81
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/2d2043bcf48c0a4567281d85963101d6.pdf
0caaaa6e804331718248ed1473b02fb5
PDF Text
Text
STATE UNIVERSITY OF N E W YORK AT BINGHAMTON
HARPUR COLLEGE
T H E DEPARTMENT OF MUSIC
presen ts
Puccini ’s
WolfFerrari ’s
S I S T E R A N G E L I C A and
T H E S
E C R E T O F S
UZANNE
by
Students o f t he Opera W o r kshop
Th u r sda y , Dec e m be r 10, 1970
F r ida y , Decem ber 1 1 , 1970
8 : 1 5 p. m .
M usi c Rec i ta l Ha l l
�PROGRAM
SISTER ANGELICA
PROG R A M
Gia como Puccini
( E ngl ish ve r s i o n—He r be r t W i the rs )
E r m ano Wolf Fe r ra r i
( E ngl ish ve r s ion—C la u d e Avel ing)
T H E S E C R E T O F S U Z A N N E
Cha racters
Siste r Angelica
Soprano
Th e P r i n c e s s
Mezzosoprano
(Siste r Angelica ’s Aun t)
Siste r Genevieve
Soprano
Kathleen Ty r r e l l
Susan Ba ll
The Monitor
Soprano
Susan Ste rn
The Mist ress of the
Novices
T h e F i r st T ou r ie r e
T h e Nov i ces
Soprano
No r ma Schlesinge r
M ezzo sopra no
C la i r e W i tl in
Sopra no
Mezzo soprano
Soprano
Soprano
Ma r ga r e t Ko t ylo
Nancy Ca llman
Diane K rasinsk i
Kvitka Cisyk
Drama tic Di rec tor and Cond uc tor
M usi ca l P r epa ra tion
Coa ch a nd Accom panist
Technical Assistance
Cha ra c te rs
Toby Jean Manke r
William Lewis
Robe r ta Sc hlosse r
Ba r ba ra Ga rges
Susan Ba ll
PROGRAM NOTES
P uc c in i ’s Si ster Angel ica i s t he sec ond o f t he t h r ee one a c t ope ras
th at com pr ise Il Trittico (the othe rs a re Il Tabarro a n d Gianni Schicchi).
T h e l ibr e ttist wa s G ioa c c h ino F o r za no. T h e pr e m ie r e wa s he ld a t
the Met ropolitan Opera o n Decem be r 14, 1918.
T he se tting is a con ven t in t he la t te r pa r t of the E igh teen t h Cen t u r y .
T h e c ha pel is in t he ba c kg round beyond the l ef t hand a r c a de ; beyond t he
r igh t hand a r cade is the cemete r y. In the m iddle of the stage towa rds
t he ba c k is a sh r in e ; o n t he r igh t , downsta ge , a vege ta bl e ga r den , g ra ss
and flowe rs.
Siste r Angel i ca ha s sough t r ef uge t o e x pia te a n ol d sin . W hen an a un t
v isi ts he r , Angel i ca inqui r es a bou t the fa te of t he c h i ld she had a ban
don ed befo r e ta k ing vows.
P uc c in i ’s bea u tiful sc o r e prov ides t he l istene r with on e lovel y m om en t
af te r ano t he r . T h e d ra m a ti c in tensi t y ra nges f r o m the ca r ef r ee da il y
rou tine o f a con ven t t o t he u l tim a te t ra ged y o f Siste r Angel i ca ’s sui c ide.
Count Gil
Ba r itone
Jam es Osborne
The Countess Suzanne
Soprano
G ra ce Ma r tin
Mute
Alf red Wilson
Sante, a se rvant
Dra m a tic Di rec to r
Musical P repa ra tion a nd Cond uc tor
Coa c h a nd Accom panist
Technical Assistance
Lisbeth J . Roman
Robe r ta Schlosse r
Ba r ba ra Ga rges
C la i re Witlin
PROGRAM NOTES
W ol f F e r ra r i ’s one a c t ope ra (o r in te r m ezzo), T he Secret of Suzanne,
ha d i ts pr e m ie r e a t t he M un i c h Ope ra o n Dec e m be r 4 , 1909. T h e
librettist was Enrico Golisc ian i.
T h e se tting i s a l i v ing r oo m i n P ied m on t a r ou nd t he t u r n o f the cen tu r y.
Coun t G i l is d ist u r bed , sin c e eve r y t i m e h e r e tu r ns h om e h e de tec ts the
odo r of c iga re tte sm oke. H is suspicions tha t his wife is en te r ta ining a
love r mount as she evades answe r ing his questions. The f resh and witty
sc o r e a ccen t ua tes t he h u m o r o f a d ra m a ti c si t ua tion t ha t wa s a l l too
possibl e a t t he tu r n o f t he cen t u r y .
A
A C K N O W L E D G E M E N T
T h e m e m b e r s n l t h e O p e r a W o r k s h o p wish to e x p r e s s t h e i r s i n c e r e a p p r e c i a t i o n t o the D e p a r t m e n t
o f T h e a t e r fo r t he i r va l ua bl e a ss is ta n c e i n t he va r ious tec h n i ca l a s pec ts o f t his pr od u c t ion . a n d
m o s t p a r t i c u l a r l y f o r the d r a m a t i c guidanc e o f M i s s L i s b e t h J. R o m a n
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
39:48:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63354
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63354"> Students of the Opera Workshop perform Puccini' Sister Angelica</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Students of the Opera Workshop perform Puccini's Sister Angelica
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Puccini. Held at 8:15 pm, December 10, 1970, Music Recital Hall
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-12-10
Rights
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In copyright
Contributor
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Puccini, Giacomo, 1858-1924
Type
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sound
Identifier
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39091020096032
3909102096081
-
https://omeka.binghamton.edu/omeka/files/original/7d173629268e9a3c4fb56b95cb35e36e.pdf
0caaaa6e804331718248ed1473b02fb5
PDF Text
Text
STATE UNIVERSITY OF N E W YORK AT BINGHAMTON
HARPUR COLLEGE
T H E DEPARTMENT OF MUSIC
presen ts
Puccini ’s
WolfFerrari ’s
S I S T E R A N G E L I C A and
T H E S
E C R E T O F S
UZANNE
by
Students o f t he Opera W o r kshop
Th u r sda y , Dec e m be r 10, 1970
F r ida y , Decem ber 1 1 , 1970
8 : 1 5 p. m .
M usi c Rec i ta l Ha l l
�PROGRAM
SISTER ANGELICA
PROG R A M
Gia como Puccini
( E ngl ish ve r s i o n—He r be r t W i the rs )
E r m ano Wolf Fe r ra r i
( E ngl ish ve r s ion—C la u d e Avel ing)
T H E S E C R E T O F S U Z A N N E
Cha racters
Siste r Angelica
Soprano
Th e P r i n c e s s
Mezzosoprano
(Siste r Angelica ’s Aun t)
Siste r Genevieve
Soprano
Kathleen Ty r r e l l
Susan Ba ll
The Monitor
Soprano
Susan Ste rn
The Mist ress of the
Novices
T h e F i r st T ou r ie r e
T h e Nov i ces
Soprano
No r ma Schlesinge r
M ezzo sopra no
C la i r e W i tl in
Sopra no
Mezzo soprano
Soprano
Soprano
Ma r ga r e t Ko t ylo
Nancy Ca llman
Diane K rasinsk i
Kvitka Cisyk
Drama tic Di rec tor and Cond uc tor
M usi ca l P r epa ra tion
Coa ch a nd Accom panist
Technical Assistance
Cha ra c te rs
Toby Jean Manke r
William Lewis
Robe r ta Sc hlosse r
Ba r ba ra Ga rges
Susan Ba ll
PROGRAM NOTES
P uc c in i ’s Si ster Angel ica i s t he sec ond o f t he t h r ee one a c t ope ras
th at com pr ise Il Trittico (the othe rs a re Il Tabarro a n d Gianni Schicchi).
T h e l ibr e ttist wa s G ioa c c h ino F o r za no. T h e pr e m ie r e wa s he ld a t
the Met ropolitan Opera o n Decem be r 14, 1918.
T he se tting is a con ven t in t he la t te r pa r t of the E igh teen t h Cen t u r y .
T h e c ha pel is in t he ba c kg round beyond the l ef t hand a r c a de ; beyond t he
r igh t hand a r cade is the cemete r y. In the m iddle of the stage towa rds
t he ba c k is a sh r in e ; o n t he r igh t , downsta ge , a vege ta bl e ga r den , g ra ss
and flowe rs.
Siste r Angel i ca ha s sough t r ef uge t o e x pia te a n ol d sin . W hen an a un t
v isi ts he r , Angel i ca inqui r es a bou t the fa te of t he c h i ld she had a ban
don ed befo r e ta k ing vows.
P uc c in i ’s bea u tiful sc o r e prov ides t he l istene r with on e lovel y m om en t
af te r ano t he r . T h e d ra m a ti c in tensi t y ra nges f r o m the ca r ef r ee da il y
rou tine o f a con ven t t o t he u l tim a te t ra ged y o f Siste r Angel i ca ’s sui c ide.
Count Gil
Ba r itone
Jam es Osborne
The Countess Suzanne
Soprano
G ra ce Ma r tin
Mute
Alf red Wilson
Sante, a se rvant
Dra m a tic Di rec to r
Musical P repa ra tion a nd Cond uc tor
Coa c h a nd Accom panist
Technical Assistance
Lisbeth J . Roman
Robe r ta Schlosse r
Ba r ba ra Ga rges
C la i re Witlin
PROGRAM NOTES
W ol f F e r ra r i ’s one a c t ope ra (o r in te r m ezzo), T he Secret of Suzanne,
ha d i ts pr e m ie r e a t t he M un i c h Ope ra o n Dec e m be r 4 , 1909. T h e
librettist was Enrico Golisc ian i.
T h e se tting i s a l i v ing r oo m i n P ied m on t a r ou nd t he t u r n o f the cen tu r y.
Coun t G i l is d ist u r bed , sin c e eve r y t i m e h e r e tu r ns h om e h e de tec ts the
odo r of c iga re tte sm oke. H is suspicions tha t his wife is en te r ta ining a
love r mount as she evades answe r ing his questions. The f resh and witty
sc o r e a ccen t ua tes t he h u m o r o f a d ra m a ti c si t ua tion t ha t wa s a l l too
possibl e a t t he tu r n o f t he cen t u r y .
A
A C K N O W L E D G E M E N T
T h e m e m b e r s n l t h e O p e r a W o r k s h o p wish to e x p r e s s t h e i r s i n c e r e a p p r e c i a t i o n t o the D e p a r t m e n t
o f T h e a t e r fo r t he i r va l ua bl e a ss is ta n c e i n t he va r ious tec h n i ca l a s pec ts o f t his pr od u c t ion . a n d
m o s t p a r t i c u l a r l y f o r the d r a m a t i c guidanc e o f M i s s L i s b e t h J. R o m a n
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
29:18:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63363
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63363">Students of the Opera Workshop perform Wolf-Ferrari' Secret of Suzanne Ermano </a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Students of the Opera Workshop perform Wolf-Ferrari's Secret of Suzanne
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Wolf-Ferrari. Held at 8:15 pm, December 11, 1970, Music Recital Hall
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-12-11
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Wolf Ferrari, Teodoro, 1878-1945
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020096131
39091020096180
-
https://omeka.binghamton.edu/omeka/files/original/80f56faa64b5a6d355c7366a03d90db4.pdf
d65d0e53993b104fd20388e52ce05429
PDF Text
Text
STATE UNIVERSITY OF N EW YORK AT BINGHAMTO N
HARPUR COLLEGE
THE DEPARTMENT OF MU SIC
A CHRISTMAS CONCERT
DAVID BU TTO LPH, conductor
Wednesday, Decem ber 16, 1970
8 : 1 5 p. m .
Don A. Watters Theater
�PROGRAM
Music for Antiphonal B rass Choirs
Gabrieli , Bonelli , and Lasso
On festive or ceremonial occa sions m usic of this sor t was often hea rd in Italy of the
high Renaissance. St. Mark ’s cathedral in Venice witnesse d countless performances
of this jubilant holiday m usic , perfor med by choirs of brasses situated high in the
cathedral ’s choir lofts.
N un Lob’ Mein Seele Den H er ren
(from Cantata No. 28 , for the New Year)
Chorus and strings
Nun lob,” mein Seel ’ den Herren
was in mir ist den Namen sein!
Sein Wohltat thut er mehren,
vergiss es nicht o Herze m ein ;
Hat dir dein Sund ’ vergeben
und heilt dein ’ Schwachheit gross
errett ’t dein armes Leben
nim m t dich in seinen Schoss
m it neichem T rost beschiittet,
Verjungt dem Adler gleich
Der Klin ’g schafft Recht behiitet
die leiden in seinem Reich.
J. S. Bach
Now bless the Lord, my soul
bless thou His Holy Name;
The Lord, thy God , confess him ,
His benefits to thee acclaim,
who all thy sins forgiveth,
all thy diseases cures ;
through whom thy spirit liveth ,
who grace to thee assur es ;
Thy mouth with plenty fille th ,
with courage fir es thy breast.
The Lord is just and righteous
to all that are oppressed.
(H. S. Drinker)
A ve Maria
Serge Rac hmaninoff
Chorus a cappella
Jubilate Deo
Orlando di Lasso
Chorus
Maria Tryptichon
(United States Premie re)
Maria Dornya, soprano
Eric Lewis, violin
Orchestra
Frank Martin
Intermission
Maria Tryptichon
Part II (Magnificat)
What Cheer? Good Cheer!
Peter Warlock
(ar ranged by Bruce Mer ley)
Chorus and Brass
Welcom e Yule
Chorus and Jane Yule, piano
Wassail Song
E r ic G r itton
Ralph Vaughn Williams
Donna Ribble, soprano
Ira Miller and Luc iano La ma , guitars
Chorus
�T he Holly and the Ivy
a r ranged by G eoffra y Shaw
Chor us and Jane Yule , piano
Christmas Medley
Wind Ensem ble
Bruce Merley, condu c tor
Jack Martin
A Carol Festival
Hawley Ades
Chorus, Orchestra, W ind Ensemble, and Audience Participation
‘ I
A V E MARIA
Gegru’sset seist du , Hoch begnadete!
Der Herr ist m it dir .
Hail, thou tha t a r t highly favored!
T he Lord is with thee.
Fiirchte dich nicht, Maria!
du hast Gnade bei Gott gefunden.
Fea r not, Ma ry, for thou
hast found favor with God.
Siehe, du wirst schwangen w erden und
einer Sohn gebaren des Nam en sollst
du Jesus heissen.
And behold , thou shalt conceive in thy w om b,
and bring forth a son , and shall call
his name Jesus.
Der wird gross sein und ein Sohn
des HOchsten genannt werden
He shall be great and shall be called
the Son of the most high : and the
Und Gott d e r H e r r wird ih m den T h r on
seines Vaters, David geben und e r wird
ein Kfinig sein uber das Hau s Jakob
ewiglich und seines Reiches wird kein
Ende sein.
Lord God sha ll give unto hi m the th r one
of his fa the r David , and he shall r eign
over the house of Jacob for ever ; and
of his kingdom there shall be
no end.
II
MAGNIFICAT
Meine Seele e r hebt den He r rn
und mein Geist freuet sich
Gottes meines Heilandes.
Denn er hat die Niedrigkeit
seiner Magd angesehen.
My soul doth magnify the Lord,
and my spirit hath rejoiced
in God my Saviour.
For he hath looked upon the low estate
of his handmaid :
Siehe, von nun an werden mich selig preisen
alle Kindeskinder;
For behold , from henceforth all genera tions
shall call me blessed.
Denn e r hat G rosse Dinge an m ir getan
Der da machtig iot und des Name he ilig.
F or He that is mighty hath done to me
great thing; and holy is his name.
Sein Name ist heilig und sei ne
Ba r mher zigkeit
W ih r e t im m e r fiir and fiihr
bei denen die ihu fiirchten.
And his mercy is unto gener ations and
generations on them
that hear him.
Siehe, von nun an werden mich
selig preisen alle Kindeskinder
Sein Name ist heilig.
For behold , from henceforth
all generations shall call
me blessed.
E r iibet Gewa lt m i t Seinem A r m
und zerstreuet die hoffi r tig
sind in ihr es He r zens Sinn .
Er ubet Gewalt mit seinem Arm.
H e ha th showed str ength with his a r m ;
He hath scattered the proud
in the imagina tion of their hea r ts,
�E r sto’sset die Gewaltig en vom Thron
und erhebt die Niedrigen.
H e ha th put down the m igh ty from their th rones
and hath ex alted them of low deg ree.
Die Hungrigen fiillet e r mit Gutern
und lisst die Reichen leer.
T he hungr. y he ha th fil l ed with good things
and the r ich he ha th sen t em pty awa y.
Er ubet gewalt mit seinem Arm.
He hath showed streng th with his a r m .
Meine Seele erhebt den Herrn
und mein Geist freuet sich
Gottes meines Heiland es.
m y spir it ha th r e joiced in
G od m y Saviour .
E rdenket de r Ba r mher zig Keit
und hilft Seinem Diener Israel auf.
H e ha th helped his se r vant Israel
in remembrance of his m e rcy.
Wie e r ge r edet ha t unse rn Vatern ,
Abraha m und Seinem kinde rn ewiglich.
As h e spoke unto our fathe rs,
to Abraham and his seen forever.
My soul doth magnify the Lord and
III
STABAT MATER
Stabat mater dolorosa
jux ta c r uce m lac r y mosa ,
d u m pendebat fili us ,
Cu jus animam gementem
contr istanta m e t dolentem
pe r transivit gladius.
The grieving Mother
stood weeping by the c ross
where her Son was hanging.
Her spirit cried out,
mour ning and sor rowing ,
as if pierced with a sword.
O quam tristis et affli c ta
fuit illa benedicta
Ma te r unigeniti!
Oh , how gr ieved and str uck down
was that blessed woma n,
Quae maereba t e t doleba t,
Pia Ma te r dum videba t
Nati poenas inclyti.
How she mour ned a nd la m ented ,
Mother of the Son born of One!
this Holy Mother, seeing
he r Son hanging there in pain!
Qu is es t homo qui non fle r e t
Chr isti Matrem si videret
What man would not weep
to see Chr ist ’s Mothe r
in such humiliation?
Quis non posset contr ista r i
Christi Matrem contemplari
dolentem cum Filio?
Who would not suffe r with her,
seeing Christ ’s Mother
sorrowing for her Son?
P ro peccatic suae gentis
vidit Jesum in tormentis
e t flagell is subd itum .
For the sins of his people
she saw Jesus in tor ment,
bea ten down with whips.
Vidit suum dulcem Natum
moriendo desolatum,
dum emisit spiritum,
She saw her gentle Son
in tanto supplicio?
E ia , Mater , fons amoris,
m e sentire vim doloris
fac , ut tecum lugeam.
Fae, ut ardeat cor meym
_ m amando Christum Deum
‘ ut sibi somplaceam.
’
dying in desola tion ,
breathing out his Spirit.
Let me, Mother, font of love,
feel with thee thy grie f,
make me mourn with t hee.
Make my heart so bur n
for love of Christ my God
that it be safiSfied~
�The well known Swiss com pose r , F rank Ma r tin , was bor n in Geneva
in 1 890. His early studies were in Z uric h with Joseph Lauber but he late r
also studied in Rome and in Paris. Besides composing , F rank Martin has
also taught at the Institute JaquesDalc roze in Geneva and at the Con
servator y of Cologne. His early m usic shows the influenc e of Cesar F rank
and the F r enc h Im pr essionists. Soon , howeve r , he developeda distinc tive ,
personal style and later adopted a mod ified lZtone tec hnique, of whic h the
Maria T ryptichon is an ex ample.
Maria Dornya , well known A merican dramatic soprano, has sung ex
tensively in this countr y and in E urope. She has appea red with the New
Yor k Conce r t Opera Assn. , the New Yor k C ity C enter Opera , the P hila
delphia L yric Opera , the Houston G rand Opera and others, and has per
for med with man y well known A merican orc hestras. Cur rently she is a
mem ber of the Dusseldorf , Z uric h and Munic h Opera Houses.
Eric Lewis , violinist, began his ear ly studies at the Manhattan School
of Music with Rac hmael Weinstock. He received his Masters Deg ree f rom
Manha ttan , where he continued to wor k with Weinstock and studied cha m be r
m usic with L illian F ucks and Ar thur Ba lsa m . M r . L ewis won the Maste r
wor ks F ounda tion Young A r tists Awa rdin 1968, and has been fir s t
violinist with the Manahattan String Quartet since its inception in that
same year .
( C Z )
FU T URE EVEN TS
FR IDAY, JA NUA RY 8, 1970
8:15 p.m. Don A. Watters Theater
SUNDAY, JANUARY 10, 1970
3 : 00 p. m. Music Recital Hall
JEA N CASADESNS
Fall Chamber Music Series
TOM CLOSSER
Bassoon Recital
�CHORALE PER SONNEL
WO MEN’S CHORUS
1st SOP RANOS
2nd SOP RANOS
1st ALT OS
Susan Ball
Kvitka C isyk
Kathy C rowe
Carol Dickie
Ma ry Fenwick
Carol F la m m
Sher r y Kaye
Diane K rasinski
Beverly Penn
Donna R ibble
Ricky Stern
L inda Uhly
Joan Aronow
Joan Appleton
Ka thr yn Bassin
Wendy Bishop
Nancy C all man
Laura F inkelste in Ellen Holtzma n
Mar jorie Gr aber
E velyn K alish
Susan H offmeist er Debra Kanter
Karen Fung
Ann Ma rshland
Allison Ja meson
Janet St echer
Lee Murdock
Stac ie Willia ms
Nanc y Weeks
Kathe r ine Buttolph
Elaine G eorges
Janice M iller
Betsy R eisc h
Nanc y Sim pkins
Colleen Stalls
Lida Wagner
Barbara Wild
Susan Winnett
Carol W inslow
2nd ALTOS
ME N’S G L E E CLUB
1st TENORS
Bryan Burdick
Michael Kass
Charles Seltzer
Ji m Van Hart
Luciano Lama
2nd TENORS
Tony Brienza
Jose Co lon
Ken Goldberg
David K rongel b
F r itz Rath
Douglas Stewa rd
BARITONES
Douglas Dorph
Glenn Dorph
Ken Dorph
Leon F r ied
Keith G orha m
Robe r t Kenda ll
Max Lo pesCepero
Rona ld Sm i th
David Swanda
E rnie Ton g
Ji m Vivyan
Larry Z ukof
BASSES
Richard Axt
Ja m es E lnski
Tim Dungan
Paul Landlan d
Ga ry Levin e
Ira Mille r
Kenneth Morgan
John Niessen
Jon Reise r
Randy Seife r t
Vincent Vito
Jong Ke un You
�OR CHESTR A PERSONNEL
VIOLINS
CELLO
BASSOONS
Eric Lewis,
Concertmaster
Browning Cramer*
Toby Harris
Pa mela Severski
Ca rol Ga ra bedian
Betty Lou Agard
Arthur Mannis
Joanne Br eckenr idge
Martha Strassberger
Andrea And ros
Judy Glyde ,
Principal
Mir ia m Dia mond
Carol Shapiro
Joani Ludka
Jennifer Rae
CONTRABASSOON
Timothy Perry
Thomas C losse r
DOU BLE BASS
FRE NCH HORNS
Mic hael Sanders,
Principal
Rober t Ciringione
Anthony Preus
Janice De Wolfe
FLUTES
Thomas Sigler
Da vid H ibba rd
John McLeod,
Principal
K vitka C isyk
Paul F r iedman
Laura Boyd
Debra Tank low
Martin Goldman
Andrea Tabbat
Sa m uel Jacobs
Joan Tanenhaus
J eff F einsilve r
VIOLAS
And rew Berdahl,
Principal
Joyce Stelzl
Richard Brooks**
Peggy Acke r
Adele Tannenbaum
Jan Lubinsky
Zelman Bokser
Ca rolyn Loh man
*Personnel Manager
**L ibra r ian
Dana Schnipper
Carol Sevush
P h yl l is W iesentha l
T ho m as C losse r
Perri Levin
TRUMPETS
TROMBONE
OBOES
Kenneth Blair
Geoffrey Barron
Daniel C r oss
HARP
E NGL ISH HORN
Geoffrey Barron
CLARINETS
Wendy Osteyée
Sheldon Be r kowitz
Kathy Bundock
PIANO
Jane Yule
TIMPANI
Peter Buttolph
�WIND ENSEMBLE PERSONNEL
PICCOLO
CONTRAALTO CLARINET
CORNETS
Laura F inklestein
Willia m Moor e
John James
FLUTES
SOPRANO SAX
Carol Sevush
Dave Feinman
Robert Weinberger
OBOE
Stan Moshman
ALTO SAX
Sue Eilenberg
Martha Schad
BASSOON
TENOR SAX
Carol Shapiro
M i k e D ’ Eg id io
CLARINETS
BARITONE SAX
Wendy Osteyée
Char les Stein man
Daniel Blaze j
Jean Sc hab
Chr is Braudy
FRE NCH HORNS
Sheldon Berkowitz
JoAnn English
Mike F r isc h
Judi Fisc her
Alan Horowitz
James Rowan
Howard Barsky
BASS CLARINET
C l iffo r d Kasden
Janice DeWolfe
Caren Lieber man
Pat Dowden
Pat Young
Tom Sig ler
Dave Hibba rd
Alan Koenigsberg
George Be r ke
TRUMPETS
Robert Lindstrom
Gary Courtwright
TROMBONES
J i m Bu ttol ph
Ma r k Cly mer
Dave Beaudreau
T homas F leck
Kenneth Blair
Grant Sullivan
BARITONES
Steve Hershkowitz
Keith Gorham
Ha r r y Goldenberg
TUBA
F LEUGE L HORNS
K eith Balser
Da ve H ibba rd
Robert L indstrom
PERCUSSION
Nor man Barouch
Bruce Merley, graduate conductor
Robert Mirshky
Daniel Farina
Peter Buttolph
Stanley Epstein
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: PDF / Rosetta
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3 sound tape reels
Duration
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26:20:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63367
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63367">A Christmas Concert</a>
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Title
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A Christmas Concert, December 16, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Rachmaninoff, Lasso, Martin, Warlock, Gritton, Vaughn Williams, and Ades. Held at 8:15 pm, December 16, 1970, Don A. Watters Theater
Creator
An entity primarily responsible for making the resource
State University of New York at Binghamton. Department of Music
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-12-16
Rights
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In copyright
Contributor
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Bach, Johann Sebastian, 1685-1750
Rachmaninoff, Sergei , 1873-1943
Lasso, Orlando di, 1532-1594
Martin, Frank, 1890-1974
Warlock, Peter, 1894-1930
Gritton, Eric
Vaughan Williams, Ralph, 1872-1958
Ades, Hawley
Type
The nature or genre of the resource
sound
Identifier
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39091020064899
39091020064840
39091020096396
-
https://omeka.binghamton.edu/omeka/files/original/3073c79bef89d3666eb2cb145bd89711.pdf
bec148365b589c217eea54738e84885f
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
JEAN CASADESUS, PIANIST
Friday, January 8, 1971
Don A. Watters Theater
8:15 p.m.
PROGRAM
Preludes, First Book
Claude Debussy
Danseuses de Delphes
Voiles
Le Vent Dans la Plaine
Les Sons et les Parfums tournent dans l'air du Soir
Les Collines d' Anacapri
Des Pas dans la N eige
Ce qu'a vu le Vent d'Ouest
La Fille aux Cheveux de Lin
La Sérénade interrompue
La Cathedrale engloutie
La Danse de Puck
Minstrels
Intermission
Prelude, Choral and Fugue
Cesar Franck
Three Miniatures
Dance
Song
Hymn
Karl Korte
Two Etudes
Resonance
Chords
Robert Casadesus
FUTURE EVENTS
Tuesday, January 12, 1971
Music Recital Hall 8:15 p.m.
Studio Voice Recital and Opera Scenes by the
students of Roberta Schlosser and William Lewis
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38:55:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63372
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63372">Jean Casadesus, Pianist, Concert</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jean Casadesus, Pianist, Concert, January 8, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Debussy, Franck, Korte, and Robert Casadesus. Held at 8:15 pm, January 8, 1971, Watters Theater.
Creator
An entity primarily responsible for making the resource
Casadesus, Jean
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-1-8
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Debussy, Claude, 1862-1918
Franck, Cesar, 1822-1890
Korte, Karl, 1928-
Casadesus, Robert, 1899-1972
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020064857
39091020064907
-
https://omeka.binghamton.edu/omeka/files/original/10f04cdbf980f779ab4644869c49d65f.pdf
d32ddd3700d21779da002b916ed52f12
PDF Text
Text
AT BINGHAMTON
YORK
ST ATE UNIVERS
CO LLEGE
THE
A VOICE
OF
MUSIC
NT OF NT
DEPARTMEME
STUDIO RECITAL
and
OPERA
SCENES
12, 1971
y,
Ja nuary
Tuesda
8:15
p.m.
Music Recital Hall
�VOICE STUDIO RECIT
by the students of '
L
Roberta Schlosser
1 i
PROGRAM
Tu
morte
( Orfeo)
Monteverdi
Charles Seltzer
Chacun le sait
(La Fille du Régiment)
Ricky Stern
0 mio babbino caro
(Gianni Schicchi)
Norma Schlesinger
Sola perduta abbandonata
(Manon Lescaut)
Susan Ball
Donizetti
Puccini
Puccini
Caro nomé (Rigoletto)
Margaret
0 Image, angel like and fair
Kotylo
(Magic Flute)
Tony Brienza
Mozart
Dehi vieni non tardar (Le Nozze di Figaro)
Phyllis Kristal
Stephan Kotrch, accompanist
Non più andrai (in "ll'nrlish - Marriage of Figaro)
Mozart
LarryZukof
Depuis le jour
(Louise)
Charpentier
Grace Martin
Paladilhe
Claire Witlin
Les temps des Lilas
Chausson
James Osborne
My dear, Marquis
(Die Fledermaus)
Kvitka Cisyk
BARBARA GARGES, Accompanist
- - -n-t i rn
mi s
i o n----
�OPERA
SC
EN
ES
BY STUDENTS FROM THE OPERA WORKSBOP
LA
Traviata
Giuseppe Verdi
Scene from Act II
Characters
Violetta Valery
Giorgio Germont
Soprano
Donna Ribble
Baritone
Terrance Howell
- - - - -- -- - - - - -
The Fair of Sorotchinsk
-Solo-scene The Song
11
Khivria
Modeste Moussorgsky
of Khivria"
Mezzo-soprano
Kathleen Tyrrell
George Gershwin
Characters
Serena
Bass
Porgy
Alfred Wilson
Musical Numbers
Summertime
I Got Plenty o' Nuttin'
I Wants To Stay Here
- - - - - .. -- - - - - - - Bess,
-
Musical Preparation
Dramatic Director
Coach and Accompanist
You Is My Woman Now
Roberta Schlosser
William Lewis
Barbara Garges
Explanatory Note:
The drama
t ic direction of both the Traviata and Porgy scenes was, in the ear
ly
rehearsals, • the responsibility of the students performing, as another
aspect
of
their experience in the Opera Workshop.
�PROGRAM
NOTES
La Traviata
Verdi's La Traviata is the most popular and well known of his early works
together with Trovatore and Rigoletto. It was first produced in Venice in 1853.
i
and Al
by
Younger
Dumas theCamel
Camelias
aux
by Alexandre
aux
aux Camelias
Dame
Dame
The libretto was based on La
written for Verdi by Francesco Piave. Compared to the brutality and agony of the
operas preceding this work, Traviata is a drawing room tragedy in a more restrained.
intimate musical style. Perhaps it is this expressive melodic abundance which
makes this opera so universally appealing and enjoyable.
The action takes place in and near Paris in 1850 and centers around Violetta
Valery, a courtesan and woman of pleasure. The first act is in Violetta's house.
A party is in progress as Violetta meets and falls in love with a young nobleman,
Alfredo Germont.
In the second act Alfredo and Violetta are living tog ther in a country house.
The scene performed this evening begins with the entrance of Giorgio Germont,
Alfredo's father. He has come to dissolve the alliance between his son and this
infamous woman. Upon their meeting, he accuses her of squandering his eon's
fortune, but she reveals that her own fortune is paying for everything. Then
Germont (as he is called in the opera) explainshis real reason for coming in his
aria 11 Pura sicomme un angelo". His other child, a daughter, is to be married, but
the bond cannot be made as long as Alfredo continues to live with her. Violetta
agrees that she will leave Alfredo until the marriage is done. Germont insists
that they must separate forever. Violetta, realizing the finality of his demands,
tel.ls him that she loves only Alfredo and cannot leave him as she is dying slowly
with a mortal disease. She begs that she would rather die than leave him now
(Non sapete, quale affetto"). Germont argues that her youth and beauty will fade
and so will their love and pleads with her to agree to his demands. In the most
famous part of this scene ("Dite alla giovine") , Violetta at lastconsents to the
relentless demands of Germontwhile he consolesher and blesses her for her
sacrifice. Violetta secretly decides to make Alfredo think her faithless so he
will not pursue her. Germont begins to leave and she begs only that someday be
reveal to his son the true story. Germontnow realizesthe depth of her love
and the great sacrifice he asks and promises this lastwish. They part, Violetta
in tears and Germont remorseful over what he had to do.
In the final scenes of the opera, Violetta accomplishesher deed and Alfredo,
embittered and heartbroken,leaves her. The lastact finds Violetta on her death
bed. Alfredo, having learnedthe truth, returns only to have her die in his arms.
It is interesting to note that Traviata at its premierein 1853 wasa colossal failure due to the fact that it took place in the present and the singers
wore contemporarydress. The opera-goers of the timewere not prepared to accept
s.
real life emotions which could take place in their own li
Howell
----Terrance
Fair of Sorotchinsk
-The
from the like-named
t
Fair of Sorotchinsk (1877) wasadapted
stepmother of
the
Khivria,
Dikanka.
at at
his novels Evenings
far fromaverse to
ill
t
matron,
buxom
a
is
Parasha (the heroineof Gogol's story)
of her husband,
absence
the
during
an occasional flirtation. She sings this song
Afanasius
lover
her
of
Tcherevik, while she is awaiting the arrival
the peasant
repast.
pa d a delicious
she has
Ivanovitch, the pope's son, for
The textof
tale by Gogol in
The
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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27:39:00
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63376"> Voice Studio Recital and Opera Scenes State University of New York at Binghamton, Department of Music</a>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Voice Studio Recital and Opera Scenes, State University of New York at Binghamton, Department of Music, January 12, 1971
Subject
The topic of the resource
Concerts
Live sound recordings
Description
An account of the resource
Works of Monteverdi, Donizetti, Mussorgsky, Gershwin, Puccini, Verdi. Held at 8:15 pm, January 12, 1971, Music Recital Tape.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-1-12
Rights
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In copyright
Contributor
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Monteverdi, Claudio, 1567-1643
Donizetti, Gaetano, 1797-1848
Puccini, Giacomo, 1858-1924
Verdi, Giuseppe 1813-1901
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020065003
39091020065052
39091020065102
-
https://omeka.binghamton.edu/omeka/files/original/0e3d175aaced4b1eebd61e82336a744e.pdf
a36d21ff3c956f45bfa3f81a349d8226
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMEN T OF MUSIC
THE LENOX STRING QUARTET
in residence
Peter Marsh, uiolin
Delmar Pettys, uio/in, uiola
Paul Hersh, uiola, piano
Donald McCall, cello
CHAMBER MUSIC SERIES
Saturday, February 6, 1971
8:15 P.M.
Don A. watters Theater
�P ROGRAM
Wolfgang Amade us Mozart
Quartet in G Major 1 K. 387
Allegro vivace assai
Menuetto (Allegretto)
Andante Cantabile
Molto allegro
Leon Kirchner
Quartet No. 1 (1949)
Allegro ma non troppo
Adagio
Divertimento
Adagio
intermission
Piano Quartet inc minor, Opus 60
Johannes Brahms
Allegro non troppo
Paco Adagio
Scherzo (Paco Allegro)
Allegro
future
events
Sunday 1 February 14th
Music Recital Hall 1 3:00 PM
Tom Closser. bassoonist
Graduate Recital
Thursday, February 18th
Music Recital Hall, 4:00 PM
Student Recital
Saturday, February 20th
Music Recital Hall, 8:15 PM
Steve Kotrcb 1 pianist
Senior Recital
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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3 sound tape reels
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31:27:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63381
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63381"> Lenox String Quartet Recital</a>
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Dublin Core
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Title
A name given to the resource
Lenox String Quartet Recital, February 6, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Kirchner, and Brahms. Held at 8:15 pm, February 6, 1971, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-2-6
Rights
Information about rights held in and over the resource
In copyright
Contributor
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Kirchner, Leon
Brahms, Johannes, 1833-1897
Mozart, Wolfgang Amadeus, 1756-1791
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020065250
39091020065201
39091020065151
-
https://omeka.binghamton.edu/omeka/files/original/e78523f1d28568c4d898f87231033396.pdf
4895d00328ba7e1d59c551b7a4e1a4a0
PDF Text
Text
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Tue sday , March 2 , 1 9 7 1
8 : 1 5 PM
Don A . Watters Theat er
1 El.
O R C H E S T R A
�P E R S O N N E L
PROGRAM
1ST VIOLINS
S i mp l e Symphnny
Ben jam in B r i t t e n
1.
Boist er ous Bourree
I I . P l ay f u l P i z z i c a t o
1 1 1 . Sen t i men t a l Sa rahznd
I.
I I .
Eric Lewis
Browning Creme r
Andrew Berdahl
Carolyn Lohmann
Ca ro l c e r e b e dlnn
Ade le Tannenbaum
Art hur Mannis
1v. Frolicsome Finale
Brandenberg Concerto No. 5
VIOLAS
Ri c h a rd Brooks
Joen Tanenhaus
Joyce S te l zl
Martha S trassb e rg e r
Jan Lubinsky
Laura Boyd
Johann S . Bach
A l le gr o
Ze lmnn Bokser
Peggy Acke r
Ann F l l l e y
Toby Harris
CELLOS
Affettuoso
111. A lle gro
C a r o l Sevush, fl u t e
Er i c Lewis , v l n l l n
P aul Her sh , cembalo
1.
Dana Schn ippe r
Jennifer Rae
John McLeod
Andrea Andros
J e ff r ey Fe lnsl lve r
Pau l Fr iedman
Joanne Breckenridge
Andrea Tabbat
i n t e r m i s s i o n
S infon iett a
Judith Clyde
ZND VlOLINS
Albe r t Roussel
A l l zg ro me lt o
J oani Ludka
M ir ia m Diamond
BASSES
Martin Goldmen
Robert K olber
Mi c h ae l Sande rs ,
Debra Tanklow
Samue l Jacobs
Robe r t C i r i n g i on e
An t hony P reus
I I . Andan te
IIT. Al legro
Con c e r t o i n d m ino r
J ohann S . Bac h
(fa r two vio l i n s , str ing and con t inuo)
1.
II.
Vlvnee
La rgo ma non trnppo
I I I . Al legro
Peter Marsh and Delmar P ettys , so lo vio l in s
cmAw
S t eve Kotrc h
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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3 sound tape reels
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33:54:00
OHMS Object
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https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63386
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63386">Harpur College String Orchestra</a>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur College String Orchestra, March 2, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Britten, Bach and Roussel. Held at 8:15 pm, March 2, 1971, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur College String Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-3-2
Rights
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In copyright
Contributor
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Britten, Benjamin, 1913-1976
Bach, Johann Sebastian, 1685-1750
Roussel, Albert, 1869-1937
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020065409
39091020065359
39091020065300
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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39:34:00
OHMS Object
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https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63391
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63391">Lenox Lecture Series</a>
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Dublin Core
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Title
A name given to the resource
Lenox Lecture Series
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-3-9
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069666
39091020069617
-
https://omeka.binghamton.edu/omeka/files/original/b9ec7b977d2399aa7d22e900dce04575.pdf
b6f18f27aefc67f7ecb576c74d2f8c2c
PDF Text
Text
THE LENOX STRING QUARTET
in residence
Peter Marsh, violin
Delmar Pettys, violin, viola
Paul Hersh, viola, piano
Donald McCall, cello
SPRING CHAMBERMUSIC SERIES
Wednesday, March 10, 1971
8:15 p.m.
Don A. Watters Theater
�PROGRAM
Joseph Haydn
Quartet in C Major, Opus 54, No. 2
Vivace
Adagio
Menuetto (Allegretto)
Adagio - Presto - Adagio
String Trio (1946)
Arnold Schoenberg
i n t e r mi s s
i
Quartet in D minor, Opus posth .
("Death and the Maiden")
o n
Franz Schubert
Allegro
Andante
Scherzo (Allegro molto)
Presto
FUTURE EVENTS
Thursday, March 11
Recital Hall, ?:00 p. m.
Open rehearsal by members of the New York
Woodwind Quintet and
Chr istine Lindsay .
Friday, March 12
Watters The ater, 8: 15 p . m.
An Evening of Baroque
Chamber Music by the
above performers.
Sunday, Mar ch 14
Watters Theater, 8: 15 p. m.
College Wind Ensemble
Winter Concert . Albert
Hamme , conductor.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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3 sound tape reels
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19:44
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63395
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63395">Lenox String Quartet in Residence, Spring Chamber Music Series</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lenox String Quartet in Residence, Spring Chamber Music Series, March 10, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Haydn, Schoenberg and Schubert. Held at 8:15 pm, March 10, 1971, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-3-10
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Haydn, Joseph, 1732-1809
Schoenberg, Arnold, 1874-1951
Schubert, Franz, 1797-1828
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069815
39091020069765
39091020069716
-
https://omeka.binghamton.edu/omeka/files/original/6536b120b174d8132c7d74a44425f220.pdf
8b62be7b44f7bf7aa5b5ba373076ac36
PDF Text
Text
AN EVENIN:; OF BAROQUE CHAMBER MUSIC
Friday, March 12, 1971
8:15 p.m.
Don A. Watters Theater
�PROGRAM
Trio Sonata in G Major
J. J. Quantz
(for flute, oboe and continua)
J. P. Rameau
Les Tendres Plaintes
La Triomphante
Gavotte and Six Doubles
Andante
Allegro
Un poco largo
Vivace
G. P. Telemann
Quartett in D Minor
Sonata No. 5
J.E. Galliard
(for Bassoon and continua)
Adagio
Allegro e spiritoso
Alla Siciliana
Allegro Assai
Sonata in E Minor
(for flute and continuo)
Three Pieces for Harpsichord
Andante
Vivace
Largo
Allegro
J.M. Leclair
Adagio
Allegro ma poco
Sarabande
Allegro
THE
ARTISTS
Members of the New York Woodwind Quintet:
Thomas Nyfenger, flute
Ronald Roseman, oboe
Arthur Weisberg, bassoon
INTERMIS S ION
Sonata in G Major
(for oboe and continua)
Andante
Allegro
Adagio
Minuetto
G. Sammartini
Guest artist:
Christine Lindsay, harpsichord
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38:21:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63400
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63400">An Evening of Baroque Chamber Music with Members of the New York Woodwind Quintet</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
An Evening of Baroque Chamber Music with Members of the New York Woodwind Quintet, March 12, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Quantz, Galliard, Leclair, Sammartini. Held at 8:15 pm, March 12, 1971, Don A. Watters Theater
Creator
An entity primarily responsible for making the resource
New York Woodwind Quintet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-3-12
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Quantz, Johann Joachim, 1697-1773
Galliard, Johann Ernst, 1687-1747
Leclair, Jean-Marie, 1697-1764
Sammartini, Giovanni Battista, 1700 or 1701-1775, composer
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069914
39091020069864