; free for students
Friday, May 10 - Junior Redtal: Kerianna Krebushevski,
soprano- 8:00 p.m. - Casadesus Recital Hall- free
For tickets or to be added to our email list, visit anderson.bin ghamton.edu or call
(607) 777-ARTS. For a complete list of our concerts call (607) 777-2592, visit
music.bingha mton.edu or become a fan on Facebook.
If you were inspired by this performance. consider supporting
the Department of Music with a financial gift. Your support
helps to continue the work of students, faculty, and guest artists
and their contributions to our community. Please make your
donation payable to the Binghamton University Music
Department, and send your check to BU Music Department,
P.O. Box 6000, Binghamton, NY 73902.
�
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Works by Sikora, Martin, Summer, Cody, Kim, Gaita. Held at 7:00 p.m., May 3, 2013, Casadesus Recital Hall.
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Edwards, Xander
Watrobski, Paul
Wuu, Eric
Card, Andrew
Stalker, Stephen
Ryu, Sungkyun
Martin, Christian
Baron, Alexander
Salinas I, Daniel
Johnson-Pajàrd II, Carmen
Pochily, Ben
Andrade, Lanra
The Altoids
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Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T V O F N E W Y O R K
W
0
[4
D E P A R T M E N T
MASTER’S REClTAL
Molly AdamsToomey, mezzosoprano
William James Lawson, piano
Saturday. May 4. 2013
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
I. The Mermaid'’s Song
She Never Told Her Love
. . ...Franz Joseph Haydn
(17321809)
Fidelity
lI. Sechs Lieder, Op. 48.. .
I. Gruff
2. Deminst. Gedanke mein
.
. .
..Edvard Grieg
(18431907)
3. Lauf der Welt
4. Die velschwiegene Nachtigall
5. Zur Rosenzeit
6. Ein Traum
wlNTERMlSSlONus
Ill. Aria, “Vorrei vendicarmi,” “from Alcina.
George Frideric Handel
(16851759)
IV. Three Songs from Sestero FiesniMi/ostnych .
Noci Mild
Unter Der Linden
Ballade Des Dames Du Temps Jadis
V. Three Songs.
Vieille Chanson
Adieux de I’Hétesse Arabe
Chanson d ‘A vril
.Petr Eben
(19292007)
. Georges Bizet
(18351875)
�ABOUT THE PERFORMERS
MOLLY ADAMSTOOMEY. mezzosoprano, is currently
completing her Master of Music in Vocal Performance/Choral
Conducting at Binghamton University under the direction of
Professors Mary Burgess and Bruce Borton. Molly most recently
sang the role of Mamma Lucia in TriCities Opera ’s production
of Cavalleria Rusticana/Pagliacci. Molly has also sung the role
of The Witch in Hinsel and Gretel with Binghamton
University, the Third Spirit in Die Zauberflote with TriCities
Opera. and covered the role of The Mother in Binghamton
University’s performance of Amah/ and The Night Visitors. In
addition, Molly has appeared as a chorus member in several
TriCities Opera productions. including l/ Trovatore. La
Bohéme, Les Contes d’Hoffmann, and Cosi fan tufte. She also
sang as a soloist in Vivaldi’s Gloria at Gloucester Cathedral. Due
to her double concentration, Molly has performed often as the
conductor of the Women’s Chorus. During her undergraduate
study at Binghamton University, she was the recipient of the
John M. and Marcella M. Keeler Scholarship in Music. and
graduated Summa cum Laude.
WILLIAM JAMES LAWSON is active as a church musician, voice
coach. and accompanist and frequently performs chamber
music. At Binghamton University he has taught music theory,
lyric diction. and phonetics. He was one of the first graduates of
the New York University Tisch School of the Arts Department of
Performance Studies, an innovative interdisciplinary program in
dance. music, and theater. His extensive background in dance
history led him to employment at the New York City Ballet and
Dance Magazine as well as working as assistant to British dance
writer Richard Buckle. He is presently Organist and Director of
Music at the United Presbyterian Church of Binghamton,
founder and director of the Canterbury Choir, and rehearsal
accompanist for the Binghamton Downtown Singers. with
whom he has performed as harpsichordist and organist.
PROGRAM NOTES
Franz Joseph Haydn (17321809) was an Austrianborn composer who
spent a large amount of his composing life in the service o f the aristocratic
Esterazy family. Under this patronage he produced a multitude of works.
and came to be considered the “Father of the Symphony.” He is perhaps
most well known for both his symphonies and his oratorios, notably the
oratorio entitled “The Creation.” Later in his life. Haydn stayed for a short
time in England. It was there he stayed with the surgeon John Hunter and
his wife Anne Hunter. The latter w as an amateur poet, and the text s to
both “777e Mermaid'’s Song” and “fidelity ” were written by her. The text
to “She Never Told Her Love” is adapted from the Shakespeare play
“Twelfth Night.” It is taken from a speech in which the heroine Viola,
disguised as a man. tells the Duke Orsino about her “sister’s” unrequited
love. though she is really speaking of her own love for the Duke.
Edvard Grieg (18431907) was a Norwegian composer, a promoter of
Norwegian music. and considered one of the greatest Scandinavian
composers. He is mainly known for his lyric pieces. songs and piano
character pieces. He often drew on Norwegian folk idioms in his music.
Grieg’s set of six songs presented here are a wonderful example of Grieg’s
affinity for lyrical beauty. “Gruf” is a setting of a charming short poem by
the renowned German poet Heinrich Heine. “Dereinst, Gedanke Mein"is
a poem by Emmanuel von Geibel. and was originally based on a Spanish
text by Cristobal de Castillejo entitled “Alguna Vez. " “Lauf der Welt ” is a
simple. folksy poem by Johann Ludwig Uhland from his Lieder. “Die
verschwiegene Nachtiga/I” is adapted from a medieval text by the twelfth
century poet Walther von der Vogelweide. The text of “Zur Rosenzeit ”
was taken from one of Erwin‘s songs from the singspiel Erwin und Elm/re.
composed by the Duchess Anna Amalia of BrunswickWolfenbuttel with a
libretto by the famed German poet Johann Wolfgang von Goethe. The
singspiel revolves around Erwin’s despair at thinking Elmire has spurned
him because of social propriety, but the two are reconciled once Elmire
confesses her actual love of Erwin to him whilst he is disguised as a hermit.
“Ein Traum"is one of the most popular songs from the set. and is a setting
of a poem by Friederich Martin von Bodenstedt.
George Frideric Handel (16851759) was born in Germany. but spent a
large portion of his life living and composing in England. and so was and is
often considered an English composer. He composed works in almost
every musical genre. from orchestral to vocal pieces, chamber music to
oratorio. He is perhaps most known today for his oratorio Messiah.
Handel composed several operas on Italian librettos early in his career.
Alcina was one of these. Though Alcina is very rarely performed today. it
contains many excerpts and arias that are noted for their beauty and fine
composition. The plot revolves around the heroine Eradamante. her
husband the knight Ruggiero. and the sorceress Alcina. Bradamante
�disguises herself as her own brother Ricciardo to go in search of and rescue
Ruggiero from the enchantment of Alcina. who is in love with Ruggiero
herself. Bradamante. however. becomes entangled in mishaps on Alcina‘s
enchanted island when the lady Morgana falls in love with her. thinking
she is a knight. and she incites the rage of Morgana’s lover Oront e. When
she at last finds Ruggiero. he believes her to be his rival in love for Alcina.
In response to this, Bradamante sings the angry aria “Vorrei vendicarmi,”
lamenting his coldness to her. and vowing to break Alcina‘s enchantment
so Ruggiero will see her for who she is. At last. the two manage to break
Alcina’s enchantments. and are restored to their married happiness.
Petr Eben (19292007) was a Czech composer from Zamberk in Eastern
Bohemia. He is most well known for his organ music. an instrument he
turned to as a result of his profound Catholic faith. This faith. and
consequently his organ music. became a driving force in his life after his
experiences as a child in the Buchenwald concentration camp under the
Nazi regime, and his experiences later under the Communist regime in
Czechoslovakia. Eben often incorporated elements of Gregorian chant in
his music. not only as a compositional device, but as a way of
communicating and reaching out to other Catholics during the Communist
regime. Gregorian chant is very prominent in his song cycle Sestero Piesn/
Milosrnydi (Six Medieval Love Songs). whose medieval texts are reflected
well in chant melodies. Only three of the six songs are presented here.
“Noci Mile” sets an anonymous medieval Czech folk song. “Unter Der
Linden"sets the same medieval German text by the poet Walther von der
Vogelweide that was adapted for Grieg‘s setting of it in “Die
Verschwiegene Nachtiga/l.” Eben’s setting is quite radically different.
“Ballade Des Dames Du Temps Jadis” is a setting of a poem by the
fifteenthcentury French poet Francois Villon. who was as famed for his
debauchery, thievery, and the murders he committed as he was for his
poetry.
Georges Bizet (18351875) was a French composer who lived much of his
life in Paris, and who wrote orchestral. vocal. and piano works. He was
particularly prolific in vocal music. and wrote several operas. He is most
well known for his famous opera Carmen. His chansons and melodies are
much less well known. but nevertheless exhibit his highly Romantic
compositional flair. “Vieille Chanson ” sets a charming. folkinfluenced
poem by Charles Hubert Millevoye and is taken from his Poésies Légeres.
“Adieux de I’Hbtesse Arabe"sets a text by the famous French poet Victor
Hugo. and is taken from his set of poems entitled Les Orientales. It displays
a nineteenthcentury western love of exoticism. and perhaps could be seen
as a prelude to the kind of musical exoticism Bizet employed in Carmen.
“Chanson d’Avrl/"sets a simple but atmospheric poem by Louis Bouilhet to
lively and graceful musical phrases.
TRANSLATIONS
ll. GRIEG
We have never planned this,
1. GruB8 (Greeting)
Heinrich Heine
Sweet chimes are softly
I don’t know how it happened
Filling m y soul.
Ring, little springtimesong
Ring out far and wide.
Go forward till you reach the
house
Where the violets bloom;
And if you see a rose,
Give her my greetings.
2. Dereinst, Gedanke Mein
(One Day 0My Thoughts)
Emanuel von Geibel
One day, O my thoughts,
You will be at rest.
Love‘s ardour
Will not leave you alone.
In the cool earth,
There you will sleep well.
There without love.
and without pain,
You will be at rest.
What you have not
found in life.
When life has vanished.
Will be given to you.
Then without wounds,
And without pain,
You will be at rest.
3. Lauf Der Welt
(The Way Of The World)
Johann Ludwig Uhland
Each evening I go out.
Over the meadowpath,
She looks out from her
summerhouse
Which stands by the pathway.
It is just the way of the world.
so.
For a long time we have been
kissing.
I don’t ask. she doesn’t say yes,
But. she also never says no.
If lips like to rest on lips,
We forbid them not. we think it
good.
The little breeze plays with the
rose.
It doesn’t ask: do you love me?
The little rose cools itself in the
dew,
It doesn’t ask for more!
I love her, she loves me
But neither says: I love you!
4. Die Verschwiegene Nachtigall
(The Secretive Nightingale)
Walther von der Vogelweide
Under the lindens,
On the heath
On the spot where I sat with my
lover,
You might discover
How he and I
Squashed the flowers and the
grass.
From the woods came a sweet
sound:
“Tandaradei!”
The nightingale singing in the
valley.
I came to the meadow,
My sweetheart had arrived
before me.
He greeted me
�As a noble lady
So that I am still happy.
7
Did he also offer me kisses?
“Tandaradei!”
See how red my lips are!
If anyone found out
(God forbid!)
What happened as I lay there.
I would be deeply ashamed.
May nobody know
How the young man embraced
me.
Except him and me.
And a little bird.
“Tandarade'.”
Who will not say anything.
5. Zur Rosenzeit
(To The Time Ofkamt}
Johann Wolgang von Goethe
You are wilting. sweet roses
My love did not wear you.
O do bloom for the hopeless
one then.
For him whose soul is breaking
from sorrow!
6. Eln Traum (A Dream)
Friedrich Martin von Bodenstedt
I dreamt once a beautiful dream
A fairhaired maiden loved me.
We were in a green forest glade.
It was warm spring weather.
The buds were sprouting, the
brook was running strong,
The sounds of the distant village
bells could be heard.
We were full of joy,
Immersed in bliss.
And even more beautiful than
the dream
Was what happened in reality :
It was in a green forest glade.
It was warm spring weather:
The buds were sprouting, the
brook was running strong.
The sounds of the distant village
bells could be heard.
I held you tight, I held you long.
And nevermore will let you go!
Nevermore! Nevermore!
I think mournfully of those days
When I did cling to you, angel.
When. waiting for the first little
buds,
I went to my garden early:
Oh, springgreen glade.
You live in me for all time!
That is where reality became a
dream,
And the dream became reality!
Every blossom. every fruit
I carried to place at your feet;
When in your presence
Hope throbbed in my heart.
lII. HANDEL
BRADAMANTE:
I would be avenged
Upon that false heart
Love. give me weapons.
Endow me with fury.
You are wilting. sweet roses
My Iove did not wear you.
O bloom for the hopeless one
then.
Whose soul is breaking from
sorrow.
You are cruel and unkind
To one who pines for you;
Then take. pitiless one.
If you want it. my life as well.
Nod Milé (Dear Night)
He went to make us a bed
of flowers of many kinds:
desire.
By the roses, he may well,
tandaradei!
Already my heart dwells in
suffering, in sadness, in longing
God forbid, I would be
ashamed.
How he was with me. no one
IV. EBEN
Anonymous, 14m Century
Dear night. why are you long.
for my dear I am filled with
because it is impossible for me to
speak with her.
who can console me?
grief.
All this is because I am parted
from my dearest.
the dearest of ladies.
Dear God. let not the desire for
my beloved be long!
Dear God.
Unter Der Linden
(Under The LindenTree)
Walter von der Vogelweide
Under the LindenTree. on the
heather.
where the two of us made our
bed.
you may still find, as we both
have.
the flowers, pressed together on
the grass.
By the forest. in the vale.
tandaradei!
sweetly sang the nightingale.
I went to the meadow,
my truelove was already there.
there was I received as a noble
lady.
so that I am constantly glad,
Did he kiss me? A thousand
times: tandaradei!
see. how red my mouth is still.
If anyone passed by, he might
well smile at the sight!
mark where I lay my head.
That I lay there. if any saw,
will ever know,
except he and l. and a little bird,
who will not say anything.
Ballade Des Dames Du Temps
Jadis (Ballad Of The Ladies Of
77mes Past)
Francois Villon
Tell me where or in what
country is Flora, the beautiful
Roman,
Archippa, or Thais, who was her
German cousin,
Echo who speaks when there is
noise on the river. on the pond,
whose beauty was more than
human?
But where are the snows of
yesteryear?
Where is the very wise Hélois,
for whom they castrated and
made a monk
Pierre Esbaillart at Saint Denis?
For his love was this endured.
Likewise. where is the queen
who commanded
that Buridan be thrown in a sack
in the Seine?
But where are the snows of
yesteryear!
�The queen Blanche like a lily
who sang with the voice of a
“Ah!” Said the despairing
shepherd.
Bertha of the large feet. Beatrice.
Alice, Haremburgis who held
Maine.
and Joan the good maid of
Lorraine whom the English
burned at Rouen
where are they, where.
Sovereign Virgin?
But where are the snows of
yesteryear?
Lucette!
All of my hopes flew away
On the wings of the warbler!”
siren.
Prince. do not ask this week
where they are. nor in this year.
nothing but this refrain remains
to you
“But where are the snows of
yesteryear?”
V. BIZET
Vieille Chanson (Old Song)
Charles Hubert Millevoye
The besotted Myrtil
Has caught in the woods the
dainty warbler;
“You, my lovely bird.” he told
it.
“Are meant to be a present for
my shepherdess.
If i offer you for a present.
She will show her gratitude with
kisses.
if my Lucette usually gives me
“Farewell to the kisses of
Sadly, Myrtil returned to the
close wood
Weeping for his loss.
But there. be it luck. be it
destiny.
In the woods he found Lucette.
Well aware of his good
intentions,
She left her hideaway
And said: “Console yourself,
You have lost only the warbler!“
Adieux De L ‘Hdtesse Arabe
(Farewells Of TheArabian
Hostess)
Victor Hugo
Since nothing will keep you in
this happy land.
Neither the shade of the palm
trees, nor the yellow corn.
Nor the restfulness, nor the
abundance.
Nor to see palpitating at the
sound of your voice
The young breasts of our sisters.
Who in a whirling bevy at
evening
She will give me ten for the
warbler.”
Encircle the hillside with their
dancing.
Farewell, handsome traveler!
Alas, adieu!
The warbler, however.
Had left his mate in the valley.
And as soon as possible. broke
free from his prison
And dashed away on flapping
wings.
Oh! You are not of those whose
lazy feet are bounded
By their roof of branches or of
tiles!
Who. dreamers, listen in silence
to stories.
two for a bouquet
And wish at evening, sitting
outside their door,
Chanson D’Avn’l
(Song Of April)
To be o ff to the stars!
Louis Bouilhet
Had you wished it. perhaps one
Yonder over the valleys rosy
of us,
O young man, would have liked
to serve you
Kneeling in our ever open huts.
She would have made.
While rocking you asleep with
her songs.
To drive the troublesome
midges from your brow,
A fan of green leaves.
If you do not return. dream a
little sometimes
Of the daughters of the desert.
Sisters of the sweet voice.
Who dance barefoot on the
dunes,
O handsome, white young man.
Beautiful bird of passage.
Remember, for perhaps, O
swiftly passing stranger.
Your memory remains with
more than one!
Alas! Farewell! Handsome
stranger!
Remember!
Arise! Arise! Spring is just born!
gossamer floats!
Everything thrills in the garden.
Everything sings, and your
window
Like a joyous glance. is full of
sun!
Beside the lilac with its purple
clusters.
Flies and butterflies hum
together.
And the wild lilyofthevalley,
Ringing its tiny bells.
Has awakened love asleep in the
woods!
Since April has sown its white
daisies,
Put off your heavy cloak and
your cozy muff.
Already the bird calls you and
your sisters the periwinkles
Will smile in the grass on seeing
your blue eyes!
Come. let us go! At morn the
springs are more Iimpid!
Let us not wait for the burning
heat of the day,
l would moisten my feet in the
damp dew,
And tell you of my love beneath
the flowering pear trees.
�Binghamton University Music Department ’s
C oming Events
M
M
M
M
M
M
M
M
Sunday, May 5 – University Symphony Orchestra and
Chorus: Schubert’s “Unfinished Symphony ” & Duruflé’s
“Requiem ” – 3:00 p. m. – Osterhout Concert Theater – S 6
general public; $3 faculty/staft/seniors; free for students
Wednesday, May 8 – Nukporfe African Drumming and
Dance Ensemble – 7:00 p.m. – Watter’s Theater – $3 general
admission at the door
Thursday, May 9 – Student Recognition MidDay Concert –
1:20 p. m. – Casadesus Recital Hall – free
Thursday, May 9 – RecitaVMasterc/ass: Guest Artist Victor
Chavez Jr., clarinet 4:30 – 6 p. m. – Casadesus Recital Hall –
free
Thursday, May 9 – Harpur Chorale and Women’s Chorus –
8:00 p.m. – Anderson Center Chamber Hall – $6 general
public; $3 faculty/staft/seniors; free for students
Friday, May 10 – Junior Recital: Kerianna Krebushevski,
soprano – 8:00 p.m. – Casadesus Recital Hall – free
M
m
m
m
fi
w
fi
For tickets or to be added to our email list. visit anderson.binghamton.edu or call
(607) 777ARTS. For a complete list of our concerts call (607) 7772592. visit
music. binghamton. edu or become a fan on Facebook.
If you were inspired by this performance, consider supporting
_ _
= [ = ] the Department of Music with a financial gift. Your support
E
O
helps to continue the work of students. faculty, and guest artists
f
and their contributions to our community. Please make your
donation payable to the Binghamton University Music
Department. and send your check to BU Music Department.
P.O. Box 6000. Binghamfon. NY 13902.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Master's recital with Molly Adams-Toomey, May 4, 2013
Subject
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Concerts
Instrumental music
Live sound recordings
Description
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Works by Haydn, Grieg, Handel, Eden, Bizet. Held at 8:00 p.m., May 4, 2013, Casadesus Recital Hall.
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Adams-Toomey, Molly
Lawson, William James
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Binghamton University Libraries
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2013-5-4
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sound
-
https://omeka.binghamton.edu/omeka/files/original/97ead1a41ccb20314f2f71837bd1ad6e.pdf
c866c261ab8f5200b544c99896c00950
PDF Text
Text
BINGHAMTON
UNIVERSITY
STATE U N I V E R S I T Y OF N E W YORK
wdee
’
D E P A R T M E N T
UNIVERSITY CHORUS
Bruce Borton, conductor
UNIVERSITY SYMPHONY ORCHESTRA
Heather Worden, conductor
SCHUBERT
SYMPHONY N o. 8 IN BMINOR
(“UNFINISHED”)
DURUFLE
REQUIEM
Emily Geller, mezzo soprano
Michael Celentano, baritone
Sunday, May 5, 2013
3:00 p.m.
Osterhout Concert Theater
�PROGRAM NOTES
PROGRAM
F R A N Z SCHUBERT – Symphony No. 8 i n B Minor, D. 759 (Unfinished)
Born: January 31, 1797, Himmelpfortgrund (northwest ofVienna), Austria
Died: Novement I9, l828
Symphony No. 8 in Bminor
Franz Schubert
(17971828)
I Allegro moderato
II Andante con moto
Franz Schubert is considered to be one of the most talented composers
of melody in the history of western music. His music leaves you with a singable
melody line that often is missing, especially in instrumental music. The
composer/conductor Leonard Bernstein was one musician to acknowledge the
memorable nature of Schubert’s melodies. In one of his Young Children’s
concerts, he introduced the melody line in the first movement by singing, “This
is the symphony that Schubert wrote and never finished.”, while the celli played
along with the theme from movement one. Most of Schubert’s compositions
were vocal, further emphasizing his strength in melody writing. He composed
hundreds of arts songs, while he only wrote nine symphonies, with one being
incomplete by the standards of the time.
FoI’NTERMISSION6
Requiem
% I Introit.
1 1: Kyrie. . .
. .
=
III. Domine Jesu Christe..
L IV. Sanctus
I V. Pie Jesu. si
© VI. Agnus Dei
" VII. Lux aeterna
VIII. Libera me .
1 IX. In paradisum
1. Allegro Moderato in B minor
ll. Andante con moto in E Major
.Maurice Duruflé
(19021986)
Chorus
. .
.
Chorus
Chorus and Baritone solo
s a l . Chorus
Mezzo Soprano solo
Chorus
. .
. Chorus
Chorus and Baritone solo
Chorus
The fact that this piece is unfinished has caused lots of debate and
argument among the musical community. Why would a composer as meticulous
about form as Schubert leave a work unfinished? The date on the original
manuscript, October 22, 1822, shows that this piece was written very close to
the end of hrs life. This has caused many musicologists to believe that he
stopped on purpose, that he could not write anything else as grandiose and was
becoming too ill and tired. Others believe that the first two movements were
given in thanks for his entrance into the musical society in Gratz and for the
Diploma of Honor he was awarded. A piano sketch that was found among
Schuben‘s manuscripts shows a plan for a Scherzo and possibly a Trio, which
would have made this a three or four movement symphony. This work was
hidden or lost in Anselm Hittenbrenner‘s (a member of the honor society) home
until 1865, when it found and performed for the first time. This means that
Schubert himself never heard it performed. Many modern composers,
musicologists and pianists have tried to finish the symphony by adding their
own pieces, new original compositions using the Scherzo sketch, or other works
of Schubert‘s to the end. Most professional and collegiate orchestras today
perform it in its original, unfinished state.
�The Requiem actually began as an organ suite based on the the
The first movement is written in traditional sonata form (exposition,
Gregorian chant melodies from the Requiem liturgy. However, Duruflé found
development, recapitulation) and features the famous melody line in the cellos
the texts of the chants to be too closely aligned with the music to separate, and
that was mentioned earlier. While the cellos introduce the melody line, it is
carried throughout the development and recapitulation in other voices as well.
The development, now in G major, takes the two themes from the exposition
and expands/extends them which lead right into the recapitulation. This
subsequently the idea o f a choral Requiem was born. Interestingly, the final
impetus for the composition came through a commission from the Vichy
government soon after the German occupation of France in 1940. The
government, in an attempt to boost morale of the French people, offered modest
movement ends with both heavy, passionate sections and more sofl, lyrical
commissions to composers to keep creating works in the severe economic
conditions during the war. Duruflé was awarded a commission for a
“symphonic poem”. Surprisingly, he ultimately received the commission even
passages, which help carry the tension and turmoil that has been built into the
next movement.
though it was not completed until after the war in 1947, and the “symphonic
poem” had morphed into an extended religious choral work. The first
performance was on French national radio in November of 1947, followed by a
succession of live performances in various concert venues in France and
elsewhere.
Movement two is quite different from the first in both form and mood.
Schubert uses a strict Rondo form (ABABA) that creates memorable, repeated
sections for the listener. The A section features a beautifully written melody that
alternates between the horns, the strings and the clarinet and oboe. In contrast,
the B section is loud, accented and features the full orchestra. In those B
sections, the strings provide a driving bass line that really gives the excitement
to the movement. The end finishes with the same beautiful Andante theme that it
began with, leaving us waiting for more. Who knows what would have
happened had Schubert not died at such a young age.
Heather Worden
Some scholars, critics, and performers have compared Durufle’s
Requiem to that of his earlier compatriot, Gabriel Faure. Indeed, there are
certain similarities in spirit and detail. Most obvious is the absence of the
lengthy Dies irae sequence whose color and dramatic possibilities had so
fascinated and inspired composers such as Mozart, Berlioz, and Verdi among
others. By comparison, the settings of Faure and Duruflé are restrained and
intimate. Faure and Duruflé both include the Pie Jesu (the final verse of the
Dies irae) as a separate solo movement, Faure for soprano and Duruflé for
MAURICE DURUFLE Requiem (0p.9)
mezzo. Yet another similarity is the dark, rich texture of the orchestra] writing
created by the division of the string sections and the emphasis on the lower
string sections, viola in particular.
Maurice Duruflé is regarded as one of the leading organists of his time.
His early appointment as Vieme’s assistant at Notre Dame in Paris was followed
in 1929 by his appointment as organist at St. Etiennedu Mont, a title he held
until his death in 1986. In fact, however, this was a position he shared with his
gifted assistant and later wife, MarieMadeleine Chevalier, with whom he toured
Finally, some have noted the influence of chant in both Faure and
Duruflé. While it is true that Faure’s melodies display the graceful rise and fall
internationally in the middle decades of the twentieth century.
Duruflé’s reputation as a composer is based on a remarkably small
number of works, of which the Requiem is the most wellknown. He was
reputed to be a severe selfcritic and the act of composition was, for him, a long
and tortuous process. Prior to the Requiem (1947) his published compositions
were entirely instrumental, mostly organ works and a few orchestral pieces. Of
his other works, his Quatre Motets sur des themes gregariens (1960) are the best
known – in particular the first of these, Ubi caritas is a special work of genius.
[
}
and some of the modality that is characteristic of Gregorian melodies, they are
not Gregorian in origin. Duruflé’s Requiem setting, and much of his other
music, is completely immersed in the actual Gregorian tunes associated with the
various sections of the Requiem liturgy. The tunes provide the melodic material
and the supple, unmeasured rhythms resonate in the flexible changing meters of
Duruflé’s choral writing.
The Requiem exists in three versions. The original for chorus and large
orchestra is the version we present today. A version accompanied by organ
alone was prepared by Duruflé the year after the work’s premiere, and a
frequentlyperformed version for organ and string orchestra was created by the
composer in 1961.
Bruce Borton
�THE UNIVERSITY CHORUS
THE PERFORMERS
Mezzosoprano EMILY GELLER is currently a Resident Artist with TriCities
Opera where she recently performed lnes in II Trovatore and Lola in Cavalleria
Rusticana. Before coming to Binghamton, she performed with Opera on the
James as a Tyler Young Artist. Ms. Geller covered Giannetta in L Elisir
d’amore and performed Cherubino in The Three Little Pigs and The Wife in The
Music Shop. Ms. Geller has performed lead roles with numerous regional theater
companies, including CR Productions at Cohoes Music Hall, College Light
Opera Company, One World Symphony, Amore Opera, Regina Opera, NY
Lyric Opera Theater and Village Light Opera Group. Originally from Long
Island, Ms. Geller earned her Bachelors of Music in Vocal Performance from
New England Conservatory under the Ruth S. Morse Scholarship. Ms. Geller is
currently getting her Masters of Music in Opera at Binghamton University with
a Full Assistantship where she performed Hansel in Hansel and Gretel.
Bruce Borton, conductor
William Lawson, rehearsal accompanist
Soprano 1
Susan Bachman
Rose Ann C laugh
Lorraine Emmons
Mary Gilda
MayBelle Golis
Beverly Hitchcock
Christina Jarosch
Elizabeth Keyes
Susan MacLennan
Cathie Makowka
Mary Barb Martin
Allison Matey
Rachel Robertson
MICHAEL CELENTANO‘S. baritone past performances in the Manhattan
area have included the cover of Galanthus in the North American premier of
Vaughan William’s The Poisoned Kiss with The Bronx Opera Company and
Papageno in Die Zauberflote with New York Opera Studio. Recent
performances in the Binghamton area have included Alcindoro in Puccini‘s L a
Bohéme, Peter in Humperdinck’s Hansel and Gretel, The Giant/Trouble Man in
the TriCitie‘s OperaGoRound production of Davies‘ Jack and the
Beanstalk. and Faure’s Requiem (baritone soloist) with the Binghamton
University Chorus Chamber Singers. Mr. Celentano is currently completing a
Masters ofMusic in Opera at SUNY Binghamton, IS a Young Artist at TriCities
Opera, and a student of Thomas Goodheart.
Nicolette Roselli
Marilyn Ross
Gloria Salamida
Sadie Schwartz
Barbara Alhart Simon
Stephanie Stahovic
Barbara Thamasett
Soprano 2
Martha Bennett
Joanne Corey
Sarah Evans
Kalie Fiorenza
Sharon Fish
Hailey Gonzalez
Theanna Green
Lois Hearn
Barbara Herne
Nicole Meeker
Inez Nelson
Yvonne Newell
Sioux Petrow
Kelly Pueschel
Susan Sarzynski
N. Eva Wu
Rachel Young
Alto 1
Marion K. Adams
Carolyn E. Blake
Nanette Berton
Susan G. Campbell
Maria Luisa Cook
Carole Dickinson
Sylvia Horowitz
Cheryl Jacobson
Joan Kellam
Pat Labzentis
Arlene Lyon
Margit Mayberry
Greta L. Myers
Archana Susarla
Susan Szczotka
Pam Turrigiano
Mikiko Umeda
Mary Woestman
Katarzyna Zanlro
Alto 2
Kathryn Baine
Anna B. Bitterbaum
Kate Bouman
Phyllis S. Burr
Jeanne Fenzel
Judy James
Maggie Kirkaldy
Leann Lesperance
Ethel F. Molessa
Shirley Rodgers
Jane Shear
Lee Shepherd
Heather Sheridan
Tenor
Brad Bennett
Martin Bidney
Carol Chandler
Ron Clupper
H.B. King
Dennis Leipold
David W. Martin
Kevin Mootoo
Brian Presser
Carlton Sackett Jr.
Robert Scull
Mark Tyson
Judson Wallis
Bass 1
Eric Bare
Joshua Collins
Michael Jabo, J.D.
Tom Lamphere
Thomas Parker
Myron F. Shlatz
Emmanuel J. Sikora
Joshua Silver
Bokan g Wu
Michael Zick
Bass 2
Blane Bossung
Carl Bugaiski
Jason Cruz
Mark Epstein
J. Scott Hustod
Robert Ludden
Robert Maer
Arlo H. Meeker
Sean E. Moran
Joseph E. Nelson
John Patterson
Daniel Rosenau
Bob Sullivan
�UNIVERSITY SYMPHONY ORCHESTRA
Violin I
*Ella Serrano, Principal
Heather Worden, conductor
Rebecca Sgroi
*Nicholas Thompson
*Sara Sunshine
lfe Samms
Karen Fu
Gabrielle Maire
Olivia Rhines
Christopher Rogers
Emma Lecarie
*Fanny Chu
Violin l l
Nathaniel Christman, Principal
Natalie Bock
Anna Li
Eleanor Krasner
Emily Sui
Joseph Vanderpool
Jiwon Nam
Sara Kohtz
Simon Benarie
Viola
Max Stein, Principal
Lindsay Covington
Mimi Nam
Flute
Jessica Biagiotti
*Lindsay Ralbovsky
Oboe/English Horn
Rebecca Marwin
Kathy Karlsen”
John Lathwell#
Clarinet
Jaclyn Adler
Skylar Buono
Bassoon
Laura Earls
Natalie Spitzer
Horn
Zachary Birnbaum
Matt McAuliffe
Natalie Rivera
Kathryn Saturnino
Trumpet
**Kevin Hannon
Michael Stern
Junbo Yan
Harrison Dulin
Jillian Chen
Ethan Schaber
Kaila Umbach
Trombone
*Billy Marsiglia, Principal
Cello
Tuba
Elliot Bowen
Xander Edwards, Principal
Richard Reitz
*Eric Wuu
Deborah Mariottini
Raeleen Bichler
Ryan Hogan
Paul Watrobski
Emily Mockler
Andrew Card
Alan Wang
Bass
*Gabriel Felix
Robert Durante
Jacob Strohm
Gary Bennett
Percussion
Steve Olson
Benjamin Rothschild
* Andrew Williamson
Harp/Keyboard
Peter Browne#
Organ
Jonathan Biggers#
* Graduating senior /**Grad student
# Binghamton University Faculty
member
A Community player
�
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:03:08
Streaming Audio
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Schubert's Symphony No. 8 in B-minor ("Unfinished") and Duruflé's Requiem, May 5, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schubert, Durufle. Held at 3:00 p.m., Month Day, Year, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
University Chorus
Borton, Bruce
University Symphony Orchestra
Worden, Heather
Geller, Emily
Celentano, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-5-5
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/7c6278e0d5a4b993b84f136ab547e0e8.pdf
87f7eee3a08ad4be11c519bee067928d
PDF Text
Text
BINGHAMTON
U N 1 V E R s 1 T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
127924
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D AN IEL F ABR ICI U S & J E R R Y NATOLI, CONDUCTO RS
Sunday, March 8, 20 15
3:00 p.m.
Anderson Center Osterhout Concert Theater
�PR OG RA M
Ve stal Community B and
Jerry Natoli, Conductor
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�Binghamton University Wind Symphony
Daniel Fabricius, Conductor
AMERICAN SALUTE (1943)........................................................Morton Gould
(19131996)
Transcribed by Philip J. Lang
COUNTRY GARDENS (1924).....................................Percy Aldridge Grainger
(18821961)
Arranged by John Philip Sousa
POET AND PEASANT OVERTURE (1922)..............................Franz von Suppé
(18191895)
Arranged by Henry Fillmore
SYMPHONIC HIGHLIGHTS FROM ”FROZEN".....Arranged by Stephen Bulla
“Frozen Heart ” “Let It G o ”– “Do You Want To Build a Snowman?”
“For the First Time in Forever” – “Epilogue”
BUGLER’S HOLIDAY (1954).....comsissstenssissssnssusisusminesassmssrssiens Anderson
(19081975)
Trumpet Trio:
Brandon Young – Brandon Ashley Jason Boniello
...George W Warren
GOD OF OUR FATHERS (1974)......................... ..
Arranged by Claude T. Smith
(19321987)
God of our fathers, whose almighty hand
Leads forth in beauty all the starry band
Of shining worlds in splendor through the skies,
Our grateful songs before Thy throne arise.
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�UNIVERSITY WIND SYMPHONY
Daniel Fabricius, Conductor
PICCOLO
Jennifer Bochicchio
FLUTE
Eleni Florakis
Jacqueline Robins
Cara Natale
Shelby Smith
Lydia Carolan
Devin Kasinki
OBOE
Jenna Graff
Rebecca Marwin
CLARINET
Erin Annis
Allison Battaglia
Alaina Mancini
Jessica Siegal
John Petersen
Steven O’Connor
Brittany Sheridan
Katherine Fottrell
Si Yoon Kwon
BASS CLARINET
Carl Closs
BASSOON
Bailey Thomas
Diana Carter
ALTO SAXOPHONE
Julia Dunnigan
Riley MonckRowley
TENOR SAXOPHONE
Crystal Fisher
BARITONE SAXOPHONE
Daniel Gross
TRUMPET
Brandon Young
Brandon Ashley
Chang Letitia Kar Hoo
Jonathan Terner
Jason Boniello
David DeFazio
Paul Barber
Alice Xue
FRENCH HORN
Daniel Muller
Christopher Patrizzio
Denise Helms
Brian Sternberg
TROMBONE
Christopher Beard
Jacob Solon
Joshua Yamuder
EUPHONIUM
Ryan Shumaker
Michael Sugarman
Austin Hassel
TUBA
Matthew Vegiard
Patrick Jones
Michael Burgner
PERCUSSION
Emily Goetz
William Potts
Alex Rava
Robert Hopkins
Daniel Kim
Annabel Fair
Joey Glowienka
Kasha Pazdar
David Indictor
�CONDUCTORS
Jerry Natoli has been a music educator, clinician, adjudicator, and performer in
New York State since 1970. He has guest conducted bands in almost every New
York county, and also regional and all state groups in Ohio, Pennsylvania, Texas,
and Maryland. Mr. Natoli was the NYSSMA Chairman of Bands while he was
also the Director of Bands at UnionEndicott Schools. He has made his home for
the past 31 years in Endicott, NY, with his wife, Cindy. Currently, Jerry is the
music director and conductor of the Vestal Community Band in Vestal, NY.
When asked to share his greatest successes, Jerry is quick to tell us that for the
last 12 years, even though he has never won, he has been notified by mail that
he was a finalist in the Publisher’s Clearing House $1,000,000 Sweepstakes.
Daniel Fabricius has been a member of the music faculty since 1992, serving as
percussion instructor for twenty years before his appointment as conductor o f
the Wind Symphony. He holds degrees from Mansfield University and Ithaca
College and has studied conducting with Donald Stanley (Mansfield University),
Rodney Winther (Ithaca College), Stephen Peterson (Ithaca College), Col. Arnald
Gabriel (US Air Force), and Mallory Thompson (Northwestern University). In
addition to his duties at BU he also serves as Director of Bands at Owego Free
Academy where he has developed an outstanding instrumental music program.
The bands at OFA have received plenty of praises and the OFA Jazz Band has
been honored to present concert performances at the NYSSMA Winter
Conference in 2008 and 2013.
He is highly regarded in the region as a conductor, as a percussion performer,
and as a music educator. He has been a member of the Binghamton
Philharmonic percussion section since 1982 but is also comfortable performing
in popular, rock, jazz, and other styles. He has played as a freelance
percussionist, accompanying national touring artists such as Michael W. Smith,
Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers
Brothers, and Ella Fitzgerald. Professor Fabricius has served the New York State
School Music Association as an AllState Percussion adjudicator for many years.
He also serves NYSSMA as the Instrumental Jazz Reviews editor of The School
Music News and is the Jazz Editor for the NYSSMA Manual. In addition to his
collegiate work at BU, he has also served Ithaca College as a consultant, as a
member of the Summer Session faculty, and as a cooperating teacher for over
35 student teachers. He has presented many clinics at music conventions and
conferences and often serves as a guest conductor for honor band festivals.
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Dr. Timothy Perry
Concerts start at 7 pm
East Middle School
167 East Frederick Street
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Sun day, N ove mb er 30, 2 01 4, 3 :00 p.m.
Ch ur c h of th e H oly Trinity, 346 Pr osp ect
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Sun day . M ay 17, 201 5, 3 :00 p.m.
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236 Washington St.
Binghamton, N Y
T:IX 607. 772.0400 ' tric1t1esopera.com
support.of Gunther Andrew Criomo and the New York State Legisiature. General Operating 5095 101116: B/UESfOITTi
provided tunKlucsDn–uunmmriu m ur mur1n d of the Bloom: County Arts Council.
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C o m in g Events
6 & 6 M é fl fl é b éwé fl u fi r ’ é fl fl é é fl 6 é fl
Sunday, March 8 Sophomore Recital: Ha nnah Watrobski, viola – 5 p.m. – Casadesus Recital
Hall free
Thursday, March 12 Opera Scenes MidDay Concert (Thomas Goodheart) 1:20 p.m.
Anderson Center Chamber Hall free
Thursday, March 12 Opera Scenes 7:30 p.m. Anderson Center Chamber Hall $10 general
public; $7 faculty/staff/seniors/alumni; $5 for students
Saturday, March 14 Master’s Recital: Meroé K halia Adeeb, soprano – 4 p.m. Casadesus Recita’
Hall free
Saturday, March 14 University Symphony Orchestra: Dark Passions 7:30 p.m. = Osterhoui
Concert Theater $7 general public; $5 faculty/staff/seniors/alumni; Free for students
Sunday, March 15 Opera Scenes and Arias 3 p.m. Phelps Mansion, 191 Court Street
Binghamton $10 general public; BU students free with ID For reservations call the Phelps
Mansion at (607) 7224 873. This concert is cosponsored by the Binghamton University Musit
Department and Phelps Mansion Museum.
Thursday, March 19 MidDay Concert 1: 20 p.m. Casadesus Recital Hall free
Thursday, March 19 Lontano Ensemle: Music Now! 7:30 p.m. Casadesus Recital Hall $1
general public; $5 faculty/staff/seniors/alumni; Free for students
Thursday. March 26 MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Friday, March 27 Jun ior Recital: Jessica Biogiotti, flute 7:30 p.m. Casadesus Recital Hall
free
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Wednesday, April 1 – H armony Club Fundrasier Concert 7:30 p.m. Casadesus Recital Hall
$10 suggested donation
Thursday. April 2 MidDay Concert 1:20 p .m. Casadesus Recital Hall free
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For tickets or to be added to our email list, visit andersonbinghamtortedu or call (607)
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7 7 7ARTS. For a complete list of owr concerts call (607) 7 7 7 2592, visit
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If you were inspired by this performance, consider supporting the Department of Music
with a financial gift. Your support helps to continue the work of students, faculty, and
guest artists and their contributions to our community. Please make your donation
payable to the Binghamton University Music Department, and send your check to B U
Music Department, P.O. Box 6000, Binghamton, N Y 1 3902.
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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41:48
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Binghamton University Wind Symphony and the Vestal Community Band presents "Just Like a Concert in the Park," March 8, 2015
Subject
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Concerts
Instrumental music
Live sound recordings
Description
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Works by Sousa, Swearingen, Mancini, Bagley, Wilson, Gould, Grainger, Suppé, Anderson, Warren, Kahelin. Held at 3:00 p.m., March 8, 2015, Anderson Center Osterhout Concert Theater.
Creator
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University Wind Symphony
Fabricius, Daniel
Natoli, Jerry
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Binghamton University Libraries
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2015-3-8
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In copyright
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sound
-
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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46: 23
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE128565">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE128565</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Harpur Jazz Ensemble featuring Camille Thurman, April 23, 2015
Subject
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Concerts
Instrumental music
Live sound recordings
Description
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Works by Cahn, Stordahl, Weston, Monk, Byron, Harris, Weiss, Shearing, Corea, Goodwin, McHugh, Ellington, Mantoot. Held at 7:30 p.m., April 23, 2015, Osterhout Concert Theater.
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Harpur Jazz Ensemble
Thurman, Camille
Carbone, Mike.
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Binghamton University Libraries
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2015-4-23
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sound