89 10 1775 https://omeka.binghamton.edu/omeka/files/original/b0048b1386b03a6ba887f8276acdafc7.jpg 35308e55342ce25c71a1db0b34f18b1a https://omeka.binghamton.edu/omeka/files/original/eb735ca37e6e9fafb515ade40725310e.mp3 c4589ca4d7e8dafc797235e5093ded84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Audio interviews Title A name given to the resource McKiernan Interviews Description An account of the resource Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.<br /><br /> <h3>The McKiernan 22</h3> <div>Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:</div> <ul> <li><a href="https://omeka.binghamton.edu/omeka/items/show/854">Julian Bond</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1866">Bobby Muller</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1175">Craig McNamara</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/910">Dr. Arthur Levine</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/837">Diane Carlson Evans</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/942">Dr. Ellen Schrecker</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/876">Dr. Lee Edwards</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/841">Peter Coyote</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1233">Dr. Roosevelt Johnson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/899">Rennie Davis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1222">Kim Phuc</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/917">George McGovern</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/833">Frank Schaeffer</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/840">Rev. Dr. Frank Forrester Church </a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1240">Dr. Marilyn Young</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/842">James Fallows</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/835">Joseph Lee Galloway</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/911">John Lewis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/839">Paul Critchlow</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/888">Steve Gunderson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1159">Charles Kaiser</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/2407">Joseph Lewis</a></li> </ul> Creator An entity primarily responsible for making the resource Stephen McKiernan Publisher An entity responsible for making the resource available Binghamton University Libraries Language A language of the resource English Rights Information about rights held in and over the resource In copyright. Template: Simple Audio Player (Amplitude.js) This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. Date of Interview 1997 Interviewer The person(s) performing the interview Stephen McKiernan Interviewee The person(s) being interviewed Sam Smith Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:18 Language English Digital Publisher Binghamton University Libraries Digital Format audio/mp4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Microcassette Material Type Sound Interview Format Video or Audio Audio Keywords Baby Boomer; 1960s; Generation; Rights; Lyndon Johnson; Vietnam; Green Party; Vietnam War; Civil Rights Movement; 1970s; Race. Biographical Text Sam Smith is a writer, activist, and social critic who has been at the forefront of new ideas and new politics for more than four decades. The Harvard University graduate, class of 1959, has been editing alternative publications since 1964. He is an award-winning alternative journalist and currently is editor of Progressive Review. His activism helped organize the Association of State Green Parties-predecessor to the National Green Party and, in the 1970s, was a co-founder of the DC Statehood Party. He is the author of several books including his most recent titled Why Bother? Getting a Life in a Locked Down Land and a 1990's popular book titled His Shadows of Hope: A Free Thinker's Guide To Politics in the Time of Clinton. This native Washingtonian covered his first story in 1957 as a 19-year-old. He has served on the Board of the Fund For Constitutional Government; the DC United Black Fund; Project on Government Oversight and the DC NAACP Police & Justice Task Force.   Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Rights Statement Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Sam Smith https://omeka.binghamton.edu/omeka/files/original/f5c031940d13559cce27851e51707818.jpg e15137204ce209d358bdd99bef6ca90d https://omeka.binghamton.edu/omeka/files/original/8f6d216511c6d54834ff1e76131d9872.mp3 6e35a1845205bf58cd044ff7ae3d7dd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Audio interviews Title A name given to the resource McKiernan Interviews Description An account of the resource Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.<br /><br /> <h3>The McKiernan 22</h3> <div>Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:</div> <ul> <li><a href="https://omeka.binghamton.edu/omeka/items/show/854">Julian Bond</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1866">Bobby Muller</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1175">Craig McNamara</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/910">Dr. Arthur Levine</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/837">Diane Carlson Evans</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/942">Dr. Ellen Schrecker</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/876">Dr. Lee Edwards</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/841">Peter Coyote</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1233">Dr. Roosevelt Johnson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/899">Rennie Davis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1222">Kim Phuc</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/917">George McGovern</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/833">Frank Schaeffer</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/840">Rev. Dr. Frank Forrester Church </a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1240">Dr. Marilyn Young</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/842">James Fallows</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/835">Joseph Lee Galloway</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/911">John Lewis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/839">Paul Critchlow</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/888">Steve Gunderson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1159">Charles Kaiser</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/2407">Joseph Lewis</a></li> </ul> Creator An entity primarily responsible for making the resource Stephen McKiernan Publisher An entity responsible for making the resource available Binghamton University Libraries Language A language of the resource English Rights Information about rights held in and over the resource In copyright. Template: Simple Audio Player (Amplitude.js) This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. Date of Interview 27 July 2010 Interviewer The person(s) performing the interview Stephen McKiernan Interviewee The person(s) being interviewed Sara Davidson Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:25 Language English Digital Publisher Binghamton University Libraries Digital Format audio/mp4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MicroCassette Material Type Sound Interview Format Video or Audio Audio Keywords 1960s; Berkeley; Sorority; Loose Change; Protests; Sexual revolution; Boomer generation. Biographical Text Sara Davidson is a journalist, novelist, screenwriter, radio host, and the New York Times bestselling author. She is the author of eight books, and has written for the New York Times, Esquire, Harper’s, Rolling Stone, and other magazines. Davidson created dramas for television and was co-executive producer of Dr. Quinn, Medicine Woman. Davidson graduated from the University of California, Berkeley and attended Columbia University Graduate School of Journalism. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Rights Statement Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Sara Davidson https://omeka.binghamton.edu/omeka/files/original/e098b1651e8a2d73a2031a352f7806c2.jpg 3b827fb28af26a03e3a3005d4894f762 https://omeka.binghamton.edu/omeka/files/original/0ee9c7989b9f953f6a3497517ae8cf52.mp3 2f4821487265ee1d5255f8a7f677b938 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Audio interviews Title A name given to the resource McKiernan Interviews Description An account of the resource Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.<br /><br /> <h3>The McKiernan 22</h3> <div>Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:</div> <ul> <li><a href="https://omeka.binghamton.edu/omeka/items/show/854">Julian Bond</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1866">Bobby Muller</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1175">Craig McNamara</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/910">Dr. Arthur Levine</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/837">Diane Carlson Evans</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/942">Dr. Ellen Schrecker</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/876">Dr. Lee Edwards</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/841">Peter Coyote</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1233">Dr. Roosevelt Johnson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/899">Rennie Davis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1222">Kim Phuc</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/917">George McGovern</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/833">Frank Schaeffer</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/840">Rev. Dr. Frank Forrester Church </a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1240">Dr. Marilyn Young</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/842">James Fallows</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/835">Joseph Lee Galloway</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/911">John Lewis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/839">Paul Critchlow</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/888">Steve Gunderson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1159">Charles Kaiser</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/2407">Joseph Lewis</a></li> </ul> Creator An entity primarily responsible for making the resource Stephen McKiernan Publisher An entity responsible for making the resource available Binghamton University Libraries Language A language of the resource English Rights Information about rights held in and over the resource In copyright. Template: Simple Audio Player (Amplitude.js) This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. Date of Interview ND Interviewer The person(s) performing the interview Stephen McKiernan Interviewee The person(s) being interviewed Dr. Ralph Young Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:26:32 Language English Digital Publisher Binghamton University Libraries Digital Format audio/mp4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MicroCassette Material Type Sound Interview Format Video or Audio Audio Keywords 1960s; Assassination of John F. Kennedy; Baby boomers; Activism; Vietnam; Society; Civil Rights Movement; New York City; Attitudes; Marriage; Sex; Changes in Society. Biographical Text Dr. Ralph Young is a history professor at Temple University where his expertise centers on dissent and protest movements in America, social history, and recent U.S. history. On-campus he runs a weekly teach-in series on historical content of contemporary controversial issues. He is the recipient of a Fulbright fellowship to teach Dissent in America at the University of Rome. He led seminars on Dissent and Protest Movements at Charles University, Prague, and Tubingen University, Germany. Most recently he was a "Scholar In Residence" at the Chautauqua Institution and the winner of six major teaching awards at Temple. He is the author of Dissent in America: The Voices That Shaped The Nation, and Make Art Not War: Political Protest Posters of the 20th Century.   Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Rights Statement Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Dr. Ralph Young https://omeka.binghamton.edu/omeka/files/original/a5f03f7a68e6600cbde1087cf5e88f38.pdf 279bd71721f5fbbf42e9f3e5b84eb381 PDF Text Text BINGHA MTON U N I V E R S I T Y S T A T E   LVN  1 5 ; 5   T ! ’   O F   N 5 ? !   Y O R K SIRE  D E P A ( ) e t d e c R T M E N T ? fi '  555 CAITLING  ,  S O P R A N O SENO I R HONORS RECITAL JOHN  SIENBERG, PAINO ULEE, PA I NO  AND  CELLO SATURDAY,  MAY  93,2015, 7:30PM CASADESUS RECT I AL HALL �®  PROGRAM ( I L Laudamus Te .  from the Mass in C minor, K. 247  W. A. Mozart (1756­1791) IL Fnihlingsglaube.  Nacht und Traume  Liebe schwarmt auf allen Wegen ...arietta fro m Claudine von villa bella . Franz Schubert (1797­1828) III. Fra ncesco Paolo Tosti Aprile.  (1846­1916) ldeale  Preghiera IV. Il est dowc, il  est bon.  ...Salome’s a ria from Hérodiade  J ules Massenet (1842­191 2) ~Intermission­ V. Hermit Songs. Op. 29.  At Saint Patrick’s Purgatory  Church Bell at Night St. Ita’s Vision Samuel Barber (1910­1981) The Heavenly Banquet The Crucifix ion Sea Snatch Promiscuity The Monk and his Cat The Praises of God The Desire for Hermitage Dream with Me.  ...from Peter Pan  Leonard Bernstein (1918­1990) This program u offered in part ial fulfillment of the requirements for the degree of Bachelora DIM­arc in  Vocal Performance  She is a student of Professor Thomas Goodheart. �®  Rejoice!  ( U I. Th e details surrounding  the  unfinished  Mass  in  C  minor  are  unclear  and widely debated amongst music historians. The  mass was written as a present for his wife, Constanze; in  one of her letters she mentions that Mozart promised to write a mass  as a celebration of her recovery  from childbirth of their first son, Raimund Leopold. Yet there is dispute as to whether this was the sole purpose of the  work.  i t  may  have  also  served  as  a  peace  offering  to  his  father,  who disapproved of his marriage  to Constanze. Others say the  Mass  was  merely an experiment in the writing styles of Bach and Handel. For ins tance, one can hear the famous Alcina aria “Tomnami a vagheggiar” quoted in the “E t incamatus est.”  In addition, the reason Mozart n ever completed  the piece  is  also unclear. Perha ps the association between the mass and his son deterred Mozart from finishing the work after Raimund’s infant death. Others speculate that Mozart felt  ltrle need to complete  the  mass  after  his  father rejected his  peace  offering,  apparently  not impressed with Constanze’s performance. i t is also possible that he lost interest in emulating  Handel  and  Bach.  The  prem iere, which  took  place on October  26, 1 793 at the Salzburg Cathedral featured Constanze as a soloist. It  is uncertain whether the work was perform ed unfinished, or if other music was substituted, or even if some of the  texts were recited.  Though  the accepted style of liturgical settings at the time was characterized by simplicity and brevity, the “Laudamus be” setting heard this evening shows why the piece is referred to as the “Great Mass in C Minor.” There is nothing reserved about it; it is florid, exuberant and  full of vocal acrobatics, which exude joy. ll. Austrian composer Franz Schu bert (1797­1828) is most noted for his large output  of  Lieder,  which  range  from  simple  srrophic  melodies  to  dramatic storytellings. Frithlingsglaube, firs t published in  1820, is one his most beloved lieder. It  is a deceivingly simple melodyl  like so many of Schubert’s songs. Yet, it is full of compositional and emotional complexity. The  poetry, the only poem by Ludwig Uhland ( 1 787­1 862) set by Schubert, describes the beauty of spring’s arrival and the  excitement  of  the  change  which spring brings.  i t also, however, expresses nervousness and past agony. Schubert juxtaposes dotted, spring­like rhythms with harmonies such as the diminished seventh to express this mixture of emotions, as well as  the hope  inherent  in the poetry. Just as  hope  for  spring  is  central to Frithlingsglaube, hope for the night’s peace and the loveliness of dreams is central to  Nacht und Twiume.  The poetry is an edited version of Matthaus von Collin’s (1779­1824) poem  “Nacht/eyer” (“Night Celebratio n.”) Published  in  1825, a year after the poet’s death, it is poss ible that this song is a tribute to Collin. who was a good friend to Schubert. Schubert’s setting combines a gentle rocking figure in the piano, a single dynamic ma rking of pp, and a sehr langsam tempo to create an ethereal and som ber atmosphere. There is a mod ulation from B major to G major towards  the  end of the piece as  if to signify  the  transition  from night  to  day. Though  famous  for his songs, Schubert  also wrote  symphonies, sacred music, cham ber and piano music, and operas. Liebe schwdrmt auf allen Wegen  is from one of Schubert’s experiments in opera, Claudine von Villa Bella, In  1815, Schubert set the libretto written by Johann  Wolfgang von Goethe (1749­1832). It was around this time  that Schubert wrote several songs using Goethe’s texrs, including his famous Gretchen am Spinnrade and Erlkinig.  The opera never received a public performance during Schubert’s lifetime, and today only the first act remains in existence; the second and third acts were lost to a fire. 111. Paolo Tosti (1846­1916) was born in Na ples, but established himself as a musician in Rome, where he became singing teacher to the Queen of Italy. After settling in London in  1 880, Tosti became singing teacher to the royal family, and in  1894, he became a voice professor at the Royal Academy of Music. By 1908, Tosti was knighted and his salon ballads had gained popularity  in  England. Because of Tosti’s vocal background, his compositions are beloved by singers. This evening’s selections include two of Tosti ’s most famous songs, Aprile and Ideale, and one of his  lesser known  pieces  Preghiera.  These  three  pieces  each exemplify  different aspects of the word “rejoice”: Aprile exalts spring as a season o f love, Ideale revels in distant  adoration, and  Preghiera  expresses  the hope  that  God may  ease  all suffering.  All  three  are  set  strophically,  and  feature  beautiful  legato  vocal melodies, making it clear that Tosti himself was a singer. I V. The story of Salome has  long been the  source  of inspiration  for  artists, writers, and composers.  19th century France, in particular, was fascinated by this story. Published in 187 7. G ustave Flaubert ’s (182 1­1880) Three Tales included the story “Herodias.” This is the version that French composer Jules Massenet (1842­ 191 2) used for his 1881 opera, Hérodiade. in the opera, Salome was abandoned as a child. In  her quest to find her mother, she has met John the Baptis t and has fallen madly in love with him. Th e selection heard this evening, “Il err dows, il est ban,” is her passionate description of the prophet and his gentle, quiet nature. She admits her love to Joh n, but he urges her to find a m ore chaste and spiritual love. When John continually condemns the marriage of Herod Antipas and Herodias, Herodias wants him executed. Herod, who is already an unpopular ruler, cannot have him execured for fear of losing public favor. The Romans invade and capture john. Herod is on his way to save him when Salome. desperately trying to save John, admits that she loves hi m. Herod who has had lustful feelings for Salome, becomes  enraged.  Urged by  Herodias,  he  leaves  John  to  be executed  by  the Romans, and has Salome condemned as well. Salome continues to beg for mercy for  john. Feeling pity  for her daughter, Herodias  is about to give in when the executioner enters with the axe covered in  John’s blood. Salome, knowing that Herodias is the reason behind  his murder, draws a knife on her. Herodias pleads for her life, announcing that Salome is in  fact her own daughter. Salome, having lost all faith, decides that if this is true, she has no more reason to live and stabs herself. �®  Translations  3 V. 1. Th e Hermit Songs, written by Samuel Barber (1910­1981) from  1952­1953, are  settings  of  texts  written  by  Irish  monks  and  scholars  from  the  8th­13th centuries. The song cycle received its premiere at the Library of Congress in  1953 Laudamus Te, Mass in C Minor, K. 247 featuring Leontyne Price as the soprano and the composer himself at the piano. The songs in this thematic, (rather than narrative.) cycle range from charming to pious to profound. They are all vocally gratifying: lyrical, and  full of character. Barber places great importance on the text; in his preface to the cycle he wrote: “They are small poems, thoughts or observations. some very short, and speak in straightforward, wit ty, and often surprisingly modern terms of the simple life they led – close to nature, their animals and to God. Some are literal translations and others, were translated (where existing translations seemed inadequate)" In  order to set the speech patterns, he has omitted time signatures and has used mixed­meter throughout. He also has employed compositional techniques, which refer  to  the  medieval  time  period.  Th e  combination  of  quanal  and  quintal harmony with chantlike vocal lines a nd modal melodies recalls Gregorian chant. Harmonically, the songs contain a wide variety o f sonorities, but are primarily tonal. Barber uses different modes and modal centers purposefully to reflect the text. “The  Heavenly  Banquet,” one of the most light­hearted  texts of the 10 songs uses [onian and Lydian modes, which are referred to as the “lightest” modes. “The Desire for Hermitage,” on the other hand, is the most reverent and somber, and Barber  primarily  uses  Phrygian,  one  of  the  darkest  modes.  The  texts  which approach a variety of topics, continually juxtapose companionship with solitude, promiscuity with piety, and joy with reverence. VI. Leonard Bernstein’s  career  was  launched  when he  became  Assistant Conductor at the New York Philharmonic in  1943. Following his debut with the NYPO, he worked as a successful conductor in the United States and across the globe.  The connections he made along  the way  introduced him  to influential musicians in ballet, opera, and musical theatre. Best remembered for his theatrical successes, Bernstein is known for seamlessly incorporating many different genres and styles o f music into his works. Always striving to communicate, he is known for incredibly passionate conducting, and relatable and beautiful compositions, such as West Side Story and Candide. The final song of this evening’s performance is from  Peter  Pan, which opened on  Broadway in  1950. Th e original production did not include Dream with Me; in fact it only included five truncated versions of Bernstein’s songs. Conductor Alexander Frey (b. 1972) restored the original score. recording it in  its entirety in  200 1. This recording led to several productions and concert versions o f Peter Pan in  the U.S. and Europe. Laudamus Te, Benedicimus Te. Adoramus Te, Glorificamus Te We praise you, We bless you, We adore you, We glorify you 1L 4 Fn’ihlmgsglaube, text by: Johann Ludwig Uhland (1787 ­ 1862) Die linden Lufre sind erwache, sie sauseln und weben Tag und Nacht. sie schaffen an allen Enden. O frischer Duft, o neuer Klang! Nun, armes Herze, sei nicht bang! Nun mu f sich alles, alles wenden. The gentle breezes are awakened, they rustle and blow day and night, they work in all directions. Oh fresh scent. oh new sound! Now poor heart, be not afraid! Now must everything change. Die Welt wird schoner mit jedem Tag, man weiG nicht, was noch werden mag, das Bluhen will nicht endcn; es bluht das fernste. tiefste Tal: Nun, armes Hen, vergif§ der Qual! Nun mu f sich alles, alles wenden. The world grows more beautiful each day one knows not, what still may happen, the flowering will not end; the most distant, deepest valley blooms: Now, poor heart, forget the agony! Now much everything change Nacht und Traume, text by  Matthaus Kasimir von Collin (1779 ­ 1824) Heil’ge Nacht, du sinkest nieder; nieder wallen auch die Traume, wie dein Mundlicht durch die Raume. durch der Menschen stille Brust. Die belauschen sie mit Lus rufen. wenn der Tag erwach Kehre wieder, heil’ge Nachtl Holde Triume. kehret wieder! Holy night, you sink down; low, too, float dreams like your moonlight through space, through the quiet hearts of men. They listen with delight; calling out when day awakens: Return, holy night! Fair dreams, return! Liebe schwarmt auf allen Wegen, Claudine ‘s arietta from “Claudine of  Bella Villa” by Goethe Liebe schwarmt auf allen Wegen, Treue wohnt fifr sich allein ; Liebe kommt euch rasch entgegen, aufgesuchr w ill  Treue sein. Love swarms on all paths, Faith lives for itself alone; love approaches us so quickly, faith needs to be truly sought. �III. Aprile, text by:  Rocco E manuele Pagliara (1856 ­ 1914) Non senti tu ne l’aria 7 il profumo che spande Primavera?  Non senti tu ne l’anima i l  suon de nova voce lusinghiera? E l’April! E la  s tagion d’amore! Deh! vieni, o mia gentil su’ prati’n fiore! Do you not smell on the air 7 the perfume of Spring?  Do you not hear in your soul 11 pie tratrai fra mammole, avrai su’l petto rose e cilestrine, e le farfalle candide t’aleggeranno intorno al nero crine. E l’April! E la stagion d’amore! Deh! vieni, o mia gentil su’ prati’n fiore! Your foot w ill  tread along violets, you will dress with roses and bluehells. and pure white butterflies will flutter around your black hair. It is April! It’s the season of love! Come! o my love, into the blooming fields’ the tu n es of  a new, en ticing voice? It is April! It is the season of love: Come! Come, my love, into the blooming fields... ldeale, text by: Carmelo E rrico (1848 ­ 1892) lo ti seguii come iride di pace lungo le vie del cielo: Io ti seguii come un’amica face de la notte nel velo. E ti sentii ne la luce, ne l’aria, nel profumo dei fiori; e fu piena la  s tanza solitaria di te, dei tuoi splendori. 1 followed you like a rainbow of peace along the paths of heaven; 1 followed you like a friendly torch in the veil of darkness. A nd I sensed you in the light, in the air, in the perfume of flowers. and the solitary room was full of you and of your radiance. In te rapito, al suon de la tu a voce. lungamente sognai; e de la  terra ogni affanno, ogni croce, in quel sogno scordai. Torna, caro ideal, torna un isrante a sorriderm i a ncora,   e risplendera, nel tuo sembiante, eam una novella aurora. Absorbed by you, I dreamed of the sound of your voice for a long time and earth’s every anxiety, every torment, I forgot in that d ream. Return, dear ideal, for an instant to smile at me again, and in your face will shine for me a new dawn Preghiera, text by: G iuseppe Giusti (1809 ­ 1850) My confused mind of doubt and pain: help it, oh my Lord, with thy light of faith. A lla  mente confusa di dubbio e di dolore: soccorri, 0 mio Signore. col raggio della fé. che la  declina al fango: A te sospiro e piango, mi raccomando a te. Sollevala dal peso Lift from it the weight that makes it sink into the mud: I send my sighs and tears to Thee, I entreat Thee. Sai che la vita mia si struggle appoco appoco, come la cera al  foco, come la neve al sol. You know that my life is melting little by little, like the wax by the flame, like the snow by the sunshine. All’anima che anela di  ricovrarti in braccio Rompi, Signore, il laccio che le impedisce il vol. Signor, pieta! T o  my soul, which yearns to take refuge in Thy arms, Break, Lord, the lace that prevents it from flying to Thee. Lord, have mercy! IV. I l  est dolor, il est bon Salome ’s aria from Hérodmde Celui dont la parole efface toutes peines, Le  Prophéte est ici! c’est vers lui que je vais! 11 est doux. il est bon, sa parole est sereine:   arle  tout se tait Ilp Plus léger sur la plaine L’air attentif passe sans bruit I l  parle Ah! quand reviendra­t­il? 7 Quand pourraije l’entendre?  Je souffrais... j'étais seulc et mon coeur s’est calmé. En écoutant sa voix mélodieuse et tendre, Mon coeur s’est calme! Prophete bien aimé, puis~je vivre sans toi! C’est la! dans ce desert ou la foule étonnée Avair suivi ses pas. Qu’il m ’accueillit u n jour, enfant abandon née! Et qu’il m’ouvrit ses bras! The one whose word wipes out all pains The Prophet is here! It is to him that I go! He is gentle, he is good, his word is serene: He speaks...all are silent... Lightly over the plain the air passes without sound He speaks... 7 Ah! When w ill  he return?  When will I be able to hear him? I suffered... 1 was alone and my heart was calmed. On hearing his tender. melodious voice my heart was calmed. Beloved prophert, can I live without you! It  is there! In  this desert where the astonished crowd followed his steps. Le t  h im meet me one day, an abandoned child! And let him open his arms! �V. A t  Saint Patrick ’s Pu rga tory Pity me on my pilgrimage to Loch Derg! O, King of the churches and the bells bewailing your sores and your wounds, but not a tear can I squeeze from my eyes! Not moisten an eye after so much sin! Pity me, O King! What shall I do with a heart that seeks only its own ease? O, only begotten Son by whom all men were made, who shunned not the death by three wounds, pity me on my pilgrimage to Loch Derg and I with a heart not softer than a stone! Church Bell at Night Sweet little bell, struck on a windy n ight, I would liefer keep tryst with thee than be with a light and foolish wom an. St .  I ta’s V ision, attributed to St. Ira. 8* cen tu ry “I  w ill  take nothing from my Lord,’ said she, “unless He gives me His Son from Heaven in the form of  a Baby that I may nurse Him". So that Christ came down to her in  the form o fa  Baby and then she said: “Infant Jesus, at my breast, Nothing in this world is true save, 0  tiny nursling, You. InfanrJesus at my breast, by my heart every night, You I nurse are not a churl, but were begot on Mary the Jewess by Heaven’s light. Infant Jesus at my breast, What King is there but You who could give everlasting good? Wherefore I give my food. Sing to Him, maidens, sing your best! There is none that has such right to your song as Heaven’s King who every night is Infant Jesus at my breast". Th e  H eave n ly Ba n q u et, attributed to St. Brigid, 10” century I would like to have the men of  Heaven in my own house; with vars of good cheer laid out for them. I would like to have the three Mary’s, their fame is so great. I would like people from every corner of Heaven. I would like them to be cheerful in t heir drinking. I would like to have Jesus sitting here among them. I would like a great lake of beer for t he King of Kings. I would like to be watching Heaven’s family drinking it through all eternity. The Crucifixion At the cry of the first bird They began to crucify Thee, O Swan! Never shall lament cease because of that. It was like the parting of day from night. Ah, sore was the suffering borne by the body of Mary’s Son, bur sorer still to Him was the grief which for His sake came upon H is Mother. Seasnatch I t  has broken us, it has crushed us, it has drowned us, O King of the starbright Kingdom of Heaven! The wind has consumed us, swallowed us, as timber is devoured by crimson fire from Heaven. It  has broken us, it has crushed us, it has drowned us, O King of the starbright Kingdom of Heaven! Promiscuity I do nor know with whom Edan will sleep, but I do know that fair Edan will no t sleep alone. Th e Monk and his Cat Pangur, white Pangur, how ha ppy we are alone together, scholar and cat. Each has his own work to do daily ; for you it is hunting, for me study. Your shining eye watches the wall ; my feeble eye is fixed on a book. You rejoice when your claws entrap a mouse; I rejoice when my mind fathoms a problem. Pleased with his own art, neither hinders the other; thus we live ever without tedium and envy. Pangur, white Pangur, how happy w e are alone together, Scholar and cat. �8")  ABOUT T H E  P ERFORMERS 03 The Praises of God How foolish the man who does not raise his voice and praise with joyful words, as he alone can, Heaven’s High King. To whom the light birds with no soul but air, all  day, everywhere laudations sing. The  D esire for Hermitage Ah! To be all alone in a little cell with nobody near me; beloved that pilgrimage before the last pilgrimage to death. Singing the passing hours to cloudy Heaven; feeding upon d ry bread and water from the cold spring. That will be an end to evil when 1 am alone in a lovely little corner among tombs far from the houses of the great. Ah! To be all alone in a little cell, to be alone, all  alone: Alone 1 came into the world alone I shall go from it. VI. Dream with Me, text by Leonard Bernstein (1918­1990) Dream with me tonight. Tonight and ev’ry night, wherever you may chance to be, we’re together, if we dream the same sweet dream. And though we may be far a part, keep me in your heart and dream with me. The  kiss we never dared we’ll dare in dreaming. The  love we never shared can still have meaning. if you only dream a magic dream with me tonight. Tonight and ev’ry night, wherever you may chance to be. close your lovely eyes and dream with me. The kiss we never dared we’ll dare in dreaming. Th e love we never shared can still have meaning, if you only dream a magic dream with me tonight. Tonight and ev’ry night, wherever you may chance to be, close your lovely eyes and dream with me. Caitlin  Gotimer,  soprano,  is  from  Malverne,  New  York.  She  is currently pursuing a Bachelors of Music in  V ocal Performance at Binghamton University, where she is in her final year of study. She is a student of Professor Thomas Goodheart. Caitlin has performed roles with TriCities O pera and at Binghamton University. She has been the featured soprano soloist in  Mozart’s Requiem in  D Minor at the Songe d'été Music Festival in  Quebec, and in the Bach Missa Brevis in F at Binghamton University. She was recently  named the winner  of  the  NYS  Biennial  Student/Collegiate  Competition  run  by  the National  Federation  of  Music  Clubs.  Subsequently,  Caitlin’s  entry  was subm itted  to the  national  round , in which she placed first nation­wide. She has won first place in  her division o f the N A TS  Regional Conference for two consecutive  years  (2013.  2014.)  and  was  the  winner  of  Binghamton University’s Concerto Competition in  the 20 1 3­20 1 4 academic year. I n  the summer o f 20 1 4, Caitlin was selected to be  a University Summer Scholar and Artist,  which  allowed  her  to  com plete  a n  a pprenticeship  with  Professor Thomas Good heart  in  preparation for a summer  at  the  highly competitive Chautauqua  Institute.  At  Chautauqua, Caitlin  performed  on  masterclasses with musicians and directors from the Metropolitan Opera, Engli sh National Opera, and the Juilliard School. Caitlin was one of eight vocalists selected to sing on a concert produced by Mikael Eliasen, head of the department at the Curtis institute. That summer, she was the recipient of the Eleanor Pascoe Award in Voice.  At  Binghamton University, she has been the recipient of many  prestigious  honors  such  as  the  Provost  Award  for  Excellence  in Undergraduate Research, awarded to two seniors in the graduating class, the Stevenson Barrett Memorial Award  for  excellence  in undergraduate  Vocal Performance. and has received the John and Marcella M. Green Scholarship for the past three years. She recently was the National Anthem Soloist at a speech held by President Obama. Outside of singing, Caitlin is a Resident Assistant.  Through  this  position,  she  has  coordinated  several  initiatives towards social justice and selfacceptance. Her most recent  event has been nom inated for a SUNY­wide award. Next fall, Caitlin will begin her graduate studies at the University of Cincinnati College­Conservatory of Music, where she was selected as a finalist in the annual Opera Scholarship Competition. �John Isenberg, a native of Endicott, NY. holds Bachelor of Arts degrees in Music and Italian. as  well as a Master’s Degree in Italian  Literature  from Binghamton University.  He performs many different musical genres ranging from Opera and Musical Theater to traditional Scottish and various sty les of sacred  music.  From  2001­2012,  John  worked  for  the  Tri­Cities  Opera  in Binghamton,  NY,  first  as  Accompanist,  then  additionally  as  Education Outreach  Coordinator  and  Chorus  Master.  During  that  time.  he accompanied  over  500 outreach performances  in  schools  throughout N ew York State and northern Pennsylvania. H e  has performed for WSKG public radio broadcasts of opera preview performances including Puccini’s Madama Butterfly, Verdi’s L a  traviata and Mozart’s The Magic Flute. An  active church musician since childhood, John is currently the Organist/Pianist and Choir Director at Sarah Jane Johnson Me thodist Church in  Johnson C ity. H e  has served as Pianist/Choir Director for the high holy days of Rosh Hashanah at Temple Concord in  Binghamton.  For the past two summers, John has also participated in  the Songe d’été Music Festival in  Quebec (Canada). An  extraordinary singer, pianist, conductor, and cellist, Ms. U  Le e  has performed around the globe. Contributing her  talents to over  thirty opera productions, three hundred recitals, concerts, and other performances, Ms. Le e  has worked with Dolora Zajick, Margo Garrett, Thomas Muraco. Marilyn Horne, Guido Lebron, Ron Raines , Catherine Malfitano, Victor  DeRenzi, Andras Ligeti, and more. The organizations Ms.  Lee has collaborated with include  TriCities  Opera,  Sarasota  Opera,  Yard  Dance  CompanylMartha’s Vineyard),  C T   Grand  Opera,  Pocket  Opera  o f  N ew  York,  Mercury Opera(Edmonton, Canada), Taipei Symphony Orchestra, National Theatre of Taiwan,  La  Gitanita(a  Flamenco  Group  in  Taiwan),  Institute  for  Young Dramatic  Voices,  Opera  Siena,  Classical  Revolution(Richmond,  Virginia), Binghamton  University,  Manhattan  School  o f  Music,  etc.  Other  than Classical  genre  and  traditional  presentation,  Ms.  Lee  is  also  an  active composer and a creative  producer  for charity  and  fundraising  events. For more information, please visit yu m use.com � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40m 44s OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74815 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74815">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74815</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rejoice by Caitlin Gotimer, senior honors recital Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Mozart, Schubert, Tosti, Massenet, Barber, Bernstein. Held at 7:30 p.m., May 9, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Gotimer, Caitlin Isenberg, John Lee, Ü Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Schubert, Franz, 1797-1828 Tosti, F. Paolo (Francesco Paolo), 1846-1916 Massenet, Jules, 1842-1912 Barber, Samuel, 1910-1981 Bernstein, Leonard, 1918-1990 Date A point or period of time associated with an event in the lifecycle of the resource 5/9/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/14cb47340c12a98285bcad5403f82ff9.pdf 4a84483e08d644c3a7ec9bcc78250f9a PDF Text Text ' BINGHAMTON U N I V E R S I T Y S T A T E   U N I V ER S I T Y   O F   N E W  Y O R K Ld wdee D E P A R T M E N T TRANSATLANTIC JOURNEYS: AN E VENING O F  A FRICAN D ANCE FROM W E S T  A F R I C A  AND T H E  C ARIBBEAN P resented by : T he N u k porfe A fr ican Da n ce­Dru m m i n g Ensemble, Binghamto n University Directed by J a mes B u rn s a n d  E li kem Nya m ua me FRIDAY, MAY 8, 2015 7:30 PM. WATTERS THEATER DINGHAHTON UNIVERSITY �world, he is often depicted as a wild man from the bush, who is a fierce warrior and defender of the weak. Kpanlago (Ghana). Kpan logo is also a new form of traditional music that was created by the Ga people, who reside in and around the capital of Ghana, Accra. It uses a distinct rhythmic background that is found throughout the Black Atlantic region in musics like Samba, Calypso and Rumba. X I. Dance of Oshun (Cuba). Osh un is the goddess of sensuality and beauty, which is tempered by an inner sadness due to the lack of love and caring in the world. She is revered as a divine mother, and also as the queen of the marketplace. ln Nigeria is associated with the river Oshun, and is an im portant water spirit. X1]. Baamaya (Ghana). Baamaya (the ground is soaked with water) is one of  the most popular social dances of the Dagomba people of northern Ghana. The  Dagomba originated within  the old  Mali empire, and brought Islam and griot court music culture to Ghana when  they  migrated  there  sometime  during  the  16th  century. Baamaya originated as a rain dance, where the men dressed as women to entertain the spirits so that they would make it rain. Xlll. Fumefume (Ghana). Fumefume is another new form of traditional music among the Ga people. Mustapha Tettey Addey, a renowned Ga drummer, is credited  for having  created Fumefume out of earlier sacred dances that were performed during traditional ritual events and ceremonies. This dance­drumming is now performed during  life  cycle  events  such  as  birth,  naming,  initiation, marriage/wedding and funerals among others. X I V. Kinka (Ghana Kinka (Ghana). Kinka is a relatively modern style of Ewe funeral music that became popular in the 1950s. It  features a  distinctive  body  of songs  and  drum  language  phrases  that juxtapose images and themes from traditional Ewe culture with modern li fe. PERFORMERS Songs Led by Heno itoro Udo Assisted by Stephanie Okpalor and Nana Nkansah Siriboe Dances Directed and Choreographed by Elikem Nyamuame, Departments of Theater and Africana Studies BEGINNING DANCE­CLASS Assisted by Nana Nkansah Siriboe and Rachel Nader Deniz Akin, Dennis Asante, Oluwaseun Banjo, Adriana Caminero, Same] Checo, Shi Quing Chen, Yue Chi, Danielle Schwarz, Alexa Dicken, Tyler Downey,  Robert  Drante,  Adrian  Estrada,  Deanna  Feuerbach,  Jessica Forrnan,  Yilan  Fu,  Shan  Gao,  Yuanhang  Gao,  Stephanie  Gomerez, Darlenne  Goris,  Dong  Guan,  Yiyang  Hao,  Nicole  Jacobsen,  Talia Jacobsen, Kaddy Jaith, Shai Kanus, Avital Katz, Sandra Khalil, Jonathan King, Kristina Klimek, Prince Kwashie, Isabel Liman, Ashley Lopez, Nicolle  Lu ftman, Jiayue  Luo,  Bernadette Machuca, Michelle  Mandler, Jash  Mathuria,  Adriana  Morquecho,  Maureen  Mullarkey,  Amanda Niedfeld, Jasmine  Oduro,  Alicia  Primus,  Tiany  Qian,  Stephanie  Ren, Chris Santos, Danielle Sirota, Qiushi Su, Robert Tendy, Ningning Wang, Xuefei Wang, Karly Weinreb, Jessica Wohlrob, Yihong Yu, Didi Zhang, XuanJin Zhang ADVANCED DANCE­CLASS Assisted by Stephanie Okpalor & Taire Herasme Samuel  Addoh, Eunice Assibu, Alexandros Balili, Bimbola Bamgbose, Trey Bonaparte, Woqian Chen, Zijie Chen, Wanying Cheng, Courtney Edwards,  Andrea  Ekor,  Aceneth  Elliot,  Sumin  Eum,  Qingyun  Gao, Unpyol Han, Steven Holguin, Joohee Jeong, Briana Jones, Ga Hee Kim, Gabrielle Kim, Ki Young Kim, Kyeongtae Kim, Sumi Kim, Sunyul Kwak, Gina  Lee,  Joshua  Lee,  Danielle  Marsh,  Regina  Mathai,  Melinda Momplaisir,  Melissa Morgan,  Qianning  Mu,  Chioma  Nwosu,  Tosin Olajuyi,  Yuliza  Pichardo,  Briana  Renois,  Angelica  Rivera,  Danielle Sequeria, Jialing Song, Kayla Starrner, Yaa  Takyiwaa, Kathie  Tejada, Bradlee  Vasquez­Valdez,  Xin  Wang, Xiaowu Xiang, Xieyi  Xu, Heng Yang,  Jae  Young  Yoon,  Wei  Zhang,  KeHan  Zhu,  Claudia  Wright, lbrahima Balde �NUKPORFE DANCERS Robert  Adusei,  Dennis  Asante,  Bimbola Bamgbose,  Krysten  Barnes, Andy Chan, Dominique Descorbeth, Courtney Edwards, Fatoumata Kane, Bukola Kayode, Lola Kolade, Valerie Louis, Nana Nkansah­Siriboe, Akua Nketia,  Stephanie Okpalor. Georgia Sackey, Chelsea Satine, Courtney Small, Yaa Takyiwaa, Kinnasia Wynter, Drumming directed and arranged by James Burns, Departments of Music a nd Africana Studies NUKPORFE MUSICIANS Allen Frimpong, Raffe Chesler, Megan K izer, Jingchao Lian, Josh Schultz, Andrew Rappa, Jose Sinon, Keaton Rood, Nana Agycnim. Santiago Barrera­Bums, Maritza Rodriguez. If you like the music please follow our Facebook page (Nukporfe A frican Dance­Drumming Ensemble) for upcoming performances. All  of the  music  and dance that you see today is  performed  by students  at  Binghamton  University,  who  are  taking  one  o f the following courses in the Departments o f Music, Africana Studies, and Theatre Dance If you are interested in learning the dancing please register for the Beginning (THEA 289J/ AFST 289J) or Advanced (THEA389I/ AFST389J) sections of African Dance. If you are interested in the drumming and singing, register for the Beginning African Drumming class (M US l43B/AFST 188B). �Ethnic Groups of Ghana � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74811">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74811</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transatlantic journeys: a meeting of music and dance : traditions from West Africa and the Caribbean, May 8, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Held at 7:30 p.m., May 8, 2015, Watters Theater, Binghamton University. Creator An entity primarily responsible for making the resource Nukporfe African Dance-Drumming Ensemble Burns, James March, Marcel Ny[a]muame, Elikem  Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2015-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2b860930e67c2ef4635b925c72a9ed7e.pdf eb9178d1a951466ccb262bd72f0398f5 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F   N E W  YORK J  Cves ie D E P A R T M E N T STUDENT RECOGN I TION MID­DAY CONCE RT o n   u;  I s  a 0  Thursday, May 7, 20 1 5 1 :20 p.m. Casadesus Recital Hall : �&  PROGRAM  «5 Muset ta’s ar ia, “Quando m ’en vo ,”.  from L a  Bahéme  Giacomo Puccini ( 1 858­19 24) O deI  mio amato ben... George Frideric Handel (16854759) Ricky Nan, tenor Willia m law son. p iano Aprite un po ’ quegl i occh i.  from Le Nozze di Figaro  . Siegm und S andow for Violin and Piano  Alexio Chang, viol in Annie Tao, p iano ( 1 850­1919) La zingara Jenny Gac, soprano Michael Lew is, piano Sea ra mouche.  .Darius Milhaud 11 Modéré  (18924974) Il est doux, il est  hon.  John lsenherg, piano ilic ix Mendelssohn Christ ina Santa Maria, soprano Michael Lew is, piano Felicity Rober t Dura nte (b. 1994) Robert Durante, singer/songwr iter . Jibron Harr is (b.1 991) Jibron Harris, computers (1842­1912) Ca i t lin Go t im e r,  spra no (1809­1847) Daft  . Giuseppe Verdi ( 1 813­1 901) Jules M assenet from Hérodiade  Danie lle Stoner, al to saxophone Nightt ime .  Wolfgang Amadeus Moza rt ( 1756­ 1791) Jake Stamatis, bass­baritone John I senberg, piano Cavat ine, O pus 3 , no. 1  Die Liebende schreiht. (1879­1925) Kevin Truax, tenor John I senberg, piano Meroé Adeeb. oprano Michael Lew is, piano Every Valley  Shall Be Exalted  Stefano Donaudy $ $ $ $ $ $ $ $ $ $ $ $ Please join us for a reception in the Green Room, imm ediat ely following t he pe rform a nce �Bingha m ton U niversity  Depa rt men t of Music Com ing Even ts afiénéibuéionéia neéia méibnfiémééméia mfiéwfiibnéibfl Thursday,  May  7  ­  Harpur  Chorale  and  Women’s Chorus Spring  Concert  ­ 7 : 30  p.m.  ­  Anderson  Center  Chamber  Hall  ­  $7  general  pulilic;  $5 lacu lty/s t a t i/se n io rs/a lu nm i; free for st ud en ts Friday, May 8 ­  N uk porfe Africa n d ru m m ing and Dance Ensemble ­  7:30 p.m. ­  \X aters Theater ­ $5 general adm ission at the door Sat u rday,  May 9  ­  Senior  Recital : Cole  Torn berg,  te nor ­  3  p. m. ­  Casadesus Rec ital Hall ­  tree Saturday,  May  9  ­  Senior  Recital:  Caitlin  Got me r,  soprano  ­  7:30  p.m.  ­ Casadesus Recital  Hall ­ free fiibfl'éfbfl’éwfbwfifbfinfiwfififiwfififlflfiwfirflfifbfi For  tickets  or  to  he  added  to  our  email  list,  wisit ­ = [ = ]   .  m ]   anderson.binghamton.edu  or  call  (60 7)  l 7 7 ­ A R T S ,   Fm  a  complete list  of our  concerts  call ( 60 7) 777­2592 . visit  mus i c.bi nghamton.edu 7 7 7 ­ A R T S .   c ( n  i k ’ L ’ U l n L ’  (1  f u n  ( ” 1   F a c e b o o k . l !  you  were  mutated  by  this  performa n ce,  c o ns ider  suppor t i ng  t he Depart ment  of  M us i c  ur t h  a  fina n c i al  gift.  Yam  support  helps  to [ = ] ;   cont i nue  the  u m k   of  s t udents,  faculty.  and  gues t  artists  and  t hen contributions  to  our  community.  Please  make your  donation  payable to  the  Binghamton  Unnumt} Music  Department‘  and  send  your  check  to  B U  MUSIC Department, P.O. Box  6000. Binghamton, N Y 1 3902 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:03:23 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74988">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74988</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recognition mid-day concert, May 7, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Puccini, Handel, Sandow, Milhaud, Mendelssohn-Bartholdy, Harris, Donaudy, Mozart, Verdi, Massenet, Durante. Held at 1:20 p.m., May 7, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Adeeb, Meroë Lewis, Michael Nan, Ricky Lawson, William Chang, Alexio Annie Tao Stoner, Danielle Santa Maria, Christina Harris, Jibron Truax, Kevin Isenberg, John Stamatis, Jake Gac, Jenny Gotimer, Caitlin Durante, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Puccini, Giacomo, 1858-1924 Handel, George Frideric, 1685-1759 Sandow, Siegmund Milhaud, Darius, 1892-1974 Mendelssohn-Bartholdy, Felix Harris, Jibron Donaudy, Stefano, 1879-1925 Mozart, Wolfgang Amadeus, 1756-1791 Verdi, Giuseppe 1813-1901 Massenet, Jules, 1842-1912 Durante, Robert Date A point or period of time associated with an event in the lifecycle of the resource 5/7/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:04:05 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74985">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74985</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transatlantic journeys: a meeting of music and dance : traditions from West Africa and the Caribbean  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Held at 7:00 p.m., May 7, 2014, Watters Theater, Binghamton University. Creator An entity primarily responsible for making the resource Nukporfe African Dance-Drumming Ensemble Burns, James March, Marcel Ny[a]muame, Elikem  Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 5/7/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a952ecd1882ca4b925d7976987dd4492.pdf d85d233d443dd121588f2ca85895cf3b PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  UNIVERSIT Y  OF  NEW  Y O R K [4 vwdee D E P A R T M E N T Student performers from the studios of Ben Aldridge, Donald Robertson, and Brian Sternberg present: ®)  ©Cons ,  a ‘ “ ­ ‘ / “4,­  " 3 t  m l  5 , , . BR ASS STUDIO RECITAL Accompanied by Margaret Reitz, piano Friday, May 1, 2015 4 p.m. Casadesus Recital Hall �0+  PROG R AM +0 Fanfare for St. Edmundsbury  Concerto for Trump et  Jason Boniello, Michael Stern, Jonathan Terner to cast a shadow again  movemen ts 1 & 2  . Eric Ewazen (b. 1954) Jake Stamatis, baritone ­ Anne Taylor, trumpet John lsenberg, piano Harald Genzmer (1909 ­ 2 0 0 7) Thomas Parker, trumpet Yorkshire Ballad.  Michael Sugarman, euphonium Sonatina fur Posaune und Klavier  1. Allegro  Jason Boniello, trumpet James Barnes (b.1949) .1(an’mierz Serocki (1922 ­ 1981) Sonata in f minor  Allegro Moderato  Alice Xue, trumpet Profile Vl  Slowly, rubato  Otto Ketting (1935 ­ 2012) Fisher Tu ll (1934 ­ 1994) Letitia Chang, trumpet Morceau de Concert  Gabriel Bedard, French Horn Sonata for Trumpet  Mvt. 3 ­ Allegro  Camille Saint­Saens (1835 ­ 1921) Kent Kennan (1913 ­ 2003) Brandon Ashley, trumpet .G. P. Telemann (1681 ­ 1767) Jacob Solon, trombone Suite in D  Overture ­ Gigue  Aire ­ Bourree ­ March .Georg Friedrich Handel (1685 ­ 1859) Brandon Young, trumpet Sonatina fur Posaune und Kla vier .  lIl. Allegro vivace  .  Kazimierz Serocki (1922 ­ 1981) ChristOpher Beard, trombone Bipperies  3 5, 7  Moderato  Lowell Shaw (b. 1930) Harry Huffnagle Daniel Muller, Emmanuel Davis, French Horns Bradley Marquardt, trombone Intrada  (1778 ­ 1837) Benjamin Britten (1913 ­ 1976) Sonafine  Adagio ­ Saltarello  Joharm Hu mmel MvL 3 ­ Allegro  6 x 4.  Alec Wilder 92, 3, 4  Cornucopia .  Fripperies  #9 (1907­1980) .Earl Hoffman Lowell Shaw Katherine Saturnino, Abbey McMahon Daniel Muller, Gabriel Bedard, French Horns Mini Tripperies .  Lowell Shaw Dona Nobis Pacem . A  Anonymous #3,6 Moderato.  Felix Mendelssohn (1809­1847) Menuetto .  .Anton Reicha (moms) Zach Bimbaum, David Luther, Emmanuel Davis, French Horns (01m) �Fugue “For All the Gentiles”.  ..Felix Mendelssohn (1809 ­ 1847) Paul Barber, Alice Xue Jason Boniello, Michael Stern, Jonathan Terner 4 0  Binghamton University Low Brass Ensemble 4 0 Canzona terza  arr. Kurt Sturzenegger  Giovanni Gabrieli (1557 ­ 1613) Adagio from Symphony No. 3.  trans. Ken Murley  ..Camille Saint­Saens (1835 ­ 1921) Achieved is the Glorious Work,.  from “The Creation,” arr. Donald Miller  I’m Getting Sentimental Over You..  arr. Daniel Martin  Trombones: Christopher Beard Bethany Evans Bradley Marquardt Jacob, Solon Josh Yamuder Bass Trombone Patrick Jones Euphonium Michael Sugarman ...Franz Joseph Haydn (1732 ­ 1813) . George Bassman (1914 ­ 1997) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 54:45 23:58 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74818">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74818</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student performers from the studios of Ben Aldridge, Donald Robertson, and Brian Sternberg present Brass Studio Recital  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Britten, Ewazen, Genzmer, Barnes, Serocki, Ketting, Tull, Saint-Saëns, Kennan, Hummel, Telemann, Handel, Serocki, Huffnagle, Wilder, Hoffman, Shaw, Mendelssohn-Bartholdy, Reicha, Gabriele, Haydn, Bassman. Held at 4:00 p.m., May 1, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Binghamton University Low Brass Ensemble Reitz, Margaret A. Bonielli, Jason Stern, Michael Terner, Jonathan Stamatis, Jake Taylor, Ann Isenberg, John Parker, Thomas Sugarman, Michael Marquardt, Bradley Xue, Alice Chang, Letitia Bedard, Gabriel Ashley, Brandon Solon, Jacob Young, Brandon Beard, Christopher Muller, Daniel Davis, Emmanuel Saturnino, Katherine [Kathryn] McMahon, Abbey Birnbaum, Zach Luther, David Barber, Paul. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Britten, Benjamin, 1913-1976 Ewazen, Eric, 1954- Genzmer, Harald Barnes, James Serocki, Kazimierz Ketting, Otto Tull, Fisher Saint-Saëns, Camille, 1835-1921 Kennan, Kent, 1913-2003 Hummel, Johann Nepomuk, 1778-1837 Telemann, Georg Philipp, 1681-1767 Handel, George Frideric, 1685-1759 Serocki, Kazimierz Huffnagle, Harry Wilder Alec Hoffman, Earl Shaw, Lowell Mendelssohn-Bartholdy, Felix Reicha, Anton, 1770-1836 Gabrieli, Giovanni, approximately 1554-1612 Haydn, Joseph, 1732-1809 Bassman, George Date A point or period of time associated with an event in the lifecycle of the resource 5/1/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/141c98c91bee9ff7b6e25b1aba9c3468.pdf 551c40d571e40d846499746a4ed9cf0b PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F  N E W   Y O R K [4 wdee D E P A R T M E N T F LUTE S TUDIO  AND FLUTE CHAMBER CONC ERT Was“ ff yq/  x._  0  ‘ \  _  i , ,   '  "\  fi .~  . fi fl   a  =  "  . p < 5 Yb Friday, May 1, 2015 10:45 a.m. Casadesus Recital Hall �c‘an  PROG RAM  « 5 Allegretto for Flute and Piano .  . Benjamin Godard Emily Paye, flute William James Lawson, piano Suite in b minor for Flu te and Piano.  Polonaise  Badinerie Johann Sebastian Bach (1685­1750) Devin Kasinki, flute William James Lawson, piano Suite de Ballet.  Suite in a minor for Flu te and Piano  Overture, Allegro  Menuet Réjouissance .Georg Phillip Teleman (1681­1767) Eleni Floralds, flute William James Lawson, piano Bin h  ton Universi  u  Tri Jacqueline Robins (1872­1 958) Humoresque .Charles Marie Widor (1844­1937) Lydia Carolan, flute William James Lawson, piano . Ralph Vaughan Willia ms Improvisation  Gavotte Passepied (1849­1895) Scherzo, from Suite.  Opus 34 for Flute and Piano  Michelle Li Jessica Biagiotu’ Kohar Bedonian, flute William James Lawson, piano Concertino, Opus 107 for Flute and Piano . Cécil Chaminade Jacqueline Robins, flute William James Lawson, piano Menuet and Dance of the  Blessed Spirits for Flute and Pia no  from the Opera Orpheus Grand Trio in Ré Majeur Opus 86.  pour Trois Flutes  Allegro (1857­1944) Bingha mton  University  Flue  uartet Michelle Li Eleni Florakis Jacqueline Robins Jessica Biagiotti .Christo ph Willibald Gluck (1714­1787) Jour D'été A L a M   ontagne...  pour Quatre Flu tes (1953)  Michelle Li, flute William James Lawson, piano Svrinx pour Flute Seule .  Jessica Biagiotti, flute Friedrich Kuhlau (1786­1832) Pastorale Ronde .Eugéne Bozza (1905­1991) ..Claude Debussy (1862­1918) Flutis ts are from  t he Flute S tudio o f  Georgetta Maiolo M i a ­ W i s ­ �Bingham ton University  Departm ent of Music Coming Events a M M M M M m M m ­ a b e e ­ Friday, May 1 – Brass Recital – 4 p.m. ­ Casadesus Recital Hall – free Saturday, May 2 – Senior Reci tal: Daniel Malinovsky, piano ­  12 noon ­ Casadesus Recital Hall ­ free Saturday,  May  2  –  Master’s  Recital: Je nny Gac,  soprano  –  3  p.m.  – Casadesus Recital Hall – free Sunday, May 3 – University Chorus and Symphony Orchestra : Mendelsso hn’s “Lobgesang” ­ 3 p.m. ­ Osterhout Concert Thea ter ­ $7 general public; $5 faculty / s taff/ seniors/ a lumni; free for studen ts Sunday,  May 3  – Joint  Recital: J unior  Max  Rydqvist,  baritone  and Senior Ricky Nan, tenor ­ 7:30 p.m. – Casadesus Recital Hall – free Thursday, May 7 – Student Re cognition Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall – free Thursday,  May  7  –  Harpur  Chorale  and  Women’s  Chorus  Spring Concert  –  7:30  p.m.  – Anderson  Center  Chamber  Hall  –  $7  general public; $5 faculty/ s taff/ seniors/ a lumni; Free for students Friday, May 8 – Nuk porfe Afri can Drum ming and Dance Ensemble ­ 7:30 p.m. ­ Watters Theater – $5 general ad mission at the door Saturday, May 9 – Se nior Recital: Caitlin Gotimer, soprano – 7:30 p.m. – Casadesus Recital Hall – free 6 M b 6 M M b 6 b e 6 M b 6 fi ­ fi b For tickets or to be added to our email list, visi t anderson.binghamton.edu or call (607) 777­ARTS. For a complete list  of  our  concerts call (6 07) 777­2592, visit  music.binghamton.edu or —  a  become a fan on Facebook. B  —  If you were inspired by this performance, consider supporting the Department of F  Music with a financial gift. Your support helps to continue the work ofstudents, faculty, and guest artists and their contributions to our community. Please make your donation payable to the B inghamton University Music Department, and end your check to B U  Music Department, P O .  Box 6000sss, B inghamton, NY 13902*** � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:20:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74822">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74822</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute studio and flute chamber concert, May 1, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Godard, Bach, Vaughan, Chaminade, Gluck, Dubussy, Windor, Telemann, Kuhlau, Bozza. Held at 10:45 a.m., May 1, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Paye, Emily Kasinski, Devin Bedonian, Kohar Robins, Jacqueline Li, Michelle Biagiotti, Jessica Carolan, Lydia Florakiss, Eleni Lawson, James, William Binghamton University Flute Trio  Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Godard, Benjamin, 1849-1895 Bach, Johann Sebastian, 1685-1750 Vaughan Williams, Ralph, 1872-1958 Chaminade, Cécil Gluck, Christoph Willibald Debussy, Claude, 1862-1918 Widor, Charles-Marie, 1844-1937 Telemann, Georg Philipp, 1681-1767 Kuhlau, Friedrich Bozza, Eugène Date A point or period of time associated with an event in the lifecycle of the resource 5/1/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/66bbb33bdd4c3ea9d1e7a3a455759024.pdf e9ccd8f027a9f92cdf2b9f8b60881895 PDF Text Text BING HAMTON U N I V E R S I T Y S T A T E  U NIVERSITY O F  N E W   YORK m m Ld D E P A R T M E N T UNIVERSITY PERCUSSION E NSEMBLE CONCERT Joel S m al es, D irector Tuesday, Ap ril 2 8, 2 01 5 7:30 PM And erson Cente r Cham ber Hall �o»  PROGRAM «6 Fanfare for Tambourines  80  ABOUT THE DIRECTOR  (93 .. John Alfieri (b. 1953) Mercury Rising.  Nathan Daughtrey (b. 1975) Connecticut Groove  . Joel Smales (b. 1967) Farmer’s Trust ..  . Pat Metheny, arr. Steve Houghton Minuet . Boccherini (1743­1805) Stubernic...  .. Mark Ford Emily Goetz, marimba soloist Sarah ..  (b. 1958) .. Len “Boogsie” Sharpe (h.1953) Don’t Worry, Be Happy  .. Bobby McFerrin Quartet for Paper Bags .  Larry Spivack (b. 1950) (b.1954) Cross Currents...  m a n e ­ s m o ­ .Lynn Olassock (b.1946) The Binghamton University Percussion Ense mble Emily Goetz*  Emily Brill  David lndictor  Alex Rava*  Alex Strong  Carly VanOpdorp  Nick C ioffi  Annabel Fair  Joe Glowinka Adam Luftig e y senior Joel Smales is Adjunct Professor of Percussion at Binghamton University and Director of Bands at Binghamton High School’s Rod Serling School of Fine  Arts,  in Binghamton, NY. He holds  music  degrees  from  the Crane School ofMusic (BM) and Binghamton University (MM ). His  school  ensembles  have  performed  for  Bands  of  America  in Indianapolis,  New  York  State  School  Music  Association  Winter Conference,  New  York  State  Band  Directors  Association  Winter Conference, Music Educators National Conference National Conference in Minneapolis,  Percussive  Arts  Society  lntemational  Convention  in Nashville,  First  Night  Virginia,  First  Night  International,  the  World Physics Conference an, numerous Steel Dmm Festivals and a concert tour throughout Oklahoma. As a performer. Mr. Smales performs as Principal Percussionist with the Tri­Cities  Opera  Orchestra,  with  the  Binghamton  Philharmonic Orchestra, eNeRJee Jazz Trio and Caribbean steel band PANIGMA.  He has performed on over thirty professional C D  recordings and runs an annual  Summer  Percussion  Camp  in  Binghamton  for  area  school students.  His published  works  include  solos,  ensembles,  books  and method books published by Kendor, HoneyRock, Drop6, House Panther Press and Phantom Music Publishing. Mr. Smales has presented clinics  for MENC, NYSSMA, NYSBDA and the NJMEA and his articles on music and percussion have appeared in Percussive Notes, School Band and Orchestra, School Music News, The lnstrumentalist, Vermont Music Educator and Band World magazines. Smales served as  the Percussion Chair for the New  York  State School Music Association from 2004­201 1 and V.P. for the NYS  Percussive Arts Society from 2005­2010.  Joel and his wife Athena live in Kirkwood, NY with their four children. �Binghamton University  Department of Music Com ing Even ts é w w w a m m m m m m ­ é e o é e o Thursday, April 30 ­  Mid­Day Concert ­  1:20 p.m. ­  Casadesus Recital Hall ­  free Th u rsday, Ap ril 30 – P ia no Ensemble ­  7:30 p.m. ­  Casadesus Recital Hall ­  free F riday, May 1 –  Flute Studio and Flute Chamber Concert ­  10: 1 5 a.m. –  Casadesus Recital Hall ­  free Friday, May 1 ­  Brass Recital ­  4 p.m. ­  Casadesus Recital Hall ­  free Saturday, May 2  ­  Senior Recital : Daniel Malinovsky, piano ­  12  noon ­  Casadesus Recital Hall ­  free Saturday, May 2 ­  Master’s Recital : Jenny Gac, soprano ­  3 p.m. ­  Casadesus Recital Hall – free Sunday,  May  3  ­  University  Chorus  and  Symphony  Orchestra:  Mendelssohn’s “Lobgesang”  ­  3:00  p.m.  Osterhout  Concert  Theater  ­  $7  general  public;  $5 faculty/staff/seniors/alumnni ; free for students Sunday, May 3 ­  Joint Recital : J unior Max Rydqvist, baritone and Senior Ricky Nan, tenor ­  7:30 p.m. ­  Casadesus Recital Hall ­ free Thursday, May  7  ­  Student  Recognition Mid­Day Concert ­  1:20  p.m. ­  Casadesus Recital hall ­  free Th u rsday, May 7  ­  Har pu r Chorale and  Women’s Chorus  Sp ring Concert  ­  7:30 p.m.  ­  Anderson  Center  Chamber  Hall  ­  $7  general  public;  $5 faculty/ stat‘f/seniors/ alumni ; free for students éwwwbwwflfiiam­fiéflébafiwb —  [ u ]   .  =  [ w m ]   For tickets or to  be added to our email list, visit undersonlringhamtonedu or  call  (607)  777­ARTS.  For  a complete list  of our  concerts call  (607) 777­2592, visit miuicbinglmmtonedu or become a fan on Facelrook. If  you  were  inspired  by  this  performance.  consider  supporting  the Department of Music with a financial gift. Your support helps to continue the umk of students, faculty. and guest artists and  their contributions  to our community  Please  make your  donation  payable to  the  Binghamton University  Music  Department,  and  send  your  check  to  BU  Music Department, P.O. Box 6000, Binghamton, N Y  1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:07:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74825">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74825</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, April 28, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Alfieri, Daughtrey, Smales, Metheny, Boccherini, Ford, Sharpe, McFerrin, Spivack, Glassock. Held at 3:00 p.m., April 28, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource University Percussion Ensemble Smales, Joel Goetz, Emily Brill, Emily Indictor, David Rava, Alex Strong, Alex VanOpdorp, Carly Cioffi, Nick Fair, Annable Glowinka, Joe Luftig, Adam. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Alfieri, John Daughtrey, Nathan Smales, Joel Metheny, Pat Boccherini Ford, Mark Sharpe, Len "Boogsie" McFerrin, Bobby Spivack, Larry Glassock, Lynn Date A point or period of time associated with an event in the lifecycle of the resource 4/28/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound