83 10 1775 https://omeka.binghamton.edu/omeka/files/original/f85017e0e39e2a0cfeb3fb5e7e77c5b4.pdf e8aa52542cad5364d4f508e832fb0057 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F   N E W   Y O R K [4 w d e e D E P A R T M E N T JAZZM   ID—D AY CONCE RT J e ff  S tock ha m –  T ru m pet & French Horn & Mike Du baniewic z – Saxop hones A Bill Carter: Piano Mike Carbone: Saxophones Tony Marino: Bass Tom Whaley : Drums Th u rsd ay, N ovem be r 20, 2014 1:20 p.m. Osterhou t Concert Thea te r � OGRAM  4 . Trumpeter/homist  J E F F   STOCKHAM  is  w e l l ­ k n o w n , “   yN e selected from the following: Grew ’s Tune.  .Mulgrew Miller I Remember Clifford.  Rit  .Benny Golson . Arr. By Mike Solazzo I ’ve Heard the News.  .Bill Carter Meet Benny Bailey .  . . Quincy Jones Arr. By Ray Brown The Quota. Jimmy Heath Strollin‘ .  Horace Silver So What.  Miles Davis music  fans.  A graduate of the  Eastman  School of Music and a  W 3 4 5 ? »   : renowned  Eastman  Jazz Ensemble, his performance credits read like a Who’s ‘ » Who of the upstate New York music scene. H e  has performed with the Central , New York Jazz Orchestra, Salt C ity Jazz Collective, the Stan Colella Orchatra, the Mario DeSantis Orchestra, The Balcklites, The Destination, Little Georgie & the Shufflin’  Hungarians,  Larry  Arlotta,  the  Bearcat  Jass  Band,  the  Syracuse University  Brass  Ensemble,  Joe  Salzano  &  the  Blue  Devils,  Atlas,  Danny D’lmperio’s  Big  Band  Bloviation,  the  Syracuse  Symphony.  the  Rochester Philharmonic Orchestra, and many other regional mainstays. He has backed up numerous national artists including Tony Bennett, Frank Sinatra Jr., Rosemary Clooney,  Aretha  Franklin,  Josh  Groban,  Harry  Connick  Jr.,  Robert Goulet, Natalie Cole, Johnny Mathis, Wayne Newton, Tommy Tune, Marvin Hamlisch, Jeff Muld. uer, Al  Martino, Don Rickles, Jimmy Cavallo, Jerry Vale, Leslie G ore, Shari  Lewis, and  many others.  He has been a  mem ber of the orchestra for the national touring company of Les Miserables. He has toured Europe and Africa with Chicago blues guitarist Jimmy Johnson. J e ff  is also one of the few musicians world wide to play jazz on French horn. H e  is trumpeter  and  French  hornist  in  Thelonius Monk  Jr.'s  “Monk  on Monk” big band, with which he  has  toured Europe, Israel, and  the  United  States several times, and with which he has had the opportunity to perform in concert with jazz luminaries such as Ron Carter, Herbie Hancock, Bobby Watson, Wallace Roney, Don Braden,  Howard  Johnson,  Ronnie  Matthews,  Danilo Perez,  Gerri  Allen, Diane  Reeves, Nnenna  Frelon, Jacky  Terrasson,  Helen  Sung,  James  Knowles, Bobby  Porcelli,  Kevin  Mahogany,  Marcus  Roberts,  Willie  Williams,  John ‘  Fedchock, and Joe Henderson. He has also appeared in concert on trumpet in the ~ T.S. Monk Sextet. , He is a member of “Dreaming The Duke", a project blending jazz and classical 5J:reatments  of the  music  of Duke  Ellington.  With  the  “Dreaming  The Duke” Ensemble, he  has  performed  with such  world­class  musicians  as  pianist Mike “Garson, sopranos Nnenna Frelon and Harolyn Blackwell, drummer Adonis Rose, ‘saxophonist  Virginia  Mayhew,  trombonist  Andrew  Hunter,  and  violist  Ron wrence. if  you enjoyed this  performance, join us  for  the evening jazz concert ut  7:30 p.m. in Osterhout Concert Theater ­ has also been a member of the George Grunt  Cont‘crt Jazz Band, one of the preeminent  jazz ensembles  in Europe.  The personnel included such celebrated lcinns ns  Le w  Solofl’, Howard Johnson, Joe Magnarelli, Alex  Sipiagin, Dave _  ­n, Scott Robinson, Gary Smulyan, Chris Hunter, Sal Giorgianni, Luciano ,  ­ ini, and Tanya Darby.  s\ “  YCharter  mem ber of the Central New York Jazz Orchestra, he has perfo rmed ‘the las t two decades years with a host of top jazz artists including C lark Terry, ‘ ,  nnell, Phil Woods, Eddie Daniels, Howard Johnson, Houston Person, reus  Pr in tu p, Wallace Roney, J oe Locke, Bill Dobbins, Jimmy Heath, Cla udio �Roditi, A l Vizzutt i,  Dan  Miller,  Byron Stripling,  Michael  Phillip  Mossma n, Bob Berg, Antonio Hart, Bob  Mintzer, Gary  Smulyan,  Rufus R eid, Michael Davis, Slide Hampton, Kevin Mahogany. Diane Schuur, and many others. Hailing  from  Syracuse,  NY,  M I K E   DUBAN IEWICZ   graduated  from  Th e Universi ty of No rth Texas with a Bachelor of Music Educa tion degree. Following that, he moved to New York C ity to attend the Manhattan School of Music and pursue a freelance  music ca reer. Wh ile at the Manh attan Sc hool he played lead alto in  the Jazz Orchestra perfor ming wi th such  jazz lege nds as J on Hend rix, Sir Roland  Hanna, Michael  Brecker, Joe Lovano, and Frank Foster. M ike received a Master o f Music in  Jazz and  Comme rcial Music from MSM in 1997 . Furthermore, in  2009  he was a warded  the  Doctor of Musica l Arts d egree fro m  the  Eastman School o f Music. From  1998­2003,  Mike  toured  the  world  with  Maynard  Ferguson ’s  Big  Bop Nouveau Band serving as a featured soloist  and music direc tor (2002­03). I n  the summer of 2006 he was asked back by M r. Ferguson to join him  on a tou r that culmina ted  at  the  famed  Blue  Note jazz club  in NYC. Shortly thereafter Mike joined Maynard i n studio and recorded what would be the trumpet legend’s final studio recording, The One and Only Maynard Ferguson. ­.'  “e  ‘  g i n  over  20  countries  including  Thailand,  Germany, l. f  ,» ,  ,  Australia,  Russia  and Sweden. In addition, he has shared the ‘  Franklin,  Phil  Woods,  Frankie  Valli,  The  Vanguard  Jazz ,  w  l  i.  f")  1.515115  '  Reid, a nd  The  Temptat ions.  He  has  also .  .  5 m!»  .  wit]  Phil ‘Ra mone, Michael Feinstein,  Bobby Shew, Wayne Be rgeron ‘ and Dianne Sch uur. Trumpet legend  Maynard  Ferguson described  Mike as a  “creative and engaging jazz soloist, whose playing is first rate". No ted author, and J azz Times contributing columnist Ira G itler calls Mike’s saxophone play ing “exploratory". Furthermore, Scott  Yannow ;  author  of  ten  jazz  books  describes  him  as  “A  swinging  alto saxophonist with a beaut iful tone”. His saxophone  teachers have  included Jerry Santy, Dick Oatts, Ramon Ricker, Walt Weiskopf. Ralph Lalama, and Steve Slagle. Mike’s  arrangements  and  compositions  have  been  performed  by  Maynard Ferguson,  jazz  pianist  Billy  Childs  and “Th e  Eastman  School  of  Music  Jazz Ensemble. His product endorsements include : Cannonball Saxophones, AMT Microphones and Bari Mouthpieces. In 2009 Mike released his first C D as a leader entitled  Drive Time (Jazzed Media). I n  March 09, the C D  entered the national charts by breaking in to the top 40 on JazzWeek.com. You can visit Mike on the  web at: www.mdsax.net. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75076">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75076</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz mid-day concert, November 20, 2014  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Gillespie, Gershwin, Gershwin, Raye, DePaul, Taylor, Castillo, Kupka, McClain, Shrew, Beach, Shutack, Weber, Wonder, Green. Held at 1:20 p.m., November 20, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Stockham, Jeff Carter, Bill Carbone, Mike Marino, Tony Whaley, Tom Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Gillespie, Dizzy, 1917-1993 Gershwin, George, 1898-1937 Gershwin, Ira, 1896-1983 Raye, Don DePaul, Gene Taylor, Mark Castillo, Emilio Kupka, Stephen McClain, Marlon Shrew, Bobby Beach, Doug Shutack, George Weber, Andy Wonder, Stevie Green, Susaye Date A point or period of time associated with an event in the lifecycle of the resource 11/20/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Format The file format, physical medium, or dimensions of the resource audio/wav https://omeka.binghamton.edu/omeka/files/original/a5c814853f0eb5596f9b408bbedd8756.pdf a2d15439b5f37378436a5254c22f06cf PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K * D E P A R zedec T M E N T B i n g h a m t o n  (1311117575722? ­ CWM QSymphony pri  (353/15 ”Q9: W W W } ? 47161   05711 77112145 ~ A n  Oflymayfl in Mu sic” D ANIEL FABRICIUS , CONDUCTOR Sunday, November 23, 2014 3:00 p.m. Anderson Center Chamber Hall �PROGRAM HOMAGE ( 1 9 9 4 ) J a   n Van der R0 (b. 195 ELEGY FOR A YOUNG AMERICAN (1964)............................Ronald Lo Presti­ (b. 1961! . SCENES FROM “THE LOUVRE” (1966)..............................Norman Dello Joio (1913­2008) i  ' I. The Portals  II. Children’s Gallery III. The Kings of France IV. The Nativity Paintings V. Finale "’ * * "' * lNTERMlSS/ON * * "‘ "" * . SLAVA! (1977)....ccosssmmmsssssmsssanssssssssssssassassmssssanssssansessensassess Bernstei  . (1918­1990)? Transcribed by Clare Grundman MUSIC FOR PRAGUE 1968 (1968)..................................................Karel Husa. (b.1921¥­ I. Introduction and Fanfare II. Aria III. Interlude IV. Toccata and Chorale �24 ( RSITY WIND SYMPHONY Daniel Fabricius, Conductor ALTO SAXOPHONE Andrew Pfeiffer Nicholas Follett Julia Dunnigan ' ‘rsuo n SAXOPHONE Crystal Fisher BARITONE SAXOPHONE Daniel Gross ,  TRUMPET Brandon Young 371  Brandon Ashley Letitia Kar Hoo TROMBONE Jacob Solon Joshua Yamuder Daniel Romberger EUPHONIUM Ryan Shumaker TUBA Matthew Vegiard Patrick Jones PERCUSSION Emily Goetz William Potts Alex Rava Robert Hopkins 1 :  Masha Pazdar Wm», E r �CONDUCTOR Daniel Fab ricius h a s b  een a member of the music faculty since 1992, percussion i n s t r u c t O r  for twenty years before his appointment as con the Bingh amton UHlVersity Wind Symphony. He holds degrees from  ma University and I t h a c a  College and has studied conducting with Donal (Mansfield Univers ity)  Rodney  Winther (Ithaca College), Stephen  pe (Ithaca Co llege).  COI  Arnald Gabriel (US  Air Force), and Mallory Th (Northwestern  UniVErsi ty).  In addition to his duties at BU he also s” Director  of  B a n d s  at Owego  Free  Academy  where  he  has  develop outstanding lnStru mental music program.  The bands at OFA have r plenty of praises a n d  the OFA Jazz Band has been honored to present performances a t  t h e  NYSSMA Winter Conference in 2008 and 2013.  " He is highly r e g a r d e d  in the region as a conductor, as a percussion pe " and  as  a  m u s i c   educator.  He  has  been  a  member  of  the  Bingh Philharmonic p e rc u s s i o n  section since 1982 but is also comfortable perfor in  popular,  r o c k ,   Jazz,  and  other  styles.  He  has  played  as  a  freW percussionist, acco mpanyin g national touring artists such as Michael W § Tommy Tune, J e r r y  Vail, Lorrie Morgan, Ringling Brothers Circus, the S Brothers, and E l l a  Fitzgerald. Professor Fabricius has served the New Yo " Slil’lOOl Music ASSOC lation as an All­State Percussion adjudicator for many He also serves N Y S S M A  as the Instrumental Jazz Reviews editor of The Sc Music News a n d  i s t  h e  Jazz Editor for the NYSSMA Manual.  In additio,  t collegiate work a t  B U ,  he has also served Ithaca College as a consultan member of the S u m m e r  Session faculty, and as a cooperating teacherf 35 student t e a c h e r s ,   He also serves the Summer Music Academy atf"1 College  as a  p e r c u s s i o n  instructor  and  jazz  ensemble  conductor.  I Presented many C l i n i c s  at music conventions and conferences and often. as a guest CO PdUCtO”  for honor band festivals. � ”*  , 7 PROGRAM NOTES ost literal sense: a piece for an occasion. The actual occasion ns ’ s’t’wentieth anniversary as a conductor of the top Dutch brass Gloria”  (Leeuwarden).  To  mark  the  occasion,  the  band ii” “Belgian composer Jan Van der Roost to create a surprise owledge of the person being celebrated, a suitable source of ,  ­f­’ g;  ught for. After some thought the chorale­theme from Camille ' ‘ “ symphony was chosen, a piece with which Jan de Haan has a }ft from this chorale, Homage is also based on the names of m Jan de Haan’ and ‘Soli Deo Gloria’, resulting in the tone row: sments are combined together and form a grand climax towards e when the whole band unites in the Saint Saéns’ theme. ,  ‘  was born in Duffel, Belgium, in 1956. He studied trombone, ‘t ’and musical education at the Lemmensinstituut in Leuven m ,  tinued his studies at the Royal Conservatoires of Ghent and ihe qualified as a conductor and a composer. At present, he Wmensinstituut in Leuven (Belgium), is special guest professor itute of Music” in Tokyo, guest professor at the “Nagoya " and visiting professor at Senzoku Gakuen in Kawasaki (Japan). lific composer, he is very much in demand as an adjudicator, ' ‘ n ga  nd a  guest  conductor:  his  increasing  musical  activities ore than 40 different countries in 4 continents, whereas his being performed and recorded all over the world.  Many of ,  s have been broadcast on radio and TV in various countries  .­ have been recorded on CD by renowned performers all over _  7 ‘  der Roost exclusively composes commissioned works, till g Z « ' such countries like Belgium, Holland, Switzerland, Italy, the France, Singapore,  Austria,  Canada,  Norway,  Germany, M '  rg and Hungary. r. , g . A r  YOUNG AMERICAN – Elegy for a Young American was written in ' ~ .­.  ed to the memory of President John F. Kennedy. The many ' ing can be felt as the work unfolds. A quiet adagio sets a tone  dna fisoiemnity in the beginning. Feelings of shock and denial are he  dynamics and octave jumps in the melody. Anger and remorse files, but they are replaced with a resolution of the loss and an ‘  ‘ ion of the contributions of this great American. The maestoso s us  again of our loss. �Ronald LoPresti, clarinetist and composer, was born in 1933 in Williamstown, Massachusetts. After graduating from the Eastman School of Music he received many grants from the Ford Foundation and has also served as the Composer­in­ Residence for the Ford Foundation. LoPresti has taught at Texas Technical University, Indiana State College, and Arizona State University. His most popular work is Elegyfor a Young American, but he has also composed A Festive Music; Introduction, Chorale, and Jubilee; Pageant Overture; Suite for Winds; Tribute; and Tundra. SCENES FROM “THE LOUVRE” ­ Scenes from the Louvre comes from a 1964 television documentary produced by NBC News called A Golden Prison: The Louvre, for which Dello Joio provided the soundtrack. The documentary tells the history of the Louvre and its world­class collection of art, which is in many ways inseparable from the history of France. Dello  Joio  chose  to  use  the  music  of  Renaissance­era  composers  in  his soundtrack in order to match the historical depth of the film. He collected the highlights of this Emmy­winning score into a five­movement suite for band in 1965. The first movement, Portals, is the title music from the documentary, and it  consists entirely  of Dello Job’s original material, complete  with  strident rhythms and bold 20th­century harmony. The second movement, Children’s Gallery, never actually appears in  the film. It is a light­hearted theme and variations of Tielman Susato’s Ronde et Saltarelle. The stately third movement is based on themes by Louis XIV’s court composer, Jean Baptiste Lully, and is aptly titled The Kings of France. Movement four, The Nativity Paintings, uses the medieval theme In Dulci Jubilo. The Finale uses the Cestiliche Sonata of Vincenzo Albrici as its source material, to which Dello Job adds his own harmonic flavor, particularly in the final passages of the piece. The band work, commissioned by Baldwin­Wallace College for its symphonic band, was premiered in 1966 with the composer conducting. Norman Dello Joio was born in New York City to Italian immigrants and began his musical career as organist and choir director at the Star of the Sea Church on City Island in New York at age 14. His father was an organist, pianist, and vocal coach and coached many opera stars from the Metropolitan Opera. He taught Norman piano starting at the age of four. In his teens, Norman began studying organ with his godfather, Pietro Yon, who was the organist at Saint Patrick’s Cathedral. In 1939, he received a scholarship to the Juilliard School of Music, where he studied composition with Bernard Wagenaar. As a graduate student at Juilliard he arrived at the conclusion that he did not want to spend his life in a church choir loft, and composition began to become �his primary musical interest. In 1941, he began studies with Paul Hindemith, the man who profoundly influenced his compositional style. It was Hindemith who told Dello Joio, “Your music is lyrical by nature, don’t ever forget that.” A prolific composer, the partial list of Dello Joio’s compositions include over forty­five choral works, close to thirty works for orchestra and ten for band, approximately  twenty­five  pieces  for  solo  voice,  twenty  chamber  works, concertos for piano, flute, harp, a Concertante for Clarinet, and a Concertino for Harmonica. He has also written a number of pedagogical pieces for both two and four hands.  Dello Joio taught at Sarah Lawrence College, the Mannes College of Music, and was Professor of Music and Dean of the Fine and Applied Arts School of Boston University. From 1959 until 1973, he directed the Ford Foundation’s Contemporary Music Project. SLAVA! –  When  prominent  Soviet  cellist  and  conductor  Mstislav  ”Slava” Rostropovich invited his friend Leonard Bernstein to help launch his inaugural concert as Music Director of the National Symphony Orchestra, he also asked him to write a rousing opening piece for the festivities. The world premiere took place in 1977 at the Kennedy Center in Washington, DC. Slava! is filled with joyous tunes and contrasts. Theme one is a vaudevillian razz­ ma­tazz with slide­slipping modulations and glissing trombones. Theme two, which features the electric guitar and soprano saxophone, is a canon in 7/8 time. Near the end, the ubiquitous trombones quote from the ‘Coronation Scene’ of Mussorgsky’s opera Boris Godunov where the chorus sings ”slaval” (”gloryl”),  paying  homage  to  Rostropovich,  to  whom  the  work  is  fondly dedicated. Leonard Bernstein was an American composer, pianist, and conductor. He was born  to  Russian  immigrants  and  attended  Boston  Latin  School,  Harvard University, and the Curtis Institute of Music. His studied with composers Edward Burlingame Hill and Walter Piston as well as conducting with Fritz Reiner. In the summers of 1940 and 1941 he studied conducting at Tanglewood with Serge Koussevitzky along with Frederick Fennell, Lukas Foss, and Walter Hendl. He become assistant conductor of the New York Philharmonic in 1943 and it was in this role he became famous by filling in last minute for Bruno Walter for a national broadcast on 14 November 1943. His Symphony No. 1, “Jeremiah” was premiered by the Pittsburgh Symphony in January 1944 followed by Fancy Free and On the Town by the end of the year. These successes led to numerous opportunities overseas, including being the first American to conduct at La Scala. In 1951 he become the head of conducting at Tanglewood and seven years later became Music Director of the New York Philharmonic (1958­1969). �In this position he promoted new music, developed a series of Young People’s Concerts, and recorded the symphonies of Mahler but was limited in his time to compose. Bernstein was able to compose more in the 1970s. He wrote in many styles encompassing symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and pieces for the piano. Many of his  works  are  regularly  performed  around  the  world,  although  none  has matched  the  tremendous  popular  and  commercial  success  of  his  musical theater masterpiece, West Side Story. MUSIC FOR PRAGUE 1968 – “It is not as beautiful a music as one always would like to hear. But we cannot always paint flowers, we cannot always speak in poetry about beautiful clouds, there are sometimes we would like to express the fight for freedom.” ­ Karel Husa Music for Prague 1968 was commissioned by the Ithaca College Concert Band. It was premiered by the commissioning ensemble in Washington, D.C., on 31 January  1969,  Dr. Kenneth  Snapp,  conductor,  at  a  concert  for the  Music Educators National Conference. Three main ideas bind the composition together. The first and most important is an old Hussite war song from the 15th century, “Ye Warriors of God and His Law,” a symbol of resistance and hope for hundreds of years, whenever fate lay heavy on the Czech nation. It has been utilized by many Czech composers, including  Smetana  in  My  Country.  The  beginning  of  this  religious  song  is announced very softly in the first movement by the timpani and concludes in a strong unison (Chorale). The song is never used in its entirety. The second idea is the sound of bells throughout; Prague, named also The City of “Hundreds of Towers,” has used its magnificently sounding church bells as calls of distress as well as of victory. The last idea is a motif of three chords first appearing very softly under the piccolo solo at the beginning of the piece, in flutes, clarinets, and horns. Later it reappears at extremely strong dynamic levels, for example, in the middle of the Aria. Different techniques of composing as well as orchestrating have been used in Musicfor Prague 1968 and some new sounds explored, such as the percussion section in the Interlude, the ending of the work, etc. Much symbolism also appears: in addition to the distress calls in the first movement (Fanfares), the unbroken hope of the Hussite song, sound of bells, or the tragedy (Aria), there �is also the bird call at the beginning (piccolo solo), symbol of liberty which the City of Prague has seen only for a few moments during its thousand years of existence. ­ Program Notes by Karel Husa At  the  time  of  the  composition,  Husa  was  an  exile  from  his  native Czechoslovakia because of his avant garde music.  He was contemplating the inspiration for a new work commissioned by the Ithaca College Concert Band. Through the first eight months of 1968, Czechoslovakia’s new Communist Party chief, Alexander Dubcek set in motion a series of sweeping reforms aimed at making Czech socialism more liberal and humane, now known as the ”Prague Spring".  The Soviet government apparently could not entertain the thought of this reformist movement succeeding so they ordered the combined armies of the Warsaw Pact nations to invade and seize control of the government on August  20,  1968.  The  tragic  events  that  followed  provided  Husa  with inspiration.  Listening to news of the event happening in his homeland, Husa was filled with the need to write a piece to honor the beauty of his native city and express the utter devastation and injury that he felt because of its great suffering. The piece is full of allusions to war, chaos, and destruction, but it also includes  the  theme  of a  15th  century  Hussite  war  song;  birdcalls,  which symbolize fleeting freedom; the use of brass to convey power; and the use of percussion to represent the bells of Prague. Within the next seven weeks, scoring at a high level of inspiration and incentive, Husa composed Music for Prague 1968 finishing the score in October. Twenty­five years ago with the astonishing fall of the Berlin Wall and the eventual “opening up” of Czechoslovakia, friends and admirers flooded Husa with expressions of support, knowing how deeply he felt his cultural heritage. In 1990 Husa was finally able to conduct the work in the city of Prague.  It was a poignant homecoming, marking not only the success and perseverance of an individual artist, but heralding a changing world – changing this time in favor of hope, new freedom, and new dignity. �Binghamton Community Orchestra  5 I Presenting Quality Orchestral Lgperiences for the  2074­2015  Season  “The Mighty Handful”  Saturday,  ‘oyember 22, 2014  I I I 5 . 5 l I “How Suite It Is!”  ! Saturday, February 28, 2015 ' “Romantic Spring”  Saturday, May 9, 2015  l 1 . . 1l I l l Welcoming back to the podium as conductor  1  >~, Dr. Timothy Perry  (I a s ) Concerts start at 7 pm  East Middle School  167 East Frederick Street  B i n g h a m t o n .  N Y  1 3 9 0 4   :  2! 1 H i 1) il p B inglmrrllml Tl A  Cirrrrrrlrmily I ,  1) Orchestra \, lsil my“:BinghamlonComlnunityOrchesIraorg for more information! : T i e  B i n g h a m t e n  X  “ h u r l s / 1 9 ”  ~ ” ” l ’ [ 1 u i r   D e p a r t m e n t p  r e s e n t s Act ‘1  ofVchIS comic opera “Falstaff based on Shakespeare’s “The Merry Wives of Wlndsor’ and a scene from Douglas Moore’s The Ballad of Baby Doc Sunday, December 7 at 1 p.m.  and 4 p.m.  In the Anderson Chamber Hall For tickets,  call (6071 777­ARTS or VISIl anderson binghamton edu �B I N G H A m T O N   r  PHILHARMO NlC José­Luis Nova  ( j  Music Director V A (ileum (W   luiafm­ ‘  ileum IVl usic! 4 4J”. 607­723­3931 www.binghamtonphilharmonic.org “35?!”  =  '  Nod A  S F. A S O N  O F ir‘.\fr;.\iGr2... REVEL RY... REDEMPTION! P A A u ;1   [RS  T R E Y  E Y E   REIN  A i w l i m u u w ’ r  E n g l i s h   S u p g r t i t i e l l   FebruaryB & 8, 2015  A .  . W ­ “s  '   spFRI­t 1] u Ze  ISs      PERA~ E C wes  @PBlueStor m Tri­Cities O p e ra  p ro d u   1s are m a d e  p ossible b y  the N e w  Vorh .­c...m.i..rn..­.u  wtih the   4; wernor Andrew  C u o m o  a n d  t he N e w  York S t a i r  Legislature.  G e n e ra l  O p e ra t i n g   Support us  provided to Tri­Cities Opera by a grant ‘ m m  t he United  Cultural Fund,  mngmmr". a,  r .  Magnum  . , _ \ E N \  ' Enolan p e n April17&1 9.201 ' 5 The Forum Theatre 236 Washington St, » Binghamton, NY 1  _  _ F o r  t i c k e t s  c a l l  607  772  0400 O f purchase online at tricitiesopera.com. �Bing ham ton U niver sity M usic Department’s C o m i n g E   vents 4&65–fififlflébflébfifiéfl6éflhfib­fiéfl Tuesday, Decem ber 2 ­  Percussi on Ensem ble Conc ert – 7:30 p.m. – Osterhout Concert Theat er ­ $7 general public; $ 5  faculty/staff/seniors/alumni; free for students 771ursday, D e c e m b e r 4  ­ M i d ­ D a y  C o n c e r t ­  1:20 p.m. ­  Fine Arts Building, Room 21 ­  free Friday, D e ce m b e r  5  ­  F l u t e  S t u d i o  a n d  F l u t e  C h a m b e r  C o n c e r t  ­  10:45 a.m. ­  Casadesu s Recital Hall ­ free Friday, December 5 ­ Holiday Organ Concert featuring jonathan Biggers – 7:30 p.m.  ­  United Presbyterian Church, 42 Cheango Street, Binghamton ­ $5 general public; free for students Saturday, December 6 – University Symphony Orchestra: From the New World ­  3:00 p.m. ­ Osterhout Concert Theater ­ $7 general  public; $5 faculty/staff/seniors/alumni; free  for students Saturday, Decem ber 6 ­  Italian D iction Cl ass Recital ­  7:30 p.m. ­  Casadesus Recital Hall ­  free Sunday,  Decemb er 7 ­  F i r st  A c t  o f  Verdi’s “ Falstafi" '­ lp.m &  4 p.m. ­  Anderson Center C hamber Hall ­  $10 general public; $7 faculty/staff/seniors/alumni; $5 for students Tuesday, Decem ber 9 ­ P i a n o  Ensemb le C o n ce r t –  7:30 p.m. ­  Casadesus Recital Hall – free Wednesd ay, Dece mber 1 0  ­  N u k p o r fe  African  Drummi ng,I a n d  D ance En semble ­  7:30 p.m . ­ Watters Theater ­ $5 general  admission at the door 77tursday, Decem ber 1 1  – Holida y Mid­Day  Concert  ­  1:20 p.m. ­  Casadesus Recital Hall ­  free Thursda y, Decem ber 1 1  ­  H a r p u r  Chorale  a n d  Women ’s C h o r u s  H o l i d a y  Concert  ­  7:30 p.m . ­ Trinity Memorial Church, Binghamton ­ a free donation will be collected at the door Friday, D ecembe r 12 ­  Chinese  Singing Class Re cital ­  7:30 p.m. ­  Casadesus Recital Hall ­ free 6 a f & 6 b e 6 b fi fi ­ M W fi M ­ fi b For tickets or to be  added to our email list, visit andersonbinghamtoncdu or call (607) [   = ]   777­ART S.  For  a  complete  list  of  our  concerts  call  (607)  777­2592.  visit —  music.binghamton.edu or become a fa n on Facebook. I f  you were inspired by  this performance, consider supporting the Department of M usic with a fin ancial gift. Your support helps to continue the work of students, fac ulty, and [ = ] ;   guest  artists  and  their  contributi ons  to  our comm unity.  Please  make you r donatio n payable to the Binghamton University Music Department, and send your check to B U Music Department, P. O .  Box 6000 , Binghamton, N Y  1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:05:13 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75070">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75070</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Wind Symphony presents In Memory and in Tribute - An Homage in Music  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Van der Roost, Lo Presti, Joio, Bernstein, Grundman, Husa. Held at 3:00 p.m., November 23, 2014, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource University Wind Symphony Fabricius, Daniel  Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Van der Roost, Jan Lo Presti, Ronald Dello Joio, Norman Bernstein, Leonard, 1918-1990 Grundman, Clare Husa, Karel Date A point or period of time associated with an event in the lifecycle of the resource 11/23/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/cbf31209025718f30b4b25bb61d784ad.pdf 5c80ba2b48fbdc858c44df5ad6dffc49 PDF Text Text BINGHAMTON U  N  I  V  E  R  S I  T  Y STATE  UN:VEQSITY  OF  NEW  YORK ud/r’o D E P A R T M E N T Tnunsmv Nib ­DA V CONCERT Pp  /  “ 1 l Y   O N 7 )   zfi'fi"  \ Smt  4 Q5 m unwnmo vmn m 6, 2014 1:20 P.M. CASADESUS RECITAL HALL �PROGRAM In  this program we present an afiemoon of dance–drumming from southern Ghana. These ensembles are the collective work the Beginning and Advanced sections  of African  Dance  (THEA  289J/389J;AFST  289J/389J)  and  the African  Music  Ensemble  (MUS  143B/MUSP  257;AFST  188B).  These courses are offered  each semester  through the  Departments  of Africana Studies, Music, and Theatre Dance. Beginning African Dance Class l.  Gahu. Gahu is a neo­traditional dance that has been adopted and adapted by the Ewe people of Ghana. It is an offshoot of the Gome dance, a Pan­ Atlantic African dance form that emerged in the 19th century from the synthesis of European hymns and marches with West African musical sensibilities. The name Gahu suggests an airplane, and represents local experiences  with  new technology  and  culture.  The  songs  are often humorous and fun, suggesting themes of courtship and celebration. Advanced African Dance Class/ Nukporfe African Music Ensemble ll.  Slow Agbekor. Agbekor is a war dance of the Ewe people of Ghana. As the drummers and dancers proceed to the stage in  traditional fashion, they sing a war song that calls the warriors to battle against the European colonial powers. The second song memorializes the great warrior Kundo who led warriors into battle and has been killed, The movements imitate moments of the battle, and follow the drum language of the lead drum, atsimevu. Nukporfe African Music Ensemble Illl Kparsa (Ghana). This dance comes from a neighboring group of the Ewe, known as the Ga­Adangbe. The characteristic movement of Kpatsa is a limping gait that imitates the movements of dwarfs, a magical race of beings that  inhabit rural areas in Ghana.  These movements were embellished with dance combinations and eventually became a social and  recreational  dance  known  as  Kpatsa,  whose  name  is  an onomatopoeic reference to the movement of dwarfs. Beginning African Dance Class IV . Kpanlogo. Kpanlogo is also a new  form o f traditional music that was created by the Ga people, who reside in and around the capital o t h an a , Accra. it uses a distinct rh ythmic background that is  found throughout the Black Atlantic region in musics like Samba, Calypso and Rumba. Advanced African Dance  Class/ N uk porfe African Music Ense mble V.  Fumefume. Fumefume is another new form of traditional music among the Ga people. Mustapha  Tettey Addey, a renowned Ga drummer, is credited for having created Fumefume out of earlier sacred dances that were performed during traditional ritual events and ceremonies.  This dance­drumming is now performed during life cycle events such as birth, naming, initiation, marriage/wedding and funerals among others. Open Invitational Dance Vl.  Kinka (Ghana). Kinka is a relatively modern style of Ewe funeral music that became popular in the 1950s. It features a distinctive body of songs and drum language phrases that juxtapose images and themes  from traditional Ewe culture with modern life. For this piece we will invite members of the audience to come up and  dance! PERFORMERS Dances Directed and Choreographed by Elikem Nyamuame, Departments of Music &T   heatre Dance Drumming directed and arranged by James Burns, Departments of Music and  Africana Studies Gavin Webb, Department of Music If  y ou lik e the music please follow our Facebook page (Nukporfe African Dance­Drumming Ensemble) for  upcoming perform ances. All  of the music and dance that you see today is  performed by students at  Binghamton  University,  who  are  taking  one  of the following courses in th e Departments of Music, Africana Studies, and Theatre Dance: If you are interested in  learning the dancing please register for the Beginning (THEA  289J/ AFST 289J) or  Advanced (THEA389J/ AFST389J) sections of African Dance. If you are interested in  the drumming and singing, register for the Beginning African Drum ming class (MUS l43B/AFST 188B). x  . Ethnic Groups of G hana �Bingb amton  Unive rsity Mus ic  Depa rtm ent’s Comin g E ven ts m m w w w w Saturday, November 8 – Seru’or Recital.­ Dan  R osenau, organ – 4 : 00 p.m. ~ F A 2 1  – free Sunday, November 9 ­ Mu  P h i  E psilon  Fa l l  R e c i t a l  2 : 0 0 p.m. – Casadesus Recital Hall – free Sunday, November 9 ­  Composers Concert:  Hugunine  and Sikor a  4 :00 p.m.  ~ Phelps Mansion Museum ­ $ 1 0 general public; free  for B U  students with ”J.  For reservations call the  Phelps Mansion at ( 6 0 7) 72 2­487 3 . 4  Thursday, November 1 3 ­Mid­Day Concert ­ 1 :20  p.m. ­ Casadesus Recital Hall ­­ free Saturday, November 15 –U n i versity C horus : Hay dn’s Mass in  Time  of  War– 7:3 0 p.m. ­ Osterlwut Concert Thea ter ­ $ 7 general public; $5 faculty/smff/senims/alumni; free  for students Sunday, November 16 ­ Senior Recital: A lexia Chang, vio lin ­ 3 : 00 p.m. ­ Casadesus Recital Hall – free Monday, November 1 7 – Momenta Quartet  Master Class  ­ 8:15 ­  10:00 p.m.  ­ Camden“ Recital Hall Tuesday, Novem ber 18  – Momenta Qrmrteu  Music Now! – 7:30 p.m. ­ Casadesus Recital Hall «$10 general pubic; $5 faculty/staff/uniars/ahmni; free for students ­  .11mirdey, November­20 – I w W D a y Concert w   ith Jeff  Stockham, n­umpetandM’lre fl  ­  Dubnniemla, saxophone  – 1:20 p.m. _ Osterhout Concert Theater ­ f m Thursday, November 2 0 – Harpur Jazz Ensemble Concert Witb guest arulst – 7:30 p.m. ­ Osterhout ConcertTheacr ­ $7 general public; $5 faculty/staff/seniors; free for students Sunday, November 2 3  – Universi ty Wind Symphony: I n M   emory and I n  Tribute ­ A n Ho m age  i n  Mus ic  –  3  p.m.  –  Anderson  Center  Chamber  Hall  ­  $ 7  general  public;  $5 faculty/staff/seniors/alumni; free for students Tuesday, December 2  ­  Percussion  Ensemble  Concert ­  7 : 3 0 p.m.  ­  Osterhout  Concert Theater – $ 7 general public; $5 facu lty/rmff/scmors/alumm; free for students Thursda); D c c emb c r l  ­ bird­Day Concert – 1:20 p.m. ­  Fine Arts Building, Room 21  a free Friday, De cember 5 ­ Flu te Studio and Flu te Chambe r Cancer! ­  1 0 : 4 5  a.m.  ­­  Casadesus Recital  Hall  free ééeuéiwfibéb'ééfl–éb–éfi'ééfléb­fiéeeéib­éd‘b­ E E — ; .  —    E For  tickets or  to  be  added  to  our  email list, visit nmiersonbinglutmtonedu or call (607   ) 777­.»\l\"l S. For a com plete list of o u r  concerts call (607 ) 7 7 7  7592, visit  m m :   binghnmtonetlu or beco me a fan on  Facebook. If you  were inspired by  this  performance, consider supporting tltr  Department of Music w ith a financial gift.  Your su p port  helps  to  continue  the  uork  of students, faculty, and guest artists and their contributions to  o ur communi ty. Please  make  your  donation  paynhlr  to  the  Brnghnmton  University  Music Deparsment , and send y our check to BU  Music De part ment , P.O. Box 6 0 0 0, Binghamt on, N Y  1 3902 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 52:01:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74882">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74882</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, November 6, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Dances directed and choreographed by Elikem Nyamuame Beginning African dance class Advanced African dance class drumming directed and arranged by James Burns Nukporfe African Music Ensemble. Held at 1:20 p.m., November 6, 2014, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Nyamuame, Elikem Burns, James  Date A point or period of time associated with an event in the lifecycle of the resource 11/6/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8a41c90566bc2f8a63682d9e166575f4.pdf a07fe75bdb556e17fa3b8ee9a7cc75ff PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F  N E W   Y O R K [4 zldeC D E P A R T M E N T JU N IOR R ECI TAL Dan iel Rosenau organ (Studio of D r . Jona than Biggers) November 8, 2014 4:00 p.m. Fine Arts 2 1 �80  ABOU T THE PERFORMER  (93 80  PRO G RA M   (98 A native of the Binghamton area, Daniel Rosenau is completin g his Praeludiu m in Earninor. . Nikolaus Bruhns (1665­1697) B.Mus, degree in organ performance at Binghamton University, and plans to gradua te in May, 2015.  He presently serves as organ ist of Ves tal Methodist Church. k a n i t n k ­ A a n o n ­ l ’ a t t t t t a x a n t x t t t fi i fl fi 8 0   P r og r a m  N o tes 0 8 2 Chorale­Preludes Vater unset im himmelreich..  Ein feste Burg ist unser Gott, BuxWV184 iGeorg Bohm (1661­1733) Dieterich Buxtehude (1637­1707) 2 Chorale­Preludes Allein Ga n in der hoh sei Ehr, BWV663  Johann Sebastian Bach (1685­1750) O Mensch, bewein dein Sande gross, BWV627  J. S . Bach Prelude and Fugue in D­major, RWVSBZ. ®  Organ by H ellmuth W olff  « 8 The Pmeludium in  E­minor by Nikolaus Bruhns is one of four “pra eludia ” modeled after those of his famous teacher, Dieterich Buxtehude.  Bruhns studied composition and organ with Buxtehude durin g his musical education in Lubeck, Germany, and subsequently assumed the position of organist of the Stadtkirch in Husum (Northern Germany).  Only five organ works by Bruhns have survived the ravages of time.  The Praeludium .  in Eminor is set in a multi­section format com mencing with a brilliant opening toccata, followed by a fugue ; sections follow that alterna te free ­ ' ‘writing with con trapuntal fugal tex tures. ‘ _Georg Bohm served as organist of the Johanniskirche in Liineburg for 35 ' ‘yents, and is one of the figures that influenced the young Joha nn _ bastian Bach when Bach was enrolled in the school of the Church of St. ' ­ ichael in 1700.  Although there is no direct evidence to support that studied with Bohm , the style of Bohm’s music certainly impacted '  Bach’s compositional style, as clea rly seen in the chorale­preludes and le partitas that Bohm wrote.  The chorale­prelude on Vater unser im Himmelreich (“Our Father who art in Heaven") is a substa ntial composition featuring the melody of the chorale in a highly embellished form, set t a simple ac   companiment fea turing a repeated figuration in the _ \ “  best source of information about the birthplace of Dieterich 3 v  ­ ­­ tide is an obituary which appeared in a monthly literary journal for  er ltic Sea area in the su mmer of 1707, which included the statement (over) �that “he lived for about 70 years".  Buxtehude was best known as the organist at the Marienkirche in the North German city of Liibeck, and is regarded as the principal composer of his generation.  The 47 chorale­ preludes of Buxtehude were doubtless composed in the context of his duties as church organist, and would have served as hymn introduction for congregational singing.  Ein fest Burg ist unser Gott (“A Migh ty Fortress is our God”) is among the more popular of Buxtehude’s chorale settings. lohann Sebastian Bach is the principal Baroque composer for the organ, and wrote in all forms popular during his time, including preludes and fugues, chorale­preludes, chorale­partitas, trio sonatas, etc.  Allein Gott in der  Hoh sei Her (“All Glory be to God on High") is an example of a highly embellished treatment of the chorale melody so popular during Bach’s time;  in this case, the melody appears in the tenor, performed on a reed _ ' stop (Cromorne), which adds color to highlight the highly stylized melody. O Mensch, babein dein Sande grass (“O man, bewail thy grievous sin”) is one ' of the most florid, beautiful chorale setting that Bach composed in his entire life.  The melody is set in the soprano, highly embellished to the point that the original melody is difficult to ascertain.  This chorale­ prelude is included in Bach’s Orgelbfichlein (“Little Organ Book”), and is the most elaborate and lengthy composition in the set.  Although written when Bach was relatively young, the highly expressive manner in which Bach orna ments the chorale melody places it among his most personal and beautiful works. The Prelude and Fugue in D­major is an earlier work of Bach, written during his service as court organist at Weimar (1708­1717).  The work is a unique combination of two virtuoso pieces which contain stunning displays of both pedal and manual technique.  Bach’s compositions during this period tend to be highly dramatic, virtuoso works that emphasize th e technical skill of the performer. ­ Program notes by Jonathan Biggers � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:33:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75086">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75086</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior recital with Daniel Rosenau Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Bruhns, Buxtehude, Bach. Held at 4:00 p.m., November 8, 2014, Fine Arts Building, Room 21. Creator An entity primarily responsible for making the resource Rosenau, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Bruhns, Nicolaus, 1665-1697 Buxtehude, Dieterich Bach, Johann Sebastian, 1685-1750 Date A point or period of time associated with an event in the lifecycle of the resource 11/8/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a931da8662bc8216b5b371a17888af5c.pdf 12fe92efc018ea856f68992c8d606728 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y  OF  N E W   Y O R K d e [4 c D E P A R T M E N T M U  P H I  E P S I L O N FALL SEMESTER RECITAL ~ . l   1 M L ‘. 3 1 ]   .:_I  i ‘ (m  J Sunday, N ovember 9, 2014 2:00 p.m. Casadesus Recital Hall �80  PROGRA M  c s Variations on a Theme by Rossini .  F  FTG IAEEL from the opera, La Cene’rentola for flute and piano  A Theme I.  Con anima II.  Piu lento III.  Vivo IV.  Con brio Jessica Biagiotti, flute Natasha Talukdar, piano An die Musik  Franz S N A  (179 A  ’ ' Deanna Feuerbach, soprano  i Danielle Stoner, piano Sonata for Bassoon and Piano, Op, 168................Camille Saint­S . Laura Earls, bassoon Karen Fu, piano (1835­192 Revolutiona ry Etude, Op. 10, No. 12 .. ..............Frédéric0 (1810­18 k Natasha Talukdar, piano Quatour pour saxophones........................Faustin & Maurice Jean I.  Gaiete Villageoise  (1897­1 9 II.  Doux Paysage III.  Papillons Nicholas Follett, soprano saxophone Stephi Verha ge, alto saxophone Danielle Stoner, tenor saxophone Andrew Pfieffer, baritone saxophone �i  fraternity s6rtcd on in 2Collcge of Music”  . Sterling  and  Elizabeth  eh V’fi’lmnity is  to  recognize ff? develop a bond among is nce  musi c in  the community, t h e  promotion of musicianship, tion, with an emphasis on service rt ;   ­ , ' ‘ ­ you all for coming  to  our  event  today. all free event, we would ask tha t if you like our  ­. . ease donate to our fra ternity. Your donations ‘more prolific throughou t the community. etion go to facebook.com/muphibing �Binghamton Universi ty M usi c De part m en t’s Comin g Ev  en ts n a W ­ é M M é ­ M w b Sunday, November 9  ­  Composers Concert : Hugunine and Silrora ­  4:00 p.m.  ­  Phelps Mansion  Museum ­ $10  general  public;  free  for BU  students with  lD.  For reservations call  the Phelps Mansion at (60 7) 7 2 2 4 8 7 3 . l  4  Thursday, November 1 3 ­Mid­Da y Co n ce r t  1 : 20 p.m. – Casadems Recital Hall ­ free Saturday, November 1 5 – U niversity Chorus: Haydn’s Mass i n  Time  o f  War ­  7:30 p.m. ~ Osterhout Concert Theater ­ $7 general public; $5 faculty/staff/senims/alumni; free for students Sunday, November 16  ­  Senior Reci t a l: Alexio Chang, vio lin ­  3 :00 p.m.  ­  Casadesus Recital Hall – free Monday, November 1 7  – Momenta Quarte t Master Class ­ 8:15 ­  10:00 p.m. ­ Casadem Recital Hall Tuesday, November 18 ­ Momenta Qua­ten­ Music Now! ­­ 7:30 p.m. ­ Camdesus Recital Hall ­ $10 general pubic; $5 faculty/staff/seniors/alumni; free for students Thursday, November 20 ­ Jazz Mid Day Concert with jefiStockbam, mumpet and Mike Dubaniewicz, saxophone ~ 1:20 p.m. ­ Osterhout Concert Theater ­ free Thursday, November 2 0  – Harpur Jazz Ensemble Concert wi tb gueet artist ­  7:30 p.m. – Osterhout Concert Theater ­ $ 7 general public; $5 faculty/staff/seniors; free for students Sunday, November 2 3  ­  Universi ty Wind Symphony: I n M   emory and I n  Tribute ­ An Homage  in  Music  –  3:00  p.m.  –  Anderson  Center  Chamber  Hall  ­  $ 7  general  public;  $5 faculry/staff/seniors/alumni; free for students Tuesday, December 2  ­  Per cussion Ensemble Concert ­  7:30  p.m.  ­  Osterhout Concert Theater ­ $ 7 general public;  $5 faculty/staff/seniors/alumni; free for students fl é w w b fl é M d b ­ a é l b ­ G M M M M M Q ­ —  O f y p,   For  tickets or  to be  added  to our  email  list, uuit anderwnibinghamtonedu or call  (607) 7 7 7­ARTS  For a complete  list  of our  concern  call  (607) 7 7 7­ 2 592, visit music.binghamton.edu or  become a fan on  Facebook. If  you were  inspired  by  this performance, consider supporting the Department of Music with a financxal  gift . Your  support  helps  to  continue  the work of students, faculty, and guest artists and their contributions to our community. Please  make  your  donation  payable  to  the  Bmghamton  University  Music Department,  and  send  your  check  to  BU  Music  Department,  P.O.  Box 6000, Bmghamton, NY 13 902 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:51 Streaming Audio Streaming URL 3<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75083">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75083</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mu Phi Epsilon fall semester recital, November 8, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Chopin, Schubert, Saint-Saëns Chopin, Jean. Held at 2:00 p.m., November 9, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mu Phi Epsilon Biagiotti, Jessica Talukdar, Natasha Feuerbach, Deanna Stoner, Danielle Earls, Laura Fu, Karen Follett, Nicholas Verhage, Stephi Pfieffer, Andrew Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Chopin, Frédéric, 1810-1849 Schubert, Franz, 1797-1828 Saint-Saëns, Camille, 1835-1921 Jean, Maurice Date A point or period of time associated with an event in the lifecycle of the resource 11/9/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/1798b1d0c3750a2df68df0ba0da59e58.pdf ba2ff0d7c4a3050302e5e1f2f2eb70ee PDF Text Text BINGHAM TON U  N  I  V  E  R  S  I  T  Y STATE  U N I V ER S I T Y   O F   NEW  Y O R K D E _ _ _ \  _ _ _ A< 6 ? “ — P — _ A R T M E N J HOLIDAYM   ID­DA Y C ON C ER T Th ursday, Decem ber 11, 2014 1:20 p.m. Casadesus Recit al Hall T �PROGRAM Adolphe Adam O Holy Night .. (1803­1856) Jenny Gac, soprano Michael Lewis, piano Ludwig Van Beethoven Violin Concerto in D, Op. 61..  (17 70­182 7) 3. Rondo (Allegro)  Eleanor Krasner, violin 1  Margaret Reitz, piano d  1 0 0   The Twelve Days of Christmas (1780)  0 2 ­ 0 ,  0 Traditional English Carol T  he Voice Studio of Tom Goodheart Flute Quartet Rudolph The Red­Nosed Reindeer“  d !  7  . S   ]  ...Johnny Marks (1909­1985) Jessica Biagiotti, flute Eleni Florakis, flue Michelle Li, flute Jacqueline Robins, flute Trombone Choir Traditional Carols Deck the Halls ~ O Christmas Tree ~ The First Noel 3  9  1 2 4 0   (    { 5 L1  S  Christopher Beard, trombone Jacob Strohm, trombone Patrick Jones, trombone Bradley Marquardt, trombone Mike Sugarman, euphonium q ua f from Messiah.  “Comfort Ye My People”  “Ev’ry Valley Shall Be Exalted ” “4613 .. Georg Frideric Handel (1685­1759) Jordan Schreiner, tenor Michael Lewis, piano What Child Is  This Arr. By James Christensen o .Evan Flury (b. 1992) ake Stamatis, baritone; Cole Tornberg, tenor John lsenberg, piano Stephen Stalker, cello This Day, Will Be. .Ernst Victor Wolff (1886­1961) g / g  , ’  1 ­ [ 9   Georg Frideric Handel from Messiah.  (1685­1759) Rejoice Greatly, O Daughter of Jerusalem  S  7 1  5  l  3  Sleigh Ride .. m‘ma Meroé Adeeb, soprano Michael Lewis, piano Leroy Anderson (1908­1975) Margaret Reitz and  , iris Bartlette, piano duet �Binghamton U niversity  Depa rtment of Music Coming Events e webe me a ebe a ebe meb a e mebeb Thursday, December 11 – Har pur Ch orale  a nd  Women ’s Ch orus  H o liday C on cer t – 7:3 0 p.m. – Trinity Memorial Church, Binghamton – a free donation will be collected at the door Frida y, Dece mber 12 – Chinese Singing  Class Rec i tal ­  7:30 p.m. – Casadesus Recital Hall – free Saturda y, Dece mber 1 3 – Italian Diction Class Re c i tal ­  7:30 p.m. ­  Casadesus Recital Hall ~ free Saturday, january 31 ­ Musica Nova: A tribute concert i n  mem ory o f P   au l R .  Golds taub ~ 7:30 p.m, – Anderson Center Chamber Hall ­~  TBA Friday, February 6 ­  Tri­Ci ties Opera presents Rossini’s The  I talia n  G ir l i n A   lgiers ­  8:00 p.m. ­  The Forum Theater ­  c all (607) 772­0400 for tickets Saturday, February 7 ­  Guest Artist: Pianist Gleb Ivanov ­  7:30 p.m. ­  Anderson Center Chamber Hall ­  TBA Sunday, February 8 ­  Tri­Ci t ies Opera presents Rossini’s The  Italia n G ir l i n  A lgiers – 8:00 p.m. ­  The Forum Theater ­  call (607) 772­0400 for ticke ts Sunday, Februa ry 15  ­  Jonathan Biggers Lecture/R ecital Baroq ue Organ Pe rforma nce P ractice  Concert  ­  4500  p.m.  ­  Fine  Arts  Room  21  ­  $7  general  public;  $5 faculty/staff/seniors/A’lumn i; free for students Th ursday, February 26– Mid­Day Concert – 1 :20 ­  p.m. ­  Casadesus Recital Hall ­ free Sunday, Ma rch 1 ­  Piano & Cello Masterworks with Stephen Zank and Stephen Stalker ­  3:00  p.m.  ­  Anderson  Center  Chamber  Hall  ­  $10  faculty/smff/seniors/alumn i;  $5 forstudents é b a fi b é b fi b é b é b fl fi é fi ­ fi é fl fl é w b fl é b fi fi b »  .  —  For  tickets  or  to  be  added  to  our  email  list,  visit anderson.binghamton.edu or call (607) 777­ARTS. For a comple te list ofour concerts call (607) 77 7­2592, visit musictbmghnmtonredu or become a fan on Faceboolc. [ = ] E   If you  were  inspired  by  this performance, consider supporting the Department of Music with a fi nancial gift. Your support helps to continue the work of  students, faculty, and guest artists and their contributions  to  our  community.  Please  make  your  donation payable to the Binghamton University  Music Department, and send  your  check  to  B U  Music  Department,  P.O.  Box  6000, Binghamton, NY  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:35:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74591">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74591</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holiday mid-day concert, December 11, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Beethoven, Flury, Handel, Wolff, Anderson. Held at 1:20 p.m., December 11, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Gac, Jenny Lewis, Michael Krasner, Eleanor Reitz, Margaret Goodheart, Tom Flute Quartet: Biagiotti, Jessica Florakis, Eleni Li, Michelle Robins, Jacqueline Trombone Choir: Beard, Christopher Strohm, Jacob Jones, Patrick Marquardt, Bradley Sugarman, Mike Stamatis, Jake Tornberg, Cole Isenberg, John Stalker, Stephen Schreiner, Jordan Adeeb, Mëroe Bartlette, Chris Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Flury, Evan Handel, George Frideric, 1685-1759 Wolff, Ernst Victor Anderson, Leroy Date A point or period of time associated with an event in the lifecycle of the resource 12/11/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a4f0bc27fbd95a6be4be2fb2b77b3e15.pdf c2d8a7135bdddb617aef846ad65c07d6 PDF Text Text BINGHAMTON UNIVE RSITY STATE UNIVERSITY OF NEW YORK UNIVERSITY PERCU SSION ENSEMBLE CONC ERT Joel Smales, Directo r Tuesday, December 2, 2014 7:30 PM Anderson Center Concert Theater �&e PROGRAM The General ..........................................................................Joel Smales (b. 1967) Sharpened Stick ······························,····························· .. ••• ..... Brad Dietz (b. 1972) Slap Happy ............................................................................Joel Smales (1967) O' Sacred Head ............................ ............... ............................. J.S. Bach (1685-1750) Marianne ...............................................................................Traditional Three Little Birds ................. :............................................... Bob Marley (1945-1981) One Love ..................................................... . ........................ Bob Marley (1945-1981) Extremes ......................................................................... David Mancini (b. 1952) Galloping Comedians ........................................................... Kabalevsky (1904-1987) The Binghamton University Percussion Ensemble Emily Goetz Bobby Hopkins David Indictor Alex Rava Alex Strong Carly VanOpdorp Nick Cioffi Kasha Pazdar �ABOUT THE DIRECTOR Joel Smales is Adjunct Professor of Percussion at Binghamton University and Director of Bands at Binghamton High School's Rod Serling School of Fine Arts, in Binghamton, NY. He holds music degrees from the Crane School of Music (BM) and Binghamton University (MM). His school ensembles have performed for Bands of America in Indianapolis, New York State School Music Association Winter Con(erence, New York State Band Directors Association Winter Conference, Music Educators National Conference National Conference in Minneapolis, Percussive Arts Society International Co9vention in Nashville, First Night Virginia, First Night International, ' the World Physics Conference an, numerous Steel Drum Festivals and a concert tour throughout Oklahoma. I As a performer, Mr. Smales performs as Principal Percussionist with the Tri-Cities Opera Orchestra, with the Binghamton Philharmonic Orchestra, eNeRJee Jazz Trio and Caribbean steel band PANIGMA. He has performed on over thirty professional CD recordings and runs an annual Summer Percussion Camp in Binghamton for area school students. His published works include solos, ensembles, books and method books published by Kendor, HoneyRock, Drop6, House Panther Press and Phantom Music Publishing. Mr. Smales has presented clinics for MENC, NYSSMA, NYSBDA and the NJMEA and his articles on music and percussion have appeared in Percussive Notes, School Band and Orchestra, School Music News, The Instrumentalist, Vermont Music Educator and Band World magazmes. Smales served as the Percussion Chair for the New York State School Music Association from 2004-2011 and V.P. for the NYS Percussive Arts Society from 2005-2010. Joel and his wife Athena live in Kirkwood, NY with their four children. �Binghamto n University Departmen t of Music Coming Events Thursday, Decemher4 -Mid-Day Concert-.1:20 p.m. - Fine Arts Building, Room 21 - free Friday, Decemher 5 - Flute Studio and Flute Chamber Concert- 10:45 a.m. - Casadesus Recital Hall- free Friday, December 5 - Holiday Organ Concert featuring Jonathan Biggers - 7:30 p.m. - United Presbyterian Church, 42 Cheango Street, Binghamton • $5 general public; free for students Saturday, December 6 - Italian Diction Class Recital- 7:30 p.m. - Casadesus Recital Hall - free Sunday, Decemher 7 - First Act of Verdi's ''Falstaff"- 1 p.m & 4 p.m. -Anderson Center Chamber HaU - $10 general public; $ 7 faculty/ staff/ seniors/alumni; $5 for students Tuesday, December 9-Piano Ensemble Concert- 7:30 p.m. - Casadesus Recital Hall -free Wednesday, December 10 - Nukporfe African Drumming and Dance Ensemhle - 7:30 p.m. Watters Theater - $5 general admission at the door Thursday, December 11-HolidayMid-D ay Concert- 1:20 p.m. - Casadesus Recital Hall - free Thursday, December 11 - Harpur Chorale and Women's Chorus Holiday Concert - 7:30 p.m. - Trinity Memorial Church, Binghamton - a free donation will be collected at the door Friday, December 12 - Chinese Singing Class Recital- 7:30 p.m. - Casadesus Recital Hall- free Saturday, January 31 - MusicaNova: A tribute concert in memory of Paul R. Goldstaub 7:30 p.m. - Anderson Center Chamber Hall - TBA Friday, February 6- Tri-Cities Opera presents Rossini's The Italian Girl in Algiers - 8:00 p.m. - The Forum Theater - call (607)772-0400 for tickets For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 777-ARTS. For a complete list of our concerts call (607) 777-2592, visit music.binghamton.edu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department of Music with a financial gift. Your support helps to continue the work of students, faculty), and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45m 18s Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, December 2, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Smales, Dietz, Bach, Marley, Mancini, Kabalevsky. Held at 7:30 p.m., December 2, 2014, Anderson Center Concert Theater. Creator An entity primarily responsible for making the resource Smales, Joel Goetz, Emily Hopkins, Bobby Indictor, David Rava, Alex Strong, Alex VanOpdorp, Carly Cioffi, Nick Pazdar, Kasha  Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Dietz, Brad Bach, Johann Sebastian, 1685-1750 Marley, Bob Mancini, David Lee Kabalevsky, Dmitry Borisovich, 1904-1987 Date A point or period of time associated with an event in the lifecycle of the resource 12/2/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f93892f53ab8f03a8e991e7ff16f1c0e.pdf 4ef622a099e870f8913ee751832d00f0 PDF Text Text B  NGHAMT ON U N I V E R S I T Y STATE  UNIVERSITY  OF  NEW  Y O R K W [4 0 D E P A R T M E N T 1 . 1 m m ,  ( J ) ;   )  , ” , fl ‘l ! / h .  ,   fi l e “ .  ¢  ( p . ,. dt  a'  Swo ,l w   i _ sxcétnfa J ! ) MID­DAY CON CERT Th u rsd ay, Dece mber 4, 2014 1:20 p.m. Fine Arts Room  2 1 �PROGRAM Toccata on “Joy to the World”  Craig Phillips (b. 1961) Two Chorale­Preludes for Advent...........................................J.S.Bach (1685­1750) Nun Komm, der heiden Heiland (“Now come, Savior of the Gentiles") Wachet au f, ruft uns die Stimme (“Sleepers, Wake! A Voice is Calling") Jonathan Biggers, organ Aria:  Mache dich, mein Herg.......coovvievivccnininresisaenesssnnessenss  Bach from Christmas Oratorio  (1685­1750) Thomas Goodheart, baritone Jonathan Biggers, organ Glorious Blue (electronic)  Masakazu Kurihara Eight Songs of Americana  for unaccompanied baritone  1.  Vision 2.  Arizona 3.  Three Black Crows 4.  Beaver Cap, Sir 5.  Pretty Molly 6.  Mother­ln­Law 7.  Old White Mule 8.  The Maple on the Hill Richard Hugunine (b. 1953) Jake Stamatis, baritone Variations on a theme by Rossini  from the opera La Cenerentola  Jessica Biagiotti, flute William James Lawson, piano Frédéric Chopin (1810­1849) �Bingha mton University  Depa rtment of M usic Coming Events é b é b é b é b é b é fi é b é b é b é fi é b é b Thursday, December 4 ~ Mei­Day Co n cer t ­  1:20 p.m. – Fine Arts Building, Room 21 ­ free Friday, December 5 – Flute S tudio and Flute Chamber Concert ­  10:45 a.m. – Casadesus Recital Hall ­  free Friday, December 5 ­  Holiday Organ Concert featuring jonathan Biggers –  7:30 p.m. – United Presbyterian Church, 42 Cheango Street, Binghamton ­ $5 general public; free for students Saturday, December 6 ­  Italian Diction Class Reci tal ­  7 :30 p.m. – Casadesus Recital Hall ~ free Sunday, December 7 ­  Firs t A ct of  Verdi ’s “Falstaff”  ~ 1p.m &  4 p.m. ­  Anderson Center Chamber Hall – $ l 0  general public, $7 faculty/staff/senion/alumni; $5 for students Tuesday, December 9 ­ Piano Ensemble Concert– 7:30 p.m. ­  Casadesus Recital Hall – free Wednesday, December 10 – Nukporfe African Drum m ing and Dance Ensemble –  7:30 p.m. ~ Watters Theater ­ $5 general admission at the door Thursday, December 11 ­  Holiday Mid­Day Concert~ 1:20 p.m. ­  Casadesus Recital Hall ­ free Thursday, December 11 ~ Harpur Chorale and Women ‘5 Chorus Holiday Concert ­ 7:30 p.m. ­ Trinity Memorial Church, Binghamton – a free donation will be collected at the d oor Friday, December 1.7 ­  Chinese Singing Class Reci tal ­  7:3 0 p.m. ­ Casadesus  Recital Hall ­ free Saturday, january 3 1  ­ Mus ica Nova: A tribu te concert i n  memory o f Pau   l R . Goldftaub – 7:30 p.m. ­  Anderson Center Chamber Hall ~ TBA é b é b é w b é b é fi n fi é fl é é fl é w b é é fl ­ fi b '  BS [ = ]   k  For  tickets  or  to  be  added  to  our  email  list,  visit andersonbinghnmtonxdu or call (6 0 7) 777­ARTS. For a complete list ofour concerts call (607) 777­2592,  kit music.binghamton.edu or become a fan on Facebook. If you  were  inspired  by  this  performance,  consider  supporting  the Department  of Music with a financial gift.  Your support  helps  to continue  the  work  of  students, faculty, and  guest  artists  and  their contributions to our community. Please make your donation payable to  the  Bmghnmton  University  Music  Department,  and  send  your check to BU Music  Department, P.O. Box 6000, Binghamton, N Y 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50m 55s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75040">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75040</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, December 4, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Phillips, Bach, Kurihara, Hugunine, Chopin. Held at 1:20 p.m., December 4, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Biggers, Jonathan Goodheart, Timothy Stamatis, Jake Biagiotti, Jessica Lawson, William James Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Phillips, Craig Bach, Johann Sebastian, 1685-1750 Kurihara, Masakazu Hugunine, Richard Chopin, Frédéric, 1810-1849 Date A point or period of time associated with an event in the lifecycle of the resource 12/4/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/bf10fb5c0bdd7bfeb2ed36f916423969.pdf a342bd8bbc791ca86f4bf0acb9cae3a7 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A TE   UN I V E R S I T Y   OF  NEW  V O R K [4 z e t d ec D E P A R T M E N T UNIVERSITY SYMPHONY ORCHESTRA Hea ther Worden, Conductor PRESENTS “From the N ew World” FEATURING THE PREMIE RE OF “MUSIC FOR SONORA” BY C HRISTIAN M ARTIN Saturday, December 6, 2014 3:00 p.m. Osterhout Concert Theater �BINGHAMTON UNIVERSITY SYM PHONY ORCHESTRA Ploy licolP o :   ea­  PROGRAM   6  Emily  Paye  Fl ute  agiotti  Jessica Bi 1  ,  Kohar Bedonian  Our Town .  Music from the Motion Picture  Music for Sonora .  ‘World Premiere*  Aaron Copland  (1900­1990)  Chris tian Mar tin   (b.1984)   _, Michelle Li Oboe  Joe Kim  Ti g h ts   53 :1 5:11”  Clarinet  Mary McGaiay  Skylar 0. Buono  Bass Clarinet  ®  IN TERMISSIO N  « 8   Lame” Bass  Bassoon  Bailey Thomas  Symphony No. 9 in E minor, op.95.  “From the New World”  1. Adagio ­ All egro molto  g s   sATBO  111. Scherzo: Molto vivace  I V .  Allegro con fuoco  Antonin Dvoi‘ak (1841­1904) Percussion Alex Szigethy . Emi Bm    Daniel Cooke Keyboards  Alison Tuck Emily Goetz  Micah Neiss  Steve 0,50”  Ben Calhoun Dan Meln i ovsky  Lindsay Covn i gton Sharon Grazi rano E Margaret Girardi Jaya Rao Violoncello Daniel Moriaeis Violin I  Kierain Mu  Gabriele lflirye  Alexio Chang  Abriame Guruparan  Jiwon Nam  Kristen Moriarty  Many Spencer Deborah  ‘  ' ' Evan FemMznothnl Charlie Miler Allison Butler Kelly Mercer Chloe Tso Nathaniel Christman  Sara Inca R yan Ferernoe Jessica Funnel  pa“, Mug,   e  Golden 19  GW’VM Raeleen Biohler Contrabass John Voi  Laira n d   Tamra "  Sim,” Benarie  Kyle Cullen Robert Durante French Horn  Emmanuel Davis  Violin II A  E M $0.59    j  Dave Ripic Tuba Eleanor Krasner  i  mbs Cricket T o  Sara  Kohtz  Anthony DeNirlis  Emma Lecarie  Maya Orlofsky  ­  Jodie Bach  M“ KY‘W (Jay) Kim  Viola  Harman Watrobski  Patrick Jones  ei McMah  Am  on  Gabriel Bedald  Matt McAu. liffe  Kathryn Saturnino  ©  Trumpet  Anne Taylor  Elliott Vogel  Thomas Parker  Trombone  Jacob Strotnrn  Bethany Evans  Christopher Beard Rebewe  Sgroi Harrison Duriln ya, Stein Kaitlyn Magma“ Nicholas Hoyos heg s  8050 emplo ysfimds‘ . rotaTtin oatbng; Woot Brass and Parmesan rotate assignments by  compositon and are listed alphabetically; St rings mn i si  seatn i g b y conrgnend are listed n i mmmmwgezwmm and supportn i g our fine student­musicai ns! �Biughamtou a ­  PROGRAM NOTES «­ Our Town ­ Music from the Film Score­Aaron Copland I f y ou are trying to answer the ques tion, “what is American music?', you would most likely have a discussion about Aaron Copland’s compositions. Born in 1900 in Brooklyn, New York, this American music composer sought to encompass an “American sound” in  his compositions by invoking jazz and folk style into classical composition techniques. His journey to produce this sound truly began in Paris (1917­1921) at the Fountainebleau School of Music where he studied with acclaimed teacher, Nadia Boulanger. His study abroad gave him the tools to begin full­time composition work upon returning to the United States in 1925. His goal when he came back to America was to create music that was accessible to audiences, meaning that it could be easily learned and would have a wider appeal. He found these qualities to be most pertinent with incidental music and so his compositional focus surrounded  film  scores and  ballets.  Some  of  his more  acclaimed  works include Rodeo (1942 ballet), The City (1939 film score), Appalachian Spring (1944 ballet), and the composition tha t we will explore more in depth, music from the film score Our Town. Written in 1940 and based on Thornton Wilder’s play by the same name, the film score from Our Town found great acclaim, even earning Copland an Oscar nomination. Copland said of film score music in general, “The composer is in a special posi tion  to apprecia te wha t music does to a fi l m  because he sees i t  firs t without any music. Movie audiences may not consciously realize they are listening to  music when  they view a  film, but it works in their  emotions nonetheless.” Copland succeeded in accessing daese emotions through capturing the quiet and ordinary day­to­day living of Grover’s Corners (the town in  which the play is based) through  his  humble  musical  composition.  His  subtle  utilization  of  the  New England town’s hymn runes, along with the delicate namre in which he constructed the tempi and melodic themes brought together a score that was both beautiful and hones t t o  the  r eali ty  o f  the town. M usic for Sonora ­Christian Martin ­ written by Daniela Rivera’ Music for Sonora, is an orchestral piece built on a short Navajo hymn that comes from the Native American  Church in Arizona. Written in a free variation form and conceived in  a sneamof­conscioumess manner, the music reflects the composer’s  memory of  his  childhood  home  in  the  Arizona  desert.  The vast, openness of the desert is depicted by spatial, linear harmonies which open the piece and continue for some time. After first being introduced by the chorus, individual melodic fragments of the original song are staggered, transposed, interwoven and augmented in r hythm by the orchestra and soloists. What follow are a number of varia tions on the main theme both transposed up, transposed down, augmented in rhythm, and restated in retrograde (reverse).  The piece closes with repetitions of the opening melody. which gradually fade away. Martin earned his BA and MM in Composition at Binghamton U niversity   omposition. He currently works as an (SUNY) and plans to pursue a DMA i n C in  Tempe,  AZ  and  as  a  freelance Rio Salado College  for  instructor  adjunct  editor/ transcriber of music. He is also  the accompanist of the Nimmonsburg United Methodist Chancel Choir and heads the music for a new contemporary praise and worship service there. Christian has performed with the Phoenix Boys Choir, the Arizona State University Choral Union, the Canterbury Choir, the Binghamton University Chorus, the Harpur Chorale, and the Vivaldi Singers. He has worked as a freelance musician, performing extensively on various instruments in a range of styles. Serving as a concert organizer and performer, he has performed for Senior Citizen Centers, Banquets. and Fundraiser Concerts. He has served as a studio producer of several genres of music including production for 2008 American Idol Top Twelve Finalist David Hernandez.  Many of his compositions have won national awards, including 1st place in the San Jose Choral Productions Choral Composition Competition, 2nd place in the Edwin Fissinger Choral Composition Competition, and 3rd place in the Corpus Christi Chorale Choral Composition Competition. Christian was also awarded the Samuel Reiser Scholarship (2012) and the Philip Friedheim Memorial Award (2014). In 2012, his Six Preludes for solo  piano were  performed by composer and  pianist Christopher  Morgan Loy (PhD). His most recent work Da ncing Water, Swimming Shadows, a song cycle written  for  Grammy­winning  mezzosoprano  Jacqueline  Homer­Kwia tek,  was premiered  by  Horner­Kwiatek  along  with  Michael  Compitello  (percussion), Timothy Perry (Clarinet), Margaret Reitz (Piano), and Joseph Vanderpool (Violin) in the Spring of 2014.  A registered member of ASCAP, he currently works as the composer  for AA. Michael Productions,  writing  music  for  television.  He  has provided editing and notation services for Schubertiade Music LLC, composer Daniel Thomas Davis, and for the late professor and composer Paul Goldsnub (PhD). ­ written by Christian Martin Symphony No. 9 in E minor, op. 95, “From the New World” ­ Antonin Dvorak Dvotak was born into the unsophisticated cultural and social background of a butcher and innkeeper’s family. However, this did not prevent him from being exposed to music at a young age. He attended school, took music lessons, played in church, and  in the village band. In  1857 he entered  the Prague Organ School, where he received a comprehensive academic foundation in  music  theory and performance, and soon a fter secured a spot as violist in  a dance orchestra, which would become the Prague Provisional Theatre Orchestra. He played principal viola under the baton of such conductors as Bedrich Smetana and Richard Wagner. It was shortly a fter this tha t he le ft the orchestra to pursue composing full  time. �In June 1981, Jeannette Thurber, president of the Na tional Conservatory of Music i n A   merica, asked Dvorak i f he would    accept the post of Artistic Director and Professor of Composition. Securing a composer of Dvofalt’s eminence to lead the conservatory would be an exceptional feat. Besides Dvorak’s fame in  America, a  noteworthy  reason  for  the   offer  was his  reputa tion as  a  composer  wi th  a na tionalistic style. Thurber had long dreamt of the creation of a na tional American style of music and raising the standards equal to those in  Europe. While teaching, Dvorak built the curriculum and found many of his students receptive to his ideas while  also providing  him  with inspiration.  It  was  through  them  that  he  first encountered African­American and American Indian music. Once hearing them, he arpressed belie f that they would be the basis for this new American style. In 1893, with the support of Jeanette Thurber and the commission from the New York Philharmonic, Dvoi’alt released his Symphony No. 9 (“From the New World”) in  E minor. I t w   as very much a reflection on the experiences and emotions of the composer during his time in America while combining the broader European wmphonic style. The opening movement immediately announces the main the me. a distinc tive melody tha t will  appear in  every movement. The second movement is characterized by a lovely. romantic English Horn melody  that was inspired by Longfellow’s poem Song of  Hiawatha “Funeral in the Forest”. This melody would la ter be arranged by one of his students into the now famous spiritual. Goin ’ Home. The third movement Scheno. also inspired by Longfellow’s Song of  H iawatha (the Indian dance and feast) is characterized by an offbeat melody created around a hemiola (a rhythm with a 2 against 3 feel). In  the fourth movement, Dvoialt uses the development to work in  the themes of a ll  of the previous movements and presents the motto with the majestic and stormy brass sec tion. His response to American popular styles is seen where he alludes to folksongs that incorporate the pentatonic  (5  note)  scale  in  melodic lines, rhythmic  ostinatos,  and  strongly syncopated rhythms. He does a ll  of this while also incorpora ting follt music from his own home country. Together these features present a dramatic, lyrical, and na tionalistic symphony that presents a rich panorama of ravishing and sensa tional orchestral colors. ­ written by Jessica Biagiotti* BiNGHAmTON l j x ’ iunu il n m oul c José­Luis Now  J J M   usm Director °  11 m  Yon heheh "  ,  Your él’l’lu lusci! '  607­723­3931 www.binghamtonphilharmonic.org “ ta d ; d e   J  MI] Binghamton Community Orchestra Presenting Quality Orchestral Laperiences for  fh 2074­2075 Season  i5 H E HR] “The Migh ty Handful”  Saturday. November 22.  2014  “How Suite l l  ls'“ Saturday. February 28. 2015 “Romantic Spring” Saturday  May 9. 2015 Welcommg back to the podium as conductm Dr. Timothy Perry Concerts start at 7 pm East Middle School ' ~ Program notes written by Daniela & Jessica were done as part of a project for the Basic Conduc ting course this semester tha t is taught by Dr. Timothy Perry & Heather Worden. o 167 East Frederick Street  Binghainlon  '  .  NY '  139  13904  Visit mm:BinghanitonConmuminOrchestmorg for more information! 75 =< 3] Q o — 0> 5   2 a  35 Binghamton H  Community 0mm“ �B i  gbam ton  University Departmen t o f M   usic Coming Events 0 6 m Saturday, Dece m ber 6  ­ Italian Diction Class Reciml– 7:30 p.m. ­ Casadesus Recital Hall ~ free Sunday, December 7  ­ First Act o f  Verdi ’s  ‘Talstaff” – 1p.m 8  4 p.m.  – Anderson Center Chamber Hall – $ 1 0 general public; $7 faculty/staff/seniors/alumni; $5 for students Tuesday, December 9 – Piano Ensemble Coneen –  7:30 p.m. ­ Casadesus Recital Hall ­  free Wednaday, December 10  ~ Nukporfe African Drumming and Dance Ensemble ­  7:30 p.m. ­ Watters Theater ­ $5 general admission at the door Thursday, December 1 1 ~  ­  Ho lidly Mid­Day Concert– 1:20 p.m. ­ Casadesus Recital Hall ­ free Thursday. December 11 ~ Harpur Chorale and Women’s  Chorus H oliday Concert ­ 7:30 p.m. – Trinity Memorial Church, Binghamton – a free donation will be collected at the door Friday, December 1 2  ­ Chinese Singing Class Recital ­  7:30 p.m. ­ Casadesus Recital Hall ­ free Saturday, J an u u y J I  – Musica Nova: A tribute  concert in  memory o f  Paul R . Goldstaub ~ 7:30 p.m. ­  Anderson Center Chamber Hall ­  TBA Friday, February 6 ~ Tri­Cities Opera presents Rossr’ni’s The Italian Gid  in  Algiers ­ 8:00 p.m. ­ The Forum Theater ­ call (607)772­0400 for tickets Saturday, February 7 ­ GuestArtist: Pianist Gleb lvanov­ 7 :30 pan. ­ Anderson Center Chamber Hall ­ TBA Sunday, February 8 ­ Tri­Cities Opera presents Rusini ’s  The l tali m  Girl  in  Algiers ­ 3:00 p.m. – The Forum Theater – call (607 )7 720400for tickets Sunday, February 15 ­ Jonathan Biggers Lecture/Recital Baroque Organ Performance Practice Concert ­ 4 :00 p.m. ­  Fine Arts Room 2 1 ­ $7 general public; $5 famlry/staff/senims/alumni; free for students Q –  [ = ]   G W M M M M M M M M M Q ­ For tickets or to be added to our email list, visit andersonbinghamtonedu or call (607 ) 777­ARTS. For a complete lat of  our concerts call (607 ) 7 7 7­2592, visit music.binghamton.edu or become a fan on Facebook. If  you were inspired by this performance, consider supporting the Department of Music with a financial gift. Your support  helps to  continue the work of students, faculty, and guest artists and their contributions to our community. Please  make your  donation  payable  to  the  Binghamton  University  Music Department, and send your check to B U Music Department, P.O. Boa 6000,   Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:13:43 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74879">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74879</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Symphony Orchestra presents From the New World: Featuring the premiere of "Music For Sonora" by Christian Martin  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Copland, Martin, Dvořák. Held at 3:00 p.m., December 6, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource University Symphony Orchestra Worden, Heather Martin, Christian Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Copland, Aaron, 1900-1990 Martin, Christian Dvořák, Antonín, 1841-1904 Date A point or period of time associated with an event in the lifecycle of the resource 12/6/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0c92387b4a328abf30acdfebb2e54733.pdf 4a7c422cacaf4774d3553707603b0ff3 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F   N E W  Y O R K M [4 M D E P A R T M E N T Piano Ensemble from the studios of Jinah Lee & Michael Salm irs Tuesday, April 29, 20 1 4 8:00 p.m. Casadesus Recital Hall �2c)  PROGRAM  (93 Hungarian Dance in G minor, Bk. 1........................ Johannes Brahms (1833­1897) Natasha Talukdar, Benjamin Calhoun An der schonen blauen Donau, Op. 31 4................Johann Strauss, Jr. (1825­1899) Arr. by Christian Mondrup Amela Dervishi, Jee Soo Han Maurice Ravel Beauty and the Beast from Mother Goose  (1875­1937) Samantha Bangug, Christine Fan Ballet from Petite Suite................................................CIaude Debussy (1862­1918) Xiaomo Qian, Siqi Feng Arabian DlnLL  Dance of the Sugar Plum Fairy  Pyotr Ilyich Tchaikovsky (1840­1893) Arr. Eduard Langer Priscilla Cheng, Annie Tao Charles Gounod Faust: Valse Brillante  (1818­1893) Arr. Fr. Burgmuller Hwi Jae Cho, Yujung Jane Jung Libertango......................................................................Astor P iazzolla (1921­1992) Arr. Pablo Ziegler Annie Tao, Natasha Talukdar �Binghamton University Music Depa rtment’s Upcoming Events 6&66fl66fl6r’éfl6r’éflofiéflééfl66fléiéfl Tuesday, April  29 –  Piano Ensemble Concert  ­  8:00  p.m.  –  Casadesus Recital Hall ­  free Th u  day,  May  1  ­  Mid­Day  Concert  ­  1:20  p.m.  ­  Casadesus  Recital Hall ­  free Th ursday,  May  1  –  Grammy­Award  Winning  vocal  guest  a rt ist Jacqueline Horner­Kw iatek  ­  8:00  p.m.  ­  Casadesus  Recital  Hall ­  $5 general public; free for students Friday, May 2 ­  Flute Studio a nd Flute Chamber Concert ­  1 1:30 a.m. ­ Casadesus Recital H all ­ free Friday,  May  2  –  Tri­Cities  Opera  presents  Strauss  Die  Fledermaus  ­ 8:00 p.m. ­  The Forum Theatre ­  call (607) 772­0400 for tickets Saturday,  May  3  –  University  Symphony  Orchestra:  Symphonic Smorgasbord  ­  3:00  p.m.  ­  Osterhout  Concert  Theater  ­  $7  general public ; $5 (aculty/sta(if/seniors; tree tor students Saturday, May  3 –  Senior Recital: Xander Edwards, cello  ­  8:00 p.m.  ­ Casadesus Recital Hall ­  free Sunday,  May  4  ­  Tri­Cities Opera  presents Staruss’  Die  Fledermaus  ­ 3 :00 p.m. ­  The Forum Theater ­  call (607) 7 7 2­0400 for tickets Tuesday, May 6 – Pe rcus ion Ensemble Concert ­  8:00 p.m. ­  Anderson Center Chamber H all ­ $7 general public ; $5 (aculty/stai‘f/seniors; free for students m e w b m e w m m e w m w b w e a ­ For  tickets  or  to  be  added  to  our  email  list,  visit  anderson.binghainton.edu  or  call (607)  777­AR’IX, For  a complete  list  of  our  concerts  call  (607)  777­2 592, visit music. binghamton.edu or become a fan on  Facebook. If  you  were  inspired  by  this  performance,  consider  supporting  the Department  of  Music  with  a  financial  gift.  Your  support  helps  to cont i nue  the  work  of  students,  faculty,  a nd  gues t  art is t s  a nd  their contrilmtions to  our community.  Please make your donation  payable to  the  Binghamton  University  Music  Department.  and  send  your check  to  B U  M usic  Department, l ’ . ( ) .  Box 6000, Binghamton, N Y 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:16:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74952">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74952</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano ensemble from the studios of Jinah Lee and Michael Salmirs Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Moszkowski, Debussy, Manookian, Brahms, Dvořák, Rachmaninoff, Chabrier, Piazzolla. Held at 7:30 p.m., December 9, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lee, Jinah Salmirs, Michael Fan, Christine Green, Maurice Chen, Shana Han, Jeesoo [Jee Soo] Cermak, Samantha E. Lee, Yuseong Malinovsky, Daniel Su, Vicky Bogdanove, Grace Calhoun, Benjamin Bangug, Samantha Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Moszkowski, Moritz, 1854-1925 Debussy, Claude, 1862-1918 Manookian, Jeff Brahms, Johannes, 1833-1897 Dvořák, Antonín, 1841-1904 Rachmaninoff, Sergei, 1873-1943 Chabrier, Emmanuel Piazzolla, Astor Date A point or period of time associated with an event in the lifecycle of the resource 12/9/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound