82
10
1775
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https://omeka.binghamton.edu/omeka/files/original/9209e74a65249b06675b7ce995fa652d.pdf
074ee1093e187c7f2488896e66a544f9
PDF Text
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AT BINGHAMTON
STATE UNIVERSITYOF NEW YORK
DEPARTMENT OF MUSIC
AN
OF
EVENING
GREEK
FOLK
&
DANCE
Sotirios (Sam ) Chiani s
director
DON
A.
WATTERS THEATER
M ARCH 30,
8:15
1971
P.M.
MUSIC
�PRO GRA M
OPEN ING REM ARK S
Fath er Cons tanti ne Com bitch is of the Annu n ciatio
n Gree k Ortho dox
Chur ch, Endi cott, New York .
"The 150th Anni v e rsary of Gree k Indep ende nce"
KLE PHT IKO
One of the most impo rtant categ ories
Pelo ponn esus and cent ral Gree ce (Rou m eli}
The Klep htiko is a histo rical song , relat ing
durin g the long strug gle for indep ende nce.
the song begin s in free- mete r.
Cimb alum solo
of folk song s throu ghou t the
are the Klep htic balla ds.
the hero ic deed s of the Klep hts
Afte r a shor t intro ducti on,
Sotir ios Chia nis
KAL AMA TIAN O
The Kala mati ano is the only folk danc e that can
corre ctly be calle d
pan- Helle nic. The mete r of the Kala mati ano is
7/8 (3 + 2 + 2) and the
danc e conta ins twelv e basic steps (in the cycle }.
The entir e Danc e Ense mble
SYN GA THIS TOS HOR OS
The north ern regio n of Gree ce, calle d Epir us,
has alwa ys enjoy ed
a weal thy folkl orist ic tradi tion. Amo ng the num
erou s folk danc es of this
regio n, the Syng athis to is most char acter istic .
The musi c from Epir us
tends to be penta tonic in natu re, slow in temp o,
and with many melo dic
slide s. This danc e is set in 5/4 mete r and perfo
rmed by wom en only.
Row ena- Robe rtson - lead danc er
�TRATA
In parts of Greece, especially along the coastline of the Peloponnesus,
certain dances are highly traditional. The dance, literally meaning the
fisherman's net, reflects the motions of "pulling-in the nets." The Trata
is traditionally danced only by women. The music is in 4/ 4 meter.
Stephanie Zunno - lead dancer
ZONARADHIKO
The Zonaradhiko dance is from the eastern part of the region Thrace.
In this facinating region, people still retain their village customs, costumes,
and rich folk traditions.
The dance, named after the beautiful belts of
Thrace (as can be seen on the dancers), is traditionally performed only by
women.
PAIDOUSKA
Also from the region of Thrace, the Paidouska contains many small
and intricate dance steps. Though it resembles the Bulgarian Paidouska,
this version is definitely Greek.
SYR TOS HOROS
A very common dance in all parts of Greece is the Syrto. It is set
in 4/4 (or 2/4) meter and generally the tempo is lively. In this particular
Syrto, the mode is diatonic and the melodic style characterizes the region
of Roumeli. Many dance tunes, such as this Syrto, are strictly instrumental.
Instrumental Ensemble
BALLOS
The music of the Aegean Islands tends to be rather lively and "lighthearted" in character. Of all the Greek dances found on the various islands,
the Ballas is considered the most common. It is a multi-sectional composition, set in a lively 2/4 meter,
and commonly played strictly instrumentally.
This Ballas is well-known throughout the Aegean.
Instrumental Ensemble
�PENTOZALI
Though the island of Crete is located in the southern Aegean, Cretan
traditions such as music, dances, instruments, language, etc. can be found
on no other Greek island. The Pehtozali is definitely Cretan. Though the
music is quite repetitive, the dance offers many opportunities to display
the leaps, turns, and intricate dance-steps so c ommonly found on Crete.
The Pentozali is traditionally performed by m en.
TSAMIKOS HOROS
In all of Greece, there is no folk danc e more h eroi c in character than
the Tsamiko. The lead-dancer is free to perform the danc e in his own
particular style while the remaining dancers maintain the basic steps of the
dance. Instrumentally, the Tsamiko offers the lead instrumentalist a unique
opportunity to display his improvisatory abilities · in the section of the Tsamiko
known as "sto dopo!'
Saul Stahl - lead dancer
INTERMIS S ION
KERKYRAIKOS HOROS
This music comes from the island of Kerkyra (in English it is known
as Corfu). You will readily hear that West e rn musi cal traditions have very
greatly influenced this music. The music is in 2/ 4 meter and performed
on the instrument known as the kanoun (or ka nonaki).
Lorelei Beer - Kanoun
POGONNISIO
Another characteristic dance from Epirus is the Pogonissio. The dan c e
is in two parts: the first being rather slow an d stat e l y , _while the second
The entire dance continu e s in this manner . . The t ext of the
part is lively.
dance begins:
"I will become a basil plant a t y our window
And will remain a bachelor for y our pleasure."
�KARA GO UNA
This dance com es from
live several nomadic peoples
exceedingly wealthy tradition
dance; beginning slowly and
the plains of Thessaly. On this rich land
such as the Karagounidhes. They have an
of song and dance. Again, it is a doubleending quite lively.
SOUSTA
One of the liveliest folk dances of Crete is the Sousta. The steps
are short and highly intricate. The dance begins at a lively tempo and
becomes even livelier.
ZEIBEKIKO
The Zeibekiko dance is very popular among the islands of the Eastern
The music is set in 9 / 4 meter (divided 4 + 5) and the tempo
Aegean Sea.
Though many Zeibekika have song texts, this one
deliberate.
and
is slow
is instrumental.
SKYRIANOS HOROS
In many regions of Greece, a distinct style is developed for a certain
folk dance. For example, on the island of Skyros (located in the North
Aegean), the Syrto is performed in a typical manner. The music is lively,
gay, and in meter 2/4.
SYRTAKI
A presentation of songs and dances of Greece would not be complete
without the Syrtaki. Though it properly belongs to the popular tradition,
it nevertheless has taken Greece by storm; everyone is dancing the Syrtaki.
The style is Greek but the harmonies are very Western. The dance begins
slowly, with highly stylized steps; and is brought to a close with a lively
dance called the Has sapiko.
The entire Dance Ensemble
�ACKNOWLEDGMENTS
We are greatly indebted to The American Civic Association,
Binghamton, New York, for their willingness to loan us the Greek
Foustanella costumes.
Our sincerest and warmest thanks go to Mrs. Lambro u and her
daughter, Aliki, of Athens, Greece.
Because of their genuine love for
the many traditions of their small island of Skyros, and for their sincere
interest in our Study Program of Greek Folk Music and Dance here at
Harpur, they so kindly made it possible to bring to America (for the
first time) authentic folk costumes from the island of Skyros.
We would also like to acknowledge the Greek Community of the
Triple-Cities and their organizations.
These are:
Annunciation Greek Orthodox Church
Endicott, New York
Father Constantine Combitchis
Holy Trinity Greek Orthodox Church
Binghamton, New York
Father Constantine Regopoulos
Greek Orthodox Ladies Philoptohos Society
Annunciation Greek Orthodox Church
Endicott, New York
• Mrs, Josephine Koukoudes: President
American Hellenic Educational Progressive Association (AHEPA)
Brotherhood Chapter No. 77
Triple- Cities
Mr. Charles Leounis: President
Daughters of Penelope
Athens Chapter No. 39
Triple-Cities
Mrs. Tillie Carbo: President
Greek Orthodox Youth of America (GOYA)
Triple-Cities
Miss Margo Alexander: President
�INSTRUMENTALISTS
*
*
*
*
Accordion - George Romonchuk
Cimbalum, Clarinet
Sotirios Chianis
Dumbek
George Carris Jr.
Guitar
George Carris
Kanoun
Lorelei beer
Mandolin
John Carris
VOCALIST
Kathleen Tyrell
DANCERS
Bunny Mednick
Marcy Meinwald
Barbara Moskowitz
Paul Olson
Sandra Orzelek
Rowena Robertson
Saul Stahl
Alma Sternberg
Brian Sternberg
Daniel Unger
Mark Weinheimer
Stephanie Zunno
SINGERS
Kristin Adolph
Sheryl Bernard
Linda Berry
Robert Brodesky
Francine Carris
Ronald Drumm
Kathie Edson
Lynne Federman
Alice Gavenda
Mirian Gilbert
Ellen Goldhaar
Judy Gross
Karen Gwertzm an
Elise Heim
Cheryl Hyde
Marilyn Kar han
Aviva Katz
Linda Klein
*
Guest Artist
Mary Lawler
Louise Lippen
Carol Lowenheim
Karen Pearlman
Eileen Perahia
Margaret Polemis
Nancyanne Preston
Deborah Reed
Sharon Rosenblum
Jeanne Spira
Elyse Springer
Sherry Stern
Constance Stirling
Phillip S ykas
Gary Trager
Ilene Traiger
Debra Triffleman
Roslyn · Tunis
Linda Uhly
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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5 sound tape reels
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42:01:00
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State University of New York at Binghamton Department of Music and the Center for Greek and Cypriot Ethnomusicological Studies present an Evening of Greek Folk Music & Dance
Subject
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Concerts
Instrumental music
Live sound recordings
Description
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Held at 8:15 pm, March 30, 1971, Don A. Watters Theater.
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Binghamton University Libraries
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1971-3-30
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sound
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39091020070060
39091020070011
39091020069963
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https://omeka.binghamton.edu/omeka/files/original/f85b600df9aed3ac4225b0625865cfca.pdf
5dad15d190b3aa41a3ca6a565212dd07
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SPRINGCHAMBER MUSIC SERIES
A TRIO
CONCERT
WITH MEMBERS OF THE
LENOX STRIN; QUARTET
and the
NEW YORK WOODWIND QUINTET
Wednesday , March 31, 1971
8 :15 PM
Watters Theater
�PROGRAM
Trio in C Minor (from the Musical Offering)
Bach
Largo
Allegro
Andante
Allegro
Thomas Nyfenger, •flute
Peter Marsh, violin
Christine Lindsay, harpsichord
Arthur Weisberg, bassoon
Future Events
Clarinet Trio in B-flat Major, Opus 11
Thursday, April 1st
Music Recital Hall 4:00 PM
Student Recital.
vocal program.
Friday, April 16th
Music Recital Hall 8:15 PM
Donald McCall, cellist
Solo recital by cellist
of the Lenox Quartet
Saturday, April 17th
Music Recital Hall 8:15 PM
Steve Zank, pianist
Piano recital by visiting
student from Boston
Conservatory
Sunday, April 18th
Watters Theater 8:15 PM
Spring Choral Concert
David Buttolph, conductor
All
Beethoven
Allegro con brio
Adagio
Theme and variations: Allegretto
David Glazer, clarinet
Paul Hersh, piano
Donald McCall, cello
i n t e r mi s s i o n
Horn Trio in E-flat Major, Opus 40
Andante
Allegro
Adagio mesto
Finale: Allegro con brio
Ralph Froelich, French horn
Delmar Pettys, violin
Paul Hersh, piano
Brahms
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 sound tape reel
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26:41:00
OHMS Object
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63410">Trio Concert with Members of the Lenox String Quartet and the New York Woodwind Quintet. Spring Chamber Music Series</a>
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Trio Concert with Members of the Lenox String Quartet and the New York Woodwind Quintet. Spring Chamber Music Series, March 31, 1971
Subject
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Instrumental music
Live sound recordings
Description
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Works of Bach, Beethoven and Brahms. Held at 8:15 pm, March 31, 1971, Watters Theater.
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New York Woodwind Quintet
Lenox String Quartet
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Binghamton University Libraries
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1971-3-31
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Bach, Carl Philipp Emanuel, 1714-1788
Beethoven, Ludwig van, 1770-1827
Brahms, Johannes, 1833-1897
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sound
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39091020070169
39091020069625
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https://omeka.binghamton.edu/omeka/files/original/2cdaedb5747d3d04d030c9cfd767d9f9.pdf
10abfbb7f93a377fae9333e0dfd7a989
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DONALD
C
April 16, 1971
McCALL
e 1 1 i
S
8:15 PM
t
Music Recital Hall
�P RO GRAM
Sonata in C Major, Opus 102
MEMBERS OF THE ORCHESTRA
Vio l ins :
Eric Lewis
John McLeod
Browning Cramer
Martha Str.assberger
Andrea Andros
Arthur Mannis
Violas:
Andrew Berdahl
Zelman Bokser
Cellos:
Judith Glyde
Timothy Perry
Beethoven
Andante - Allegro vivace
Adagio - Allegro vivace
Sonata in D Major, Opus 102
Beethoven
Allegro con brio
Adagio con molto sentiment d'affetto
Allegro fugato
.
Continua: Charles Brewer
Paul Hersh, pianist
FUTURE EVENTS
i n t e r m i s s i o n
Concerto in C Major
Moderato
Adagio
Allegro molto
(Cadenza by Mr. McCall)
Saturday, April 17th
8:15 PM Music Recital Hall
Steve Zank, pianist
Visiting student from
Boston Conservatory.
Sunday, April 18th 8:15 PM
Don A. Watters Theater
The Harpur Chorale,
David Buttolph, conductor
"Folk to Folk" concert
Thursday, April 22nd
4:10 PM Music Recital Hall
Student Recital
Saturday, April 24th
8:15 PM Music Recital Hall
Aristid von Wurtzler
and the New York Harp
Ensemble in concert.
Haydn
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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32:26:00
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https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63414
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63414"> Donald McCall, Cellist, Recital</a>
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Donald McCall, Cellist, Recital, April 16, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven and Haydn. Held at 8:15 pm, April 16, 1971, Music Recital Hall.
Creator
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McCall, Donald
Publisher
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Binghamton University Libraries
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1971-4-16
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Beethoven, Ludwig van, 1770-1827
Haydn, Joseph, 1732-1809
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sound
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39091020069773
39091020069724
39091020069674
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https://omeka.binghamton.edu/omeka/files/original/04caa4d37b1c09c3fb8e7d9d45586cfc.pdf
aa0a4caac55147a9d393d8e6f1b153f9
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Text
STEPHEN
ZANK
p i a n i s t
Saturday, April 17, 1971
8:15 PM
Music Recital Hall
�New
^England) STEPHEN
ZANK is currently a student at
Conservatory
of Music, Boston, Mass.
He has studied with Leon Fleisher and Byron
Janis. A former resident of the Binghamton
area, Mr. Zank is visiting friends in the
'·
Tri-Cities
and has kindly agreed to present
this concert for our enjoyment.
PROGRAM
32 Variations of an original
theme inc minor
Piano Sonata No. 4
FUTURE EVENTS
1.
2.
3.
Sunday, April 18th 8: 15 PM
Don A. Watters Theater
Harpur Chorale Concert
"Folk to Folk", David
Buttolph, conductor.
Thursday, April 22nd
Music Recital Hall 4:10 PM
Student Recital
Saturday, April 24th
Music Recital Hall 8:15 PM
Aristid von Wurtzler,
harpist and the New
York Harp Ensemble
Peter Marsh, violinist
Christine Lindsay, piano
All Mozart program.
Thursday and Friday,
April 29th and 30th
Studio I
8:15 PM
Opera Workshop Scholarship Benefit Performance
of Menotti's The Old
Maid and the Thief.
Beethoven
Benjamin Lees
(1965)
Allegro Energico
Adagio
Allegro decisco
(Commissioned by the Ford Foundation and
dedicated to Gary Graffman.)
i
Tuesday, April 27th
Music Recital Hall 8:15 PM
Schubert
Impromptu, Opus 90
n t e r m
i
s s i o n
Two Etudes Tableaux
1.
2.
Opus 33, No. 8 in g minor
Opus 39, No. 2 in a minor
Sonata No. 3 in b minor
1.
2.
3.
4.
Rachmaninoff
Allegro Maestoso
Scherzo (molto vivace)
Largo
Finale, presto non tanto
Chopin
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
22:46
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63419
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63419"> Recital Stephen Zank, Pianist</a>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Stephen Zank, Pianist, April 17, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Schubert, Beethoven, Lees, Rachmaninoff, Chopin. Held at 8:15 pm, April 17, 1971, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Zank, Stephen, 1950-
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-4-17
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Schubert, Franz, 1797-1828
Beethoven, Ludwig van, 1770-1827
Lees, Benjamin, 1924-2010
Rachmaninoff, Sergei , 1873-1943
Chopin, Frédéric, 1810-1849
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069872
39091020069823
-
https://omeka.binghamton.edu/omeka/files/original/caafd0ce1eecac6871b68a3b02b51a56.pdf
1000dd0d75a5a6d7428a43ccf92efc87
PDF Text
Text
THE NEW YORK HARP ENSEMBLE
Rebecca Flannery
Ewa Jaslar
Barbara Pniewska
Martha Flannery
under the direction of:
Aristid von Wurtzler
Saturday, April 24, 1971
8: 15 PM
�P R OG RA M
Future Events
Danse des Femmes
Tuesday, April 27th, 8:15 PM
Music Recital Hall
An Evening of Mozart
Peter Marsh, violin and
Christine Lindsay, piano
Thursday and Friday
April 29th and 30th
Studio I, 8:15 PM
Admission.
Opera Workshop first
Spring production:
Menotti's The Old Maid
-----and the Thief.
Saturday, May 1st, 8:15 PM
Music Recital Hall
Paul Hersh, pianist
Solo recital.
Sunday, May 2nd, 3:00 PM
Music Recital Hall
Admission.
William Lewis, tenor
Scholarship benefit
recital.
Tuesday, May 4th, 8:15 PM
Lecture Hall I
David Harvey, composer.
Premiere of his MA thesis
composition for chorus
and orchestra.
Thursday and Friday
May 6th and 7th, 8:15 PM
Music Recital Hall
Admission.
Opera Workshop second
Spring production:
Puccini's Gianni Schicchi.
Saturday, May 8th, 8:15 PM
Music Recital Hall
Music for Flute and Piano
Maria Cisyk, piano and
Bruce Merley, flute.
Sunday, May 9th, 3:00 PM
Music Recital Hall
Diana Berdé, pianist
Senior Recital
Andre Gretry
Sixth French Suite
J. S. Bach
(Arranged by C. Salzedo)
Allemande
Gavotte
Menuet
Bouree
Prelude from Partita No. 3
J. S. Bach
(Arranged by M. Mchedelov)
Concerto in B-Flat Major
G. F. Handel
(With original cadenza by A. von Wurtzler)
Allegro moderato
Larghetto
Allegro non troppo
i
n t e r m i s s
i
o n
Preludes
M. Tournier
Martha Flannery and Rebecca Flannery
Rhapsody
M. Grandjany
Concert Improvisation
Solo by Ewa Jaslar
Sakura-Sakura
A. van Wurtzler
Japanese Folk Song
(Arranged by T. Mimura)
Three Hungarian Miniatures
Rakoczy March
L. Weiner
H. Berlioz
Polka in C
J. Press
The New York Harp Ensemble
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
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PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:30:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63423
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63423">Recital New York Harp Ensemble</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New York Harp Ensemble Recital, April 24, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Handel, Tournier, and Berlioz. Held at 8:15 pm, April 24, 1971.
Creator
An entity primarily responsible for making the resource
New York Harp Ensemble
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-4-24
Rights
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In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Handel, Georg Friedrich, 1685-1759
Tournier, Marcel, 1879-1951
Berlioz, Hector, 1803-1869
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020070029
-
https://omeka.binghamton.edu/omeka/files/original/11bdf8a341ecca5f402ab49ff6f929d6.pdf
528a941c6015486dfda885852824fdba
PDF Text
Text
AN EVENING OF MOZART
Peter Marsh,
violin
ChristineLinds ay, piano forte
Tuesday,
April 27, 1971
Music
RecitalHall
8:15 PM
�AN EVENING OF MOZART
Future Events
Thursday and Friday
April 29th and 30th
Studio I, 8:15 PM
Admission.
Opera Workshop first
Spring production:
Menotti's The
Old- Maid
--and the Thief.
Saturday, May 1st, 8:15 PM
Music Recital Hall
Paul Hersh, pianist
Solo recital.
Sunday, May 2nd, 3:00 PM
Music Recital Hall
Admission.
William Lewis, tenor
Scholarship benefit
recital.
Tuesday, May 4th, 8:15 PM
Lecture Hall I
David Harvey, composer.
Premiere of his MA thesis
composition for chorus
and orchestra.
Thursday and Friday
May 6th and 7th, 8:15 PM
Music Recital Hall
Admission.
Opera Workshop second
Spring production:
Puccini's Gianni Schicchi.
program
Sonata in E-Flat Major, K. 481
Malta Allegro
Adagio
Thema con Variazions
Sonata in B-Flat Major, K. 454
Music for Flute and Piano
Maria Cisyk, piano and
Bruce Merley, flute.
W. A. Mozart
Largo - Allegro
Andante
Allegro
i n
t e r mi s s i o n
Six Variations in G minor, K.
374b
W. A. Mozart
uber das franzosische lied:
"Au bard d'une fontaine" ("Helas,
j 'ai perdu man amant")
Sonata in A Major, K. 526
Saturday, May 8th, 8:15 PM
Music Recital Hall
W. A. Mozart
Molto Allegro
Andante
Presto
W. A. Mozart
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
36:25:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63427
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63427"> Peter Marsh, Violin, and Christine Lindsay, Pianoforte, Recital</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Peter Marsh, Violin, and Christine Lindsay, Pianoforte, Recital, April 27, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart. Held at 8:15 pm, April 27, 1971, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Marsh, Peter
Lindsay, Christine
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-4-27
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020070177
39091020070128
39091020070078
-
https://omeka.binghamton.edu/omeka/files/original/6743b798e0ccc7e920f55c45c58faf01.pdf
0b5df37f7414fa726048320390be0ea6
PDF Text
Text
SPECIAL LECTURE
"THE THEORETICAL BACKGROUND FOR
MOZART'S TEMPOS"
by
Neal Zaslaw
of
Cornell University
THURSDAY, APRIL 29, 1971
1:00 PM
RECITAL HALL
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
23:10
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63432
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63432">Theoretical Background for Mozart's Tempos by Neal Zaslaw of Cornell University</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theoretical Background for Mozart's Tempos by Neal Zaslaw of Cornell University
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Presented at 1:00 pm, April 29, 1971, Recital Hall.
Creator
An entity primarily responsible for making the resource
Zaslaw, Neal, 1939-
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-4-29
Rights
Information about rights held in and over the resource
This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, $d1756-1791
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069807
-
https://omeka.binghamton.edu/omeka/files/original/2971dbea17976f3fb33d3607d72ae4d5.pdf
63bb8ecdfdc49b35d6dd5bd64ba05a9c
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
with
THE DEPARTMENT OF THEATER
present
ME N O T T I ' S
THE OLD MAID AND THE THIEF
by
Students from the Opera Workshop
Thursday, April 29, 1971
Friday, April 30, 1971
8: 15 p.m.
Studio I
�THE OLD MAID AND THE THIEF
A Grotesque Opera in 14 Scenes
Libretto and Music by
GIAN CARLO MENOTTI
- Overture
- Scene 1 -- Miss Todd's Parlor: Miss Todd, Miss
Pinkerton, Leatitia, Bob.
- Scenes 2 and 3 -- The Kitchen of Miss Todd's House;
Bob's Bedroom: Miss Todd, Laetitia, Bob.
- Scene 4
The Street: Miss Pinkerton, Miss Todd.
- Scene 5
Miss Todd's Parlor: Miss Todd, Laetitia,
Bob.
- Scene 6
The Kitchen of Miss Todd's House: Laetitia.
- Scene 7
The Porch of Miss Todd's House: Miss Todd
Miss Pinkerton.
- Scenes 8 and 9 -- Bob's Bedroom; Miss Todd's Parlor:
Bob, Laetitia, Miss Todd.
- Scene 10 -- In Front of the Liquor Store: Laetitia,
Miss Todd.
- Scene 11 -- Miss Todd's Parlor: Miss Pinkerton, Miss
Todd, Laetitia.
- Scene 12 -- Bob's Bedroom: Miss Todd, Laetitia, Bob.
-Scenes 13 and 14 -- Bob's Bedroom, Miss Todd's
Parlor: Bob, Laetitia, Miss Todd.
Characters
Miss Todd
Laetitia
Miss Pinkerton
Bob
Mezzo-soprano
Soprano
Soprano
Baritone
Michele Milligan
Margaret Koty lo
Donna Ribble
James Osborne
The Action takes place in a Small Town somewhere
in the United States.
Time:
The Present
Musical Preparation and Conductor - -- Roberta Schlosser
Dramatic Director
-- Charles Dietrich
Coach and Accompanist
-- Barbara Garges
Liquor Store Proprietor
-- Martin Kass
Assistant Stage Director
-- John Sturman
Lighting
-- Dennis Crozier
Properties
-- Claire Witlin, Janet Randall
Sound
-- Sherry Teitelbaum
Photography
-- Herman Paikoff
Right of performance granted by Belwin
Publishing Corporation.
Mills
Notes by Gian Carlo Menotti
In his middle age, an artist is apt to look back at his
youthful works with much embarrassment. Later in life,
more often than not, the embarrassment turns to sentimental affection. On listening to The Old Maid and the
Thief, I no longer smile at what for a time seemed
utter
naivete, but, rather, admire the courage of the young man .
who wrote it.
Still in my twenties, with only one other opera to
my credit (Amelia Goes to the Ball), I was connnissioned
by NBC to write an opera especially conceived for radio.
It turned out, as far as I know, to be the very first opera
written for this medium, just as, years later, Arnahl and
the Night Visitors inaugurated a long series of operas
written for TV.
I had already lived in America for a few years, but
my knowledge of the English language was yet rather primitive to say the least. Still, the sound of it fascinated
me. I thought that because of its greater sharpness and
greater variety of sounds, it offered to the musician
much greater rhythmic possibilities than Italian. After
studying Elizabethan madrigals, I became quite convinced
of this. Only the arrogance of youth, however, could convince me that I was ready to supply myself with an English
libretto. I thought, perhaps, that I could not do much
worse for myself than some of Verdi's and Donizett's librettists had done for their composers.
As for the subject, youthful arrogance, again, encouraged me to tackle what I considered, then, a very
American plot. I was living in America, why not write
about the American scene?
At the time, I was in the habit of often visiting the
family of my Curtis Institute fellow-student, Samuel Barber,
�in West Chester, Pennsylvania, which was then still a very
little sleepy town of quiet oak-lined streets. Coming as I
did from a noisy Italian family of ten children, the
Barber household, with its quiet Presbyterian background
and its subdued dignity, was quite a change for me. In
fact, I was incredibly charmed by what seemed to me the exotic quaintness of that little American town. I sound found
out, however, from the quiet gossip overheardduring tea and
Bridge parties in Mrs. Barber's and her friends' parlors,
that behind those innocent 18th century wooden facades all
sorts of secret dramas took place; some grim, some comic and
all of them, of course, "scandalous." And so, it was the
deceptive innocence of West Chester, Pennsylvania which inspired the subject for my second opera.
Should I write such an opera today, I'd probably be
much more sympathetic and charitable towards Miss Todd and
more critical of Laetitia's happy-go-lucky synicism. After
A Street Car Named Desire, it is difficult to contemplate
frustrated sexual desires with anything but compassion. (I
myself, an old bachelor, should know!) But then I was a
devoted admirer of comrnedia dell'arte: old unmarried people
had to be grotesquely funny, young "servette" had to be
sparkling, witty and the handsome hero had to get what he
wanted.
In spite of the cynical turn of the plot (a man cannot help becoming what people want him to be), and its
gentle touch of misogynism, the opera is more or les_s stock
commedia dell'arte. As for the music, what can I say? If,
as I believe, the true artist is he who is able to reveal
his inner self with both precision and spontaneity, I cannot but envy the young man who wrote The Old Maid and the
Thief. It is now with gnawing self-doubt that I try to capture my real face beneath the layers of masks that little
by little life imposes on me. What seemed so easy then has
become unbearably difficult. If The Old Maid has any merits
the main one is that it faithfully reveals the young man
I was. But, of course, not all young men are charming or
amusing. Besides, in art, youth in itself has little value
unless it is able to capture, as Bizet did in his "Symphony
in C" the very essence of youth. Be it far from me to claim
the same for "The Old Maid" but as long as its youthfulness
can still make people smile, I am glad that the ever-ready
undertakers have not yet succeeded in burying her.
*
Notes taken from Mercury phonograph record number SR9O521.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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2 sound tape reels
Duration
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26:42:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63440">Gian Carlo Menotti's Old Maid and the Thief by Students of the Opera Workshop</a>
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Title
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Gian Carlo Menotti's Old Maid and the Thief by Students of the Opera Workshop, April 29, 1971
Subject
The topic of the resource
Concerts
Live sound recordings
Description
An account of the resource
Works of Gian Carlo Menotti. Presented at 1:00 pm, April 29, 1971, Recital Hall.
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-4-29
Contributor
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Menotti, Gian Carlo, 1911-2007
Identifier
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39091020069906
39091020069856
-
https://omeka.binghamton.edu/omeka/files/original/bbbdfeb29ecde4a2d49bd45463f52eb8.pdf
63bb8ecdfdc49b35d6dd5bd64ba05a9c
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
with
THE DEPARTMENT OF THEATER
present
ME N O T T I ' S
THE OLD MAID AND THE THIEF
by
Students from the Opera Workshop
Thursday, April 29, 1971
Friday, April 30, 1971
8: 15 p.m.
Studio I
�THE OLD MAID AND THE THIEF
A Grotesque Opera in 14 Scenes
Libretto and Music by
GIAN CARLO MENOTTI
- Overture
- Scene 1 -- Miss Todd's Parlor: Miss Todd, Miss
Pinkerton, Leatitia, Bob.
- Scenes 2 and 3 -- The Kitchen of Miss Todd's House;
Bob's Bedroom: Miss Todd, Laetitia, Bob.
- Scene 4
The Street: Miss Pinkerton, Miss Todd.
- Scene 5
Miss Todd's Parlor: Miss Todd, Laetitia,
Bob.
- Scene 6
The Kitchen of Miss Todd's House: Laetitia.
- Scene 7
The Porch of Miss Todd's House: Miss Todd
Miss Pinkerton.
- Scenes 8 and 9 -- Bob's Bedroom; Miss Todd's Parlor:
Bob, Laetitia, Miss Todd.
- Scene 10 -- In Front of the Liquor Store: Laetitia,
Miss Todd.
- Scene 11 -- Miss Todd's Parlor: Miss Pinkerton, Miss
Todd, Laetitia.
- Scene 12 -- Bob's Bedroom: Miss Todd, Laetitia, Bob.
-Scenes 13 and 14 -- Bob's Bedroom, Miss Todd's
Parlor: Bob, Laetitia, Miss Todd.
Characters
Miss Todd
Laetitia
Miss Pinkerton
Bob
Mezzo-soprano
Soprano
Soprano
Baritone
Michele Milligan
Margaret Koty lo
Donna Ribble
James Osborne
The Action takes place in a Small Town somewhere
in the United States.
Time:
The Present
Musical Preparation and Conductor - -- Roberta Schlosser
Dramatic Director
-- Charles Dietrich
Coach and Accompanist
-- Barbara Garges
Liquor Store Proprietor
-- Martin Kass
Assistant Stage Director
-- John Sturman
Lighting
-- Dennis Crozier
Properties
-- Claire Witlin, Janet Randall
Sound
-- Sherry Teitelbaum
Photography
-- Herman Paikoff
Right of performance granted by Belwin
Publishing Corporation.
Mills
Notes by Gian Carlo Menotti
In his middle age, an artist is apt to look back at his
youthful works with much embarrassment. Later in life,
more often than not, the embarrassment turns to sentimental affection. On listening to The Old Maid and the
Thief, I no longer smile at what for a time seemed
utter
naivete, but, rather, admire the courage of the young man .
who wrote it.
Still in my twenties, with only one other opera to
my credit (Amelia Goes to the Ball), I was connnissioned
by NBC to write an opera especially conceived for radio.
It turned out, as far as I know, to be the very first opera
written for this medium, just as, years later, Arnahl and
the Night Visitors inaugurated a long series of operas
written for TV.
I had already lived in America for a few years, but
my knowledge of the English language was yet rather primitive to say the least. Still, the sound of it fascinated
me. I thought that because of its greater sharpness and
greater variety of sounds, it offered to the musician
much greater rhythmic possibilities than Italian. After
studying Elizabethan madrigals, I became quite convinced
of this. Only the arrogance of youth, however, could convince me that I was ready to supply myself with an English
libretto. I thought, perhaps, that I could not do much
worse for myself than some of Verdi's and Donizett's librettists had done for their composers.
As for the subject, youthful arrogance, again, encouraged me to tackle what I considered, then, a very
American plot. I was living in America, why not write
about the American scene?
At the time, I was in the habit of often visiting the
family of my Curtis Institute fellow-student, Samuel Barber,
�in West Chester, Pennsylvania, which was then still a very
little sleepy town of quiet oak-lined streets. Coming as I
did from a noisy Italian family of ten children, the
Barber household, with its quiet Presbyterian background
and its subdued dignity, was quite a change for me. In
fact, I was incredibly charmed by what seemed to me the exotic quaintness of that little American town. I sound found
out, however, from the quiet gossip overheardduring tea and
Bridge parties in Mrs. Barber's and her friends' parlors,
that behind those innocent 18th century wooden facades all
sorts of secret dramas took place; some grim, some comic and
all of them, of course, "scandalous." And so, it was the
deceptive innocence of West Chester, Pennsylvania which inspired the subject for my second opera.
Should I write such an opera today, I'd probably be
much more sympathetic and charitable towards Miss Todd and
more critical of Laetitia's happy-go-lucky synicism. After
A Street Car Named Desire, it is difficult to contemplate
frustrated sexual desires with anything but compassion. (I
myself, an old bachelor, should know!) But then I was a
devoted admirer of comrnedia dell'arte: old unmarried people
had to be grotesquely funny, young "servette" had to be
sparkling, witty and the handsome hero had to get what he
wanted.
In spite of the cynical turn of the plot (a man cannot help becoming what people want him to be), and its
gentle touch of misogynism, the opera is more or les_s stock
commedia dell'arte. As for the music, what can I say? If,
as I believe, the true artist is he who is able to reveal
his inner self with both precision and spontaneity, I cannot but envy the young man who wrote The Old Maid and the
Thief. It is now with gnawing self-doubt that I try to capture my real face beneath the layers of masks that little
by little life imposes on me. What seemed so easy then has
become unbearably difficult. If The Old Maid has any merits
the main one is that it faithfully reveals the young man
I was. But, of course, not all young men are charming or
amusing. Besides, in art, youth in itself has little value
unless it is able to capture, as Bizet did in his "Symphony
in C" the very essence of youth. Be it far from me to claim
the same for "The Old Maid" but as long as its youthfulness
can still make people smile, I am glad that the ever-ready
undertakers have not yet succeeded in burying her.
*
Notes taken from Mercury phonograph record number SR9O521.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
22:59
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63440
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63440">Gian Carlo Menotti's Old Maid and the Thief by Students of the Opera Workshop </a><a> </a>
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Dublin Core
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Title
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Gian Carlo Menotti's Old Maid and the Thief by Students of the Opera Workshop, April 30, 1971
Subject
The topic of the resource
Concerts
Live sound recordings
Description
An account of the resource
Works of Gian Carlo Menotti. Held at 8:15 pm, April 30, 1971, Studio I.
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-4-30
Rights
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This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton University.
Contributor
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Menotti, Gian Carlo, 1911-2007
Type
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sound
Identifier
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39091020069781
39091020069732
-
https://omeka.binghamton.edu/omeka/files/original/350b8e0dba5d86916b3d4587fb0fe74a.pdf
a94ffa0ced68eedab47b7350eb403c33
PDF Text
Text
P AUL
H E R S H
pianist and violist
assisted by
CHRISTINE LINDSAY
harpsichord
Saturday, May 1, 1971
8:15 PM
Music Recital Hall
�FUTURE EVENTS
Sunday, May 2nd, 8:15 PM
Music Recital Hall
P R O G R A M
William Lewis, tenor.
Scholarship benefit performance. Admission.
Bach
Gamba Sonata No. 2 in D Major
Tuesday, May 4th, 8:15 PM
Lecture Hall I
World Premiere of David
Harvey's Gloria for chorus
winds and percussion. Also
Brass Choir performance.
Thursday, May 4th, 4:10 PM
Music Recital Hall
Student Recital
Adagio
Allegro
Andante
Allegro
Piano Sonata in A Major, Opus 101
Thursday and Friday,
May 6th and 7th, 8: 15 PM
Music Recital Hall.
Opera Workshop production
of Puccini's Gianni Schicchi.
Admission.
Saturday, May 8th, 7:30 PM
Music Recital Hall
Music for Flute and Piano.
Maria Cisyk, piano and
Bruce Merley, flute.
Allegro ma non troppo
Vivace alla Marcia
Adagio, ma non troppo, con affetto
i
Sunday, May 9th, 3:00 PM
Music Recital Hall
Diana Berdé, pianist.
Senior Recital.
Sunday, May 9th, 8: 15 PM
Don A. Watters Theater
Lenox String Quartet.
Chamber Music Series.
Admission.
Tuesday, May 11th, 8:15 PM
UU Social Room
Harpur College Orchestra.
David Buttolph, conductor.
Paul Knoeffler, pianist.
Wednesday, May 12th, 8:15 PM
Music Recital Hall.
An Evening of Contemporary
Music. Works of student and
faculty composers.
Thursday , May 13th, 8: 15 PM
Voice Studio Re cital. Student s
of Roberta Schloss e r and
William Lewis.
Beethoven
n t e r mi s s i o n
Sonata in B-flat minor
Chopin
Grave; Doppio movimento
Scherzo (Presto ma non troppo)
Marche funebre (Lento)
Finale (Presto)
Paul Hersh, piano and viola
Christ i n e Lindsay , harpsi ch o rd
State Univers i t v o f New Yor k at Binghamton
Depa rtment o f Mus i c
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
34:25:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63444
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63444"> Paul Hersh, Pianist and Violist Recital Assisted by Christine Lindsay, Harpsichord</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paul Hersh, Pianist and Violist, Recital, assisted by Christine Lindsay, Harpsichord, May 1, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Back, Beethoven, and Chopin. Held at 8:15 pm, May 1, 1971, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Hersh, Paul
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-5-1
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Beethoven, Ludwig van, 1770-1827
Chopin, Frederic, 1810-1849
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069880
39091020069831