<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://omeka.binghamton.edu/omeka/items?output=omeka-xml&amp;page=86&amp;sort_field=Dublin+Core%2CDate" accessDate="2026-04-25T22:45:39-04:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>86</pageNumber>
      <perPage>10</perPage>
      <totalResults>1775</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="888" public="1" featured="0">
    <fileContainer>
      <file fileId="5687" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/ac183043a0a70487c674787765aa9449.jpg</src>
        <authentication>652b25f161722e269d870e640a6484af</authentication>
      </file>
      <file fileId="3222" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/9f6fb06c0c1f42e05dd4c4b54fcb4abe.mp3</src>
        <authentication>b81d237ba176d76e899de5186968a79b</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12248">
              <text>1997-07-25</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="12249">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="12250">
              <text>Steve Gunderson, 1951-</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12251">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12252">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Steve Gunderson is the former President and CEO of the Council on Foundations as well as the former Republican congressman from Wisconsin. Gunderson is currently President and CEO of the Association of Private Sector Colleges and Universities. After graduating from the University of Wisconsin–Madison, Gunderson went on to train at the Brown School of Broadcasting in Minneapolis.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:4487,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:[null,2,5099745],&amp;quot;5&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;10&amp;quot;:2,&amp;quot;11&amp;quot;:4,&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;}"&gt;Steve Gunderson is the former President and CEO of the Council on Foundations as well as the former Republican congressman from Wisconsin. Gunderson is currently President and CEO of the Association of Private Sector Colleges and Universities. After graduating from the University of Wisconsin–Madison, Gunderson went on to train at the Brown School of Broadcasting in Minneapolis.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12253">
              <text>Binghamton University Libraries </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12254">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="12255">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12256">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="12257">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17849">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Baby boom generation; Newt Gingrich; Generations; Activism; Civility; Young generation; Individuality; Robert Kennedy's funeral; Bob Dylan.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:13228792}}"&gt;Baby boom generation; Newt Gingrich; Generations; Activism; Civility; Young generation; Individuality; Robert Kennedy's funeral; Bob Dylan.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19777">
              <text>35:58</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20097">
              <text>Legislators—United States;  Council on Foundations;  Gunderson, Steve, 1951--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="38626">
              <text>McKiernan Interviews&#13;
Interview with: Steve Gunderson&#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: Benjamin Mehdi So&#13;
Date of interview: 25 July 1997&#13;
--------------------------------------------------------------------------------------------------------------------&#13;
&#13;
(Start of Interview)&#13;
&#13;
00:02&#13;
SM: First question I want to ask you is a lot of the criticisms today, for example, I have heard Newt Gingrich oftentimes say it I have heard George will say it in some of his commentaries, and I have even read about it in some of the historical books that I read, that if we look at today's problems in America, there is sometimes there is a generalization that a lot of the problems go back to the boomer generation, the breakup of the American family, the increase in drugs in America, the lack of respect for authority, even sometimes the-the lack of civility between people will be placed back on the boomer generation by Boomer generation. I mean, those born between (19)46 and (19)64. What are your thoughts on that kind of thinking? That places the blame on our problems today to a generation?&#13;
&#13;
00:50&#13;
SG: I think it is partially true. I think there are dynamics that were resolved with the baby boomers coming of age, that have profound long term generational effects, certainly, the lack of trust in institutions, the polarization of American politics, the willingness to question and take on authority and traditions, all of those important dynamics from the New Age and development years of the baby boomers. That, however, does not answer the more significant questions about the ability of American or international institutions to cope with a dramatically changing nature. &#13;
&#13;
01:43&#13;
SM: This is where [audio cuts] [inaudible] reached her in many ways and personally reach. It's a follow up question to that. If you look at the year 1997. And as we're heading into the year 1998, if you could look at, again, this generation, which is just reaching 50, we hear the news a lot about Bill Clinton being you know, more than 46 being kind of the lead of the boomer generation. But what would you say are the accomplishments of the boomer generation thus far? If you were to look at this generation, knowing that they are just reaching the age of 50?&#13;
&#13;
02:21&#13;
SG: I think there are some dramatic accomplishments. I think telecommunications and scientific breakthroughs during this generation’s history are more significant than any other generation in history of the world. You just look, you know at 100 different examples of that area. Second, I think here at home, this generation has had two profound effects. They have created an environmental sensitivity that did not exist before. And I think they have clearly created a fiscal sensitivity in terms of the federal government's ability to match income and revenues without [inaudible] allocations.&#13;
&#13;
03:15&#13;
SM: The top of that question, if you were to list some of the adjectives, some of the qualities that you think are the positive qualities of boomers, and then list three or four, their negative qualities, and trying to evaluate them, based on your lifetime, when you were young, maybe as you changed over the years, and how you feel now, but looking at the qualities that they may have compared to say, the World War II generation and even today's younger generation,&#13;
&#13;
03:43&#13;
SG: Ambitious, motivated, driven goal setting which more so than the generation before us and the generation after us. At the creative side, we also made the regeneration, which is more selfish, which is more consumption oriented or sensitive to appreciation of the arts and culture, community. Throughout the liberal arts generation were educated to be.&#13;
&#13;
04:22&#13;
SM: How about the area of passion? One of the things it is like, you know, when you look at the boomer generations made up 65-70 million, I am sure the final the exact number, but they will say that 15 percent were really involved in some sort of activism, could have been conservative activism could be liberal, but basically 15 percent. I interviewed Todd Gitlin in New York two days ago, and he said, let us break it down to 1 percent activism because really only 200,000 of the true activists at that time, leading protests against the war, ending the battle, the civil rights and so forth. Your thoughts on that kind of?&#13;
&#13;
04:58&#13;
SG: Oh, I think we were much more activist generations at the expense of our personal families and human community lives. You can look at the percent that was involved in the war, but they taught the other elements of our society. You see activism today in many different areas, you see it in the religious and social right, you see it the women's movement, you see it in the gay and lesbian movement, you see it in the black history and culture movement. Almost all of this is driven by baby boomers who are affected and taught what activism meant, as they grew up. Even if they were not active in their active classroom when I was done an act of history in Vietnam. There is no I would not say I have not been an activist. Right.&#13;
&#13;
05:43&#13;
SM: Right. And you would not ever have tried to find so closely that activism is like the liberal left. &#13;
&#13;
05:49&#13;
SG: No. I think-&#13;
&#13;
05:50&#13;
SM: -That sometimes that is what they portray activism is left of center, as opposed to right of center. Knowing your history, a lot of people involved in the Goldwater movement, were-&#13;
&#13;
06:00&#13;
SG: More activism on the right today than on the left.&#13;
&#13;
06:05&#13;
SM: How do you feel about people who try to place labels on activism and activism, again, which was supposed to be a quality of the boomer generation, and whether they carried it on as they have gotten older, is a negative quality. I say this because this past week, I interviewed Ron Castile, former DEA of Philadelphia, who was a diehard conservative, and now he is a judge. And he says, do not ever put up the term activism on me even though when he was a college student, he was active on some issues. And also, as he has gotten older, he was responsible for putting the Vietnam Memorial together in Philadelphia, you know, he did something but he that label, that term is seems to have a negative connotation, some people. &#13;
&#13;
06:45&#13;
SG: Well, in terms of histories, and the truth is he is an activist, the truth is the [inaudible] even Christian coalition are activists. The truth is that there are many different activists and social and political right.&#13;
&#13;
07:04&#13;
SM: I go many directions here in all interviews, I have about 40 Questions from then I have about 100 of them, really. And one of them is that I deal with students’ day in and day out, and you met many. And when you visit our campus, it is interesting that when they look at people from our generation, no matter who they are, what they represent, they will tend to place them into two categories. And there does not seem to be anything in between. Number one is I wish I had lived when you live, there were so many issues. I mean, life seemed exciting. They were tough things and the war in Vietnam and civil rights. And then many of the movements came about the gay and lesbian movement, the women's movement, the Native American movement, the environmental movement, I wish I could have lived then when all these things are happening. And then the other attitude is I am sick of hearing it. I am sick of hearing about the nostalgia all up all the boomers are you live as in the past, you remember the memories of this, this movement and that movement? And the- you know, we have our own problems today, we have our own issues. And so, the issues then are no longer applicable. What are your thoughts on that, and how we can best reach today's young people when they have those kinds of, those kinds of attitudes?&#13;
&#13;
08:10&#13;
SG: To restore that one generation and the next role as part of it is parent child. Part of it is there is a basic historical and cultural transition that occurs from one generation to the next. And some of that is simply irreconcilable. So, I am not sure that we can reach him there to question in the mode in which we can reach in his own civility, if we can find ways to be more civil in our discourse and in our activism. And I think that is what really turns off the young people is not a passion to identify and solve problems, but it is the lack of civility that which our generation addresses those issues.&#13;
&#13;
08:54&#13;
SM: Would you talk a little bit more about the civility and whether boomers who it's like, there seemed to be at that time and in your face, attitude, you're never going to satisfy the demands that many of the activists had, and whether that's been able to be transferred as people have gotten older. Some people will say they even see it in the halls of Congress of which-&#13;
&#13;
9:14&#13;
SG: Oh, sure.&#13;
&#13;
9:15&#13;
SM: -You were there and-and people just cannot be civil. And it goes back to those times is like pointing fingers and arguing and not listening. And you are the reason why we have all the problems in the world. As you know that kind of-&#13;
&#13;
09:27&#13;
SG: The problem for my generation is that passion was identified as confrontation in reverse. There was no such thing as a moderate opponent to the Vietnam War. Alteration became the regiment of passivity rather than a compliment of style. And so, as a result of that we have learned and carried with us unfortunately, with the way we display our passion on any issue today is to be loud, confrontational and too often rude.&#13;
&#13;
10:08&#13;
SM: How is that affecting today's young people, I do not want -&#13;
&#13;
10:11&#13;
SG: It is a turn off. It is a great American turnoff, because they increasingly look at both the style and the issues by which we take passion to that degree endeavor I can identify, it is why they turn off the government. It's why they turn on to volunteerism during your generation did not want to debate issues.&#13;
&#13;
10:41&#13;
SM: This leads into another area and that is at 50, which is the oldest the front of the door movement, realizing these potential negative qualities that you have raised about the boomers. can things be turned around in terms of can boomers ever change who they are, as they get older, in order for us to be life is supposed to be constantly changing? We teach students day in and day out that you are constantly evolving and developing. &#13;
&#13;
11:06&#13;
SG: Oh, yeah.&#13;
&#13;
11:07&#13;
SM:  So, it can, for example, what happened in congress this past week with someone who Gingrich's closest people kind of stabbing him in the back it was, was amazing scenario. &#13;
&#13;
11:16&#13;
SG: But-but the truth is that that is a classic example of where people are motivated simply by politics, rather than by policy. And but he goes in by passion, you are going to have those kinds of dynamics. It is also why the general public, not just the generation expert, the general public, totally tunes out to what is going on Capitol Hill. They were not only increasingly irrelevant, as government's percent of participation in society decreases, but also, when they see the styles of people though they do not want to be relevant to the water we associate with that. But on the other hand, I think we correct this issue because any generation as it ages mellows out, and also, they just historic that the generation often returns to its roots. And as a result of that, I think you will see the baby boomers, find a new interest in community, and neighborhoods. And, frankly, volunteering the day-to-day problems of their fellow man.&#13;
&#13;
12:28&#13;
SM: Activism back in the late (19)60s and early (19)70s, was basically define defined into two major categories. Of course, it was the Civil Rights Movement, and it was the war against Vietnam. And of course, then a lot of the other movements evolved from the Civil Rights Movement, the movements that we talked about earlier. Today, there is a lot of different kinds of activism. There's activism on the internet, there is, there is all kinds of different things and that, but it's not geared toward one major happening like the war. Could you comment on two things? Number one, how important were the college students in the late (19)60s and early (19)70s, in terms of ending the war in Vietnam? This seems to be a controversy with the people I have interviewed that some say they had no influence at all, others say they had a lot of influences. How important were the students on college campus in the war, and how-&#13;
&#13;
13:22&#13;
SG: They were very important because they not only affected change themselves, they affected a nation's perception. The reason that others weighed in against the world was because their consciousness had been raised by college kids.&#13;
&#13;
13:36&#13;
SM: That was the point blank asked you, what is the number one reason why the war ended? In Vietnam? What would that one reason be?&#13;
&#13;
13:46&#13;
SG: American exhaustion, fighting at home, we were tired of fighting over there. We were tired of being in a war that was recently difficult to determine who was right who was wrong and was winning was losing. And we in essence, decided just plain to come home.&#13;
&#13;
14:04&#13;
SM: Looking at the Civil Rights Movement, how important were the boomers in that movement, knowing that in the summer of (19)64, which is really Freedom Summer when the oldest Boomer would have been 18 years old in the summer of (19)64. And a lot of great civil rights efforts has been the late (19)50s through that time period of (19)64. How important were the young people of that era in terms of assisting carrying on the message of the Civil Rights Movement?&#13;
&#13;
14:36&#13;
SG: I think in many ways they were the people's army rallying to their leaders call whether it be Martin Luther King and Robert Kennedy, whoever it was we were in many ways the troops, but you were certainly not the leaders.&#13;
&#13;
14:57&#13;
SM: As you have gotten older and you know, the war ended, and certainly the-the draft was no longer a problem. So many people thought that, well, since that ended, there is really no more cause anymore. And that was what it was all about. But when you when you look at people of your age group now who are close to 50 have been carried on the idealism of that time have, they carried on in their lives now some people have, but your thoughts on that.&#13;
&#13;
15:25&#13;
SG: We are a much more driven and materialistic generation; we are an idealistic generation. That has probably been a great transition for the ideals of our young adulthood. To the deals of our business, and professional experiences.&#13;
&#13;
15:47&#13;
SM: That caught me the other end. [chuckles] To me, money is real secondary. I thought, when I was young, and the people I was around, we were going to go into the service professions and serve others. Money was secondary, any, any the friends that are going to go to law school, and they were going to go right back to the university, some went on to be very successful corporate lawyers, but so you do not think the majority of the people really carried that the money was secondary as-&#13;
&#13;
16:13&#13;
SG: Well. I mean, I think you have seen that in the increasing apathy of the American people. You have elections for less than a half vote, and you look at who those people are. People that are not voting are the young and baby boomer generations.&#13;
&#13;
16:31&#13;
SM: Even statistics are astonishing about how many of the college aged students voted, I just cannot believe we have almost begged students to vote, or we have a voter registration drive, we get about three or 400 registered, but it is not easy. What is in it for me, you know, that kind of an attitude. That is another thing, that quality, that an activist is never supposed to say what is in it for me, an activist is supposed to say I want to serve others, or something for the betterment of society. And you think that most of the mountain a great majority of boomers have taken that quality of what is in it for me mentality, which is the total alien nature of what an activist truly is?&#13;
&#13;
17:10&#13;
SG: Well, I think we are a selfish generation, motivated by money and our own economic standing. But I will also say that we have also witnessed the selfishness of our parents’ generation, its- their demands on the government. And so, while we are selfish, we are not selfishly demanding of government to take care of us, we are rather preoccupied on a personal basis to deal with our own economics.&#13;
&#13;
17:42&#13;
SM: Did you change your thoughts on this generation over the years, say, when you were in college, and then 10 years out of college 15, 20. Now or 25, or whatever, have you been pretty consistent in your attitudes toward your generation? Or was there a point in your life you saw an awakening and your point of view just totally changed?&#13;
&#13;
18:07&#13;
SG: I am using doubt in my opinion of our generation has changed, that we use as a classic example. Through this line by Robert Kennedy used in graduation speeches in colleges and high schools across the country at that time, which was some people see things as they are and ask why I dream things that never were and ask why not? You have not heard that use the last 20 years. You have not heard it used because there are no dreams anymore. People, there are no ideals anymore. People have been much more consumed by their own personal day to day than the greater good. That was driven by Kennedy statements. I mean, I remember as a college student the day Kennedy, the day Kennedy, Robert Kennedy's funeral, going home from college, and listening to that funeral all the way home in the radio. It was not just me it was everybody in the car. I got the record of Robert Kennedy's funeral. There is no way my generation would listen to or buy a record of a US senator’s funeral today. &#13;
&#13;
19:25&#13;
SM: You are right.&#13;
&#13;
19:28&#13;
SG: Dramatic change.&#13;
&#13;
19:30&#13;
SM: In your- Why-why did this happen?&#13;
&#13;
19:38&#13;
SG: Um, I think it is a combination. On the one hand, it is a growing disaffection with government and the government's ability to make change. I think second it is a simple reality that most as they moved into adulthood, and family life, became the responsible providers of the family as opposed to the social activists that they have been in their youth. So, I think it is a combination too. Third, I am going to go so far as to say, it is also a lack in the last 20 years of inspirational leaders.&#13;
&#13;
20:17&#13;
SM: There is a real good point because I even hear that among African American students in terms of trying to who are the leaders within the African American community. And of course, Jesse Jackson is the one name that always comes forward. But he is older, he is like 55 years old, so-so they see him a sense and another-another going back a rappers with Chuck D people that are on the radio and they were really Sister Souljah people like that is what they are identifying to. They are not leaders, their personalities in the media or in the music world, or something like that. I find that amazing that boomers are inspired by the Bob Dylan's of the world, and you know, the music of the year. But like you say, you also admire the political leaders, you do not see a whole lot of that. Very good observation. Wha- one term that is often used when I was young, and I do not know if you heard it around your peers, but that we are the most unique generation in American history that we are going to be the change agents for the betterment of society. And we thought that when we go into a rally, or we are in an auditorium listening to a speaker of that period on a college campus, and whether that attitude was an arrogance on the part of the young at that time thinking that it was going to carry on, that seems to be a term that I heard all the time, I want to know if you heard that when you were young- &#13;
&#13;
21:34&#13;
SG: Sure.&#13;
&#13;
21:35&#13;
SM: -That we are unique, and that no other generation before us, and certainly none that will follow will ever be like us. And this goes beyond just the numbers game, which is-&#13;
&#13;
21:43&#13;
SG: Well, I think I think certainly, we all grew up believing we were different than anyone before us. I do not know that we would go so far as to see what would include generations after us.&#13;
&#13;
21:55&#13;
SM: Another quality of youth then more than anything that you need that [inaudible].&#13;
&#13;
22:01&#13;
SG: Well, yeah, because part of what we were doing is we were we were rejecting the status quo of American society. And we knew that we were going to be dramatically changing the status quo. But we were not so naive as to suggest that would not also be done by future generations against us.&#13;
&#13;
22:22&#13;
SM: Just a straight point question. We are the biggest generation ever. There may never be another one that vigorousness again, believe I wrote an article last week, so we had 76 million I never knew we had that many in the boomer generation. But what is the most significant? Again, it might be a repetition of an earlier question but what made the generation different beyond their size?&#13;
&#13;
22:50&#13;
SG: Their view of the world, their view of the United States, first generation that did not want America to be the superpower.&#13;
&#13;
23:02&#13;
SM: Melodramatic flaws here. [chuckles] Good observation. &#13;
&#13;
23:11&#13;
SG: Just so you know. I am happy to call you next week and finish. I am real sensitive to time here. I have promised somebody at University of Alabama we would be back to them by 230. And I can miss that for a little bit.&#13;
&#13;
23:26&#13;
SM: Are you okay through 2:30?&#13;
&#13;
23:28&#13;
SG: No, I have got a draft a letter to get to them. That is what I my concern is, can we go 15 minutes, to 2:20. Cut it off.&#13;
&#13;
23:34&#13;
SM: And yet, you want me to come back? Like-&#13;
&#13;
23:38&#13;
SG: She thought this was going to be half an hour so.&#13;
&#13;
23:42&#13;
SM: Oh, she did. &#13;
&#13;
23:43&#13;
SG: Yeah.&#13;
&#13;
23:43&#13;
SM: Oh. 1 to 2:30. That was a little late too.&#13;
&#13;
23:46&#13;
SG: Hour and a half today. I mean, I am happy to call you, if that works. To save you a trip or if you're back in town. I am happy to fish it up. My problem is [audio cuts]&#13;
&#13;
23:55&#13;
SM: Okay, right. I do want to take a picture.&#13;
&#13;
23:59&#13;
SG: I apologize for that. But this is unpredicted.&#13;
&#13;
24:03&#13;
SM: Do you feel the boomer generation is having problems with healing and I raised this because of the fact that the Vietnam memorial was built with the hope that it would heal the generation, it would heal the nation, it would heal the veterans? Where do you feel we stand right now in the area of healing in this nation and knowing that the divisions in that era were so, so wide? Because people were for and against the war, people got involved with Civil Rights Movements. They thought civil disobedience was a precursor to riots, just your thought about the healing processes in America since that time.&#13;
&#13;
24:39&#13;
SG: I do not know that Americans know the importance or value of healing anymore. I do not think it is a goal. I do not think reconciliation is a goal. I do not think mutual respect is a goal. I think all of this is a result of the increasing polarization of a nation of society in the increasing cynicism about our institutions, and the combination of the two, produce an attitude which says everybody else claims to be the victim. So, I must be the victim too. You know we’re each a different victim. You're that academic victim, you are that wasp, male, Father, victim of middle America, I am that gay victim, patties that woman's victim, somebody's the black victim, everybody's a victim.&#13;
&#13;
25:38&#13;
SM: How would you define the generation gap from that era between the boomer generation of their parents and today's boomers and their children, you are to define the two generation gaps.&#13;
&#13;
25:51&#13;
SG: I think our generation better understand the role and temporary importance of generation gaps. And so, I do not think the gap is as great between us and the next generation as it was between our parents’ generation and us, because for parents’ generation had a much more difficult time understanding the dramatically different visions. Because we had a generation gap with our parents that were better at minimizing the generation gap between us in the next generation.&#13;
&#13;
26:31&#13;
SM: What will be the lasting legacy of the boomer generation when the best history books are written and say 50 years from now, your thoughts on what they will be saying, many of us will be long gone. How do you think historians will look at this period? And by this period, I mean, when we were young, the (19)60s early (19)70s impact on America. And as they some of the things you referred to earlier, the qualities they took over. &#13;
&#13;
26:55&#13;
SG: It is the generation that broke down all the barriers in the world, and broke down the political boundaries, and said that, frankly, they do not matter. We broke down cultural boundaries, we broke down the communications boundaries. In many ways, we break it down into the language, and the economic boundaries, certainly through trade. This generation more than any other generation has made the world a smaller place and increasingly interdependent.&#13;
&#13;
27:25&#13;
SM: When I took students to meet Senator Muskie before he died by two years before he died. And we put a question about the impact of 1968 on America. And the divisions were many of the boomers had an equality at least, which is still a lack of respect for authority even as they have gone into adulthood, people like that, who they report to, and so forth. It was getting into the issue of healing again, and he basically said that we have not healed since the Civil War. And he talked about two different Americans before and after the Civil War. The question I am getting at is this. Do you feel this generation boomers because of the divisions of those times have a real serious healing comparable to the Civil War where there were such divisions in America and they went to their grave of bitterness toward the other side? You think this is an issue with many boomers that there is this feeling within their suffering, something missing because they never forgave a lot of Vietnam veterans maybe never forgave the protestors. Protestors feel guilty that they did not serve, but there is-&#13;
&#13;
28:23&#13;
SG: No one can minimize the impact of Vietnam on our generation or society. I would not attempt to do that. I do, however, think that there is a big difference. And I would disagree with Senator Muskie.&#13;
&#13;
28:39&#13;
SM: Keeping time to- &#13;
&#13;
28:42&#13;
SG: I appreciate it. I think that to be honest, technology did not allow the kind of national consciousness that occurred in this country until before World War II. Before that people really did not care what happened day to day in the world or even in Washington, because then find out about it for days to come. They were much more consumed by their own community. And we are the first generation that the majority of kids growing up will not be employed in their home community. When I talked to young people now, I said, the majority of your class probably will not be employed in the US. I mean, there is a dramatic change of that local consciousness there. So, I would disagree a little bit with Senator Muskies’ basis.&#13;
&#13;
29:31&#13;
SM: Three important quality and that is the issue of trust in America. I want to know if you feel one of the qualities of the boomer generation that they will be carried to their graves is the quality or lack of trust. They have in their leaders and refer to it earlier, kind of created a consensus cynicism as America. And just your overall thoughts on the cynical leadership that has happened throughout the lives of boomers. And will they be able to overcome that as well?&#13;
&#13;
30:01&#13;
SG: No. Because the only way they could overcome that is if Social Security and Medicare would be without any challenges in their retirement years so that they would be able to live totally economic security and comfort. And they are not going to be able to do that. Also, what you are going to have is you are going to have an increasing two class society, not only among the young and the working, but also among the elderly. You are going to have those elderly who had the ability to either put things away or have great inherent inheritances, and you are going to have the majority who did not, and they are going to be bitter, they're going to say life was unfair to me. Now, my retirement is unfair to me as well.&#13;
&#13;
30:43&#13;
SM: In the area of empowerment, which we always try to deal with young people, the sense that your voice counts that when you are working with college students, we need to hear your voice, that empowerment is something we try to develop in people so that as they go online, they are heard their voice counts. Your thoughts on the concept that many boomers felt of sense of empowerment, when they, you know, gets the major issues of the day, the war, civil rights and the movements we talked about. Whether they carry that sense of empowerment into their lives. And whether you feel today's young people have a sense of empowerment, that they are really being listened [audio cuts]. model that we try to work with college students about is developing self-esteem that in [inaudible] trying to work on that. So, your, just your thoughts on that concept of empowerment that so many of the boomers had, and where that may have gone.&#13;
&#13;
31:42&#13;
SG: I do not think in the area of high technology and individualism, that you can create group empowerment. And certainly, you cannot create the feeling of generational power. Very difficult for a person growing up with a personal computer, somehow understand how they and everybody else their age are going to make a cumulative difference.&#13;
&#13;
32:04&#13;
SM: Does that apply to boomers themselves as they hit 50? Certainly, you as a congressperson felt empowered.&#13;
&#13;
32:11&#13;
SG: I think, I think we as a generation, were empowered by our impact on Vietnam. We were empowered by our ability to impact the environmental policies in this country. We were powered by our numbers. So, there were there were signs that gave us reason to be empowered. I do not know if those signs continue, however, as we become almost disseminated into increasingly polarized society. I do not think the- a bond which unites us today is not the bond of our generation.&#13;
&#13;
32:55&#13;
SM: When you look back at your life? What was the first one experience, one happening that had the greatest impact on your life? What was that one happening?&#13;
&#13;
33:06&#13;
SG: [inaudible] the two. I would have to say, John Kennedy's assassination as a teenager, when they close the school down, and everyone was glued to the TV for four days, or we had a National Day of Mourning as a big impact on a young person. The second was landing on the moon. Vividly, we landed on the moon, watch that on TV. And that was the victory of science and high technology, which-which told our generation that we were a part of something far different than the nation in the world's history.&#13;
&#13;
33:52&#13;
SM: What did those two experiences, how do they affect you as you moved on until right now, when you when you saw that assassination of John Kennedy, what did that do to you? And then as you grew up, I am going to do something to make the world better, what-what was the date, did those two experiences really-&#13;
&#13;
34:12&#13;
SG: Well, they are, they are, significant for very different reasons. Kennedy's assassination in the events which follow led to a distrust or lack of reliance on the government to my generation. It- everybody produces Vietnam as the beginning of the cynicism. I think they minimize the impact of Kennedy's assassination, the underlying foundation for that cynicism and government. On the other hand, the landing on the moon talks all about technology. And it is, it is so dramatically different from this small town I visited or visited I grew up in, where people did not leave their counties say nothing of leaving their globes. Where you communicated through the operator at the local telephone station not through technology thousands, hundreds of thousands of miles away. I mean, like, what a disconnect. And then we sat and watched TV, which took us from that generation of a past where we were sitting in our living rooms with our parents, to the generation of the future we saw it on television that day. That was the bridge between here and here.&#13;
&#13;
35:44&#13;
SM: I got many more questions. I think-think we will cut off here and what I will do is, I will either come back to Washington because I am making three or four more trips down here this summer or call you on the phone at times convenient because the rest of the [audio cuts].&#13;
&#13;
(End of Interview)&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44312">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48282">
              <text>1 Microcassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50776">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12246">
                <text>Interview with Steve Gunderson</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48269">
                <text>Gunderson, Steve, 1951- ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48270">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48271">
                <text>Legislators—United States;  Council on Foundations;  Gunderson, Steve, 1951--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48272">
                <text>Steve Gunderson is the former President and CEO of the Council on Foundations as well as the former Republican congressman from Wisconsin. Gunderson is currently President and CEO of the Association of Private Sector Colleges and Universities. After graduating from the University of Wisconsin–Madison, Gunderson went on to train at the Brown School of Broadcasting in Minneapolis.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="48273">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48274">
                <text>1997-07-25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48275">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48276">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48277">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="48278">
                <text>McKiernan.Oral.10.2016.58</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="48279">
                <text>2017-03-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="48280">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="48281">
                <text>35:58</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1238" public="1" featured="0">
    <fileContainer>
      <file fileId="5755" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/15057a3947002ec61179f98c1839a49e.jpg</src>
        <authentication>4a7dd871597a272e2ba035d9eadb8726</authentication>
      </file>
      <file fileId="3617" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/cae473610bb89fc980edc36b3c7e9b27.mp3</src>
        <authentication>11ce45edaad7b8df76413e9d91e538cc</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>Template: Simple Audio Player (Amplitude.js)</name>
      <description>This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="17675">
              <text>Jeff White</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17757">
              <text>1997-07-27</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="17758">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17759">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17760">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17761">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17762">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17763">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="17764">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19981">
              <text>83:54</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20018">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Baby boom generation; Civil Rights Movement; Kent State; Vietnam War rallies; Women's Rights Movement; Vietnam Veterans; Vietnam Memorial; Generation Gap; Peter Max poster; Activism.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:513,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;12&amp;quot;:0}"&gt;Baby boom generation; Civil Rights Movement; Kent State; Vietnam War rallies; Women's Rights Movement; Vietnam Veterans; Vietnam Memorial; Generation Gap; Peter Max poster; Activism.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20243">
              <text>Civil rights workers;  Vietnam War, 1961-1975--Veterans; White, Jeff--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="28076">
              <text>Jeff White graduated from Villanova University in 1968. He joined the U.S.Army in 1969 as a Pioneer Combat Engineer. He served in Vietnam as a clerk from 1969 to 1970. Since then, White has been actively volunteering in veteran's causes including serving as past president of the Delaware County, PA Chapter 67 of Vietnam Veterans of America and serving as a delegate to the Pennsylvania State Council and Vietnam Veterans of America National Conventions.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44637">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50923">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17674">
                <text>Interview with Jeff White</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49751">
                <text>White, Jeff ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49752">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49753">
                <text>Civil rights workers;  Vietnam War, 1961-1975--Veterans; White, Jeff--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="49754">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49755">
                <text>1997-07-27</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49756">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49757">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49758">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49759">
                <text>McKiernan.Oral.10.2016.171a ; McKiernan.Oral.10.2016.171b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="49760">
                <text>2018-03-29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="49761">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="49762">
                <text>83:54</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49763">
                <text>Jeff White graduated from Villanova University in 1968. He joined the U.S.Army in 1969 as a Pioneer Combat Engineer. He served in Vietnam as a clerk from 1969 to 1970. Since then, White has been actively volunteering in veteran's causes including serving as past president of the Delaware County, PA Chapter 67 of Vietnam Veterans of America and serving as a delegate to the Pennsylvania State Council and Vietnam Veterans of America National Conventions.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="857" public="1" featured="0">
    <fileContainer>
      <file fileId="5734" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/74d17d53bd481eda22765d5272bf70e8.jpg</src>
        <authentication>3d908d792f9feff4fb690993858a8d3f</authentication>
      </file>
      <file fileId="3251" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/4b0a2778cfbab258100cd4318f8f5a68.mp3</src>
        <authentication>5dadf904093f9f091920edb452509500</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11814">
              <text>1997-08-13</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11815">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11816">
              <text>Alan Brinkley</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11817">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11818">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Dr. Alan Brinkley is an author, scholar and a professor of American History Columbia University. He specializes in the history of twentieth-century America. Dr. Brinkley has been part of the Columbia University faculty for 27 years where he also served as the University Provost and chair of the Department of History. He previously taught American History at the University of Cambridge and Oxford University.  Dr. Brinkley received his Bachelor's degree from Princeton University and his Ph.D. from Harvard Univeristy.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:15107,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:16777215},&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,4995385],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:11}"&gt;Dr. Alan Brinkley (June 2, 1949 - June 17, 2019) was an author, scholar and professor of American History at Columbia University. He specialized in the history of twentieth-century America. Dr. Brinkley has been part of the Columbia University faculty for 27 years where he also served as the University Provost and chair of the Department of History. He previously taught American History at the University of Cambridge and Oxford University. Dr. Brinkley received his Bachelor's degree from Princeton University and his Ph.D. from Harvard University.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11819">
              <text>Binghamton University libraries </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11820">
              <text>ausio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11821">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11822">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11823">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17824">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Baby boom generation; Vietnam War; Youth Rebellion; Historian; abortion; Political Correctness; Tolerance; trust; empowerment; Berrigan Brothers; Benjamin Spock; Black Power Activist; Timothy Leary; Martin Luther King Jr.; John F. Kennedy; George McGovern&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:2,&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;Baby boom generation; Vietnam War; Youth Rebellion; Historian; abortion; Political Correctness; Tolerance; trust; empowerment; Berrigan Brothers; Benjamin Spock; Black Power Activist; Timothy Leary; Martin Luther King Jr.; John F. Kennedy; George McGovern&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19749">
              <text>68:21</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20069">
              <text>Authors;  Scholars;  College Teachers;  Columbia University;  Brinkley, Alan--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44283">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="46690">
              <text>McKiernan Interviews&#13;
Interview with: Alan Brinkley &#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: REV&#13;
Date of interview: 13 August 1997&#13;
---------------------------------------------------------------------------------------------------------------------&#13;
(Start of Interview)&#13;
&#13;
SM (00:00:05):&#13;
... now to make sure it is coming out okay. The boomer generation is of course individuals who have been born between the years 1946 and 1964. That is the categorization. I would like your comments, Dr. Brinkley, on your thoughts on individuals who try to categorize an entire generation of 70 plus million people for a lot of the ills of American society today in 1997, 1998. I would like just your overall thoughts on what you think the impact of the boomer generation is on America than this year in 1997.&#13;
&#13;
AB (00:00:47):&#13;
Well, I think the only way to answer that question is to try to think about what is distinctive about the boomer generation. And that is made more difficult of course, by this very expansive chronological definition, 1946 to 1964, that is almost 20 years. Which means in theory that two members of the same generation could be parent and child. So, I prefer to think of the boomer generation as the people who were born in the first 10 years or so after World War II. Even though the definition that you are using is a a longer one. I think there are two things that are distinctive about that generation. The first is its size, and that is an obvious distinction. This is the biggest generation in American history. And as it moves through the various stages of life, its experiences will almost inevitably be the dominant experiences in terms of the way the economy performs, and the way the culture behaves. When the boomer generation was young, youth culture was at the center of American culture. As the boomer generation got older, the culture began to focus on its experiences as it moved into later periods of life. So, it has an unusual position of cultural and economic power in our society, simply because of its size. And that makes it more influential, relatively more influential than other generations have been through most of our history. The second thing that I think makes the boomer generation distinctive, is the character of American society when its members, which include me and probably you, were growing up. I think this is a generation that grew up in a time of uniquely high expectations, both for America's future, and for the future of individuals in America. And this is actually true not just of the United States, it is true of most of the Western industrial world. People who grew up in the (19)50s and (19)60s during periods of very rapid economic growth and very high expectations, absorbed a set of expectations for themselves and for the world that in retrospect may seem unrealistic. They came to assume that society was moving in the direction of a much higher level of success of social justice than had been the case in the past. They came to assume that there would be much higher levels of personal freedom and opportunity than there had been in the past. They came to assume, we came to assume, that our lives were likely to be characterized by an unusual level of self-fulfillment and self-realization because the opportunities would be boundless. And of course, those expectations turned out not to be true, or could they ever have been true. And so, a generation of people came of age in the (19)60s with enormously high expectations, suddenly to confront the reality of a world that was not as malleable as they had thought. It was not as easy of changes they had thought. It was not as prosperous as they thought. It was not as just as they thought. And so, the disillusionment I think, of young people who had grown up with one set of expectations, encountering a set of experiences that in effect shattered those expectations, accounts for a great deal of what happened in the (19)60s I think, among young people. Obviously, there were particular events in the (19)60s that hastened this process of disillusion with the Vietnam War and the civil rights movement particularly powerful among them. But I think there is something about... I mean the fact that the youth rebellion of the (19)60s occurred all over the world more or less simultaneously, not just in the United States, suggests I think there is something larger than the particular events that were happening in America. That there is something characteristic of this generation of young people who in the industrialized world, that made for a particularly difficult experience of adjustment to the realities of adult life.&#13;
&#13;
SM (00:05:14):&#13;
Excellent. I am going to follow up on that, but I want to make sure this is working properly. As a follow up to that question, when you look at today's generation, the young people that are in college today, and I guess you do not have to categorize them all as being college. But they are the sons and daughters of the boomers. We see that the children of boomers do not vote. We see that the children of boomers are not really politically... well, have an interest in politics or political matters. There is a tremendous interest in volunteerism. Studies in the chronical higher educational state that as many as 85 percent of the incoming freshmen over the past years in all colleges, have been involved in some sort of volunteerism before their college years. But that generation that you speak of, that 10 years from '46 to (19)56, they came into that era of desiring, of having interest in political issues, social issues, civil rights, ending the war in Vietnam. A lot of the movements developed at that time, the women's movement, the gay and lesbian movement, even the Hispanic world, the Native American movement, they all kind of were around that timeframe. What happened? If you talk about those young people that were in that first wave of movers, having those kinds of attitudes, and you already reflected on some of it, that some the reality set in as they got older. But how could they... And they do not vote either. I am trying to get to the fact is, boomers do not vote, and their kids do not vote. And yet they were so involved in these things. Just your overall thoughts on what happened as this group is just reaching 50 now.&#13;
&#13;
AB (00:06:58):&#13;
Well, first the question of why people do not vote. I mean, first of all, the decline in voting spans all generations. And young people have always voted in much smaller numbers than their elders. I would assume that at least some of the children of the boomers who are not voting today will vote when they are in their 30s or their 40s, when they are more settled and have families. But 18- to 25-year-olds have always been the lowest voting group in the population, 18- to 21-year-olds have of course have been voters only for a generation. So, I do not think the decline in voting is anything distinctive to the post baby boomer generation. I think that it is simply a broad disillusion of the politics that affects all of society and has reduced voting in all generations. But as for the absence in this generation of the kind of political activism that characterized the (19)60s, I think this generation had a very different experience in its youth. I mean, these are people who grew up in the (19)70s and the (19)80s, in the (19)90s, when political possibilities seemed very constricted. When a whole series of presidents either failed or had very ambiguous legacies, which there were no real political heroes for most people. And it is not surprising, I think, that this generation would not have the same faith in the ability of conventional politics to make a difference in their lives, or to make any major changes in the way we live as a society. That is very different, I think, from the generation that came of age in the (19)60s which saw endless possibilities in politics. And it is the efforts of the (19)60s to make the political system do a series of things that it failed to do well, that is in part responsible for the much lower expectations of the political system today.&#13;
&#13;
SM (00:09:12):&#13;
Would you just list several adjectives to describe the boomers, positive adjectives, or negative adjectives, what would those adjectives be?&#13;
&#13;
AB (00:09:24):&#13;
Well, I hate to generalize in this way about a generation which of course is proposed to people of enormously different experiences, and backgrounds and assumptions. But if there is anything distinctive generally about my generation as opposed to say my parents' generation, or my children's generation, I think it is probably the sense of... how to put it. I think the (19)60s for a lot of people in my generation was an extraordinarily disillusioning experience. Particularly disillusioning as I have said, because our generation grew up with such high expectations. And I think that the legacy of the (19)60s for this generation, for my generation, is a somewhat greater difficulty of feeling wholly a part of the institutions, and the values, and the cultural morays that characterize the traditions of mainstream American life. I think there is a slight sense of detachment, and of ironic detachment perhaps from these institutions. Even though we live within them and work within them and on the surface have more or less the same relationship to them that our parents did. I do not think there is the same passionate conviction that these institutions really work well that our parents had.&#13;
&#13;
SM (00:11:17):&#13;
It is interesting you used that term, passionate. How about a book? When I was home from visiting my parents up in New York, Cornell University, a used bookstore about a couple miles from the camp, it is called the Phoenix. And they had a book called Ferment on Campus, and it was written in 1964. And it was analyzing the silent generation, and the people going into the early (19)60s, and this on rush of new young people with political idealism and activism. And they had a little section in there on passion, and actually a real big section on that. That was a quality that was really parcel of the boomers, but it is not so much... It is kind of looked upon sometimes negatively amongst Generation X and how they look at it, so with the comment. One of the things that I am trying to get at here is the impact that maybe that first wave of the boomers had on some of the major issues at the time. Certainly, the Vietnam War and the civil rights movement. Just, you cannot define a whole generation again. But when you look at the Vietnam War, how important were the college students on the college campus at that time of ending that war, number one. And number two, how important were the boomers with respects to the civil rights movement? Because some people will basically analyze the movement and say by 1964 and Freedom Summer, many of the civil rights things, successes that had already happened as the boomers are just turning 18, and they got involved in freedom Summer down south some of them. What is your thoughts on those two areas?&#13;
&#13;
AB (00:12:58):&#13;
Well, of course there was a Black baby boom generation too. And they are not quite the generation that was in the vanguard of the civil rights movement in the early (19)60s. People who were in college were born before or during the World War II. But certainly, by the mid and late (19)60s a lot of the African American activists in civil rights and other racial issues were baby boomers. And I think were responding to some of the same forces that white baby boomers we are responding to. As for Vietnam, there is a lot of controversy over the degree to which student demonstrations affected policy in Vietnam, and there is no very good empirical way of answering that question. I do think that the disruption of our culture and the life of our institutions, the attention that student demonstrations drew to the war, the anger, and the polarization that student demonstrations created, helped make the continuation of that war seem politically and socially intolerable to leaders who might otherwise have been inclined to keep it going longer. Now, there were many other things of course that made the continuation of the war seem intolerable too, including an enormous defection in support for the war among older people who were disillusioned with the war. Not because they thought it was immoral, but because they were frustrated that we were not winning it, and it was dragging along so long, and casualties were so high. So, it is very hard to separate the influence of different forces that all worked together to make the political cost of the war seem too high to justify continuing it. But I do think that the student generation, the student demonstrations, played a significant role. Maybe not a decisive role, but a significant role in that process. To get back to the civil rights movement, as far as white baby boomers and the civil rights movement go, I do not think white baby boomers played much of a role in the civil rights movement. People of my generation, by the time we were old enough to be involved in the civil rights movement, the movement was largely over with the form that it had taken in the early (19)60s. It was not any longer as much an interracial movement. There were not as many opportunities for white people to play a role in it. I think there was, for people of my generation, having grown up with the images of the early (19)60s in the civil rights demonstrations in the South, a higher level of awareness and sympathy for at least parts of the Civil Rights movement than earlier generations might have had at a similar age. But as far as actually affecting the movement in a direct way, I think not in an enormous way.&#13;
&#13;
SM (00:16:13):&#13;
Have you changed your thoughts at all over the last 20 years when you were a young boomer in college, and then as you got into maybe five or six years out of college, started a family? And then 15 years, 20 years, 25, 30, you have been pretty consistent in your thoughts on boomers or have you changed your thoughts?&#13;
&#13;
AB (00:16:34):&#13;
Well, I mean, I have an unusual relationship to this generation because I am an historian, and I teach about this period, and I will write to some degree about this period although it is not my principle field of interest. So, I have more reason than most people do to think about these issues on a regular basis. And yes, of course I have changed my views in ways that I cannot... I cannot even tell you what they are. I mean, I think I would hope that nobody goes through life with the entirely unchanging views that we did something wrong. If people did not reassess the past of their own, and their country's past periodically. I think if I had to characterize the changes in my own thinking, I think I am more aware than I was in the (19)60s of how difficult it is to achieve social change quickly and successful. I think I have somewhat more respect for institutions, and somewhat more of a belief in the value of institutional stability in society than I once did. I do not by any means repudiate the politics in the (19)60s, or the ideas that I embraced in the (19)60s. In a large sense there is still many things that I believe in the (19)60s that I still believe today is unfashionable as those things now are. But I think I have a somewhat more sober view of what is possible and what is likely. And I think I have a somewhat less iconoclastic view than I once did about institutions and traditions. And I do not believe now, I do not think I ever fully believed that all institutions and all traditions were obstacles to freedom. But I certainly do not believe that now to whatever degree I once did.&#13;
&#13;
SM (00:18:51):&#13;
One of the terms that was often used when I was in college, I went this school, I am very proud of going there. A lot of who I am was because of my years there, and it was a hotbed of political activism. Those last years in fact, our president. Dr. Deering who resigned about a year and a half after I graduated, because he was physically destroyed but all the... He just could not handle any more. And he went off on a sabbatical and he came back and worked at Upstate Medical Center, and he retired there. Because he just could not... There were a lot of administrators that really almost did not survive that period. But one of the terms that I can always remember, and I have read it in history books and on it was an attitude. I do not know if it was an arrogance, but it was an attitude that we are the most unique generation in American history. We were the boomers of that period, knowing that activism was part and parcel of the people from the (19)30s too. There were students that were activists on campus in the (19)30s. But when you hear that statement, if you had heard that when you were a college student, one the most unique generations because of all the changes that happened, the issues that young people were involved in, just your overall thoughts on that terminology?&#13;
&#13;
AB (00:20:07):&#13;
Well, I mean in some ways it is ridiculous, and in other ways it is a truism. Every generation is unique. No generation is like a previous generation.&#13;
&#13;
SM (00:20:16):&#13;
Okay if I get a drink of water-&#13;
&#13;
AB (00:20:19):&#13;
Of course. As I have said, I think the (19)60s generation was somewhat more distinctive than other generations have been. But to say that it is the most distinctive in American history is ridiculous. I mean, there is the civil war generation, the World War II generation is a very distinctive generation in a completely different way, the depression generation. Almost every period in American history has events that shape a generation's perspective on the world, and make each generation distinctive in a different way. What makes the boomer generation more distinctive than other generations I think, is primarily its size, that is truly unique. It is the biggest generation in American history, both in absolute numbers and in relation to the generations that proceeded and followed it. So that is the first thing. Whether its experiences are more distinctive than the experiences of other generations, I am not sure. They certainly are distinctive. But I do not know that they are any more distinctive or even as distinctive as the civil war generation or the World War I generation or any number of others.&#13;
&#13;
SM (00:21:36):&#13;
I think when we talk about uniqueness, certainly each generation is unique. But there is still the feeling that the boomers are going to be the change agents, the betterment of society. Whether they accomplished that goal, I do not know, did it end the war, end the draft, to assist in the civil rights movement, and then all the other movements. And we are going to make America a more just society. People are treated equally. And I think that is what I am... And I do not know if any other generation, even though they were unique, felt that way.&#13;
&#13;
AB (00:22:08):&#13;
Well, I think they did, certainly the World War II generation, the millions of GIs who came home from World War II, they talked in exactly the same terms. This war was not fought for nothing. We are going to make this world a better place, a different place. We are going to change our country and make it better. They had the same sense of being agents of change that our generation did. Their vision of change was not the same as ours, but they certainly had a passion about their role in history. And that generation has played an incredible role in history, and just as a symbol of it, the fact that every president from Kennedy through Bush was a member of the World War II generation. I mean, there is a whole generation that was basically skipped over as we kept electing these World War II veterans as president. We skipped 20 years or so down to Clinton in (19)92 when the Dole is the candidate again this year. I mean, this generation has had an extraordinary dominance of American life, which is now fading of course, because they are now at an age where they are passing between [inaudible]. I do not think you could say that the (19)60s generation was any more fired with a sense of its own importance than that generation was.&#13;
&#13;
SM (00:23:40):&#13;
That is a real good observation. You are the 41st person I interviewed, and the first person who has really brought that up, and I think that is important. My dad challenged me in a home world because he fought four years in the war, and he is real proud of it. He used the GI Bill, he came back with the whole works. So that silent generation in between the World War II veterans, they never really did have a president. They probably do not regret it too. One of the things that I am trying to get at in this project, and I would like to your thoughts now on the whole issue of healing within America. In the (19)60s there was tremendous divisions, so I do not have to go into detail about them. But I have tried to go to the Vietnam Memorial the last six years, both on a Memorial Day and Veterans Day, to try to get a feel in the ambience. Whether the healing process has really taken place, not only amongst the Vietnam veterans and their families, but amongst those who were for and against the war, and just people who were maybe not the 15 percent who were actively involved in protest or activism of that period. I would like to know your thoughts. Because this is really geared to what Senator Muskie said in our meeting, when I asked him about the fact that we healed. And he had a kind of melodramatic pause, and he almost had tears in his eyes, and he had not been well. And he came back and said, "We have not healed since the Civil War." And he said, "Let us not talk about '68 in the convention, but let us talk about the civil war." Because he had just gotten out of the hospital and seen the Ken Burns series, and the generations of people who were probably killed in the civil war, and how it really affected America. So, your thoughts on, in 1987, as a historian who teaches young people and has taught young people who writes history books, where are we with respect to healing from the divisions of the (19)60s?&#13;
&#13;
AB (00:25:40):&#13;
Well, it depends on what divisions you are talking about. I think the division over the war, which was so polarizing in the (19)60s, is no longer an important fact in American life. People still disagree about whether the Vietnam war was a just war or not. They still disagree about... Excuse me. Give me just a second to get some water.&#13;
&#13;
SM (00:26:12):&#13;
Yeah.&#13;
&#13;
AB (00:26:17):&#13;
As I was saying, I think the divisions over the war, although they have not disappeared, are no longer an active and divisive force in American life. I think as veterans get older and become absorbed into the life of being adults and family group members, their scars on the whole healed to a large degree, not entirely, not everyone certainly. But there are other divisions of the (19)60s that I think have not healed. And I think in a way Senator Muskie was right. Because there are divisions that preceded the (19)60s and long survived the (19)90s, the racial divisions that the (19)60s brought into a much harsher light than they had seen since the civil war. There have been great changes in the push between races in the United States. And I view great progress in some ways. But that problem is still at the center of our existence as a nation and it has been for 300 years. So, there has been no fundamental healing, I think, of the racial divisions of American life. I think that there are periods in which those divisions are particularly searing and difficult, and periods in which they are somewhat less corrosive. But I do not think there is very much variation. And so, I think that those divisions remain. And then there are divisions that the (19)60s did not create, but helped illuminate perhaps for the first time, that are also still very difficult for us to deal with. The division between men and women, between feminists and gay feminists, between supporters of abortion, the opponents of abortion, the divisions between gay men and lesbians and straight society. All of those are things that were not new to the (19)60s, but the (19)60s made an active part of our culture and our politics, and we were very far from having resolved any of those issues. Even though on all of them there has been significant change, and with time significant progress. I think the divisions in American life are more numerous today, and no less acute today than they were in the (19)60s. The way in which those divisions make themselves felt are not quite as destabilizing as they were in the (19)60s, but they are still here. I think there was a period before the (19)60s when these divisions were sort of artificially obscured by politics, and by popular culture, and by other things. The (19)60s brought them to light and they are still in the light.&#13;
&#13;
SM (00:29:57):&#13;
[inaudible] already at... As a follow-up to that observation when you talk about the divisions, one of them is the dialogue that we had between each other. Again, it all depends on the metaphor of an individual's life. What Newt Gingrich's metaphor in life, how he was raised in Georgia may differ with how Bill Clinton was raised in Arkansas, and their perceptions. Some will say that, because the divisions were so strong, because protests were so obvious at that time in so many areas, and pointing of fingers, the reason why we have problems in society today is because of your group, or because of you, not me. And it is almost like the concept of dialogue. What has happened with the dialogue in America today. What I am getting at is this. Do you feel that in the dialogue, the discussions that we have within each other, whether it be between races, whether it be between different lifestyles, that we are living in uncivil times, the dialogue... And then some people will point right back to the (19)60s when for example, college students would go in and would not listen. I know this happened at my school, and I reflected on it all the time with my friends from SUNY Binghamton. When I was then older I would expect more. They would not listen to administration, but they would satisfy a demand but then always had a different demand. There was a really a hostility, an unsettled presence dialogue beyond just the concern of an issue and a cause. And I am wondering if you see any linkages between that time and today and the dialogue we have in each other?&#13;
&#13;
AB (00:31:36):&#13;
Well, I think both the (19)60s and our own time are less civil in the sense that, I think you mean the word, than the (19)50s were, or the (19)40s. I civility is an overrated quality, and there is certainly a value disability, but there is also a value to challenging orthodoxy, and there is a value of conflict, when conflict is needed and civility has often been something that has been used to circumvent or short circuit challenges to authority and institutions. I think the kind of civility in the (19)60s, which you mentioned, was particularly dramatic. And not I think, one of the happy features of (19)60s. The intolerance that students and many others felt not only permitted but almost obliged to show those people that they-they disagreed, the contempt for authority. It is one thing to question authorities, another to reject the authority [inaudible]. I think the late (19)60s, at least in universities, was a particularly uncivil time in which there was a kind of driven orthodoxy among students that both intimidated students who disagreed with it from expressing their views, and encouraged students to try to intimidate faculty, administrators and others. That was a relatively brief period at the height of the passions over the war. But it was a period of quite substantial incivility and intellectual discourse, just as the early (19)50s in the era of McCarthy was a period of great chilling effect of discourse. I think in our time there is certainly a lot of heated language and sharp conflict in our culture and universities and elsewhere. But I do not think of this as an unusually uncivil time. First of all, there are lots of examples that are trotted out all the time of political correctness becoming the source of a really shocking intolerance. And some of those examples are quite right, and they have really not been shocking as an intolerance and discrimination in the name of political correctness. So, they were not nearly as many as there have been in the name of other forces, is what it seems to be. But I think on the whole, character of intellectual discourse today, the character of academic discourse today, and even to some degree the character of general public discourse today is more tolerant of more things than it has ever been before. And that makes for a lot of sort of chafing and a lot of uneasiness. It is not an easy popular culture to live in. It can be very jarring. But at least it is a culture that does more than our culture ever did before, to give voice to all the different cultures that make up the nation. So, I think whatever parts we paid in civility we have gained in democracy.&#13;
&#13;
SM (00:35:34):&#13;
Interesting. Because in the best history books, you have probably heard this 100 times over the years. When the best history books are written, of course 25, 50 years after an incident happens, what will the historians be saying about the boomers. Now, you know, boomers are only 50 now, and so we are talking to still get 15 productive years at least, 15 to 20, and hopefully boomers are going to learn a lot longer and retire later, so they will be confirming the society for longer periods of time. But if you could put your history cap on now, and you could have tremendous revelations right now about your feelings, it might be...&#13;
&#13;
AB (00:36:16):&#13;
I will [inaudible].&#13;
&#13;
SM (00:36:16):&#13;
What will the history books say about this generation?&#13;
&#13;
AB (00:36:17):&#13;
Well, I cannot predict what historians will say 20 years from now. All I can do is tell you what historians say now. History moves in unpredictable ways, and I do not know what the evaluation will be of the (19)60s from respect from 20 years, or what I will think 20 years from now about the (19)60s. I do not know what other younger historians will think 20 years from now. I think that if I had to predict, I would predict that the (19)60s will be remembered as they already are, as an unusually pivotal decade in the very life, the life of the 60s I mean, basically mid (19)60s to the early (19)70s. I think the (19)60s generation, if there is such a thing, will be remembered as I have already said to you, as a sort of distinctive generation that had a particular relationship to society. What historians will make of all this. Whether they will think the impact of the (19)60s was on the whole a good thing or a bad thing. Whether they will believe that really dramatic changes came on in the (19)60s or just modest changes, I cannot tell you. I tend to think that the (19)60s will be seen as a time that produced quite dramatic changes in the character of American life, whether it would be seen as a really important turning point in our history. But I cannot tell you how the balance sheet will read in terms of whether those changes are thought to be good things or bad things.&#13;
&#13;
SM (00:38:08):&#13;
If there is one specific event that happened in your youth that had an influence on your life, what is that one?&#13;
&#13;
AB (00:38:19):&#13;
Well, I suppose the event that I remember most vividly, the public event that I remember most vividly as opposed to personal events is as, for many other people, the assassination of John Kennedy. I am not sure I would say that that is an event that changed my view of the world in profound ways. But it is certainly an event that left an extraordinary imprint on my sense of the world. I think what had a bigger effect on me was not so much an event as a moment, and that was probably 1968 and the extraordinarily turbulent events in even more extraordinary concentration of jarring events that occurred within a relatively short period. The Tet offensive, the end of the Johnson presidency, the King assassination, the urban arrest, the Kennedy assassination, Chicago. I think 1968 was a year that made everyone who was old enough to be aware of it and young enough to be still unformed in his order of thinking. We consider a lot of assumptions about what we thought about our lives, our world, our country. I think that would be the event, a year could be an event, an event that I would point to as being most influential in my view.&#13;
&#13;
SM (00:40:02):&#13;
There is a brand-new book out from 1968 in memory. I think it is Jules Lichtman.&#13;
&#13;
AB (00:40:07):&#13;
Oh, well there is so many books on 1968 now-&#13;
&#13;
SM (00:40:09):&#13;
Yeah, it is really good.&#13;
&#13;
AB (00:40:10):&#13;
It is so good? Oh.&#13;
&#13;
SM (00:40:13):&#13;
It is a good one too. There's one written, I think by [inaudible] Kaiser, what is it called? Kaiser, that came out a couple of years back. And it is my understanding that David Eisenhower and Julie Nixon Eisenhower are supposed to be working on a book from the Nixon presidency from '68 to the time he resigned. So, I am not sure when that is going to out. So, the issue of trust is an issue that faces many boomers today, and it is certainly a quality in America today that is lacking. And it is getting back to this trust in leaders, trust in other people. Psychologists just will say... Because I remember if a psychology course is when you think of it. Psychologists will say that if you cannot trust others, you have got to trust some people to be actually a success in life. Yet so many of the boomers did not trust the elected leaders of that period because of the things... We all know the story about Lyndon Johnson on the Gulf of Tonkin Resolution, where some people say it was just a way of getting into the war. It was not, I would say, an honest way of getting into the war. It certainly was not what Robert McNamara did as Secretary of Defense with President Nixon and Watergate, and a lot of those things of that era. But this period of trust is a quality that many boomers do not have. How prevalent do you feel this quality of lack of trust is within this generation that is now reaching 50, and it is passing onto its children, who I work with day in and day out in the university. And I have sense there is a lot of distrust amongst young people, authority people, and distrust of authority too today.&#13;
&#13;
AB (00:41:54):&#13;
Well, I mean this is one of the most commented upon phenomena of our time. We decline in trust in almost every kind of institution in American life. Starting with government, but extending throughout the spectrum, including lawyers, doctors, clergy and academics, understanding group [inaudible]. What has caused it? I think in part it has been the failure of government and of many other institutions to deliver on the promises that they made in times. But I think it is also been more importantly, a displacement onto institutions of an anger and disillusionment that many people feel about what has happened to the economy. Obviously, the economy has been quite good for many people, but for most people, at least until quite recently and probably still, the economy has been something that has made their lives much more anxious, much less secure, and in some ways much less affluent than they had expected it to be. And I think there is a great sense of disappointment among many Americans about the way their lives have turned out, their economic lives have turned out. And I think a lot of the loyalty towards, and trust in institutions that was so characteristic of the (19)50s and (19)60s was a result of the extraordinary successes that so many Americans were enjoying as their lives got better and better and better. And in the 20 some years since the early (19)70s, that has not been experienced in those people. And so, the same institutions, the accumulated trust and loyalty on the basis of successes in the (19)50s and (19)60s have forfeited it, because of basic structural changes in our economy works that are not necessarily a fault of these institutions, but they are blamed for it any less.&#13;
&#13;
SM (00:44:37):&#13;
Exacerbation, because when I interviewed Congressman Gunderson two weeks ago in Washington, former Congressman Gunderson, he said that he felt that when boomers age then reach the age of 65 and go into retirement, one third will be well off, one third will be in very bad dire straits financially and saved or whatever. And then one third will make it okay, but they are not going to be able to really enjoy themselves in a retirement, it will be just like a struggle day in and day out. And it is interesting, because we Congressman Ken [inaudible] on our campus, it was a year and a half ago talking about a book Common Sense. And in his lecture, he said one of the biggest negatives of the boomers is they have not saved, and they were going to pay a heavy price... I have two more questions for you. I will just ask you some names just to reflect upon. Then we will be done with the interview. These are names of the period. But, one of the concepts of the (19)60s, and again boomers had it in the first wave of boomers you were talking about, was this sense of empowerment. We teach students day in and day out when they come to school to feel empowered, idea of the students in leadership positions, but that their voice counts. And we are always dealing with issues of self-esteem. I hope a few people feel comfortable with who they are and what they are all about, and then they will speak their thoughts earlier. But I like your thoughts on the sense of empowerment amongst today's young people that you teach. Whether it be a peer [inaudible] or the history of reflection of young people today, whether they feel empowered because they are the sons and daughters of boomers. And whether you feel that boomers as they have gotten into adulthood and now hit rushing 50, feel a sense of empowerment that their voice counts. Maybe they do not vote, but where they work, involved in the local PTA, get involved in the local government or whatever. Just your overall thoughts on the concept of empowerment amongst boomers and their kids.&#13;
&#13;
AB (00:46:40):&#13;
Well, my experience of the college generation of power era is skewed by the fact that I have never taught anything but elite Ivy League institutions. So, the young people that I encountered are on the whole quite privileged people. And I am not sure that any generalization I can think about them would be meaningful for the public as a whole. But I will say that comparing the students that I encountered today from my own generation, comparable students in the higher pool institutions, I think there is a much lower degree of engagement with politics, conventional mainstream politics. My generation had a higher degree of career and economic anxiety, and a much more pragmatic view of education than this case when I was in college. But I have to say also that I find among students today, a much larger level of commitment to, I guess what I would call, community-oriented activities that most people I knew in my generation ever had. You mentioned volunteerism, and there has been a tremendous increase in volunteerism. High schools all over the country have incorporated volunteerism now as opposed... They are part of the curriculum. It is becoming almost unusual for people in any reasonably good high school not to have some experience with volunteering activities. And I think that is a kind of social commitment that we undervalue when we talk about this generation. And in many ways, it puts our generation to shame. We may have been deeply involved in movements to end the war and demonstrations on behalf of this or that. But not many of us have worked in homeless shelters, or worked in AIDS clinics or different kinds of things that so many students today are doing without any recognition, without trumpeting it in any way. So, I do not consider this generation an uncommitted generation. I think their commitments are different from ours. They might take a different form from what once ours did. They are perhaps less hopeful than we were or where we were at.&#13;
&#13;
SM (00:50:00):&#13;
I am going to list a couple of names here of individuals that anybody who they were alive in the (19)60s will remember these names. Maybe not to give a dissertation on each one, but just to simply give a few comments and your thoughts on their overall impact then, and their significance in the history of the times. First two would be Jane Fonda and Tom Hayden.&#13;
&#13;
AB (00:50:26):&#13;
Well, I would have to talk about them separately, because I think their years together are less important in both their lives than the years before they were together. Tom Hayden was probably the most single, most influential person who has left a somewhat more pragmatic figure in the left than others, but was very committed to radical. And in the years since then, he is tried, and I am not sure how well has succeeded, to find a way to fuse his radical commitments to mainstream politics, which is what a lot of formalists have tried to do with varied degrees of success. Jane Fonda, I think was a young, fiery, famous privileged woman with a lot of unearned political power, who felt very strongly about the war and did not have very good judgment with how to express it, as in consequences with 30 years.&#13;
&#13;
SM (00:51:37):&#13;
You still think part of the Vietnam veterans... See those badges, you are going to watch them. But then there is some with a wall [inaudible]. Jerry Rubin and Abbie Hoffman.&#13;
&#13;
AB (00:51:52):&#13;
Well, in a way I find them hilarious figures. Because they both had very well developed yet somewhat bizarre sensitive humor. And also, because they were such, in a way, they were almost the clowns of the new left. And they made political farce a part of the political process in a way. I do not have great admiration for them, I think they were very intelligent. I do not think they had much political sense. But when I think of them, I think of them as dark figures from our past. I think of them as sort of Atlantis figures in both senses of the word.&#13;
&#13;
SM (00:52:53):&#13;
Berrigan brothers, they just did a segment on Philip Berrigan on Sunday morning.&#13;
&#13;
AB (00:52:56):&#13;
Well, I admired the Berrigans at the time. And I am somewhat uneasy with the kind of passionate extremism they ultimately embraced. But I think that they had commitments that were based on a real moral sense of what was right. And although I do not admire everything they did, I admire their commitment.&#13;
&#13;
SM (00:53:40):&#13;
What about Benjamin Spock?&#13;
&#13;
AB (00:53:41):&#13;
Well, I am not sure that I admire Benjamin Spock's ideas about child rearing.&#13;
&#13;
SM (00:53:49):&#13;
He sees the challenges softly.&#13;
&#13;
AB (00:53:49):&#13;
Nor does he still subscribe to the ones that he was famous for in the (19)50s, But, you know, I think he was a decent man. He tried to use the power and the wealth that he had gained to do some good. I am not sure that he had much impact, but I admired him for his efforts.&#13;
&#13;
SM (00:54:14):&#13;
How about... There is so many people here. The black power advocates, the Bobby Seales, Huey Newtons, Eldridge Cleavers. They were kind of very impacting. Sophie Carmichael, Taggart.&#13;
&#13;
AB (00:54:26):&#13;
Well, I am not a great sympathizer with the idea of racial separatism, and so I am not very sympathetic to the ideas that they espoused. But on the other hand, I certainly can understand how black people, male strip of the (19)60s, would come to those conclusions. I think they helped create an unhappy tradition of Black politics that I think has done African Americans more than good over time. But I do not think I would attribute it to them personally. I think they would prove it was inevitable that these ideas would start to emerge, parts of the African American world, several reflections if it had not been with somebody else.&#13;
&#13;
SM (00:55:41):&#13;
What about Malcolm X?&#13;
&#13;
AB (00:55:41):&#13;
Malcolm X is really an enormous figure I think in African American history, and American history. I do not subscribe to the idea that he started out as a man filled with hate, and then came to a greater understanding and became more moderate and benign as he grew older. I think from the time he became engaged in politics, he was a deeply committed radical, who over time redefined his radicalism to embrace class issues somewhat more than they had at first, and racial issues somewhat less than they had at first. But I do not think he became any less radical.&#13;
&#13;
SM (00:56:24):&#13;
Timothy Leary.&#13;
&#13;
AB (00:56:25):&#13;
You know, this issue I suppose I am somewhat in accord with the right, which is that, I think the romanticization of drug use in the (19)60s was one of the most damaging legacies that our generation left for our children. And I think the romanticization was probably ignorance to a large degree. I do not think most of us... I was never aptly crossing them. But most of our generation used and celebrated drugs, understood the damage that they would do, both to them and to the society, but they probably should have. And Leary, it seems to me as he became a celebrated figure, he was someone who just was [inaudible] of this issue.&#13;
&#13;
SM (00:58:14):&#13;
Dr. Martin Luther King Jr.&#13;
&#13;
AB (00:58:14):&#13;
It has been said a million times. I think I probably admire him more than any other figure of the (19)60s. You are all aware of set of limitations that critics have attributed to him. He was a truly great man.&#13;
&#13;
SM (00:58:18):&#13;
Do you admire the fact of the stand that he took against the Vietnam War, and all the criticism he took at that time by even his fellow civil rights leaders.&#13;
&#13;
AB (00:58:24):&#13;
Well, I think it was probably a tactical error. But I think it was a morally defensible position. So, I guess I do admire him.&#13;
&#13;
SM (00:58:42):&#13;
Let me just change this. I have just got a couple more names. Some of the presence of this period, you have already made reference to John Kennedy, but just your thoughts on John Kennedy itself.&#13;
&#13;
AB (00:58:50):&#13;
Well, I think Kennedy is in many ways more important in death than he was in life. And he was, as a president, an interesting president with some accomplishments, but not great accomplishments. He has not had many great accomplishments. He may have had more if he had lived. But I think he became, almost despite himself, a symbol of a kind of energy, and activism, and vigor, and idealism that has had and continues to have an enormous impact on American culture and on American aspirations for people in my generation, the next generation. He is an extraordinary phenomenon, and much more extraordinary a phenomenon in death than he ever was in life.&#13;
&#13;
SM (00:59:41):&#13;
I shook his hand when I was a kid at Hyde Park, and I was there the day that Eleanor Roosevelt was trying to get the... It was a Sunday, and the parents were going back on a trip, and we just lucked out. We did not know what all commotion was. And he was there in the FDR Library talking to her about... I guess, at that time I did not know why he was there. I just know he was a candidate. And he came out and I shook his hand as he was getting into the car and left the library. He came out the back entrance. I was a young kid, so I will never forget that. The tan, the thin striped suit and the smile and everything. Robert Kennedy.&#13;
&#13;
AB (01:00:18):&#13;
Robert Kennedy, I had a real passion and devotion to, which I also had to his brother. My admiration for his brother has faded in the 30 some years since. My admiration for Bobby has not faded as much. I think he, coming out of a family situation that in many ways was sort of traumatic and destabilizing for all of those kids, found a power in himself in his last year's that was just extraordinary.&#13;
&#13;
SM (01:01:09):&#13;
George McGovern.&#13;
&#13;
AB (01:01:10):&#13;
Well, George McGovern I think was a smart, interesting man. A lot of the stature of many of the other major political figures of that age. I think he did not... The political imagination of the more successful figures of his time had spread this time.&#13;
&#13;
SM (01:01:44):&#13;
Eugene McCarthy.&#13;
&#13;
AB (01:01:48):&#13;
Eugene McCarthy is someone who never quite fit in a political world, who could not quite fit in it at the level that he maintained as a presidential candidate. I think he was a decent senator, a little more cerebral than most. And I think he was an effective voice in 1968, legitimizing opposition of the war. After 1968 I think he became kind of an embittered man who spent the rest of his public life angry about what he thought had been done to him, that he had been cheated somehow.&#13;
&#13;
SM (01:02:34):&#13;
Richard Nixon.&#13;
&#13;
AB (01:02:37):&#13;
Oh.&#13;
&#13;
SM (01:02:39):&#13;
You can write a book on that.&#13;
&#13;
AB (01:02:49):&#13;
I can write hundreds of books as people have. He is a brilliant man, great politician, very important figure in our history, very important president. And I think his great flaw... The flaws were kind of resentment and bitterness towards the part of the world that he believed had rejected him, but never left him even that he is a pinnacle of success. And also, I think a basic... I do not think he had very many core convictions. I think there was a moral compass in his political view. And he was such a realist, such a devotee rail politic, that he lost sight of any role center that might have reigned again as he was busy doing or tolerating things that finally destroyed him.&#13;
&#13;
SM (01:03:55):&#13;
Was not that one of the criticisms of John Kennedy, that he was more of a pragmatist, and if it was not for his brother who really had a conscience and developed a conscience?&#13;
&#13;
AB (01:04:04):&#13;
No, I do not know. That is something that could be said about a lot of politicians. I do not think there is anything wrong with being a pragmatist. But I think there has to be something at the core of it. This is one of the [inaudible] of Clinton too, is that there is nothing at the core. I do not know that I believe that. But I do believe that in Nixon.&#13;
&#13;
SM (01:04:26):&#13;
George Wallace. I am trying to get all these boomer names.&#13;
&#13;
AB (01:04:33):&#13;
Well, I think Wallace helped launch a new kind of politics that eventually became, at least for a time, a dominant politics in this country. But Wallace was too crude and too racist and too reckless to profit from it at the end.&#13;
&#13;
SM (01:04:53):&#13;
Spiro Agnew.&#13;
&#13;
AB (01:04:55):&#13;
Oh, slippery crook.&#13;
&#13;
SM (01:05:03):&#13;
[inaudible]. Muhammad Ali.&#13;
&#13;
AB (01:05:05):&#13;
Oh, I am a great fan of Muhammad Ali. And I think he was treated very badly by his country, or at least by his government. But a man of great courage, great spirit.&#13;
&#13;
SM (01:05:30):&#13;
Herbert McNamara.&#13;
&#13;
AB (01:05:34):&#13;
I do not think he is a bad man. He is a very smart man. But his intelligence is a throwaway that made him inappropriate for the kind roles that he played in the public wise.&#13;
&#13;
SM (01:05:49):&#13;
Barry Goldwater.&#13;
&#13;
AB (01:05:52):&#13;
Well, Barry Goldwater is the last voice of a bolder conservatism unconnected to the cultural politics that was dominating. He was a conservative, sort of rock-hard convictions about communism, the cold war, government, individual freedom. And there was a kind of icy certainty about him that made him somewhat unpalatable to the electorate in a way that Reagan, who shared many of those beliefs, but also managed to identify himself with a lot of fuzzy cultural issues, was not.&#13;
&#13;
SM (01:06:43):&#13;
Three more and we are done.&#13;
&#13;
AB (01:06:45):&#13;
Okay. Actually, I think we have to be done with maybe one more, because is 3:00 now.&#13;
&#13;
SM (01:06:49):&#13;
Okay. Just your overall impression of the musicians of the year and the impact that the music of that era had on boomers. It will be Bob Dylan, just a general analysis of all the music from that period.&#13;
&#13;
AB (01:07:03):&#13;
I do not know that I can do that with the time that I have. Clearly both rock music and folk music were both the defining cultural products of those generations. I am sorry.&#13;
&#13;
SM (01:07:17):&#13;
That is okay. I will like to just take three pictures of you.&#13;
&#13;
AB (01:07:20):&#13;
Okay.&#13;
&#13;
SM (01:07:22):&#13;
Thank you very much for taking this time.&#13;
&#13;
AB (01:07:25):&#13;
Oh, it was my pleasure. Very interesting project.&#13;
&#13;
SM (01:07:28):&#13;
Do you know Dr. [inaudible] at-&#13;
&#13;
AB (01:07:30):&#13;
Yes, he is a good friend of mine. Have you talked to him? Or...&#13;
&#13;
SM (01:07:33):&#13;
Yes. He came to our campus and spoke about his latest book.&#13;
&#13;
AB (01:07:36):&#13;
About the Parchment book.&#13;
&#13;
SM (01:07:38):&#13;
Yes.&#13;
&#13;
AB (01:07:38):&#13;
Yeah.&#13;
&#13;
SM (01:07:41):&#13;
Gave in to the development project too. Because he came to our campus last year in the middle of [inaudible] to begin, the conspiracy, so the mental degree, so that is [inaudible]. Just one more, just one more.&#13;
&#13;
AB (01:07:55):&#13;
Make it quick.&#13;
&#13;
SM (01:07:58):&#13;
Yeah. We have a light... Do you mind if I just put the wide angle on here?&#13;
&#13;
AB (01:08:00):&#13;
I do not have time really. I am sorry.&#13;
&#13;
SM (01:08:05):&#13;
Okay.&#13;
&#13;
AB (01:08:06):&#13;
I am sorry to rush you out.&#13;
&#13;
SM (01:08:07):&#13;
That is okay. Thank you for being able to have an hour with you, I really want to thank you. And...&#13;
&#13;
(End of Interview)&#13;
&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48080">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50747">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11812">
                <text>Interview with Dr. Alan Brinkley</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47886">
                <text>Brinkley, Alan ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47887">
                <text>audio/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47888">
                <text>Authors;  Scholars;  College Teachers;  Columbia University;  Brinkley, Alan--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47889">
                <text>Dr. Alan Brinkley (June 2, 1949 - June 17, 2019) was an author, scholar and professor of American History at Columbia University. He specialized in the history of twentieth-century America. Dr. Brinkley has been part of the Columbia University faculty for 27 years where he also served as the University Provost and chair of the Department of History. He previously taught American History at the University of Cambridge and Oxford University. Dr. Brinkley received his Bachelor's degree from Princeton University and his Ph.D. from Harvard University.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47890">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47891">
                <text>1997-08-13</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47892">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47893">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47894">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47895">
                <text>McKiernan.Oral.10.2016.27a ; McKiernan.Oral.10.2016.27b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47896">
                <text>2017-03-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47897">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47898">
                <text>68:21</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="892" public="1" featured="0">
    <fileContainer>
      <file fileId="3425" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/85675ac05b2f4469cd57b606563e498e.jpg</src>
        <authentication>ae68d53a4e584ba1d6bf13ef7fe11670</authentication>
      </file>
      <file fileId="3221" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/227288819d85c1196f5c5cd15ecfe6fd.mp3</src>
        <authentication>f701598fe1945579dcd2245f69a9a4d3</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12304">
              <text>1997-09-03</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="12305">
              <text>Stephen Mckiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="12306">
              <text>Anthony Campolo</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12307">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12308">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Dr. Tony Campolo is a speaker, author, sociologist, pastor, social activist, Professor Emeritus of Sociology at Eastern University and former faculty member at the University of Pennsylvania. Dr. Campolo was a spiritual advisor to U.S. President Bill Clinton. He has a Bachelor's degree from Eastern Baptist Theological Seminary at Eastern College and a Ph.D. in Sociology from Temple University.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:5003,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:[null,2,5099745],&amp;quot;6&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;10&amp;quot;:2,&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;}"&gt;Dr. Tony Campolo is a speaker, author, sociologist, pastor, social activist, Professor Emeritus of Sociology at Eastern University and former faculty member at the University of Pennsylvania. Dr. Campolo was a spiritual advisor to U.S. President Bill Clinton. He has a Bachelor's degree from Eastern Baptist Theological Seminary at Eastern College and a Ph.D. in Sociology from Temple University.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12309">
              <text>Binghamton University Libraries </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12310">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="12311">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="12312">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="12313">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17852">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Generational gap; Ethics; Baby boom generation; Protest; Religion; Cambodian invasion; Vietnam draft; Lottery; Healing; Vietnam War; War photos; Richard Nixon; Gerald Ford.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:13228792}}"&gt;Generational gap; Ethics; Baby boom generation; Protest; Religion; Cambodian invasion; Vietnam draft; Lottery; Healing; Vietnam War; War photos; Richard Nixon; Gerald Ford.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19780">
              <text>54:28</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20101">
              <text>Authors; Clergy;  Sociologists;  Political activists--United States;  Campolo, Anthony--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44316">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="45991">
              <text>McKiernan Interviews&#13;
Interview with: Tony Campolo&#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: REV&#13;
Date of interview: 15 July 2007&#13;
---------------------------------------------------------------------------------------------------------------------&#13;
(Start of Interview)&#13;
&#13;
SM (00:01):&#13;
Dr. Campolo, the first question I would like to ask is in recent days, and in fact in recent years, there has been a lot of criticism of the Boomer generation in terms of blaming a lot of the problems of today's society on Boomers. Oftentimes we might hear a question, Newt Gingrich on the floor of Congress making generalizations about Boomers. George Will might write an article on the entire generation, blaming this group, that grew up in that era, for the problems of the breakup of the American family, including the divorce rate, the increase of drugs, the lack of respect for authority, and things like that. I would love to hear your thoughts on the Boomer generation and whether that criticism is a fair judgment of this 65 plus million.&#13;
&#13;
TC (00:53):&#13;
I feel that the Boomer generation did rebel against authority. I think that it was a rebellion that perhaps was justified in some respects and in other respects it was not. The (19)60s, particularly, were a period where America was struggling to figure out what is right and what is wrong. [inaudible] Older people had absolute values of right and wrong when it came to personal behavior, and they were absolutistic about sexual activity, about what was right and what was wrong. They had absolute values about personal honesty. They had absolute values about respect, all those things that you mentioned. However, they abandoned any concept of absolute values and grappled with what, at the time, would have to be called situational ethics when it came to societal affairs. Case in point, civil rights, they would say, "Well, of course it is wrong to be discriminating against African American people." They would have said Black people, but it is not as simple as all of that. You got to consider the situation. We did not get into this mess overnight. We are not going to get out-out of this mess overnight. To expect immediate change, to expect that we are going to do everything right immediately on this issue is expecting far too much. We have to in fact be gradualists, very, very much into the situational ethic value system. The same thing can be said about the board in Vietnam. No one ever asked the question as to whether it was right or wrong. I do not think you could ask the older generation how we ever got into that war or what it was all about. There was a sense, however, that whether it's right or wrong, we need to stand behind our president. We have to stand behind our brave soldiers. Even if they are wrong, we must support them. And thus, the question was never, "Was the Vietnam War right, or was the Vietnam War wrong?" The question was always, "Are we going to stand behind the president and are we going to stand behind our soldiers, or are we going to be disloyal?" So, the issue was never phrased in terms of morality. It was phrased in terms of loyalty. This set up a conflict in which each generation accused the other of being immoral. The older generation said to the Boomers, "Look at you. You are smoking marijuana. You are sleeping around. You have rejected the sexual morays and values of our generation. You are libertine. You are immoral." The younger generation was saying to the older generation, "Look at you. You have maintained racial segregation. You oppress women. You propagate a war that is immoral without ever asking any questions about it." So that each generation was accusing the other of being immoral and there was a lack of respect across the line because neither group saw either the good or the evil, who never saw the good in those that stood against them, nor the evil in their own position. I do not think the older generation really understood the evil of maintaining a political economic system that fostered injustice, nor did the kids really understand the evil of deviating from moral patterns that their parents had established. There was a sense in which the kids saw the moral bankruptcy of the older generation on societal issues and hence felt that those people in the older generation had no moral authority with which to speak to them. To a large degree, I think that is right. I think that in fact, we lost our moral authority in their eyes because of our very refusal to deal with the social issues of our time in moral categories. We were very pragmatic, we were very realistic. We were very situational ethics oriented, and our kids lost respect for us, and that was the thing that gave them, I think, a sense that they had the right to create their own morality.&#13;
&#13;
SM (06:33):&#13;
Very good. I got one follow-up. It is working. As a follow-up to this, if you were to look in 1997 at the Boomer generation, and Boomers are just hitting the age of 50, Bill Clinton is a forerunner of this. We also realize on some of the interviews that I have been doing that it is hard to define a generation, because people of 55 that I know in this process feel like they are closer to the Boomers than those that the younger Boomers might be, and Boomers being those born between 1946 and (19)64. If you are to look at the overall impact right now that the Boomers have had on America, could you give me again just a brief listing of the positive qualities of the Boomers, maybe some adjectives, and some negative qualities of Boomers, adjectives, knowing that Boomers are still right in their prime now and they still have many more years to live and produce?&#13;
&#13;
TC (07:25):&#13;
I think the positive side was that they incarnated the best traits of liberalism. They were in favor of ending racism, sexism. They never really dealt with the gay issue in any significant way, although their openness to gay people was the beginning of the movement for gay and lesbian rights. They had a belief [inaudible] the government could be an instrument through which a just society could be created. They believed in the positive potentialities of political power. I do not think anybody believes in that anymore. I do not think we really see political power as something with positive potentialities. I think we almost see political power these days as a necessary evil that needs to be restrained and constrained. But in that era, they really believed that government could do things. They were the people who gave birth to the environmentalist movement. It's no surprise to me that a Gore and a Clinton should be such strong environmentalists, and an older man like Bob Dole does not quite get it. Decent to the core, but never really could grasp what all the fuss was on the environmental issue. I think that this generation, the Boomers also saw the evils that were inherent in corporate capitalism, and were suspicious of big business, and really raised questions as to whether or not we could have it just society unless big business was in some way constrained. Could we clean up the environment without restraining big business? I think of how they would have reacted if the information about the cigarette industry would have surfaced in the (19)60s rather than the (19)90s. There would have been an uproar on campuses. There would have been a furor that, beneath the surface, this is evil at its worst level. Corporate executives sitting around the table having concrete evidence that they have a product that is going to kill 450,000 Americans in any given year, and for the sake of profit repressing, suppressing that information. To me, the (19)60s, the Boomer generation, when they were in their collegiate years would have march, screamed, yelled, and would have, in fact, used that as a cause celebrity for bringing down the establishment. This is what American capitalism is about. I can just hear them. So, I think that that was their good side, that they saw the evils of corporate capitalism. They believed in government, they were idolists, and they really did believe that a better world was a social possibility. They believed they really could create a better world.&#13;
&#13;
SM (11:28):&#13;
Negatives?&#13;
&#13;
TC (11:31):&#13;
First of all, their values had no religious grounding. And I do not say that just because I am a religious person myself, but there was nothing beyond their own sense of right and wrong that legitimated their cause. They did not hear it. They did not hear a distant drummer. And so, when they marched out of step with others, they did so out of an existential decision, rather than out of a sense of oughtness from God. For instance, when I meet my friends from that generation, I recognize that many of them have given up and their response was, "You cannot change the system." And they gave up because their confidence was in themselves. And when they failed, there was no power to lean on beyond themselves. Religious people, on the other hand, I am talking about friends of mine like Jim Wallis.&#13;
&#13;
SM (12:50):&#13;
He wrote a book.&#13;
&#13;
TC (12:50):&#13;
Yeah.&#13;
&#13;
SM (12:51):&#13;
On [inaudible], yeah.&#13;
&#13;
TC (12:52):&#13;
The Soul of Politics&#13;
&#13;
SM (12:52):&#13;
W-A-L-L-I-S. It is-&#13;
&#13;
TC (12:55):&#13;
Yeah. But Jim is a guy who was active during the (19)60s. He is still active today. I would fall into the same category. It is an interesting thing, about a year and a half, two years ago, rather, it is a year and a half ago now, a group of us went down and protested the change in the welfare bill and were arrested in the capitol building. But the thing that was so interesting was that we were all older people. It was not the younger people that were there. There were elderly women given their... You went to court, as we had to explain why we did this, what happened? Why were not the young people there of this generation, number one? Number two is why we are the only people there to get arrested? Religious people, every one of us spoke out of a religious value system, so much so that the judge that hurt our case could say, "Instead of putting you in jail, I am going to ask you each to write an essay on why your religious convictions led you to stand against the government at this particular point." The fact that only the religious people are left, and the reason is that we recognize that the struggle is not a 20th century struggle, but the struggle is as old as the human race. And the calling to struggle is a calling from a God who transcends time and space. And hence we keep on struggling because we sense this higher calling and if we lose a battle and we lose more battles than we win, we lose battles in a cause that ultimately triumphs, which is what religion is all about. We do not have to see victory. I think the Boomer generation had to see victory. Victory would validate their efforts. And when they did not see victory, they did not have validation for their causes and hence gave up. And now they are selling stocks on Wall Street and have become part of that very establishment that they were so hard against. I think that the younger generation, that the Boomer generation to a large degree, was spoiled in the sense of being spoiled kids. In a sense, maybe more spoiled than this contemporary generation, because they were the last generation that knew that if they got a college education, there was a lot of money to be made after graduation. They never doubted that they were employable. They never doubted that the establishment would take them in on their own terms. This generation knows if they want to get a job, they would better play the ball game as the establishment prescribes it. I think another sense, I remember when the Cambodian invasion took place, there was a meeting at the Palestra at the University of Penn, and one student after another stood up and spoke against Nixon, the government, and all of that stuff, and a young man who is very religious but very radical stood, and he said, "How many of you believe in God?" Which seemed strange in the midst of this anti-war furor, and very few hands went up. He said, "We are the only ones who have a right to protest this war. And the reason is simple. If there is no God, then the highest law, according to the social contract theory, is the will of the people. Well, the people have spoken, they voted in Richard Milhous Nixon for a second turn. The American people want to pursue this war. We are a minority who oppose it. In a society like ours, we either have to win the election, which we did not, or go along with what the majority has prescribed. On the other hand, if you are religious, you never have to go along with the majority, because you are obligated not to the social contract, but to a biblical revelation." Strong point. And so, they were not grounded in anything beyond themselves. They were spoiled. They looked for, they had to succeed. They marched down to Washington like Joshua's army, marched around the city, blew their horns, and when the walls did not come tumbling down, they went home like spoiled little kids saying, "Darn it, they did not listen to us." So that is the negative side.&#13;
&#13;
SM (18:03):&#13;
It is interesting and just a commentary for you in the next question, why is it? You know, I am of that generation, and I know that night when Nixon gave that-&#13;
&#13;
TC (18:10):&#13;
Yeah.&#13;
&#13;
SM (18:11):&#13;
...speech on Cambodia because it was April 30th, 1970.&#13;
&#13;
TC (18:12):&#13;
That is right.&#13;
&#13;
SM (18:14):&#13;
And I broke my arm that night. It was my senior year at SUNY Binghamton, and it was two, well, weeks away from graduation. And I was in the operating room at the point that that invasion was taking place. And our campus was just being torn apart before graduation. And I will never forget being in the hospital a couple days later, the doctor, I was in a terrible accident, who saved my arm, and I had the magazine that my parents had brought in of the girls sitting over the Jeff Miller, and the doctor saying, "I wish they would kill all those damn students." And this is the doctor that saved my arm. And it was at that juncture that I knew I had to get in higher ed because of the lack of communication.&#13;
&#13;
TC (18:54):&#13;
But I think that Cambodian invasion showed both the best and the worst of us. We stood against injustice and the obscenity of bombing people who wanted nothing more than the right of self-determination. It also revealed the phoniness of us. I was at Penn teaching on the faculty there at the time. They called off final exams. They probably did at your school as well.&#13;
&#13;
SM (19:20):&#13;
They did.&#13;
&#13;
TC (19:21):&#13;
And the purpose of calling off final exams was that students could participate, so that they could talk over the issues, so that they could develop a strategy for changing America. That was the lofty reason for calling off the exams. If you remember, the day they called off the exams, everybody got in their cars and drove home.&#13;
&#13;
SM (19:42):&#13;
I was in the operating room.&#13;
&#13;
TC (19:43):&#13;
Yeah. Well, that is what happened.&#13;
&#13;
SM (19:44):&#13;
Yeah.&#13;
&#13;
TC (19:44):&#13;
That is what happened. The discussion ended at that point, and they shouted and said, "How can you have final exams when we must deal with these issues? How can you have final exams at this time of crisis?" And so, the administration's capitulated and said, "You are right. You are right. We must, in fact, call off exams so that the students can come together and talk, and discuss, and come up with a strategy." They called off exams and the next day everybody was gone, which said beneath this veneer of concern was really not as deep a commitment to social justice as appeared on the surface.&#13;
&#13;
SM (20:20):&#13;
See, some of the individuals that interviewed, just your thought on this that when the draft, because one of the big things was to end the draft, and again, Boomers, when they felt that that they had one on that issue, that there were no other issues. And even though knowing that, at this particular juncture in time, in 1970, the evolution of the women's movement, the gay and lesbian movement, the Native American movement, well, Latino Chicano movement, they were all around that timeframe.&#13;
&#13;
TC (20:49):&#13;
There is no question that it diffused a lot of the concerns, but I have to say that the anti-war movement predated the initiation of the draft. The anti-war movement, if you trace it out historically, basically before they were ever drafting for Vietnam in any way, there were strong protests emerging on campus. The teach-ins started very, very early on, I would say late (19)50s, early (19)60s, the teach-ins were already taking place. So, when the draft was instituted, that stimulated concern, because all of a sudden, "This is going to involve us." But even then, in the early stages of the draft, there was no real problem for students, because students were exempt, as you may recall.&#13;
&#13;
SM (21:45):&#13;
Students.&#13;
&#13;
TC (21:46):&#13;
And yet, even though students were exempt, the protest movements against the war were still in pretty high gear. When, of course, the lottery was introduced, then it took on higher proportions. There is no question that the lottery, and which brought in the drafting of young people who were in college threw fuel under the fire, but it was pretty intense opposition to the war long before it. As a matter of fact, one of the reasons for the lottery, intriguingly enough, if you go back and trace it, was that the students themselves were calling for it. They were arguing that the war was incredibly racist because the white students were away at the universities and exempt, leaving the inner-city Blacks as the only people left to draft. And so, there was a strong protest theme that the draft has to end because it is a genocide. Instead of them ending the draft, Nixon said, "You are right, it is racist. Therefore, we will start drafting college students, too." It was not exactly the result of the protest that they-&#13;
&#13;
SM (23:05):&#13;
Todd-&#13;
&#13;
TC (23:05):&#13;
...imagined.&#13;
&#13;
SM (23:05):&#13;
...Gitlin did not say that.&#13;
&#13;
TC (23:06):&#13;
What is that?&#13;
&#13;
SM (23:07):&#13;
Todd Gitlin did not say that when I interviewed him. He would not, probably. He got a-&#13;
&#13;
TC (23:14):&#13;
What would he say?&#13;
&#13;
SM (23:14):&#13;
You know Todd Gitlin?&#13;
&#13;
TC (23:14):&#13;
Yeah.&#13;
&#13;
SM (23:15):&#13;
Because he still is a firm believer that any of those individuals that were in the movement on the left were right on everything.&#13;
&#13;
TC (23:25):&#13;
Well, they may have-&#13;
&#13;
SM (23:28):&#13;
And he has not changed at all. But you-&#13;
&#13;
TC (23:30):&#13;
That is interesting.&#13;
&#13;
SM (23:31):&#13;
...raised a good point because, you see, what you are bringing up something that someone else has not said, and that is great about this project, is that, you know, we are getting different perceptions on-&#13;
&#13;
TC (23:40):&#13;
Hmm.&#13;
&#13;
SM (23:40):&#13;
...different questions. If you were to look at the issue of healing, now, one of the concerns that I have seen at the Vietnam Memorial, I have gone down there the last five, six years at the Memorial itself, and tried to get a grasp on whether there has been healing within the Vietnam veterans, and maybe even the people who come to the wall who are not veterans. I would like your thoughts on the Vietnam Memorial that was put together in that was opened in 1982, your thoughts on its impact on America, whether the job that it has done with respect to healing within the Vietnam veterans themselves and in the Boomer generation.&#13;
&#13;
TC (24:19):&#13;
Well, on a psychological level, I am sure that the wall in Washington has had-&#13;
&#13;
SM (24:28):&#13;
Would you like some water?&#13;
&#13;
TC (24:29):&#13;
No, thanks.&#13;
&#13;
SM (24:29):&#13;
No?&#13;
&#13;
TC (24:30):&#13;
... has had very positive therapeutic effects. To see these veterans that are weeping at the wall, leaving their medals there, in many instances, reaching out and touching the names of their comrades, all of this has had tremendous therapeutic value on a psychological level. I am sure there are social consequences for that. But I would dare say there is no healing on a societal level about Vietnam, that those who are convinced it was right are more convinced than ever. And those that are convinced it was wrong are more convinced than ever. A good example of this is the whole attitude system towards Bill Clinton, who opposed the war on moral grounds. Once again, the question is not whether was he right? Was he wrong? The question was he was not a loyal American. That is what the American Legion says about him. The question is not morality, the question is loyalty. And he was not "a loyal American." And they are still couching it in those terms. The fact that the President of the United States opposed the war on moral grounds, he was not draftable anyway, he was at Oxford. He was a student. He did not avoid the draft. People seem to forget that he did not do anything different than any other college student in America did. But in the midst of all of that, he said, "I am not going, but because I am not going to be drafted." But, on the other hand, and this is the big issue, "This war is wrong." And I find that all across America, the conservative political establishment still says, "We do not care whether it was right or wrong." We just know that you were over there at Oxford and you criticized the US government." That is where we are. And I do not know that there is going to be any social healing on this issue. And there can be no healing for the same reason why, on the individual level, there can be no healing until there is confession. If you're psychologically messed up because of something that happened 20 years ago, you got to get that out on the table. You got to talk about it. If you did something wrong, you got to repent of it. You got to set things right. You cannot simply repress the past. You have repressed Vietnam. I could go out there tonight and ask a very simple question of all your students. "Can anybody tell us what the Geneva Accord of (19)54 said and how that became the basis for war in Vietnam?" And there will not be one out there that will know, not a one. And these are educated people. We have done what the Japanese have done, we have written out of history those things that we would as soon forget. And so, you look at a Japanese textbook for a high school student, and you are amazed. They were the victims of America. They do not acknowledge the fact that they bombed Pearl Harbor. They do not acknowledge the fact that they invaded. It is all forgotten. And history is rewritten in such a way that they repress these things. And only recently, there are those in Japan who are saying, if we are ever going to heal the wounds of World War II, we have got to face up to our responsibility as a nation. Well, what we are saying, it is about time that Japanese do. My response is it is about time that America does, that we, in fact, still suffer from a guilty conscience because down, deep inside of people, there is an awareness that something went on there that was terribly wrong. We dropped more bombs on this little country than was dropped on all the rest of the world during all of World War II. We used chemical warfare, Agent Orange. We devastated the land. For what? What was the point? And if you were to go out there and say, "Did you know that the whole war was about trying to keep a free election from taking place?" Which is what it was about. The Accord of (19)54 guaranteed a free election in (19)58, and the people in Washington at that time knew that there was a free election in Vietnam. Ho Chi Minh would have been elected overwhelmingly. And so, we went to war to save people from voting, because if they voted, democracy would end. The incongruity of that. And if you went out there and- [inaudible]&#13;
&#13;
SM (29:53):&#13;
Out there and asked the students.&#13;
&#13;
TC (29:54):&#13;
They would not know that. And yet, that is history. So, we really have to say that, in that sense, these things, there will not be any healing. The healing will not take place because America is not ready to face up to what it is done. And I think it cannot face up to what it's done for a very important reason. A generation or two will have to pass away before we can face up to it. Senator Kerry gave a speech before the US Senate hearings on Vietnam when he was-&#13;
&#13;
SM (30:38):&#13;
Senator from Nebraska?&#13;
&#13;
TC (30:39):&#13;
No, the senator from-&#13;
&#13;
SM (30:40):&#13;
Massachusetts.&#13;
&#13;
TC (30:40):&#13;
...Massachusetts.&#13;
&#13;
SM (30:40):&#13;
Okay.&#13;
&#13;
TC (30:41):&#13;
...when he was the leader of Vietnam Veterans Against the War, and he was still in his uniform, he was still a soldier. I think he never has reached the pinnacle of greatness in that speech which will go down in history as one of the great speeches of history, as he said to the US Senate committee hearing, "How do you tell the last- "&#13;
&#13;
Peggy (31:06):&#13;
"How do you ask a man to be the last- "&#13;
&#13;
TC (31:06):&#13;
"How you ask a man to be the last man to die in Vietnam?" That is a good question. "How do you say to the families of 50,000 men who lost their lives there, 'It was a waste.' How do you tell them that? How do you tell them that they gave their lives, not only for nothing?" Which I think they are beginning to realize now. "Hey, our sons died, and what happened? Nothing." "But worse than that, your sons went over and died in order to perpetuate injustice. How do you tell American? How do you tell hundreds and hundreds of thousands of people who gave their finest and their best to this country they believed in, that not only was it in vain, it was worse than that, that their sons became the instrument of death for three million innocent people? How do you tell them that? That is the truth and how can there be healing when nobody faces the truth?"&#13;
&#13;
SM (32:23):&#13;
You look at the Vietnam War, why did it end? How important were students on college campuses? How important was Middle America witnessing the body bags coming home on national television? Jack Smith said the reason why the war ended was because middle America finally saw what was happening. That was his thought. I interviewed him. But I have had different thoughts.&#13;
&#13;
TC (32:46):&#13;
I do not know why it ended. I think that the American people, of course, demanded that it end, that, at a particular point, even Richard Milhous Nixon was trying to figure out how to end the war and he was the one that ultimately did. But let me just say that when I look at the end of the war, it never really ended. It just petered out. They closed in on the embassy, and we got on our helicopters, and we flew away, and there were nothing left. Nobody wants to face this. The war ended for one primary reason. We lost it.&#13;
&#13;
SM (33:31):&#13;
[inaudible] that.&#13;
&#13;
TC (33:32):&#13;
You do not ask the German people. "Why do you think World War II ended?" The answer is, "The Russians entered Berlin and the Yankees met them on the other side. It was over because we were destroyed." Please understand that the last image that I have of the war in Vietnam is a helicopter taking off and people hanging onto it, trying to get out, the Marines making their last escape. It was not like Hong Kong, where the British pulled down the flag, saluted, turned the country over. We left in the context of sheer chaos, and defeat, and confusion. The very fact that you asked the question is evidence to me why there will not be any healing. We have not faced the fact that not only were we involved in something that was totally immoral, but we are refusing to face the fact that we lost it. We are still kidding ourselves to think that we had a ceremony in which we decided to walk away. There was nothing left of us. They wiped out everything. They closed in, it was over.&#13;
&#13;
SM (34:47):&#13;
Yeah. It is-&#13;
&#13;
TC (34:48):&#13;
Then, when you ask, "Why do you think the war ended?" Answer, "We lost."&#13;
&#13;
SM (34:54):&#13;
You are the first person to say that in 41 interviews.&#13;
&#13;
TC (34:56):&#13;
Stop to think about it. Did not make any difference whether you were for the war or against the war. Ford was the President when it finally all fell apart. And when it happened, he introduced into Congress a bill to make another effort. And even the right-wingers voted him down. "We are out of there. It is over. It is done. It is kerplunk." What is it about this country, that we cannot face the fact that we sin and that we lose? Must we always be righteous and must we always win?&#13;
&#13;
SM (35:40):&#13;
I want to get back to something. When I was young and a lot of people late (19)60s and early (19)70s, the Boomers who protested against the war, those got involved in many of the movements, used to always talk amongst ourselves, that, "We are the most unique generation of American history. The most unique generation of American history." As a person, I still feel we were personally, that is just-&#13;
&#13;
TC (36:00):&#13;
Because you were.&#13;
&#13;
SM (36:00):&#13;
...my feeling. But your thoughts on that kind of an attitude, that many of that generation of our generation felt? And then you look at as they have gotten older, and you have already made some commentary about the idealism of their youth waned because they wanted to make money on Wall Street. So, your thoughts on, well, we have had some people who said that, "World War II was the most unique generation of American industry. They fought a war. They won a war, they beat Hitler."&#13;
&#13;
TC (36:30):&#13;
Yeah.&#13;
&#13;
SM (36:30):&#13;
So, it is just your thought.&#13;
&#13;
TC (36:30):&#13;
I think it is wonderful. But we won other wars before. Up until the Vietnam War, and the Vietnam War was the climax of something that began during Eisenhower's years. Peggy and I are old enough to remember something you do not remember. It was the U-2 episode. You have no idea what the U-2 episode told us. President of the United States said, "We do not spy. America does not spy." Can you imagine that? Can you imagine a president standing up and saying, "We do not spy. The Russians spy. We do not have spies." And guess what? We believed him. All of America believed Eisenhower when he said that. And the thing is that they dragged out Powers. We will always remember him. And they stood him up in front of the camera, and they said, "What were you doing?" "I was flying a spy plane." Think of the naïvete that we had, that we, as Americans, did not spy. I remember being in school in U-2, when they said, "Do you know what? People in places like Russia, when they read the newspaper, they cannot be sure that what they're reading is true. Aren't you glad that you live in a country where, when you pick up the newspaper, everything you read is true?" You refuse to believe that. But that was not just Peggy and me, that was all of America. We were the nation that did not lie. We were the nation that did not spy. We were the nation that did not commit sins. "America, America, God shed His grace on thee." We were the new Israel. We were the City on the Hill. We were the best hope for democracy. We were the people who were the free. America was the kingdom of God realized in history, and we believed it. We really believed it. And starting with Eisenhower, the disillusionment began to set in. And then beyond that, the cracks began to occur. "Was Jefferson really the wonderful man we thought he was, or did he have slaves? And was Washington really all that good? And what about Lincoln? Well, he abolished slavery. Did not you really believe in the inferiority of Black people?" And suddenly, Eldridge Cleaver wrote a book, Soul on Ice, that was crucial, in which he said, "The heroes of America are falling. We do not believe in them anymore." These heroes played the roles role of saints. They were the embodiment of all that was good, and true, and wonderful. Suddenly they were not that wonderful. Suddenly American was a spying nation, just like the Russians. And suddenly we realized that our newspapers lied to us. We could not believe what we read. And the disillusionment began to set in. And Vietnam was the clash between one generation that was the end of an era, the end of the age of innocence. I am not the first to coin that phrase. The end of the age of innocence. And the (19)60s and the Boomers were the beginning of the age of cynicism. And that was the clash between the two. This generation that came along called the Boomers just did not believe. Think of the songs. (singing) Do you know that song?&#13;
&#13;
SM (40:24):&#13;
Mm-mm.&#13;
&#13;
TC (40:29):&#13;
See, I do not think you can understand this here unless you understand music. I think Pete Seeger, Tom Paxton, Joan Baez defined the age, the transition came with The Beatles, who made social revolution into a private thing. "You got to get your own head together." That was their message. "Forget the world, get your own head together." But here were the songs of the year. (singing) See the cynicism right at the end? (singing) The cynicism right at the end. (singing) And this song by Tom Paxton. (singing) I remember this song.&#13;
&#13;
SM (41:32):&#13;
That is my [inaudible].&#13;
&#13;
TC (41:32):&#13;
You remember that song?&#13;
&#13;
SM (41:35):&#13;
Yes.&#13;
&#13;
TC (41:36):&#13;
"But you must teach me, Sergeant, for I have never killed before." Ooh. "Tell me about the hand grenade. Does it tear a man to pieces with its ... " And people were singing those songs. Bob Dylan singing, "The times- "&#13;
&#13;
SM (41:54):&#13;
They are a-changin'&#13;
&#13;
TC (41:54):&#13;
" ... they are a-changin'." Your sons and your daughters are beyond your control. There is a new value system out there, a new way of looking at things. We do not believe in you anymore. We do not believe in what you are teaching us. We do not believe in your sense of American history. We are not even sure we believe in American anymore.&#13;
&#13;
SM (42:12):&#13;
I know Country Joe and the Fish was another group that sang, and in fact, country, Joe and the Fish did an album recently on Vietnam.&#13;
&#13;
TC (42:20):&#13;
Yeah, it was an incredible era in which the music called everything into question. "Little boxes on the hillside, little boxes made of ticky tack." You remember those?&#13;
&#13;
SM (42:37):&#13;
Mm-hmm.&#13;
&#13;
TC (42:37):&#13;
The suburban dream that we all had. World War II, we were all going to buy a house in the suburbs. And suddenly, as Pete Seeger says, "What is this suburban community? Little houses on the hilltop, and people made of ticky tack and they all drink their martinis dry."&#13;
&#13;
SM (42:54):&#13;
You made a very good observation, because most Boomers, and I being one, and others feel that the beginning of the change in the attitude of Boomers was assassination of John Kennedy. A Camelot, the idealism, "Ask for not what your country can do for you, but ask what you can do for your country." And you make a very good analysis here by saying, "A lot of the things in terms of cynicism started with Eisenhower."&#13;
&#13;
TC (43:16):&#13;
Yeah.&#13;
&#13;
SM (43:17):&#13;
The lies. And again, of course the free speech movement really began on the Berkeley campus in 1963. And they saw authority, just, they were not allowed to do something on a college campus. It spread nationwide, and young people got involved, freedom summer of (19)64 and so forth. But your thoughts, you have already talked about Eisenhower, but if you were to pick one major event that you think had the greatest impact on Boomer lives in their youth, what is that event?&#13;
&#13;
TC (43:46):&#13;
Martin Luther King's death, maybe, if they were old enough to remember that, had America going up on flames. It had to be a defining moment.&#13;
&#13;
SM (43:58):&#13;
We will finish up. It is 7:30.&#13;
&#13;
TC (44:00):&#13;
Yeah.&#13;
&#13;
SM (44:00):&#13;
I got a lot of questions, but I am at fault because you got our communication [inaudible 00:].&#13;
&#13;
TC (44:04):&#13;
But I think that would be a key thing for me, was the death of Martin Luther King. And the reaction to that was not a reaction of, "Let us go on from here and carry out his ideals." The reaction to that was total frustration, the total polarization of the Black and white communities. Up until that time, we were singing Black and White (Together). You remember that song?&#13;
S&#13;
M (44:33):&#13;
Mm-hmm.&#13;
&#13;
TC (44:35):&#13;
(singing)&#13;
&#13;
Peggy (44:35):&#13;
[inaudible] we shall overcome.&#13;
&#13;
TC (44:36):&#13;
We shall overcome, yeah. Suddenly, it was Black separatism, power now, and the Black people basically moved on the scene. This was the era when Muhammad Ali suddenly emerges on the scene and says, "I am not going to fight this war in Vietnam. So I got nothing against those people." You know?&#13;
&#13;
SM (44:58):&#13;
Mm-hmm.&#13;
&#13;
TC (45:00):&#13;
"And why should I fight to protect this America, this white America, that has trashed me and trashed my people? And we listened to him because there was a sincerity about him that could not be ignored. All of America saw a sincerity. Even those that despised him, despised him because of his sincerity. But I think that the death of Martin Luther King was the watershed for most young people, in which they had the sense that there would not be a peaceful, democratic solution to the agonies that were tearing this country apart.&#13;
&#13;
SM (45:44):&#13;
This leads me into a question dealing with the issue of trust. Do you think we will ever be able to trust again? Now, you made reference to Eisenhower, and certainly, we know what happened with Watergate, and we saw what McNamara did, and the Gulf of Tonkin resolution, President Johnson was not really honest with the American public. So, we had a succession of leaders not being, and just basically-&#13;
&#13;
TC (46:07):&#13;
Bipartisan.&#13;
&#13;
SM (46:09):&#13;
... crooks. And as young people, as growing up, they see this. And certainly, maybe the first lies we are seeing with Eisenhower lying to the public. Just your overall thoughts about trust, and then, most importantly, when we look at today's young people, the people that you are going to be talking to tonight in this audience, I do not think they trust. And so, where have the Boomer parents been, raising their kids?&#13;
&#13;
TC (46:31):&#13;
My argument would be that cynicism had its raise in [inaudible] the (19)60s, but cynicism has now taken on a life of its own. Cynicism is cool. It was a cheap excuse for ignorance. Namely, you have students in a campus who want to look sophisticated. They have not read anything. They do not know anything. But if they walk around with an air of cynicism, it will be a cheap duplication of intelligence. "But I do not believe in politics." "Why," should be the question. "Because they are all a bunch of liars." "Oh? What is the empirical evidence that you have rounded up for that?" They have no reason for their cynicism? It is cynicism without a hook to hang it on. And it's part of the cultural milieu. It is part of what goes with being cool. And if you want to be cool on Westchester's campus, you better act cynical. And if you cannot explain the faces of your cynicism, that is all right. You can put people off simply by using obscenities like, "It's all a lot of bullshit." That is their word, bullshit. Everything's bullshit. And they sound like they have been there, and back, and they know it all. They have read it. They have experienced life. They know what life is all about. The truth is they do not know anything. It has become part of a garb that displays itself as intelligence when in fact it is just a cool way to be. And when cynicism is admired, the cynic should always be cynical, with tears in his eyes, not with the sneer on his lips. The cynic says, "I cannot believe in America anymore." And the tears are running down his cheeks because he cannot believe anymore. But to do it with an arrogant sneer, that, of course, is unbefitting any human being.&#13;
&#13;
SM (49:07):&#13;
I am going to close over this question. The final question was going to be actually asking you a lot of names, here, and just getting your response, but I think the basic thrust of what I am after is in the meat of the interview in the beginning. I want to get into your thoughts on the concept of empowerment. Going back again to when Boomers were young, there was a feeling, a sense that, "We can be the change agents for the betterment of society, that we could possibly be the ones to end the war, that we could be the ones to bring Black people and white people together," you know, "because we see the injustices in- "&#13;
&#13;
TC (49:38):&#13;
Mm-hmm.&#13;
&#13;
SM (49:38):&#13;
" ...society, the injustices against women, injustices against gay and lesbians," all that whole period. Just your thoughts on this concept of empowerment that supposedly so many Boomers had as when they were young, and what has happened with a concept of empowerment today as they have gone into adulthood.&#13;
&#13;
TC (50:01):&#13;
Well, I think that the best example of that may be with Bill Bradley, who still believes in the ideals of the (19)60s. I think he is really the best example of the answer to your question. He thought if he went to Washington and became a senator, and maybe even president, he could change things from the top down. He has not given up the idea of empowering people. "But you do not empower people," he is concluded, and I have talked to about this, "by seizing control of the government and doing what is right from the top down. Empowerment begins from the bottom up." And so, he has now gone on to identify with the communitarian movement. "And what we need to do is we need to people together on the grassroots level. We need town meetings. We need to gather people together in a given neighborhood, and have them exchange ideas, and determine what is best for their neighborhood. We need to stop looking to Washington for the answers and start looking to ourselves for the answers." And there is the initiation, I would say, of a whole new politic in America, that maybe is going to be led by the Boomers, who said, "We took a shortcut. We really made a mistake. We said, 'The way for you to have power is to elect me, and I will make the decisions.' No, the way to make power is for me to step out of office." That is why I say Bill Bradley, as a model, is me to say, "The answer is not you elect me. See, you have power, now. No, you do not have power. If you elected me, I have power. And all you have done is given me power." I love Bradley's comment, "People do not live in a democracy just because they are able to elect their kings. If the person up top functions like a king, the fact that he got the crown through tradition and inheritance or that he was elected king makes no difference if he functions like a king." And so, you have a Bill Bradley that said, "I thought that the way for people to be empowered is for them to elect me. I now see that the way for the people to get power is for me to give up my office, and go back, and organize grassroots meetings to get people to seize control of their destinies. And if they cannot do it on a national and international level, at least they can do it on the community level." That is why organizations like Habitat for Humanity are thriving, because the X generation has picked up that theme. "We, too, want to change the world, but we're going to change it from the bottom up, not from the top down. We are not going to go to Washington and ask them to put in a new government housing program. We are going to build a house up the street and we're going to do it ourselves. And when it is done, we are going to look at it and say, 'See, we did not change the world, but there's one family now that has a house.'" And Habitat for Humanity now is picking up momentum. And I was on the executive committee of Habitat for Humanity in its earliest stages of development. And we thought it was great when we completed 1,000 houses a year. Now we're completing 50,000 houses a year across the country. It is picking up momentum all the time. And there is a bottom up change. And so when you go to Washington and hear the State of the Union address, there is Newt Gingrich wearing a Habitat for Humanity button on his lapel, and there's Bill Clinton wearing his Habitat for Humanity button on the lapel. Both of them are committed to Habitat for-&#13;
&#13;
SM (54:09):&#13;
Democrat-&#13;
&#13;
TC (54:09):&#13;
...Humanity.&#13;
&#13;
SM (54:09):&#13;
... nd Republican alike.&#13;
&#13;
TC (54:10):&#13;
Yeah. So whatever is going on up here, there is a sense that real power and real change is going to take place from the bottom up and not from the top down. And I think that is the great discovery of the X generation as opposed to the Boomers.&#13;
&#13;
SM (54:24):&#13;
Well, thank you very much.&#13;
&#13;
TC (54:25):&#13;
Okay.&#13;
&#13;
SM (54:25):&#13;
I will let you get some-&#13;
&#13;
(End of Interview)&#13;
&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50780">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12302">
                <text>Interview with Dr. Tony Campolo</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48322">
                <text>Campolo, Anthony ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48323">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48324">
                <text>Authors; Clergy;  Sociologists;  Political activists--United States;  Campolo, Anthony--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48325">
                <text>Dr. Tony Campolo is a speaker, author, sociologist, pastor, social activist, Professor Emeritus of Sociology at Eastern University and former faculty member at the University of Pennsylvania. Dr. Campolo was a spiritual advisor to U.S. President Bill Clinton. He has a Bachelor of Arts from Eastern Baptist Theological Seminary at Eastern College and a Ph.D. in Sociology from Temple University.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="48326">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48327">
                <text>1997-09-03</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48328">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48329">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48330">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="48331">
                <text>McKiernan.Oral.10.2016.62</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="48332">
                <text>2017-03-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="48333">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="48334">
                <text>113:55</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1188" public="1" featured="0">
    <fileContainer>
      <file fileId="6156" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/e346c6dbb9c5700f12b3049719af353b.jpg</src>
        <authentication>d3c60a65f11236d381e4412dd6b0b0e5</authentication>
      </file>
      <file fileId="3610" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/701d506a875c8952152be82530c442cc.mp3</src>
        <authentication>8c263f71197a48cb604d638922da3ede</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>Template: Simple Audio Player (Amplitude.js)</name>
      <description>This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17169">
              <text>1997-09-12</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="17170">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="17171">
              <text>Dan Fraley</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17172">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17173">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17174">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17175">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17176">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="17177">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19893">
              <text>&lt;span data-sheets-userformat="{&amp;quot;2&amp;quot;:15171,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:[null,2,16777215],&amp;quot;9&amp;quot;:0,&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,0],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:11}" data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Dan Fraley is a veteran who served during the Vietnam War.  He currently is the Director of the Veterans Affairs in Bucks County, Pennsylvania.  &amp;quot;}"&gt;Dan Fraley is a distinguished Marine&lt;span style="color: #202124; font-family: Thread-00002740-Id-00000072;"&gt; &lt;/span&gt;who served during the Vietnam War. For decades he has dedicated his life to serving Vietnam veterans, especially those who were exposed to Agent Orange in Vietnam. He has been on a mission to make sure that these veterans know about their benefits related to this service. He is the founder and the current director of the Veterans Affairs in Bucks County, Pennsylvania. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19894">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Vietnam War; Anti-war Movement; Baby boom generation; College anti-war protests; Civil Rights Movement; Questioning of authority; Emergence of a middle class; Lack of trust; Jane Fonda.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:513,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;12&amp;quot;:0}"&gt;Vietnam War; Anti-war Movement; Baby boom generation; College anti-war protests; Civil Rights Movement; Questioning of authority; Emergence of a middle class; Lack of trust; Jane Fonda.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19989">
              <text>125:55</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20198">
              <text>Vietnam War, 1961-1975--Veterans;  Fraley, Dan--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44592">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50879">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17168">
                <text>Interview with Dan Fraley</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49965">
                <text>Fraley, Dan ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49966">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49967">
                <text>Vietnam War, 1961-1975--Veterans;  Fraley, Dan--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49968">
                <text>Dan Fraley is a distinguished Marine who served during the Vietnam War. For decades he has dedicated his life to serving Vietnam veterans, especially those who were exposed to Agent Orange in Vietnam. He has been on a mission to make sure that these veterans know about their benefits related to this service. He is the founder and the current director of the Veterans Affairs in Bucks County, Pennsylvania.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="49969">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49970">
                <text>1997-09-12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49971">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49972">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49973">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49974">
                <text>McKiernan.Oral.10.2016.189a ; McKiernan.Oral.10.2016.189b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="49975">
                <text>2018-03-29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="49976">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="49977">
                <text>125:55</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="858" public="1" featured="0">
    <fileContainer>
      <file fileId="5733" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/12dd2067fa0bc0904c3c27c20e8451af.jpg</src>
        <authentication>92e4f114ceb3e390c715318ab09d11cb</authentication>
      </file>
      <file fileId="3250" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/7ef5d47bf44d8c2e8c33df2ca23dba48.mp3</src>
        <authentication>5f924d6b33c3a3009e6e36363a7b7dc0</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11828">
              <text>1997-09-27</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11829">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11830">
              <text>Douglas Brinkley</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11831">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11832">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Dr. Douglas Brinkley is an author, scholar and academic. He is currently a history professor at Rice University and the presidential historian at CNN. He is an author and has published 12 books. He received the Ann M. Sperber Biography Award in 2013 for his book, Cronkite. Dr. Brinkley has a Bachelor's degree from Ohio State University as well as a Master's degree and Ph.D. in U.S. Diplomatic History from Georgetown University.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:15233,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;10&amp;quot;:2,&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,0],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:9}"&gt;Dr. Douglas Brinkley is an author, scholar and academic. He is currently a history professor at Rice University and the presidential historian at CNN. He is an author and has published 12 books. He received the Ann M. Sperber Biography Award in 2013 for his book &lt;em&gt;Cronkite&lt;/em&gt;. Dr. Brinkley has a Bachelor's degree from Ohio State University as well as a Master's degree and Ph.D. in U.S. Diplomatic History from Georgetown University.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11833">
              <text>Binghamton University Libraries </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11834">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11835">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11836">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11837">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17825">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Baby boom generation; Civil Liberties; Vietnam War; Democratic party; Activism; Vietnam Memorial; Dwight D. Eisenhower; John F. Kennedy, Lyndon Johnson, Richard Nixon.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;Baby boom generation; Civil Liberties; Vietnam War; Democratic party; Activism; Vietnam Memorial; Dwight D. Eisenhower; John F. Kennedy, Lyndon Johnson, Richard Nixon.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19750">
              <text>77:37</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20070">
              <text>Authors;  Scholars;  College teachers;  Rice University;  Brinkley, Douglas--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="38583">
              <text>McKiernan Interviews&#13;
Interview with: Douglas Brinkley&#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: Benjamin Mehdi So&#13;
Date of interview: 9 September 1997&#13;
--------------------------------------------------------------------------------------------------------------------&#13;
&#13;
(Start of Interview)&#13;
&#13;
0:08  &#13;
SM: Okay, get over there. I will test it after the first question too. First question I want to ask is the recently and I have seen on the news a lot lately, and I have actually heard over many years, you will see George Will who will write articles on it yet he will make commentaries on ABC, you will possibly see Newt Gingrich saying it and on the floor of Congress and politicians generalizing about the boomer generation and their impact on American today, in mostly negative terms. I would like your thoughts and not only as your personal thoughts, but even from a historical perspective, whether the criticisms of the boomer generations has been leveled at them as they are the reason for all the ills in American society today, the breakup, the American family, the increase in the drug culture, the lack of respect for authority, those types of issues that were they were some individuals and even times the media tries to portray this group as the reason why we have declined as-as an American nation.&#13;
&#13;
1:02  &#13;
DB: In the view. I think it is all a lot of rubbish, that notion of blaming a generation for-for anything, particularly because what-what do you what do you have in a pre Boomer period, Jim Crow America, where African Americans do not have the right to vote, that they are living in, essentially an apartheid system throughout the south, that women are on subpar salaries, that minority migrant workers, minority workers have no rights whatsoever. You know, if you go back to that glorious Eisenhower (19)50s, before his boomers got control over American culture, what you would see is a is a white male autarky controlling the United States, his finances, and in controlling government. And I think we were much better off now in the (19)90s than we ever were in the (19)50s in the sense of more equity of distribution of capital. That is more civil liberties and civil rights for people. The American pie- it has been it was, it was being shared, I think, by more people, and hopefully by more to come in the future. So, I find that the boomer generation has been extraordinarily important in for has equal claim to being a group of a generation that has done more to change America in a positive fashion than any other generation simply on the areas of spite of civil rights and civil liberties which occurred during their period. Now, if there is going to be some criticism, there is-is a kind of feeling of the cheapening of American culture, the-the advent of kind of pop culture gone mad in, in Hollywood and magazines, records, music, but that is only because there is more and more people with capital, because of these changes to purchase, you know, D run DMC, you know, rap albums or to purchase, you know, Garth Brooks Country Albums or to get experiment leisurely in the drug culture. I do think that the promotion of drugs in the (19)60s, in some ways was problematic, because it is it not so problematic for middle class and upper middle class, but that just devastatingly dangerous for the underside, the other side, or Michael Harrington called it of American life. And so, you know, as any generation, there is a downside to certain things. But all in all, I think the boomer generation should be proud that they told the spoke the truth, and opened up the democratic process for more people than ever before. That is a major accomplishment.&#13;
&#13;
3:45  &#13;
SM: Just double check. It is kind of a little repetitive, because you already hit on some of the points. But if you were to look in 1997, we are heading into the new millennium. The overall impact of boomers not even looking at the criticisms that I mentioned the first question, but just as you know, the boomers are now reaching the age of 50. Bill Clinton has often said as a fore-runner, he feels he just reached 50. In fact, he turned 51 this year. But if you were to again, look at just overall this 65-70 million, I am quite sure the numbers of boomers amount of course, boomers being defined as individuals born between (19)46 and (19)64. Overall impact positive or negative?&#13;
&#13;
4:28  &#13;
DB: Positive. All generations are positive. I think it is all you know, there is nobody that goes around identifying themselves as I am a boomer. They do they have got kind of a problem. I mean, people are people. Kurt Vonnegut once told me there is no such thing as generation X, we are all generation Z. Each generation comes up together and starts themselves together and you know, there is no- or it could be generation a- but it is mean- meaning they are these deputies’ categorizations of everybody, by age bracket song. It is useful. In some ways, when you are writing and thinking about large, long-term trends in American society, but I do not think it has much bearing when you start talking about real people, they are always gaps between age groups, dad and son, you know, always have differences of opinion. That is kind of the way like this goes back to the days of the Bible. I do not think it is some new sociological generation trend.&#13;
&#13;
5:25  &#13;
SM: That leads you right into the question on the generation gap. It was a term that I do not even know if they use those terms. As a historian, you might know more than I would. But uh, that term was used over and over again, for boomers during the (19)60s and early (19)70s, to divide themselves and their parents to World War Two generation, mainly because oftentimes, boomers looked at the World War Two generation like they look at IBM, the corporate mentality, everybody be in it alike that, that whole picture of the IBM family of five people walking up front door, their house, all wearing a suit and a hat going into the same current status quo. And boomer said, not me, not me.&#13;
&#13;
6:02  &#13;
DB:  Think it gets exaggerated. But if you look in the (19)60s you know, most Americans college students were pro Vietnam war that they were more college students that were for Richard Nixon then against Richard Nixon, in 1968 on colleges, and he where are the you know, we-we become hostage to is the extravagances of the counterculture of the (19)60s of you know, the Haight Ashbury experience and Timothy Leary's, in the factory in New York of Andy Warhol. And, and we, because of that the it spoke out so loudly and flamboyantly about, from an artistic perspective, and a social perspective. I mean, Abbie Hoffman, remember talking to some years ago at Princeton, he is now deceased, that he has to say, you know, we quickly learned all you have to do is call a rally, get 10 people, but if you grab a TV on a middle of campus, smash it with sledgehammers, burn an American flag, you will find about 300 people watching the freak event. And then the media will come in and cover it and bring it into a million homes. So, what started as eight people smashing up a television suddenly looks like it is this big event on campus. I do not think they are the upheaval that the counterculture had that they kind of impact on American society as the republicans like Newt Gingrich used to say it. It is the revolution in the (19)60s was a social revolution, dealing with civil rights and civil rights for African Americans and women, the battle browns, beautiful, historic battle markers. Sure, there are some from and emerged in the counterculture in certain ways like Kent State, you know, protest, you know, but most of them are aware of Selma. And watts in the march from march to Montgomery, and Birmingham, Little Rock, you know, Albany, Georgia, these were Greensborough. These were places where direct confrontation to change society took place in this massive way. Not that that because there was a love in that in Haight Ashbury, or Woodstock Rock Festival. Those are significant, but it is just a little, that is every generation is going to have something outrages the parents, today, kids will have in college, their three earrings and go to some other kind of concert. And it is an alienation process with mother, father, that is very healthy. I do not trust students that do not have a little bit of alienation. And then when they are young, I find in there, so they are not intellectually engaging, if they are going to be 19-20. And not really care to read poetry or fiction or be idealistic, and think that they can change some of the things or want to take a few swipes at the mainstream American culture.&#13;
&#13;
8:54  &#13;
SM: One of the things that said would you like some water? One of the things that is interesting, I have worked in higher education on 19 years, I was out of a for a while. And when young people today look at their parents or boomers, I always keep coming back to that term. There seems to be two reactions, and this is [inaudible] your feelings, whether you see the same thing as a scholar that teaches students and has worked with him for quite a few years. Number one, I am tired of hearing about it. I have seen these people live in nostalgia the- you know, the times are so great, you know, and the and the other thing is this, basically they are sick of it and then the then the, there is no middle ground. The other side is I wish I live then. I wish there were the issues today, like the issues then civil rights, you know, certainly ending the Vietnam War, the women's movement, a lot so many of the movements came to fruition the late (19)60s and (19)70s. Your thoughts on that?&#13;
&#13;
9:47  &#13;
DB: Well, it that part I think is-is true. The (19)60s are exciting, because young people-people in their 20s made a difference. I love looking at the pictures of young Dr. King and Stokely Carmichael and Andy Young and Jim Lawson and you know, John Lewis and they are extraordinary to see these young men in their 20s actually changing the US Constitution and forcing governors to in the federal government to respond to their desires for their rights there is to be 20 and have-have been part of that was so exhilarating. I have talked to any number of young people now that are what you are calling boomers and they are in their (19)50s today, that their highlights of their lives we are working with snick when they you know, we are actually at these sites and the change and the-the excitement and the notion of the antiwar movement. The fact is that they did bring Richard Nixon down. that Watergate in the Vietnam War of a- the people protesting were correct that this was an immoral war. There is- we could not find an honest historian in the country today, not to say that Vietnam War was a mistake. So, what these people were protesting were in many ways, accurate and correct. So and then the fact that the music of the era was just seemed to connect to the social protest in a way through whether it was through Bob Dylan or, or, you know, Janis Joplin or-or, you know, or others that just had that link to the-the soundtrack kind of to the era all makes it combined into a certain kind of counterculture romance that you could get caught up in and look back to, and you are never going to have that now, it is not the world's not quite like that. Now-now, the romance, you know, people are taking set up websites, for their political issues out on their homes, or will, you know, kind of try to organize some kind of rallies, but it just does not quite have the fervor and flavor that it did in the (19)60s. So, if you are interested in social activism, I think there is a, there is a missing element. However, an argument could be made that young people today have more outlets to explore the spiritual realm than they did back in the (19)60s, when you had a when was a much more an LBJ, how many kids did you kill today? Now you be much more defined young people's protesting in society in a sense, by practicing yoga, or work dealing with crystals, or adopting some kind of new age, religion or philosophy, have their own way of making their own spiritual space, you know, between themselves. And in that way, it was one of the reasons why as a writer like Jack Kerouac is so popular in college campuses is he was always dealing with the spiritual, not the political. And so, there is a sense of spiritual activism going on now. People trying to look at self in new ways, understand who they are, as a purpose, trying to explore the meanings of their, their life. And so, it is a different it is a more of an inward revolution. Right now, where I think in the (19)60s, it was an outward one, these things will all come and go and there will be another era of genuine protest in this country and some somewhere down the line. Now this was set versus the (19)60s for a while, but it will come.&#13;
&#13;
13:15  &#13;
SM: I like to ask you a- something like a what went wrong question. When young people and again, I was in that era, we thought we were the change agents for the betterment of society. We were the most unique generation in American history and, and as a historian, you probably may have a sense of that from other generations as well. But when you are part of it, when you are living it. It was just in the fact is that they felt that there was an empowerment that there we were the change agents you are in somehow that has not been transferred to the children of the boomers.&#13;
&#13;
13:49  &#13;
DB: Oh, I do not know about that. I think you are a little getting a little tied up on this boomer thing. From your own personal vantage point. The truth of the matter is there is a lot of arrogance of any young generation, gets on the streets and thinks they have ripped down a president and ended a war and brought about a social revolution and through race relations in America. That is a lot of accomplishment at a young age, and you cannot keep that crescendo going. So, you tend to look back on your past glories of that historical epoch in children being raised by parents or going to the dock any generation of kids they are going to say, oh, be quiet dad. It is like some different generation had to put up listening to look through dad's World War One stories. I was there in Europe. Now. This was when I was there Woodstock. It is the same there is not this kind of dividing line. It is as old as time can be. There is no big division between generations today. They accept- you know, in ways that are-are teasingly so or ways that are just kind of surface any more than there is with any other generation, and I would reverse it and say what went right. The Cold War is over the, the equal, we have a real much greater sense of what equal rights are and fair wages, you know employment benefits. The-the bringing income to minorities American, the next century is going to be over 40 percent nonwhite and allowing these people into the mainstream culture. The whole story of the boomer generation is one of just extraordinary success. Now if-if things did not go become, you know, golden for everybody the way you when you are 21, you think things are going to be different than they turn out to be that is another story. And no, in also there is a perpetual Peter Pannus about this generation, because they define themselves not in is a world as an older generation that they defined themselves when they were young. I have to tell you, it is no different than World War Two veterans, I interviewed D Day veterans in battle of the Bulge veterans all the time, that was the highlight of their life. They are 18, throwing hand grenades, and in the, you know, along the Rhine River, and it was their moment of, they have defined their whole lives around that particular experience. So, they may have gone on to own a car dealership or be an insurance salesman, raise a family, send them to school, they still define themselves as a veteran of World War Two, and it is their one thing that they are most proud of their contribution occurred when they were young. And I think you will find some boomers who had their defining moment when they were young. That is there is nothing wrong with that there are also people who get defining moments when they are older. And there will be some boomers that you do not even know their names of now that are going to be known as being the great leaders of that generation, who-who are now in their (19)50s only in the next 10-15 years are going to be excelling in ways that are the ending of AIDS and developing clean blood supplies. So, we do not you know, people that grew up in that generation, you know, they are all over these people. And so, there is was just as many as some people when they were young, they are going to be others that peak when they are older from your generation. It is great.&#13;
&#13;
17:03  &#13;
SM: When you look at the Vietnam War. In your opinion, why did it end? What is the number one reason that war ended?&#13;
&#13;
17:13  &#13;
DB: Because we failed to win. I mean, the ended because you can only take so much toward the ark, the domestic or tour economy apart, ruin the great society broke down two presidents, Lyndon Johnson and Richard Nixon. At that point, it is time to cash in it the-the chips, call it a quasi-victory like they did and send the troops home should have been done a long time ago. But, you know, the Vietnam War only ended because we were not winning. And it seemed impossible to win short of doing a kind of massive bombing campaign, which would have destroyed Americans credibility throughout the world, and would have done grave damage to NATO, and to continuing to call us on, you know, fractious relationships in American society.&#13;
&#13;
18:05  &#13;
SM: How important were the college students on college campuses and contributing to the ending of that war, knowing that when you look at this large generation, the biggest generation in American history, historians will say that 15 percent were really involved in some sort of activist activity at that timeframe.&#13;
&#13;
18:24  &#13;
DB: They were very important for framing the argument for giving a voice to the antiwar movement, through song through protest through just bodies to constantly apply pressure, though antiwar movement of 1965 looked a lot different than 1970 at Kent State. When you started getting people like William Fulbright and George cannons denouncing the Vietnam War, Walter Cronkite in Johnson's famous line there when Cronkite was anti came out, anti-Vietnam said there goes the war. He was losing America in the Harbinger's of that were ministers, pacifist groups, and youth culture groups were the Civil Rights Organizations find when Dr. King in April in May guess, yeah, April, was in April of (19)68 or (19)67, April (19)67, gave his speech, a Riverside Drive in New York, that in announcing the Vietnam War, and connecting the civil rights movement to the Vietnam War. That was a fatal moment for Lyndon Johnson. It was that that was when everything changed. And I thought that was the point that it was going to be clear that this was truly a social revolution and the antiwar movement now merged with the civil rights movement.&#13;
&#13;
19:46  &#13;
SM: When you look at the civil rights movement of this year, and when you look at freedom summer of 1964, and again, I know I am getting too caught up in the terminology of the boomers, but the oldest boomers at that, at that stage are 18 years old. And so, when you look at the impact of the boomers had on various issues in American history at that timeframe (19)60s (19)70s, how important were the- these boomers who may have had their first experiences, maybe through the Free Speech Movement at Berkeley when things started in (19)63. And then they went to (19)64, down south. But how important overall were these young people in the issue of civil rights?&#13;
&#13;
20:23  &#13;
DB: Well, they are extremely important because they first thought the African Americans largely in the civil rights movement were in their 20s. And as they developed many, most of their followers, it is easier to get a young audience that is in college to form a crowd, if you were going to hold on activity here this afternoon and wanted to get 200 people were better than to go to a campus and generate 200 people. They are all in a condensed area at one point of time. So it allowed civil rights, also, to have, you know, a sort of intellectual strongholds scattered throughout the country words like Cambridge and Madison and Hattiesburg and, you know, other college towns became symbols of places where people could share information and read about Herbert Marcuse, or Noam Chomsky, or could share their new enthusiasm for the Bob Dylan album could, you know talk about Mao Zedong and pass out his red books on campus and kind of create a was a place to spread a lot of this kind of, you know, youthful protest energy?&#13;
&#13;
21:36  &#13;
SM: You have, you have talked about some of the positive and negative qualities of the boomers. But if you were just maybe give through four adjectives positives and negatives? What were those positives again, be for the boomers and the negative? Just brief descriptions?&#13;
&#13;
21:50  &#13;
DB: Well, I do not-not sure. On the negatives, I think positive was that that when they are they confronted the crisis of the moment at a young age, which was the crisis in American society, the crisis in confidence in American leadership, and a crisis of what is democracy? Who controls the power? Who controls the purse strings of America? And why cannot we open up to allow more people into the system, that was the game going on when they came of age, and they confronted those issues in a in a vocal and forthright manner, and we are able to make a profound difference. They also, I think we are, I think that their contribution, you know, it became the popular culture now started in the (19)50s. But by the (19)60s, it became commerce and by the (19)70s really became commerce with so what I mean, it is the second largest export in America's, after our aerospace is pop culture, they talk about contributing to American exports and money, the whole pop culture industry that that emerged on a rock and roll and, you know, the endless massive Hollywood films and book tie ins and all the promotional aspects of things, which we frown on a lot, is what were some of our biggest money making activities in this country, you know, in the entertainment industry, which kind of emerges in in the spirit. And I think all things considered and entertainment industries is not necessarily a negative thing. I think it has quite a positive impact if it brings some sort of joy into working people in middle class people's lives. I do not really have anything negative on the generation, I think that is bad karma. You know, you know, to start seeing this generation that these negative and this one did it positive, it is, you know, it is just it is too cold. You know, there is, there is every generation confronting different problems. I think that yes, it was correct in the (19)60s generation to talk about sexuality openly, to let women talk about the need for their own sexual satisfaction in life for-for homosexuals to be able to come out like at Stonewall in places and have begun gay rights. The sexual liberation of the (19)60s was long overdue and puritanical America. On the other hand, it went overboard to the degree that free love and multiple partners led into the (19)80s the problems of sexual diseases in herpes and venereal diseases and in AIDS and so there was a cost factor that came in because it went too far. And I think if there was a criticism to that boomer generation, I think it is the sense of the excess in their ideas pushing it is they really believed in William Blake's notion that wisdom is not is excess. Hunter Thompson believes that he is a product of many ways of that period of access through-through excesses comes wisdom. I do not buy that, and I think that that is probably where that generation at that period where period of time pushed these envelopes a little too far. But today they do not. Today there is responsible they are running our government, their weather, and is any other generations responsible and running, you know, they have, they have grown up. But they be because they had an impact when they were 20 and 21. It made them feel they were more empowered Tom Hayden felt like, you know, when he wrote the Port Joran statement that we are going to change the world. This is a revolution right here this statement I just wrote SDS, you know, well, of course, now you may look back at that and realize that they were they were delusional. They think they were good as supplant the World Bank and, you know, these The International Monetary Fund, you know, through their revolutionary pocket proclamations.&#13;
&#13;
25:54  &#13;
SM: That is, it, there is one specific event that had the greatest impact on your life from this period. What-what was, there was there were so many, but if you could pinpoint one?&#13;
&#13;
26:05  &#13;
DB: Bob Dylan penning like a Rolling Stone. Because I did not get to live through, you know, when John F.  Kennedy was-was shot, you know, I was three years old, when Martin Luther King and Bobby Kennedy was shot, I was a, Lyndon Johnson resigned, I was eight. I do not my memories of that those events are foggy at best; I was too young to know or appreciate him. So, I do not know quite I can see films. And I can read books, but I do not know just what it would-would have felt like to have been able to drift into San Francisco and go to Haight Ashbury and feel like you were part of this social revolution that was going on. But I can tell you one thing, I do know what it is like to drive in my pickup truck, down a country road and blast like a Rolling Stone and feel and tie all the sentiments and power of that entire generation, all kind of like pull into a funnel and transform in that one song. I get it, then I get chills. And I hear it. And I realized what that must have been like, the day that song came out. And I heard that on the jukebox. And I was sitting in a bar somewhere in America, you know, and I would have been ready to just head to any of these places that time that the moving in the just wispy right up that song.&#13;
&#13;
27:24  &#13;
SM: As a follow up, I want to recommend that to you. Listen, some of the country- Joe McDonald. Have you listened to the Vietnam Album? Yeah, unbelievable stuff.&#13;
&#13;
27:33  &#13;
DB: Yeah, that is straight Vietnam War protests like Rolling Stones piece of art.&#13;
&#13;
27:36  &#13;
SM: Right. One of the issues trying to get at in this project is trying to understand the healing process. There were so many divisions in America that time, different sides, lots of people that listening to each other. Again, getting back to that whole issue of not respecting authority and really challenging authority, but there were tremendous divisions. I want to get back to the Vietnam War. And those individuals who protested the war, were against the war. And of course, those who served. In your opinion, how far have we come in the healing process from the divisions of those times not only with between those who serve and those who did not serve, but even in the political spectrum, because you know, the history of the democratic party that has been the downfall is they started because of (19)68 and all the liberal mentality and conducting themselves in the war issue and, and the end only recently, are they may be trying to make the comeback?&#13;
&#13;
28:35  &#13;
DB: Yeah, no, I think it has been divisive in many ways. The combination of Vietnam protests the war. Also, Richard Nixon, Cambodia [inaudible], Watergate led to Jimmy Carter and Gerald Ford, led to them the-the reemergence of a jingoistic American stance through Ronald Reagan, and then slowly is led through Bush and Clinton into a moderate, right of center kind of approach in in this country, which is we are back kind of on the center. We are back on track during the Bush and Clinton years. But what the problem is, it is the-the part that is annoying, that still legacy of Vietnam is that in gets into your boomer question is where were how did you stand on Vietnam War. And we have to learn, I think, as a society to realize the antiwar protesters like Bill Clinton, were equally patriotic, as somebody who wanted to fight in the war. That is a hard concept for a certain portion of the population to believe. And in other words, Clinton's was denunciation of the war is refusal to fight in you know, some people look at it is cowardice and an almost cost him the election. I would argue that that he was the people that were protesting the war were equally American heroes, as were the veterans who went to war That concepts not an easy one for people to swallow. So, there was always a feeling well, if you were not pro war did not fight, you did not love your country. And I think there are many ways to loving the country. And it is not always just picking up guns and go into a war that you do not believe in. I think the civil disobedience that occurred during the (19)60s during Vietnam War was justified, I have to say, if I were grew up in that area, I would not I would have gone to war, I would have gone to fight. I know that about myself. On the other hand, I can also appreciate the courage that it took not to. Sometimes it is not just doing what you were told, but it is not doing what you were told that takes more courage. And I think that, you know, we need the-the healing process is there, it is underway, we need to constantly look at that period and realize that there-there are people that it is more people that act out of conscience and convictions of what they believe their best, are people that I can admire are not people who just were doing it because they got walking papers. Also, the disparity of who fought the war is still something that angers the black community. So many poor people and blacks ended up being the ones to shed the blood into a war, you know, where that people with money got out of the war. So, it becomes a sore point Vietnam because it shows the inequity of American life between rich and poor, yet again, I think you nailed the same thing. We look in our country. And you see that problem the vast disparity of wealth in the country.&#13;
&#13;
31:39  &#13;
SM: The Vietnam Memorial was opened in 1982. And it is now we are going to be having a big celebration down in Washington on the 50th anniversary coming up on Veterans Day, November 11. I have had a chance to go down there the last six years for Memorial Day and Veterans Day to try to get a feel and ambience helped me with this project get a feel about the healing process. I sense a lot of healing has taken place. But I also sense again, a little bit of a continuing divisions, the hatred for the Jane Fonda’s of the world never forgiving her for going and even Bill Clinton at times. Even Peter Arnett, who spoke two years ago, I sat next to three Vietnam veterans and they, he replaced Larry King who was supposed to speak, and they said if I knew he was coming, I want to show up today because he was the media, he was part of the problem in Vietnam. So, they had some negative stories, the media, but how important has the Vietnam Memorial itself, been in respect as Jan Scruggs wrote his book To Heal a Nation has it really healed the nation itself, man. And, of course, it was done a lot within the Vietnam veteran community. But your thoughts on the impact of that wall.&#13;
&#13;
32:46  &#13;
DB: I think it is important to first remember the war. It is important for the veterans that are alive today to go see, their families to see their-their buddies names on that wall, and it is always moving to watch veterans look at it. Beyond that, the memorial will be there. 100 years from now, 200 years from now, hopefully, you and I will be in our graves dead as can be. And people will be coming look at that wall and remember that moment in American history. But you have to realize its relevancy, what you are talking about today is as simple as because it is so close to our time. Years from now, it will be like going to a Spanish American War Memorial or-or Confederate War Memorial will be interest there but it will not resonate quite as strongly as it does right now in the-the nerves and the in, in the issues are so-so raw still, but it has, it has been a healer, a healer of sorts, it has been a focal point of energies for veterans to come to and hang out at. For people come and talk about the war. It has been a place to go a destination to, you know, to get some things off people's chests emotionally, mentally. So, it has, it has had a wonderful, long, cathartic service for our nation, I think.&#13;
&#13;
34:03  &#13;
SM: We took a group of students to see Senator Muskie because there were years before he died. And in that session, I mentioned this in your last trip here. We have to question about 1968, the convention was happening in America at that time. He was not well at that time he just got out of the hospital. We asked a question about the boomer generation and the healing process, and the divisions and we were expecting real response to talk about the (19)60s but when he responded he said we have not healed as a nation since the Civil War. He broke American the two parts and is there truth to that?&#13;
&#13;
34:37  &#13;
DB: No. Absolutely Could not be more true. That is what I am getting at here. When you focus so much on this boomer part, it is indulged self-indulgent because it is so close to us for looking at oh gosh is not a different look at our van it was no different than it ever was. They have it is so easy in every way imaginable. And the problems that we have international problems race has been going on for a long time violence their whole nation was founded on violence the whole selling the West was settled on extermination of Indian slavery, death, not meaning much. We are a violent nation. This is not new news that there can be people killed today in Philadelphia, oldest river countries that but we keep losing track of that in some ways, because we think everything is so new. And that is because we have no real historical sense about ourselves as a people, we always march forward without any understanding of looking backwards. So Muskie statement was one of sober reflection on the events, trying to quell the kind of hype that people keep making over Vietnam, simply because it is in their lifetime, and it is a crisis of their lifetime. Well, there have been millions of crises going on since the beginning of man, and they are going to continue to go on some large, some small, some bigger than Vietnam, some not. It was nowhere near as fatal Vietnam to our country is something like the Civil War. And it did not have anywhere near as damaging of ramifications for our country, as there was World War Two was an isolated bombing of peasant people in a remote part of the world, you know, for us, which, you know, gets way too much press and talked about and constantly simply because it is part of our life script, we experienced Vietnam in some way. So, it is a, it is a talking point, that next year is the 100th anniversary of the Spanish American War, I could not get any of the TV networks to do especially in the Spanish American War, much more significant more than Vietnam, in the forming of American life. We fire Hawaii, Puerto Rico, Philippines empire for the first time. It is the beginning of America and the world theater of trade with China wants to go on and on and on of what the Spanish American War did for American Life. We do not even want to talk about it. Nobody even wants to open a book, you cannot get a near publisher to publish a book on the Spanish American War, because nobody cares. Yeah, my god. 400 books on Vietnam, another veteran writing his story, this one from the protester, and oh my goodness, and-and if there is a criticism, I have on our modern culture is it is developing now. It is this focal point on self, to this degree that that is all we do is think about the, the tone and the tenor of our lives as being so significant, when we are just grains of sand, or just sparrows falling, where we were no different than anybody else. And we are all be ghosts soon. So, we should get on with some of the heavier matters of living in creating communities in a positive fashion instead of getting all tied up in the kind of acrimony over Vietnam.&#13;
&#13;
37:36  &#13;
SM: I know there is, there is so many books on Vietnam, but say 100 years from now, will they be writing books? Or is it the same?&#13;
&#13;
37:44  &#13;
DB: Sure, if I am saying all you have left is the war memorial that nobody goes to.&#13;
&#13;
37:48  &#13;
SM: And books gone on books collecting dust in a library. What do you think of the individuals again, I am just using the term here, the left leaders of that era who became conservative I think of a David Horowitz is in the world of Peter Collier, the world those individuals who are at the forefront of the left than they did a total turnaround, and then condemned all the people that were involved with them when they were young? And Just your thought on. &#13;
&#13;
38:14  &#13;
DB: Mr. Horwitz was a recent speaker here at your school or he was coming there. But they are, I do not have put much stock in those two gentlemen. Their books on the Roosevelt family in the Kennedy family are sleazy tabloid trash tracks. That just one step above the globe in the store, the National Enquirer in integrity, they their notion of coming out and denouncing a generation of playing all this politics, it is great press, and it puts them in the papers and headlines and people in people that are anti (19)60, anti what occurred in that period, from the left point of view, you know, meaning the right and loves this, you know, here is one coming to our side. It is like Eldridge Cleaver, leaving the Black Panthers to write for the National Review, or Jerry Rubin leaving the Yippies to work on Wall Street. You know, I think that oftentimes those characters that act like that do not have a whole lot of personal integrity of what it means to be a scholar and a true intellectual. They are simply into controversy for the sake and it makes them wonderful guest on-on the gambit of talk shows on television, but as you get right down to it, and not that they are not brilliant in their certain ways, but when you get right down to it, I do not see what they are, I just think what they are doing is creating noise and not putting the kind of sober you know, reality to it. The all of both of those books that they wrote on the Kennedys and Roosevelts are not you cannot put no I cannot use those footnotes without being considered a joke in a serious, scholarly way. It is not even pop history. It is always taking things one step at little too much of what an overstatement and inflation of fact, so you are just you are reading it-it is like you are reading a Harlequin romance, but yet they masquerade as being serious intellectuals and committed to truth so as a historian, those are not my type of characters you know and I would rather the- you know, it is me it is like with Horwitz, and Collier they bottomed out when the left bottomed out they went right there they were there for whatever the fashion of the moment is. I do not think they I mean as soon as America turned to the Reagan period, and that was where the majority seem to be at, that was where they were at. And they are, you know, they will always be there. They are never leading that movement. They are hopping on the bandwagon at any given moment. You know, if tomorrow there is a big social revolution that occurred my guess is you find them, they are jumping off the banding conservatism for the new movement of the moment. Very few people take them very seriously.&#13;
&#13;
41:03  &#13;
SM: You get a chance to read the radical [inaudible] &#13;
&#13;
41:06  &#13;
DB: No, you told me about that its worth reading.&#13;
&#13;
41:07  &#13;
SM: I think worth reading I think then I think that that is a lot better than the other books that you were talking about. I will not read the other two, but I think what I was on I think Brian Lamb had Horowitz or Collier on talking about one of the Kennedys of Academies of-&#13;
&#13;
41:21  &#13;
DB: They are, they are, they are major their major characters I mean, these are major quotes that, but they are not much above Kitty Kelly, they are getting really with the kind of with brains you know.&#13;
&#13;
41:34  &#13;
SM: I am going to I have got several other questions here, but I want to get into some of the individuals here of the year and I would like you to comment on your just-just brief thoughts on all of not only your personal thoughts on their impact of that period, but it is personal and an impact on the period itself. Jane Fonda.&#13;
&#13;
41:57  &#13;
DB: Jane Fonda is a great deal of admiration for her as an actress, she is superb as somebody who is largely been committed to-to you know, she is this is a Hollywood figure essentially, I have never taken her much more seriously than that. But she is a I think a fine woman who is a good actress, and it gets involved with some very good causes- I like her.&#13;
&#13;
42:28  &#13;
SM: Tom Hayden.&#13;
&#13;
42:30  &#13;
DB: like Tom Hayden also I think, unlike [inaudible], Collier and Horowitz, Hayden has a-a is constantly staying on the cutting edge of bringing out certain issues certainly he is no longer part of the ease of fringe character now he ran for mayor of Los Angeles and now everybody knows he is not going to win and he is so far on the left obviously but-but I think he raises some interesting points that makes us think about things he takes part in the American political process. I think he is a very honorable legislator and somebody whose ideas are always worth talking to in thinking about. I do not think Hayden does things for the money you know I do not think he is there to-to be sensational I think there is in general social commitment behind him to make-make changes I have looked at some of his recent books which will never make bestseller list because he is dealing one of them has to deal with you know, the need to study Indian culture and nature and environment all over yeah female book on environment and stuff, you know, but he is looking at issues and grappling with them he is not trying to just manufacture kind of you know, you know, hype up things. I do not think he is trying to particularly live on his past, past reputation. I think he is one of those characters has steadily been committed to-to his view of where America needs to go.&#13;
&#13;
44:00  &#13;
SM: Jerry Rubin and again using I am using 40 names here then so if anybody is my generation. &#13;
&#13;
44:07  &#13;
DB: Jerry Rubin’s you know, I think at the peak of his notoriety came with his book do it, which, you know, Jerry Rubin’s, just minor fringe figure of a really no import Abbie Hoffman had the great sense of humor, and wit, soon to be a major motion pictures deal this book, he was a lot more in that tradition of a Mort Sahl or Lenny Bruce, and Hannah. There was a great, great comment. He was a comic genius in many ways, Abbie Hoffman and I think you have to look at that side of the spoof of the hippies in his crate creativeness in guerrilla theater. And to understand that he is an important person, I think Ruben was always a second or third tier character who is never had either the charisma or the importance of Hoffman.&#13;
&#13;
45:03  &#13;
SM: Does not take up for going the next name [inaudible] Abbie Hoffman died several years back just outside Philadelphia. I think we were in Bucks County yeah; he was dead they found them, and he had $2,000 in the bank. Like I will never forget the article that was written the Inquirer stating that he had only had $2,000 to his name you get we have made a lot of money, but he has given away to friends having depression and that something that a note was written on his deathbed or the stating that no one was listening to him anymore. And you know, when I saw that and read that in his short obituary, despite what you might think, and what people might think about the hippie period, when he went into hiding and then he came back on the Phil Donahue show after he came out of hiding out in the state of Washington, I saw him in the Bay Area, he was working behind the scenes in the Hudson River dealing with issues on the environment and you are just your opinion on that statement that was at the end of this obituary. No one is listening to me any more so less I know he was having problems in his life but that struck me especially if people care about issues.&#13;
&#13;
46:11  &#13;
DB: Well, I think you have as you heard I said very nice things about Abbie Hoffman, but I mean on the front of his resume he is a con man he was a con man in a in a glamorous and funny in good one. We can always use it a couple of con men and they make life spice wants to recently William Burroughs in the New Yorker. He wrote before he died this horrible thing, but I had to kind of sick in a sick way agree with him which is a problem with Burroughs where he was saying not God, I do not. Let us hope to God that there are still people selling drugs in the streets and who wants a bland status quo America where everything looks like the strip mall, and everybody lives this perfect squeaky life what-what boredom? What dullness? I am a writer and one has to appreciate characters and Abbie Hoffman was a flamboyant, exciting, eccentric character. He but he was a con man. I do believe he was socially committed to things that he took on. And he had a massive amount of chutzpah to take on the CIA and to go and change himself to nuclear reactor sites and things as a social activist, which that kind of occupation takes, but I do not use the ways that his declining years dealing with cocaine and alcohol and depressants, I would not pay much attention. I do not think Abby was ever a symbol of that he was a symbol of the (19)60s but I do not think we want to he was only the symbol one certain aside of the (19)60s, which was the kind of hippie guerrilla theater of protest, which was mainly men on self-promotion, in getting in the news, you know, and being pranksters on the American scene. These are anarchists and we are always going to have some anarchist, I think they are healthy to have a few peaceful anarchists, not Unabomber anarchist, but people that could do social protest or play, play mild pranks on the mainstream society to make us see ourselves in Hoffman at his best, was that at his worst he was he was a criminal. And you know, so I just do not you see, it is unfortunate because what will happen is people will take Abbie Hoffman and Reuben as the (19)60s, Abbie Hoffman, you know the Yippies. This is just a fringe element of the period and I would again say take a look at the people wearing suits and ties marching with Dr. King all over the place singing We Shall Overcome. This is where the revolution in American life took place, not Abbie Hoffman staging a guerrilla theater event. And they were important Hoffman's events at the time, they are newsflashes and dramatic, and we will never forget it gets them. But it did not Abbie Hoffman, if Abbie Hoffman did not exist, not much would have changed in that course of American history.&#13;
&#13;
49:00  &#13;
SM: The Black Panthers is another group that certainly in this period, Huey Newton everybody remembers that poster of him. And certainly Bobby Seale, Eldridge Cleaver. I remember seeing Kathleen Cleaver when she came to Ohio State when I was there. I mean, the whole city was in turmoil. And Kathleen Cleaver, when flew into the Columbus Airport and escorted by many-many cop cars to Mershon Auditorium.&#13;
&#13;
49:28  &#13;
DB: I do not place; Black Panthers are fascinating to study. I enjoy reading about Bobby Seale and Eldridge Cleaver and Huey Newton and the gang. But ultimately, believer in the nonviolent protest movement, also the politicized internationalizing, the civil rights movement that Dr. King was doing. I can never kind of, I think it is a mistake to glamorize the gangster mentality of the Panthers into acquainted with the-the honest civil rights efforts. That is the problem things got blurred by the late (19)60s and (19)70s where the great accomplishments of the era blurred into the Black Panthers, the great accomplishments of the peace movement got blurred into the Yippies, which became, which in many ways were the worst examples of the positive social revolution that was occurring. Yet one has to say I understand the Black Panthers the great line, the Panthers, Bob Dylan had a song it was all over now baby blue, where he has the line, the empty-handed beggar at your door is standing in the clothes that you once wore. And the Panthers changed into the empty-handed Bay, grab the door standing and the closer you once were, and he was carrying it, aka submachine gun, motherfucker. And you have got to do what we want to we are going to blow your head off whitey. That is a powerful switch of sentiment in in, it did do its desired effect of shocking white America into fearing blacks. And in that sense, hearing them more and empowering them, meaning turn the other cheek, you are not afraid if you can walk up to-to one of the students in Little Rock Nine and spit on them and they keep walking, or you can walk up to a black man and smack him in the face. And he turns the other cheek. White culture is not going to be afraid of black America when you now, since the Black Panthers. You walk down the street, I walked down tonight in Philadelphia with my suit on down the street and I see three black teenagers walking down the young, I have more money than them. I am more educated than them. Second, I see them immediately tense up, you are getting fearful. And then suddenly they are empowered, and I am not. And I think the Panthers are the ones that started that, which is an empowering black culture, which I can appreciate that on the other hand, it is not a solution. It is just, it is just more racial warfare. In so what I want to understand the Panthers and the sentiments that they had; it was it was quite primitive in its approach.&#13;
&#13;
52:00  &#13;
SM: The Berrigan brothers.&#13;
&#13;
52:03  &#13;
DB: Let me- mike was down yes, the-the Berrigan brothers are. I just got a letter to go have dinner with one of them. I forget which one, are they both alive?&#13;
&#13;
52:17  &#13;
SM: Ones in jail. &#13;
&#13;
52:19&#13;
DB: Who is the one that is out of jail? &#13;
&#13;
52:23&#13;
SM: But- Philip is in jail was give [inaudible] See, there is some- Daniel-Daniel Berrigan is out of jail. Philip is in jail. &#13;
&#13;
52:30&#13;
DB: So, Daniel Berrigan went out of jail.&#13;
&#13;
52:33&#13;
SM: Yeah, and I think he is not very well either. &#13;
&#13;
52:34&#13;
DB: I need to catch up with him.&#13;
&#13;
52:36&#13;
SM: He lives in New York, I think.&#13;
&#13;
52:37  &#13;
DB: He is coming to New Orleans. I am a have dinner with hi- Well, I think there are examples. I am Catholic. So, I think they are examples of the, of the role of what we call radical theology in that continues a wing of the Catholic Church that I have always admired. You know whether it is in Central America or the Philippines or their home of an activist priest and other useful, so I mean, we do not have that many of them and having Daniel Berrigan bringing some, you know, showing up, it had a calming effect for certain people connected the Catholic Church to some of the social the poor people's movement, in a very real way, the antiwar movement. I think some of Berrigan’s-Berrigan’s tactics got a little extreme of pouring blood on tanks and things such as this. But again, that was in do part to the recommendation of the media age that you need to do something extravagant. In order to bring the cameras there. The priest just held candles and sang the media was not going to cover that. But if you have started pouring blood on tanks, my God, you were going to be reading the nightly news. So um, you know, I think the Berrigan’s were shrewd in that way.&#13;
&#13;
53:50  &#13;
SM: There is a new book written on the Berrigan brothers, by Murray Palmer, and-&#13;
&#13;
53:55&#13;
DB: I got to pick that up.&#13;
&#13;
53:56&#13;
SM: Yeah, it is I am reading right now because we are trying to bring a group of students to down to Jonah's house to meet his wife because Phillip Berrigan’s his wife is in jail, because his daughter is 21 and she is carrying on the tradition of Jonah house. And I want to I want to ask students to go down and see how people are living their whole life to activism- &#13;
&#13;
54:14&#13;
DB: Who is this now? Whose house?&#13;
&#13;
54:16&#13;
SM: McAll- Jonah House. That is where [Elizabeth] McAllister. That is the wife of Philip Berrigan and his daughters. He has three kids.&#13;
&#13;
54:24  &#13;
DB: Phillip Berrigan does? Did they all live there?&#13;
&#13;
54:26  &#13;
SM: Yeah, they all live there and-&#13;
&#13;
52:27&#13;
DB: What is it called? Jon-&#13;
&#13;
52:28&#13;
SM: Jonah, j o n a h house it is in Baltimore. I want to go down and meet them. They are supposed to be three nuns there that are in- &#13;
&#13;
54:34&#13;
DB: What do they do at Jonah house? &#13;
&#13;
54:37&#13;
SM: It is, it is part of whatever they do is there for their livelihood is activism fighting for issues and they have someplace in the Midwest is where they have this weekly or monthly newsletter that comes out that is affiliated with Jonah house from the activities because his wife is like Philip and McAllister, I think is her last name and just impactful people because they were on 60 minutes. So, and the daughters 21. And now she is doing the same thing. &#13;
&#13;
55:02&#13;
DB: At the Jonah house? &#13;
&#13;
55:03&#13;
SM: Yes, she is a college graduate and- &#13;
&#13;
55:05&#13;
DB: What is her name? She uh- &#13;
&#13;
55:06&#13;
SM: Oh my God. There is, there is three he has got three kids and ones 16 ones 21 I think [inaudible] &#13;
&#13;
55:12&#13;
DB: They all work there at the Jonah House?&#13;
&#13;
55:13&#13;
SM: Actually yeah, I think the one works there. The others are going to school. They live in the area. Yep. &#13;
&#13;
55:19&#13;
DB: Okay. &#13;
&#13;
55:19&#13;
SM: Couple other names here, um Dr. Benjamin Spock.&#13;
&#13;
55:25  &#13;
DB: Oh Well, you know, Benjamin Spock is of course the baby doctor and antiwar protester and I think have also have a very positive character positive force. In the time of reassuring people in the end, it is just what both Berrigans and Spock so people said other it opened up the net of who can protest it. It brought in in people here is the most famous baby doctor denouncing sending young 18-year-olds to get their heads blown off in Vietnam. I think it had a powerful impact and convinced a lot of people. You know, I am with Dr. Spock, and it gave a celebrity status to gatherings. If you are going to want to draw 3000 people, you need some celebrities. And by having Spock there, you can guarantee people come out to hear Benjamin Spock. So, you know, he had a he had this, he has this footnote in the era.&#13;
&#13;
56:19  &#13;
SM: George McGovern and Eugene McCarthy.&#13;
&#13;
56:22  &#13;
DB: George McGovern has transcended the period really. And one of the great new deal liberals of recent times has continued to be somebody above integrity and honesty, decency. And if you really looked at McGovern’s foreign policy stances in the (19)60s and (19)70s when he was in the Senate, you would be amazed to see how right he was about so much. So, he is I think, of all these names are saying somebody is a little more special. I think he is- has a is really a maj- a major kind of alternative voice liberal voice in America and in simply carrying on the Henry Wallace tradition of the Democratic Party.&#13;
&#13;
57:07  &#13;
SM: And Eugene McCarthy?&#13;
&#13;
57:09  &#13;
DB: He is a little bit of a crackpot. In some ways, I like him. When I say crackpot, I just mean, he has become so irascible and so co- such a contrarian, that everything he does is he uses his wit and intelligence to win people over all the time. I do not think he has ever evolved out of his role in being the antiwar senator. And that was (19)68 that was 30 years ago, and he has still kind of the, you know, living on that that one moment where I think he could have been more useful in our politics if he continued to work as a congressman or, or did something beyond sort of just living on his past reputation.&#13;
&#13;
57:53  &#13;
SM: Getting into the presence of this era. And I will start with Eisenhower, because again, you know, as a Young Boomer that was the first person I remember, as President going from Eisenhower, Kennedy, Johnson and Nixon.&#13;
&#13;
58:06  &#13;
DB: Eisenhower was underrated, overrated at his time by being double elected, and love, underrated in the (19)60s and (19)70s. In truth, he kept America out of war. He was he most famously taught us that we need to balance our budget that we should not write more money for checks than we then we have to fiscal conservative in those ways, which we are seeing now is probably prudent, and was an honorable and good president. John F. Kennedy was the right man at the right time, that great passing of the torch from Ike the oldest president ever to the youngest, he represented the tenor of the times when society was changing, just think of the number of new African countries coming into the UN at that time. And, and all of this so when I think, you know, I think the Kennedy also, you know, did a fairly decent job of handling himself in the middle I am going to use the restroom. Just a minute. Kennedy. Yeah, so I think a larger question before going through each of these, I think we were lucky we had largely good presidents Sidney Kennedy was a good president in in the Cold War period, except for Nixon, I think we would say Nixon and Reagan are the two presidents that I find reprehensible in certain regards. Both because of largely their great dishonesty that both people and towards the American people, their inability to tell the truth, to me was, was frightening. But the I think Kennedy, of course, has some of that too. But he just could not help but reveal that he was the person representing into the era in a certain way. I think he made inroads with civil rights that were extremely important. I think his handling of Cubism in Britain. And we were important I think he said it kind of tenor for-for the era. And of course, assassination is such a moment in American life that will never be forgotten. I think Lyndon Johnson was much better president and some people think in some regards, certainly his Great Society programs in his fighting for civil rights, puts him at the forefront of American leadership in this period and on the other hand, it is so paradoxical you have that his obsession of seeing the world from a Cold War lens in Vietnam but I would say you know that there was many students of history there many sides of Lyndon Johnson the complex man and-and I have a large amount of admiration for him Nixon it just the paranoia factor with Nixon and with Johnson just drives you crazy as a historian I mean, these people are not are to have that kind of level of paranoia and to be in power is scary to me. You know, one of the things that I liked about Clinton, and I like about Bush, I like about Ford and Carter, was that they were not paranoid. They were my head is something in them was able to take a little bit more balanced. You they were not feeling that they were being you know, people were after them. Even Reagan did not have that kind of paranoia. They did not at all. So anyway, that is my view.&#13;
&#13;
1:01:23  &#13;
SM: Just a few more here. Timothy Leary.&#13;
&#13;
1:01:29  &#13;
DB: Leary was a kind of like a carny, at the carni- at the carnival or something, he is not really a serious character. And I think, look, I mean, what was good about Tim Leary, was that here was a Harvard psychiatrist. Experimenting was something worth experimenting with, LSD, what are the effects of this newfangled drug it was legal at the time, he the belief that it had these different powers. But I think what I do not like about Leary is not that he was willing to talk about LSD. But I think that kind of Jack Kerouac once said, when they tried to have him take LSD, then by then I mean Ellen Ginsberg and Leary and all and Kerouac said hey, guys, walking on water was a made in a day in the thought that they can walk on water in a day by eating a little tablet, to me seems, you know, that suddenly they were going to have all the answers to the universe, because of the chemical shows that kind of stupidity and naivete, and it was worse- had some very damaging effects on American culture. On the other hand, if you take the kind of Aldous Huxley approach from his book, doors of perception, certainly I think, experimenting with LSD, did open up perceptions for some people and could have been a thing but as soon as you start going over and over again doing did you become an acid head and fry your brain and to you know, there are a lot of young people that [audio cut]&#13;
&#13;
1:03:14  &#13;
SM: Barry Goldwater.&#13;
&#13;
1:03:18  &#13;
DB: Well, let me just say one thing about the Timothy Leary, what I do not like to doing on now, is the inability to talk rationally about these characters like I am trying to do, because as soon as you say anything positive about Timothy Leary people either go love Leary, that was that polarization you were talking about on figures like that? It is disturbing mean, if I told The New York Times Book reviewer that I found Timothy Leary interesting. They would not give me any more books just to review for The New York Times. These are the controversial characters because of the way we look at drugs now. But I think it is a story you just have to understand that put if you put Leary in his time and place you-you can see how he emerged, why he emerged in it was not a matter of promoting Timothy Leary, but it was a matter of just understanding that Leary's bizarre contributions to that period you know, there was all sorts of American history is replete with every kind of religious fanatic imaginable I am not sure Leary is more strange than Joseph Smith was, you know, with the more finding the Book of Mormon you know, these are kind of false prophets that are that are always out there and they are worth studying that we are talking about. That does not mean one embraces their-their efforts. Goldwater was over there was a misunderstood in some ways he is the genuine article, the real libertarian conservative, I think is its harsh anticommunist views were dangerous. With his- the way he would talk kind of cavalierly about bomb dropping bombs on Vietnam and things. I think his inability to understand the civil rights movement properly was a great drawback. In- thank goodness, we got defeated horribly by Johnson and (19)64. On the other hand, Goldwater as his career, we look at his whole career, we can see that he was a man of personal integrity of deep beliefs. A true Western conservative, somebody whose word was good, somebody who had a big role to play in the bringing down in Richard Nixon because he could not stand to have something like that wine to the American people. Somebody who supported the Panama Canal treaties, when Ronald Reagan did not. A genuinely somebody who you could at least deal with, and I think was a very positive figure in American life. As he as we look at his whole life, I think there was a moment of time when he ran for president where he was certainly not fit for that position, due to his at least the rhetoric of a kind of strike militancy that was behind him, which would not have been helpful at the time?&#13;
&#13;
1:06:05  &#13;
SM: What about Ralph Nader?&#13;
&#13;
1:06:07  &#13;
DB: Nader's the kind of the perennial watchdog, nothing new there and nothing changes there goes to the beat of his own drum, is that he has the that squeaky clean ethic, which is useful in throwing Nader on corporate America or on any issues always. It is always useful to have people that are keeping others in check. He is the unwritten check in our checks and balances.&#13;
&#13;
1:06:36  &#13;
SM: Hubert Humphrey.&#13;
&#13;
1:06:39  &#13;
DB: Classic-classic New Deal, liberal writing of the coattails of FDR well into the (19)60s. First rate senator, not much of a vice president botched his opportunity to be president in (19)68. But it is one of these sorts of honorable senators who has very good for labor and, you know, a positive force also on getting the Civil Rights Act of (19)64 and (19)65 through. so, you know, first rate, first tier senator.&#13;
&#13;
1:07:13  &#13;
SM: Muhammad Ali.&#13;
&#13;
1:07:17  &#13;
DB: Absolutely major figure, I mean, more- bigger than all the people he had mentioned so far, in the league of his own because years from now, he will be remembered forever. And probably the most well-known name in the world. Muhammad Ali, everybody knows him everywhere. He just an extraordinary combination of spirituality of political conviction, of athletic prowess, of his ability to speak so fast that in rhyme and in riddles, and he just captured all of our imaginations. And I think his antiwar protest was mutually significant. But as he has moved on in life, through his disease, he has become a symbol of disease. Here is somebody that is handicapped with that Hodgkin's disease, Parkinson's disease, right, and is able to go around the globe and constantly reach out to other people in pain and misery. And he is a symbol of many things that are that are that are positive. It is probably the most singular athlete of the 20th century most well-known athlete of the century. &#13;
&#13;
1:08:31&#13;
SM: Spiro Agnew.&#13;
&#13;
1:08:32&#13;
DB:  Just a you know, a corrupt footnote to the times. Dirty black Asterix to the Nixon era, never had any real power ever. It was just a hat henchmen hatchet man for Richard Nixon, a bit word politician from Maryland who never really had any-any sense of real genuine accomplishment in his career, short of being, you know, working on saying pithy phrases to put down fellow other Americans. It is not leadership to win power by denouncing other Americans leadership. It is about bringing people together, as soon as you have a president that scapegoat’s elements of the population for our nation's problems. You have about bad leader, a good leader should never scapegoat a fellow citizen, no matter who he should end up liking all groups in America and you know, unless you are obviously a murderer in any criminal class, but, you know, you know, you know, in case of Agnew trying to scapegoat gays or women or the women's movement or blacks, that is the lowest kind of thing. It is like the Jonathan Swift notion that patriotism is the last refuge to which a scoundrel claim.&#13;
&#13;
1:09:45  &#13;
SM: Robert McNamara.&#13;
&#13;
1:09:47  &#13;
DB: McNamara was the as the was our worst Secretary of Defense in the history of the post since it was created in (19)47. He was the worst because he was somebody who knew Vietnam was futile as early as (19)64 and (19)65 and allow the word continue lie to himself to Lyndon Johnson to the American people. And now his as how, has a hard time living with himself, because, he started out to be a wonderful character in many ways he, you know, a decent I think, motor executive with Ford Motor. But by not having the courage to talk candidly and put his career on the line to the best of the country. He ended up leading the president and therefore our nation down the garden path in Vietnam.&#13;
&#13;
1:10:36  &#13;
SM: Dr. King, Martin Luther King, we could probably talk for hour and a half.&#13;
&#13;
 1:10:42  &#13;
DB: You know the giant of our time because of his ability, oratory of writing, of the sheer courage of Dr. King, and what it took to every minute, every moment knows that there were death threats on your life, something, any protest you were had could be your last, and to constantly pick yourself up with a smile in forge forward. It was the perfect leader for the civil rights movement, and we would be hard pressed to think of a replacement for King those sorts of people with genuine leadership qualities come around even once every couple generation.&#13;
&#13;
1:11:15  &#13;
SM: What about some of the women of the Gloria Steinem is Bella Abzug, Betty Friedan, the leaders of the women's movement, they are your thoughts on them.&#13;
&#13;
1:11:25  &#13;
DB: Unfortunately for the women's movement, they never had a Dr. King none of those people can hold a candle to Dr. King, but yet all of them had their significant role I think I think Gloria Steinem's come out of that group to be a somebody who understands women's issues in a way in a larger cultural context. For her generation, at least to Hillary Clinton's of the world, you know, understanding the need to be both a mother and both activists but also to you getting a little more conservative when they get older, but also wanting a sense of sexuality without, you know, saying I do not I am not disowning feminism, totally, I mean, being feminist, feminine qualities totally. So, I think she is the most-most interesting of that group as a personality. But the women's movement itself was usually important. On the other hand, I do not think it ever went far enough, due to the fact of fractions within their either coalition, and a lot of women wanted doors open for them, or wanting, you know, traditional kind of, I want to be a housewife, or I want to have that is, you know, they never really were able to capture the kind of swelling movement of two demands there for the Equal Rights Amendment. Still never really too cold yet. Any woman today, working in network news or in law firms owes a lot to those women who are, I think, a lot of doors down for them. So, the combination of a lot of minor characters added to a lot in the women's movement, but none of them exuded this kind of control or leadership over the movement.&#13;
&#13;
1:13:05  &#13;
SM: That he had mentioned earlier about Bob Dylan. And I just use a general term the music musicians of this period. And the impact of this generation has there ever other means there has been music in the (19)40s there was Glenn Miller and all of that, but has there ever been a generation in America where music was such a crucial part of their being?&#13;
&#13;
1:13:23  &#13;
DB: No, but I think everyone now it has become since then, I think it was a post war phenomenon, the beginning of the road record albums, you know, early part of the century so by the but it would be really becoming a mass product in postwar period where everybody had a record player. So, he started having a lot more people identifying with the singers in the (19)50s. But everything Elvis Presley bit more than Bob Dylan, and it was Elvis Presley, who really, really brought, you know, this sort of mass way Frank Sinatra, you know, and (19)50s rock and roll, you know, which is to be made the big change. I think Chuck Berry's an enormously influential and important and underrated figure. But that is different story.&#13;
&#13;
1:14:07  &#13;
SM: As we are getting close to the end if you get a meeting at 11:30 I want to end around. One question here in the final question is dealing with the issue of trust is a historian you probably can go back to other periods in American history where Americans or even leaders had problems with trust, but want to read this do you think we will ever have trust for elected leaders again after the Vietnam War after Watergate, after the enemies lists that we all knew and [inaudible] as college students, we knew what Nixon was doing. Remember being an Ohio State University and there were cameras over around the entire oval and infuriated our campus because every picture of every student was being shot and we knew it. Why? And if the boomer’s distrust what effect is this having on the current generation of youth, which is the kids-&#13;
&#13;
1:14:56  &#13;
DB: I think Bob Dylan often has wonderful sayings for all time. He is not a (19)60s character. He has a brilliant album out that just came out right now. And Dylan's and an album out called Empire Burlesque, which emerged in in the early (19)90s. Very, no would have been, it would have been. I am sorry, it would come, I think, in the late (19)80s. But yeah, late (19)80s. Empire Burlesque, which is a line in there, “If you want somebody you can trust, trust yourself,” is the name of the song. And I think that is sort of the subvert ethic of our time. Now, if you want somebody you trust, trust yourself. That is why there is this turning into words to self so much. The distrust of government has led to reemergence of the individual. And people now trying to learn to trust who they are on that deep turning inward right now. So yeah, there has been permanent damage done by Watergate and Vietnam, and in corruption and politics. But look, it has always been there. Nobody is ever, when is the time people truly trusted politicians. I mean, there were moments, you know, I think, during the war time, when there was a kind of, but you know, FDR was moved and distrusted by endless numbers of people. I just do not believe our countries ever based on pure trust in the politician, or anywhere in the world. But I do not think it is eerie damage. That is- I do not see a shortage of people running for Congress. I do not see a shortage of things. And I think our country is in pretty good shape. You know, I do not think that are, I think the American people should be distrustful of their government in some ways, and to keep an eye on them. And that is what the whole checks and balance system is about. We also know that we have the power and we taught our politicians through Watergate, that we can bring you down at any minute. So, you better run a straight path. And so, we get people I think, Watergate does not have to be seen as a negative and Vietnam does not have to be seen as negative. It could be the triumph of-of Watergate, the triumph of taking down a precedent that was breaking the law, replacing them and business went on as usual.&#13;
&#13;
1:17:09  &#13;
SM: Is that is that the lasting legacy might be that history books are written about?&#13;
&#13;
1:17:13  &#13;
DB: That is right now. James Cannon’s wonderful book on Gerald Ford, that came out recently, you know, it is really hammers that point home that Watergate is the triumph of the American constitutional system. It is not a negative event.&#13;
&#13;
1:17:27  &#13;
SM: Dr. Brinkley, thank you very much. &#13;
&#13;
1:17:31&#13;
DB: You are welcome.&#13;
&#13;
1:17:32&#13;
SM: Great. Excellent.&#13;
&#13;
(End of Interview)&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44284">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48081">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50748">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11826">
                <text>Interview with Dr. Douglas Brinkley</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47899">
                <text>Brinkley, Douglas ;  McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47900">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47901">
                <text>Authors;  Scholars;  College teachers;  Rice University;  Brinkley, Douglas--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47902">
                <text>Dr. Douglas Brinkley is an author, scholar and academic. He is currently a history professor at Rice University and the presidential historian at CNN. He is an author and has published 12 books. He received the Ann M. Sperber Biography Award in 2013 for his book &lt;em&gt;Cronkite&lt;/em&gt;. Dr. Brinkley has a B.A. from Ohio State University, an M.A. and Ph.D. in U.S. Diplomatic History from Georgetown University.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47903">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47904">
                <text>1997-09-27</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47905">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47906">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47907">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47908">
                <text>McKiernan.Oral.10.2016.28a ; McKiernan.Oral.10.2016.28b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47909">
                <text>2017-03-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47910">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47911">
                <text>77:37</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1940" public="1" featured="0">
    <fileContainer>
      <file fileId="13912">
        <src>https://omeka.binghamton.edu/omeka/files/original/ad265ac2b92c9fe8f5616993ceb9bd6c.pdf</src>
        <authentication>b489cd840d933d212764d540b117dd99</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="68">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="52712">
                    <text>BINGHAMTON
UN I VE R S IT Y
STATE U

IVE

SITY OF NEW

YO R K

usi

D E P A R T M E N T

COMPOSERS AT THE
CONFLUENCE:
WA R AND CON SEQ UEN CE
Featu ring work s b y:

Evan Flury
Jame Budi nich
Richa rd Hugu n in

Sunda y,Fehru ary, 15th, 2015
2 p .m .

Phelp s M an ion Muu um

�PROGRAM

ABOUT THE COMPOSERS

Phrases ..... ... .. ............ ............... .. ........... .. .. ......... .. .......... . Jame B ud ini h

I. fo r a mo ment

(l99 )

Elean o r Kra ner, violin

Brothers ... .. ... ...... ............... .... ............ ...... ... ....... .. .... .. .... .. Jam

Budini h
(l990}

Alexio C hang, i.olin
Elea no r Kra ner, io lin

Grim conscience .... .. .. ... ...... ... ............. ........ .... ...... ... ... ..... . Jame Budinich
( l 990)

CodyRay Caho, bari ton e
Michael Lewis, piano

Piano Sonata

11. Adag io

o. 1, Op. 17 .. ... ..... .... .. .... ... ........... .. ... Richard Hugunine
( 1953)

Ill. Vivace - Ro ndo
tep hen Zank, piano

Jam Budinich (b. l990, orthport,
grew up urrounded by a mix of Croatian folk
music, Jaz z pianis , uch as Thelonious Monk and Bill Evans, and the driving rock guitar
o groups Like Led Zeppelin. After a few years of playing in rock bands out of friends'
garage , he went o to college, where he d iscovered the world of Classical Music. James is
currently working cowards h.is Master of Music in Composition at Binghamton
ni er ity, cudying with Daniel Thomas Davis. He has previously srudied with Jared
Miller,
and also with Chri Arrell and Osvaldo Golijov a the College of the Holy Cross,
where he completed hi BA. Throughout college he also studied classical guitar, with
Rober ullivan and Mateo Arnáiz. His work ha been performed by the Momenta
uartet, and upcoming e ents include perfo rmances by Loncano Ensemble, and ew
ore Code.
Evan Flury (b . 1992) ound his love of music in high school in Buffalo,
in his early
cudies with Kevin Moehringer, Greg Piontek and Craig Farrey in Jazz and Electric Bass.
Through college, he played in variou rock and jazz bands before beginning to srudy
mu ic om
ition with Daniel Thomas Davis. Upcoming events include a piece for
m/wire a well a performing in Bingham on University's production of Black Orpheus.
R.icba.rd Hugunine (b. l 95 ) began hi profe ional music career in h.is teens as a church
. From 1972 to 19 4 he provided improvi atory piano music for ballet classes a ional cademy of Dance in Champaign, Illinois, as clas pianist and personal
iani t or Patricia
ilde at Ame rican Ballet Theatre, as Music Di rector and Composer
in R idence at Ballet Bingham on, as lead cla s pianist at the ational chool of Ballet
in W hing on, D.C., and a on-call balle pianist at the Kennedy Center for the
Performing Ar in a hing on, D.C.
Folio ing a 20- ear care r as a con ulcant in the automation of corporate administrative
roce e, r. Hugunine reru med o Binghamton Univer sity in 2011 to complete his BA
in comp ition, cudying horal arranging with Or. Bruce Borton, and graduating Magna
a 20 l 2. He i cu rrently working on hi Mast er of Music degree in
Binghamton niver i under the direction of Daniel Thomas Davis.

INTERMI 10

War and Consequence ........ .............. .. ........ ..... .... ... ..... ...... .... .. E an Flu
it:,,t&gt;(J,

(l 992)

Da ni el Ro mbe rger, co nd u to r
Chri tina anta Maria, oprano
Daniella Rivera mezzo- oprano
Cole T ornbero, teno r
Jake ta mati , bas -ba ri t n
teph anie Verh age axop ho n
Raelee n Bi hler, violonc ell
Robe rt D urante, co n rraba
Alex Ra a, pe rcu io n

PROGRAM

OTE

Ph.ras
moment: for a momentis the fir t piece in a series of works for solo
in struments.
er reading The Rubaiyat of Omar
yyam, I was drawn to the beauty of
ertain ph r es, which might not cand ou o a reader on their own. A reader might
ea ily a b the e instances and no notice Khayyam 's word choices. for a moment
lor a sing! musical idea, the in erval of a second, ju ta a reader could explore the
ily as
b hra es of Omar Khayyam' Rubaiyat.
(tum over)

�ou r
B rother : Having grown up with a brother l always wanted to write a piece based on
relations hip. In this work I attempt ed to portray ou r bond on two levels, using related,
the individu al instrum ents clash against
but contrast ing, material in the two violins.
each other, they represen t the pranks and fights chat have occurred between my brother
the
and me over the years. Anothe r le el shows the unique qualities of each violin line;
two pares are able co complem ent each ocher, just like my relation ship with my brother.
er,
Grim coo cieoce: Ta en from an l 90 i ue of The Sun, a ew York based newspap
Grim conscience depicts a narrator recalling an unforrun ace acciden t involving a beggar.
before
The narrator brings the listener back to the moment s leading up co the inciden t,
as we
reflecting back on the event. The music follows the changes in the narrator's psyche
hear his story un old.
form.
Piano ooata o. 1, Opus 17 is Mr. Huguni ne's earliest foray into the sonata
and
Begun in Occober, 20l3, it was compl ted in early March 20l 4. Only the second
third moveme nt are pre enced o n chis program .
tona
Il. Adagio: The moveme nt opens with planed 7th chords which establish the
u nd
gramma r of the moveme nt. An o tinato line in the middle regi cer provides backgro
the
fo r two indepen dent melodi lines involved in a dialogue. Another voice joins in and
in
gesrures
with
whole evolves into an emotion al stateme nt, resolving much like it began
this
the piano's highest register. The broad ope of the regisce involved required
hand
moveme nt to be cored o n three caves. The perform er is required to choo e which
structure
hand
er's
to utilize co play note on the middle staff, dependi ng on the perform
and span.
again
ID. i ace - R ondo: cored in a lively 6/ , the principl e heme rerurns again and
in various treatments of range, conalicy and expression.
W ar and on equence: The idea o r t ar and Consequence began sitting in Phelps
the experien ce
Mans ion listening to a BU MM Opera rudenc inging. I loo ely follo
ar fo llowing the WW I Christm as
of a namele soldier's bru h with the concept
but
rmistice. I wanted to not only celebrat e the ntennial celebration of the Armistice,
was
to also look at the reaction s and implicat ion o w r through out history. Text, then,
s
clipping
aken from a number of cure includin g the Iliad and both poems and news
of
from W orld ar One and Two. The oprano and mezzo-soprano are p r onificat ion
ely.
the respon es to war by the private, home life and the public, political life, respectiv
a
of
study
a
Though not critical o all war by design, Warand Consequence became
ace of
somewh at ine capable, rimele ace through the lens of he la uncoord inated
eace between armies in a rime o war.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="25">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="16520">
                  <text>1960's - present</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16521">
                  <text>Binghamton University Music Department Tape Recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16533">
                  <text>Concerts ; Instrumental music ; Live sound recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16748">
                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39037">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="32">
      <name>Template: PDF</name>
      <description>Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="29468">
              <text>1 audio disc</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="29469">
              <text>51:05:00</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Streaming Audio</name>
          <description>Streaming URL</description>
          <elementTextContainer>
            <elementText elementTextId="30830">
              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74868"&gt;https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74868&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="45154">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="139">
          <name>PDF Layout</name>
          <description>This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']&#13;
Options:&#13;
'Single' - Only the entire current page will be visible and Zoom will be set to page width.&#13;
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.&#13;
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.&#13;
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.&#13;
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)&#13;
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)</description>
          <elementTextContainer>
            <elementText elementTextId="52713">
              <text>Single</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29443">
                <text>Composers at the Confluence: War and Consequence , February 15, 2015</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29444">
                <text>Concerts </text>
              </elementText>
              <elementText elementTextId="29445">
                <text>Instrumental music </text>
              </elementText>
              <elementText elementTextId="29446">
                <text>Live sound recordings  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29447">
                <text>Works by Evan Flury, James Budinich, Richard Hugunine. Works by  Held at 2:00 p.m., February 15, 2015, Phelps Mansion Museum, Binghamton, New York.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29448">
                <text>Krasner, Eleasnor</text>
              </elementText>
              <elementText elementTextId="29449">
                <text>Chang, Alexio</text>
              </elementText>
              <elementText elementTextId="29450">
                <text>Caho, CodyRay</text>
              </elementText>
              <elementText elementTextId="29451">
                <text>Lewis, Michael</text>
              </elementText>
              <elementText elementTextId="29452">
                <text>Zank, Stephen</text>
              </elementText>
              <elementText elementTextId="29453">
                <text>Romberger, Daniel</text>
              </elementText>
              <elementText elementTextId="29454">
                <text>Santa Maria, Christina</text>
              </elementText>
              <elementText elementTextId="29455">
                <text>Rivera, Daniella</text>
              </elementText>
              <elementText elementTextId="29456">
                <text>Tornberg, Cole</text>
              </elementText>
              <elementText elementTextId="29457">
                <text>Stamatis, Jake</text>
              </elementText>
              <elementText elementTextId="29458">
                <text>Verhage, Stephanie</text>
              </elementText>
              <elementText elementTextId="29459">
                <text>Bichler, Raeleen</text>
              </elementText>
              <elementText elementTextId="29460">
                <text>Durante, Robert</text>
              </elementText>
              <elementText elementTextId="29461">
                <text>Rava, Alexa</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="29462">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29463">
                <text>Budinich, James R.</text>
              </elementText>
              <elementText elementTextId="29464">
                <text>Flury, Evan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29465">
                <text>2/15/15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29466">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29467">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1975" public="1" featured="0">
    <fileContainer>
      <file fileId="13942">
        <src>https://omeka.binghamton.edu/omeka/files/original/b4e2f1e02ebfdb8b36eb49446edcf585.pdf</src>
        <authentication>5f53adf107a853fbc669dda539e1a96e</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="68">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="52771">
                    <text>BINGHAMTON
U N I V E R S I T Y
S T A Y S   U N I V E R S I T Y  O F  N E W  Y O R K

d

e

[4

e

D E P A R T M E N T

MODlus
A N D F  R I E N D s
J aney  Choi, violin
Roberta Crawford , viola
S tephen Stalker, cello
Micha el Salmirs, piano
with

Gabriel Boyers, violin
Timoth y Perry, clarinet

Sunday, F ebruary 2, 2014
3 p.m.
W atters T heater

�P R O GR A M
Duo for Violin an d Viola.... 
in G Major, KV 423 
Allegro
A dagio
Rondeau : Allegro

A B O U T  T H E  P ERFORM ERS

..Wolfgang Amadeus  M ozart
(1756­1791)

GABRIEL BOYERS, violinist, has been praised for his ‘rock steady ﬁnger and bow technique” by New Music
Connoisseur Magazine and has been described by The Boston Phoenix as an “elegant, accomplished player” and
as one of “the most talented young string players in town.” As recitalist and chamber musician, Gabriel has been
heard at numerous festivals and halls, including at the Sandor Vegh Institute in Prague, the Banﬀ Centre for the
Arts in Canada, Vail Valley Bravo Music Festival, the Troy Savings Bank Music Hall, and Boston’s Jordan Hall and
beginning in 2013, he performs as Second violinist of the newly formed Simrock String Quartet (with Gabriela
Draz. Stephanie Fong and Raﬁ Popper­Keizer).  Gabriel has participated in many world­premiere performances,
including as concenmaster for the 2005 Carnegie Hall premiere of ”Concerto for Turntables and Orchestra” with
DJ Radar, as  well as  the 2006 premiere of “F or Lou” by John Luther Adams, which he also recorded for New

G abriel Boyers,  violin

Roberta Crawford, viola

Trio for Clarinet, Cello an d Piano .  ..  .. J ohannes  Bra hms
In A Minor, Op. 114 

Allegro
A dagio
A ndantino grazioso
Allegro

(1833­1897)

Timoth y Perry, clarinet

Stephen Stalker, cello
Micha el Salmirs, piano

t o   INTERMISSION  cz

Piano Quintet in A Major, Op. 81...

Antonin Dvorak
(1841­1904)

Allegro, m a  n on  tanto
Dumk a : A ndante con  moto
Scherzo (Furiant): M olto  v iv ace
Finale : Allegro
J aney Choi  a nd  G abriel Boyers,  violin

Roberta Crawford , viola
Stephen Stalker, cello
Micha el Salmirs, piano

World Records.  In 2007, Boyers was a resident artist at the “Atlantic Center for the Arts“ in Florida, where he
worked with composer Lee Hyla to develop “Cadenza,” a work for solo violin based on portions of composer‘s
Violin Concerto. In 2010, with pianist Keith Kirchoﬀ, Boyers gave the world premiere of Leo Omstein’s 3rd Sonata
for Violin and Piano, a newly discovered work approximately 90 years old, which they will record next year as part
of a survey of Omstein’s complete works for violin and piano. Boyers holds undergraduate and graduate degrees
from Tufts University and New England Conservatory, where his principal teachers were Masuko Ushioda and
James Buswell.  In addition to his performing activities, Boyers is owner of Schubertiade Music &amp; Arts
(wwwschubertiadernusiccom) and deals in rare Musical Autographs and Antiquarian Music and Ephemera. Since
2011, he has directed the Primary Source Series at the Boston Goethe­Institut, a chamber music concert series
where each program is built around rare musical artifacts and manuscripts.
Canadian violinist, JANEY CHOI gave her Camegie Hall recital debut in 1997 as a winner of the Artists
International Auditions and continues an active career performing as a soloist and with such groups as the Ardelia
Trio. New York City Ballet, and the Teaching Artists Ensemble of the New York Philharmonic. The recipient of
numerous awards, including National First Prize in the Canadian Music Competition, and a Performing Arts Grant
from the Ontario Arts Council, she has participated in such festivals as Mostly Mozart, Norfolk, Taos. the Spoleto
Festivals in the U.S  and Italy, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera
An avid inter­arts and cross­genre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has
performed numerous times with the Parsons Dance Co. She initiated a collaboration between the Paul Taylor
Dance Company and the Binghamton University Orchestra. Her other interests have taken her to the visual arts
world, developing and presenting an annual “Music + Art” show commissioning artwork based on chamber works.
She has recorded and appeared with such mainstream performers as Bono (U2) and Quincy Jones, Adele.
Beyonce, Aretha Franklin, Enya, Elton John, Jay­Z, Sarah McLachlan, Lenny Kravitz, and Kanye West, on the
Grammys, MTV, Saturday Night Live, The Today Show, at Live 8, Radio City Music Hall and Royal Albert Hall in
London, England. Dr. Choi was the youngest and only Pie­College student ever accepted by her late mentor,
Joseph Fuchs at The Juilliard School, where she graduated from the accelerated BM/MM program with the
Joseph Fuchs Graduation Prize.  Her other major teachers include Joel Smimoﬀ, Victor Danchenko, Harvey
Shapiro, and Arnold Steinhardt. She attained her Doctor of Musrcal Arts degree at Rutgers University with full
scholarship and the Graduate Fellowship Award. She has been on the faculty of Binghamton University since
2006 and is a Teaching Artist for the New York Philharmonic and Chamber Music Society of Lincoln Center. She
has presented educational workshops for the College Music Society National Conference, Tokyo College of Music
and Lincoln Center Institute. In her free time, she enloys marathon and triathlon training, playing soccer and ice
hockey

ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician, As co­artistic director
and a founding member of the Finger Lakes Chamber Ensemble. Ms  Crawford has participated in over two
hundred solo, chamber, and lecture­recitals presented by the ensemble since its formation in 1990 Ms  Crawford
is violist with the Mobius Ensemble, resident piano quartet at Binghamton University which performs frequently on
campus and throughout the region. She has performed with the Catskill Chamber Players, appeared often on the
Cayuga Chamber Orchestra’s Sunday Chamber Music Series and was a guest performer with the Ariadne String
Quartet. Ms. Crawford has played with the Portland and Syracuse symphonies and has served as principal violist
for the Cayuga Chamber Orchestra. Recent activities include performance in the world premiere of Fault Lines for
piano quartet, written by  award­winning composer, James Matheson and presented at  Comell University‘s
Mayfest 2010. An advocate of new music, Ms. Crawford has premiered numerous works featuring viola and has
been the dedicatee of several works written speciﬁcally for her. She has participated in music festivals throughout

the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and

�television. A dedicated teacher, Ms. Crawford has served as clinician, coach, and adjudicator for numerous music
organizations and as director of ViolaFest at Binghamton. Ms. Crawford also served for ﬁve  years as a
Faculty/Artist for NSOA ASTA String Institute at Ithaca College. She has been a guest faculty member at Phillips
Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently coordinator of
strings at Binghamton University.

DR. TIMOTHY PERRY, Professor of Music, is now in his twenty­eighth season as conductor/director of the
orchestral program at Binghamton University. A Wisconsin native, he attended the University of Wisconsin­
Madison as a National Merit Scholar prior to graduating with distinction from the Manhattan and Yale Schools of

Music. He taught in the Minnesota State University system for ﬁve years prior to joining the BU faculty in 1986. In
addition to directing the University Symphony and String Orchestras, Dr. Perry also directed the BU Wind
Ensemble program from 1986­2005 and served as the Music Director of the Binghamton Community Orchestra
from 1994­2004. He continues to perform a wide range of orchestral, opera and musical theater repertoire as
Guest Conductor with both regional and international ensembles. Since 2005, Dr. Perry has twice collaborated
with New York’s renowned Paul Taylor Dance Company, and worked as Music Director with faculty and
performers of DUOC in Santiago, Chile for bi­national productions of West Side Story and The Three­Penny
Opera.  As BU’s Professor of Clarinet he is active throughout the world as soloist, chamber musician and teacher,
including three appearances at the world conference of the Intemational Clarinet Association and touring for the
Department of State as United States Musical Ambassador for Latin America and the Caribbean. He is Past
President of the Northeast Division of the College Orchestra Directors’ Association, and will be a featured speaker
at the National CODA Conference in January 2014.

Pianist MICHAEL SALMIRS is well known as a recitalist and chamber musician. As a founding member and
artistic director of the Finger Lakes Chamber Ensemble, he maintains a full season of chamber concerts and
lecture recitals and recently presented a series on the last three piano sonatas of Beethoven. He has appeared as
soloist with the Coming Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and was
frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard
chamber music repertoire for strings and piano, he has premiered numerous solo and chamber works, and has
given the world premieres of Piano Quintets by David Liptak and Marek Harris, as well as Diego Vega’s Piano
Quartet with the Finger Lakes Chamber Ensemble and Piano Quartet by Wendy Wan­ki Lee with the Binghamton
University resident piano quartet, Mobius Ensemble. He has also participated in such contemporary music series
as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded
for the Syracuse Society for New Music. Mr. Salmirs studied at the New England Conservatory and Eastman
School of Music; his teachers include pianists Leonard Shure and Rebecca Penneys and composer Karel Husa.
Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is
currently a faculty member at Binghamton University where he is Coordinator of Piano Studies. As a composer,
his Silenced Voice, for Soprano, Baritone, Clarinet, and Piano Quartet, was premiered in 2010 at Binghamton
University. He is presently composing a vocal chamber work on texts by Stephen Levine as well as a Piano
Quintet. This season features performances of the complete works for cello and piano by Beethoven with cellist,
Stefan Reuss and a piano recital at Binghamton University in April.
STEPHEN  STALKER, cellist, teaches at Binghamton University. He formerly taught at Colgate University,
Mansﬁeld University, Ithaca College and the Binghamton City School District. He was the principal cellist of the
Cayuga Chamber Orchestra in Ithaca, NY, and has performed extensively with the Catskill Chamber Players of
Oneonta, NY, and in concerts at Binghamton University. Performing with the Catskill Chamber Players he has
presented “Meet the Composer“ concerts with prominent American composers including John Cage, Virgil
Thomson, Lou Harrison and George Crumb. The Chamber Players appeared at Weill Recital Hall, premiering a
set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the
complete Beethoven Trio cycle at Binghamton University. He performed with Solisti New York on their Alaskan
cruise of the Inner Passage from Vancouver to Juneau. As a member of the Madison String Quartet, he was a
ﬁnalist in the Naumberg Chamber Music Competition in New York City and the Evian lntemational String Quartet
Competition in Evian, France. He has performed in many recital appearances with pianist, Michael Salmirs. He
performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton
University.  He is a past president of the New York State Chapter of the American String Teachers Association
and was Strings Chair for the New York State School Music Association.  He is a founder of the Southern Tier
Music Teachers Association and the Binghamton Cello Festival. He is a graduate of the Manhattan School of
Music in New York City.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="25">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="16520">
                  <text>1960's - present</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16521">
                  <text>Binghamton University Music Department Tape Recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16533">
                  <text>Concerts ; Instrumental music ; Live sound recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16748">
                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39037">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="32">
      <name>Template: PDF</name>
      <description>Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="30261">
              <text>2 audio disc</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Streaming Audio</name>
          <description>Streaming URL</description>
          <elementTextContainer>
            <elementText elementTextId="30863">
              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74979"&gt;https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74979&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="45189">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="139">
          <name>PDF Layout</name>
          <description>This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']&#13;
Options:&#13;
'Single' - Only the entire current page will be visible and Zoom will be set to page width.&#13;
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.&#13;
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.&#13;
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.&#13;
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)&#13;
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)</description>
          <elementTextContainer>
            <elementText elementTextId="52772">
              <text>Single</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30243">
                <text>Mobius and friends </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30244">
                <text>Concerts </text>
              </elementText>
              <elementText elementTextId="30245">
                <text>Instrumental music </text>
              </elementText>
              <elementText elementTextId="30246">
                <text>Live sound recordings  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30247">
                <text>Works by Mozart, Brahms, Dvořák. Held at 3:00 p.m., February 2, 2014, Watters Theater.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30248">
                <text>Choi, Janey</text>
              </elementText>
              <elementText elementTextId="30249">
                <text>Crawford, Roberta</text>
              </elementText>
              <elementText elementTextId="30250">
                <text>Stalker, Stephen</text>
              </elementText>
              <elementText elementTextId="30251">
                <text>Salmirs, Michael</text>
              </elementText>
              <elementText elementTextId="30252">
                <text>Boyers, Gabriel</text>
              </elementText>
              <elementText elementTextId="30253">
                <text>Perry, Timothy </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="30254">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30255">
                <text>Mozart, Wolfgang Amadeus, 1756-1791</text>
              </elementText>
              <elementText elementTextId="30256">
                <text>Brahms, Johannes, 1833-1897</text>
              </elementText>
              <elementText elementTextId="30257">
                <text>Dvořák, Antonín, 1841-1904</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30258">
                <text>2/2/14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30259">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30260">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="2826" public="1" featured="0">
    <fileContainer>
      <file fileId="14273">
        <src>https://omeka.binghamton.edu/omeka/files/original/b34cadb64f3d5a1c58d4f50dc4f99c6d.pdf</src>
        <authentication>a47abd759ab6a0cf2724cf6a9306030f</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="68">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="53440">
                    <text>.
é'  V» (1,
f E
U . ii; 3  E

BINGHAMTON

Rac 

U N I V E R S I T Y

ED 

\
1 7 4  \
PNY 

‘n’ 

\   GS

State University of  New York

Departme nt of Musi c

  TT

\

©  T E E

A Russ ian Fan tasy
for Two Pianos
with

Ewa Ma ckiewicz­Wolfe
Michael Salmirs

3

]

Sat u rd a y, Feb r u a ry 2 1, 2004
8 :00 p.m.
A nderson Cente r C ha m be r Hall

�Progra m
Sergei Rachmaninoﬀ
(1873­1943)

’

i

Suite No. 1 for Two Pianos, Op.5
(Fantasie Tablcaux)

I. 
11. 
III. 
IV. 

Barcarolle: Allegretto
A Night for Love : Adagio sostenuto
Tears: Largo di molto
Easter: Allegro maestoso

Symphonic Dances, Op. 45

l

I. 
II. 
III. 

Non Allegro—Lento—Tempo 1
Andante con moto (Tempo di valse)
Lento assai––Allegro vivace

­­I ntermission­­

l

Suite No. 2 for Two Pianos, Op. 17

I

G

I. 
II. 
111. 
IV. 

Introduction: Alla marcia
Valse: Presto
Romance: Andantino
Tarantelle: Presto

Il
!

l

�P rogra m Notes

Rachmanioﬀ’s two­piano suites and symphonic dances arc among
the composer ’s major works.  Rachmaninoﬀ was only 20 when the
Suite  No.  1  “Fantaisic  –  ta blea ux ”  Op.  5  was  published.
Dedicated  to  Tchaikovsky,  it  shows  a  very  strong  link  to  that
composer’s lyrical art.  The Suite consists of four brief movements
which  arc  preceded  in  the  score  by  quotations  from
Rachmaninoﬀ’s  favorite  poets:  Lermontov,  Byron, Tyutchev and
Khomyakov.
The ﬁrst movement, the G minor Barcarolle: Allegretto, captures
not  only the serenity of Lermontov ’s lines but also something of
their restrained pathos.

Gondola Song
O cool evening wave
Lap gently under the oars of the gondola
...that song again! and again the sound of the guitar!
...in the distance, now melancholy, now happy,
Was heard the sound of the old barcarolle:
“The  gondola  glides  through  the  water,  and  time  ﬂies
through love;
The waters become smooth again and passion will  rise no
more.”
Mikhail Lermontov (1814­1841)

The  second  movement, La  mit...L’ amour:  Adagio sostenuto (A
Night  For  Love),  inspired  by  Byron ’s  lines,  is  an  extended
dialogue which begins with suggestions of bird song, then rises to
a  central  climax  and  retu rns  to  the  tranquility  from  which  it
emerged.
Night.....Love
It is the hour when from the boughs
The nightingale’s high note is heard;

i

It  is the hour when lover’s vows
Seem sweet in every whisper’d word;
And gentle winds, and waters near,
Make music to the lonely ear.
Lord Byron (1 788­1824)
The  next,  Les  larmes  (Tears),  is  the  most  characteristic  and
forward­looking movement of agonized melancholy.

Tea rs
Human tears, O human tears!
You ﬂow both early and late –
You ﬂow unknown, you ﬂow unseen
Inexhaustible, innumerable, ­
You ﬂow like torrents of rain
In the depths o f an autumn night.
Fyodr Tyutchev (1803­1873)
The ﬁnale, Paques: Allegro maestoso (Russian Easter) is entirely
outgoing and theatrical, with the Kremlin bells tolling exuberantly
from the opening bar to the last.

Easter

The mighty peal rang out over the earth,
And all the air, moaning, shuddered and groaned.
Melodious, silver thunderings
Told the news of the holy triumph
Alexei Khomyakov (1804­1860)
The Suite No. 2, Op. 1 7, composed years later, was performed by
the  composer  and  his  friend  Alexander  Siloti  in  Moscow  in
November  1901.  The Suite’s ﬁrst movement, Introduction:  Alla
Marcia, is full of energy and conﬁdence, a tour de force in rhythm

�Coming Events
Th u rsday,  Feb r ua ry  26  –  Mid­Day  Concert  with  faculty  and  student
performers – 1 :20 p.m. – Casadesus Recital Hal l – free

Satu rday, Feb ruary 28 –  University Symphony O rchestra  Concerto and
Aria  Concert – Timothy Perry, cond uctor ­ 8:00 p.m. – Anderson  Center
Concert Theater ­ $8 general public; $6 faculty/staﬀ/seniors; free for students
Th u rsday, March 4 ­ Mid­Day Con cert with faculty and student per formers –
1 :20 p.m. – Casadesus Recital Hall ­ free
F riday,  March  5  –  A  T ribute  to  Ezra  Laderman  –  Pianist  Chai­Kyou
Mallinson,  ﬂutist  Georgetta  Maiolo,  dancer  Marlon  Torres  and  singers
perform works by Laderman – 8 :00 p.m. – Anderson Center Cha mber Hall ­
$14 general public; $12 faculty/staﬀ/seniors; $6 for students
Satu rday, Ma rch  6  –  Du ke  Ellington  O rchestra  –  8:00  p.m.  –  Anderson
Center Concert Theater ­ $25 general  public; $20  faculty/staﬀ/seniors; $1 0
students (co­sponsored by the Ha rpur Jazz Project)
Sunday, Ma rch 7 – University Wind Ensem ble – “Cinematic Signatures ll –
Music by John Williams” – 3:00 .m. – Anderson Center Concert Theater –
free
Th u rsday, Ma rc h 1 8  – Mid­Day Concert with Faculty and student performers
– 1 :20 p.m. – Casadesus Recital Hall – free

Satu rday, March 20 – Ha r pu r Chorale and Women ’s Chor us – 8:00 p.m. –
Anderson Center Chamber Hall – free
Sunday, Ma rch 2 1 – Moza rt Lectu re/Recital – Lecture by Alice Mitchell with
faculty artists performing – 3:00 p.m. – Casadesus Recital  Hall ­ $8 general
public; $6 faculty/staﬀ/seniors; free for students

Th u rsday, Ma rch 25 – Ha r pu r T rumpet Ensemble Concert – 8 :00 p.m. –
Casadesus Recital Hall – free
Satu rday,  Ma rch  27  –  Songs  My  Teachers  Ta ught  Me  –  Soprano  Mary
Burgess  and  Friends  – 8:00  p.m.  –  Anderson  Center  Chamber  Hall  ­ $14
general public; $12 faculty/staﬀ/seniors; $6 students

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="25">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="16520">
                  <text>1960's - present</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16521">
                  <text>Binghamton University Music Department Tape Recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16533">
                  <text>Concerts ; Instrumental music ; Live sound recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16748">
                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39037">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Template: Universal Viewer / Rosetta</name>
      <description>Rosetta audio media</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="46075">
              <text>2 audio discs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="46076">
              <text>1:03:16</text>
            </elementText>
            <elementText elementTextId="46077">
              <text>26:54</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Streaming Audio</name>
          <description>Streaming URL</description>
          <elementTextContainer>
            <elementText elementTextId="46648">
              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE251423&amp;amp;change_lng=en&amp;amp;select_viewer=metsViewer"&gt;https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE251423&amp;amp;change_lng=en&amp;amp;select_viewer=metsViewer&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46066">
                <text>A Russian fantasy for two pianos, February 21, 2004</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="99">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="46067">
                <text>Recital Tape 2004-2-21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46068">
                <text>Works of Rachmaninoff. Held at 8:00 p.m., February 21, 2004, Anderson Center Chamber Hall.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46069">
                <text>Rachamaninoff, Sergei </text>
              </elementText>
              <elementText elementTextId="46070">
                <text>Mackiewicz-Wolfe, Ewa </text>
              </elementText>
              <elementText elementTextId="46071">
                <text>Salmirs, Michael</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="46072">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46073">
                <text>2/21/2004</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46074">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1939" public="1" featured="0">
    <fileContainer>
      <file fileId="13911">
        <src>https://omeka.binghamton.edu/omeka/files/original/78570bb0e7c68bf4de2a7fd026fb822c.pdf</src>
        <authentication>3efd9a0171076bf647ea0f06596de53b</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="68">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="52711">
                    <text>BINGHAMTON
U  N  I  V  E  R  S  I  T  Y
S T A T E  U N I V E R S I T Y  O F  N E W  Y O R K

zedeC

B E  P A R T M E N T

MID­DAY
CONCERT
1I A

w a ‘i N 

0
e

Th ursday, Fe bruary 23, 2015
1:20 p.m.
Casadesus Recital Hall

3

 

�&amp;  PROGRAM  «6
LarsErik Larsson

Concertina ...

l.  Preludium: Allegro pomposo 
” 2 0  ll“.
Il.  Aria: Andante sostenuto  7‘ 9 :3 4  .
III.  Finale = Allegro giocoso  Z ? ’ 0
 

(1908­1986)

Christopher Beard, trombone
Margaret Reitz, piano

Sonata for Viola and Piano ...

I.  Allegro moderato 3 2   43".­
II.  Larghetto ma non troppo 4 3 , 7 7

.....Mikael Glinka

(1804­1857)

Hannah Watrobski, viola
Margaret Reitz, piano

Seis estudios dc concierto..
II.  Im prom ptu(1945) 5 3 ’ 2  ? “

.  Julian Menéndez

(18961975)

Timothy Perry, clarinet
Margaret Reitz, piano

Sonata...

Prologue I t0  2 :10
 
Serenade et F inale] 
, 07% 357

Stephen Stalker, cello

Stephen Zank, piano

....Claude Debussy

(1862­1918)

�Bingham ton University  Depart ment of Music
Coming Events
ﬁ

a

w

w

w

é

­

M

M

M

M

M

M

é

­

o

é

é

­

Thursday,  February  26  –  Tri­Cities  Opera  presents  Michael  Ching’s  “Speed  Dating
Tonight!” ­  8:00 p.m. ­  Opera Center, 315 Clinton Street, Binghamton, NY ­  Call 607­

7720400 for tickets

Friday,  February  27  ­  Tri­Cities  Opera  presents  Michael  Ching’s  “Speed  Dating
Tonight!” ­  8:00 p.m. ­  Opera Center, 315 Clinton Street, Binghamton, NY ­  Call 607­

7720400 for tickets

Saturday,  February  28  ­  Joint Junior  Recital: Brandon  Young,  trumpet  and  Chris
Beard, trombone ­  3:00 p.m. ­  Casadesus Recital Hall ­  free
Saturday,  February  28  ­  Tri­Cities  Opera  presents  Michael  Ching’s  “Speed  Dating
Tonight!” ­  8:00 p.m. ­  Opera Center, 315 Clinton Street, Binghatmon, NY ­  Call 607­

7720400 for tickets.

Sunday, March 1 ­  Sonata Masterpieces for cello and  piano with Stephen Stalker and
Stephen Zank  ­  3:00  p.m.  ­  Anderson Center  Chamber  Hall ­ $10 general  public; $7
faculty/staﬀ/ seniors/ alumni; $5 for students
Thursday, March 5 ­  Mid­Day Concert ­  1:20 p.m. ~ Casadesus Recital Hall ­  free

Friday, March 6 ­  Master’s Recital: Nicholas Follen, saxophone ­  7:30 p.m. ­  Casadesus
Recital Hall ­ free
Saturday, March  7  ­  Harpur Chorale and Women’s Chorus ­  7:30  p.m.  ­  Anderson
Center  Chamber  Hall  ­  $7  general  public;  $5  faculty/staﬀ/seniors/alumni;  Free  for
students
Sunday, March 8 ­  University Wind Sym phony: Just Like a Concert in the Park ­  3
p.m. ­  Osterhout Concert  Theater  ­  $7 general public; $5 faculty/staﬀ/seniors/alumni;
Free for students

Sunday, March 8 ­  Sophomore Recital: Hannah Watrobski, viola ­  5 p.m. ­  Casadesus
Recital Hall ­  free

6

M

M

M

M

M

M

6

M

M

M

$

For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 7 7 7­ARTS.
For a complete list  of our concerts call (60 7) 777­2592, visit  music.binghamton.edu or  become a

fan on Facebook.

[

=

— 
]  

if you  were  inspired  by  this  performance,  consider  supporting  the
Department  of  Music  with a ﬁnancial gift. Your  support  helps  to
continue  the work  of  students,  faculty , and  guest  artists  and  their
contributions to our community. Please make your donation  payable
to  the  Binghamton  University  Music  Department,  and  send  your
  usic  Department,  P.O.  Box 6000sss,  Binghamton,
check  to  B U M

NY 13902.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="25">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="16520">
                  <text>1960's - present</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16521">
                  <text>Binghamton University Music Department Tape Recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16533">
                  <text>Concerts ; Instrumental music ; Live sound recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16748">
                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39037">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="32">
      <name>Template: PDF</name>
      <description>Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="29441">
              <text>1 audio disc</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="29442">
              <text>47:19:00</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Streaming Audio</name>
          <description>Streaming URL</description>
          <elementTextContainer>
            <elementText elementTextId="30822">
              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74850"&gt;https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74850&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="45153">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="139">
          <name>PDF Layout</name>
          <description>This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']&#13;
Options:&#13;
'Single' - Only the entire current page will be visible and Zoom will be set to page width.&#13;
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.&#13;
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.&#13;
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.&#13;
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)&#13;
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)</description>
          <elementTextContainer>
            <elementText elementTextId="52201">
              <text>FacingCoverContinuous</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29422">
                <text>Mid-day concert, Thursday, February 26, 2015</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29423">
                <text>Concerts </text>
              </elementText>
              <elementText elementTextId="29424">
                <text> Instrumental music </text>
              </elementText>
              <elementText elementTextId="29425">
                <text> Live sound recordings  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29426">
                <text>Works by Larsson, Glinka, Menéndez, Debussy. Held at 1:20 p.m., February 26, 2015, Casadesus Recital Hall.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29427">
                <text>Beard, Christopher</text>
              </elementText>
              <elementText elementTextId="29428">
                <text> Reitz, Margaret</text>
              </elementText>
              <elementText elementTextId="29429">
                <text> Watrobski, Hannah</text>
              </elementText>
              <elementText elementTextId="29430">
                <text> Perry, Timothy</text>
              </elementText>
              <elementText elementTextId="29431">
                <text> Stalker, Stephen</text>
              </elementText>
              <elementText elementTextId="29432">
                <text> Zank, Stephen .</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="29433">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29434">
                <text>Larsson, Lars-Erik</text>
              </elementText>
              <elementText elementTextId="29435">
                <text> Glinka, Mikael</text>
              </elementText>
              <elementText elementTextId="29436">
                <text> Menéndez, Julián</text>
              </elementText>
              <elementText elementTextId="29437">
                <text> Debussy, Claude, 1862-1918</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29438">
                <text>2/26/15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29439">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29440">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
