89 10 1775 https://omeka.binghamton.edu/omeka/files/original/c9c0d40036b678d32dad60d2f9a59089.jpg 2320bb017dc38600ace3196f9e04ea9e https://omeka.binghamton.edu/omeka/files/original/30f6e2e5d09aff5bc84f779de2e62cb3.mp3 8567c1f0459af79c352ba82a8e66e80c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Audio interviews Title A name given to the resource McKiernan Interviews Description An account of the resource Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism. <h3>The McKiernan 22</h3> <div>Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:</div> <ul> <li><a href="https://omeka.binghamton.edu/omeka/items/show/854">Julian Bond</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1866">Bobby Muller</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1175">Craig McNamara</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/910">Dr. Arthur Levine</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/837">Diane Carlson Evans</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/942">Dr. Ellen Schrecker</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/876">Dr. Lee Edwards</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/841">Peter Coyote</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1233">Dr. Roosevelt Johnson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/899">Rennie Davis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1222">Kim Phuc</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/917">George McGovern</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/833">Frank Schaeffer</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/840">Rev. Dr. Frank Forrester Church </a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1240">Dr. Marilyn Young</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/842">James Fallows</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/835">Joseph Lee Galloway</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/911">John Lewis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/839">Paul Critchlow</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/888">Steve Gunderson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1159">Charles Kaiser</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/2407">Joseph Lewis</a></li> </ul> Creator An entity primarily responsible for making the resource Stephen McKiernan Publisher An entity responsible for making the resource available Binghamton University Libraries Language A language of the resource English Rights Information about rights held in and over the resource In copyright. Template: Simple Audio Player (Amplitude.js) This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. Date of Interview 2004-08-26 Interviewer The person(s) performing the interview Stephen McKiernan Interviewee The person(s) being interviewed Thi Dieu Nguyen, 1951- Language English Biographical Text <span data-sheets-value="{"1":2,"2":"Dr. Dieu T. Nguyen grew up in An Giang during the Vietnam War, is a professor of History at Temple University and a writer. Dr. Nguyen completed her undergraduate and graduate studies at the Sorbonne and the University of Aix-en-Provence. She is the author of The Mekong River and The Struggle for Indochina: Water, War, and Peace."}" data-sheets-userformat="{"2":7051,"3":{"1":0},"4":[null,2,5099745],"6":{"1":[{"1":2,"2":0,"5":[null,2,0]},{"1":0,"2":0,"3":3},{"1":1,"2":0,"4":1}]},"10":2,"11":4,"12":0,"14":[null,2,0],"15":"Arial"}">Dr. Dieu T. Nguyen grew up in An Giang during the Vietnam War, and is a writer and professor of History at Temple University. Dr. Nguyen completed her undergraduate and graduate studies at the Sorbonne and the University of Aix-en-Provence. She is the author of The Mekong River and The Struggle for Indochina: Water, War, and Peace. Digital Publisher Binghamton University Libraries Digital Format audio/mp4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 Microcassette Material Type Sound Interview Format Video or Audio Audio Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 70:38 Keywords <span data-sheets-value="{"1":2,"2":"Vietnam War; French War (Vietnam V. France); American veterans; Baby boom generation; Anti-war movement; Civil Rights Movement; Robert McNamara; James Fonda; Lynden Johnson"}" data-sheets-userformat="{"2":5009,"3":{"1":0},"7":{"1":[{"1":2,"2":0,"5":[null,2,0]},{"1":0,"2":0,"3":3},{"1":1,"2":0,"4":1}]},"10":2,"11":4,"12":0,"15":"Arial"}">Vietnam War; French War (Vietnam V. France); American veterans; Baby boom generation; Anti-war movement; Civil Rights Movement; Robert McNamara; Jane Fonda; Lyndon Johnson. Subject LCSH College teachers; Temple University. Department of History; Nguyen, Thi Dieu, 1951--Interviews Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Rights Statement Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Dr. Dieu T. Nguyen Contributor An entity responsible for making contributions to the resource Nguyen, Thi Dieu, 1951- ; McKiernan, Stephen Format The file format, physical medium, or dimensions of the resource audio/wav Subject The topic of the resource College teachers; Temple University. Department of History; Nguyen, Thi Dieu, 1951--Interviews Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2004-08-26 Rights Information about rights held in and over the resource In copyright Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context McKiernan.Oral.10.2016.117 Date Modified Date on which the resource was changed. 2018-03-29 Is Part Of A related resource in which the described resource is physically or logically included. McKiernan Interviews Extent The size or duration of the resource. 70:38 Description An account of the resource Dr. Dieu T. Nguyen grew up in An Giang during the Vietnam War, and is a writer and professor of History at Temple University. Dr. Nguyen completed her undergraduate and graduate studies at the Sorbonne and the University of Aix-en-Provence. She is the author of The Mekong River and The Struggle for Indochina: Water, War, and Peace. https://omeka.binghamton.edu/omeka/files/original/efee3574121671d4b0dace0fec47df32.pdf 1d1a10ddc078ecac36eb1e1c46c80179 PDF Text Text . \ Recital tape Fall 2005 Clarinet Studio Recital 2005 12-11b Assisted by Margaret Reitz, Piano SPECCOL Casadesus Hall Binghamton University Sunday, 5:00 p.m. December 11, 2005 Proi:ram Sonata in F Major .............. . ... ...... Georg Frideric Handel (1685-1759) arr. Christmann Adagio Allegro Christa Heschke Introduction and Variations on a Swedish Air ... Bernhard Crusell ( 1775-1838) Andrei Lee Concerto No.2 in E-flat major, Op. 74 ... . Carl Maria von Weber (1786-1826) III. Finale (Polacca) Gregg Ackerman Duets (Originally for two violins) ................... Bela Bartok (1881-1945) Teasing Song New Year's Song No. 4 Song of the Harvest Ruthenian Dance Arabian Dance Michelle Grexer and Richard Silvagni La Capricieuse ..... .. ... ........... Edward Elgar, arr. Langenus (1857-1934 Bethany Bonhof Sonata for Solo Clarinet, Op. 110 ...... ...... Siegfried Karg-Eler Massig bewegt- Scherzino & Trio - Coda (1877-1933) Theresa Perrone Pocket Sonata No.l (1949) ..... . ................ Alec Templeton Improvisation Modal Blues In Rhythm (19 - 19 Heather Boland (mvts I &3) and Alex Vincenzi (mvt 2) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:45:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243874&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243874&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243874&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fall 2005 Clarinet studio recital, December 11, 2005 Description An account of the resource Works of Handel, Crusell, Weber, Bartók, Elgar, Karg-Elert, Templeton. Held at 5:00 p.m., December 11, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Heschke, Christa Lee, Andrei Ackerman, Gregg Grexer, Michelle Silvagni, Richard Bonhof, Bethany Perrone, Theresa Boland, Heather Vincenzi, Alex Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005 12-11 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/022b1355fa954ead21e6aa091c0e7db3.pdf 66e5b1977fb0c2097f51341bc25b2149 PDF Text Text K \ . . i BINGHAMTON + 1 \ a 10\" U N I V E R S I T Y State U n i v e r s i t y o d e [4 D E P A R T M E N T A Beneﬁt Conce rt A Bach Ce lebration Music of Johann Sebastian Bach (16851750) with Faculty Artists Jonathan Biggers, organ Timothy LeFebvre, baritone John Lathwell, oboe Michael Salmirs, piano Stephen Stalker, violoncello and the * University Chamber Orchestra Timothy Perry, conductor Sat urda y, October 1 5, 2005 8 :00 p. m . A nderson Center C ha m be r Hall �The Binghamton University Department of Music presents a Beneﬁt Concert Cantata No. 82 “Ich habe genug,” BWV 82 A Bach Celebration Nr. 3 Aria “Schlummert ein” Music of Johann Sebastian Bach (16851750) with Faculty Artists Nr. 4 Recitative and Arioso Nr. 5 Aria “Ich freue mich ” Timothy LeFebvre, baritone Jo h n Lathwell, oboe Jonathan Biggers, organ Timothy LeFebvre, baritone John Lathwell, oboe Michael Salmirs, piano Stephen Stalker, violoncello Sinfonia from Cantata No. 29, BWV 29 “Wir danken dir, Gott, wir danken dir” a nd the Jonathan Biggers, organ University Chamber Orchestra Timothy Perry, conductor PROGRA M Concerto in F minor, BWV 1056 Allegro Largo Presto Michael Salmirs, piano Suite in G Major for Violoncello Solo, BWV 1 007 Ld Nr. 1 Aria “Ich habe genug ’ Nr. 2 Recitative and Arioso Prelude Allemande Courante Sarabande Menuet I & I1 Gigue Stephen Stal ker, violoncello Passacaglia in C minor, BWV 582 Jonathan Biggers, organ ~I NTERMISSION~ ﬁ t t t t t t t t t ‘ t t t t t t t i t t ‘ t t t ‘ t t t ‘ t t t t t t t t t t t t ﬁ Text Translation for Cantata No. 82 “lch habe genug ” 1. Aria I have now enough, I have now my Savior, the hope of the faithful Within my desiring embrace now enfolded; l have now enough! On him have I gazed, My faith now hath Jesus impressed on my heart; I would now, today yet, with gladness Make hence my departure. 2. Recit. l have now enough. = My hope is this alone, That Jesus might belong to me and I to him. In faith I hold to him, For I, too, see with Simeon The gladness of that life beyond. Let us in this man’s burden join! Ah! Would that from the bondage of my body The Lord might free me. Ah! My departure, were it here, With joy I’d say to thee, O world: I have now enough. 3. Aria Slumber now, ye eyes so weary, Fall in soft and calm repose! World, I dwell no longer here. Since I have no share in thee Which my soul could oﬀer comfort. Here I must with sorrow reckon, But yet. there, there 1 shall witness Sweet repose and quiet rest. 4. Recit. My God! When comes that blessed “Now!” When I in peace shall walk forever Both in the sand o f earth’s own coolness And there within thy bosom rest? My parting is achieved. O world, good night! 5. Aria Rejoicing do I greet my death, Ah, would that it had come already. I’ll escape then all the woe Which doth here in the world conﬁne me. © Z Philip Ambrose, translator. Web pub/Icallon hllp u’ww uvm eduLclassics/faculry/bach �ABOUT T H E MUSIC “Not ‘brook ’ (Bach) but ‘sea ’ should he be called – because of his inﬁnite, inexhaustible rich ness in tonecombinations and harmonies " Ludwig van Beethoven written by Timothy Perry No matter how many beautiful and profound works we encounter, study or perform, all musicians stand in humility before t he achievements of Johann Sebastian Bach. If the sheer staggering quantity and quality of his oeuvre were not enough, Bach’s depth of passion, the balance of form and content, and his ability to create a fullyformed microcosm of human emotions from any instrument, ensemble, or voice these strike every m usician worthy of the name into stunned awe. This evening’s musical celebration of Bach oﬀers a diverse, albeit tiny, handful from a treasurechest laden with inestimable gems. I _\ The fourteen concertos for harpsichord, strings and continuo all date from the last period of Bach’s term as Director of the Collegium Musicum in Leipzig (173540). All are now believed to be transcriptions from concerti composed for other instruments, a lthough many of these original versions are now lost to us. T he source of the o uter movements for tonight ’s Concerto in F minor is a lost oboe concerto in g m inor. Although the shortest of the concerti, it is the most popular today, owing to its transcendently beautiful Adagio middle “We ‘re all plodders compared to him. " Robert Schumann movement, w hose singing tone has ma d e it a favorite o f pianists since t he mid nineteenth century. (The Adagio was further recycled as the openingmovement Sinfonia to Canta ta 1 56 ‘I stand with o ne foot in the gra ve'). The ﬁrst movement is a taut, restless aﬀair in which the rhythmic germ of the movement contends between onbeat accentuation (in the bass) and oﬀbeats (in treble). The orchestral tuttis a re likewise played o ﬀ a gainst the predom inant sextuplets o f the solo part, doubtless reworked and elaborated by Bach from their original. The ﬁnale employs a similarly subtle juxtaposition of oﬀbeat accent and hemiola to keep the music in a state of muscular imbalance which is only brought back into its normal 3/8 accentuation at the point of cadence. Cantata 82 is one of a mere handful of works for solo voice based on ltalian models of Scarlatti and Handel. These few Bach himself titled ‘cantatas ’: the others, when named at all, Bach called ‘concerti ’. The devotional text derives from St. Luke ’s account of Simeon’s encounter with the baby Jesus as Mary brings him to the temple. Th e meeting fulﬁlls the promise of t he Holy Spirit and frees Simeon for death in the famous nunc demittis “Lord, now lettest thou thy servant depart in peace, according to thy word.” The sense of spiritual fulﬁllment is echoed in the repetitions of text on “1 have now enough’ and ‘With joy’ which bind the movements toget her. The obbligato oboe is here less a moumful presenc e than one of warmth and comfort. The ﬁrst two arias have overtones o f lullaby rhythms, the ﬁrst restless and yearning and the second awaiting a peace ful departure from earthly life. The ﬁnal movement, again in minor but with strong dance overtones, emphasizes the believer’s joyous cagerness for the blessed world which is soon to come. Study Bach! There you will ﬁnd everything! Johannes Brahms > The six suites for solo cello, like the more spectacularly written six sonatapartitas for solo violin, date from Bach ’s tenure in Cothe n (around 1720). This was a period in which many instrumental masterpieces like the Brandenburg Concerti and the ﬁrst Orchestral Suite were composed. Many musicologists have remarked upon the relatively more spare, even ‘m inimalist’ texture of the cello suites as compared to the violin partitas. Whether this stemmed from a conscious desire by Bach to write in a more succinct way, or was driven by the need to accommodate the acoustics and/or playing techniques of the cellos of the period is unclear ; the result, though, is spectacularly eﬀective. Bach employs the standard suite form of his day, namely a free prelude followed by four dances (a llemande, courant, sarabande and gigue). In each suite Bach i nserts a ‘new’ dance after the sarabande, in this case a pair of Minuets. The magic of these works is how Bach manages to extract a balance of melody, harmony and counterpoint from the musical thread o f single line. Unlike many other genres, whose composition was conﬁned to one or another period of his residence and employment, the works for organ cover virtually the entire gamut of Bach’s composing li fe. While the majority were composed while Bach was court organist for Duke Wilhelm in Weimar between 1708 and 1717, the majestic Passacaglia and Fugue in c minor may date back to Bach'’s earlier work in Arnstadt (1 7031707). The work shows the inﬂuence of Danish organist Dietrich Buxtehude who himself composed a number of noteworthy passacaglia and whose playing Bach walked 200 miles to hear in concert in Liibeck. The thematic ground borrows from a passacaglia theme by a French composer André Raison. Bach’s theme and the countersubject he derived from it ﬂower through so me twenty variations before the culminating fugue, a compositional tour de force, weaving all the various thematic threads into a stupendous climax worthy of Bach the greatest organ virtuoso of his age. At last, this is som ething from which I can learn! Wolfgang Amadeus Mozart l l It is no surprise that Bach borrowed constantly from himself, recycling works for other occasions in which he felt the y could do justice to the spirit of the event. Thus the Sinfonia from Cantata 29, which premiered for the inauguration of the Leipzig town council in 1731, made use of the opening movement of the E major violin partita (BWV 1006). No one does ‘brilliant’ better than Bach, as he here further bumishcs the organ’s solo part with the addition of three clarini and timpani. There are few more dazzling threeminute cpisodes in all o f music. Enjoy! �ABOUT THE PERFORMERS JONATHAN BIGGERS, cited as “one of the most outstanding concert organists in the United States,” maintains an active career as both a professor of organ and as a concert organist of the ﬁrst order. Presently Chair of the Department of Music and Professor of Organ and Harpsichord at Binghamton University in New York, Dr. Biggers has presented concerts in church and university settings throughout the United States, Canada, and Europe. He has also appeared with various orchestras in North America, and has been featured on NPR, Canadian Broadcast Corporation, and Radio Suisse Romande broadcasts. The Kansas City Star, in a review of a concert by Biggers, noted that his performance demonstrated “authority and eloquence” and stated “were there more players like this, the organ would be far less a minority interest.” Dr. Biggers studied with Russell Saunders (Eastman School of Music), Lionel Rogg (Conservatory of Music, Geneva, Switzerland), J. Warren Hutton (The University of Alabama), Wallace Zimmerman (Atlanta), Harold Vogel (Bremen, Germany), and has won numerous prizes in many diﬀerent competitions. In particular, he was awarded a unanimous ﬁrst prize in the 1985 Geneva International Competition, secondprize in the 1982 American Guild of Organists National Organ Playing Competition, and unanimously won the 1990 Calgary International Organ Festival Concerto Competition. Two highly acclaimed Compact Disc recordings of his work (“Sleepers, Wake! A Reger Perspective” and “Bach on the Fritts!”) have been issued by Calcante Recordings, and Dr. Biggers will be recording several other releases in the future, to be issued by Loft Recordings. Baritone TIMOTHY LEFEBVRE’S recent performances include Beethoven’s 9” Symphony with Syracuse Symphony, Sharpless in Madama Butterﬂy with Syracuse Opera, a solo recital at Binghamton University and Messiah with Pensacola Symphony. LeFebvre has appeared in concert with the Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony, Binghamton Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival. He has also appeared in concert at New York ’s Camegie Hall and Alice Tully Hall. LeFebvre ’s operatic experience includes leading roles with San Francisco Opera, TriCities Opera, Sarasota Opera, Chattanooga Symphony and Opera, Syracuse Opera, Indianapolis Opera, and Opera Theater of Pittsburgh. Mr. LeFebvre is a winner of the New York Liederkranz Vocal Competition, and other awards include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University and Regional Finalist in several Metropolitan Opera Competitions. LeFebvre is a graduate of Carnegie Mellon University and Binghamton University and is currently on the faculty at Binghamton University. His 20052006 engagements include appearances with the New Dominion Chorale in Brahms’ Requiem, West Virginia Symphony in Mozart ’s Requiem, Jacksonville Symphony in Bemstein’s Arias and Barcarolles and Central City Opera in Ballad o f Baby Doe. “ JOHN LATHWELL is the principal oboist of the Binghamton Philharmonic, the TriCities Opera and the Cayuga Chamber Orchestra. He also performs regularly with the North Eastern Pennsylvania Philharmonic, the Skaneateles Festival and is active as a chamber musician throughout the central New York area. In New York City, Mr. Lathwell has performed with the Orchestra of St. Lukes, the New York Chamber Symphony, the American Composers Orchestra, the Westchester Philharmonic and the Brooklyn Philharmonic among many others. Mr. Lathwell is a member of the music faculty at both Binghamton University and the Tennessee Governor’s School for the Arts. He has also taught at Ithaca College. His primary teachers have been Joseph Robinson, principal oboist of the New York Philharmonic and Richard Killmer, Professor of Oboe at the Eastman School o f Music. Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary musjc, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and an Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. STEPHEN STALKER, cellist, teaches cello and double bass at Binghamton University. He formerly taught at Colgate University, Mansﬁeld University, Ithaca College, and in the Binghamton City Schools. He has performed extensively with the Catskill Chamber Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in concerts at Binghamton University. He plays with the Northeastern Pennsylvania Philharmonic and was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY. TIMOTHY PERRY, clarinetist, conductor and Professor of Music, joined the Binghamton University faculty in 1986 as director of the orchestral and wind ensemble programs and instructor of studio conducting and clarinet. Perry holds D.M.A., M.M.A. and M.M. degree from the Yale School of Music and a B. Mus. degree from the Manhattan School of Music. Dr. Perry ’s more than two hundred programs include ten seasons as Music Director of the Binghamton Community Orchestra and as guest conductor of both the Catskill Symphony and Binghamton Philharmonic orchestras. Perry is widely known as a virtuoso solo and chamber music clarinetist, touring Latin America and the Caribbean as a United States Musical Ambassador and appearing at international festivals in Europe and Asia. He presented his third artist recital at an International Clarinet Conference this past summer in Tokyo. �UNIVERSI TY CHAM BER ORCH ESTRA Violin I Alisa Selman Marie Mizuno Claire Bym e Elizabeth Sterling Viola Melissa Lee Sarah Sterli ng Melissa Ma ttern Beth Vayshenker Violin II Akira Maezawa Alexander Wong Anna Cardillo Molly Ariotti Cello Heajung Kim John Choi Nicholas Ca pone Clarini William Gi lchrist Bethany Bo nhoﬀ Gregg Acke rman Bass Elizabeth Bartlett Timpani Mark Turle y * * t * * * * * * * * * * * * * * * * * * * * * * * * * * * * COMI NG EVENT S Th ursday, October 20 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall free Sat urda y, October 2 2 – A n Evening of Rodgers a nd Hammerstein – University Orchestra, Harpur Chorale and soloists – 8:00 p.m. – Osterhout Concert Theater $18 general public; $16 fac ulty/staﬀ/seniors; $10 students ( A Beneﬁt for the Music Department) Th ursda y, October 27 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall free F riday, Octobe r 28 – G uest Organist : Robert Poovey – 8:00 p.m. – First Presbyterian Church, Chenango St., Binghamton $14 general public; $ 12 faculty/staﬀ/seniors; $6 st udents Sunda y, October 30 – University Wind Ensemble – 3:00 p.m. Anderson Center Chamber Hall – free Th ursda y, November 3 – MidDay Concert with faculty and student performers 1 :20 p.m. – Casadesus Recital Hall free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:56; 28:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243778&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243778&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243778&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A benefit concert, a Bach celebration: music of Johann Sebastian Bach (1685-1750), October 15, 2005 Description An account of the resource Works of Bach. Held at 8:00 p.m., October 15, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Biggers, Jonathan LeFebvre, Timothy Lathwell, John Salmirs, Michael Stalker, Stephen Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-10-15 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/bfa0a2d7deaeed46d4be52d1c31eb40c.pdf a2180c8c3f39b7160adc51b5da11ed14 PDF Text Text I ’ s3 3 ! L V R e \ l i " BINGHAMTON U N I V E R S I T Y State University of New York zldec ® D E P A R T M E N T MASTER’S RECITAL Elizabeth Bartlett, double bass Margaret Reitz, piano Satu rd a y, Octo ber 15, 2005 3:00 p.m. Casadesus Recital Hall �PROGRAM Sonata No. 5 in e minor for violoncello and basso continuo, RV 40 Largo Allegro ma non troppo Largo doloroso Allegro con spirito Elegy Antonio Vivaldi (16781741) Lucas Drew, ed. ........GiovanniBottesini (18211889) Oscar G. Zimmerman, ed. ~INTERMISSION~ Sonatina Allegro Andanie Arthur Olaf Alilsrsén (18801956) Rondo ) Russian Sailors’ Dance Reinhold Gliere (18751956) George Vance, arr. �PROGRAM NOTES by Elizabeth Bartlett Greatly renowned Italian composer Antonio Vivaldi was born in Venice on March 4, 1678. Vivaldi was trained for the priesthood and ordained in 1703, but after claiming poor health was appointed maestro di violino at the Ospedale della Pieta, one of the Venetian girls’ orphanages. Although Vivaldi’s music is popular today, when he died in Vienna, Austria on July 28, 1741, his music was quickly forgotten. A nineteenth century renewal of interest in Vivaldi’s music brought about the revival of some the composer’s works. The revival continued into the twentieth century and by the end of it, Vivaldi’s The Four Seasons became one of the most popular ‘classical’ pieces of all time, topping the charts year after year. Originally, Vivaldi composed a total ten sonatas for violoncello and basso continuo of which one is completely lost. Of the remaining, three exist in manuscript form. Two of them, the a minor, RV 44, and the Eﬂat, RV 39, are preserved in the Conservatory Library in Naples, and one in g minor, RV 42 in the Castle Library in Wiesentheid in Germany. The other six were printed in a contemporary French edition; the original manuscript is in the National Library of Paris. The manuscript consists of 42 pages on which the cello part and the bass (not ﬁgured) are written neatly and plainly on tw o staves. All six sonatas follow the same overall form, four movements (Largo, Allego, Largo, Allegro). A certain relationship exists between these cello sonatas with their four movements and the old sonata de chiesa (church sonatas) of the earlier Baroque style. These sonatas were possibly written many years before their actual date of publication in 1740 for and performed ~ by Vivaldi’s students at the Pieta orphanage in Venice. Giovanni Bottesini, born December 22, 1821, was not only among the most famous Italian double bass players of his time, but was also a conductor of some distinction and a composer. He conducted the ﬁrst performance of Verdi’s opera Aida in Cairo in 1871 and won success with some, at least, o f his own ten operas. Known to some as the Paganini of the double bass, he signiﬁcantly extended the technical possibilities of the instrument. Bottesini’s compositions include a number of double bass concertos, some for double bass and piano, as well as works for solo violin and double bass and for two double basses. His Metodo completo per contrabasso is an important addition to the pedagogical literature o f the instrument. Bottesini ’s original compositions and transcriptions of wellknown melodies broaden music for the double bass past before thought unimaginable capabilities of musical expression. His Elegy demonstrates his broad palette of fascinating tone colors, the cantabile line and the possibilities of musical expression to unheard of heights on the double bass. Y 1 l Arthur Olaf Andersen, born January 30, 1880, was a music educator and administrator, music theorist and composer. Andersen was Head of the Department of Music Theory at the American Conservatory of Music in Chicago from 1908 to 1929, and Dean and Head of the Theory Department at University of Arizona from 1929 to 1934. He published many books including: First Forty Lessons in Harmony (1923) and Practical Orchestration (1929), along with numerous music theory books and compositions. Sonatina (1942) is a work with the formal characteristics of a sonata but on a smaller scale. Andersen’s Sonatina, although written in the 20” century, possesses characteristics from the Classical period. The ﬁrst movement, Allegro, is in sonata form. The lively ﬁrst theme in the exposition is in the key of G major, proceeds to a very short development in g minor. The recapitulation, in the original key, moves to a coda with a strong ﬁnish on the tonic chord. The second movement, Andante, is very short and in ternary form. The ﬁnal movement is a lively Rondo. The principal section is in the key of G major alternates with two subsidiary sections; the ﬁrst one being in the key of C major, the second subsidiary section is in the key of b minor. As a young boy, Russian composer Reinhold Gliere, born January 1 1, 1875, studied violin, theory and composition. From 19201941 he was professor of composition at the Moscow Conservatory. Among his pupils” were Prokoﬁev, Miaskovsky, and Khachaturian. His compositions, generally nationalistic with romantic and impressionistic elements, show the inﬂuence of Russian folk melodies that he collected in Europe and Asia. His bestknown works are the ballet The Red Poppy (1927) and his Third Symphony (Ilya Mourometz, 19091911). Russian Sailor ’s Dance, which comes from the ballet The Red Poppy, is a fast moving and exciting piece that is a perfect intensity builder. As the instrumentalist plays through the piece the tempo builds making for an exciting conclusion. This arrangement by George Vance takes a familiar tune and makes it exciting to perform. �ABOUT THE PERFOR MERS Double bassist ELIZABETH BARTLETT is a native of the Greater Binghamton area, growing up in Johnson City, New York. She graduated from Johnson City Senior High School in 1997. While in high school, Beth studied double bass privately with Richard Thomas. She received her Bachelor’s Degree in Music Education from the Crane School of Music, SUNY Potsdam, in May of 2001. At Crane, Beth studied double bass with Richard Stephan and John Geggie. Upon graduation, Beth has been employed by the Binghamton City School District. She presently teaches at MacArthur School as elementary string orchestra and general music teacher. Beth enjoys teaching and performing a variety of music within the community. In addition to teaching private string lessons, she has been a member of the Binghamton Community Orchestra as wel l as lending her talents to local theater company SRO Productions III as a pit orchestra performe r in their many productions. Currently, Beth is studying with Professor Stephen Stalker, as she works towards a Master’s of Music in Double Bass at Binghamton University. MARGARET REITZ is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with accompan ying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has accompanies throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria. She and Binghamton University faculty members Timothy Perry and Stephen Stalker were invited to present a recital at the International Clarinet Conference in Tokyo this past summer. She has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She maintains a private piano studio in Vestal, New Yor k. She is on the Executive Board of the New York District MTNA organization. She is past president of the local Southern Tier Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. �COMING EVEN TS Saturday, October 15 – A Bach Celebration 8:00 p.m. – Anderson Center Chamber Hall $18 general public; $16 faculty/staﬀ/seniors; $10 students (A Beneﬁt for the Music Departm ent) Thursday, October 20 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall free Saturday, October 22 – An Evening of Rodgers and Ham merstein – University Orchestra, Harpur Chorale and soloists – 8:00 p.m. – Osterhout Concert Theater $18 general public; $16 faculty/staﬀ/seniors; $10 students (A Beneﬁt for the Music Department) Thursday, October 27 – MidDay Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall free F riday, October 28 – Guest Organist : Ro bert Poovey – 8:00 p.m. – First Presbyterian Church, Chenango St., Binghamton $14 general public; $12 faculty/staﬀ/seniors; $6 students Sunday, October 30 – University Wind Ensemble – 3:00 p.m. – Anderson Center Chamber Hall free Th ursday, November 3 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall free F riday, November 4 – Master ’s Recital : J ud y Zhu, piano – 8:00 p.m. Casadesus Recital Hall free Saturday, November 5 – Song of Silk : A Concert of Chinese Music with Hong Zhang, mezzosoprano, Margaret Reitz, piano and guests – 8:00 p.m. – Anderson Center Chamber Hall $14 general public; $12 faculty/staﬀlseniors; $8 students Thursday, November 10 – Mid Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall free Saturday, November 12 University Chorus with Binghamton P hil harmonic – 8:00 p.m. – Osterhout Concert Theater (For tickets, contact the Binghamt on Philharmonic). Th ursday, November 1 7 – Jazz MidDay Concert with guest artists – 1 :20 p.m. – Osterhout Concert Theater – free Th ursday, November 1 7 ~ H arp u r Jazz E nsemble with guest artists – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7 faculty/staﬀ/seniors; free for students l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:33:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243782&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243782&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243782&change_lng=en</a><a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243785&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243785&change_lng=en"></a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Elizabeth Bartlett, double bass, October 10, 2005 Description An account of the resource Works of Vivaldi, Bottesini, Andersen, Glière. Held at 3:00 p.m., October 15, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Bartlett, Elizabeth Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-10-15 Rights Information about rights held in and over the resource In copyright Format The file format, physical medium, or dimensions of the resource https://omeka.binghamton.edu/omeka/files/original/365910e09b57926aa6dc9b1ab56887fa.pdf 1618eb83dfa85987d1f1f36b313be0ec PDF Text Text Binghamton University Department of Music Fo Yoge, C k BF) THURSDAY MID–DAY CONCERT October 20, 2005 – 1 :20 P.M. – Casadesus Recital Hall S PE C A F A C U L T Y S P L A S H RODE Schumann Adagio and Allegro, Op. TORELL .......ocsoiithemsssinciossssssossssssstnsnssrssssnsiasessssipessansessess (18101856) Roberta Crawford, viola Michael Salmirs, piano Ne poi, K I T E . . . l.. ..coniihbermiurainssnatumarssssssassissssssassasssnslbmeleeriimonses Sergei Rachmaninoﬀ ( 18731943) Organ Fugue in G M (The Little) o o Song to the M From RUSALKA ‘ Mary Burgess, soprano Duane Skrabala k, piano i n n ATTORIN Dvorak (18411904) S Bach ( 16851 750) Adapted for piano and edited by Olga Samaroﬀ o r J ChaiKyou Mallinson, piano Notturno for Violin, Cello, and Piano D897................ adagio Patricia Sunwoo, violin Stephen Stalker, cello Michael Salmirs, piano Franz Schubert ( 1 7971 828) dy From OldAmerican SOMES ..onisssccssscsssssssasissrssssncassssnsansassasssansassasassasensassascass8ils by Aaron Copland (19001990) Boatmen’s Dance At the River ChingARing Chaw Timothy LeFebvre, baritone ChaiKyou Mallinson, piano Grooves....... 1. Bop 2. Hocket and Rock!t 3. Sultry Waltz 4. Bulgarian Blues ceeeenenene. Philip Parker (b. 1953) Timothy Perry, clarinet Margaret Reitz, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:48:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243785&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243785&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243785&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert: a faculty splash, October 20, 2005 Description An account of the resource Works of Schumann, Rachmaninoff, Dvorak, Bach, Schubert, Copland, Parker. Held at 1:20 p.m., October 20, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Crawford, Roberta Salmirs, Michael Burgess, Mary Skrabalak, Duane Mallinson, Chai-Kyou Sunwoo, Patricia Stalker, Stephen LeFebvre, Timothy Perry, Timothy Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-10-20 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/bb34c7a103e37aff52849ce0b8bd955f.pdf 6a07823147c7dcfb1361d972712d1cfb PDF Text Text BINGHAMTON l ' N I \' E R S I T Y State University of New York German Romanic Pieces An Evening of Chamber Music Patricia Sunwoo, violin David Brickman, violin Roberta Crawford, viola Stephen Stalker, cello Timothy Perry, clarinet Michael Salmirs, piano Saturday, November 19, 2005 8:00 p.m. Anderson Center Chamber Hall �PROGRAM Adagio in E-Flat, D. 897, "Nottumo" ... .................... Franz Schubert for Piano Trio (1797-1828) Patricia Sunwoo, violin Stephen Stalker, cello Michael Salmirs, piano Grand Quintet in B-Flat, Op. 34 .. .. ............... Carl Maria von Weber for Clarinet and String Quartet ( 1786-1826) Allegro Fantasia Menuetto-Capriccio: Presto Rondo: Allegro giocoso Timothy Perry, clarinet Patricia Sunwoo, violin David Brickman, violin Roberta Crawford, viola Stephen Stalker, cello ~INTERMISSION~ Piano Quartet in A, Op. 26 .................................... Johannes Brahms Allegro non troppo (1833-1897) Poco Adagio Scherzo: Poco Allegro Finale: Allegro Patricia Sunwoo, violin Roberta Crawford, viola Stephen Stalker, cello Michael Salmirs, piano �ABOUT THE MUSIC Adagio in E-flat D. 897, for Piano Trio "Notturno" Some time during the winter of 1822-23 Schubert became seriously ill with the symptoms of syphilis, tantamount to a death sentence in those days. And though there were extended periods of remission, for the remaining six years of his life his health was permanently undermined. It is, of course, dangerous to draw too close a parallel between an artist's life and work. Even so, it is hard to deny that much of Schubert's music from the last years, Winterreise, the late string quartets and piano sonatas, the C Major String Quintet is suffused with a sense of evanescence, an awareness of impending doom. Yet amid this darkening inner landscape, the hedonistic, characteristically Viennese spirit of earlier works like the Trout Quintet is never entirely lost. It permeates the lyrically exuberant Piano Trio in B-flat probably composed during the. late summer or autumn of 1827, a time when Schubert was also preoccupied with the last twelve songs of Winterreise. Conjecture surrounds the B-flat Trio, as it does so many of Schubert's works. There is no surviving manuscript and therefore no exact dating and the composer never mentioned the work in his correspondence with publishers. But circumstantial evidence suggests that it was written shortly before the Trio in E-flat, D. 929, whose autograph bears the date November 1827. An investigation of the paper type used for the autograph score of the Notturno D. 897, long accepted as the original, discarded slow movement for the B-flat Trio, has revealed that it is identical with the paper used in the autumn of 1827 for the E-flat Trio and the finished copy of Winterreise. If the Notturno (as titled by the publisher Diabelli) was indeed the original slow movement of the B-flat Trio, we can only guess at Schubert's reasons for jettisoning it. But while it makes a less ready appeal than the Andante that replaced it, it uncannily prefigures the Adagio of the C Major String Quintet, composed the following autumn. The two movements realize consummately the vein of timeless, contemplative ecstasy. Like the Quintet's Adagio, the Notturno presents . a mesmerically sustained melody in close harmony in the inner voices (violin and cello) against a plucked accompaniment in the treble and bass, with the piano doing a fair imitation of a harp. And as in the Quintet the contrasting central section moves to the key of the Neapolitan second, a semitone above the tonic: E-flat to E Major. Finally, like that in the Quintet, the coda contains a final harmonic shudder (with a sudden crescendo) just before the closing bars. by Richard Wigmore �Grand Quintet in B-Flat, Op. 34 Carl Maria von Weber (1786-1826) was a generous contributor to the repertory of the solo clarinet through his deep and abiding friendship with the Munich clarinetist Heinrich Baermann. In addition to tonight's Quintet, Weber completed two concerti, a concertino, a set of variations and the Grand Duo Concertante. Weber toured Europe as Baermann' s accompanist, and his complete familiarity with the possibilities of the developing instrument are echoed in the rapidity with which the clarinet works were composed. The Concertino was written in three days, the Variations were written on the morning of its premiere (!), and the splendid Quintet, although written over a period of four years ( 1811-15), occupied probably not more than two weeks of the busy composer's time. The work is clearly intended first and foremost as a tour de force for the solo clarinet, although the string writing is well conceived and effective. The opening allegro is a sturdy, sunny march whose jaunty dotted rhythms would find an echo a century later in Bela Bartok's Contrasts. Weber's natural gifts as an opera composer are put to use in the aria-like second movement fantasia, culminating in two extended chromatic scales at the outer dynamic edges of possibility. The third movement Capriccio, while listed as 'Menuetto', is very much a Beethoven-style scherzo with its 3/4 time constantly being re-organized into 3/8 and 3/2 structures, its complexity balanced by a sweetly naïve trio. The finale, a galloping presto in quick 2/4 is all flash, dash and panache in which even the improved modern clarinet is pushed to the edges of fleet-fingered virtuosity- but all in good fun. By Timothy Perry Brahms Piano Quartet in A, Opus 26 The Brahms Piano quartet Opus 26 was published in 1862, along with the G Minor Quartet, just as the young Brahms was passed over for an appointment to become director of the Hamburg Philharmonic Society. He moved to Vienna and it received its first performance there. It is less often played than its partner, the G Minor Quartet or indeed, the later C Minor Quartet. This may be related to the fact that it is longer, and a little less "obvious" in design and temperament than either of the other two quartets. Although the drama and deft use of short motives which Brahms derived from his study of the works of Beethoven are ever-present, the dolcc parts owe more to Schubert in terms of the lighter, more lyrical quality of the music. This is particularly obvious in his piano writing. �The Poco Adagio is the heart of this work. The exquisite use of offset rhythm to convey a beautiful melody, which characterizes so many of the composer's slow movements, is used to great effect here. More ominous material is introduced, but he returns to the lovely melody, ending the movement as atmospherically as it was begun. The Allegro finale, like the wild Gypsy Rondo of the G Minor Quartet, has energetic Zigeuner elements. This is particularly evident in the way the piano chords are syncopated against the strings in the very opening. Brahms quotes freely from his other movements and introduces more thematic material before he brings the work to close with one of his trademark grand symphonic finales. By Patricia Sunwoo ABOUT THE PERFORMERS Canadian-born violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg's Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competition, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America. She has recorded works of Artur Schnabel and Michael Whalen for labels CP 2 and Arabesque Recordings, and was aired by NPR and Japan's NHK. Recent engagements include appearances at Carnegie Hall's Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L'Espace Pierre Cardin in Paris. She has worked with composers John Corigliano, Joan Tower and George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. �STEPHEN STALKER, cellist, teaches cello and double bass at Binghamton University. He formerly taught at Colgate University, Mansfield University, Ithaca College, and in the Binghamton City Schools. He has performed extensively with the Catskill Chamber Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in concerts at Binghamton University. He plays with the Northeastern Pennsylvania Philharmonic and was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY. TIMOTHY PERRY, clarinetist, conductor and Professor of Music, joined the Binghamton University faculty in 1986 as director of the orchestral and wind ensemble programs and instructor of studio conducting and clarinet. Perry holds D.M.A., M.M.A. and M.M. degree from the Yale School of Music and a B. Mus. degree from the Manhattan School of Music. Dr. Perry's more than two hundred programs include ten seasons as Music Director of the Binghamton Community Orchestra and as guest conductor of both the Catskill Symphony and Binghamton Philharmonic orchestras. Perry is widely known as a virtuoso solo and chamber music clarinetist, touring Latin America and the Caribbean as a United States Musical Ambassador and appearing at international festivals in Europe and Asia. He presented his third artist recital at an International Clarinet Conference this past summer in Tokyo. Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University's Musica Nova, Cornell University's Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penncys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and Affiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. �DAVID BRICKMAN enjoys a diverse career as soloist, chamber player, and orchestral musician. Prior to joining the Rochester Philharmonic Orchestra in 1989 as its principal second violinist, he was a member of the Columbus Symphony Orchestra and associate concertmaster of the Honolulu Symphony Orchestra. He is concertmaster of the Rochester Chamber Orchestra, has toured the United States and Europe with the Pittsburgh Symphony Orchestra and Lorin Maazel, and has performed and recorded as acting concertmaster of the Milwaukee Symphony Orchestra. Mr. Brickman plays for the Rochester Society for Chamber Music, the Seal Bay Festival of American Chamber Music in Vinahaven, Maine and is a founding member of the Ithaca-based Finger Lakes Chamber Ensemble. He is a frequent soloist with the Rochester Philharmonic and Rochester Chamber Orchestras and has appeared with the Albany Symphony and Savannah Symphony Orchestras among others. He is a featured soloist in a performance of Vernon Duke's jazz standard "Autumn in New York" on the RPO's 75th Anniversary CD and has recorded several works of 20th century chamber music for the Milken Foundation. l ROBERT A CRAWFORD, violist, performs extensively as a recitalist and chamber musician. As Associate Director and a founding member of the Finger Lake Chamber Ensemble, Crawford has participated in over one hundred solo, chamber, and lecture recitals presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra's Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Crawford has played with the Portland and Syracuse symphonies and is Associate Principal Violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford has premiered numerous works featuring viola and has had sevetalworks dedicated to her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Crawford has served as clinician, coach, and adjudicator for numerous music organizations and is Director of ViolaFest at Binghamton. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently Coordinator of Strings at Binghamton University. �COMING EVENTS Sunday, November 20 - Concerto & Aria Competition Auditions - 7:00 p.m. - Casadesus Recital Hall - free Tuesday, November 29 - University Percussion Ensemble - 8:00 p.m. Anderson Center Chamber Hall - free Thursday, December 1 - Mid-Day Concert with faculty and student performers - 1:20 p.m. - Casadesus Recital Hall - free Friday, December 2 - Flute Studio Recital - 10:30 a.m. - Casadesus Recital Hall - free Saturday, December 3 - University Symphony Orchestra - 8:00 p.m. Osterhout Concert Theater - $9 general public; $7 faculty/staff/seniors; free for students Saturday, December 3 - Master's Recital: Erin Lahm, soprano - 5:00 p.m. - Casadesus Recital Hall - free Sunday, December 4 - University Wind Ensemble Holiday Concert 1:00 p.m. - Oakdale Mall - free Sunday, December 4 - University Flute Ensemble - 7:30 p.m. Casadesus Recital Hall - free Thursday, December 8 - Holiday Mid-Day Concert with faculty and student performers - 1:20 p.m. - Casadesus Recital Hall - free Thursday, December 8 - Harpur Chorale and Women's Chorus - 8:00 p.m. - Anderson Center Chamber Hall - free Sunday, December 11 - Master's Recital: Kathryn Boczar, soprano 7:30 p.m. - Casadesus Recital Hall - free Wednesday, December 14 - Master's Recital: Donald Truesdail, string bass - Casadesus Recital Hall - free Sunday, February 12 - Organist Jonathan Biggers: Bach Again! - 4:00 p.m. - First Presbyterian Church, Chenango St., Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Sunday, February 19 - Pianist Michael Salmirs - 3:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource German Romantic pieces: an evening of chamber music, November 19, 2005 Description An account of the resource Works of Schubert, von Weber, Brahms. Held at 8:00 p.m., November 19, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Sunwoo, Patricia Brickman, David Crawford, Roberta Stalker, Stephen Perry, Timothy Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-11-19 Rights Information about rights held in and over the resource In copyright Format The file format, physical medium, or dimensions of the resource 2 audio discs https://omeka.binghamton.edu/omeka/files/original/3ee0487486b34c8b3c76ecab1fc22e4c.pdf 4d00a032d6ae84a2557fdda11403e6c7 PDF Text Text UNIV ARC Recit al tape 2005 The Binghamton University Department of Music presents 11-20 University Symphony Orchestra SPEC COL 2005-7 Concerto and Aria Competition Sunday November 20, 2005 7:00 PM Casadesus Hall Keyboard Division Sun Hat (Candice) Che, Piano Saint-Saens: Concerto No.2 (1st mvt) Vocal Division Julia Ebner, Soprano Gounod: Jewel Aria from Faust 11 I 6 Michaela Lisi, Soprano 6 Dvorak; Song to the Moon from Rusalka Soon Young Park, Baritone · Rossini; 'Largo al factotum' from Barber of Seville 6 Instrumental Division Melissa Lee, Viola Bruch: Romanze, Op. 86 Akira Maezawa, Violin Bartok: Concerto No 2 (1st mvt) Theresa Perrone, Clarinet Bassi; Rigoletto Fantasy BU Saxophone Quartet Dubois: Concertino Alisa Selman, Violin Saint-Saens: Havanaise David Henann, Trombone Guilmant: Morceau Symphonique 10 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:28 ; 52:12 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243803&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243803&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243803&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2005-7 concerto and aria competition, November 20, 2005 Description An account of the resource Works of Saint-Saëns, Gounod, Dvorak, Rossini, Bruch, Bartók, Bassi, Dubois, Guilmant. Held at 7:00 p.m., November 20, 2005, Casadesus Hall. Creator An entity primarily responsible for making the resource Che, Candice Ebner, Julia Lisi, Michaela Park, Soon Young Lee, Melissa Maezawa, Akira Perrone, Theresa Selman, Alisa Henann, David Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-11-20 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/1268cdd6d16b8c06b29a4ec4c5eb7d6c.pdf 834ea422aed59252efb5f337d6e074aa PDF Text Text BINGHAMTON l N I \ E R S I I Y State University of New York UNIVERS ITY PERCUSS ION ENSEMB LE Daniel Fabricius, conductor Tuesday, November 29, 2005 8:00 p.m. Anderson Center Chamber Hall �PROGRAM • OVERTURE FOR PERCUSSION ENSEMBLE ............. John Beck BALALAIKA ...... ........ .................................................... Traditional Arranged by William Cahn A LA NANIGO ..... ... ............................................. Mitchell Peters INTRODUCTION AND RONDO ........................ . Elliot Del Borgo ~INTERMISSION~ AUBURN RUN-OUT .............................................. Ernest Muzquiz ENCORE IN JAZZ ............................................................. Vic Firth CAN CAN, from Orpheus ... .. ............................. Jacques Offenbach Arranged by Daniel Fabricius �ABOUT THE COND UCTO R DANIEL FABRICIUS took the post of Percussion Instructor at Binghamton University in September 1992. He also has been Director of Bands at Owego Free Academy since 1989. Fabricius is an active performing percussionist in the Southern Tier. He is a member of the Binghamton Philharmonic as well as Timpanist/Principal Percussionist for the Orchestra of the Southern Finger Lakes. In recent years, he also has performed as a percussion soloist in chamber ensembles, in musical theater productions and with a variety of nationally known artists. He often performs as a freelance musician and as a member of the local dance band "Classy Brass." As a music educator, Fabricius holds professional memberships in the New York State School Music Association, the International Association of Jazz Educators, the Percussive Arts Society, and the National Band Association. He also has served two terms as President of the New York State Band Directors Association. He has worked on the Summer Session faculty for the Ithaca College School of Music and also serves as a cooperating teacher for senior student teachers. He has conducted many honor band festivals, presented clinics on a variety of music education topics, and has adjudicated at music festivals throughout New York. UNIVERSITY PERCUSSION ENSEMBLE Ai Karasawa Suzanne Kivel Kristine Jackson Doug Laura Spencer Lo Sedrick Myrtil Pete Tringali Mark Turley �COMING EVENTS Thursday, December 1 - Mid-Day Concert with faculty and student performers - 1:20 p.m. - Casadesus Recital Hall - free Friday, December 2 - Flute Studio Recital - 10:30 a.m. - Casadesus Recital Hall - free Saturday, December 3 - Master's Recital: Erin Lahm, soprano - 5:00 p.m. - Casadesus Recital Hall - free Saturday, December 3 - University Symphony Orchestra - 8:00 p.m. Osterhout Concert Theater - $9 general public; $7 faculty/stafli'seniors; free for students Sunday, December 4 - University Wind Ensemble Holiday Concert 1:00 p.m. - Oakdale Mall - free Sunday, December 4 - University Flute Ensemble - 7:30 p.m. Casadesus Recital Hall - free Thursday, December 8 - Holiday Mid-Day Concert with faculty and student performers - 1:20 p.m. - Casadesus Recital Hall - free Thursday, December 8 - Harpur Chorale and Women's Chorus - 8:00 p.m. - Anderson Center Chamber Hall - free Sunday, December 11 - Master's Recital: Kathryn Boczar, soprano 7:30 p.m. - Casadesus Recital Hall - free Wednesday, December 14 - Master's Recital: Donald Truesdail, string bass - 8:00 p.m.- Casadesus Recital Hall - free Sunday, February 12 - Organist Jonathan Biggers: Bach Again! - 4:00 p.m. - First Presbyterian Church, Chenango St, Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Sunday, February 19 - Pianist Michael Salmirs - 3:00 p.m. - Anderson Center Chamber Hall - $14 general public; $ 12 faculty/staff/seniors; $6 students Saturday, February 25 - University Symphony Orchestra: Concerto Competition Winners - 8:00 p.m. - Osterhout Concert Theater - $9 general public; $7 faculty/staff/seniors; free for students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:25:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243807&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243807&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243807&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble, November 29, 2005 Description An account of the resource Works of Beck, Cahn, Peters, Del Borgo, Muzquiz, Firth, Offenbach. Held at 8:00 p.m., November 29, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-11-29 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/91d8955b893c821a222467fcd23e2d5a.pdf f950d994d09c397c75b5c2036a3b482a PDF Text Text UNIV ARC Recital tape 2005 11-3 SPEC COL Binghamton University Department of Music THUR SDAY MID-DAY CONCERT November 3, 2005 -1:20 P.M. - Casadesus Recital Hall featuring Agustus Arnone, piano 3 Etudes (2003) ....................................... ......................................................... ... .... David Rakowski (b. 1958) Zipper Tango Eight Misbehavin Cell Division Monoliths and Interludes (2003) ........................................ .... ......... ......... .......... .. Michael Klingbeil (b. 1974) Palais De Mari (1986) ........................................................................................ ..... Morton Feldman (1926-1987) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Transcription Any written text transcribed from a sound, or alternative text from a visual medium 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 54:51:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243796&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243796&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243796&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 3, 2005 Description An account of the resource Works of Rakowski, Klingbeil, Feldman. Held at 1:20 p.m., November 3, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Arnone, Augustus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-11-3 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/40bd2d0ff1d9d02f2eecf9af28825280.pdf 968b2cca83abfec60974d572f7ca34bc PDF Text Text BINGHAMT l ON UNIVERSITY State University of New York Master' s Recital Judy (Yan) Zhu, piano Akira Maezawa, violin Theresa Perrone, clarinet Robin Kindig, bassoon Friday, November 4, 2005 8:00 p.m. Casadesus Recital Hall �PROGRAM Violin Sonata in D Major ............................ Ludwig van Beethoven Allegro con brio ( 1770-1827) Terna con variazioni Rondo Akira Maezawa, violin Judy Zhu, piano Trio Pathetique .......................................................... Michail Glinka Allegro moderato (1804-1857) Scherzo Largo Allegro con spirito Theresa Perrone, clarinet Robin Kindig, bassoon Judy Zhu, piano ~INTERMISSION~ Piano Concerto No. 2 in F Minor, Op. 21 ............... Frederic Chopin Maestoso (1810-1849) Larghetto Allegro vivace Judy Zhu, piano Ewa Mackiewicz-Wolfe, orchestral piano reduction �ABOUT THE PERFORMERS JUDY (YAN) ZHU, pianist, is currently a double master's student in Music and Accounting at Binghamton University. She is a native from Beijing, China. She is an active performer both as a soloist and a member of chamber groups. She was the winner of Creative Work of Art (Music) Award from Binghamton University in 2003, winner of the Samuel Reiser Scholarship from the Department of Music at BU in 2002, and a finalist of the New York State Collegiate Piano Competition in 2000. She also holds a Master of Arts degree in Anthropology from Binghamton University, and a Bachelor of Science degree in Information Science from Peking University, Beijing, China. She holds the position of organist and choir director of John Hus Presbyterian Church and South Hills Presbyterian Church in Binghamton. Judy is currently studying with Ewa Mackiewicz-Wolfe and studied with Michael Salmirs. ROBIN KINDIG, bassoon, is a local from Endwell, NY. She attended the Maine-Endwell Central Schools, where she was very involved in the music department. Her love of music led her to Houghton College, where she studied bassoon with Ed Wadin. She received her Bachelor of Music in Music Education from Houghton in May 2003, and then came to Binghamton University for graduate school. While at BU, she studied with Lynn Hileman and Ed Gobrecht, and received a Master of Music degree in May 2005. Robin is currently a fifth and sixth grade instrumental music teacher at the Chenango Valley School District in Binghamton, NY. AKIRA MAEZA WA, violinist, is currently a sophomore in Electrical Engineering at Binghamton University, and has been studying violin with Patricia Sunwoo. He has been involved in multiple performances as an ensemble member, both on and off the campus. Outside Binghamton, he had master classes with Aaron Rosand, Glenn Dicterow, Ani Kavafian, and Mikhail Kopelman; appeared as a soloist for Yonkers Symphony Orchestra, and received the Hudson Valley Music Club Young Performers Award, Newcomb Young Composer's Competition Award, and others. THERESA PERRONE earned her undergraduate degree in Music Education at Ithaca College, studying the clarinet with Dr. Richard Faria. She currently teaches kindergarten, first, and second grade vocal music and directs two fourth and fifth grade choruses in the Greene Central School District in Greene, NY. In addition, Theresa has a private studio of woodwind students. She is also pursuing her Masters in Clarinet Performance at Binghamton University, studying with Dr. Timothy Perry. �COMING EVENTS Saturday, November 5 - Song of Silk: A Concert of Chinese Music with Hong Zhang, mezzo-soprano, Margaret Reitz, piano and guests 8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $8 students Thursday, November 10 - Mid Day Concert with faculty and student performers - l :20 p.m. - Casadesus Recital Hall - free Saturday, November 12 - University Chorus with Binghamton Philharmonic - 8:00 p.m. - Osterhout Concert Theater (For tickets, contact the Binghamton Philharmonic). Thursday, November 17 - Jazz Mid-Day Concert with guest artist, Eddie Allen - l :20 p.m. - Osterhout Concert Theater - free Thursday, November 17 - Harpur Jazz Ensemble with guest artist, Eddie Allen - 8:00 p.m. - Osterhout Concert Theater - $9 general public; $7 faculty/staff/seniors; free for students Saturday, November 19- German Romantic Masterpieces: An Evening of Chamber Music - 8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students Sunday, November 20 - Concerto & Aria Competition Auditions - 7:00 p.m. - Casadesus Recital Hall - free Tuesday, November 29 - University Percussion Ensemble - 8:00 p.m. Anderson Center Chamber Hall - free Thursday, December 1 - Mid-Day Concert with faculty and student performers - l :20 p.m. - Casadesus Recital Hall - free Friday, December 2 - Flute Studio Recital - 10:30 a.m. - Casadesus Recital Hall - free Saturday, December 3 - University Symphony Orchestra - 8:00 p.m. Osterhout Concert Theater - $9 general public; $7 faculty/staff/seniors; free for students Sunday, December 4 - University Wind Ensemble Holiday Concert l :00 p.m. - Oakdale Mall - free Sunday December 4 - University Flute Ensemble - 7:30 p.m. Casadesus Recital Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:09 ; 35:27 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243799&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243799&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243799&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Judy (Yan) Zhu, piano, November 4, 2005 Description An account of the resource Works of Beethoven, Glinka, Chopin. Held at 8:00 p.m., November 4, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maezawa, Akira Perrone, Theresa Kindig, Robin Zhu, Judy (Yan) Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-11-4 Rights Information about rights held in and over the resource In copyright