91 10 1775 https://omeka.binghamton.edu/omeka/files/original/6419e954c51954a43183dd2626817e4b.pdf 7692488783ae4d0f1b20841c279eae8f PDF Text Text BINGHAMTON U N I \. I· R S I T Y State University of New York Department of Music THURSDAY MID-DAY CONCERT March 31, 2005 - 1:20 p.m. - Casadesus Recital Hall Sonata for Clarinet and Piano .......................................................................... Camille Saint-Saens (183 5-1921) III. Lento II. Allegro animato Caroline Bravo, clarinet Margaret Reitz, piano Chaconne ................................................................................................................. Armand Russell (b. 1942) Don Truesdail, double bass Chai-KyouMallinson, piano Op. 120, No.2 ................................................................................. Johannes Brahms Sonata in E-flat, (1833-1897) Appassionato, ma non troppo allegro viola Melissa Mattern, Michael Salmirs, piano Sonata for Two Clarinets ........................................................................................ Francis Poulenc (1899-1963) 1. Presto 2. Trés lent 3. Vite, avec joie Theresa Perrone, clarinet Caroline Bravo, clarinet Trumpet Concerto ................................................................................. Johann Nepomuk Hummel (1778-1837) IL Andante III. Rondo Erinn Hibbard, trumpet Margaret Reitz, piano K. 498 ....................................................................................................... W. A. Mozart Trio in E-flat, (1756-1791) III. Rondo (allegretto) Melissa Mattern, viola Theresa Perrone, clarinet Candace Che, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. 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Title A name given to the resource Thursday mid-day concert, March 31, 2005 Description An account of the resource Works of Saint-Saëns, Russell, Brahms, Poulenc, Hummel, Mozart. Held at 1:20 p.m., March 31, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bravo, Caroline Reitz, Margaret Truesdail, Don Mallinson, Chai-Kyou Mattern, Malissa Salmirs, Michael Perrone, Theresa Hibbard, Erin Che, Candace Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-31 Rights Information about rights held in and over the resource In copyright Format The file format, physical medium, or dimensions of the resource 1 audio disc https://omeka.binghamton.edu/omeka/files/original/4eb857e33924504c1656371b6c63ca87.pdf 4ff6ee066dcce87fbfc0010f9e88ccae PDF Text Text LIN i . e BINGHAMTON ,\ s‘ t , \ \ H O N yop >) : I V E R S I T Y State University of New York Department of Music ‘Around the Horn’ University Symphony Orchestra Timothy Perry, Director and French Horn Soloists Emie Epelman G reg Cecere Patrick Lokken Alfred Jacobsen Sa turday, M a rch 5, 2005 8 :00 p. m . O s t er h o n t C on c ert T h e a t e r �The Binghamton University Department o f M usic presents ‘Around the Horn’ with the 1 l University Symphony Orchestra Timothy Perry, Director And French Horn Soloists Greg Cecere Alfred Jacobsen Ernie Epelman Patrick Lokken 8 :00 P.M. Osterhout Concert Theater Saturday, March 5, 2005 Anderson Center for the Arts Program I. Prelude to /'Aprésmidi d’un Faune (The afternoon of a faun) Konzertst iick in F Major. Op. 86 for Four Horns and Orchestra Claude Debussy ( 1 862 191 8) Robert Schumann ( 18 10 1856 ) Le b h a ﬁ Romanze– Sehr l e b h a ﬁ Soloists Mr. Cecre, Ms. Epelman, Mr. Jacobsen, Mr. Lokken “~ I n lerm ission—F ifteen minutes EL] i l 5 ' Symphony No. 2 in D Major, Op. 36........... Ludwig van Beetho ven Adagio moltoAllegro con brio ( 1 7701827) Larghctto Scherzo & Trio ( A llegro) A llegro molto a The University Symphony and University Chorus w ill present their Spring concert on Saturday. A pril 1 6 " , p erforming the Coronation Scene from Mussorgsk y ’s opera Boris Godonov and the secular cantata The Fir st WalpurgisNight by Felix Mendelssohn. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:08:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243842&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243842&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243842&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Around the horn, March 5, 2005 Description An account of the resource Works of Debussy, Schumann, Beethoven. Held at 8:00 p.m., March 5, 2005, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Perry, Timothy Cecere, Greg Epelman, Emie Jacobsen, Alfred Lokken, Patrick Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-5 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/5b52e67464300985ffd3a42149d69c92.pdf 8a1d466c64048aed9b304055f995fd2c PDF Text Text 1 \ b ¢ 1 BINGHAMTON o — £ % Ga U N I V E R S I T Y State University of New York Department of Music Musica Nova Music for Violin & Piano Patricia Sunwoo, violin Ewa MackiewiczWolfe, piano Sunday, M arc h 6, 2005 3 :00 p.m. Casadesus Recital Hall �P rogram L Alfred Schnittke (19341998) Sonata No. 1 for violin and p1ano Andante Allegretto Largo AllegrettoscherzandoAllegro II. Isang Yun (19171995) Kontraste (1987) for violin solo III. Synchronisms No. 9 for violin and tape (1988) ........................ Mario Davidovsky (b. 1934) IV. Who Let the Cat Out Last Night from Three Country Fiddle Pieces for violin, piano and optional percussion ... Paul Schoenﬁeld (b. 1947) Inrermission a 8 V. AriaLament for solo violin (1991 ) . ..Aaron Jay Kemis (b. 1960) VI. Sonata for violin and piano (1964) Allegro Andantino Lento Allegro John Corigliano (b. 1938) �Composer’s Biographies an d P rogram Notes LI Alfred Schnittke (19341998) was born in the Soviet Union, to German Russian parents. Schnittke began his musical studies in Vienna where his father, a journalist, had been posted. In 1948 the family moved to Moscow, where Schnittke studied piano and choral conducting, and later composition at the Moscow Conservatory. From 1962 to 1972, Schnittke taught instrumentation at the Conservatory. Thereafter, he supported himself mainly by composing ﬁlm scores. Like his predecessor (and inspiration) Dmitri Shostakovich, Schnittke had many problems with the Soviet Ministry of Culture. The authorities often felt his music too antiideological, and tried to prevent his music from being heard. This included attempts to take away foreign commissions and forbid the purchase of his scores. Despite these attempts, Schnittke found ways to keep up with the compositional trends of the Western world, and develop his hallmark “polystylistic” idiom. He was supported by musicians such as Gidon Kremer and Mstislav Rostropovich, and was eventually commissioned by Camegie Hall, Boston Symphony Orchestra an d New York Philharmonic, among others. In 1990 he moved to Hamburg, where he died after his third stroke. Today he is regarded as Shostakovich’s “heir”. His works have become staples of musical literature, and more than ﬁfty recordings devoted exclusively to his music have been released. Included in this oeuvre are three violin sonatas. Sonata No. 1 fo r violin and piano (1963) Violinist Midori writes: Schnittke’s First Violin Sonata opens with a lonesome short soliloquy on the violin, which is constructed on the 12tone row. Then, the piano enters with staccato notes, aga in using the tone row, adding to the “~ eeriness of the atmosphere. The climax of the movement is the row in reverse. Sarcasm and irony prevail in the second movement, which leads with pause into the next Largo. In this third movement, Schnittke plays tribute to Bach. As the violin holds the note G, the upper line of th e piano plays th e notes CBDC sharp. These notes correspond to BACH by a whole step. The harmonics at the end of this movement imitate the sound of a Baroque ﬂute. The ﬁnal movement resembles a burlesque. I also feel compelled to include a quote from David K. Nelson of Fanfare: Schnittke ’s Sonata No. 1 calls for novel colors and methods of attack, with ironclad execution. There is plenty of pure pounding for the pianist, and chances for the ﬁddle to shriek like a banshee in this tunefulyet 12tone sonata. The music must have sounded ve ry modern in 1963, rocketing dizzyingly between a mockreligioso mood to a Prokoﬁevlike toccata to a jazz/pop segment. IL Isang Yun (191 71995) one of Germany’s foremost composers, did not hear a major scale until he was eight years old, when the Western music world was already throwing in the towel on tonality. Yun was raised in the small southern Korean ﬁshing town of Tong Yong. His only contact with Western tonal music was through the neighborhood missionary Church, which oﬀered simple hymns not unlike Bradbury’s 1862 hit “Jesus Loves Me”. The ﬁrst European instrument Yun laid eyes on, was the church harmonium. Yun’s early musical sphere consisted wholly of traditional Korean sounds. This included harvest songs sung in riceﬁelds, ritual songs of shamans, chants and drumming consoles during Buddhist festivities, traveling Chinese and Korean opera troops accompanied by traditional instruments. A Department o f Music was set up at the Seoul National University in 1946, which became the breeding ground for Europeanstyle compositional studies. Yun accepted a teaching position here when the Korean War ended in 1953. He then tra veled to Paris and West Berlin where he mastered European serialism, but quickly grew disinterested in it. It was only during this time that he realized the value of traditional music, and thereafter consistently sought to incorporate it into his works. In 1967, when living in West Berlin, Yun was kidnapped by his own South Korean government, tried for high treason and sentenced to death for falsely suspected communist activ ities during an earlier trip he too k to North Korea. As he sat in prison for the next few years, an outraged German government fought for his freedom. It ﬁnally took a petition signed by an elite group of international musicians to save his life, including Boulez, Stockhausen, von Karajan, Klemperer, and Stravinsky. An excerpt from their letter to then South Korean President Ch ung Hee Park reads: Mr. Yun is known, not only in Europe, but throughout the whole world, as an outstanding composer. His goal is always to un ite the most distinguished traditions of Korean music with Western musical practices; _his work and his personality must be regarded as an inestimable means to announce Korean culture and art outside of Korea. Without him, we would know very little about your country.... The international music world needs Mr. Yun. His role as a mediator between the Ea st and West i s o f utmost importanc e to us....Yun w as indeed released and returned to West Germany, where he received citizenship in 1971. In an interview with his biographer Luise Rinser, he said “Everyday, I would like to stop and return to my Korean homeland, and there sit at sea, ﬁsh, hear the sp irit o f music without seeing it, and ﬁnd myself in the large silence. This homesickness is beautifully captured in Kontraste. Yun died in 1995 without ever revisiting Korea. �Kontraste (1987) Yun asks the violinist to evoke traditional Korean instruments by way of unconventional techniques: the komungo, a plucked zither used in aristocratic courts, produces a soft sound that mixes percussion and melody; the haegum, a bowed twostringed ﬁddle held like a tiny cello, has a peculiar nasal sound quality; the taegum, a yellow bamboo ﬂute with reed tissues over the ﬁnger holes and a very large blowhole, can produce a rasping, buzzing sound and accommodate a very wide vibrato and pitch ﬂuctuations. Yun writes in elaborate pentatonic ornaments and speciﬁc instructions for vibrato usage. l J Practically every note has a dynamic scheme, and very often they cover the extreme possibilities. The last page consists of gradations of quadruple fortes and triple fortes. Almost every note is followed by a slide, sometimes covering merely a quartertone. In ancient Korean music, the single tone is an entity all by itself. It does not need another tone or a complete phrase to be fulﬁlled. The natural vibration of each note is then used as a means of expression, manifesting itself through embellishments, trills, glissandi and dynamic changes. IV. Paul Schoenﬁeld (b. 1947) a native of Detroit, is an accomplished pianist, and has toured Europe, South America and the United States with diﬀerent groups, including Musicians from Marlboro. Among his recordings are the complete violin and piano works of Bartok with Sergiu Luca. He is also a scholar of mathematics and Hebrew. As a composer, he has received commissions and grants from the National Endowment of the Arts, the Ohio Arts Commission, Chamber Music America, and many other organizations. His works have been recorded on the EMI, Angel, Decca, BMG and New World labels. II]. “ ~ Mario Davidovsky was born in 1934 in Buenos Aires, Argentina. He ﬁrst studied composition with Guillermo Graetzer at the University of Buenos Aires. Particularly interested in electronic music, Davidovsky visited the Tanglewood Music Festival in 1958, where he worked with Aaron Copland and Milton Babbitt. In 1960, he took up permanent residence in New York City, ﬁrst as a Guggenheim Fellow at Columbia University where he sat in on the seminars of Otto Luening, and then as the leader of ColumbiaPrinceton Electronic Music Center, where he remained until 1994. In 1994, he joined the faculty of Harvard University. He is most widely recognized for his contributions in the realm of electroacoustic music, with his series of Synchronisms for live instruments and prerecorded electronic sounds. These include works for ﬂute, string quartet, cello, chorus, percussion ensemble, piano (for which he won a Pulitzer Prize in 1971), orchestra, woodwind quintet and solo violin. (Davidovsky has also Who Let the Cat Out Last Night from Three Country Fiddle Pieces (1984) This is the ﬁrst of three popular short pieces for ampliﬁed violin, piano and optional percussion (played today without ampliﬁcation or percussion). It draws on the styles of jazz, blues, and country ﬁddling. Schoenﬁeld carefully notates the improvisational qualities o f these popular idioms. For example, he uses quarter tones and “1/6” tones to indicate the ﬂat bending of a pitch. He infused the piano part with Ivesian harmonies, and short witty quotations from Romantic works, such as” Cesar Franck ’s Sonata for Violin and Piano, and Wagner’s Tannhauser. composed many works for “acoustic” instruments.) Synchronisms No. 9 for violin and tape (1988) This work was commissioned by the Massachusetts Institute of Technology. The electronic tape was produced at the MIT Media Laboratory and the Electronic Music Center, Columbia University. Eric Salzman writes for Composers Recordings Inc.: Davidovsky was trained as a violinist and he was brought up on the traditions of what he calls “turnofthecentury violinism.” He literally takes the technique of one generation and applies it to the musical sensibility of another; Sarasate or Wieniawski serialized! He also plays with the relationship between the live instrument and the electronic part, one in the traditional Western tuning, the other with the whole gamut of tonal possibility on a continuum. “1 was,” he says, “trying to embed two musical spaces into one and hopefully come up with something that is more than the sum of its parts. The violin initiates gestures that the tape ﬁnishes. The violin modulates the tape and the tape modulates the violin.” Like the other works in the Synchronisms series, this piece follows traditional classical phrasing but neither traditional thematic construction nor strict twelvetone methods apply. Davidovsky describes this compositional method as a “statistical curve of density”; it is related to European serialism but distinctive. Never mind; like the earlier Synchronisms, this is not a theoretical statement but a remarkably coherent piece with clarity and rhythmic integrity in its musical gestures. V. \ ) ' 3 A aron J ay Kernis was born in Philadelphia in 1960, and studied composition at the San Francisco Conservatory, the Manhattan School o f Music and Yale University, with John Adams, Charles Wuorinen and Jacob Druckman. In 1998 he won the Pulitzer Prize for his Second String Quartet, which was recorded by the Lark String Quartet. He has also earned Grammy nominations for Air for solo violin recorded by Joshua Bell, and a recording of his Symphony No. 2 by the Birmingham Symphony Orchestra. Kemis was commissioned by Disney to �write a choral symphony, Garden of Light, to celebrate the millennium. He wrote the New Era Dance to commemorate the 1 50” anniversary of the New York Philharmonic. He was also recently commissioned by the American Museum of Natural History in New York City to create an ambientsound installation for the museum‘s new Rose Center. Since 1998 he has been the New Music Advisor to the Minnesota Orchestra. His music is published by Boosey and Hawkes and Associated Music Publishers. Recordings of his works can be found on the CRI, Nonesuch, EMI, New Albion and Argo labels. faculty at City University of New York and the Juilliard School. In 1991 he was elected to the A merican Academy and Institute of Arts and Letters, and in 1992, Musical America named him their ﬁrst “Composer of the Year”. His music is published exclusively by G. Schirmer. v a AriaLament Kemis writes: AriaLament was written in 1991 for violinist Kate Light, It is the second work that I composed as part of my cycle of works which respond and meditate on war in our time. Some of the other works in this cycle include my Second Symphony, Colored Field, Still Movement with Hym n and Lament and Prayer for violin and orchestra written for Pamela F rank. I wrote AriaLament as my own awareness about the conﬂict in BosniaHerzogovinia led me to read extensively on the Holocaust and look more deeply at my Jewish heritage. There are elements in this work that come from personal impressions and memories of cantorial singing. variations of the ﬁrst. The third movemen t caps a tense, emot ional VI. Jo hn Corigliano (b. 1938) received the Pulitzer Prize in Music for his Symphony No. 2 in 2001, which was premiered by the Boston Symphony Orchestra under Seiji Ozawa. In 2000, Corigliano won another coveted prize: the Academy Award, for “The Red Violin,” his third ﬁlm score. EsaPekka ~ Salonen leads soloist Joshua Bell and the London Philharmonia in Sony Classical’s recording of the soundtrack. Commissioned by the Metropolitan Opera, where it premiered in 1991, the immensely popular opera Ghosts of * Versailles sold out two engagements at the Metropolitan as well as its 1995 production at the Chicago Lyric Opera. The nationwide telecast of the Metropolitan ’s premiere was released on videocassette by Deutsche Grammophon. Corigliano’s Symphony No. 1, commissioned by the Chicago Symphony Orchestra, was an impassioned response to the AIDS crisis. It captured the 1991 G rawemeyer Award for Best New Orchestral Composition; Chicago’s recording of the symphony won two Grammy awards for both Best New Composition and Best Orchestral Performance. In 1996, the Cleveland Quartet ’s recording of his String Quartet also won a G rammy Award for Best New Composition, making Corigliano the ﬁrst composer to win twice in the history of that award. Born in New York, Corigliano comes from a musical family. His father was concertmaster of the New York Philharmonic from 19431966 and his mother was an accomplished pianist. Corigliano is on Sonata for Violin a nd Piano (1964) This popular early work won the 1964 Spoleto Festival Competition for Chamber Music. It was premiered by Yoko Matsuda and Charles Wadsworth. Corigliano writes: This Sonata is an optimistic, ultrarhythmic, tonalandthensome duo for two masterful players. I built the themes and harmonics of its four movements all from a second and its inversion, a seventh. The movements center, respectively, on C, D, G minor, and D—but I freely included nontonal and polytonal sections when needed. I think its eclecticism, its rhythmic energy, and its bright character give the Sonata a very American quality, though that wasn’t the goal of writing it. I didn’t so much develop the lively theme in the opening Allegro as herald it with a brief opening fanfare and then embed it in a detailed backdrop, like a stone in a mosaic. Then, from those backdrop details, I built the ﬁrst theme of the next movement, a gentle Andantino in a modiﬁed sonata form. Three themes seem to intertwine in this movement, which peaks and peaks again before quieting—but a closer look should reveal that both the second and third themes are but violin soliloquy with hushed echoes of th e sonata’s signal interval ( th e second), and the fourth movement, a rondo with a diﬀerence, takes a vivid polytriadic theme, and augmented variation on it, and accompanimental ﬁgures from previous movements, and spins them all into a breathless and exuberant polymetric ﬁnale. * o �A bout th e Performers v s Violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performi ng Berg’s Violin Concerto at Lincoln Center with the Juilliard Orchestra. As a member of the Whitman Stri ng Quartet, winner of the 1998 Naumburg Award, she performed to critical acclaim across the United States, recorded works of Artur Schnabel and Michael Whalen, and was frequently heard on NPR. In February, the Whitmans gave a reunion concert at Carnegie Hall’s Weill Recital Hall, premiering a work for quartet and cantor by Kenji Bunch. She has also been a member of New York City’s new music ensembles Sequitur and Continuum, and has worked with composers such as Joan Tower and John Corigliano. She looks forward to giving the ﬁrst performance of Marek Harris’s Duo in May with the Finger Lakes Chamber Ensemble, which was commissioned by friends from the Binghamton University community last spring. Ms. Sunwoo tours with the Bard Festival String Quartet, and recently joined the Finger Lakes Chamber Ensemble and th e Rochester Philharmonic Orchestra. She has been teaching at Binghamton University since 2001, and now resides in Rochester with violinist and husband David Brickman, and daughter Claire. —~ O . EWA MACKIEWICZ WOLFE, the winner of the International Competition o f Renaissance and Baroque Music, and the International Competition for Young Pianists in Warsaw, Poland, is also the recipient of awards in international music competitions in Budapest, Hungary and Dresden, Germany. She appeared in several music festivals such as the Young Artist Festival o f Karol Szymanowski, the Festival o f Vladyslav Kedra for Young Pianists in Poland, Chamber Music Festivals in Germany and Hungary. Her career as a piano soloist developed further as a result of concerts arranged by the Association of Polish Artists/Musicians, Government Art Agency (PAGART), the Karol Szymanowski Musical Society, and various music colleges. She performed solo recitals and concerts with symphony orchestras throughout Eastern Europe, Northeastern United States and Canada. Ms. MackiewiczWolfe received her bachelor’s and master’s degrees in piano performance with honors and high distinction from the Academy of Music in Lodz, Poland where she continued as Assistant Professor and Master Lecturer in music. Since 1984, she has been associated with the Binghamton University Music Department. �Coming Even ts (Subject to Change ) Th ursday, March 31 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Sunday, April 3 Organist Jona than Biggers – Music for Organ and Strings – 4:00 p.m. First Presbyterian Church, Binghamton $15 general public; $13 faculty/staﬀ/seniors; $ 7students \ l Th ursday, April 7 – MidDay Con cert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall Th ursday, April 7 – Master ’s Recital – Donald Truesdail, s tring bass – 8:00 p.m. – Casadesus Recital Hall – free Saturday, Apri l 9 – Student R ecital – Jessica Cheng, piano – 3:00 p.m. – Casadesus Recital Hall – free Sunday, April 1 0 – Chamber Music Masterpieces – 3:00 p.m. – Anderson Center Chamber Hall $15 general public; $13 faculty/staﬀ/seniors; $7 students Wednesday, Ap ril 1 3 – Master ’s Recital : Jenni fer Perkins, sop rano – 8:00 p.m. – Casadesus Recital Hall free Th ursday, April 1 4 – MidDay Co ncert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Th ursday, April 1 4 – Senior Hon or ’s Recital : Nancy Schned ier, piano – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 1 6 – Senior Hono r ’s Recital : Talitha Phillips, string bass 3:00 p.m. – Casadesus Recital Hall – free Saturday, Apri l 1 6 – University C horus and Orch estra – Coronat ion and Confrontation – 8:00 p.m. – Anderson Center Osterhout Concert Theater $10 general public; $7 facult/staﬀ/seniors; free for students Sunday, April 1 7 – Piano Studio Recital : Students of ChaiKyou Mallinson – 3:00 p.m. – Casadesus Recital Hall – free Th ursday, April 2 1 – MidDay Concert with faculty an d student performers – 1 :20 p.m. ~ Casadesus Recital Hall L l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:01;37:38 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243851&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243851&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243851&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Musica Nova: Music for violin & piano, March 6, 2005 Description An account of the resource Works of Schnittke, Yun, Davidovsky, Schoenfield, Kernis, Corigliano. Held at 3:00 p.m., March 6, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Sunwoo, Patricia Mackiewicz-Wolfe, Ewa Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-6 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/92f82251ae3155099f36b7df9ff47e33.pdf c9e50263534476627ad7cabbb8e6573c PDF Text Text UN i fe - a 0 g, . r 9 BIN U N I V E R N Y State University of New York Department of Music Chamber Music Masterpieces Patricia Sunwoo, violin Roberta Crawford, viola Stephen Stalker, cello Mary Burgess, soprano Michael Salmirs, piano with guest artist Rebecca Ansel, violin April 10, 2005 3:00 p.m. Anderson Center Chamber Hall �Program String Quartet in D Major, Op. 20, No. 4.........Franz Joseph Haydn (1732-1809) Allegro di molto Un poco adagio aﬀettuoso Menuetto: Allegretto alla zingarese Presto scherzando Rebecca Ansel, violin; Patricia Sunwoo, violin Roberta Crawford, viola; Stephen Stalker, cello Seven Romances on Poems of Alexander Blok, Op. 127 Dmitri Shostakovich (1906-1975) 1. Ophelia’s song 2. Hamayun, the prophetic bird 3. We were together 4. The city is asleep 5. The storm 6. Secret signs 7. Music Ma ry Burgess, soprano; Michael Salmirs, piano Patricia Sunwoo, violin, Stephen Stalker, cello --Intermission-Piano Quintet in F Minor... Molto moderato quasi lento—Allegro César Franck (1822-1890) Lento, con molto sentimento Allegro non troppo, ma con fuoco Rebecca Ansel, violin ; Patricia Sunwoo, violin Roberta Crawford, viola ; Stephen Stalker, cello Michael Salmirs, piano �Program Notes String Quartet Op. 20, No. 4 in D major Haydn’s six Opus 20 string quartets are known as the “Sun” Quartets because of the publisher’s emblem (a rising Sun) on the title page of the 1772 edition. Among his most frequently performed chamber works, these quartets are representative of the mature composer, writing a steady supply of music to be performed at the Esterhazy court. The opening Allegro di molto is both fresh and lyrical: in the development section, the four instruments converse with one another in triplet runs. The Un poco Adagio aﬀetuoso, in the parallel minor key is a theme with variations which feature each instrument in turn: it is followed by a bright Menuetto in D major, with “gypsy” cross-accents and syncopation. The quartet closes with a typical, high-spirited Haydn rondo. Shostakovich: Seven Romances on Poems of Alexander Blok, Op. 127 Written in 1967 when Shostakovich was recovering from a heart attack, the Seven Romances were commissioned by cellist Mstislav Rostropovich and dedicated to Rostropovich’s wife, the soprano Galina Vishnevskaya. They were premiered in October of that year at the Moscow Conservatory, the performance marking the 50th anniversary of the October Revolution. The original performers were Rostropovich, Vishnevskaya, violinist David Oistrakh, and pianist Mieczyslaw Vainberg. The poetic texts by the highly inﬂuential, early 20th Century poet Alexander Blok are almost relentlessly dark and pessimistic. Near the end of a diﬀicult life and facing what may have seemed like imminent death, Shostakovich (who lived until 1975) chose poems that demonstrated Blok’s grim prescience of coming catastrophes. His musical settings make it clear that he expected nothing better in the future. Nevertheless, the last song movingly ﬁnds the composer (and poet) oﬀering up his ﬁnal “passion” to Music, “empress of the universe,” from her “unworthy slave.” l �In her memoirs, Vishnevskaya wrote of the cycle: “This work of agonizing beauty occupies a unique place in Shostakovich’s oeuvre. He wrote it in the hospital after his heart attack, after his confrontation with death and return to life. He seems to survey his life journey as if from the vault of the heavens, and he addresses himself to those spiritual values for whose sake alone life is worth living.” ¢ l Franck : Piano Quintet in F Minor César Franck was 57 when he completed his Piano Quintet. It was the ﬁrst piece of chamber music he had written in 30 years, and its romantic mood contrasted with Franck’s earlier work. The choice of medium is explained by the recent launching of the Société Nationale de Musique, which set as its goal to promote chamber music. As for the mood, the likely explanation is Franck’s infatuation with his student Augusta Holmes, a beautiful and gifted woman 25 years his junior. The novelties of the work were not lost on the audience of the ﬁrst performance. The premiere left some unpleasant memories: the piano part was played by Camille SaintSaéns, who was Franck’s rival and had little aﬀinity for the emotional intensity of the piece. When the performance was ﬁnished Saint-Saéns left the stage rather abruptly, leaving the manuscript on the piano in a gesture everyone interpreted as very ill mannered. Another person who was appalled by the new work was Frank’s wife Félicité, who had no doubts about the inspiration behind it. Frank based nearly all of his mature works on musical ideas that recur in all the movements, a technique he had learned primarily from Franz Liszt. 4 l �l About the Performers Violinist REBECCA ANSEL earned her BM from Rice University and her MM and DMA from the University of Michigan, where she served as a teaching assistant for ﬁve years. Her primary teachers were Kathleen Winkler and Paul Kantor. Her summers have been spent at numerous music festivals including Aspen, Bowdoin, Music Academy of the West, Brandeis and Taos, where she had the opportunity to work with the American, Brentano, Takacs, Chicago and Lydian string quartets. Dr. Ansel previously taught at Ohio State University, Blue Lake Fine Arts Camp, the Rocky Mountain Summer Conservatory and the ASTA String Institute at Ithaca College. She is currently Assistant Professor of Violin at Ithaca College, where she is also a member of the Ariadne String Quartet. Additionally, she is on the faculty of The Adriatic Chamber Music Festival in Bonefro Italy. Dr Ansel is an active recitalist and has performed with many ensembles in Ann Arbor, Michigan, the Iris Chamber Orchestra in Memphis, Tennessee, Pro Musica Chamber Orchestra and the Columbus Bach Ensemble in Ohio, The Roycroft Chamber Players in East Aurora, NY and the Cayuga Chamber Orchestra and Ensemble X in Ithaca, NY. Canadian-born violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg’s Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competitions, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded works of Artur Schnabel and Michael Whalen for labels CP2 and Arabesque Recordings, and was aired by NPR and Japan’s NHK. Recent engagements include appearances at the Carnegie Hall’s Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L’Espace Pierre Cardin in Paris. She has worked with composers John Corigliano, Joan Tower and George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. ; �ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician. As Associate Director and a founding member of the Finger Lake Chamber Ensemble, Crawford has participated in over one-hundred solo, chamber, and lecture-recitals presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Crawford has played with the Portland and Syracuse symphonies and is Associate Principal Violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford has premiered numerous works featuring viola and has had several works dedicated to her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Crawford has served as clinician, coach, and adjudicator for numerous music organizations and is Director of ViolaFest at Binghamton. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently Coordinator of Strings at Binghamton University " [ STEPHEN STALKER, cello, has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the U.S., France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a ﬁnalist in the Evian International String Quartet Competition and the Naumberg Chamber Music Competition, and was an Artist-in-Residence at Colgate University. Since 1980, he has played in the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, “Four Score,” at the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic. He teaches cello and double bass at Binghamton University. A l �MARY BURGESS, associate professor of voice at Binghamton University, recently celebrated the fortieth anniversary of her New York City Opera debut, which occurred while she was still an undergraduate at the Curtis Institute of Music in Philadelphia. Her European operatic debut at the Holland Festival, in the title role of Cavalli’s L’Erismena, brought engagements at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and several consecutive seasons in leading roles at Dublin Grand Opera in Ireland. Her repertoire of thirty-eight roles in ﬁve languages includes six which she has performed in Binghamton at Tri-Cities Opera: Madama Butterﬂy, La Traviata, Tosca, Marguerite in Faust, The Merry Widow, and Norma. A frequent soloist with orchestras, Burgess has appeared with more than two dozen U.S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (Lorin Maazel, Eduardo Mata), Chicago Symphony (with Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such festivals as Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival. In August 1996, at Monadnock Music Festival in New Hampshire, Burgess made a critically acclaimed debut in the role of Susan B. Anthony in Virgil Thomson’s The Mother of Us All, honoring the centenary of his birth. She returned to Monadnock Festival in August 1997 as Violetta in a gala concert performance of Verdi’s La Traviata, . prompting the Boston Herald to comment: “...she negotiated Ah, fors’e lui and Sempre libera with warmth and speciﬁcity of expression. She also produced beautiful, ﬂoaty pianissimos in the aria. More importantly, she had a minutely detailed conception of the character and the role that informed her singing. It was a revelation to watch her.” Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. �COMING EVENTS Wednesday, April 13 – Master ’s Recital : Jennifer Perkins, soprano – 8:00 p.m. – Casadesus Recital Hall – free Thursday, April 14 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Thursday, April 14 – Senior Honor’s Recital: Nancy Schneider, piano – 8:00 p.m. - Casadesus Recital Hall – free Friday, April 15 – Student Recital : Sut-Han Che, piano – 8:00 p.m. Casadesus Recital Hall – free Saturday, April 16 – Senior Honor’s Recital: Talitha Phillips, string bass – 3:00 p.m. – Casadesus Recital Hall – free Saturday, April 16 -- University Chorus and Orchestra – Coronation and Confrontation – 8:00 p.m. – Anderson Center Osterhout Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, April 17 – Student Recital : Caroline Bravo, clarinet – 7:30 p.m. – Casadesus Recital Hall – free Tuesday, April 1 9 – Student Brass Quintet – 8:00 p.m. ~ Casadesus Recital Hall – free Thursday, April 21 – Mid-Day Jazz Concert with guest artist artist - 1 :20 p.m. – Anderson Center Osterhout Concert Theater – free Thursday, April 21 – Harpur Jazz Ensemble with guest artist – 1 :20 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert with guest artist artist - 1:20 p.m. – Casadesus Recital Hall – free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor ’s Recital : Deanna Bunal, mezzo-soprano – 3 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:34;38:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chamber music masterpieces, April 10, 2005 Description An account of the resource Works of Haydn, Shostakovich, Franck. Held at 3:00 p.m., April 10, 2005, Anderson Chamber Hall. Creator An entity primarily responsible for making the resource Sunwoo, Patricia Crawford, Roberta Stalker, Stephen Burgess, Mary Salmirs, Michael Ansel, Rebecca Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-10 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/bcc5eea82a75736f282b5f0834b51dfd.pdf 7941922e06212f42305291d827f97d3f PDF Text Text Y RRC N \- ¢\ ¢ An) 0 A BINGHAM TON U N I V E R \ State University of New York Binghamton University Department of Music (C )5 AD Y - {H i . THURSDAY MID-DAY CONCERT \ April 14, 2005 – Casadesus Recital Hall VEC ¢ OW ... Henry Purcell (1659-1695) Four Songs .................. Musicfor a While Sound the Trumpet Nymphs and Shepherds Man is f o r the Woman made Amber Alarcon, mezzo-soprano Student o f Prof. Burgess Chai-Kyou Mallinson, piano .Serge Koussevitzky (1874-1951) Andante Talitha Phillips, double bass Student of Prof. Stalker Margaret Reitz, piano Nur, wer die Sehnsucht kennt, Op. 6, 10.6 e s s e ... P.Tschaikowsky (1840-1893) ... Johannes Brahms (1833-1897) Der Jager, Op. 95, n0.4 .. Wanderers Nachtlied, Op. 96, no.3............. ... Franz Schubert (1797-1828) Die Vogel, Op. 172, n0.6..........cceeueeee. ... Franz Schubert .. Johannes Brahms - Von ewiger Liebe, Op.48, no.1......... (translations on back) Deanna Bunal, mezzo-soprano Student of Prof. Burgess Chai-Kyou Mallinson, piano Camille Saint-Saens (1835-1921) Sonate pour Clarinette IV Molto Allegro Caroline Bravo, clarinet Student of Prof. Perry Margaret Reitz, piano DanZON e ... Paquito D’ Rivera (b. 1931) e Timothy Perry, clarinet Stephen Stalker, violoncello Margaret Reitz, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243759&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243759&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243759&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 14, 2005 Description An account of the resource Works of Purcell, Koussevitzky, Tschaikowsky, Brahms, Schubert, Saint-Saëns, D'Rivera. Held April 14, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Alarcon, Amber Mallinson, Chai-Kyou Phillips, Talitha Reitz, Margaret Bunal, Deanna Bravo, Caroline Perry, Timothy Stalker, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-14 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/3c06a4dd2a868f62f3c961e6e81cbd0f.pdf bdbeedda5902ee60aaddf62d34efae8e PDF Text Text uNlIy A L C \ “ e . 5 \ l W\ BIN A00 5 q »\ L, o r e O, 1 C U N I V E R TY State University of New York A Department of Music B E S Senio r Piano Recita l Sut Han Che, piano with Miehaei Saimirs, piano Friday, April 15, 2005 8 :00 p.m. Casadesus Recital Hall �Program Sonata, KV 330 Allegretto Andante Allegretto W.A. Mozart (1756-1791) Etudes............ Frédéric Chopin (1810-1849) Revolutionary, Op. 10-No. 12 Butterﬂy, Op. 25-No. 9 C minor, Op. 25-No. 12 --Intermission-: 5 .. Claude Debussy (1862-1918) En Bateau Cortege Menuet Ballet Suite Op. 14 Allegretto Scherzo Allegro molto Sostenuto Ballade No. 3 in A-ﬂat, Op. 47 Allegretto . Béla Bartok (1881-1945) . Frédéric Chopin (1810-1849) �About the Performers SUT HAN CHEN (Candice) was born in Macau SAR. She started to learn piano with private piano teachers when she was eight. To gain orchestral experience, Che joined her high school orchestra and played clarinet for three years. Along with high school education, she attended Macau Conservatory to study music history, theory and improve her techniques during which she participated in the Annual Macau Youth Music Competition and won prizes in solo piano and chamber music. After high school graduation in 2001, Che came to the United States to continue her eduation at Binghamton University as an accounting major. At the University, Che studied piano performance with Professor Michael Salmirs and gained many public performance experiences during and also outside of piano classes. Che also studied chamber music with other professors at the University and performed several pieces in public. s éq1 M C H AAEW AYLRAFT) sm and amd artistic s Airon Pianist RATAIYY O TL S A M I R S , founding member director of the Finger Lakes Chamber Ensemble is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. �COMING EVENTS Saturday, April 16 – Senior Honor ’s Recital – Talitha Phillips, string bass 3:00 p.m. – Casadesus Recital Hall - free Saturday, April 16 – University Chorus and Orchestra – Coronation and Confrontation – 8:00 p.m. -- Anderson Center Osterhout Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, April 17 – Student Recital : Caroline Bravo, clarinet – 7:30 p.m. – Casadesus Recital Hall – free Tuesday, April 19 – Student Brass Quintet – 8:00 p.m. – Casadesus Recital Hall -- free Thursday, April 21 – Mid-Day Jazz Concert with Bill Easley - 1:20 p.m. – Anderson Center Osterhout Concert Theater – free Thursday, April 21 – Harpu r Jazz Ensemble with Bill Easley – 8:00 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert - 1:20 p.m. – Casadesus Recital Hall – free : Friday, April 29 – Master’s Recital – Paul Blake, trombone – 8:00 p.m. – Casadesus Recital Hall - free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor’s Recital : Deanna Bunal, mezzo-soprano. – 3 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Master’s Recital – Amber Alarcon, mezzo-soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 1 – University Wind Ensemble: We Band of Brothers – 3:00 pm. – Anderson Center Chamber Hall – free Sunday, May 1 – Junior Recital : Melissa Mattern, viola – 7:30 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243762&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243762&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243762&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior piano recital, Sut Han Che, piano, April 15, 2005 Description An account of the resource Works of Mozart, Chopin, Debussy, Bartók. Held on April 15, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Che, Sut Han Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-15 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/597a5b153de5a60ca299fc35588690f0.pdf a07bc20bab55ce68ee770d4cc449698d PDF Text Text ’ B IN U N I V E { ; } — ON R S E S State University of New York Depart ment of Music “Music through the Ages” Harpur Brass The Brass Quintet of Binghamton University Erinn Hibbard, trumpet Stephen Boel, trumpet Patrick Lokken, French horn David Henann, trombone Daniel Gallagher, tuba Ben Aldridge, faculty advisor Tuesday, April 19, 2005 8 :00 p.m. Casadesus Recital Hall �Program Procession of the Nobles.. Nikolai Rimsky-Korsakov from Mlada (1844-1908) Arr. Rolf Smedvig Intrada .. ..Johann Groh from 36 neue liebliche und zierliche Intraden, so zuvor niemals gesehen Nuremberg, 1603 Contrapunctus I from The Art of the Fugue (c. 1575-c. 1627) «eee... JOhann Sebastian Bach The Promise of Living .. Thanksgiving Song from The Tender Land (1685-1750) .Aaron Copland (1900-1990) --Intermission-Buckaroo Holiday from Rodeo ..Aaron Copland (1900-1990) Four Songs for Brass Quintet. ..Charles Ives based on four songs originally for voice and piano* (1874-1954) transcribed by Kenneth Singleton 1. “On the Counter” (text by Ives; composed 1920) 2. “The Side Show” (text by Pat Rooney, Sr.; composed 1886) 3. “Slow March” (text by L. Brewster, with additions by Ives family members; composed c. 1887) 4. “Tarrant Moss” (text by Rudyard Kipling; composed 1902-03) Four Moods for Brass Quintet .. .. Arthur Harris I. Chorale: Komm siisser Tod. (translation: Come sweet death.) II. Waltz III. Lyric Piece IV. Finale Just A Closer Walk.. ......... .. (1957) ....traditional hymn Arr. Don Gillis �Charles Ives’ Songs *original text for the songs in which Four Songs for Brass Quintet by Charles Ives is based: 1. “On the Counter” Tunes we heard in “ninety-two,” soﬁ and sweet, Always ending “I love you”. . phrases nice and neat; The same old chords, the same old time the same old sentimental sound, Shades of Hawley, Smith and Nevin, in new songs abound. 2. “The Side Show” “Is that Mister Riley, who keeps the hotel?” Is the tune that accomp’nies the trotting track bell; An old horse unsound, turns the merry-go-round, Making poor Mister Riley look a bit like a Russian dance, Some speak of so highly, as they do of Riley! 3. “Slow March” One evening just at sunset we laid him in the grave; Although a humble animal his heart was true and brave. All the family joined us, in solemn march and slow, From the garden place beneath the trees and where the sunﬂowers grow. 4. “Tarrant Moss” I closed and drew for my Love’s sake, That now is false to me, And I slew the Riever of Tarrant Moss, And set Dumeny free. And ever they give me praise and gold, And ever I mourn my loss; For I struck the blow for my false Love’s sake, And not for the men of the Moss! �COMING EVENTS Thursday, April 21 – Mid-Day Jazz Concert with guest artist – 1:20 p.m. – Anderson Center Osterhout Concert Theater -- free Thursday, April 21 – Harpur Jazz Ensemble with guest artist – 8:00 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – ﬁ'ee Friday, April 29 – Master’s Recital : Paul Blake, trombone – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor’s Recital : Deanna Bunal, mezzosoprano – 3:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Master’s Recital : Amber Alarcon, mezzo-soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 1 – University Wind Ensemble – We Band of Brothers – 3:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Junior Recital : Melissa Mattern, viola – 7:30 p.m. – Casadesus Recital Hall – free Monday, May 2 – Master’s Recital : Robin Kindig, bassoon – 8:00 p.m. – Casadesus Recital Hall – 8:00 p.m. – free Wednesday, May 4 – Student Conductors’ Concert – 8:00 p.m. – Watters Theater – free Thursday, May 5 – Student Recognition Mid-Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – Harpur Chorale and Women’s Chorus – 8:00 p.m. -Anderson Center Chamber Hall - free - � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:26:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243765&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243765&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243765&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music through the Ages, April 19, 2005 Description An account of the resource Works of Rimsky-Korsakov, Groh, Bach, Copland, Ives, Harris. Held at 8:00 p.m., April 19, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hibbard, Erinn Boel, Stephen Lokken, Patrick Hennan, David Gallagher, Daniel Alridge, Ben Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-19 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/4ac9bbe1c01642737e41180cb22e7a73.pdf 66855b955f13384dbdfc0780507e70cb PDF Text Text UN) VT BINGHAMTON U N I V E R S I T Y State University of New York Department of Music Tr ” . l “ U L I l UNIVERSITY PERCUSSION ENSEMBLE Daniel Fabricius, conductor Tuesday, April 26, 2005 8:00 p.m. Anderson Center Cham ber Hall �Program About the Conductor MATRIX....... .. Steve Grimo TOCCATA FOR PERCUSSION INSTRUMENTS Carlos Chavez III. Allegro un poco marziale CONCERTO FOR DRUM SET AND PERCUSSION ENSEMBLE....... ...John Beck Matt Green, Drum Set DANIEL FABRICIUS took the post of Percussion Instructor at Binghamton University in September 1992. He also has been Director of Bands at Owego Free Academy since 1989. Fabricius is active as a performing percussionist in the Southern Tier. He is a member of the Binghamton Symphony Orchestra as well as Timpanist/Principal Percussionist for the Orchestra of the Southern Finger Lakes. In recent years, he also has performed as a percussion soloist in chamber ensembles, in musical theater productions and with a variety of nationally known artists. He performs often as a freelance musician and as a member of the local dance band, “Classy Brass. ” As a music educator, Fabricius holds professional memberships in the New York State School Music Association, the International Association o f Jazz Educators, the Percussive Arts Society, and the National Band Associat ion. He also has served two terms as President o f the New York State Band Directors Association. He has worked on the Summer Session faculty for the Ithaca College School of Music and also serves as a cooperating teacher for senior student teachers. He has conducted many honor band festivals, presented clinics on a variety of music education topics, and has adjudicated at music festivals throughout New York. –INTERMISSION + CONCERTINO FOR MAR IMBA..................... Paul Creston Ill. Lively Matt Cosnett, Marimba THE INTERNET IS A HOAX .COM.....................Mark Turley A LA SAMBA ‘UNIVERSITY PERCUS SION ENSEMBLE Mitchell Peters Matthew Cosnett Matthew Green Spencer Lo Richard Postelnik Pete Tringali Mark Turley �COMING EVENTS Thursday, April 28 – MidDay Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Friday, April 29 – M aster’s Recital: Paul Blake, trombone – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor’s Recital: Deanna Bunal, mezzo soprano – 3:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Master’s Recital: Amber Alarcon, mezzosoprano 8:00 p.m. Casadesus Recital Hall – free Sunday, May 1 – University Wind Ensemble – We Band of Brot hers – 3:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Junior Recital: Melissa Mattern, viola – 7:30 p.m. Casadesus Recital Hall – free Monday, May 2 – M aster’s Recital: Robin Kindig, bassoon – 8:00 p.m. – Casadesus Recital Hall – 8:00 p.m. – free Wednesday, May 4 – Student Conductors’ Concert – 8:00 p.m. – Watters Theater – free Thursday, May 5 – Student Recognition MidDay Concert 1:20 p.m. Casadesus Recital Hall – free Thursday, May 5 – H arpur Chorale and Women’s Chorus 8:00 p.m. Anderson Center Chamber Hall – free Saturday, May 7 – M aster’s Recital: Theresa Peronne, clarinet 3:00 p.m. Casadesus Recital Hall – free Saturday, May 7 – Student Recital: Christina Wan, violin 8:00 p.m. Casadesus Recital Hall – free Sunday, May 8 – Stud ent Saxophone Quart et 3:00 p.m. Casadesus Recital Hall free Thursday, May 12 Master’s Recital: Donald Truesdail, string bass 8:00 p.m. Casadesus Recital Hall free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:56:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243768&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243768&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243768&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble, April 26, 2005 Description An account of the resource Works of Grimo, Chavez, Beck, Creston, Turley, Peters. Held at 8:00 p.m., April 26, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-26 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/0c982d8f2459221cfa5562cc2f28c3a3.pdf 001965e22fe6beb6150fd0780b4a9d3c PDF Text Text BING U N I V E R S I T Y State University of New York Binghamton University Department of Music THURSDAY MIDDAY CONCERT April 28, 2005 – Casadesus Recital Hall Meditation and P o i s s e c o r l ..........Emest Bloch (18801959) a n Melissa Mattern, viola Student of Prof. Crawford Michael Salmirs, piano Nymphs and S E 0 1 Strike the V BB d r e h p e h Henry Purcell ( 16591695) Purcell 1 c.............Edvard Grieg (18431907) s Cari Begeal, mezzosoprano Student of Prof Burgess ChaiKyou Mallinson, piano Concerto No. 2 in Eﬂat for CIATINGL .......ciiiveeiainsecisesasssssesinsssssssasnssssossansonsass Carl Maria von Weber ( 17861 826) II. Romanze: Andante con moto III. Rondo Polacca Theresa Perrone, clarinet Student of Prof Perry Margaret Reitz, piano ’ Nuit d Beau S M a E n o d 1 1 0 t o 1 l e m s...........Claude Debussy (18621918) r .............Debussy e ..............Debussy Deanna Bunal, mezzosoprano Student of Prof Burgess ChaiKyou Mallinson, piano (please turn over) �Fischerweise, Op. 96, no.4......... Franz Schubert ( 17681 827) Schubert Schubert Schubert Im Frithling, Nachlass, Lfg. 25 Nachtstuck, Op. 36, no.2... Mignons Gesang, Nachiass, Lfg. 20 Amber Alarcon, mezzosoprano Student of Prof Burgess ChaiKyou Mallinson, piano r Trio in Eﬂat, K. 498 Andante Menuetto Rondo (Allegretto) Theresa Perrone, clarinet Student of Prof Perry Melissa Mattern, viola Student of Prof Crawford Candice Che, piano Student of Prof Salmirs 4 W. A. Mozart ( 1756 179 1) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:14:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243771&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243771&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243771&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 28, 2005 Description An account of the resource Held April 28, 2005 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-28 Rights Information about rights held in and over the resource In copyright Creator An entity primarily responsible for making the resource Mattern, Melissa Salmirs, Michael Begeal, Cari Mallinson, Chai-Kyou Perrone, Theresa Reitz, Margaret Bunal, Deanna Alarcon, Amber Che, Candice https://omeka.binghamton.edu/omeka/files/original/b854925fc50feb56b6e2b118172c73b7.pdf cd0b94ed7169bbb853fea158c74a78db PDF Text Text ARC Recita l UN I V tape 2005 BINGHAMTON 4-3 UNIV ERSIT Y SPEC COL State University of New York Department of Music The Harpur Trumpet Ensemble Ben Aldridge, director Stephen Boel, conductor · Judith Zhu, piano Sunday, April 3, 2005 7:30 pm Casadesus Recital Hall �Program Royal Fanfare ............................................................. Josquin des Prez (1450-1521) Sonata for Trumpet and Piano .................................... Paul Hindemith (1895-1963) Massig bewegt - Trauermusic Stephen Boel, trumpet; Judy Zhu, piano Madrigal ........................................................................ Don Schaeffer Canzona................................................................... Fiorenzo Maschera Madrigal ................................................................... G.P. da Palestrina Fugue from Saint Paul ................... .......................... Felix Mendelssohn (1809-1847) Trumpet Salutations ..................................................... Nigel Coombes (b. 1974) Buckaroo Holiday from "Rodeo" ................................ Aaron Copland (1900-1990) The Harpur Brass Quintet Concerto for Seven Clarini ·························:······--Johann E. Altenburg ( 1734-1801) Allegro - Andante - Vivace �About the Performers BEN ALDRIDGE holds both Bachelor's and Master's degrees from Yale University, and began teaching trumpet at Binghamton University in 1976. Aldridge has directed both trumpet and mixed brass ensembles throughout his tenure at BU, has performed both solo and chamber repertoire, and has taught theory as well. Aldridge is a member of the Binghamton Philharmonic and the Utica and Catskill Symphonies, as well as the Glimmerglass Opera Orchestra. He also performs with and arranges for the Catskill Brass Quintet. Aldridge is a charter member of the international Trumpet Guild, and has been recorded on Columbia and Redwood records. STEPHEN BOEL is a graduate student in Instrumental Conducting at Binghamton University, where he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, MA, Boel double-majored in Music Education and Music Performance. He also fulfilled the requirements for the Choral Conducting Certificate of ENC while serving for three years as the student director of the A Cappella Choir and Chamber Singers under the mentorship of Timothy Shetler. Boel served as director of music for the Wollaston Church of the Nazarene on the campus of his alma mater, played trumpet in the brass septet Tribute in Brass and assisted with the Wind Ensemble of Eastern Nazarene College. He serves as assistant director of the Binghamton University Wind Ensemble. JUDY ZHU a native from Bejing, China, is a graduate student majoring in piano at Binghamton University. Zhu received her Bachelor of Science in Information Science from Peking University, Bejing, China and her Master of Arts in Anthropology from Binghamton University. She has also been admitted to the M.S. Accounting program at Binghamton University. Zhu is a teaching assistant for the Music Department and studies piano with Ewa Mackiewicz-Wolfe at Binghamton University. �The Harpur Trumpet Ensemble Ben Aldridge, conductor Stephen Boel Garret Clarke Phillip Deitz Derek Ersbak Erinn Hibbard Thomas Osa Finan Pan Glen Widjeskog The Harpur Brass Quintet Stephen Boel, trumpet Erinn Hibbard, trumpet Patrick Lokken, horn David Henann, trombone Daniel Gallagher, tuba � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:43:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243749&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243749&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243749&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harpur Trumpet Ensemble, April 3, 2005 Description An account of the resource Works of des Prez, Hindemith, Schaeffer, Maschera, da Palestrina, Mendelssohn, Coombes, Copland, Altenburg. Held at 7:30 p.m., April 3, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Aldridge, Benjamin Boel, Stephen Zhu, Judy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-3 Rights Information about rights held in and over the resource In copyright