85 10 1775 https://omeka.binghamton.edu/omeka/files/original/3963b10147fc8cca5bb3ba13633c3cbd.pdf b5992e7856aa4dda354c1a9439d1bba5 PDF Text Text State University of New York at Binghamton Harpur College The Department of Music THE HARPUR CHORALE Sunday, November 21, 1971, 4:00 P.M. The University Union �PROGRAM NACH DIR, HERR, VERLANGET MICH ( Canta ta 150) Diane Krasin ski, Sopran o Solo 1. 2. 3. 4. 5. 6. 7. J.S. Bach (1685- 1750) FREOOME - FREEDOM Sinfon ia Chorus Aria Chorus Trio Chorus Chorus Elliot Carter (b 1908- ) Coleri dge-Ta ylor Perkin son (b. 1936- ) Eugen ia Falins ki, Contr alto Solo Barba ra Savage , Piano Rober t Kolbe r, Bass Joseph Roma, Drums Instru menta lists PSALM THIRTEEN (premi ère) Karl Korte (b-192 8) For mixed chorus with synthe sized and proces sed sound Gregor y Matthe ws, Tape Opera tor MAGNI FI CAT For mixed chorus a cappe lla Sergei Rachm aninof f (1873- 1943) MY LORD WHAT A MORNIN' Harry Burlei gh (1866- 1949) EVERY TIME I FEEL THE SPIRIT Philip Wu Willia m Dawson (b 1901- ) Intermission THE CREATION THE HARMONY OF MORNING For Women's Chorus Woodwind Quint et, Piano and String s (A Rock Canta ta) Beverl y Penn, Sopran o Solo Terry Harte r, Richar d Toulso n, Tenors Barbar a Wild, Piano Eric Lench ner, Guitar Robert Taffe t, Bass Guitar Joseph Roma, Drums Violin s Eric Lewis , Rober t Rosek, Andrea Andros John McLeod, Joanna Jenne r, Mary Barton Violas Andrew Berda hl, Patric ia Foley, Edward Petten gill Celli Judith Glyde, Frede rick Raimi Bass Micha el Sande rs Flute Valeri e Vasto la Oboe Dan Cross David Bobro witz and Stephe n Porter Clarin et Sheldo n Berkow itz Bassoo n Carol Shapir o French Horn Janice DeWolfe Piano Claire Howard �THE HARPUR CHORALE David L. Buttolph, Director Fred Thayer, Graduate Assistant The Women's Chorus Maria Bartolotto Linda Finn Carol Flamm Diane Krasinski Beverly Penn Doryce Penn Alice Weintraub Carol Weir Jill Borenstein Ellie Chiccarelli Kathy Denmark Eugenia Falinski Linda Lockwood She rri Strichman Maria Theodore Linda Uhly Susan Winnett Joan Appleton Ka ren Fung Carol Gill Sue Ho ffmeis t e r Allison Jameson Debbie Kanter Nancy Lazeski Ann Marsland Barbara Savage Janet Stecher Barbara Wild Stacie Williams The Men's Chorus John Evans Terry Harter Mike Kass Nino Lama Fritz Rath Richard Toulson Marc Berman Tim Dungan Leon Fried Gregory Gibbs Keith Gorham Bob Halliday Bob Kendall Mitchel Mendelson Russell Senti James Elniski Jon Krieger Gary Levine Ira Miller Ken Morgan Bruce Sabecek Philip Wu Officers Nino Lama . . Gary Levine. Barbara Wild James Elniski. Susan Winnett. Carol Weir . . Allison Jameson . Richard Toulson. Janet Stecher. . President V.P. of Men's Chorus V.P . of Women's Chorus Secretary of Men's Chorus Secretary of Women's Chorus Treasurer Librarian Wardrobe Tour Manager Next Choral Concert The Harpur Men's Chorus and The Oneonta State University Women' s Chorus in a combined concert: Sunday, December 5, 1971, 4:00 P.M. in the University Union. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:29:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63550 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63550">Harpur Chorale Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Chorale Concert, November 21, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Bach, Korte, Rachmaninoff, Burleigh, Dawson, Perkinson, and Carter. Held at 4:00 pm, November21, 1971 at University Union Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-11-21 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bach, Johann Sebastian, 1685-1750 Korte, Karl, 1928- Rachmaninoff, Sergei , 1873-1943 Burleigh, Harry, 1866-1949 Carter, Elliott, 1908-2012 Perkinson, Coleridge-Taylor Dawson, William L. (William Levi), 1899-1990 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 3909102007374 39091020073684 39091020073635 https://omeka.binghamton.edu/omeka/files/original/03885f3082e937d6cff606360b088994.pdf 3de9771ad1a9c3c4f84d8546d6a9e12e PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents ************************ * * * THE HARPUR COLLEGE SYMPHONY ORCHESTRA * * * conducted by * * * * Stefan Bauer-Mengelberg * * * * * * ************************ Thursday December 2, 1971 8:15 p.m. Don A. Watters Theater �**************** * * * WOLFGANG AMADEUS MOZART * * * (1756-1 791) * * * * **************** Concer to in C Major, for Oboe and Orches tra, K. 314 This Concer t is dedica ted to the memory of William J. Mitche ll, 1906-19 71. Mr. Mitche ll came to State Univer sity of New York at Bingham ton as a DISTINGUISHED PROFESSOR OF MUSIC from Columb ia Univer sity in 1968. Intern ationa lly renowne d as a schola r and teache r, he made an immeas urable and unforg ettable contrib ution to our univer sity and community during his last three years. Colleag ues, studen ts and friends revere the memory of this wonder ful being. Allegro aperto Adagio non troppo Rondo: Allegr etto Ronald Rosema n, solois t Eine kleine Nachtm usik, in G major, for String s, K. 525 Allegro Romanze: Andante Menuet to: Allegr etto Rondo: Allegro INTERMISSION Concer to No. 27, in B-flat major, for Piano and Orches tra, K. 595 Allegro Larghe tto Allegro Jean Casade sus, solois t �THE HARPUR COLLEGE SYMPHONY ORCHESTRA VIOLIN Eric Lewis, Concertmast er John McLeod, Principal, Second Violins Andrea Andros Mary Barton Alice Click Browning Cramer Diane Feigin Paul Friedman Joanne Jenner Andrew Jennings Arthur Mannis Oscar Maxwell Daniel Mowery Robert Rozek Mark Sokol Martha Strassberge r Michael Sturm Joan Tanenhaus Debra Tanklow Lydia Werbizky VIOLA Andrew Berdahl,Pri ncipal Peggy Acker Zelman Bokser Pat Foley John Kochanowsky Carolyn Lohman Joyce Stetzl Willy Sucre Orchestra Manager: CELLO Judith Glyde, Principal Rachel Abbey Miriam Diamond Norman Fischer Sarah Hartshorne Carolyn McIntosh Timothy Perry Jennifer Rae Fred Raime BASS Robert Keith Kolber, Principal Michael Sanders Robert Scott Taffet FLUTE Betsy Ross OBOE Stan Moshman Dorian J. Schwartz BASSOON Carol Shapiro Douglas Epstein FRENCH HORN Janice DeWolf Cindy Weldon Browning Cramer � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:13:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63555 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63555">Harpur College Symphony Orchestra</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Symphony Orchestra, December 2, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart. Held at 8:15 pm, December 2, 1971, Watters Theater Creator An entity primarily responsible for making the resource Harpur College Symphony Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-2 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073296 39091020073247 https://omeka.binghamton.edu/omeka/files/original/af4ee52cd9d964b0bf2a60910a5b3297.pdf e9d41d7334bb75c182a9425ccf3fda42 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents LENOX QUARTET David Montgomery, piano guest artist Sat., Dec. 4, 1971 - 8:15 Watters Theater PROGRAM Quartet in F major, K. 590 Allegro moderato Allegretto Menuetto (Allegretto) Allegro Mozart Quartet no. 2 (1917) Moderato Allegro molto capriccioso Lento Bartok INTERMISSION Quintet in þÿE&m for Piano and Strings, Op.44 Allegro Brilliante Marche funebre Scherzo Finale. Allegro Schumann � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:41:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63559 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63559"> Recital Lenox String Quartet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet Recital, December 4, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Bartok, Schumann. Held at 8:15 pm, Dec. 4, 1971, Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-4 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Bartok, Bela, 1881-1945 Schumann, Robert, 1810-1856 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073445 39091020073395 39091020073346 https://omeka.binghamton.edu/omeka/files/original/9e0c6ccb30559aa8a8838d9c82d86040.pdf f40713ff0438fb50341ba215a96974fc PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents Th e Manh a t t an String Quartet F r i . , Dec“ 1 0 , 1971 – 8 : 1 5 Re c i t a l Ha l l Eric Lewis, violin John Mcleod, violin Andre w Berdahl, viola Judith Glyde, cello �PROGRAM Bee thoven (17 70– 1827) Quar te t Op . 1 8 , No . 3 A l le g ro Andan te con mot o A l le g ro P res to Kirchner Quar te t No. 3 f o r S t r ings and E lec t ronic t ape The f o l low ing re mar ks are by the compose r: Qua r te t No . 3 f o r S t r ings and E lec t r i c Tape ( 1967) Leon Kirchner (b . 19 19 ) INTERMISSION Quar te t No . 4 (1928) A l le g ro P res t iss imo , con so rd ino Non t roppo len t o A l le g re t t o p i zz ica to A l le g ro Mol t o “Bef ore beg inning my Th i rd S t r ing Quar te t I gave cons ide rab le thou gh t to the par t icular at t r ibu tes of e lec t ronic mus i c . The e lec t ronic med ium i s f requen t ly spoken o f as being absol u te ly un l imi ted in poss ib i l i t y . In gene ral , I wou ld say that mus i c has g ained new ins i gh ts f rom the man ipu la t ions of e lec– t ron i c sounds , but the supposed l ac k of l i mi t a t i on i s rea l ly qu i te decep t ive . Theo re t i ca l ly , i t wou l d seem to be un l i mi t ed , and yet I th ink t h is i s the area wh i ch i s mos t p roble ma t ic - and w i t h compu te rs , even more so . By a th i rd , i f not second , per f or mance o f even an exe mplary e lec t ronic p iece , one deve lops a ce r tain l is tene r ’ s f at ig ue . . . i t could be bored om. The re i s no ‘ ch a rac te r is t i c l i mi t ’ o r ins t an t accommoda t ion t o a b r i l l i an t wh i m Bar tok (1881– 1945) THE MANHATTAN QUARTET i s i n res idence at Co rne l l U n i ve rs i t y and w i t h the Young A r t is t s P rog ra m i n Chamber Mus i c a t SUNY /Bingh a mt on . or ‘acc iden t . ’ The s ub t le mani f es t a t ions that are sub jec t to h uman con t rol i n the great per f or mer ha ve l i t t le or no l i f e at a l l i n the e lec t ronic med ium. “ More interes t ing to me are combinat ions of ins t ruments wi th elec t ronic sounds and ﬁ l t e rs . The ins t rumen t al qual i t ies are then somehow reﬂe c t ed , extended and en larged . ‘ Human involve men t ’ is , of course , essen t ial , f or the proble ms of compos i t ion re main the p r imary f ac tors . My Th i rd Quarte t was w r i t ten w i t h a l l o f t h is i n mi nd . I se t out to produce a mean ing f u l con– f ron t a t ion be tween ‘ new ’ e le c t ron i c sounds and those o f t he t r ad i t i ona l s t r ing quartet - a k ind of d ialog ue-idea i n wh i ch the e lec t ronics are qu i te in te g ra l . “There i s a g reat dea l of t alk these days about systems analys is , de te rmina t ion o f ru les , and so f or th , but the ac t of tot al involve men t , o f phys ical and sp i r i t ua l p lay , see ms t o be f o rgot ten . Ru les are va l uab le , and , w i t h proper unders tand ing , we can cons t ruc t mode ls f rom wh i ch inval uab le inf or– ma t ion may be inf e r red . Howeve r , the adequacy of a ru le i s en t i re ly dependent upon h igh ly reﬁned and sens i t ive observat ion , and , g iven an adequate rule , we mus t also unde rs tand that the va r iab les (a mos t produc t ive area) are d i ﬀ i c u l t to ‘ cove r . ’ When we g rasp a f ac t by desc r ib ing i t , the re i s no reason to ass ume that we ha ve unde rs tood the t ot al phenomenon . One o f the na i ve assump t ions i n the cons t ruc t ion of computer mus ic , f or ins t ance , i s that i f one programs the parameters (durat ion , dens i t y , p i tch , e t c . , e t c . , ) mus i c should resul t . Gran ted compe tence i n techniques , i t i s the i r us e that i s essen t ial - and the i r ar t is t ic use depends on the vas t and tot al me mory bank of the h uman mind . In th is sense , though the e lec t ronic sounds i n my Quar te t t ook f ou r days t o w r i t e , t he no tes t ook f o r t y y ea rs . “Nus ic i s an ar t , not a sc ience . The recent , almos t e xc l us ive invol ve – ment w i th the ‘ s ubs t an t ive ’ and the c raze f or ‘ ve r iﬁc a t ion ’ or ‘ caus al e xp lanat ion ’ seems to me to f oss i l i ze that art and make i t b lood less . Th is i s wha t I ’ ve always t r ied to a void . My Quar te t ilo. 3 i s not concerned w i t h sys te ms , ru les , p rocedures - o r tha t mons t ros i t y k nown as ‘ t o t a l c on t ro l . ’ I composed the wor k because o f sheer mus ical urge . I t was f un , and wh i le I composed i t I was ve ry conscious of the j oy of c reat ing mus i c . ” � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:17:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63564 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63564"> Manhattan String Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manhattan String Quartet Recital, December 10, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Kirchner, and Bartók. Held at 8:15 pm, Dec. 10, 1971, Recital Hall. Creator An entity primarily responsible for making the resource Manhattan String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-10 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Kirchner, Leon Bartók, Béla, 1881-1945 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073593 39091020073544 39091020073494 https://omeka.binghamton.edu/omeka/files/original/1c983d4682bb6689bec07ba4099da87c.pdf 3f6b1afb7413d26745294374053ffb57 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presen ts Cha r les Brewer, Harps ichord Sa t . , Dec . 11, – 1 9 71 – 8 : 1 5 Rec i t a l Ha l l �PROGRAM Ga l l ia rd Anon. (The Mul l ine r Book ca. 1555) Pavane Louis Couperin , ca . 1626– 1661 (Pa rvi l le MS) Four p ieces f rom the “ In tabola tura Nova D i Ba l l i ” (Ven ice, 1551) Pass ’ e mezo nouvo (I , I I , I I I ) Sa l ta re l lo d e l Re Pavana ‘ F us i ’ Moneghima Gag l ia rda Pavana Lachrymae John Dowland , 1562– 1626 set by W i l l iam Byrd, 154 3– 1623 ( F i t zw i l l iam V i r g ina l Book, CXXI ) Suonata p r ima, ‘ Johann Kuhnau, 1660– 1 722 I l Comba t t imen to tra David e Go l ia t h (The F igh t be tween Dav id and Go l ia t h) (1) Go l ia t h ’ s s tamp ing and ran t ing (2) The t remb l ing of the Is rae l i t es , and thei r prayer to God a t the s ig h t of t h is horr id enemy (3) The s tead f as tness o f David , h is urge to crush the g ian t ’ s boas t f u l d eﬁan c e , and h is c h i l d l ike t rus t i n God ’s help (4) The cha l leng ing words exchang ed between David and Go l ia t h, and the ﬁ g h t i ts e l f , i n which the stone i s s lung in to Go l ia th ’ s forehead , by which he i s f e l led and even k i l led (5) The ﬂ i g h t of the P h i l is t ines , as we l l as how the Is rae l i t es chase them and s lay them by the sword (6) The re jo ic ing o f the Is rae l i t es a t t h is V ic tory (7) The concert to the g lo ry of David , performed by the women i n cho irs (8) And ﬁ n a l l y the general happ iness which shows i ts e l f i n an abundance of danc ing a f ro l ic king (S i x B ib l ic a l Sonatas f or Keyboard, 1 700) INTERMISSION In Nomine SpanyBle r Tancz Hopper dancz Doctor John B u l l , ca . 1562– 1628 ( F i t zw i l l iam V i r g ina l Book, XXXVII ) Hans Weck, ca. 1510 Four P ieces f rom the Keyboard P ub l ica t ions of P ie rre A t ta ingnan t , . 1 55 2 Chanson "Cel le q u i ma tan t pourmen e'– C laudin (Dixneu f dChansor Pavane, Ga i l la rde (Quatorze ga i l la rdes , neuf pa rmes . . . 1530) , 15 29) Chanson "Tant que vivray "– C laudin (V ing te t Cinq Chansons , . . . 1530) O Rosa Be l la John Duns tab le, ca . 1370– 1453 (Buxheim Organ Book, ca . 14 70) My Lady Cakeys Dompe Anon. (B r i t ish Museum, R . App . 5 8, ca . 15 1C Cen to P a r t i t e sopra Passaca g l i G i ro lamo Fresc oba ldi, 158 3– 164 3 (Toccate d ’ In t a ro la t u ra . . . , Lib ro P r imo, 16 37) Concerto Op . 3, No. 1 2 An ton io V i va l d i t ransc ribed f o r so lo Keyboard by J . S . Bach Harps ichords “ French", 2 manuals , 2 x 8' , 1x4!” “ I ta l ian " , 1 manua l, 2x8 ’ “ V i rg ina ls , 1 manua l, 1x8 ” W i l l i a m Dowd , 1 9 6 8 W i l l iam Dowd, 1968 Derwood Crocker , 1 965 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:27:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63569 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63569"> Charles Brewer, Harpsichord, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charles Brewer, Harpsichord, Recital, December 11, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Dowland, Kuhnau, Weck, Dunstable. Held at 8:15 pm, Dec. 11, 1971, Recital Hall. Creator An entity primarily responsible for making the resource Brewer, Charles Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-11 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Dowland, John, 1563-1626 Kuhnau, Johann, 1660-1722 Weck, Hans, 1495-1536 Dunstable, John, 1390-1453 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073742 39091020073692 39091020073643 https://omeka.binghamton.edu/omeka/files/original/b902af4d29edefbc1fc6b01ee94313d1.pdf 041c55b7d2f5516756981b49e61261a9 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents DANIEL FARINA, alto saxophone Barbara Garges, piano * ~Mon., Dec. 13, 1971 – 8:15 » Recital Hall PROGRAM Sonata for Alto Saxophone and Piano Andante Courante Adagio Presto Particles for Alto Saxophone and Piano. Allegro–Lento–Allegro moderato e barbaro–Andante–Allegro Sonata for Alto Saxophone and Piano Allegro Andante sostenuto Allegro agitato Eccles (arr. Rascher) Armand Russell Garland Anderson INTERMISSION DUO for Alto Saxophone and Piano(1964) Walter S. Hartley Siciliene for Alto Saxophone and Piano Pierre Lantier Sonata for Alto Saxophone and Piano Ruhig bewegt Lebhaft Sehr langsam Lebhaft Hindemith � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:08:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63574 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63574"> Daniel Farina, Alta Saxophone and Barbara Garges, Piano, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Farina, Alto Saxophone, and Barbara Garges, Piano, Recital, December 13, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Eccles, Russell, Anderson, Hartley and Hindemith. Held at 8:15 pm, Dec. 13, 1971, Recital Hall. Creator An entity primarily responsible for making the resource Farina, Daniel Garges, Barbara Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-13 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Eccles, John, 1668-1735 Russell, Armand, 1932- Anderson, Garland, 1933- Hartley, Walter, 1927-2016 Hindemith, Paul, 1895-1963 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073254 39091020073791 https://omeka.binghamton.edu/omeka/files/original/9e2004e9312ab52814acfc68a6c46348.pdf 4de540abfa062a235dc684c9e69aa7c7 PDF Text Text The U niversity Chorus State U niversity of N e w Y ork a t B ingham ton * *% * % D a v i d B u t t o l p h , c onduc tor Iessial by Beory Friedrich Fyimdel Sunday, De ce m be r 19, 19 71 4:00 p.m . �Isaiah XL:1 Isaiah XL:2 Isaiah XL:3 Isaiah XL:4 ARIOSO FOR TENO™ Comfort ye, comfort ye my people, saith your God. Speak ye comfortably to Jerusalem, and cry u i her, that her warfare is accomplished, that her iniquity is pardoned:. . . The voice of him that crieth in the wilderness, Prepare ye the way of the Lord, make straight in the desert a highway for our God. AIR FOR TENOR Every valley shall be exalted, and every mountain and hill. . .made lowz. . .the crooked. . straight, and the rough places plain: Isaiah XL:5 Haggail CHORUS And the glory of the Lord shallbe revealed, and all ﬂesh shall see it together: for the mouth of the Lord hath spoken it. ACCOMPANIED RECITATIVE FOR BASS ...thus saith the Lord of hosts; Yetet ononce,. . .a little while, and I will shake the heavens, and the earth,. . .the sea,and the dry land ; Haggai 11:7 Malachi III: 1 Malachi I11:2 Andlwillsh akeallnations, andthedesi reofall nations shall come:. . . . . .t he Lord, whom ye seek, shall suddenly come to his temple, even the messenger of the covenant, whom ye delight in: behold, he shall come, saith the Lord of hosts. AIR FOR CONTRALTO But who may abide the day of his coming? And who shall stand when he appeareth? Forhe is like a reﬁner’s ﬁre,. . . CHORUS Malachi I I I : . . .and he shall purify thesonsof Levi . .that they may oﬀer unto the Lord an oﬀering in righteousness. 1 Isaiah V I I :4 RECITATIVE FOR CONTRALTO . . Behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel, “God-with-us.” �o La a I Isaiah XL ."9 Isaiah L X : 1 Isaiah L X :2 Isaiah L X :3 Isaiah 1X:2 Isaiah IX :6 A I R F O R CONTRALTO A N D CHORUS O thou that tellest good tidings to Zion, get thee up into the high mountain ; O thou that tellest good tidings to Jerusalem, lift up thy voice with st rength ; li ft it up, be not afraid ; say un to the cities l Luke Il: 13 of Judah, Behold your God! A rise, shine ; for thy light is come, and the glory of the Lord is risen upon thee. ARIOSO FOR BASS For, behold,. . .darkness shall cover the earth, and gross darkness the people : but the Lord shall arise upon thee, and His glory shall be seen upon thee. And the Gentiles shall come to thy light, and kings to the brightness of thy rising. Luke Il:11 Luke II:14 ; Zechariah IX .‘9 Zechariah I1X:10 AIR FOR BASS The people that walked in the darkness have seen a great light : and they that dwell in the land of the shadow of death, upon them hath the light shined. Isaiah XXX V :5 Isaiah XXX V.'6 CHORUS For unto us a child is born, unto us a son is given : and the government shall be upon his shoulder : and his name shall be called Wonderful, Counsellor, The Mighty God, The Everlasting Father, The Prince of Peace. Isaiah XL .' I 1 PIFA (Pastoral Sy mphony) Luke I I : Luke I1:9 RECITATIVE FOR SOPRANO . . .there were. . .shepherds abiding in the ﬁeld, keeping watch over their ﬂock by night. Matthew XI:28 Matthew XI:29 ARIOSO FOR SOPRANO And, lo, the angel of the Lord came upon them, and the glory o f the Lord shone round about them : and they were sore afraid. Luke II: 10 a Matthew XI:30 For unto you is born this day in the city of David a Saviour, which is Christ the Lord. ARIOSO FOR SOPRANO And suddenly there was with the angel a multitude of the heavenly host praising God, and saying, CHORUS Glory to God in the highest, and peace on earth, good will towards men. AIR FOR SOPRANO Rejoice greatly, O daughter of Zion ; shout, O daughter of Jerusalem ; behold, thy King cometh unto thee : he is the righteous Saviour,. . . . . .and he shall speak peace unto the heathen :. . . RECITATIVE FOR CONTRALTO Then shall the eyes of the blind be opened, and the ears of the deaf. . .unstopped. Then shall the lame man leap as a hart, and the tongue of the dumb shall sing:. . . AIR FOR CONTRALTO He shall feed his ﬂock like a shepherd : and he shall gather the lambs with his arm, and carry them in his bosom, and . . .gen tly lead those that are with young. AIR FOR SOPRANO Come unto Him, all ye that labour and are heavy laden, and He will give you rest. Take His yoke upon you, and learn of Him, for He is meek and lowly of heart : and ye shall ﬁnd rest unto your souls. CHORUS . . .His yoke is easy, and His burthen is light. Part 2 RECITATIVE FOR SOPRANO And the angel said unto them, Fear not : for behold, 1 bring you good tidings of great joy, which shall be to all people. John I :29 l CHORUS . . .Behold, the Lamb of God, that taketh away the sin of the world!. . . �D Isaiah LIII :3 Isaiah L II .'4 Isaiah L III :5 Isaiah Llll:6 Psalm XXII'. 7 Psalm X X I]'. 8 Psalm L X IX .'20 Lamen rations 1 : 1 2 A I R FOR CONTRA LTO He was despised and rejected of men ; a man of sorrows, and acquainte d with grief:. . . CHORUS Surely he hath borne our griefs, and carried our SOITOWS:. . . . . .he was wounded for our transgressions he was bruised for our iniquities : the chastisem ent of our peace was upon him ; And with his stripes we are healed. All we like sheep have gone astray ; we have turned every one to his own way ; and the Lord hath laid on him the iniquity of us all. Psalm XXIV:8 Psalm XXIV :19 Psalm XXIV :10 !d Psalm X VI :10 Psalm XXI V: 7 Romans X:15 ARIOSO FOR TENOR All they that see him laugh him to scorn : they shoot out their lips, and shake their heads, saying, Romans X:18 CHORUS He trusted in God that he would deliver him : let, him deliver him, if he delight in him . Psalm II : I ACCOMP ANIED RECITAT IVE FOR TENOR Thy rebuke hath broken his heart ; he is full of heaviness : he looked for some to have pity on him , but there was no man, neither found he any to comfort him. ARIOSO FOR TENOR . . .Behold, and see if there be any sorrow like Psalm II: 2 CHORUS The Lord gave the word : great was the company of the preachers. AIR FOR SOPRAN O . . .How beautiful are the feet of them that preach the gospel of peace, and bring glad tidings of good things. CHORUS . .their sound is gone out unto all lands, and their words unto the ends of the world. ACCOMP ANIED RECITAT IVE FOR BASS Why do the nations so furiously rage together, . . . why do the people imagine a vain thing? The kings of the earth rise up, and the rulers take counsel together, against the Lord, and against his anointed, . . . Psalm II: 3 CHORUS Let us break their bonds asunder, and cast away their yokes from us. Psalm II : 4 AIR FOR SOPRAN O But thou didst not leave his soul in hell ; nor didst thou suﬀe r thy Holy One to see corruption. RECITATIVE FOR TENOR He that dwelleth in heaven shall laugh them to scorn : the Lord shall have them in derision. Psalm II: 9 CHORUS Lift up your heads, O ye gates ; and be ye lift up, ye everlasting doors ; and the King of glory shall AIR FOR TENOR Thou shalt break them with a rod of iron ; thou shalt dash them in pieces like a potter’s vessel. Revelation XIX: 6 CHORUS Hallelujah : reigneth. i unto his sorrow,. . . Isaiah L II .'8 Psalm L X VIII :11 Who is this King of glory? The Lord strong an ;mighty, the Lord mighty in battle. Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of glory shall come in. Who is this King of glory? The Lord of hosts, he is the King of glory. ACCOMP ANIED RECITAT IVE FOR SOPRAN O . . .he was cut oﬀ out of the land of the living: for the transgression of thy people was he stricken. come in. E ] ) l for the Lord God omnipotent �CHORUS . . . Worthy is the Lamb that was slain and hath redeemed us to God by His blood to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing. . . . Blessing, and honour, . . . glory, and power, be unto Him that sitteth upon the throne, and unto the Lamb for ever and ever. Revelation V : 12 Revelation XI : 15 Revelation XIX: 16 . . . The kingdom of this world is become the kingdom of our Lord, and of his son Christ ; and he shall reign for ever and ever. . . . King of Kings, and Lord of Lords. Revelation V : 13 Part 3 AMEN. E Job XIX: 25 Job XIX: 26 I Corinthians X V : 20 I Corinthians XV: 21 I Corinthians X V : 22 I Corinthians X V : 51 I Corinthians XV: 52 AIR FOR SOPRANO . . . I know that my redeemer liveth, and that he shall stand at the latter day upon the earth : And though . . . worms destroy this body, yet in my ﬂesh shall I see God. For now is Christ risen from the dead, . . . the ﬁrst fruits of them that sleep. : l TIMPANI Joseph A. Roma, Jr. last trumpet. I Corinthians X V : 54 RECITATIVE FOR CONTRALTO . . . then shall be brought to pass the saying that is w ritten, Death is swallowed up in victory. I Corinthians X V : 55 I Corinthians XV: 56 I Corinthians X V : 5 7 DUET FOR CONTRALTO AND TENOR O death, where is thy sting? O grave, where is thy victory? The sting of death is sin ; and the strength of sin is the law. CHORUS But thanks be to God, who giveth us the victory through our Lord Jesus Christ. OBOE Dan Cross Stan Moshman Dorian J. Schwartz Patricia Thayer BASSON Carol Shapiro Douglas Epstein Thomas Closser TRUMPET Robert E. Lindstrom Dave Hibbard ACCOMPANIED RECITATIVE FOR BASS Behold, I tell you a m ystery ; We shall not all sleep, but we shall all be changed, In a moment, in the twinkling of an eye at the I Corin thians X V : 52 — — — — — — — " TT. ORCHESTRA CHORUS . . . since by man came death, by man also the resurrection of the dead. For as in Adam all die, even so in Christ shall all be made alive. AIR FOR BASS . . the trumpet shall sound and the dead shall be raised incorruptible, and we shall be changed. E BASS Robert Keith Kolber Michael Sanders Robert Scott Taﬀet Richard Thomas !1 i C HARPSICHORD Charles Brewer CELLO Judith Glyde, Principal Rachel Abbey Miriam Diamond Norman Fischer Sarah Hartshorne Carolyn McIntosh Timothy Perry Jennifer Rae Fred Raime — E Y , PERSONNEL VIOLIN E ric Lewis, Concertmastcr John McLeod, Principal, second Andrea Andros Mary Barton William Bergman Alice Click Browing Cramer Diane Fcigin Paul Fried man Paul Goodman Joanne Jenner Andrew Jennings Ar thur Mannis Oscar Maxwell Daniel Mowery Robert Rozek Mark Sokol Martha Strassberger Michael Sturm Joan Tanenhaus Debra Tanklow Lydia Werbizk y VIOLA Andrew Berdahl, Principal Peggy Acker Zelman Bokser Pat Foley John Kochanowsk y Carolyn Lohman Joyce Stetzl Willy Sucre ORGAN Barbara Garges O D E T r S a �UNIVERSITY CHORUS Sopranos Susan Ball Elvira Chiccarelli Kathleen Crowe Katherine Denmark Susan Dershin Lois Fischthal Janet Hill Grace Houghton Joan Januszkiewicz Janet Johnson Ursula Raeth Regina Sablauskas Christa Schaeﬀer Esther Sterling Sherri Strichman Maria Theodore Mary F. Thompson Linda Uhly Louise Ulrich Alice Weintraub Marcia Wellwarth Nadene Willcox Contraltos Joan Appleton Sally Baron Adele Bass Kathryn Bassin Jill Borenstein Cara Brownell Cheryl Brozost Clara Budin Janet Cahn Nancy Carlson Lee Discesare Jeanne Falinski Anna Fontana Karen Fung Sharon Gelfand Carol Gill Allison Jameson Kathy Kadish Debbie Kanter ———— Debbie LaSalle Claudia Lee Doris Lockwood Linda Lockwood Ann Marsland Dorothy McKensie Sandra Menter Rita Orzelek Diana Paﬀrath Nicki Pokowitz Barbara Savage Jane Shear Anna Sperr Connie Sterling Shirley Tan Stacie Williams Susan Winnett Grace Wu Jacquelyn Zinman A t t s i . Basses Tenors Peter Bellmio Kevin Bertolino Zack Bowen Anthony Colle Jeﬀrey Dershin John Evans Philip Gottlieb Michael Kass Nino Lama Mitchel Mendelson John Mulhern Larry Pepper Fritz Rath Dick Toulson Richard Axt John Belniak David Crowe Richard Fried Robert Kendall Mitchell Medina Kenneth Morgan John Niessen Roger Norton Malcolm Ottaway Craig Russell Evan Segal Bernard Sheredy Fred Silverman Roger Stein James Vivyan Keith Willcox Phillip Wu Larry Zukof J u d y Grosh , Rehearsal A Accompanist Ee EEEE——————————————— �v 4 n � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:08:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63578 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63578">The University Chorus Presents Messiah by Georg Friedrich Handel</a><a> </a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The University Chorus Presents Messiah by Georg Friedrich Handel Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Worlds of Handel. Held at 4:00 pm, December 19, 1971. Creator An entity primarily responsible for making the resource University Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-19 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Handel, Georg Friedrich, 1685-1759 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073452 39091020073403 39091020073353 39091020073304 https://omeka.binghamton.edu/omeka/files/original/916efb761c73c1d8ab13de9712f842aa.pdf 2f777df97a9d82a11979e1987e732bd1 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents NEW YORK WOODWIND QUINTET Thomas Nyfenger, flute Ronald Roseman, oboe David Glazer, clarinet Arthur Weisberg, bassoon Ralph Froelich, horn Sun., Jan.9, 1972 - 8:15 Don A. Watters Theater �PROGRAM Qui ntet in þÿB&Op,5 m, 6, no. 1 Alle gret to And ante con moto Men uett Alle gro Qua rtet in C maj or for Woodwinds Alle gro mod erat o And ante Alle gro viva ce e legg erm ente Fran z Dan zi Arth ur Berg er INTERMISSION Woodwind Qui ntet No.2 Alle gret to Ada gio Alle gro viva ce Qui ntet Op.4 3 Alle gro ben mod erat o Men uet Prae ludi um - Tema con vari azio ni John Less ard Car l Nie lsen � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 22:18 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63584 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63584">New York Woodwind Quintet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet, January 9, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Danzi, Hindemith, Mozart, Beethoven and Ibert. Held at 8:15 pm, Jan. 9, 1972, Don A. Watters Theater. Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-1-9 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Danzi, Franz, 1763-1826 Hindemith, Paul, 1895-1963 Mozart, Wolfgang Amadeus, 1756-1791 Beethoven, Ludwig van, 1770-1827 Ibert, Jacques, 1890-1962 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096545 39091020096594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 22:23 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63588 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63588"> Klenz Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Klenz Quartet Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Creator An entity primarily responsible for making the resource Klenz Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-1-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096289 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:19:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63591 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63591"> Students of William Lockwood Studio Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Students of William Lockwood Studio Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Balay, Bozza, Hubeau. Held at 8:15 pm, February 11, 1972, Recital Hall. Creator An entity primarily responsible for making the resource Lockwood, William Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-2-11 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Balay, Guillaume, 1871-1942 Bozza, Eugène, 1905-1991 Hubeau, Jean, 1917-1992 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096339