90 10 1775 https://omeka.binghamton.edu/omeka/files/original/ff5b14b4505313340a68f0dde28dd6b9.pdf e6b1fa280a58a3ac881c70de7050e302 PDF Text Text UNIV ARC Recital tape BINGHAMTON UNIVERSITY State University 2005 12-14 of New York SPEC COL MASTER'S RECITAL Donald Truesdail , double bass Chai-Kyou Mallinson, piano Emily Creo, cello Melissa Mattern, viola Elizabeth Bartlett, double bass Wednesday, December 14, 2005 8:00 p.m. Casadesus Recital Hall �PROGRAM Cello Sonata No. 6 in B-flat Major ....... .................. Antonio Vivaldi Largo (Andante Sustenudo) (1678-1741) Allegro (Non Troppo) Largo (Doloroso) Allegro (Spirituoso) Divertimento for Viola, Cello & Double Bass .......... Michael Haydn II. Menuetto/Trio ( 173 7-1806) III. Presto A Night in Tunisia (ca. 1945) .. ...........John Birks "Dizzy" Gillespie (1917-1993) Interpreted by D. Truesdail ~INTERMISSION~ Sonate fur Fagott und Klavier (1938) ..................... Paul Hindemith Leicht bewegt (1895-1963) Langsam/Marsch/Trio/Beschluss, Pastorale-Ruhig Valse Miniature (Op. 1, No. 2) .. ........................ Serge Koussevitzky (1874-1951) �Translations "A Night in Tunisa" The moon is the same moon above you Aglow with its cool evening light But shining at night in Tunisia Never does it shine so bright The stars are aglow in the heavens But only the wise understand That shining at night in Tunisia They guide you through the desert sand Words fail, to tell a tale Too exotic to be told Each night's a deeper night In a world that's ages old The cares of the day seem to vanish The ending of day brings reiease Each wonderful night in Tunisia Where the nights are filled with peace Acknowledgements I would like to thank all of the faculty and staff here at Binghamton University, particularly Stephen Stalker and Chai Kyou Mallinson, for their patience and guidance with regard to my musicai development and this performance specifically. Also, I wish to thank Melissa Mattern, Emily Creo, and Elizabeth Bartlett for their friendship as well as their contributions to my recitals. Thanks also to Carrianne Foote, Melinda Roberts, Timothy Perry, Roberta Crawford, Patti Sunwoo, Alice Mitchell, Michael Carbone, Jane Zuckerman, Jonathan Biggers, Tim Rolls, Sam Chianis, Daniel Fabricius , Burt Mueller, Martha and Chris Weber, Sue Hoffmann, Ron Fisher, Jennifer Tanzini, Bill Tomic, Nilima Rabi, Harry Jacobson, the entire staff at the Music Department at SUNY Fredonia, Dick Thomas, Michael Kinney, Paul Sweeney, Joseph Perkins, Ed Pettengill, Laura Kennedy and Gerald Graham; all of whom have demonstrated profound generosity and understanding concerning my often turbulent professional and artistic life. Finally, I would like to express deep appreciation to my family for their endless support of all my endeavors . �ABOUT THE PERFORMERS DONALD TRUESDAIL is a native of the Binghamton Area, hailing originally from Owego. He received his Bachelor's Degree in Music Education from SUNY Fredonia, and is currently pursuing his Master's in Double Bass Performance from Binghamton University. He has performed diverse musics with several groups in the area, ranging from classical to pop to avant garde, jazz, ethnic and theatre. He teaches elementary Orchestra in the Union Endicott School District as well as several private students in the area. CHAI-KYOU MALLINSON, currently on the faculty of the Department of Music at Binghamton University, received a B.M. degree in Piano from Juilliard, License d'Enseignement from Ecole Normale de Musique de Paris, France and a M.A. degree from Binghamton University, where she studied with Jean Casadesus. A prize winner in the Korean National Music Competition, she was awarded the French Government Scholarship, Tanglewood Summer Music School Full Scholarship and the Fontainebleau American Conservatory Full Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been active as a recitalist, vocal accompanist and coach, and chamber music performer, as well as an active adjudicator of piano auditions and competitions. She appeared in a performance with the Seoul Philharmonic Orchestra, which Eumag Choonchu, one of Korea's most respected music magazines, described as "of rare quality, moving and lyrical." EMILY CREO, a native of Vestal, is a senior majoring in music and minoring in medieval studies. She is a member of both the University Orchestra and the Harpur Chorale, of which she is the president. She serves as treasurer of Music Organizations. She studies cello with Stephen Stalker. MELISSA MATTERN, a native of Glen Head, New York, began studying viola with Dwight Dyer at age eight. She participated in various orchestral and chamber groups throughout high school, such as the C.W. Post Chamber Music Festival, the Long Island Youth Orchestra, touring the South Pacific, and the New York Youth Symphony, which held performances at Carnegie Hall. Last year she participated in the Dublin International Symphonic Festival, performing with the Royal Irish Academy at Christ Church Cathedral. A student of Roberta Crawford, Mattern is a senior pursuing her Bachelor of Arts degree in Music. She is currently principal violist of the Binghamton University Symphony Orchestra. Double bassist ELIZABETH BARTLETT is a native of the Greater Binghamton area, growing up in Johnson City, New York. She graduated from Johnson City Senior High School in 1997. While in high school, Beth studied double bass privately with Mr. Richard Thomas. She received her Bachelor's Degree in Music Education from the Crane School of Music, SUNY Potsdam, in May of 2001. At Crane, Beth studied double bass with Richard Stephan and John Geggie. Upon graduation, Beth has been employed by the Binghamton City School District. She presently teaches at MacArthur School as an elementary string orchestra and general music teacher. Beth enjoys teaching and performing a variety of music within the community. Currently, Beth is studying with Professor Stephen Stalker, as she works towards a Master's Degree in Performance at Binghamton University. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243816&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243816&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243816&change_lng=en</a> Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:53:00 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Donald Truesdail, double bass, December 14, 2005 Description An account of the resource Works of Vivaldi, Haydn, Gillespie, Hindemith, Koussevitzky. Held at 8:00 p.m., December 14, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mallinson, Chai-Kyou Creo, Emily Mattern, Melissa Bartlett, Elizabeth Truesdail, Donald Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-12-14 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/327fb7a2933e57e86e532e9499c8b354.pdf e383dbf29ce0da28802e09b47e817655 PDF Text Text UNIV ARC Recital ta pe 2005 12-2 SPEC COL Flute Studio Recital Friday, December 2, 2005 10:30 a.m. Casadesus Recital Hall Menuet and Spirit Dance ............................................................. Chrisoph Willibald Gluck (1714-1787) flute Bauer, Kelsey Margaret Reitz, piano Fantaisie Pastorale Hongroise, Opus 26 ........................................................ Franz Doppler (1821-1883) Kelsey Bauer, flute Margaret Reitz, piano Variations on a theme by Rossini ............................................................... Frédéric Chopin (1810-1849) Valerie Spiller, flute Margaret Reitz, piano The Fog is Lifting ............................................................................................. Carl Nielsen (1865-1931) Lauren Silinonte, flute Margaret Reitz, piano Berceuse .......................................................................................................... Gabriel Fauré (1845-1924) Lauren Silinonte, flute Margaret Reitz, piano Offertoire .................................................................................................... Johannes Donjon (1839-1912) Melissa Voldan, flute Margaret Reitz, piano �6/8 Dances for Solo Piccolo ....................................................................... Michael Isaacson (b. 1946) 1. The Lydian Two-Step 2. A Sad Little Waltz 3. The Minute March Melissa Voldan, piccolo ............................................ Ernest Bloch Suite Modale ............................................................ (1880-1959) Moderato L'istesso Tempo Allegro Giocoso Charity Hung, flute Margaret Reitz, piano Suite for Flute and Piano ......................................................................... Norman Delio Joio (b. 1913) 1. Improviso 2. Canon 3. Aria 4. Scherzo Joanna Hunt, flute Margaret Reitz, piano Flutists are from the studio of Georgetta Maiolo � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:54:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243810&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243810&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243810&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute studio recital, December 2, 2005 Description An account of the resource Works of Gluck, Doppler, Chopin, Nielsen, Fauré, Donjon, Isaacson, Bloch, Dello Joio. Held at 10:30 a.m., December 2, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bauer, Kelsey Reitz, Margaret Spiller, Valerie Silnonte, Lauren Voldan, Melissa Hung, Charity Hunt, Joanna Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-12-2 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/6a99f3be89cc75ea9033b17169f90576.pdf 1f085a960ef9f65d4bbe68b60fc4f4f7 PDF Text Text BINGHAMTON l N I \' I R S I T \ State University of New York UNIVERSITY SYMPHONY ORCHESTRA Timothy Perry Music Director and Conductor and Guest Soloist Stephen Stalker, Violoncello Saturday, December 3, 2005 8:00 p.m. Osterhout Concert Theater �PROGRAM Overture to the Opera 'Oberon' .................... Carl Maria von Weber ( 1786-1826) Concerto in D Major, Hob Vllb:2 ........................ Franz Josef Haydn Allegro moderato (1732-1809) Adagio Rondo: Allegro Stephen Stalker, Violoncello Solo ~INTERMISSION~ Symphony No. 2 in C minor, Op. 17 ...... Piotr Ilyich Tchaikovsky "Ukrainian" ( 1840-18 93) Andante sostenuto - Allegro vivo Andantino marziale, quasi moderato Scherzo: Allegro molto vivace Finale: Moderato assai - Allegro vivo ****************************************************** Thank you for attending this evening's concert. Please enjoy the music with those around you by turning off all cell phones and other electronic devices. We invite you to join the University Symphony on Saturday, February 25 th for a concert by the winners of the 2005-6 Concerto and Aria Competition. �ABOUT THE MUSIC In 1824, the director of the opera house at Covent Garden approached Carl Maria von Weber to commission a work in English for the London stage. The choices were Goethe's Faust and Wieland's poem Oberon based upon the chanson de geste 'Huon de Bordeaux.' Weber chose the latter, perhaps remembering a disagreeable meeting with the haughty Goethe some years before. As for Oberon, one need only know that, excepting the occasional presence of Oberon, Puck and Titania, it has nothing in common with the Shakespeare comedy. The hopelessly convoluted plot involved two sets of lovers, a magic horn, a Caliph of Baghdad, Mediterranean pirates, a North African Emir and his lascivious wife, and rather too much more. Weber was by then suffering from advanced tuberculosis and accepted the commission with a view to providing for his family after his death. A prodigious worker, he proceeded to learn English from scratch and composed the opera during most of 1825. The overture, the last piece, was finished on April 9, 1826 - just three days before the premiere and five weeks before Weber's untimely death. While the splendid score for the opera was a hit with the Londoners (the overture had to be repeated) the dramatic weaknesses have been insuperable and the work, despite many attempts at revision, has never held the stage in repertory as have Der Freischiitz and Euryanthe. The overture begins with the magic horn followed by alternating phrases from the lovers' travails and the world of the Fairies. An abrupt chord cuts off this reverie and the ensuing Allegro in sonata from is devoted to, in tum, a swashbuckling, energetic theme in the violins, a lyric second theme in Weber's favored wind, the Clarinet (drawn from a tenor aria 'from boyhood trained'), and finally the 'husband, my love, we are saved' passage of the soprano's brilliant scena 'Ocean, thou mighty monster.' As in his Freischiitz overture, Weber thus gives a highly condensed précis of the opera's emotional text in the overture, an important innovation which would then be carried far further by Weber's admirer and operatic heir, Richard Wagner. �For almost two centuries after its premiere in 1784 until the rediscovery in 1961 of the C Major concerto, Haydn's Concerto in D was the only one of the six (or possibly seven) Haydn concerti for the Violoncello in the repertoire. The work was composed for the Bohemian (in origin, not temperament) cellist Anton Kraft, a member of the orchestra at Esterhazy. A highly skilled virtuoso, Kraft would leave Esterhazy upon Haydn's retirement and move to Vienna, where years later he became one of the soloists for whom Beethoven would write in his Triple Concerto. The concerto opens with a generously scaled allegro whose elegant, stately theme is balanced in its melodic profile and rhythms in the manner of Stamitz and the Mannheim symphonists. Once the cello enters, however, the show begins in earnest, as the solo part is employed in a variety of passages demonstrating the instrument's potential. Haydn places much of the solo part in its high tenor range, where it is used for both lyric melodies and complicated passagework. Additional techniques include extended scales from the bottom of the instrument's range far into the upper positions as well as widely spaced arpeggios (some with leaps of a tenth or more) and double-stops (playing on two strings simultaneously). The middle-movement adagio places the violoncello almost solely in the top range, where it plays an Italian-style aria above the violins - surely a novel piece of orchestration in its day, and an arresting timbral combination even now. The finale brings to mind the 'hunt' finales of Mozart, its rollicking 6/8 colored by the orchestra's oboes and horns. Haydn saves some of the most difficult solo passages for this movement during the tempestuous middle section in minor, including a famous section using fast string-crossings followed by even more fearsome double-stops first in thirds and finally in octaves. The return to major restores tranquility and all is brought to a smiling conclusion with a return of the initial theme. Listeners will perceive the nod to the older concerto grosso in Haydn's frequent employment of a smaller group of strings as a concertato group to contrast with the full orchestra tutti sections. �First, a word of explanation. Tchaikovsky's second symphony has always been known as the 'Little Russian' from the reference to two Ukranian folk songs which form the basis of the themes for its first and fourth movements. Because the older subtitle carried some negative ethnic stigma, many editions now defer to the more politically acceptable 'Ukrainian' subtitle. Tchaikovsky composed the symp ony m 1872 while doing a considerable bit of travel. Its strongly Russian character may have been a nod to the criticisms of the Nationalist group known as the 'Mighty Five,' but Tchaikovsky's subsequent work shows that he was far too independent a creative artist to bend to anyone's notions. Long famous for its finale in which the folk-song 'The crane' is used as an ostinato figure throughout, the other movements are no less worthy of praise. The symphony's slow movement opens the work as an extended introduction, developing materials from the opening horn solo. A rugged allegro in sonata form follows, with some exquisite wind writing led by the oboe in the second subject. The two themes are worked out and each is given its own gigantic climax - the first in a meno mosso, the second in a mighty chorale that quickly fades back to the spare texture of the opening and ends in a mournful solo in the bassoon. The second movement is a march in a curiously moderate tempo whose theme Tchaikovsky lifted from his unfinished opera Undine. Here again the composer offers a contrasting theme in minor that eventually builds to a full-orchestra statement of the march theme complete with trumpets and timpani. The scherzo is the symphony's hidden jewel. Like the First Symphony, Tchaikovsky demonstrates a magical ability to organize the fast rhythm into a seemingly inexhaustible number of subtle combinations of duple and triple bars, complex hemiolas and kaleidoscopic exchanges of thematic material from instrument to instrument. The finale's unrelenting use of its melodic germ has, surprisingly, led several famous conductors to cut considerable sections of the movement. The art of the composer is seen, however, NOT in following the tune, but in careful observation of what lies beneath and behind it. While not as organic as in his later symphonies, Tchaikovsky nevertheless manages to construct his development section into a single, carefully paced harmonic and formal crescendo which breaks off not into a recapitulation of the main theme (that would be totally superfluous), but into the second subject and an almost impossibly fast presto coda in which the mediant relations expressed earlier come to fruition in brilliant brass fanfares that echo the movement's majestic introduction. -T. Perry �ABOUT THE PERFORMERS TIMOTHY PERRY, clarinetist, conductor and Professor of Music, joined the Binghamton University faculty in 1986 as director of the orchestral and wind ensemble programs and instructor of studio conducting and clarinet. Perry holds D.M.A., M.M.A. and M.M. degree from the Yale School of Music and a B. Mus. degree from the Manhattan School of Music. Dr. Perry's more than two hundred programs include ten seasons as Music Director of the Binghamton Community Orchestra and as guest conductor of both the Catskill Symphony and Binghamton Philharmonic orchestras. Perry is widely known as a virtuoso solo and chamber music clarinetist, touring Latin America and the Caribbean as a United States Musical Ambassador and appearing at international festivals in Europe and Asia. He presented his third artist recital at an International Clarinet Conference this past summer in Tokyo. STEPHEN STALKER, cello, has made concerto appearances with numerous orchestras in upstate New York, including Schenectady Symphony Orchestra, Cayuga Chamber Orchestra, Catskill Symphony Orchestra and the Binghamton Community Orchestra, performing concertos by Boccherini, Haydn, Beethoven, Lalo, St. Saens, Brahms, Dvorak, Hindemith and Shostakovich. He has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the United States, France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a finalist in the Evian International String Quartet Competition and the Naumberg Chamber Music Competition, and was an Artist-in-Residence at Colgate University . He has played extensively with the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant Four Score, at the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic. He graduated from the Manhattan School of Music and teaches cello and double bass at Binghamton University. �UNIVERSITY SYMPHONY ORCHESTRA Flute/Piccolo Kelsey Bauer (+picc) Charity Hung Joanna Hunt Kristen Gilbert Oboe Maxwell Rosenberg Marissa Ludwig Clarinet Gregg Ackerman Alexander Vincenzi Bethany Bonhoff Bassoon Dana Gleason Luisa Duerr Horn Ernie Epelman Robert Muller Diana Amari Cara Weiss Trumpet William Gilchrest Garret Clark Trombone David Henann Richard Mokan Tuba . Daniel J. Brisk Timpani/Percussion Kristine Jackson MarkTurley Violin I Akira Maezawa Micah Banner-Baine Molly Ariotti Alexander Wong Alisa Selman Tiffany Chang Claire Bryne Anna Cardillo James Leddy Dana Kerker Griffin Sargent Richard Goldman Rachel Jacobs Eileen Tam Violin II Jennifer Paull Elizabeth Sterling Marie Mizuno Alexandra K. Brutus Lauren Moscowitch Samuel Wang Da Hyun Chung Jennifer Liebman Mayra Rodriguez Tina Chiu Christina Laube Stephanie Mawhirt Emily Krecko Samuel Eum Viola Melissa Mattern Beth Vayshenker Sarah Sterling Leah Robinowitz Melissa Lee Kerry Conway Jeffrey Kohn Christopher Trow Christopher Fiore Macia Gravelding Janet levins Ted Gramiak Violoncello Emily Creo Justin Wong Heajung Kim Nicholas Capone John Choi C. MacKenzie Wen Daniel Copel Contrabass Elizabeth H. Bartlett Serena Murray Andrew Eiche David Katz �COMING EVENTS Sunday, December 4 - University Wind Ensemble Holiday Concert I :00 p.m. - Oakdale Mall - free Sunday, December 4 - University Flute Ensemble - 7:30 p.m. Casadesus Recital Hall - free Thursday, December 8 - Holiday Mid-Day Concert with faculty and student performers - I :20 p.m. - Casadesus Recital Hall - free Thursday, December 8 - Harpur Chorale and Women's Chorus - 8:00 p.m. - Anderson Center Chamber Hall - free Sunday, December 11 - Master's Recital: Kathryn Boczar, soprano 7:30 p.m. - Casadesus Recital Hall - free Wednesday, December 14 - Master's Recital: Donald Truesdail, string bass - 8:00 p.m. - Casadesus Recital Hall - free Spring 2006 Sunday, February 12 - Organist Jonathan Biggers: Bach Again! - 4:00 p.m. - First Presbyterian Church, Chenango St., Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Sunday, February 19 - Pianist Michael Salmirs - 3:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students Saturday, February 25 - University Symphony Orchestra: Concerto and Aria Competition Winners - 8:00 p.m. - Osterhout Concert Theater - $9 general public; $7 faculty/staff/seniors; free for students Sunday, February 26 - Music for Cello, Plus: Stephen Stalker and Friends - 3:00 p.m. - Casadesus Recital Hall - $9 general public; $7 faculty/staff/seniors; free for students Thursday, March 2 - Mid Day Concert with faculty and student performers - I :20 p.m. - Casadesus Recital Hall - free Sunday, March 5 - University Wind Ensemble - 3:00 p.m. - Anderson Center Chamber Hall - free l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:57;41:40 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243867&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243867&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243867&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Symphony Orchestra, December 3, 2005 Description An account of the resource Works of von Weber, Haydn, Tchaikovsky. Held at 8:00 p.m., December 3, 2005, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Perry, Timothy Stalker, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-12-3 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/b6cc3b3417d5e1393d62d84909919515.pdf 7e6ac36ca1c2ec8f636b86eb50a5af68 PDF Text Text BINGHAMTON UNIVERSITY State University of New York Binghamton University Flute Ensemble Georgetta Maiolo, director Sunday, December 4, 2005 7:30 p.m. Casadesus Recital Hall �PROGRAM Water Music Suite ........................ ...... George Frederick Handel 1. Allegro (1685-1759) 2. Minuet Arranged by Ricky Lombardo 3. Air 4. Hornpipe 5. Allegro maestoso Circus March .......................................................... Ricky Lombardo (b. 1946) Russian Suite ..................................... Arranged by William Schmidt 1. "A Light Rain" 2. Scherzo 3. Beetles 4. The Sparrow 5. Wheat Threshing Canon in D ............................................................. Johann Pachelbel (1653-1706) The Bells of Dunkirk ........................ Arranged by Arthur Emphross Gavotte ..... ....................................................... Jean-Baptiste Loeillet (1680-1730) Arranged by Nora Kile Passepied .............................................................. François Couperin (1668-1733) Arranged by Nora Kile �Brightonshire Hornpipe ..................... Arranged by Jim Engebretson Sea Song Shanty Platinum Promenade ..................................................... Jared Spears (b. 1936) Flute Fest. ............................................................. James Christensen (b. 1935) Christmas Selections ........................... Arranged by C. R. McManus Dona Nobis Pacem Away in a Manger Up on the Housetop Silent Night Carol of Bells The Holly and the Ivy Twelve Days of Christmas We Wish You a Merry Christmas ..... Arranged by Ricky Lombardo Members of the Binghamton University Flute Ensemble Stephanie Dodge Michelle Grossman Leah Hays Stephanie Holleran Nicole Lean Erica Leo Melissa Voldan Jennifer Weintraub �COMING EVENTS Thursday, December 8 - Holiday Mid-Day Concert with faculty and student performers - 1:20 p.m. - Casadesus Recital Hall - free Thursday, December 8 - Harpur Chorale and Women's Chorus - 8:00 p.m. - Anderson Center Chamber Hall - free Sunday, December 11 - Master's Recital: Kathryn Boczar, soprano 7:30 p.m. - Casadesus Recital Hall - free Wednesday, December 14 - Master's Recital: Donald Truesdail, string bass - 8:00 p.m. - Casadesus Recital Hall - free Sunday, February 12 - Organist Jonathan Biggers: Bach Again! - 4:00 p.m. - First Presbyterian Church, Chenango St., Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Sunday, February 19 - Pianist Michael Salmirs - 3:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students Saturday, February 25 - University Symphony Orchestra: Concerto Competition Winners - 8:00 p.m. - Osterhout Concert Theater - $9 general public; $7 faculty/staff/seniors; free for students Sunday, February 26 - Music for Cello, Plus: Stephen Stalker and Friends - 3 :00 p.m. - Casadesus Recital Hall - $9 general public; $7 faculty/staff/seniors; free for students Thursday, March 2 - Mid-Day Concert with faculty and student performers - 1:20 p.m. - Casadesus Recital Hall - free Sunday, March 5 - University Wind Ensemble - 3:00 p.m. - Anderson Center Chamber Hall - free Thursday, March 9 - Mid-Day Concert with faculty and student performers - 1:20 p.m. - Casadesus Recital Hall - free Thursday, March 9 - Harpur Chorale and Women's Chorus - 8:00 p.m. -Anderson Center Chamber Hall Thursday, March 23 - Mid-Day Concert with faculty and student performers - 1:20 p.m. - Casadesus Recital Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:56:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243813&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243813&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243813&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Flute Ensemble, December 4, 2005 Description An account of the resource Works of Handel, Lombardo, Schmidt, Pachelbel, Emphross, Loeillet, Couperin, Engebretson, Spears, Christensen, McManus, Lombardo. Held at 7:30 p.m., December 4, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maiolo, Georgetta Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-12-4 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/09eedeb95957f589178d32d5d11a0a31.pdf 53262d180b572e8139fa50b48c64edf3 PDF Text Text Binghamton University Department of Music HOLIDAY MID-DA Y CONCERT December 8, 2005 -1:20 P.M. - Casadesus Recital Hall Where 'er You Walk ...................................................................................................... G.F. Handel (1685-1759) Alexander Blitstein, tenor Chai-Kyou Mallinson, piano Sonata No. 1 in B flat Major. .................................................................................. Antonio Vivaldi (1678-1741) Largo Allegro Largo Allegro Heajung Kim, cello Stephen Stalker, cello Come Unto Him (from Messiah) ................................................................................... G.F. Handel (1685-1759) The Birthday of a King ........................................................................................... W.H. Neidlinger (1863-1924) Michaela Lisi, soprano Chai-Kyou Mallinson, piano Piano Trio in G major, KV 564 ............................................................ Wolfgang Amadeus Mozart (1756-1791) Andante Allegretto Akira Maezawa, violin Heajung Kim, cello Candice Che, piano The Mermaid's Song ................................................................................................... Joseph Haydn (1732-1809) She never told her love Pleasing Pains Kathryn Boczar, mezzo-soprano Chai-Kyou Mallinson, piano Lullaby (1909) ......................................................................................................... Rebecca Clarke (1886-1979) Melody Border Scottish I'll Bid My Heart Be Still .................................................................... Old Arr. Rebecca Clarke Roberta Crawford, viola Michael Salmirs, piano O Holy Night. ............................................................................................ .. .............. Adolphe Adam (1803-1856) Soon Young Park, baritone Chai-Kyou Mallinson, piano Join us for a reception following the concert - Next Mid-Day Recital will be March 2, 2006 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:11:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243871&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243871&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243871&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holiday mid-day concert, December 8, 2005 Description An account of the resource Works of Handel, Vivaldi, Neidlinger, Mozart, Haydn, Clarke, Adam. Held at 1:20 p.m., December 8, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Blitstein, Alexander Mallinson, Chai - Kyou Kim, Heajung Stalker, Stephen Lisi, MIchaela Maezawa, Akira Che, Candice Crawford, Roberta Salmirs, Michael Park, Soon Young Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-12-8 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/2ec468d443571c39f99d07179e8d4fb5.pdf 5c9346507473ce796b9de8f0a7d1e222 PDF Text Text BINGHAMTON U N I N E R S L State University of New York Department of Music CLARINETS IN CONCERT STU DE NTS F R O M T H E ST U D I O S O F TIMOTHY P E R R Y A N D V I N C E S M I T H M A R G A R E T REITZ, PIANO Saturday, February 26, 2005 3 :00 p.m. Casadesus Recital Hall �The Binghamton University Department of Music presents CLARINETS I N C O N C E R T S T U D E N T S F R O M T H E S T U D I O S O F T I M O T H Y P E R RY A N D V I N C E S M I T H 3:00 P.M. Saturday February 26, 2005 Casadesus Hall Binghamton University PROGRAM Allegro from Concerto No. 3.. Andrei i vereee.. Karl Stamitz Romanze from Concerto no. 3.. Simon Hawk Concertino, Op. 26.. vee... .Ka rl Stamitz .. Carl Maria von Weber «Bethany Bonhoﬀ Alleluia, from Exsultate, Jubilate... Colin Edmunds ...W.A. Mozart Adagio, from Concerto No. I.. .....................Ludwig Spohr Michelle Grexer Allegretto P h i l i Alice Choi p p e Gaubert Moderato from Sonate pour Clarinette . .. . ..Camille Saint-Saens Caroline Bravo Carol and Forlana, from Five Bagatelles... Heather Boland ....Gerald Finzi Blues and Rhythm from Pocket Sonata No. I . . ...Eric Templeton Andrew Hsu Allegro from Concerto No. 2. ..Carl Maria von Weber Theresa Perrone �Coming Events Saturday February 26 – Timothy LeFebvre, baritone and Duane Skrabalak, piano - 8:00 p.m. – Anderson Center Chamber Hall - $15 general public; $13 faculty/staﬀ/alumni/seniors; $7 students Sunday, February 27 – University Wind Ensemble – Cinematic Signatures III : Great White Way to the Silver Screen – 3:00 p.m. Anderson Center Chamber Hall - free Thursday, March 3 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Saturday, March 5 – Master’s Recital – Leslie Hochman, Soprano – 3:00 p.m. – Casadesus Recital Hall – free Saturday, March 5 -- University Symphony Orchestra – Around the Hor n – 8:00 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, March 6 -- Musica Nova with Patricia Sunwoo, violin and Ewa Mackiewicz-Wolfe, piano - 3:00 p.m. – Casadesus Recital Hall - $10 general public; $7 faculty/staﬀ/seniors; free for students Thursday, March 10 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Saturday, March 12 - Master’s Recital – Timothy Fallon, tenor – 3:00 p.m. - Casadesus Recital Hall – free Saturday, March 12 - Master’s Recital – Jody Schum, piano – 8:00 p.m. - Casadesus Recital Hall – free Sunday, March – 13 – Harpu r Chorale and Women’s Chorus – 3:00 p.m. – Anderson Center Chamber Hall – free Thursday, March 17 – Mid-day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Thu rsday, March 31 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Sunday, April 3 - Organist Jonathan Biggers – Music for Organ and Strings – 4:00 p.m. First Presbyterian Church, Binghamton - $15 general public; $13 faculty/staﬀ/seniors; $7 students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243819&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243819&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243819&change_lng=en</a> Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:18:00 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinets in concert: students of Timothy Perry and Vince Smith, February 26, 2005 Creator An entity primarily responsible for making the resource Perry, Timothy Smith, Vincent Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-2-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/564d5155bc1a62c54262ffe13c705a93.pdf 3da855c49968aa0388f4cb29df87f072 PDF Text Text LINLVN J y '“ — t e c U N I V E R S I T Y ~ ) o BINGHAMTON h H w I A State University of New York Depart ment of Music UNIVERSITY WIND ENSEMB LE Timothy Perry, Conductor Stephen Boel, Associate Conductor Cinematic Signatures III : G rea t W hite Wa y to the Silver Screen Sunday, Feb ruary 27, 2005 3:00 p.m. Anderson Center Cham ber Hall �The Binghamton University Department of Music presents the University Wind Ensemble Dr. Timothy Perry, Director Stephen Boel, Associate Conductor Cinematic Signatures lll: Musical Movies Sunday 3:00 p.m. Chamber Hall Febniary 27, 2005 Program Anderson Center for the Arts Overture to Guys and Dolls (1955).................... Frank Loessing Arr. Philip Lang Three–cornered Tune – I’ve Never Been in Love Before A Bushel and a Peck – Guys and Dolls An American in Paris (1951)........... George Gershwin Arr. Jerry Brubaker South Paciﬁc ( 1 9 csv c 5siv8rsase)seis. «ee.......Richard Rodgers Arr. Philip Lang Some Enchanted Evening – A Wonderful Guy Bali Ha’i There is Nothin’ Like A Dame The Music Man (1962).................... Meredith Willson Arr. Alfred Reed The Wells Fargo Wagon.– ‘Till There Was You SeventySix Trombones My Fair Lady (1964) Frederick Loewe Arr. C . Paul Herfunh On the Street Where You Live – With a Little Bit of Luck l’ve Grown Accustomed to her Face – I Could Have Danced All Night Fiddler on the Roof(1971). . .. . .. .. Sheldon Harnick and Jerry Bock Arr. Bob Lowden Tradition – Matchmaker – Do You Love Me? – Miracle of Miracles Sunrise, Sunset – I f Were a Rich Man –To Life Les Miserables (1987) . .. . .. . .. . .. . .. . ClaudeMichel Schonberg Arr. Warren Barker At the End of the Day I Dreamed a Dream Master of the House On My Own – Do You Hear the People Sing? Phantom of the Opera (2004) .................Andrew Lloyd Webber Think of Me – Angel of Music The Phantom of the Opera Arr. Warren Barker All I As k of You – The Point of N o Return – The Music of the Night University Wind Ensemble Timothy Perry, Director Stephen Boel, Associate Director Piccolo Amy Forgacs Flute Joanna Hunt Nicole Kalisz Subin Lim Elise Martingale Lauren Silinonte Valerie Spiller Clarinet Heather Boland Alice Choi Shanika Cooper Colin Edmunds Michelle Grexer Simon Hawk Andrew Hsu Andrei Lee Bass Clarinet Joshua Schaier Christopher Strub Alto Saxophone Emily Alkiewicz Amy Natiella Tenor Saxophone Kevin Kneifel Trumpet Mark Alfes Garret Clark Philip Deitz Derek Ersbak Thomas Osa Steven Pan Andrew Sanfratello French Horn Megan Caruso Greg Cecere Patrick Lokken Alfred Jacobsen Trombone Jamie Cepler David Hennan David Ricotta Baritone/Euphonium John Testa Richard Mokan Tuba Erik Appleyard Dan Gallagher Percussion Christopher Jacobson Baritone Saxophone Joe Sobel A i Karasawa Spencer Lo Christine Jackson Mark Turley String Bass Chris Zavala Keyboard Robert Magee �Coming Events Thu rsday, March 3 – MidDay Concert with faculty and student performers – 1:20 p.m. Casadesus Recital Hall free Satu rday, March 5 – Master’s Recital – Leslie Hochman, Sop rano – 3:00 p.m. – Casadesus Recital Hall – free Satu rday, March 5 – University Sym phony Orchestra – Around the Horn – 8:00 p.m. – Anderson Center Osterhout Concert Theater $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, March 6 – Musica Nova with Patricia Sunwoo, violin and Ewa MackiewiczWolfe, piano 3:00 p.m. – Casadesus Recital Hall $10 general public; $7 faculty/staﬀ/seniors; free for students Th u rsday, March 1 0 – MidDay Concert with faculty and student performers 1:20 p.m. – Casadesus Recital Hall free Satu rday, March 1 2 Master’s Recital – Timothy Fallon, tenor – 3:00 p.m. Casadesus Recital Hall – free Satu rday, March 1 2 – Master’s Recital – Jo d y Schum, piano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, March 1 3 – Harpu r Chorale and Women ’s Chorus Concert – 3:00 p.m. – Anderson Center Chamber Hall free Th u rsday, March 1 7 – MidDay Concert with faculty and student performers –l :20 p.m. ~ Casadesus Recital Hall – free Thursday, March 31 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Sunday, April 3 O rganist Jon a than Bi ggers – Music for O rgan and Strings – 4:00 p.m. First Presbyterian Church, Binghamton $15 general public; $13 faculty/staﬀ/seniors; $7students Sunday, A p ril 3 – Ha rpu r Tru m pet Ensem ble an d Studio Concert – 7:30 p.m. – Casadesus Recital Hall – free Thu rsday, April 7 – MidDay Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:01:39 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cinematic Signatures III: great white way to the silver screen, February 27, 2005 Description An account of the resource Works of Loessing, Gershwin, Rodgers, Willson, Loewe, Harnick and Bock, Schönberg, Webber. Held at 3:00 p.m., February 27, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Boel, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-2-27 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/7631c43b41952ad097f8f44f9ad354f7.pdf cdc97c69ec74ad6efff33dedb9077381 PDF Text Text lU N \ O\ BIN \ U N I V E R S I T Y \ . ' , .. r L T . State University of New York l ‘J J 1 ' :; Binghamton University Department of Music C Hh THURSDAY MIDDAY CONCERT March 10, 2005 – Casadesus Recital Hall Lucia di L c d n a t S Nachtgang Zueignung, 4 n .. e h Richard Strauss (18641949) Leslie Hochman soprano Margaret Reitz, piano a r e m m m \ r o o Scene and Aria: Regnava nel silenzio... Gaetano Donizetti (1797 1848) Lucia – Nili Riemer soprano Alisa – Ivy Gaibel mezzosoprano The Magic Fl ute W f l o g a n Quintet: Hm,Hm,Hm... g Amadeus Mozart (1756 1791) Papageno – Andrew Sudduth baritone Tamino – Mark Kratz tenor 1* Lady – Julia Ebner soprano ady – Stefanie Sudduth soprano 2”L 3” Lady – Ivy Gaibel mezzosoprano R R Les Roses D ’Ispahan Notre Amour Fleur Jetée R Timothy Fallon – tenor Carol Wong piano The M e rry Wives of Windsor ..................... Opening Duet Gabriel Fauré (18451924) Mistress Ford – Julia Ebner soprano Mistress Page – Melisse Weber mezzosoprano ..Otto Nicolai (1810 1849) �Translations Faure Mandoline The givers of serenades And the lovely women who listen Exchange insipid words Under the singing branches. There is Thyrsis and Amyntas And there’s th e eternal Clytander, And there’s Damis who, for many a Heartless wom an, wrote man y a tender verse. Their short silk coats, Their long dresses with trains, Their elegance, their joy And their soft blue shadows, Whirl around in the ecstasy O fa pink and grey moon, And the mandolin prattles Among the sh ivers from the breeze. Paul Verlaine Les Roses D ’Ispahan (The roses of lspa han) The roses of Ispahan in their sheath of moss, the jasmines o f Mosul, the orange blossoms, have a fragran ce less fresh, an aroma d ess sweet, O pale Leila, than your light breath! “ Your lips a re coral and your light laughter has a softer and lovelier sou nd than rippling wate r, lovelier than the joyous breeze that rocks the orangetree, lovelier than the bird that sings near its nest of moss. O Leila, ever since in their airy ﬂight all the kisses have ﬂed from your lips so sweet, there is no longer any fragrance from the pale orangetree, no heavenly aroma from the roses in the moss. Oh, if only your youthful love, that light butterﬂy, would return to my heart on swift and gentle wings, and perfume once more the orange blossom and the roses of Ispahan in their sheath of moss. CharlesMarieRené Leconte de Lisle Notre A mour (Our love) Our love is something light like the perfum es which the breeze brings from th e tips of ferns for us to inhale as we dream. Our love is something light. Our love is something enchanting like the morning’s songs in which regrets are not heard but uncertain hopes vibrate. Our love is something charming. Our love is something sacred like the forests’ mysteries in which an unknown soul quivers and silences have voices. Our love is something sacred! Our love is something inﬁnite like the paths of the evening, where the ocean, joined with the sky, falls asleep under slanting suns. Our love is something eternal like all that has been touched by the ﬁery wing of a victorious god, like all that comes from the heart. Our love is something etern al! Armand Silvestre Fleur Jetée (Discarded ﬂower) Carry oﬀ my folly at the whim o f the wind, oh ﬂower which I picked while I sang and threw away as I dreamed. Carry oﬀ my folly at the whim of the wind! Like ﬂowers scythed down, love dies. The hand that once touched you now shuns my hand forever. Like ﬂowers scythed down, love dies. May the wind that withers you, oh poor ﬂowe r, a moment ago so fresh and tomorrow all faded. May the wind that withers you wither my heart! Armand Silvestre Translations Strauss Standchen (Serenade) Open up, open up, but softly my dear, So as to wake no one from sleep. The brook hardly murmers, the wind hardly shakes A leaf on bush or hedge. So, softly, my maiden, so that nothing stirs, Just lay your hand softly on the door latch. With steps as soft as the footsteps of elves, Soft enough to hop over the ﬂowers, Fly lightly out into the moonlit night, To steal to me in the garden . The ﬂowers are sleeping along the rippling brook, Fragrant in sleep, only love is awake. Sit, here it darkens mysteriously Beneath the lindens, The nightingale over our heads Shall dream of our kisses, And the rose, when it wakes in the morning, Shall glow from the wondrous passions of the night. Nachtgang (Night Walk ) We walked through the silent, mild night, Your arm in mine, your eyes in mine. The moon poured silver light upon your face, As though gold rested on your beautiful head. And you appeared to me an angel, Mild, mild and great and overﬂowing with soul, Holy and pure like the dear sun. And in my eyes swelled urgent warmth, As of threatening tears. I held you tighter and kissed you, kissed you ve ry softly. My soul wept. Zueignung (Blessing) Yes, you know it, dearest soul, How I suﬀer far from you, Love makes the heart sick, Have thanks. Once I, drinker of freedom, Held high the amethyst beaker, And you blessed the drink, Have thanks. And you exorcised the evils in it, Until I, as I had never been before, Blessed, blessed sank upon your heart, Have thanks. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:22:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243855&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243855&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243855&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 10, 2005 Description An account of the resource Works of Strauss, Donizetti, Mozart, Fauré, Nicolai. Held at 1:20 p.m., March 10, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hochman, Leslie Reitz, Margaret Riemer, Nili Gaibel, Ivy Sudduth, Andrew Kratz, Mark Ebner, Julia Sudduth, Stefanie Fallon, Timothy Wong, Carol Weber, Melisse Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-10 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/c7d4f9e89a06f6049ede79a1a536b2eb.pdf d1ad11e52546758113748bf3c408578c PDF Text Text BINGHAMTON UNIVERSITY State University of New York Binghamton University Department of Music THURSDAY MID-DAY CONCERT March 17, 2005 - Casadesus Recital Hall Concerto No. 2, Mvmt. 1 .............................................................................. Carl Maria Von Weber (1786-1826) Theresa Perrone, clarinet Margaret Reitz, piano Premier Quator, Op. 53 (1857) ..................................................................... Jean Baptiste Singelée (1812-1875) Andante Reconstitution: Jean Marie Londeix Allegro Quatour (1956) .................................................................................................... Pierre-Max Dubois (b. 1930) Spirituoso III. Cascades (1904) ............................................................................................................. Scott Joplin (1868-1917) The Binghamton University Saxophone Quartet Amy Natiella, Emily Alkiewicz, Michael Marchisotto, Sam Reed "Tre arietta" ........................................................................................................... Vincenzo Bellini (1801-1835) Il fervido desiderio Dolente imagine di Fille mia Vaga luna, che inargenti Michaela Lisi, soprano Chai-Kyou Mallinson, piano Concerto in C minor ...................................................................................... Johann Christian Bach ( 1735-1782) Allegro molto ma maestoso Arr. Henri Casadesus Melissa Lee, viola Margaret Reitz, piano Concerto, Op. 85 ......................................................................................................... Edward Elgar (1857-1934) Adagio Alex Wiesendanger, cello Margaret Reitz, piano Kol Nidre ........................................................................................................................ Max Bruch (1838-1920) Heajung Kim, cello Margaret Reitz, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:42:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243864&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243864&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243864&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 17, 2005 Description An account of the resource Works of Von Weber, Singelée, Dubois, Joplin, Bellini, Bach, Elgar, Bruch. Held on March 10, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perrone, Theresa Reitz, Margaret Lisi, Michaela Mallinson, Chai-Kyou Lee, Melissa Wiesendanger, Alex Kim, Heajung Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-17 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/d41d16fad1f76f708d0cb101043bf7ed.pdf bca860256793cf6d105e8542d1ce63df PDF Text Text BINGHAMTON UNIVER SITY State University of New York Binghamton University Department of Music THURSDAY MID-DAY CONCERT March 3, 2005 - Casadesus Recital Hall Image pour Flûte Seule .......................................................... ..................................... Eugène Bozza (1905-1991) Kelsey Bauer, flute Nocturne, Op. 33 (Homage to John Field) ................................................................. Samuel Barber (1910-1981) Nancy Schneider, piano Selections from Les Nuits d'été.................................................................................. Hector Berlioz (1803-1869) Villanelle Le Spectre de la Rose Sur les Lagunes Absence Leslie Hochman, soprano Margaret Reitz, piano Sonata in Eb, Op. 120, No. 2 ............................................................................... Johannes Brahms (1833-1897) Allegro amabile Melissa Mattern, viola Michael Salmirs, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:25:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243839&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243839&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243839&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 3, 2005 Description An account of the resource Works of Bozza, Saint-Saëns, Barber, Berlioz, Brahms. Held at 1:20 p.m., March 3, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bauer, Lesey Bravo, Caroline Reitz, Margaret Schneider, Nancy Hochman, Leslie Mattern, Melissa Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-3 Rights Information about rights held in and over the resource In copyright