86 10 1775 https://omeka.binghamton.edu/omeka/files/original/f88d0852675cd9777498bb5fbbd7959f.pdf 69d63cf3b23cfee541c9f5054f6bdcf2 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents ****** **** * **** ** * ** * *** * * THE HARPUR COLLEGE SYMPHONY ORCHESTRA * * conducted by * * Stefan Bauer-Mengelberg * * * * * * * * * * * * * * * * * * * * * * * * * * 7:00 and 9:00 p.m. February 24, 1972 * * * * * * * * Social Room Student Center �* * * * * * * * * * * * * * * ** * * LUDWIG VAN BEETHOVEN * * * * (1770 -1827 ) * * * * ************** * 7:00 p.m. Publi c Dress Rehea rsal 9:00 p.m. Perfor mance Symphony No. 3, in E-fla t major , Op. 55 ("Ero ica") Alleg ro con brio Marci a funeb re: Adagi o assai Scher zo: Alleg ro vivac e Final e: Alleg ro molto - Paco andan te - Prest o �THE HARPUR COLLEGE SYMPHONY ORCHESTRA VIOLIN Eric Lewis, Concertmaster John McLeod, Principal, Second Violins David Agard Andrea Andros Mary Barton Alice Click Browning Cramer Terie Crumbliss Diane Feigin Paul Friedman Paul Goodman Joanne Jenner Andrew Jennings Arthur Mannis Oscar Maxwell Daniel Mowrey Robert Rozek Mark Sokol Martha Strassberger Michael Sturm Joan Tanenhaus Debra Tanklow Lydia Werbizky Jeff Wheeler VIOLA Andrew Berdahl, Principal Peggy Acker Zelman Bokser Pat Foley John Kochanowsky Carolyn Lohmann Joyce Stelzl CELLO Judith Rachel Miriam Norman CELLO (continued) Carolyn McIntosh Timothy Perry Fred Raime BASS Robert Taffet, Principal Robert Ciringione Robert Keith Kolber Michael Sanders FLUTE Betsy Ross Phyllis Wiesenthal Valerie Vastola OBOE Stan Moshman Nancy Ranger Dorian J. Schwartz CLARINET Wendy Os teyée Sheldon Berkowitz BASSOON Carol Shapiro Douglas Epstein FRENCH HORN Janice DeWolf Cindy Weldon Brett Brockman TRUMPET Robert Lindstrom Wendy Natter Glyde, Principal Abbey Diamond Fisher TIMPANI Joseph Roma Or chestra Manager: Browning Cramer � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:53:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63594 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63594"> Harpur College Symphony Orchestra Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Symphony Orchestra Concert, February 24, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Held at 7:00 pm, February 24, 1972, Social Room, Student Center. Creator An entity primarily responsible for making the resource Harpur College Symphony Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-2-24 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096024 39091020096073 https://omeka.binghamton.edu/omeka/files/original/9b10f1e6774c80bbb6b6f6d2cad96df6.pdf 21c2b96a79d0c6e1cf59a522fb5bd8c0 PDF Text Text STATE UNIVERSITY OF NEWYORK AT BINGHAMTON DEPARTMENT OF MUSIC presents THE NEW AGE BRASS ENSEMBLE Juilliard School N.Y.C., N.Y. Steven Koeppel, Trumpet Philip Smith, Trumpet John Mosca, Trombone Christopher Bohl, Trombone Dale Whitman, Horn Fri., Feb. 25, 1972 - 8:15 Recital Hall �PROGRAM Samuel Scheidt (1587-1654) Canzona Bergamasca Musi c For Brass Instruments (1944) Chorale - Fantasy Intermezzo Fugue Ingolf Dahl William Bergsma Suite For Brass Quartet Scherzo Song Showpiece INTERMISSION Three Short Pieces For Brass Trio Suite For Brass Quintet lntrada Ceremonial Passacaglia Fugue Parable For Brass Quintet(l968) Quintet in þÿB&m Major for Brass Instruments Grave - Allegro Adagio Allegro Vivo Merle Hogg Herbert Haufrecht Vincent Persichetti Robert Sanders � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:44:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63598 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63598"> New Age Brass Ensemble Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Age Brass Ensemble Recital, February 25, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Scheidt, Dahl, Hogg, Persichetti, and Sanders. Held at 8:15 pm, Feb. 25, 1972, Recital Hall. Creator An entity primarily responsible for making the resource New Age Brass Ensemble Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-2-25 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Scheidt, Samuel, 1587-1634 Dahl, Ingolf, 1912-1970 Hogg, Merle, 1923-2017 Persichetti, Vincent, 1915-1987 Sanders, Robert L., 1906-1974 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096438 39091020096487 39091020096222 https://omeka.binghamton.edu/omeka/files/original/dfa40c170b8e4f154cafae235f877c3d.pdf 8d5362b9fd864a7318724f820f800023 PDF Text Text STATE UNIVERSITY OF NEW YORK AT B I N G H A DEPARTMENTOF MUSIC presents JEAN ELAINE FISCHER, piano Sat., Feb. 26, 1972 - 8:15 Recital Hall PROGRAM Sonata in D major, K. 576 Allegro Adagio Allegretto W. A. Mozart Sonata in E major, Op. 109 Vivace, ma non troppo Prestissimo Andante molto cantabile ed espressivo (variations) Beethoven INTERMISSION M. Ravel Valses Nobles et Sentimentales Nocturne in þÿD&m major, Op. 27 no. 2 Sonata #3, in A minor, Op. 28 F. s. Chopin Prokofieff � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:11:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63603 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63603"> Jean Elaine Fischer, Piano, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jean Elaine Fischer, Piano, Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Beethoven, Ravel, Chopin, and Prokofieff. Held at 8:15 pm, Feb. 26, 1972, Recital Hall. Creator An entity primarily responsible for making the resource Fischer, Jean Elaine Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-2-26 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Beethoven, Ludwig van, 1770-1827 Ravel, Maurice, 1875-1937 Chopin, Frederic, 1810-1849 Prokofiev, Sergey, 1891-1953 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096123 39091020096172 https://omeka.binghamton.edu/omeka/files/original/e3a73c7f244f518706de920cc43ec0b9.pdf 14b1ca4caa2e72967d0b35e25b9cb2a0 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents LENOX QUARTET Peter Marsh, violin Delmar Pettys, violin Toby Appel, viola Donald McCall, cello Sun., Feb. 27, 1972 - 8:15 Don A. Watters Theater This concert is dedicated to the memory of Jean Casadesus PROGRAM Quartet ind minor, K. 421 Allegro moderate Andante Menuetto (Allegretto) Allegretto, ma non troppo Quartet in g minor, Op. 10 imé è decide écidé An1me et tres I Assez vif et bien rythme Andantino, doucement expressif I Tres modere - Tres mouvemente et avec passion Mozart Debussy INTERMISSION Quartet in e minor, Op. 59, no. 2 Allegro Molto Adagio Allegretto Presto The next concert on the Spring Series will be on Sun. , March 5 - Paul Hersh, piano Beethoven � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:38:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63607 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63607">Lenox String Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet Recital, February 27, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Debussy, and Beethoven.. Held at 8:15 pm, Feb. 27, 1972, Don A. Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-2-27 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Beethoven, Ludwig van, 1770-1827 Debussy, Claude, 1862-1918 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096016 39091020096065 39091020096388 https://omeka.binghamton.edu/omeka/files/original/6bcb7db1dfa8b6b09639830f9bf459f1.pdf e8783c2011f51d97b50cd2f7b9c9e527 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents PAUL HERSH 1 piano Sun. , March 5 - 8 :15 Don A. Watters Theater �PROGRAM Sonata in A major, Op. 120 Allegro moderato Andante Allegro Sonetto 47 del Petrarca Sonetto 104 del Patrarca Sonetto 123 del Petrarca Franz Schubert Franz Lizst Improvisations, Op. 20 Bela Bartok 1. Molto moderato 2. Molto capriccioso 3. Lento, rubato 4. Allegretto scherzando 5. Allegro .molto 6. Allegro moderato, molto capriccioso 7. Sostenuto, rubato (Hommage a' Claude Debussy) 8. Allegro INTERMISSION Carnavel, Op . 9 l . Preambule 2. Pierrot 3. Arlequin 4. Valse nob.le. 5. Eusebius 6. Florestan 7. Coquette 8. Replique Sphinxs 9. Papillons 10. A.s.c.H. S.C.H.A. (Lettresdansantes) 11. Chiarina 12, Chopin Robert Schumann 13. Estrella 14. Reconnaissance 15. Pantalon et Colombine 16, Valse Allemande 17. Paganini. 18. Aveu 19. Promenade. 20. Pause 21. Marche des "Davids bündler" contre. les Philistins The next concert on the.Spring Series is on Sun. , March 12, Lenox Quartet �LXI: SONNET 47 Blest be the day, and blcst the month, the year, The spring, the hour, the very moment blest, The lovely scene, the spot, where first oppressed I sunk, of two bright eyes the prisoner: And blcst the first soft pang, to me most dear, \\'hich thrilled my heart, when Love became its guest; And blest the bow, the shafts which pierced my brest. And even the wounds, which bosomed thence I bear. Blest too the strains which, poured through glade and grove, Have made the woodlands echo with her name; The sighs, the tears, the languishment, the love: And blest those sonnets, sources of my fame; And blest that thought-Ohl never to remove! \Vhich turns to her alone, from her alone which came. CXXXIV: SONNET 104 I find no peace and bear no arms for war, I fear, I hope; I burn yet shake with chill; . I fly the Heavens, huddle to earth's floor, Embrace the world yet all I grasp is nil. Love opens not nor shuts my prison's door Nor claims me his nor leaves me to my will; l le slays me not yet holds me evcm1ore, Would have me lifeless yet bound to my ill. Eyeless I sec and tongueless I protest, And long to perish while I succor seek; Myself I hate and would another woo. I feed on grief, I laugh with sob-racked breast And death and life alike to me are bleak: M y Lady, thus I am because of you. CLVI: SONNET 123 I saw nngclic gest in earthly spheres, And heavenly beauty paraUclcd of none, Which now I joy and grieve to think upon, Since now all else dream, sha<low, smoke appears. And twin lights have I seen obscured by tears, Lights which so oft gave envy to the Sun: Mount welJ might move and stream forget to nm, Heard they the sounds that smote upon these ears. Love, wisdom, valour, tenderness, and grief Weeping together made more sweet consent Than any wonted on wide earth to sound; Harmony holding heaven so intent That not on any branch moved any leaf, By such enchantment air and wind were bound. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 23:32 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63612 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63612"> Paul Hersh, Piano, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paul Hersh, Piano, Recital, March 5, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Beethoven and Chopin. Held at 8:15 pm, March 5, 1972, Don A. Watters Theater. Creator An entity primarily responsible for making the resource Hersh, Paul Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-3-5 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Beethoven, Ludwig van, 1770-1827 Chopin, Frederic, 1810-1849 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096115 39091020096271 39091020096321 https://omeka.binghamton.edu/omeka/files/original/93ad51ac2d557b467a2802b626fe9af7.pdf 02ac2ed2e9c7e9fef935f038a327c247 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHA¥l'ON DEPARTMENT OF MUSIC present s LENOX QUARTET Peter Marsh, violin Toby Appel, viola Delmar Pettys, violin Donald McCall, cello Sun., March 12 - 8: 15 Don A. Watters Theater PROGRAM Quartet in D major, Op. 20 no. 4 Allegro di molto Un poco Adagio affettuo so Menuett o. Allegre tto alla zingare se Presto scherza ndo Quartet No. 1, Op. 7 Lento Allegre tto Allegro vivace Haydn Bartek INTERMISSION Quartet in C major, Op. 59, no. 3 Andante con moto-A llegro vivace Andante con moto quasi Allegre tto Menuett o (Grazio so} Allegro molto The next concert on the Spring Series is on Mon., April 20 - Lenox Quartet Beethov en � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:07:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63617 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63617"> Lenox String Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet Recital, March 12, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Haydn, Bartok, Beethoven. Held at 8:15 pm, March 12, 1972, Don A. Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-3-12 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Haydn, Joseph, 1732-1809 Bartok, Bela, 1881-1945 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096479 39091020096362 39091020096529 https://omeka.binghamton.edu/omeka/files/original/3d54a5d27bdc2d35a19261dc167397f0.pdf 33b6aaa11a644ba1afca77f72d8eccf6 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC prèsents Richard Bobo, piano Sat., March 18 - 8:15 Recital Hall PROGRAM Variations in f minor Haydn Kreisleriana, Op. 16 Schumann INTERMISSION Sonata Molto moderato Copland Vivace Andante sostenuto Estampes Pagodes La Soiree dans Grenade Jardins sous la Pluie Debussy � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:24:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63622 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63622"> Richard Bobo, Piano, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard Bobo, Piano, Recital, March 18, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Haydn, Schumann, Copland and Debussy. Held at 8:15 pm, March 18, 1972, Recital Hall. Creator An entity primarily responsible for making the resource Bobo, Richard Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-3-18 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Haydn, Joseph, 1732-1809 Schumann, Robert, 1810-1856 Copland, Aaron, 1900-1990 Debussy, Claude, 1862-1918 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096263 39091020096420 39091020096313 https://omeka.binghamton.edu/omeka/files/original/a6d24035a9bcaa0a3de46308101847dd.pdf 2dff7c7f971d12772d1d3f2a213a543f PDF Text Text THE UNIVER SITY CHORU S State Un ive rsi ty o f N e w Y o r k at B ingh am t on l * *¥ % D avid Buttol ph, conductor ﬁ n Deutsches Requiem by Johannes Brahms Th u rsd ay, M a rc h 23, 1972 8 :15 p . m . �A GERMAN REQUIEM I Chorus Blessed are they that mourn, for they shall have comfort. (Matt. v. 4) They that sow in tears shall reap in joy. He that now goeth on his way weeping, and beareth forth good seed–shall come with rejoicing, and bring his sheaves with him. I (Psalm 126). II Chorus Behold, all ﬂesh is as grass, and all the goodliness of man is as the ﬂower of grass. For lo, the grass with’reth and the ﬂower thereof decayeth. (I Peter i. 24) Now therefore be patient, O my brethren, unto the coming of the Lord. See how the husbandman waiteth for the precious fruit of the earth, and hath long patience for it, until he receive the early rain and later rain. So be ye patient. (James v. 7). But the word of the Lord endureth for evermore. (I Peteri. 25) The redeemed of the Lord shall return again, and come rejoicing unto Zion; gladness and everlasting joy shall be upon their heads. Joy and gladness shall be their portion and tears and sighing shall ﬂee away. (Isiah xxxv. 10). 11 Baritone Solo and Chorus Lord, make me to know the measure of my days on earth, that my life has an ending and I must perish. Surely, all my days are as an handbreadth to Thee, and my lifetime is as naught to Thee. Truly mankind liveth unavailing, yet doth he claim his life secure. Man passeth away like a shadow, he is disquieted in vain, he heapeth up riches and cannot tell who shall gather them. Now Lord, wherein is my comfort? My hope is in Thee. The souls of the righteous are in the hand of God, nor pain nor grief shall nigh them come. (Psalm 39). �EIN DEUTSCHES REQUIEM IV Chorus How lovely is They dwelling place, O Lord of Hosts. My soul longeth, yea, fainteth for the courts of the Lord ; my soul and body crieth out, yea, for the living God. Blessed are they that dwell within Thy house ; they praise Thy name evermore. (Psalm 84). V I Chorus Selig sind, die da Leid tragen, denn sie sollen getrostet werden. Die mit Traner saen, werden mit Freuden em ten. Sie gehen hin und weinen und tragen edlen Samen, und kommen mit Freuden und bringen ihre Garben. ~ - Soprano Solo and Chorus II Ye now are sorrowful, howbeit, ye shall again behold me and your heart shall be joyful and your rejoicing shall no man taketh from you. (John xvi. 22). Yea, I will com fort you, as one whom his own mother com forteth. (Isaiah Ixvi. 13) Look upon me ; ye know that for a little time labour and sorrow were mine, but at the last I have found com fort. (John xvi). Chorus Denn alles Fleisch es ist wie Gras und alle Herrlichkeit des menschen des Grases Blumen. Das Gras ist verdorret und die Blume abgefallen. So seid nun geduldig, lieben Bruder, bis auf die Zukunft des Herrn. Siehe ein Ackermann wartet auf die kostliche Frucht der Erde und ist geduldig daruber, bis er em pfahe den Morgen regen und Abend regen. So seid geduldig. Aber des Herrn Wort bleibet in Ewigkeit. Die Erloseten des Herrn werden wieder kommen und gen Zion kommen mit Jauchzen ; ewige Freude wird uber ihrem Haupte sein ; Freude und Wonne werden sie ergreifen, und Schmerz und Seufzen wird weg mussen. VI Baritone Solo and Chorus Here on earth have we no continuing place, howbeit, we seek one to come. (Heb. xiii. 14). Lo, I unfold unto you a mystery. We shall not all sleep when He cometh, but we shall all be changed, in a moment, in the . twinkling of an eye, at the sound o f the t rum pet. For the trumpet shall sound and the dead shall be raised incorruptible, and we shall all be changed. Then, what of old was written, the same shall be brought to pass. For death shall be swallowed in victory! Grave, where is thy triumph? Death, O where is thy sting? (I Cor. xv. 5 l , 52). Worthy art Thou to be praised, Lord of honour and might, for Thou hast earth and heaven created, and for Thy good pleasure all things have their being and are and were created. (Rev. iv. 11). VII Chorus in the Lord from henceforth. die which Blessed are the dead Saith the Spirit, that they rest from their labours, and that their works do follow after them. (Rev. xiv. 13). III Baritone Solo and Chorus 0 * Herr, lehre doch mich, dass ein Ende mit mir haben muss, und mein Leben ein Ziel hat, und ich davon muss. Siehe, meine Tage sind einer Handbreit vor dir, und mein Leben ist wie nichts vor dir. Ach, wie gar nichts sind alle Menschen, die doch so sicher Leben. Sie gehen daher wie ein Schemen, und machen ihnen viel vergebliche Un ruhe ; sie sammeln und wissen nicht wer es Kriegen wird. Nun Herr, wes, soll ich mich trosten? Ich hofe auf dich. Der Gerechten Seelen sind in Gottes Hand und keine Qual nihret sie an. �UNIVER SITY CHORU S IV Chorus Wie lieblich sind deine Wohnungen, Herr Zebaoth. Meine Seele verlange t und sehnet sich nach den Vorhofe n des He rrn ; mein Leib und Seele freuen sich in dem lebendigen Gott. Wohl denen, die in deinem Hause wohnen ; die loben dich immerda r! V Soprano Solo and Chorus Ihr habt nun Traurigk eit ; aber ich will euch wieder sehen und euer Herz soll sich freuen, und eure Freude soll niemand von euch nehmen. Ich will euch trosten, wie einen seine Mutter trostet. Sehet mich an : ich habe eine kleine Zeit Muhe und Arbeit gehabt und habe grossen Trost fundem, 1 J VI Baritone Solo and Chorus Denn wir haben hie keine bleibende Statt, sondern die Zukunftige suchen wir. Siehe, ich sage euch ein Geheim nis. Wir werden nicht alle entschla fen, wir werden aber alle verwand elt werden und dasselbige plotzlich in einem Augenblick zu der Zeit der letzten Posaune. Denn es wird die Posaune schallen und die Toten werden auf erstehen unver weslich, und wir werden verwande lt werden. Dann, wird erﬁiltet werden das Wort, das geschrieben steht : Der Tod ist verschlungen in den Sieg. Tod! wo ist dein Stachel! Holle, wo ist dein Sieg! Herr, du bist wurdig zu nehmen Preis und Ehre und Kraft, denn du hast alle Dinge erschaﬀe n, und durch deinen Willen haben sie das Wesen und sind geschaﬀen. VII Chorus Selig sind die Toten, die in dem Herren sterben, von nun an. Ja, der Geist spricht, dass sie ruhen von ihrer Arbeit, denn ihre Werke folgen ihnen nach. 1 ] Soprano Lynn Addison Joan Aronow Shirley Brown Elvira Chiccare lli Kathy Crowe Kathy Denmark Debra Farmer Lois Fischthal Janet Hill Grace Houghton Ann Kasten Karen Madsen Anita Petrella Regina Sablausk as Christa Schaeﬀe r Esther Sterling Sherri Strichman Maria Theodore Mary Thom pson Denise Trautman Linda Uhly Louise Ulrich Alice Weintrau b Marcia Wellworth Alto Joan Appleton Sally Baron Adele Bass Cynthia Bennett Jill Borenstein Cara Brownell Cheryl Brozost Clara Budin Janet Cahn Eugenia Falinski Anna Fontana Karen Fung Gloria Gaumer Sharon Gelfand Louise George Miriam Gilbert Carol Gill Jessie God frey Allison Jameson Kathy Kadish Debbie LaSalle Claudia Lee Doris Lockwood Linda Lockwood Ann Marsland Sandra Menter Rita Orzelek Helen Ottaway Diane Paﬀrath Nicki Pokowitz Barbara Savage Jane Shear Grace Wu Tenor Peter Bellmio Kevin Bertolino Richard Boswell Anthony Colle John Evans Gregory Gibbs John Howard Michael K ass Lawrence Pepper Edward Pettengill Fritz Rath Richard Toulson John Ying Bass Michael Barnard David Crowe Richard Fried Rick Koven Thomas Lamphe re Michael Little Kenneth Martin Mitchell Mendelson Kenneth Morgan John Niessen Roger Norton Malcolm Ottaway Craig Russel Glen Segal Russel Senti Roger Stein David Swanda Vincent Vito James Vivyan William Weber John Ying Larry Zukof G ai l J e n n ings, Rehearsal Accompanist �ORCHESTRA PERSONNEL VIOLIN BASS E ric Lewis, Concertmaster Michael Sanders, Principal John McLeod, Principal, Second Violin Robert Keith Kolber And rea Andros Robert Taﬀet Mary Barton Robert Ciringione Alice Click Richard Thomas Browning Cramer PICCOLO Terie Crum bliss Valerie Vastola Diane Feigin Paul Friedman FLUTE Paul Goodman Phylis Wiesenthal Joanne Jenner David Feinman Arthur Mannis Oscar Maxwell OBOE Daniel Mowrey Nancy Ranger Robert Rozek Stanley Moshman Martha Strassberger Michael Sturm CLARINET Joan Tanenhaus Wendy Osteyee Debra Tanklow Sheldon Berkowitz Lydia Werbizky J eﬀ Wheeler BASSOON Carol Shapiro VIOLA Douglas Epstein And rew Berdahl, Principal Peggy Acker HORN Zelman Bokser Janice DeWolfe Pat Foley Cynthia Weldon Carclyn Lohman Bret Brockman Joyce Stelzl Patricia Dowden CELLO TRUMPET Judith Glyde, Principal Robert Lindstrom Carolyn McIntosh Wendy Natter Madlyn Nathanson Tomothy Perry TROMBONE Fred Raime David Boud reau Paul Hangen Michael Rosen TUBA Grant Sullivan Keith Balsar HARP TIMPANI Barbara Irish Joseph Roma Flinda Sue Raskin NOTES The great choral work which brings all the resources of Brahms’ art to maturity is a requiem only in the most general colloquial sense and has no connection with any liturgical oﬀice. Brahms com posed A German Requiem with scriptual text between 1857 and 1866, and the work was ﬁrst performed in 1868 in its en tirety except for No. V which was added later. Despite a certain vogue which militates in favor of the performance of large choral works in translation, it must be said that the best available English will not always bring the rhetorical point where the music puts it. Brahms’ mind was always alert to the context of every sentence he chose, and he exercised the greatest poetic insight into the words he selected and the depth of musical symbolism of his setting. ’ �COMING CHORAL EVENT The Bm o Academic Choir from Czechoslovakia is one of sixteen university choruses which will participate in the Third International University Choral Festival sponsored by Lincoln Center. The choruses will sing individually at 125 universities, colleges, and schools in twenty-two states before joining together for concerts at the John F. Kennedy Center and Philharmonic Hall. State University of New York at Binghamton is the ﬁrst stop in the United States for the Brno Academic Choir. They will sing on Friday, April 7 at 8:15 p.m. in the SUNY Men’s Gymnasium. All proceeds from sale of tickets will go toward music scholarships. �rH) 3-72 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 18:10 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63627 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63627">The University Chorus Presents Deutsches Requiem by Johannes Brahms</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The University Chorus Presents Ein Deutsches Requiem by Johannes Brahms Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Brahms. Held at 8:15 pm, March 23, 1972. Creator An entity primarily responsible for making the resource University Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-3-23 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Brahms, Johannes, 1833-1897 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020108092 39091020108258 39091020108142 https://omeka.binghamton.edu/omeka/files/original/a0a8843b7615e556e9b298c55bac6e02.pdf 4b300e784cf426d74bc58e1da11c5084 PDF Text Text �A SALUTE TO WORLD MUSIC AND FRIENDSHIP The Brno Academic Choir comes to us thanks to the cooperation of Lincoln Center For The Performing Arts which is sponsoring the Third Internati onal University Choral F estival at Philharmonic Hall April 23 through 30, 1972. Th e Mu sic Department wishes to ex press its apprec iati on for th e great interes t and supp ort shown by so many mem bers of the surroundin g co mmunit y with out wh ose joint e fforts this sponsorship wo uld hardly have bee n possible. T ogeth er we welco me th e Brno Academic Ch oir on th is first sto p of th eir tour whi ch , with th e oth er fifteen participating choru ses, will coll ectively to tal 125 performances at un iversities in twentytwo states before th e F estival Concerts begin. 1 �BRNO ACADEMI C C HO IR (Czechoslovakia) Translations and Notes Lubomír Mátl, Co ndu cto r EUGEN SU HON (b . 190 ) CZE H M D IEVAL HORA LE (early 12 th ce ntur y) ANO N. ( 15th ce ntur y ) BOH US LAV MATEJ CERNOH RSKY ( 1684 - 1742 ) JA C BU GAL LU (1550 -1591 ) NIN D V RAK ( 184 1-1904 ) AN T (b . 1929 ) PETR EBE VZ - N ZAMEC ÍK (b . 1939 ) I H DM ITRI IMI R WE R ER (b . 19 37 ) VLA I LA D D I LA ( I 32- 159 4 ) F lk Arr. P TR Na li piva staréh þÿd("In N:,1urc" ) V þÿpYío n o ngs Fill ed My Heart") Napadly þÿ p í s (" þÿVeerní lcs ("When Evening omes") þÿVybhla bri, a ("U p p ran g a Birch Tree ") Id en Harvest") Zitné po le ( " Ubi caritas et a mo r (" Wh ere L ve IK LAL T Odsouzeným (''To Th sc Bonj ur 111 0 11 coe u r (" Hell M y Heart") M. 1 n a. mi a a r. ("Dear Maid. My L ve" ) ng ho K k lo þÿHradiaa (" Round the T o wn o Hradiste") Trávnice Bo•il cký mo tek ("The Liu l Brid e ( 17 7 -1 5 1) d r i ekLittlle þÿ ` e ("Th (b . 19 11 ) wallow " ) Pro ri þÿ v t r u(''A ainst the Wind ' ') nám (" Th e Wo rld Bel n s þÿvt þÿpatYí ndrá• P ETR þÿXEZ þÿÍEK (b . 193 J f Bas il e " ) So lo ,,' c m Zalyetn m ightingale") ( '' Fl cc1in J A þÿ Á E K( I 54 -19 28 ) LE e n1 c n ed" ) Milostné madrigaly ( "'Mad riga ls of Love" ) : Te n p1a í z pev ("The Birds Singing") Ani to nc bc (" ot ven 1h c Heaven") win the M rning" ) Videl j sc m zrána ("I LAV JE™EK( 1906 -1942 ) JAR S 1O ngs: Z þÿI þÿXE: VI xists") Impro m ptu s Arr . KAR EL H RAD IL ALEXA D R AL IAIJI Id Bee r" ) lmpr pcria ("' Lamenta ti o ns" ) Harmoniae morales (''Moral Melodies" ) : di, tibi si qua pios , Fortuna p te ns LAV K FRO Arr. JA R (" Pou r o ut Ptajó sc. ptajó I I j cd cn gajdo•! (" nc e Th e re Was a Fidd ler'' ) EFB ART E K (b . 19 1 ) songs of weeping and woe? Now with the moonligh t on the dew , gone are You Are the songs which sadden or console How beautiful you are, my native me. Now as I'm waiting for another that s land . Lovely are th e mountain , I'm hoping they'll again 611 dawn sky the lovelier and , you surround over those fine mountain s . I bless you , my soul. When Evening Comes: Wh en evening welcome you , while my eyes shed , chimes fill the forest, from comes grateful tears. all the birds beneath their cover. MEDIEV AL CHORAL E: Lord, Be Cuckoos are calling here and yonder; Merciful With Us the nightingal e addresses his love . This chorale is probably the oldest Branches are sprinkled there in the Czech folk spiritual preserved until forest with songs of Iove for al.I who th e prese nt time , on the text: "Lord , listen . Big silver moon shines in the take mercy on us; Jesus Christus, heavens , with silver threads that take mercy on us! Saviour of all th e glow and glisten, carrying dreams wo rld , redeem us ! Listen, Lord , to with ev'ry fiber: dreams full of our voices, give all of us life and myst'ry now are dancing. Only a peace in the co untry . Kyri e eleison. lonely deer is watching, and gaily and quietly prancing. Now all is still ANON.: Pour out Old Beer within the forest. Now every bird is A Czech medieval drunkard 's song , soundly sleeping-. Cuckoos are muted , in th e form of a three -voice canon. nightingal es hushed , while in dreamJACOBU S GALLUS : Harm on iae land their silence they kee p. Even the Morales deer is now reposing, and till th e Di, tibi si qua pios: This madrigal admorning no one will stir. Night has vi ses us to admire th e young, bea uti drawn her velvet curt ain , and all of ful, and happ y girl. The tex t is from th e world is in slumber. Virgil. Up Sprang a Birch Tree: Up spran g 0 , Fo rtuna poten.s: Here th e poet a birch tree ove rni ght , like a lamb celeb rates, and also curses , inconwh o dashes from sight o ut to the stant happin ess. pasture gree n an d cl ear, telling the th at Spring is here. Way up to world ature : In K Á X O ANTONI N þÿ D V heave n sprang th e tree , so th at all the Songs Filled My Heart: Songs filled forest wo uld see his gracefu l fo rm my hea rt o ne lovely day. How co uld st like a toy - - and all the fo rest Ju was l kn ow they wo uld be calling? for joy. Then as th e time of never jumped dew hill· the n o up dew e th like Spring begins, air has the sound of warn s us before falling . Nature is violins. Air dipped in perfume travels sparkling heavenl y , just as a child is if ow kn l n our wa y, and all th e wo rld is young ca How . happy, glowi ng and gay. Soon ev'ry tree dresses in th ese are songs of joy , or merely EUGEN SUCHON : How Beautiful Fu ga T E RMI V I H (b . 1906 ) TAK Aká si mi krásná ( " How Beautiful Yo u Are" ) Hos p din e, po mi lju ny (" L rd, Ile Merci fu l With Us ") I Us" ) 2 3 �In Nature (cont.) þÿDVOXÁK: green: each is a splendid king or queen. And al l th e bran ch es, gay with birds, happily c hat ter with new words. J o inin g th e merry sprin gtime feast, travel each bird and ev' ry beast, from ev'ry corner, far a nd near, telling the world that Spring is here. Golden Harvest: Gold n harves t , go lde n h arves t : corn is growing merrily, merrily , merrily. Blades resemble gay musicians swingin g, way ing, every wh ere, everyw here, every wh e re. J oyfu l breezes dance around so ra pidly , whirlin g, twirling, rapidly , rapidl y, rap idl y. Sun shin e covers all, ki ss in g a nd cm bracing bl ades and bl o s ms gro win g up , growing up , growi ng up. Quai ls and cric kets in th e cornfields li e o n rid ges whi perin g, whi speri ng, whi peri ng. Bees and butterflies in the flowers whisper: wh o i hiding th ere, hiding there , hidin g th ere? Golden harve t: th e field ripen , corn i growing merrily, merrily merr il y . Now my o ul i like a ha rvc t. Song are gro win g ev ' ry wh ere ev' rywh ere , ev' ry wh ere. (En gli sh ver io n by Peggy im on ) PETR EBE : Where Love Ex ists DMITRI SHOSTAKOVICH: To Those Sentenced In a da rk cell wh e re it is hard to brea th e, t wo prisoners lived through their last days. Priso ners, bro th ers, wh o will come in here afte r o ur dea th , remember us when you see two dark shado ws flash be twee n these wall s . Rccoll ect th ose who sacrificed their lives. VLADIMIR WERNER: Madrigals f Love The e ·ttin gs of Czech tran slatio ns of th e lo ve poe t ry of the l tali an Rena issan ce p et M. M. Boiardo are by a yo un g Brno co mp ose r. The madri gals sin g of th e beau t y o f the beloved woman: her ap pearance, her love, a nd her love lin e s. Hell o my he ar t , hell o my swee t li fe , hell o li ght of my eye, hell o my wect friend; eh , hell o my turtl e do ve, my da inti ne , hell o my plea ur e, my love, my fre h pring, my oft new fl wer. My weet ple a ure , my soft yo un g dove, my sparro w , m y graceful turtle d ov , h ll o my ge ntl e re bel. 0: Mato na, mia cara Dear maid , I'm your boy , and want to in g yo u a s ng und er th wind ow. Do n don d o n diri-diri -d n. Plea hear h w we ll ] an sing. l li k you and wan t t bey ur swee th eart . Do n , d o n d n diri -diri-do n. Se nd me o ut t o hunt with th e fal on. l U brin g yo u a snipe as fat as a kidn ey . Do n d o n , d o n , diri -diri -don . If I can sing no be tte r, le t me tell you that 1 do n 't kn o w Pe trarch or the Helicon . Do n , d o n do n diri-diri-don. l f you EVZEN ZÁME þÿNÍK: I mpromptu s þÿ Z á m e n í ka, yo ung Brno o mp se r, makes use he re of th e vowels and conso nants of th e zech language in an untraditional way. 4 heart; the youth quivers in th e wind as a blade o f grass ; winter fre ezes the face a nd the sun burn s it. Like a wave in a storm , joy ru shes by ; e ven all beloved of hi s so ul is un faithful. ORLANDO DI LASSO: Echo Song Hola 1 Hea r that fine ech o ! Call ! he will give an answer! Ha, ha , ha , ha , ha ! Will give an ans we r! Our good co mpa ni o n! No w har ke n! We wan t to have you sin g us gay ly a ballad! Wh erefore? We say yes! I say no 1 Beca use I will no t! But why not, pray ? lt is not my pl ea ur e ! Ho ld yo ur tong ue, th e n! Hold your to ngue ! Yo u laggard lo ut! We sco rn you! We try no mo re! We leave you! Goodbye, fine ec h o! Res t in quiet ! Quiet! Quiet I No w be sil c n t ! Now be il e nt ! iJent ! NIKOLA LEONTOVIC: The Little Swallow A littl e swall o w calls o n th e peasa nt and a ks him to go and see after his sheep, for they have go ne as tray . JAROSLAV JEZEK: Against the Wind and Th e World Belongs to Us Th ese are th e th eme so ngs fr o m the tw o socia ll y-e ngaged films o f th e . a me na mes of th e 30' . ln the first, th e auth o rs Vo kovec a nd Weri ch ay th a t progre s in society is achieved through th e fight aga in st things which ha ve bee n o utlived ; in th e second , th ey sin g a bo ut youth and o ptimism , to whi ch th e wo rld b elo ngs . ORLANDO DI LA . 0 : Bonjour mon coeur ORLA DO DI LA This wo rk , by the mo t ac kn owledged re pre e ntat ive of th e co n temp rary midd le-age d ge nera rio n f z ch com po er , i a etting of th e c horale anti fony: ' Wh ere I ve e i ts the Lo rd tays too. The Lord love lin k all of us." love me, I won 't act ungrac iou sly , and shall ki ss you all night long and dance in wild joy. Don , do n , don , diri -diri -don . FOLK SONGS LEOS JANACEK: Ondrás PETR REZNICEK : Round the Town of Hradiste The titl e i a Chri stian na me. T he o ng dea l with a young rebel, a ort of Czech R bin Hood , wh o took from th e rich a nd di tributed their pro pe rty to th e poor. A girl lame nts for a los t love. : Trávnice JARO LAV þÿ K O F R O G Hay m akin g gi rl s sing ove r th e vall ey. KAREL HR.ADIL : The Little Bridge of Bosilec þÿXEZ se, ptajó : Ptajó þÿ Í E K PETR The title is a fo lk expression. A lad leave his house for the war, a nd his girl pe rsuade him n t to go and not to di e. A j oll y fo lk o ng re minding girl no t to believe any promi ses ma de by yo un g me n. ALEXANDER ALIABIEV: Fleeting ightingale JOSEF BÁRTEK: Once There Was a Fiddler Yo uth has vani hed like a fleeting ni ghtingale, th e go lde n age that wa has disappeared· young strength has wa ted with th e body. Sad thoughts have co ngealed th e bl ood in his A so ng ab o ut a fiddler wh o , although he was very poor, never los t hi s good tempe r whiJ e wand erin g fr o m o ne village to anot h er. 5 �Lubo mír MÁTL, Conduc tor -+-tiet BRIEF BAC KGR O UN DS iait-- LUB OMI R o Acad e Choi r since 1963 , was born ni Brn cond uctor of the Brno Acad emic as a mem ber of was born in Brno . His first chora l expe rienc e was ed organ at th e the well-know n Brno Child ren 's Choi r. He studi th e cting und Brno Conse rv atory and holds two degrees fr om uctin g unde r Ac adem y of Mu sic in Brno , wh ere he studied cond nic Choi r. Jose f Vese lka, cond uctor of th e Pragu e Philh armo so wo rks with Mr. þÿ á e lkectures at th e and with Ac ade my. He al . Oper a in Brno and with Czec hosl ovak ian R adi o th e Ten o r So pr a n o Sta nislav BARÁK J a reslav CACE K R.ad e k KRUL þÿ Z d e n kLAUDÁT J a n MAR KVAR T F ra ntisek þÿ P O L Á E K STUDENÍK þÿJiYí Pe tr —KA ROHL ÍD Stanislav þÿTESAX Pavel VEJN AR Ire na BURI ANOV Á J armil a þÿ H A N Á K O V Á Ga bri ela J ELE NO V Eva þÿ K U B Í K O V Ma ri e AXOVÁ Ly di e ÁTEOVÁ J irina þÿPEG ÁZOV Á O Mary la ra R þÿ U } I K D rah em ira LÍKOVÁ Ba rb e ra TRHL ÍKOV Á Ba s A lt o BRNO ACADEMIC CHOIR mem be rs fr om Brno Acad emic Choi r , form ed in 1950 , draws its e Brno all depa rtme nts of th e Univ ersity o f Brn o and th Lib use TU—KOVÁ l va na BA OV KO V Hana CINK O VA Jirin a G RUE NWA L DO V Tec hni cal Colle ge. poly phon y and The Ch oir's reper to ire ranges fro m R enaissance is noted for its baroq ue mu sic to co ntem p orary work s. Th e group mu sic. interp re tati ons of Bo hemi an an d Mo ravia n fo lk rm s th ro ugho ut perfo , est fin ia's Th e Cho ir , one o f Czec ho lovak ati onal E urope an d has wo n pri zes at a numb er o f intern ces with rman perfo many rches tra and brT he gr oup h as given orchestra and broa dcas ts regul arl y. J a na ADERO J ana MADE RO VA Na d a MA RK ESO V ÍKOVÁ a þÿDaHþÿOVA Eva PL AN ETO V Pavla POLOVÁ AL COLLEGE UNIVERSITY OF BRNO AND BRNO TECHNIC nd larges t city, was T he Unive rsity of Brn o in Czec hoslovak ia's s co Czec h o I vaki an fo und din 1919 foll owin g th e crea ti o n f th e new law.p hil osoR publi c. It co n it of facu lties f m di c in e, ci-nc ph y and ed ucati o n. ti n betw een Brno Tech n ical C li ege th re ult fa n amalgama ) and th e Cz ch th e Ge rman Tech ni al Facul t 99 u ncled in 1849 var ie ty f Tech ni cal Fac ult (fo un d din 1899 ) ffe r a wide cour es in engi nee rin g and t ch ni cal su bjec ts. vakia n highe r T he two in stitut i o ns play lea din g rol in Czec hoslo Brn o as th e ce nter edu ca ti n and co ntrib ut to th e im porta nce of of Mora via n cultu ral li fe and ac tivity. 6 Š J an þÿBEZDÍEK Jaromír HEGE R Behu slav KLÍMA AN K þÿYíKOCI Vl as timil KOCM AN Lib e r MAR KE S Ludvík PRO SEK J arosla v RÁBL Petr SOBO TKA Hanu• —AM ÁNEK E V IadimLr STEF L - Journey Manager h r Mary Blah a Dia ne Bla ha Lin da Ki ely Carol Ke pi all y Kri zka An as t az ia Le ay La uri e MerraJJ Re na ta Ozve ld Dia ne Te pe ncik 7 �Host Commi ttee for BRNO ACADEMIC CHOIR Host Chairman . ...... . . ..... . . . ... David Buttolp h Accom modati ons . ...... ...... ..... Mildred Valenta Special Arrang emen ts ... . .. . .... .. . William Merrall Musical Enterta inment ( The Interna tionals) . ...... ..... George Kotrch Tickets . . ...... . ..... . ..... . ..... Fred Thayer Ushers ...... ...... .... . ...... ... Olga Blaha Publici ty . ...... . . ..... . . ...... .. Helen Landry Poster Display .. ... .. ...... .. . .... Lillian Babicek House Manager . . ..... ...... .. .. ... Dan Farina Perform ance Facility ...... ...... .. David Hender son (SUNY Men's Gym) Host Institutions (Community) Czechoslovak Society of Americ a, Lodge Endico tt Miss Mildred Valenta , preside nt Czecho slovak Society of America, Lodge Twin City Star Mr. Steven Valusek , Secreta ry-Trea surer The Moravian Club Mr. Stanley Blaha preside nt Sokol Women 's Lodge 15 Mrs. Roxane Misata, preside nt Sokol Lodge 36 Mr. Frank Ch etko , preside nt HOSTS FOR THE BRNO CHOIR Mr. and Mrs. Joseph N. Antal Mr. and Mrs. John Blaha Mr. and Mrs. Frank Chetko Mr. and Mrs. Milton Hasak Mr. and Mrs. Louis Kizale Mr. and Mrs. Domini c Kolodz ej Mr. and Mrs. Frank Koncak Mr. and Mrs. Peter Kotasek Mr. and Mrs. Joseph Kotrc Mr. and Mrs. Mr. and Mrs. George Kotrch Mr. and Mrs. Frank Lesay Mrs. Mary Padyku la Mr. and Mrs. Fred A. Sabace k Mr. and Mrs. Joseph Svobod a Mr. and Mrs. William R . Tomece k Mr. and Mrs. Paul Topenc ik Mr. and Mrs. Paul A. Topenc ik Mr. and Mrs. Steven J. Valusek Frank Vanek 8 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:21:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63632 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63632">Brno Academic Choir Concert</a><a></a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brno Academic Choir Concert, April 7, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Suchoň, Černohorský, Gallus, Eben, Shostakovich, Janáček, and Dvořák. Held at 8:15 pm, April 7, 1972 Creator An entity primarily responsible for making the resource Brno Academic Choir. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-4-7 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Suchoň, Eugen, 1908-1993 Černohorský, Bohuslav, 1684-1742 Gallus, Jacobus, 1550-1591 Dvořák, Antonín, 1841-1904 Eben, Petr Shostakovich, Dmitri, 1906-1975 Lasso, Orlando di, 1532-1594 Janáček, Leoš, 1854-1928. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020108043 39091020108209 39091020109850 https://omeka.binghamton.edu/omeka/files/original/10add89296b4041416c95c1983090adf.pdf 2d57f49d83401b76a2392024a49181fc PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents WALTER PONCE, piano Sun., April 9 - 8:15 Recital Hall PROGRAM major Sonata in þÿB&m Molto moderato Andante sostenuto Scherzo: Allegro vivace con delicatezza Allegro ma non troppo Schubert INTERMISSION major, Op. 110 Sonata in þÿA&m Moderato cantabile molto espressivo Allegro molto Adagio ma non troppo-Arioso dolenteFuga: Allegro ma non troppo-L'istesso Tempo di Arioso-L'istesso Tempo della Fuga _poi a poi di nouvo vivente Beethoven Sonata Allegro Marcato Presto Misterioso Adagio Molto Appasionato Ruvido Ed Ostinato Ginastera � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 26:01:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63637 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63637">Walter Ponce, Piano, Recital </a><a></a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Walter Ponce, Piano, Recital, April 9, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Schubert, Beethoven and Ginastera. Held at 8:15 pm, April 9, 1972, Recital Hall. Creator An entity primarily responsible for making the resource Ponce, Walter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-4-9 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Schubert, Franz, 1797-1828 Beethoven, Ludwig van, 1770-1827 and Ginastera, Alberto, 1916-1983 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020108100 39091020108159