85 10 1775 https://omeka.binghamton.edu/omeka/files/original/d143138c052f70dd7d61382dea42766e.pdf d0b73e820d40c0471377cebb9fcba663 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F   NE W   Y O R K D E P A R T M E N T HARPUR JAZZ ENSEMBLE DIRECTED BY  MIKE CARBONE FEA TU R ING Marko  Marci nko Thursday, April  10, 2014 8:00 p.m. Ostcrhout Concer t Theater �ib­  ABOUT THE PERFORMER  ass NDHALFwi  ‘ M k M r i n k   Program selected  from the following: Blue Daniel Frank Rosolino Arranged by Rob McConnell The Chicken.  James Ellis Arranged by Kris Berg North Africa Chick Corea Arranged by Mike Tomato Real Loud First Note Blues .  Spain mer Tom Kubis Chick Corea Arranged by Dave Wolpe Stealnsville.  .Mark Taylor Co­sponsored lry the Binghamton University Music Department and the Harpur Jazz Project MARKO MARCINKO came onto the in ternational music scene in 1994 while  touring  and  recording  with  trumpet  legend  Maynard  Ferguson. Marko served as drummer  and  arranger  tor Ferguson and his Big Bop Nouveau Band for three years. Marko ap pears on the Concord Recording “One  More  Trip  To  Birdland",  Born  in  Archbald,  Pennsylvania, Marcinko  studied  technique  with  drumming  master  Joe  Morello  and continued  his  training  at  the  University  of  Miami  where  he  studied classical,  jazz,  brazilian  and  at’rocuban  styles  under  professors  Fred Wickstrom, Steve Bagby, Steve Rucker, Harry Hawthorne and Ney Resaro. Over  the  years,  Marko has  played  with  jazz greats Joe  Henderson,  Phil Woods. Clark Terry, Bob Dorough, Red  Rodney, Michael Brecker, Randy Brecker, Mulgrew Miller, Mike Stern. Tierney Sutton, Terrell Stafford and W ill Lee. Other notables Marcinko has worked with include: Jon Secada. Joan Rivers, Connie Francis, Don Rickles. Melba Moore, Juan Gabriel, Clay Aiken, Jay Leno,  Bob  Newhart and  Nicol  Williamson.  During  his years in the music industry, Marcinko has worked as a freelance musician playing drum set, percussion, piano/keyboards, bass guitar and trombone. He has also served as a studio session player, arranger, musical director and  producer  for  numerous  commercial  jingles,  indie­i’ilms  and  off­ broadway /  club and theater engagements. Currently, Marcinko tours and records  with jazz saxophone  icon and NEA  iazz master Dave Liebman. Discography  includes:  The  Dave  Liehman  Group,  “Conversation” SunnySide Records, “Blues Always”, Omni Tone Records, “Back On The Corner” Tone Center Records,  “Beyond The Line”, Omni Tone Records. “TumAround” the music of Ornette Coleman, Jazzwerkstatt Records, “As Always” The DLBB Live. MAMA Records. You can also hear Marcinko’s drumming and arranging on “Essentials ” C D  a retrospective of Maynard Ferguson.  Marko more recently has been touring and recording with The Organik Vibe Trio featuring multi Grammy­award winning jazz great Dave Samuels. CD titled “Moscow” The Organik Vibe  Trio. Mr. Marcinko is also an adjunct professor of iazz studies at  Penn State University, State College. PA.  He also serves as  the artistic director  for the Scranton Jazz Festival, The Pa Jazz Alliance and the Keystone College Jazz Institute. For more  into  on Marko  Marcinko  please  visit  www.markomarcinko.com. Marko endorses Zildjian Cymbals, Yamaha Drums, Vic Firth Sticks and Aquarian Drum Heads. �Binghamton University Music Department’s Upcoming Events o é é o – é é o o a i é n é ’s é n fi f a m é b n é ‘ s é n é é n é f a e Thursday, April 24 ­  Mid­Day Concert ­  1:20 p.m. ­  Casadesus Recital Hall ­ free Saturday, April 26 – Senior Recital: Kerianna Krebushevski, soprano ­  8:00 p.m. ­  Casadesus Recital Hall ­  free Sunday, April 27 ­  Senior Recital: Paul Watrobski, cello ­  1:00 p.m. ­ Casadesus Recital Hall ­  free Sunday, April 27 – University Chorus and Wind Symphony Concert: An American Music Celebration ­  3:00 p.m. ­  Osterhout Concert Theater ­ $10 general public; $7 faculty/staff seniors; $5 for students Sunday, April 27 ­  Master’s Recital: Seonghyang Kim, piano ­  7:30 p.m. ­ Casadesus Recital Hall – free Tuesday, April 29 ­  Piano Ensemble Concert ­  8:00 p.m. ­  Casadesus Recital Hall ­  free Thursday, May 1 ­ Mid­Day Concert ­  1:20 p.m. ­  Casadesus Recital Hall ­ free Thursday,  May  1  ­  Grammy­Award  Winning  vocal  guest  artist  Jacqueline Homer­Kwiatek ­  8:00 p.m. ­  Casadesus Recital  Hall ­ $5 general  public; free for students Friday, May 2 – Flute Studio and Flute Chamber Concert ­  11:30 a.m. ­ Casadesus Recital Hall ­ free Friday, May 2 – Tri­Cities Opera presents Strauss’ Die Fledermaus ­ 8:00 p.m. ­  The Forum Theatre ­  call (607) 7 7 2 0400 for tickets Saturday, May 3 ­  University Symphony Orchestra : Symphonic Smorgasbord ­ 3:00 p.m. ­  Osterliout Concert Theater ­  $7 general public; $5 iacu lty/sta l l/se n iors; free for st udents W W W ­ 0 5 m m For tickets or  to be added to our email list. visit anderson.binghamton.edu or call ( 6 0 7 )  777­ARTS. For a  complete  list  of  our  concerts  call  (607) 777­2592, visit  music.binghamton.edu  or  become  a  fan  on Facebook. o f [ =   E   B  2  If you  were  inspired  by  this  performance,  consider  supporting  the  Department  of M usic  with  a  financial  gi ft. Your  su p port  helps  to  continue  the work  of  students, faculty, and guest artists and their contributions to our community.  Please make your donation  payable to  the  Binghamton  University  Music  Department, and send your check to B U  Music Department, P O .  Box 6000. Binghamton, N Y  1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51m 39s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75021">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75021</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Marko Marcinko, April 10, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Simon, Alston, Skeets, Sherwin, Maschwitz, Bliztein, Weill, Ellington, Mills, Davis, Coleman, Leigh, Lind, Willis, Hooper, Nestico, Rosolino, Ellis, Corea, Kubis, Taylor. Held at 8:00 p.m., April 10, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Harpur Jazz Ensemble Marcinko, Marko Carbone, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Simon, Paul Alston, Jon Skeets, Campbell Sherwin, Manning Maschwitz, Eric Bliztein, Marc Weill, Kurt Ellington, Duke, 1899-1974 Mills, Irving Davis, Miles Coleman, Cy Leigh, Carolyn Lind, Jon Willis, Allee Hooper, Less Nestico, Sammy Rosolino, Frank Ellis, James Corea, Chick Kubis, Tom Taylor, Mark Date A point or period of time associated with an event in the lifecycle of the resource 4/10/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e8bb4eead7e040af3946faaaf55a61bf.pdf aa2b902e58af431cae7c012359672d74 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F   N E W  Y O R K [4 (20 7224 D E P A R T M E N T JAZZ M I D ­ D A Y CONC E R T featuring : Ma rko Mar cinko, d r u m set also featuri ng BillC   arter, piano Mik e  Carbone, saxophones Ton y Mari no, bass Th u rs d ay, A pr il 10, 20 14 1:20 p. m. Oster hou t Conce r t Th ea t e r �ib­  PROG RAM  &» &  ABOUT THE PERFORMER  «~& Program selected from the following and announced from the stage: Marko  Marcinko ca me  onto  the  international  music  scene  in  1994 while touring and  recording with trumpet legend Maynard  Ferguson. Marko served as drummer and arranger for Ferguson and his Big Bop Nouveau  Band  for  three  years.  Marko  appears  on  the  Concord Recording  “One  More  Trip  To  Birdland”.  Born  in  Archbald, Pennsylvania, Marcinko studied technique with drumming master Joe Morello and continued his training at the University of M iami where he  studied  classical,  jazz,  brazilian  and  afrocuban  styles  under professors  Fred  Wickstrom.  Steve  Bagby,  Steve  Rucker.  Harry Hawthorne and Ney Resaro. Over the years Marko has pla yed with jazz greats Joe  Henderson,  Phil Woods, Clark  Terry, Bob  Dorough,  Red Rodney, Michael Brecker, Randy Brecker, M ulgrew Miller, Mike Stern, Tierney  Sutton,  Terrell  Stafford  and  Will  Lee.  Other  notables Marcinko has  worked with include Jon Secada, Joan Rivers, Connie Francis,  Don  Rickles,  Melba  Moore, J uan  Gabriel,  Clay Aiken,  Jay Dance 24 .  .Bill Carter Mr. Syms..  . John Coltrane Elegy .  It Might as Well be Spring‘  Brent’s Beadle .  Bill Carter Rodgers and Hammerstein Bill Carter Leno. Bob Newhart and Nicol Williamson. During his  years in the music industry, Marcinko has worked as a freelance musician  playing drum set, percussion, piano/keyboards, bass guitar and trombone. He has also served as a studio session player, arranger, musical director and producer  for  numerous  commercial  jingles,  indie­films  and  off, broadway /  club and  theater engage ments. Currently, Marcinko tours and  records  with  jazz  saxophone  icon  and  N EA  jazz  master  Dave Liebman.  Discography  includes:  The  Dave  Liebman  Group, “Conversation”  SunnySide  Records,  “Blues  Always”,  Omni  Tone Records, “Back On The Corner” Tone Center Records,  “Beyond The Line",  Omni  Tone  Records.  “TurnAround”  the  music  of Omette Coleman, Jazzwerkstart Records, “As Always” The DLBB Live, MAMA Records. You can also hear Marcinko’s drumming and arranging on “ Essentials”  CD  a  retrospective of Maynard  Ferguson.  Marko  more recently has been touring and recording with The Organik Vibe Trio Co~sponsored by  the Binghamton University Music Department and the Harpur Jazz Project featuring multi Grammy award winning jazz great Dave Samuels.  CD titled  “Moscow”  The  Organik  Vibe  Trio.  Mr.  Marcinko  is  also  an adjunct professor of jazz studies at Penn State University, State College, PA. He also serves as the artistic director for the Scranton Jazz Festival, The Pa Jazz Alliance and the Keystone College Jazz Institu te. For more info on Marko Marcinko please visit www.markomarcinko.com. Marko endorses  Zildjian  Cymbals,  Yamaha  Drums,  Vic  Firth  Sticks  and Aquarian Drum Heads. �Bingha mton U n iversity M usic De part ment’s Com ing Eve n ts M 6 $ ~ fi b 6 M M § fl fl é m ¢ b ¢ 6 M fi 6 fi fl Thursday, April 1   0 ­ H ar pur  J a z z  Ensemble Concert with guest artist Marko Marcinko ­ 8:00 p.m. ­ Osterhout Concert Theater ­ $7 general public; $5 faculty/ s taff/ seniors; free for students Thursday, Apri124, Mid­Day Con cer t  1:20 p.m. ­ Casadesus Recital Hall ­ free Saturday, April  2 6  – Senior Reci tal: Kerianna Krebushevski, soprano – 8:00 p.m. ­ Casadesus Recital Hall ­ free Sunday, April  2 7  ­ Senior Reci tal: P a ul  Watrobski, cello  ­  1:00 p.m. ­ Casadesus Recital Hall ­ free Sunday, April  2 7  – Univeristy Chorus and Wind Symphony Concert: An American Music Celebration – 3 :00 p.m. ­ Osterhout Concert Theater ­ $10 general public; $7 faculty/staff/seniors; $5 for students Sunday, April  2 7, Master’s Reci tal:  Seonghyang Kim, p   iano ­ 7 :3 0 p. m. ­ Casadesus Recital Hall ­ free Tuesday, April  29 ­ Piano Ensemble Concert ­ 8:00 p.m. ­Casadesus Recital Hall ­ free Thursda y, Ma y 1 – Mid­Da y Con cer t – 1 :2 0 p.m. – Casadesus Recital  Hall —  free Friday,  Alay 2– String Orchestra Concert – 4 :00 p.m.  – Grand Corridor – free M W M W M W W For tickets or  to  be  added  to  our  email list, visit anderson.binghamton.edu or  call (607) 7 7 7­ ARTS. For a complete list of our concerts call (607 ) 777­2592, visit music.binghamton.edu or become a fan on Facebook. E — [ = ] g   ‘  a  E If    you  were  inspired  by  this  performance,  consider  supporting  the Department  of  Music  with a financial  gift.  Your  support  helps  to continue  the  work  of  students,  faculty,  and  guest  artists  and  their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check  to BU Music Department, P.O. Bax  6000, Binghamton, N Y  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53m 12s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75025">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75025</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Mid-day concert featuring Marko Marcinko, April 20, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Carter, Coltrane, Rodgers, Hammerstein. Held at 1:20 p.m., April 20, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Harpur Jazz Project Marcinko, Marko Carter, Bill Carbone, Mike Marino, Tony Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Carter, Bill Coltrane, John Rodgers, Richard, 1902-1979 Hammerstein, Oscar, II, 1895-1960 Date A point or period of time associated with an event in the lifecycle of the resource 4/10/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47:11:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74958">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74958</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, April 24, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Bach, Piazzolla, Debussy, Mayer, Schubert, Hundley, Faure, Brahms. Held at 1:20 p.m., April 24, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Vanderpoo, Joseph Talukdar, Natasha Tao, Annie Krebushevski, Kerianna Lawson, James, William Perry, Timothy Keyes, Elizabeth Stalker, Stephen Bernstein, Carol Baker, Thom. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Bach, Johann Sebastian, 1685-1750 Piazzolla, Astor Debussy, Claude, 1862-1918 Mayer, John Schubert, Franz, 1797-1828 Hundley, Richard Faure, Gabriel, 1845-1924 Brahms, Johannes, 1833-1897 Date A point or period of time associated with an event in the lifecycle of the resource 4/14/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/adc4ca65fd3d8c5e4bc41043e7f1ba73.pdf 3792d1668f3758d62ee071b8b1509c62 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E  U N I V E R S I T Y   O F   N E W   Y O R K D E P A R T M E SENIOR RECIT AL: KERIANNA KREBUSHEVSKI, SOPRA NO William James Lawson, piano Saturday, Ap ril 26, 3014 8:00 p.m. Casadesus Recital Hall N T �©  PROG RAM  (93 Amiamo.  Sull’onda cheta e bruna  La Gondola 80  ABOUT THE PERFORMERS 03 Gaetano Donizetti (1797­1848) 11. Frauenliebe und­leben, Op. 4 2 .   1.  Seit ich ihn gesehen  2. Er, der Herrlichste von Allen 3. Ich kanu’s nicht fasseu, nicht glauben 4. Du Ring an meinem Finger 5. Helft mir, ihr Schwestern 6. Siisser Freund, du blickest mich verwundert an 7. An meiuem Herzen. an meiner Brust 8. Nun hast du mit den ersten Schmerz gethan Robert Schumann (1810–1856) Le) INTE RMISSIO N 0 3 Randolph. IIL C’est I’extase.  .  Nuit d'étoiles  La  mer est plus belle Claude Debussy (1862­1918) IV. Adieu, notre petite table.  Jules Massenet from “Manon”  (1842­191 2) V. Three Browning Songs. Op. 44  Ah Love. but a day!  1 send my heart up to thee! The Year’s at the Spring KE RIANNA   KREBUSHEVSKI  is  a  senior  at  Bingham ton University pursuing a Bachelor of Music Degree in Voice under the direction of Professor Mary Burgess, with additional study this year with  Maestro  Scott  Bergeson.  During  her  time  here  in Binghamton, Kerianna has  performed  the  role  of the  First Spirit in Tri­Cit ies  Opera  Company ’s  production  of Mozart’s  Die Zauberflote,  and  as  Gretel  in  the  school’s  production  of Humperdinck’s  Hansel and  Gretel. A lso with T CO  she has been in the chorus  for Puccini’s La  Boheme, Verdi’s I l  Trovatore, Mascagni’s Cavalleria  Rusticana,  and  Leoncavallo’s  Pagliacci.  She  was  most recently  in the chorus  for Bizet’s Carmen.  Kerianna spent  a month this  last  summer  in Italy performing  in Urbania,  Piobbico,  and Fossombrone  with  Maestro  Benton  Hess’s  “Si  parla,  si  canta” program. For the  past two years, Kerianna has been a recipient of the John M. and Marcella M. Keeler Scholarship in Music. Kerianna is thrilled  to announce that she will be pursuing a Master of Music next  year  at  San  Francisco  Conservatory  in  the  studio  of  Jane .Amy Beach (1867­1944) WILLIAM JAMES LAWSON is active as a church musician, voice coach, and accompanist and frequently performs chamber music. At  Binghamton  University  he  has  taught  music  theory,  lyric diction,  and phonetics. He  was one of the  first graduates of the New  York  University  Tisch  School  of  the  Arts  Department  of Performance Studies, an  innovative  interdisciplinarv program  in dance,  music,  and  theater.  His  extensive  background  in  dance history led him to employment at  the New  York City Ballet and Dance Magazine as  well as  working  as  assistant  to  British dance writer Richard Buckle. He  is presently Organist and Director of Music at the United Presbyterian Church of Binghamton, founder and director of the Canterbury Choir. and rehearsal accompanist for  the  Binghamton  Downtown  Singers,  with  whom  he  has performed as harpsichordist and organist. �80 TRANSLATIONS (98 2 .  Er ,  d er H   en­Ii’r­hste von Allen He, the most splendid of all, As gentle as he is kind! With tender lips, bright eyes, A clear mind and firm courage. 1. Amiamo (Let us Love) Because our youth invites us to do so, let us look for happiness. A n i nstan t o f  pleasu re passes and d oes not ret u rn. Life becomes solemn if one does not gather its flowers. Only love can adom life with fresh roses. The more beautiful you are the more you owe vows and faith to love. There is no other suitable offering to bring to love. Let us love! Because the days are brief‘ A day without love is a day of sadness A wasted day. Sull’onda cheta e bruna (Over the silent and dark water) Over the silent and dark water, before the moon may rise, quickly. o goudolier, please. embark on your path, but be careful that your boat caresses the sea gently. Only Lenora, who sings anxiously all the while, May hear the beating heart of her faithful lover in the rowing. La  Gondola (The Gondola) Like a bright and glorious star in the lofty blue He  is in my  Heaven exalted and remote. Climb into the quick llnle boat with me, lovely Cloris. Come, let us seek the breezes’ comfort from the heat of the day. Come, already the shimmering waves reflect the moonlight,  And  just as the breezes kiss the peaceful lagoon they will kiss you Go, go on you r way, . also. Don’t listen to my silent prayer Offered only for your happines: You, high star of splendor, Can never know a lowly maid like me. Step in, lovely Cloris, And you will see me happy, In sweet ecstasy; Seated by you, I will feast on love. And let your white hand softly press on my bosom To feel the rapid beating of my heart. Only the worthiest of all, Could make your choice a happy one, And I will honor her with a thousand blessings. Then I will rejoice and weep. Blissful then I will be; Even though my heart should break, Break oli heart, what does it matter! l l. Frauenliebe und­leben (A Woman’s love and lm e) 1.  Seit i ch ihn gesehen Since I saw him, 1 believe myself to be blind. Wherever I  cast my gaze I see only him. As  i f in waking dreams His image floats before me Rising from the deepest darkness Becoming brighter and brighter.  Everything else is dark and colorless around me.  For the games of my sisters I no longer yearn. i would rather weep. silently in my little chamber. Since I saw him, I believe myself to be blind. Just let me look upon your radiance , Only in humility let me look, Full of both joy and misery! He, the best of all, etc. I L 4. D u Ri   ng a  n meinem Finger You, ring on my finger, my golden little ring. 1 press you devourly to my lips and to my heart, 1 had dreamed of him, the peaceful lovely dream of childhood, I found myself alone, lost, in the unending space of tears. You, ring on my finger, You first taught me this: You opened my eyes to life’s unending worth. I want to serve him To live for him, to belong completely to him, To give myself to him and find myself transfigured In his gaze. 5.  Helft mir, i h r  S chw estern Help me, sisters, Lovingly to adorn myself, Help me, the lucky one, today! Busily twine the wreath of myrtle about my brow. Whenever my beloved held me in his arms, My heart was full of joy. He always looked with longing in his heart impatiently for today. 3 .  I c h  Irann '.r nicht fassen, nicht glauben I cannot believe it! 1 have been beguiled by  a dream. Have I really, from among so many, been thus exalted and blessed? Help me, sisters, Help me banish my foolish anxiety So that I ma) receive him. The source of all my joy. I t  seems to me he said “ I  am yours forever.” I t  seems I must still be dreaming. I t  can surely never be so‘ When my beloved comes for me, Will you, oh sun, shine upon me.’ Let me in devotion and humility Bow to my lord. Oh, let me die in this dream cradled upon his breast. Let me embrace a blessed death, Strew him with flowers, dear sisters, Bring him blossoming roses. Whilst I bid you a sad farewell As I leave you in my m with tears of  infinite joy. �6.  S is ser  Freund, d u b   lickest mich verwundert a n Sweet friend, you look at me in wonder. You cannot understand how I can weep. But let the damp penrl’s rare adornment Tremble with bright joy in my eyes! How anxious is my heart, how full of delight ! If only I could find the words to tell you. Come, hide your face upon my breast Then I ran whisper in your ear all my joy­ Now you understand the tears [ weep. Should you not see them, beloved husband? Stay near my heart and feel its hear so I may hold you ever closer. 8.  N u n h   as t  d u m   ir d en  ersten Schmerz g ethan Now for the first time you have given me pain, And it has struck deep. You sleep. you cruel and merciless man, the sleep of death. Abandoned, 1 look around me~ The world is empty, empty. I have loved and lived, I live no more. I withdraw into myself silently, The veil falls. There I hold you and my lost happiness, You. my world! 1 . C h t ['extase langoureuse   (It is the languorous ecstasy) lt is the languorous ecstasy, I t  i s  t h e  l a t l m i ‘  i t ftt ­ r  l o v e , Here beside my bed there is room for the cradle Quietly sheltering my lovely dream. When the morning comes, the dream will awaken, And your image will smile up at me! 7. A n  m einem Herzen, an meiner Bfllfif At my heart, at my breast, You my delight. you my happiness! The joy is the love, the love is the joy, I have said it and will not take it back. I thought myself rapturous, Bnt now I am happier than that. Only she that suckles, only she that loves the child To whom she gives nourishment, Only a mother alone knows what it u to love and he happy. Oh. how  I pity the man, who cannot feel a mother’s my” Thou dear, dear angel, You look at me and smile! At my heart, at my breast. Y o u  m y d  e l i z h l ,  y o u  m y l l fi p p l l l f s > l it is all  the rustling of the wood, in the embrace of breezes; it is near the gray branches: A chorus of  tiny voices. Oh, what a frail and i reth murmur! I t  babbles and whispers, it resembles the soft noise that waving grass exlmles You might say it were. under the bending stream, the muffled mund oi rolling pebbles. This soul, which laments and tlns dormant moan, It is ours, is it not? Is it  not mine, tell me. and you whose humble anthem we breathe on this mild  evening, so very quietly? Nuit d ’étoiles (Night of stars) Night of stars, beneath your veil, beneath your breeze and your perfumes, sorrowful lyre softly sighing, I dream of a love long past. Melancholy, so sadly tranquil, fi lls  my poor weary heart, and I hear your dear soul quivering in the dreary wood. 1 watch here at tlus your small fountain, your blue eyes like the sky. This rose. it is my dearest hope and the fair stars are your eyts. La  M er  est p it a b   elle ( The sea is more beautiful) The sea is more beautiful than cathedrals, a faithful wet nurse, soothing the rartle of  death. Th e  sea ove r which p rays t he Vi rgin Mary it has all qualities, terrible and sweet I hear it forgiving and growling its anger. Thi :  immensity knows no resistance. Oh! So patient even when malicious! A friendly breeze haunts the wave, And sings to us, “You without hope, die without suffering.” And there, beneath the skies Which smile upon it more sweetly, lt loolu blue, pink. gray, and green... Fewer than all, Better than we! IV. Adieu, notre petite table (Goodbye, our lil‘fle table) Come on, it is necessary, for his own sake! My poor Chevalier! Oh, yes, it is he that I love! And yet, today I hesitate, No!  No! I am no longer worthy of him! 1 hear that voice which transports me against my will: “Manon, you will be queen, Queen by your beauty!” I am nothing bur weakness and fragility! Ab! in spite of myself, I feel my tears flowing ln the face of those destroyed dreams! Will the future have the charms of those beautiful days already passed’ Goodbye, our little table which brought us together so often! Goodbye, our little table so grand, however, for us! One takes up, it’s unimaginable, so small a space when sitting close together! Goodbye, our little table! The same glass was ours, each one of us, when we drank from it, searched for the  ps of the other. Ah!  Poor friend... how he levied me! Goodbye... our little table. �Binghamton University Music Department’s Upcoming Events « é é e fl s é o é b – fi é o n fi é n é ia n é é n fi é n é é o Sunday, April 2 7 – University Chorus and Wind  Symphony Concert: An  American  Music  Celebration  ­  3:00  p.m.  ­  Osterhout  Concert Theater ­  $10 general public; $7 faculty/staff/seniors; $5 for students Sunday, April 2 7 ­  Master’s Recital: Seonghyang Kim, piano ­  7:30 p.m. ­  Casadesus Recital Hall ­  free Tuesday, April 29 – Piano Ensemble Concert ­  8:00 p.m.  ­  Casadesus Recital Hall ­  free Thursday, May 1  – Mid­Day Concert  ­  1 :20  p.m.  ­'Casadesus Recital Hall ­  free Thursday,  May  1  ­  Grammy­Award  Winning  vocal  guest  artist Jacqueline  Horner­Kwiatek  ­  8:00  p.m.  – Casadesus  Recital  Hall  ­  $5 general public; free for students Friday, May 2 – Flute Studio and Fl ute Chamber Concert ­  1 1:30 a.m. ­ Casadesus Recital Hall ­ free Friday,  May  2  ­  Tri­Cities  Opera  presents Strauss’ Die  Fledermaus  ­ 8:00 p.m. ­  The Forum Theatre – call (607) 772­0400 for tickets Saturday,  May  3  –  University  Symphony  Orchestra:  Symphonic Smorgasbord  ­  3:00  p.m.  ­  Osterhout  Concert  Theater  ­  $7  general public; $ 5 faculry/sta ft/sen iors; free for students Saturday, May 3 – Senior Recital: Xander Edwards, cello ­  8:00 p.m. ­ Casadesus Recital Hall ­  free For  tickets  or  to be added  to  our  email  list,  visit anderson.binghamton.edu or  call (607)  7 7 7­ARTS.  For  a  complete  list  of  our  concerts  call  (607)  7 7 7­2592, wisit music. binghamton.edu or become a fan on Facebook. If you were inspired by  this performance, consider supporting the Department ofMusic _  with a financial gift.  Your  support  helps  to  continue  the work  of [ = ]   =[=]  students, faculty, and  guest  artists  and  their  contributions  to  our community.  Please make your donation payable to the B inghamton 0 ]   University  Music  Department, and send  your check  to  BU Music E  Department, P.O. Box 6000. Binghamton, N Y 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48:42:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74955">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74955</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kerianna Krebushevski, senior recital Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Donizetti, Schumann, Debussy, Massenet, Beach. Held at 8:00 p.m., April 26, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Krebushevski, Kerianna Lawson, William James Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Donizetti, Gaetano, 1797-1848 Schumann, Robert, 1810-1856 Debussy, Claude, 1862-1918 Massenet, Jules, 1842-1912 Beach, Amy Date A point or period of time associated with an event in the lifecycle of the resource 4/26/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:05:20 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75015">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75015</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paul Watrobski recital, April 27, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Held April 27, 2014. Creator An entity primarily responsible for making the resource Watrtobski, Paul Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/27/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:02:30 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75018">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75018</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital with Seonghyang Kim, April 27, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Held at 7:30 p.m., April 27, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Kim, Seonghyang Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/27/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:56:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74952">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74952</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano ensemble from the studios of Jinah Lee and Michael Salmirs Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Brahms, Strauss, Ravel, Debussy, Tchaikovsky, Gounod, Piazzolla. Held at 8:00 p.m., April 29, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lee, Jinah Salmirs, Michael Talukdar, Natasha Calhoun, Benjamin Dervishi, Amela Soo Han, Jee Bangug, Samantha Fan, Christine Qian, Xiaomo Feng, Siqi Cheng, Priscilla Tao, Annie Jae Cho,Hwi Jane Jung Yujung. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Brahms, Johannes, 1833-1897 Strauss, Johann, 1825-1899 Ravel, Maurice, 1875-1937 Debussy, Claude, 1862-1918 Tchaikovsky, Peter Ilich, 1840-1893 Gounod, Charles, 1818-1893 Piazzolla, Astor Date A point or period of time associated with an event in the lifecycle of the resource 4/29/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/43e4613a86e4befff374dcb23c42d2b1.pdf f99c022eb779985c8044b85351404bb9 PDF Text Text BINGHAMT ON U N I V E R S I T Y STATE  UNIVERSITY  OF  NEW  Y O R K 3 v d e c D E P A R T M E N T h  A Y  ”  (4  E  5:13:13!!­ H Q   FR F ou ii d As” ‘  “CW­«451;­ ,  V N   3  l  A O ’ D O Q ‘ V   ‘ MID­DAY CON CERT Thu rsday, April 3, 2014 1:20 p.m. Fine Ar ts Room 2 1 �&  PROGRAM  ass . Felix Mendelssohn (1809­1847) Sonata no. 6 in D­minor  Chorale and Variations  Fugue Andante Denise Bassen, organ .Gaetano Donizetti Amore e morte.  ll Barcaiolo  Christina Santa Maria, soprano William Lawson, piano Variations on a theme of Clemen t Janequin . Denise Bassen, organ (1797­1848) Jehan Alain (1911­1940) .. Henry Purcell Sound the Trumpet .  (1659­1695) Let us wander  Christina Santa Maria, soprano and Cole Tornberg, tenor William Lawson, piano .. Ernesto Cavallini Adagio and Tarantella .  Timothy Perry, clarinet Margaret Reitz, piano The Ash Grove...  Proud Songsters  Cole Tornberg, tenor Fugue in D major, BWV 532..  (1807­1874) .. Benjamin Britten (1913­1976) .. Johann Sebastian Bach Daniel Rosenau, organ (1685­1750) �Binghamton University Music Department Coming Events s e a b e b e w w e ­ e m e e ­ M Frida y, Apr il  4  – Opera Scenes ­­  8  p.m.  – Art  Museum  –  $10 general public; $ 7 faculty/staff/seniors; $5 for students Saturday, April 5  ­­  Flute Trio Recital –  3 :00 p.m.  – Casadesus  Recital Hall – free Saturday, Apr il  5 ­ Junior Recital: Christina Santa Mar ia, soprano and Cole Tornberg, tenor– 8:00 p.m. – Casadesus Recital Hall – free Sunday, Apr il  6 – Faculty R ecital: Michael Salmirs, piano – 3 :00 p.m. – Anderson Center Chamber  Hall – $10 general  public; $7  faculty/staff/seniors; $5 students Tuesday,  A pril 8  –  String Fever  (String Classes  an d  Studio  String Recital) – 8:00 p.m. – Casadesus Recital Hall – free Thursda y, Apr il  10  – Jazz Mid­Da y Concert with  guest ar tist –  1:20 p.m. – Osterhout Concert Theater –  free   0 – Harpur Jazz Ensemble Concert with guest ar tist – Thursday, Apr il 1 8:00 p.m. – Osterhout Concert Theater – $7 general public; $5 faculty/ s taff/ seniors; free for students Saturday, Apr il  26 – Senior R ecital: Kerianna Krebushevski, soprano – 8 p m .  – Casadesus Recital Hall – free S unday, April 2 7 – Senior Recital : Pa ul Watrobski, cello ­  1 :00 p.m. – Casadesus Recital Hall ­  free S unday, April 2 7 – Univeristy  Chor us a nd Wind Symphony Concert: An American Music Celeb ration – 3:00 p.m. ­  Osterhout Concert Theater ­ $10 general public; $7 faculty/ s taff/ seniors; $5 for students 6 M M M W M W M M For tickets or to  be added to our email list, visit anderson.binghamton.edu or call (60 7) 77 7­AR TS.  For  a  complete  list  o f   our  concerts  call  (607)  777­2592,  visit music.binghamton.edu or become a fan on Facebook. l f  you  were  inspired  by  this  performance,  consider  supporting  the [ = ]  = [ = ]   Deparanent  o f  Music  with  a  financial  gift.  Your  support  helps  to continue  the  work  o f  students,  faculty,  and  guest  artists  and  their [=]c  contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU  Music  Department,  P.O.  Box  6000,  Binghamton,  NY  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:47:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74961">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74961</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, April 3, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Mendelssohn-Bartholdy, Donizetti, Alain, Purcell, Cavallini, Britten, Bach. Held at 1:20 p.m., April 3, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bassen, Denise Santa Maria, Christina Lawson, William Tornberg, Cole Perry, Timothy Reitz, Margaret Rosenau, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Mendelssohn-Bartholdy, Felix Donizetti, Gaetano, 1797-1848 Alain, Jehan, 1911-1940 Purcell, Henry, 1659-1695 Cavallini, Ernesto Britten, Benjamin, 1913-1976 Bach, Johann Sebastian, 1685-1750 Date A point or period of time associated with an event in the lifecycle of the resource 4/3/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/4778ae87dc9b2a796acf8a793f32ac79.pdf 25ecb6e930a7dee0ffc51af4d4487b69 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   OF  NEW  Y O R K W Ld 0 D E P A R T M E N T JUNIOR RECITAL: C HRI STI NA SANTA­MARIA, S O PRAN O COLE  TORNBERG, TENOR William J. Lawson, piano Saturday, April 5, 2014 8:00 p.m. Casadesus Recital Hall �®»  PROGRAM  (93 Sound the Trumpet.  Let us wander  8:3 TRANSLATIONS 03 .Henry Purcell (1659­1695) La Serenata.  Gioacchino Rossini (1792­1868) (  Christina Santa Maria, soprano; Cole Tornberg, tenor L’invito Amore e morte  ll Barcaiolo  II. Christina Santa Maria , soprano III, Dalla sua pace, from “Don Giovanni”  Cole Tornberg, tenor Gioacchino Rossini ( 17  9 L1868) Gaetano Donizetti (1797­1848) Christina Santa Maria, soprano The Ash Grove.  Proud Songstets  V. The Salley Gardens Oliver Cromwell No one w ill  know but Love. . Wolfgang A. Mozart (1756­1791) Come Ruggiero, Your Eloisa cannot stay separaned from you: You’ve already responded to my tears, Come and grant my request. Come, beautiful angel, come, my delight, Pietro Mascagni (1863­1945) Here on my bosom come to rest! Feel my throbbing heart, when love invites you. Come my life, come, make me die! “Amore e morte” (Love and Death) Benjamin Britten (1913–1976) Robert Schumann (1810­1856) Tanzlied, Op. 78, No. 1 Christina Santa Maria, soprano; Cole Tornberg. tenor “ ll B   areliolo” (“The boannln") Row, row, the wind has stilled, the waves are clear, the sky serene, it  seems that only a peaceful breeze stirs the sky and sea: row, row, o boatman. Now that everything smiles on us at this tender moment, I wish to abandon our souls to a joyful ecstasy, row, row, o boatman. Row, row, the wind has stilled, etc... IL Cole Tornberg, tenor VIL Liebhabers Stindchen, Op. 34, No.2 .  Er und Sie, Op. 78, No. 2  In d   er Nacht, Op. 74, No. 4 Come, through that dark shadow, come, don’t make a sound, come, come, be reassured, “L’irrvito” (The Invitation) 80 INTERMISSION ©8 IV. Son pochi fiori, from “L’amico Fritz”. L “La Serenata” See, the pale moon hides behind a beautiful veil, come to the dark wood, come, the heavens are smiling upon us, Come, come. Hear the last words Of a man who is dying. I leave you this faded flower, Elvira, as a gift. You well know how precious it is, On the day that you were mine I stole it from your breast. A symbol then of affection, now a token of grief. This faded flower returns To rest in  your breast. And you will have engraved on your heart, if your heart is not hardened, how it was stolen from you and how it returns to you. For if the tempest roars and both of us are dragged down to death, my fate will be a happy one, for by your side I wish to die: row, row, o boaunanr lll. “Dalla sua pace” How should I ever believe a gentleman capable of such a heinous 7 crirnei  Ah, to discover the truth may every means be sought. I hear within my breast of both husband and friend the duty tha t speaks to  me : 1 will disabuse her, or avenge her! My peace depends on hers. That which pleases her gives rne life; that which displeases her kills me If she sighs, I sigh too. Tha trage is mine;  that mourning is mine, and I do not have joy if she doesn’t . �IV. “Son pochi fiori” from Act 1 of L’Amioo Fritz Just a few flowers, humble violets, they are the breath of April wldi their tender fragrance; And for you l have snatched dlern from the sunshine Less danger than the sweet flattery of men Causes a young and ruddy girl. He: lfyou don’t grant me such a favor, my If they could speak love, We are timid and shy daughters of spring And you alone, yes, you alone You would hear them say: We are your friends; We shall die this evening, but we are happy to wish you, who love the unfortunate. may heaven grant you all the good things that it is possible to hope for. and in my heart adds a modest but sincere word: May your life, which brings comfort to others be eternal spring... Ab, desire to accept All that I can offer! VL “Liebhabers Stindchen ” He: Areyoustillawake,mylove?l(issesand Impatience will be the end of me, Will b   e the cause of my early death. She: No, no, no, no, 1 shall not let you in! The little bird that sings and flies, When he falls prey to  the fowler’s wiles, Andisfinallyn’apped inh’uevilsnaree, cries: Appearances are deceptive! He: O let me in for just one night She: No, no, no, I shall not open up “Er und Sie” Your lover draws near in the pouring rain. Love has bound him hand and foot, He longs to be with his sweetheart. He: I f gaze into the quierva   lley Where beneath rhe sun Flowers gleam without number, I see but one alone. She: However stormy it is outside, I know how cunning young men are. Go back, go back to where you came, Ah! Her blue eyes now Are also gazing at the meadows; I can see them ln the dewdrenched forget­me­nots. greetings! 1 shall not let you in. He: Listen to the weather~vanes! Look how the stars are vanishing! Don’rlet mestandhereindierain. Let me into your little room. She: Stomis that threaten in the night Cause wanderers who have lost their wv She: lflleanourofmylitdewindow At  the hour when stars are shining, Though all of them be fairer, 1 see but one alon There at dusk he gazes Gently up to heaven, For a dear image ls mirrored there. “In der Nacht” Aflhavegonemrhe hrugoheart, All are sleeping, all but you. For hopeless grief Frightens slumber away from your bed. And your thoughts wander in silent Sorrow to their love. “flushed” She: Hey! how the ribbons flutter on the wreath! Come dance with me, my dear! Let’s swing, Let’s leap quickly into the middle of this delightful brilliance! Come dance with me, my dear! H 4 Woe, how my heart pounds! Tell me, what jest is this? Let me embrace you, Let  me melt away, Resting in blissful pain. Tell me, what jest is this! She: Eia, the waltz is starting: Couple upon couple are swaying, Maidens and lads, Rogues and sweethearts! Quick, let’s jump in where the crowd is thick. Couple upon couple are swaying! H 4 Woe!myarmhasdroppedin the middle of the jubilant crowd. See how they touch each other! l turn pale...Perhaps I will be hurt in the middle of the iubilant crowd. She:  Eia, how the ribbons flutter on the wreath Today, for everyone who is dancing: Swirling about today, Tomorrow gone; Tomorrow, o sweetheart, yours completely, Today, for everyone who is dancing! �20  ABOUT THE PERFORMERS 03 Christina Santa Maria, soprano, is a  junior working towards her Bachelor of  Music in Voice  Performance.  Her  roles include both Gretel  and  Hansel  in  Binghamton  University’s  2012  and  2013 productions of  Humperdinck’s  Hansel and  Gretel and Marsinah in the operetta Kismet. She has performed as the soprano soloist in the Bach Christmas Oratorio with the Bingha mton University Sym phony Orchestra,  in  Mozart’s  Coronation  Mass  with  the  Binghamton University  Chamber  Orchestra  and  in  Handel’s  Messiah  at LaGuardia High School for the Performing Arts in New York City. She has been a mem ber of Tri­Cities Opera chorus since 2011 and will  continue  this  season  in  Strauss’  Die  Fledermaus.  She  has performed at venues in Italy, Austria,  and  most notably at Avery Fisher Hall, Carnegie Hall, Jazz at Lincoln Center, Madison Square Garden  with  Elton  John  and  The  Barclay  Center  with  Barbra Streisand. Christina is a student of Professor Mary Burgess. Cole Tornberg, tenor, is a junior  pursuing his BMus  degree. His recent  roles include The Witch in Binghamton  University’s  2013 production  of  Hansel  and  Gretel  and  Marco  in  The  Summer Savoyards production of The Gondoliers. He has also been a member of Tri­Cities Opera Chorus including their upcoming production of Die Flederrnaus and their productions of La Boheme, Carmen and Don Giovanni. Cole is a student of Professor Mary Burgess. �Bingha m ton University  Depart ment of Music Coming Events fi w w w a M M M M M b ­ é b Sunday, April  6 – Faculty Recital: Michael Salmirs, piano – 3 :00 p.m. – Anderson Center Chamber  Hall  ­­  $ 1 0 general  public; $ 7  faculty/staff/seniors; $5 students Tuesday,  Apri l 8  –  String  Fever  (String  Classes  and  Studio  String Reci tal) – 8:00 p.m. ­  Casadesus Recital Hall – free Thursday, April  10 – jazz Mid­Day Concert with guest artist – 1 :20 p.m. – Osterhout Concert Theater – free Thursday, April 1   0 ­ Harpur j azz Ensemble Concert with guest artis t M arko Marcinlto ­  8:00 p.m. – Osterhout Concert Theater – $7 general public; $5 faculty/staff/ seniors; free for students Thursday, April 24, Mid­Day Concert– 1:20 p.m. – Casadesus Recital Hall — free Saturday, April 2   6 ­ Senior R ecital: Kerianna Krebushevski, soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, April 2   7 – Senior Recital: Paul  Wistrobslci, cello – 1:00 p..m. – Casadesus Recital Hall ­  free Sunday, April 2   7 – University Chorus and Wind Symphony Concert: An American Music Celebration – 3 :00 p.m. – Osterhout Concert Theater ­ $10 general public; $ 7  faculty/ staff/ seniors; $5 for students Sunday, April 2   7 – Master ’s Recital: SeonghyangKim , piano – 7:30 pm. – Casadesus Recital Hall ­ free é [ = ]   w w w a M M M M M b ­ é b For tickets or to be  added to our email list, visit anderson.binghamton.edu or = u ]   call (607) 777­ARTS. For a complete  list of  our  concerts  call. (607) 777­ 2592, visit music.binghamton.edu or become a fan on Facebook. lf you were  inspired by  this performance, consider supporting the Department E  ‘  of Music with a financial gift. Your support  helps  to  continue  the work of students, faculty, and guest artists and  their contributions to our community. Please  make  your  donation  payable  to  the  Binghamton  University  Music Department, and send your check to B U Music Department, P.O. Box 6000, Binghamton, NY    13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49m 3 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75034">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75034</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior recital with Christina Santa-Maria and Cole Tornberg  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Purcell, Rossini, Donizetti, Mozart, Mascagni, Britten, Schumann. Held at 8:00 p.m., April 5, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Santa Maria, Christina Tornberg, Cole Harrison Lawson, William James Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Purcell, Henry, 1659-1695 Rossini, Gioachino, 1792-1868 Donizetti, Gaetano, 1797-1848 Mozart, Wolfgang Amadeus Mascagni, Pietro, 1863-1945 Britten, Benjamin, 1913-1976 Schumann, Robert, 1810-1856 Date A point or period of time associated with an event in the lifecycle of the resource 4/5/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8bb20aa2aa847e4c4fd0dfa2973cbd97.pdf a11fb3018c7c9a1308b6397336d9d0c6 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F   NEW  Y O R K W [4 0 D E P A R T  M E N T The Binghamton University Flute Trio Concert Chai­Kyou Mallinson.  piano ?  3  A  Jessica  Biagibffi  W I  a  (leafy/M  Natale  Saturday, April 5, 2014 3:00 p.m. Casadesus Recital Hall f  MSE :  Jack e Robins �@ &   PROGRAM  ads Sonatina for Flute Alone. Allegretto Adagio Vivace .. Rayner Brown . Richard Hugunine (b. 1953) *Flute Trio with Piano, No. 1, Opus 14 . (1912­1999) &  INTERMISSION «5 Cara Natale, flute ‘Adagio, Flute Music No. 1, . Richard Hugunine Opus 10b for Flute and Piano (b. 1953) Jacqueline Robins, flute Chai­Kyou Mallinson, piano Sonatina for Flute and Piano Allegretto grazioso Andantino Sognando Allegro giocoso Jessica Biagiotti, flu te Chai­Kyou Mallinson, piano Eldin Burton (1913­1979) Three Preludes for Unaccompanied Flute.. .. Robert Muczynski Opus 18 (1929 ­ 2010) Allegro Andante molto Allegro molto Jacqueline Robins, flute Scherzo from Suite Opus 34 . . Charles­Marie Widor for Flute and Piano (1844­1937) Cara Natale, flute Chia­Kyou Mallinson, piano Flu te Fest for Flu te Trio .. James Christensen Four English Madrigals.. Strike it Up, Tabor Though Philomela Lost Her Love Since Robin Hood The Nightingale .. Thomas Weelkes (b. 1935) (1576­1623) Edited and Arranged by Jonathan G. Bayley .. arr. Ricky Lombardo Shenandoah for Flute Trio... (b. 1946) Circus March for Flute Trio... Sailors Work Song, Halliard Shanty... For Three Flutes “World Premiere .Ricky Lombardo (b. 1946) . . .  3 rr. by Jim Engebretson �eb­  ABOUT THE PERFORMERS ads THE BINGHAMTON UNIVERSITY FLUTE TRIO was founded in the  Fall  of  2012.  The  trio has  performed  both  on and  off campus including a  “First  Friday”  performance (Spring,  2013)  at  the  United Presbyterian Church, Binghamton, New York.  Each semester they are featured on the Flute Studio and Chamber Concert.  In the Fall (2013), the trio performed for the Binghamton University Scholars Luncheon at  the  home  of  President  Harvey  Stenger.  Most  recently,  the  trio performed  for  Binghamton  University  Day at  the Oakdale  Mall  and again  played  for  the  celebration  of  “First  Friday”  at  the  United Presbyterian Church,  Binghamton, New York.  A  future  performance this semester will be held at the Willow Point Nursing Home. JESSICA  BIAGIOTTI  is  a  sophomore  at  Binghamton  University, majoring  in  Integrative  Neuroscience  and  Music  Performance.  She graduated  from Smithtown  High School  East, Smithtown  New York, where she was  principal  flutist  of  the  High  School Orchestra  and  a member of the Tri­M Music Honor Society. As a member o f the Long Island  Flute Club, she  participated  in  Flute Competitions and  Flute Choir. Jessica completed all six levels in NYSSMA competition for both flute and  piano. She was selected  to take part in  the Suffolk County Music  Educators Association  Festival and  attended  the Crane  Youth Music Summer  Program  at  Potsdam  University.  Jessica  is  principal flutist  of  the  Binghamton University  Symphony  Orchestra  and has performed each semester in the Flute Studio and Chamber Concert. In the  Fall  semester,  she  participated  in  the  Binghamton  University Concerto Competition. As a music student, she has performed for the Woodwind  Performance  Classes and  Mid­day Concerts.  On  May 9, 2014, Jessica and Jacqueline Robins will solo with the University String Orchestra.  They  will  perform  Concerto  for  Two  Flam  by  Domenico Cimarosa.  Jessica is a member of the flute studio of Georgetta Maiolo and Mu Phi Epsilon, professional music fraternity. CARA NATALE is a sophomore in. Harper College and is majoring in Psychology with a minor in Education.  She has been involved playing piccolo with the Binghamton University Wind Symphony and playing flute and alto flute with the Binghamton University Flute Trio since her first semester in the Fall of 2012. Cara is involved in multiple aspects of campus life outside of the Music Department as a Resident Assistant in the Newing College, a member of the University Scholars  Program, a former Orientation Advisor, and currently serves as an intern under the supervision  of  President  Harvey Stenger  on  the  Road  Map  Project. When she isn’t running between a  ton  of meetings, rehearsals, and classes,  Cara  enjoys  hanging  out  with  her  friends,  baking,  reading, watching cheesy romantic comedies, and spending far too many hours on  the  internet.  She  is  a  member  of  the flute studio  of  Georgetta Maiolo. JACQUELINE ROBINS is a sophomore Music Major at Binghamton University.  In  addition  to  her  music  classes,  she  is  taking  classes involving  requirements  for  premedical  studies.  Before  attending Binghamton University, she participated in numerous music programs, such  as  the  Queens  College  Preparatory  Studies  in  Music  Program (CPSM), the Skidmore Summer Flute Institute, and Usdan Center for Performing  Arts.  She  also  attended  a  performing arts  high  school, Frank Sinatra School of the Arts, in Queens, New York.  Jacqueline is principal flute in the Binghamton University Wind Symphony and has performed  in  the Flute Studio and Chamber Concert  each semester. This past semester, she  participated  in  the Concerto Competition  at Binghamton  University  and  performed  on  the  Mid­Day  Concert. Jacqueline  and  Jessia  Biagiotti  will  solo  with  the  University  String Orchestra  on  May  9,  2014,  performing  Concerto  for  Two  Flutes  by Domenico Cimarosa.  She is a member of the flute studio of Georgetta Maiolo. �CHAI­KYOU  MALLINSON,  piano,  currently  on  the  faculty  of  the Department of Music at Bingha mton University, received a B. M . degree in Piano  from  Julliard,  Licence  d’Enseignement  from  Ecole  Normale  de Musique de  Paris, France and a M.A. degree from Binghamton University. Her teachers include Jean Casadesus, Jean­Michel Damase, Jules Gentil and Alton Jones. She also performed in master classes by Robert Casadesus. A prize winner in the Korean National Music Competition, she was awarded the  French  Government  Scholarship,  Tanglewood Summer  School Full Scholarship  and  the  Fontainebleau  American  Conservatory  Full Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been active  as  a  recitalist,  vocal  coach,  accompanist.  and  chamber  music performer,  as  well  as  an  active  adjudicator  of  piano  auditions  and competitions.  She  is  a  member  of  the  Southern  Tier Music  Teachers Association and Music Teachers National Association, and on the board of judges  for  the  National  Guild  of  Piano  Teachers  Association. She  has premiered compositions of many contemporary composers.  Among many concerts  she  performed,  three  were  sponsored  by  the  New  York  State Council  on  Arts.  She  appeared  in  a  performance  with  the  Seoul Philharmonic Orchestra, which  Eumag  Choonchu, one  of Korea’s most respected  music  magazines,  described  as  “of  rare  quality,  moving  and lyrical.”  She was  awarded  an  Individual Artist Award  2008­2009  by  the Broome County (NY) Arts Council.  She was awarded Chapin Fund Grant for 2012 by the Music Teachers National Association. RICHARD HUGUNINE began his professional music career in his teens as a church  organist.  From 1972  to 1984,  he excelled as a provider of improvisatory piano music for ballet classes.  He was Assistant Director of Music  at  the  National Academy  of  Ballet  in  Champaign,  Illinois,  class pianist  and  personal  pianist  for  Patricia  Wilde  at  the American  Ballet Theatre, class pianist, Music Di rector, stage coordinator and Composer in Residence at Ballet Binghamton, lead class pianist at the National School of Ballet in Washington, D.C. and on­call ballet pianist at the Kennedy Center for the Performing Arts in Washington, D.C. After a second, 20­year career as a consultant in  the automation of corporate administrative processes, including  11  years  as  Vice  President  of  Process  and  Technology  at Cambridge  Realty Capitol  Companies,  Richard  retu rned  to  Binghamton University in 2011 to complete his B.A. in composition, gradua ting Magna Cum Laude in May, 2012.  He is currently working on his  Master of Music degree in Composition at Binghamton University. �Bingha m ton U niversi ty  Depa rtmen t of Music Coming Events a w w w w w w w w w w w m Saturday, April  5 – Junior R ecital: Christina Santa Maria, soprano and Cole Tornbezg, tenor­ 8:00 p.m. – Casadesus Recital Hall – free Sunday,  April  6  ­  Faculty Recital: Alicbael Salmirs, piano –  3:00  p.m.  – Anderson  Center  Chamber  Hall  –  $10  general  public;  $ 7  faculty/staff/seniors;  $5 students Tuesday, April 8 – String Fever (String Classes and Studio String Recital) – 8:00 p.m. – Casadesus Recital Hall – free Thursday, April  1 0  ­  Jazz Mid­Day Concert with guest artist ­  1:20 p.m.  ­ Osterhout Concert Theater –  free Thursday, April  10 – H arpur Jazz Ense mble Concert with gues t artist Marko Marcinli’o ­  8:00 p.m. ­  Osterhout Concert Theater ­  $ 7 general public; $5 faculty/ s taff/ seniors; free for students Thursday, April 2   4, [Mid­Day Concert –  1:20 p.m. – Casadesus Recital Hall – free Saturday, April 2   6 ­  Senior R ecital: Ken’anna Krebuslzevsla; soprano ­ 8:00 p.m. – Casadesus Recital Hall – free Sunday, April 2   7 ­  Senior R ecital: Paul  Watrobski, cello ­  1 :00 p..m. – Casadesus Recital Hall – free Sunday, April 2  7  – University Chorus and Wind Symphony Concert: An American M usic  Cele bration – 3:00 p.m. – Osterhout Concert Theater ­ $10 general public; $ 7 faculty/staff/seniors; $5 for students Sunday, April 2 7 ­   Master’s Recital.­ Seongliyang Kim , piano – 7:30 p.m. ­ Casadesus Recital Hall ­ free e w e ­ a w w b e w me ­ e M M e ­ a e a [ = ]   .  — E For  tickets or  to  be  added  to  our email  list, visit  anderson.binghamton.edu or  call (  607)  777­AR73.  For  a complete  list  of  our  concerts  call  (60 7) 7 7 7­2592, visit music.binghamton.edu or become a fan on Facebook. If  you  were  inspired  by  this  performance, consider  supporting  the  Department  of Music with a financial gift. Your  support  helps  to  continue  the  work  of  students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000, Binghamzon, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47:28:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75031">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75031</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Flute Trio concert, April 5, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Brown, Hugunine, Burton, Muczynski, Windor, Christensen, Weelkes, Lomabardo. Held at 3:00 p.m., April 5, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Binghamton University Flute Trio Biagiotti, Jessica Natale, Cara Robins, Jackie Mallinson, Chai-Kyou Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Brown, Rayner Hugunine, Richard Burton, Eldin Muczynski, Robert, 1929-2010 Widor, Charles-Marie, 1844-1937 Christensen, James Weelkes, Thomas, approximately 1575-1623 Lomabardo, Ricky Date A point or period of time associated with an event in the lifecycle of the resource 4/5/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound