91 10 1775 https://omeka.binghamton.edu/omeka/files/original/7e2e53039d2f576d7e94425a289432ab.pdf bc26f9c6c957d0c6733a3c9e741ba393 PDF Text Text BIN GH AM TO N U N I V E R S I T Y S T A T E  UNIVERSITY  O F  NEW  Y O R K e d e D E P A R T M E N T JUNIOR FLUTE RECITAL JESS ICA B IA GI OT TI Pa ul Watrobski, cello Jacqu eli ne  Ro bins, fl u te Ch ris tin a San ta M ari a, sop ran o W illi am  Ja mes Lawson , p iano a nd ha rpsich ord Friday, March 27, 20 1 5 7:30 p.m. Casadesus Recital  Hall �B O   PROGRAM  c s Sonata in F Major, H WV 369.  for Flute, Cello and Harpsichord  1.  Larghetto Nocturne et Allegro Scherzando.  for Flute and Piano  .Georg Friedrich Handel (1685­1759) 3.  Sicliana 4.  Allegro .  .  .Robett Schumann (1810­1856) 3.  Nicht schnell Syrinx pou r Flute Seule .  ..Claude Debussy (1862­1918) Flute Duet with Piano, Opus 37 .  World Premiere  Richard H ugunine (b. 1953) ­1nterm ission~ Variations on a Them e by Rossini.  .  Frederic Chopin from the opera, La Cenerentola for Flute and Piano  (1810­1849) Theme Variation 1 Con An ima Variation 2 Pui Lento Variation 3 Vivo Variation 4 Con Brio Une Flute Invisible  .  for Flute, Soprano an d Piano  Come! An unseen flute Sighs among the orchards. The most peaceful song Is the song tha t shepherds sing. The wind ruffles beneath the ilex The waters’ sombre mirror . The most joyous song Is the song the birds sing. .  Philippe Gaubert (1879­1941) About the Performers J essica  Bi agi o tti   is   a  J u nior  a t   Bi ngha m ton  Universi ty  ma joring  in  I n tegra tive 2. Allegro Three Romances, Opus 94  for Flute and Piano  1.  Nicht schnell 2.  Einfach, innig .  .....Camille Saint­Saéns (1835­192 1) Let no care torment you. Let us love! Let us alwayslove! The most charming song Is the song that lovers sing. Neuroscience and Music Performance.  She attended Smithtown High School East, Smithtown New York, where she was Principal Flutist in the orchestra and a member of the  Tri­M  Music  Honor  Society, As  a  member  of the  Long lsland  Flute  Club, she performed in their Honors Flute Choir and Flute Competitions.  Jessica completed all six levels in  the New York State School Music A ssociation for both piano and flute. She  was selected  to  take part  in the Suffolk  County Music Educator ’s  Association Festival and attended the Crane Youth Music Summer Program at Potsdam University. Jessica is the Principal Fl utist of the Binghamton University Symphony Orchestra and has perform ed each semester in the Flute Studio and Chamber Concert.  In the fall of 2013,  she  participated  in  the Bingham ton  University Concerto Competition.  As a music student, she has performed on Mid­day Recitals, Student Recognition Concerts, and Woodwind Performance Classes .  On May 9, 20 14, Jessica and Jacqueline Robins soloed with  the University String Orchestra.  They performed the Concerto for  Two Flutos by Domenico Cimarosa.  Additionally, Jessica is a member of  the Bingham ton University Flute Trio that has performed on First Fridays, a scholar’s luncheon at President Stenger’s, the  Oakdale M all and Willowpoint Nursing Home.  Jessica is a member of  the Flute Studio of Georgetta Maiolo, and Mu  Phi Epsilon, professional music fraternity. This past  summer, as  a recipient of the Harpur Fellows  Grant, Jessica and her sister, Kaitlin, implemented a month long, self­designed service project in Cusco, Peru.  It was titled, Mission Melody, and it served as a musical immersion p rogram crea ted to expose children to friendship, opportunity, creativity and artistic otpression.  For the past two years, Jessica has been active as a certified nursing assistant at Elizabeth Church Nursing Home.  She  is an intern in the Harpur College Physician Mentor  Program and  was recently inducted into Nu Rho Psi, the Neuroscience Honor Society. Paul Watrobski started  his study of violoncello at  the age of six.  By ninth grade, he completed the Suzuki m ethod and began studying a greater variety of music.  Through middle  and  high  school  Paul  was  a  member  of  the  Hochstein  Youth  Symphony Orchestra in  Rochester, NY, at one point going on tour in  Germany and the Czech Republic.  Paul has also travelled to the Dominican Republic to participate in a music exchange program, Travelling Notes, to spread the love and joy of music to those less fortunate.  in addition to studying solo and orchestral works, he perform ed in a variety of  venues  as  a  member  of  various  smaller  ensembles  including  a  cello  quartet, Amanticello, and a jazz trio, Pick3.  During his undergradua te career at Binghamton, Paul studied under  Professor  Stephen  Stalker.  He has  contributed  to  numerous ensembles including the Binghamton Symphony Orchestra, Harpur Jazz Ensemble, and many smaller ensembles both classical and jam.  He graduated in May 2014 with a BS in computer engineering and will graduate this May widi an MS in electrical engineering specializing in information assurance.  Paul plans to continue his musical endeavors wherever he ventures nod. �Jacqueline Robins is a Junior at Binghamton University, majoring in m usic and biology.  Before a ttending Bingha mton University, she pa rticipated in nu merous music p rograms, such as the Queens College P reparatory Stud ies in th e music program  (CPSM), the Skidmore Summer Flute Institute, and th e Usdan  Center for Performing Arts. Jacqueline is principal flute in  the Binghamton University Wind Symphony and has performed on the Flute Studio and Chamber Concert each  semeste r. She is also a member of the Binghamton University Flute Trio perform ing concerts on and off campus.  In her sophomore year she and Jessica Biagiotti participated in the  University  Concerto  Competition.  In  May,  2014,Jacqueline  and  Jessica soloed  with  the  Bingham ton  University  String  Orchestra.  Jacqueline  has perform ed on  the Mid­Day Concerts and the Honors Concer t sponsored by the Music Department. She is a mem ber of the flute studio of George tta Maiolo. In addition to her music studies, she is an undergraduate resear ch assistant at the Translational Affective Neuroscience Laboratory in Clea rview Hall and a biology tutor at the Student Athlete Success Center.  She is looking forward to new  and future duet endeavors wi th Jessica Biagiorti. Christina Santa Maria, soprano, is a senior in the Bachelor of M usic program at Bingham ton University. Her roles include both Gretel and Hansel, respectively, in  BU’s 20 12 and  2013  productions of  Humperdinck’s  Hansel  and  Gretel,  the soprano soloist in Bach’s Christmas Oratorio with the BU  Symphony Orchestra and Chorus (‘13) and several opera scenes with the ‘Stage Techniques for the Singing Actor’  class  under  the  direction  of  Thomas  Goodheart  and  Willie  Anthony Watters. She  has  perform ed with  Tri­Cities Opera  as a  member  of  the ope ra chorus (‘11­'14) and as ‘Billie ’ in  the one­act com ic opera  Speed  Dating  Tonight (‘15).  She  has  perform ed  at  venues  in  Italy  and  Austria,  in  addition  to appeara nces at Avery Fisher Hall, Carnegie Hall, Jazz at Lincoln Center, Madison Square Garden with Elton John and The Barclay Cen ter with  Barbra Streisand. Christina is in the voice studio of Mary Burgess. William  James Lawson has  an  extensive  background  in  music,  dance,  and theater. He was  one of the first graduates of New York University’s Depar tment of Performance Studies. an  innovative  inter­disciplinary graduate  program  in  the Tisch School of the Arts. For more than thirty years he has been  active as a voice coach,  accompanist,  and  church  musician.  At  Binghamton  University  he  has taught courses in  music theory and diction  and phonetics for singers. He  has a  keen  interest  in dance  history,  which  over  the years has led  to  his working on the staff of the New  York City Balle t, as an editor a t Dance Magazine, and as assistant to the British  dance  author  Richard Buckle. Last semester he taught the course Ballet: Petipa to Balanchine, and he will be  continuing to teach dance history at Binghamton University. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:21:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74847">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74847</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior flute recital with Jessica Biagiotti, Paul Watrobski, Jacqueline Robins, Christina Santa Maria, and William James Lawson  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Handel, Schumann, Debussy, Hugunine, Chopin, Saint-Saëns. Held at 7:30 p.m., March 27, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Biagiotti, Jessica Lawson, William James Watrobski, Paul Robins, Jacqueline Santa Maria, Christina Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Handel, George Frideric, 1685-1759 Schumann, Robert, 1810-1856 Debussy, Claude, 1862-1918 Hugunine, Richard Chopin, Frédéric, 1810-1849 Saint-Saëns, Camille, 1835-1921 Date A point or period of time associated with an event in the lifecycle of the resource 3/27/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f98986bac86c492b1c3125243c6061ea.pdf 2cc4c7dbde728d2385d2ccb38396e62d PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K D E P A R T M E N T M I D ­ D AY CONCERT BJ) Thursday,  March 26, 2015 1:20 p.m. Casadesus Recital H all �ia­  PROGRAM  «6 Aria of Despina, “In uomini? In soldati?”..  from Act 1, Casi fan Tutte (1790)  . W.A. Mozart (1756­1791) Rachel Young, soprano John Isenberg, piano Three Romances, Op. 94...  (1810­1856) 3.  Nicht schnell .. Stefano Donaudy Spirate pur, spirate  Freschi luoghi, prati aulenti Ognun ripicchia e nicchia (1879­1925) Carina Kahane, soprano William James Lawson, piano (Robert Schumann for flute and piano  1 .  Nicht schnell 2.  Einfach, innig Four Songs .  Montparnasse  Francis Poulenc (1899­1963) Hyde Park Hotel Jessica Biagiotti, flute William James Lawson, piano from Acht frithe Lieder (Eight Early Songs)  Les chemins de l’amour Christina Santa Maria, soprano Michael Lewis, piano ...Anton Webern (1883­1945) Der Tad  Tief van fern Three Songs .  Jake Stamatis, bass­baritone John Isenberg, piano Une Flate Invisible ..  Starnella .Camille Saint­Saéns for Flute, Soprano and Piano  Christina Santa Maria, soprano Jessica Bia giotti, flute Two Songs .  Perduta ho la pace  William James Lawson, piano (1835­1921) Giuseppe Verdi (1813­1901) Jenny Gac, soprano Michael Lewis, piano �Binghamton Universi ty  Department of Music Coming Events « G M M M M M M M M M M M Q ­ Sunday, March 29 ­ Mu P hi Candidates Recital ­ 4 p.m. ­ Casadesus Recital Hall ­ free Friday, March 27 ­ Junior Recital: Jessica Biogiotti, flute ­  7:30 p.m. ­  Casadesus Recital Hall ­ free Wednesday,  April  1  ­  Harmony  Club  Fundraiser  Concert  –  7:30  p.m.  ­  Casadesus Recital Hall ­ $10 suggested donation Thursday, April 2 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­  free Thursday, April 16 – Mid­Day Concert ­ 1:20 p.m. ­  Fine Arts Building, Room 21 ­  free Thursday, April 16 ­  Faculty Recital: Zachary Sweet, cello a nd Michael Salmirs, piano ­ 7:30 p.m. ­  Casadesus Recital Hall – $7 general public; $5 faculty/staff/seniors/alumni; Free for students Friday, April 17 ­  Joint Sophomore Recital: Skylar Buono, clarinet and Michelle Li, flute ­ 5 p.m. ­ Casadesus Recital Hall ­  free Friday, April 17  –  Tri­Cities Opera  presents Gounod’s  Faust  – 8  p.m.  –  The  Forum Theater ­ call (607) 772 0400 for tickets Saturday, April 17  ­  Joint  Recital: Sophomore  Natasha  Talukdar, piano and Senior Annie Tao, piano ­ 3:00 p.m. ­ Casadesus Recital Hall ­ free Saturday, April 18 ­  Senior  Recital: Christina  Santa  Maria, soprano  ­  7:30  p.m. ­ Casadesus Recital Hall ­ free Sunday.  April 19 ­  Tri­Cities Opera presents Gounod’s Faust ­  3 p.m. ­  The  Forum Theater ~ call (607) 772­0400 for tickets e w w w m w w m w b For tickets or to be added to our email list, visit anderson.binghamton.edu or  call (607) 777­ARTS. For a complete list of  our concerts call (607) 777­2592, visit  music.binghamton.edu or  become a fan on Facebook. =  [ = ]   .  If  you  were  inspired  by  this  performance,  consider  supporting  the =  [ = ]   De partment  of Music  with a  financial  gi ft. Your  support  helps  to continue  the  work  of students,  faculty,  and  guest  artists  and  their contributions to our community. Please make your donation payable to the  Binghamton University Music  Department, and send your check [ = ] ;   to  B U  Music  Department,  P.O.  Box  6000sss,  Binghamton,  NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:14:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74850">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74850</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, March 26, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Mozart, Schumann, Webern, Saint-Saëns, Donaudy, Poulenc, Verdi. Held at 1:20 p.m., March 26, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Young, Rachel Isenberg, John Biagiotti, Jessica Lawson, James, William Stamatis, Jake Santa Maria, Christina Kahane, Carina Lewis, Michael Gac, Jenny Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Schumann, Robert, 1810-1856 Webern, Anton, 1883-1945 Saint-Saëns, Camille, 1835-1921 Donaudy, Stefano, 1879-1925 Poulenc, Francis, 1899-1963 Verdi, Giuseppe, 1813-1901 Date A point or period of time associated with an event in the lifecycle of the resource 3/26/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6f7602aefdcd41b276f175c83a5b9c2b.pdf bd0852207d583cadd6300bf78bd8dcb2 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F   NEW  Y O R K [4 d e c D E P A R T M E N T LONTANO ENSEMBLE MUSIC NOW! Rowland Su therland, flu te Peter F umiss, clarinet Caroline Balding, violin Clare O’Con nell, cello Ma ry D ullea, piano Odaline de la Martinez, conductor an d artistic dir ector Thursday, March 19, 2015 7 :30 p.m. Casadesus Recita l Hall �as­  PROGRAM  4 . Gestures from a Faraway Place, Op. 47 . ABOUT THE ARTISTS Richard Hugunine (2015)** I.  Andante ­ Allegro II.  Moderato III. Prestissimo international reputation as one of the most exciting and versatile exponents of 20th and 21st century music. Jibron Harris (2015)** From Darkness to Light, Then Finally Dust.  ­based on a text by the Persian poet Omar Khayyam Fading Parasol. Robert Durante (2015)** .Daniel Romberger (2015)** Too Close to the Sun  “I’m not a man” from Bullhead . Kevin Truax (2015) .Charles Shadle (2014) Red Cedar.  nib­Intermission» Improvisations (for solo violin). I.  Apasionado Odaline de la Martinez II.  Rustico III. Triste Oh Heart!  .James Budinich (2015)** ~based on texts by the Persian poet Omar Khayyam I.  Mahmud Yerbudaki II.  the veil of the sun III. Mahmud Yerbudald (II) IV. the dust of the body V.  Mahmud Yerbudaki (III) VI. how many of these days remain? Real Country . I.  William Walker II.  Mother Maybelle III. Bascom Lamar Lunsford IV. Dillard Chandler Daniel Thomas Davis (2014) The performance of compositions based on classical Persian music is made possible through the generous support of the Ali  Akbari Fund for Ne w  Persian Music. Lon tan o  Ensemble ’s  impact  on  the  perception  of  new  music  has been profound  and  enduring.  Since  its  inception  in  1976  by conductor/composer Odaline de la Martinez and flautist Ingrid Culliford, Lontano has established an Lontano commissions, produces, performs and records with the primary aim of bringing to the fore the work of contemporary British and American composers, women composers and Latin American classioal repertoire. The ensemble’s sphere of activity  includes  contemporary  opera,  music  theatre,  concerts,  workshops, education projects, tours, broadcasts and recordings. Performances feature some o f the most noted,  inventive and radical names in  contemporary composition including Judith Weir, Martin Burler, Roberto Sierra, Errollyn Wallen, Nicola le Fanu, Peter Sculthorpe, Sir Harrison Birtwistle, Chen Yi, Lindsay Cooper, John ' Harbison and Steve Reich.  Lontano’s global allure has resulted in performances as  far  a field as  Istanbul, Zagreb  (performance  of Jenni Riditi’s  opera  lnarma,  at  the  Zargreb  Biennale Festival), USA, Canada, Mexico, South and Central America. Activities include performances at the Huddersfield and Chelrenham International Festivals, Chard Festival of Women in  Music, the Bath Festival, the BBC Proms, the premiere of Paul Barker’s  opera  Stone  Angels  at  the Bloomsbury  Theatre,  the  enormously successful  “Emigres Series” on London’s Southbank and the premier  of Jenni Rodiri’s  opera Spirit  Child.  Performances  on the  Southbank have  included an American  programme featuring the  music of Dan  Asia  and Earl Brown and a concert,  with subsequent  C D  recording,  to  celebrate  the  70th anniversary  of jeremy Dale­Roberts. I n  October  2004, in a BBC Invitation Concert, Lontano premiered several works by the Australian composer Elena Kats­Chernin as well as music by the German composer Heiner Ooebbcls. Recent projects  included the ‘Al.l about  ' series as part of the LA LINEA Latin Music Festival at  the Southbank and The Warehouse, London, which explored Salsa, Tango and Samba and included new commissions. Other projects included the London Festival of American Music, Lontano’s Anniversary  Series, and a residency in Argentina sponsored by the British Council. This was followed by the release of music CDs by Dorothy Ker, Peter Child and Franciso Mignone. S till other  projects  included  two  concerts  at  the  Southbank  titled Brazil  Plus  ­ juxtaposing classical La tin  American composers with new British works in  April. Meanwhile,  Lontano  also  gave  a  very  successful  residency  at  MI T  ­­  the Massachusetts  Institute  of  Technology  ­  as  part  of MIT’s  150%  Anniversary celebrations. DreamHunter, a newly commissioned opera by Nicola LeFanu was premiered in the autumn of 2011 with a Welsh tour supported by a grant from the Arts Council Wales as well as three London performances at Wilton’s Music Hall  in  February 20 1 2. Lontano’s fourth London Festival of American Music took place  in  October of 20 1 2 and  featured the UK  Premiere of John Harbison’s �chamber opera Full Moon in Ma rch. Lonta no’s 5 * London Festival of A Music took place in Novem merican ber 20 14 at The Artists ’ Ch urch Covent Garden and St. James  Theatre,  Victoria,  and  included  the  UK  Pre miere  of  Odaline  de  la Martinez’s The Crossing, Part II  of her  Slavery Opera Trilogy. Lontano  regularly  broadcasts   on  television  and  radio  and  enj oys  a  close relationship  with the British  Broadcasting Corpora tion. Lo ntano,  in  c ollaboration * with the BBC Singers, recorde d for the BBC a program me fea turing the music of Brian Ferneyhough  A CD o f his m usic with  Lonrano and  the BBC Singers was released  by  the Metier  Label.  The ensemble also featu red  in a Channel 4 TV series entitled Women  in  Mus ic ­ Per formance Pieces, which inc luded performances of Joan  Tower’s Petroushkates an d Erika  Fox’s Shir. Always  at  the  fore front  of  music  innovation Lontano   was  one  of  the  first ensembles  to  form  its  own   record  company  when  in  199 2  it established  the LORELT label. Now with a c atalogue of 39 discs, LORELT  features soloists as well  as  other  ensembles  and   is  noted  for  its  archive  of  important  and  often neglected  compositions.  Lon tano also  records  for  numero us  other  companies including Albany Records (US A), Da Ca po (Denmark) and Metier Reco rds (UK). An education and community  programme is integral to Lont ano’s performing activity. The ensemble under takes a diverse range of proje cts  involving a broad spectru m of ages, cultures and  social backgrounds. In 2002 Lo ntano was invited to become ensemble­in­residenc e at Kings College, London Un iversity. Here. they interact  with  young  com posers  offering  unparallele d  opportu nity  for compositions  to  be  rehearsed  and  performed  by  profession al  musicians.  This work is  now c entral to the  curriculum. A t the same  tim e, Lontano  are also very involved  in  educational  and   com munity  work  in  their  borough  of  Waltha m Forest, London. Projects like  If Waltlmnutow Market Could  Sing, Unheard Voices, In Praise of  Our  Families and V oices of  Youth, involving both  paren ts and  children are making  a  difference  in  a  highly  cul turally  diverse  com munity.  Under  the sponsorship of the British C ouncil Lon tano ra n worksho ps in Macedonia ­  with over 100 newly graduated hig h school studenm from the new ly formed republic. And more recently they have  worked on a project linking  the Tango wi th African influence  in Argentina  ­  with  several primary,  secondary  and tertiary  school students  in Buenos  Aires  ­  an  experience  that  deeply  tou ched  all  of  those involved.  In  the  autum n a nd  win ter  of  201 1­2012, w ith  a gran t  from Youth Music,  Lontano  worked  in   Southwark  and  Greenw ich   boroughs  with  an education project titled Connec tions. The project featured the cu lture and music of Roma, Gypsy and  Traveller  communities residing in  tho se boroughs. A similar project took place in  the Londo n Borough of Redbridge from  May 2012 to April 20 13. Most recently, Lontano  has been awarded a three­year  grant from the Ci ty Bridge Trus t in  support of t heir educational and  commu nity work. Od ali ne  d e  la   Ma rti nez  is  a Cuban­A merican  composer  and  conduc currently residing in  the  UK tor, .  She is  the  ar tistic direc tor  of Lontano, a London­ based contemporary music en semble  which  she cofounded in 1976 with  Zealander  flautisr  Ingrid  Cullifo New rd, and was the first woman  to conduct  at  the BBC Promenade Concerts (the  Proms) in 1984. As well as freq uent appearances as a guest conductor with  lead ing orchesu­as throughou t G rea t Brita in, includ ing all  the BBC orchestras, she  has conducted several leadin g ense mbles around the world,  including  the  ensem ble  2e2 m  in  Paris,  the  New  Zealan d  Symphony Orchestra, the Australian Youth  Orchestra, the OFU NAM  and  the Camerata of the Americas  in Mexico,  and  the Vancouver  Chamber  Orc hestra. She is  also known  as  a  broadcaster  for  BBC  Radio  and  Television   and  has  recorded artensively for several labels. m PROGRAM N OT ES m Gestures fr om amea yP lAec,  Op. 4 7 ­  Richard Hugunine This three­movement piece expl ores the turtural and ti mbral pos sibilities available in a Pierrot Ensemble.  The far away place of the title is anywh ere and nowhere. The musical gestures of each  movement are memory artifa cts, both precious and painful. While the composer po sits no narrative for this work,  he encourages each listener  to crea te  his  or  her  own  reminiscences  ­  fantasies,  perhaps, of  “what might have been,” or, betrer, “w hat might yet be.“ From Darkness to Light, Then  Fu he llw at­ Jib ron  Harris Based on a text by the Persi an poet Omar Khayyam, this p iece was also inspired by time and  space i tself – its  arpansiveness and rela tivity. G rea t things happen on macro and  micro scales, neith er grea ter or  lesser  than  the  other. Are the atoms that exist  inside all  of us  tha t make us, any different  tha n those in  the stars? “Same hands that formed Venu s and Sun And wove the fabric tha t make s time run Same hands brought us here,  and when done Will leave behind dust, as i f we  were nonern Fading  Paraml­ Robert Durante A short piece written in  a fre e fl owing form that gradually  becomes more intense until a collec tive sigh at the e nd, “Fading Parasol” freq uen tly switches between a relaxed somber  tone and  a m ore  rigid aggressive  one.  The  work  is meant  to conjure an image of fading bea uty in the world around us. Too Close to the Sun  ­ Daniel R omberger Inspired loosely  by images of  flight and the physical sensatio n of a cool, re freshing breeze while jogging, ‘ Too  Clo se to the Sun” embraces the  joy of motion both energe tically and somewhat n aively. Although its title  refers  to the story o f Icarus, this piece connects to the G reek myth viscerally and a tmo spherically rather than progra mmatically. With a li ghthea rted airiness in mind,  the  listener is invited to interpre t  “Too Close to  the  Su n”  in his or  her own w ay or simply to enjoy the mumble musical surface as is. �I’m NotaMm’KevinTruxx This is the opening aria  to an in­the­works opera called Bullhead. The opera is a fictional retelling of the USS Bullhead, a World War II Navy submarine, on her final patrol in the Pacific. The beginning of the opera takes place in the port city of Fremantle in Western Australia.  The curtain opens to a marine clock with around fifty service men conversing and moving freely between the dock and the deck of the submarine.  The entire side of the USS Bullhead is visible, taking up the complete width of the stage. The men fall silent as the commander of the submarine base, Admiral Fife, is introduced and begins his speech, “I’m Not a Man.” Red Cedar ­ Charles Shadle My  piece  Red  Cedar seeks to celebrate Junipenu  virginiana,  a familiar evergreen conifer widely distributed throughout eastern and central North America. As the Latin name indicates,  the  tree is  not in fact a Cedar, but rather a Juniper. Of medium height, it is notable for scale­like leaves and cones that resemble armored Blueberries. These “berries ” are used to flavor gin. The wood of the Red Cedar is highly aromatic, and it is quite combustible. In  the past, when wild fires were largely le ft unchecked, its populations were relatively contained. Now it is often considered an invasive (if native) pest, spreading rapidly, especially in areas with poor or disturbed soil. Consequently it is much reviled by stockmen and farmers. Many of us are somewhat allergic to its touch, and quite allergic to its pollen. In  spite  of  these  less  appealing  qualities  I  find  the  Red  Cedar  remarkably beautiful, The normally grey­green foliage takes on a lovely umber cast in  winter. and it has a flame­like upright growth pattern that adds a distinctly formal note to the rural landscape. Where I  come from in Oklahoma, it is often the first, and sometimes  only,  indication of the presence  of a  rural graveyard.  This seems appropriate, as there is a kind of monumental dignity about the long~lived tree. Red  Cedar  is  essentially a movement  in  traditional ternary  scherzo  form.  The opening  tempo marking is Allegro fragile (Fast, brittle). Consciously “American” syncopated accentual patterns pervade music that is–at least for me–quite prickly. The melodic character of the material strikes me  as  resembling highly stylized birdsong. Indeed, a memory of walking through a grove of cedars in which a flock of the generally solitary Red Bird (Cardinals cardinals) had gathered provided the initial impetus  for  the piece.  After  a  less  frenetic  Trio  (Rustico)  the  opening material returns, though new musical ideas begin to substitute for  the original ones. Some of these ideas are clearly developmental, but a hymn­like music takes on ever­greater prominence. Red  Cedar concludes quietly and solemnly : Scherzo has become Elegy. O h ,  H e art !  J ames R . Budiuich   1. Mahmud Yerbudalti II, the veil of the sun lll. Mahmud Yerbudaki (II) IV. the dust of the body V. Mahmud Yerbudaki (III) VI. how many of these days remain. Omar Khayyam begins three of his quatrains with the words  “Oh heart,” each time using the words as a manner of speaking to himself.  In  the same sense, Oh, Heart! is an internal reflection on selections of Omar Khayyam’s Rubaiyat,  My piece  is based off of three of his quatrains, and  the slave who transcribed the Rubaiyat, Mahmud Yerbudaki. 92. Wine is rose­red, and the cup is filled with the water of roses,–maybe, in the crystal casket is a pure ruby,~maybe, a melted ruby is in the water,–maybe, moonlight is the veil of the sun,–maybe. 145. O soul! if thou canst purify thyself from the dust of the body, thou. naked spirit, canst soar in the heavens, the Empyrean is thy sphere,–let it be thy shame, that thou comest and art a dweller within the confines of the earth. 734 Set limits to thy desire for worldly things and live content, sever the bonds of thy dependence upon the good and the bad of life, take wine in hand and play with the curls of a loved one; for quickly all passeth away–and how many of these days remain? Real Conan­yr Daniel Thomas Davis Growing up in the rural American South, l’d occasionally hear the phrase “real country ” as a way of identi fying people ­  sometimes even my people, sometimes even me. I t didn’t so much as describe a person’s profession or place of residence but rather something more qualitative ­  a characteristic walk or stride, a peculiar taste in food or conversation, and above all  else, a richly accented voice thick with dialect and diphthong. I t  was something inside the body that just happened to make its way out somehow. It’s  that  something  within  the  voice  that  prompted  me  to  write  Real Country. Although l’ve titled each movement after a particular old­time country or gospel singer, I’m not really aiming to imitate any of them here ­  nor do I lay claim to anything resembling an “authentic” or “real” country style. First and foremost, this piece is a purely instrumental response, prompted by my listening over and over again, to a handful of special singers, all the while wondering and imagining �­  what sort of music do these voices invite? What idiosyncrasies and ornaments might I  excavate  from  these old, strange and  weird  worlds’ And  how might  I reimagine them in my own musical landscape? There are,  to be sure, a nu mber of  tunes here,  too ­  some  traditional ballads, some my own creation, others that fall in  between. Some might recall the high­ lonesom e lament of the Appalachian murd er ballad , others the ecsta tic holler ing of low­church gospel, and  yet  others  the syrupy lilt of  old­time  country’s jilted lovers. Throughout it all, I think of these melodies as places to wander ­  pathways and byways mostly ­  each one traveled and populated by the pecu liar, spu ttering, plain and joyful voices of this other country ­  my coun try. W M Bi ngha mton  U n iversi ty M usic De part men t’s Com ing E   wen ts M M Friday,  March  20  ­  Master  Class  BU  Alumnus I ra Gitler,  composer ­  3:00  p.m.  ­ Casadesus Recital Hall ­ free Thursday, March 26 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­  free Friday, March 27 – Junior Recital: Jessica Bi ogiotti, flute – 7:30 p.m. ­  Casadesus Recital Hall ­  free Sunday,  March 29 ­  Songs My Students Taught  Me with Janey Choi, violin and  Pej Reitz,  piano  (tentative)  –  3  p.m.  ­  Casadesus  Recital  Hall  ­  $7  general  public;  $5 faculty/staff/seniors/ alumni; Free for students Wednesday,  April  1  ­  Harmony  Club  Fundraiser  Concert  ~  7:30  p.m.  ­  Casadesus Recital Hall ­  $10 suggested dona tion Thursday, April 2 ­ Mid­Day Concert ­ 1:20 p.m. ­  Casadesus Recital Hall ­  free Thursday, April 16  ­ Mid­Day Concert ­ 1:20 pm . ­  Fine Arts Building, Room 21 ­  free Q a  [ = ]   M I  "  M M M M M M M M M Q ­ For tickets or to be added to our email list, visit andrrsonbinghamtomedu or call (607) 777­ARTS. For a complete  list  of  our concerts  call (607)  777­ 2592, visit music.binghamton.edu or become a fan on  Facebook. If  you were inspired by t his performance, consider supper­ring the Department of Music with a financial gift. Your support  helps to continue  the work of students, faculty, and guest artists and their contributions to our community. Please  make  your  donation  payable  to  the  Binghamton  University  Music Department,  and  send  your  check  to  BU Music  Department,  P.O.  Box 6000, Binghamwn, NY  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:15:39 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74853">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74853</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lontano Ensemble, Music Now! March 19, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Hugunine, Harris, Durante, Romberger, Shadle, Martinez, Budinich, Davis. Held at 7:30 p.m., March 19, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lontano Sutherland, Rowland Furnis, Peter Balding, Caroline O'Connell, Clare Dullea, Mary de la Martinez, Odaline Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Hugunine, Richard Harris, Jibron Durante, Robert Romberger, Daniel Shadle, Charles Martinez, Odaline de la Budinich, James R. Davis, Daniel Thomas Date A point or period of time associated with an event in the lifecycle of the resource 3/19/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/12d75fe17bef973cd91c5f37b4801c27.pdf 67bf9d1f684cecab9b314e6b4858258e PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F   N E W  Y O R K u d w [4 D E P A R T M E N T Binghamton University Opera Wo rkshop p resents OPERA SCENES WITH SCENES FROM THE MARRIAGE OF FIGARO, Cosr FAN TUTTE, CARMEN, OF  MICE AND MEN, THE CRUCIBLE, Lakmé AND  TURANDOT Willie A nthony  Waters , Music Direct or/Con ductor John Isenberg, Assistant Music Director/ P ianist David Carl Toul son, Stage Director Thomas Goodheart, Stage Director, Lakme Matthew Samluk, Stage Manager Sunday, March 15, 2015 3:00  p.m. Phelps Mansion �so PROGRAM  oz  (casts in order of vocal appearance)  Léo Delibes:  LAKME QUINTET Act I, Scene 3 (1883)  Ellen Frédén’c . Stacey Geyer, soprano ..Max Rydqvist, baritone  .Cole Tomberg, tenor .Christina Santa Maria, soprano Miss Bentson .Karima Jibril, soprano Gérald. Rose . , l l . Two  British  officers  are  having  a picnic  with  two  British  girls  and  their governess.  The girls see jewelry left by Lakmé, the daughter of a   Hindu priest. They comment on her beauty, the beautiful surroundings, and they discuss the various customs and habits of “exotic” women, as opposed to British women. Pang Don Alfonso. Ferrando Guglielmo . Despina . Fiordiligi . Dorabella. . Nikolas Arden, baritone .Abigail Smith, soprano .. Stacey Geyer, soprano hide thefact that Cherubino, her page, had been in the room with the Countess  and her maid, Susanna ­ the Count is a jealous man and might react negat ively. There is a sudden noise from an adjoining room.  The Count hears the noise; the Countess lies and says Susanna is in the room and the door is locked.  The Count does not believe her and they get into a spat, which Susanna observes. T  RAND  T ­ A   II  cesne  1 1 9 2 6 ..CodyRay Caho, baritone . Cole Tomberg, tenor Ricky Nan, tenor Wolfgang Amadeus Mozart: COSI FA  TUTTE ­ Act I finale (1790) Wolfgang Amadeus Mozart:  LE NOZZE Dl FlGARO Act II, Scene 3 {1786} Count  Almaviva  approaches  his  wife ‘s  bedroom,  and finds  it  locked.  He comments that this is not her usual custom.  The Countess nervously tries to . Jenny Gac, soprano Jordan Schreiner, tenor The opening of Act 2 of Puccini ‘s final opera finds Turandot ’s three ministers, Ping,  Pang  and  Pong,  discussing  the  terrible  state  of  things  in  Peking  ­ T ttrandol has vowed she will never marry unless her suitor can answer three riddles.  If he fails, he will be executed (as many have been in the past).  The ministers are nostalgic about  their  homes in  the country far away from  the blood and violence of Peking. Jordan Schreiner, tenor . Jenny Gac, soprano Seville to find him, to bring him money and a kiss from his mother. Countess. Susanna C E  a n d M   EN,  , Act III, scene 1 (1970) Based  on  John  Steinbeck ‘s  classic  novel,  Carlisle  F o nd ‘s  music  drama  is considered a masterpiece.  This scene takes place in a barn on a farm.  Lennie Small, a slightly retarded man who doesn’t recognize his own strength, laments the fact that he has just killed his puppy (accidentally).  The head ranch hand ‘s wife (only known as (‘urley ‘s Wife) enters the barn, dressed up and carrying a suitcase  –she  is  tired  of  life  on  the  farm,  and  has  decided  to  leave  for Hollywood.  They both sing of their dreams ­  he wants to own a farm with lots of pets, and she wants a glamorous career as a movie star. Ping Pong. Don José has joined the army and is stationed in Seville after killing a man in his home town during a game of p  elota.  His girlfriend, Micaéla, travels to Count. Curley‘s Wife. Lennie iacom  Georges Bizet: CARMEN ­ Act 1 scene and duet (1875) Don Jose'. Micaéla. Cnrlisle Floyd  O F   i Josiah Davis, bass­baritone . Kevin Truax, tenor ..CodyRay Caho, baritone Rachel Young, soprano Jenny Gac, soprano .Lindsay Brown, mezzo­soprano Two  young  soldiers,  Ferrando  and  Guglielmo,  enter  into  a  wager  with  a cynical older man, Don Alfonso: he declares thal women cannot be trusted to be faithful, including the guys ' girlfriends, the sisters Dorabella and F iordiligi. Alfonso devises a  plan  to prove  his  point,  and enlists  the assistance of the girlfriends’ maid, Despina.  The guys agree to follow his instructions to the letter in order to make the plan work:  they will pretend to go away to war, and will return disguised as Albanian soldiers.  Upon their return, the ‘soldiers ’ are introduced to the sisters, who immediately order them to leave.  Despina enters �disguised as  a doctor.  The guys pretend to take poison  in  their despair at having been dismissed.  The sisters relent somewhat.  Despina, with the help of a giant  magnet, pretends to revive them.  The guys protest their love to the other’s girlfriend.  Despite the guy ‘s continued and ardent protestations, the Binghamton,  NY.  first  as  Accompanist,  then  additionally  as  Education  Outreach Coordinator  and  Chorus  Master.  As  part  of  Opera­GoRound  touring  program,  he accompanied  over  500  performances  throughout  New  York  State  and  northern Pennsylvania. John has played for WSKG radio broadcasts of several Operalogue preview women continue to rebuff their entreaties, and Alfonso sees signs that his plan is beginning to work. performances including Puccini’s Madama Butterfly. Donizetti’s Luc ia d i  Lammermoor 80  ABOUT THE DIRECTORS 08 currendy  (he  Organist/Pianist  and Choir Director at  Sarah Jane  Johnson Memorial United Methodist Church in  J ohnson City. Maestro  Willie  Anthony  Water!  is  formerly  General  and  Artistic  Director  of Connecticut Opera, and formerly Artistic Director and Principal Conductor of Florida Grand Opera.  He has been a guest conductor  for the Australian Opera (now Opera Australia), Boston Lyric  Opera, Cologne  Opera. Florida Grand Opera, Fort  Worth Opera. Michigan Opera Theatre, New York  City Opera, L’Opéra de Montreal. Opera Memphis, San Diego Opera. Vancouver Opera, Opera de Québec and opera companies and symphony orchestras in Cape Town, Pretoria, and Durban, South Africa. He has conducted concerts with the Hartford Symphony,  the Florida Philharmonic, Detroit David Carl Toulson,  rage director, relishes the process of taking a show from the score to the stage, leaving his mark on the grande  of art forms and is consistently praised for Symphony. Indianapolis Symphony as well as several European orchestras, including the Bavarian Radio Orchestra in Munich. He conducted two gala concerts (for Connecticut Opera  and Opera  Colorado) with  renowned  mezzosoprano  Denyce Graves.  In  May, 2005, he was awarded an honorary doctorate from the University of Hartford/Hie Ham School for his contributions to the musical life of the city of Hartford. Maestro Waters is a frequent guest  panelist on the quiz of the  Metropolitan Opera  broadcasts.  lu July, 3008, he made his debut at  the Deutsche Oper, Berlin, conducting the Cape  Town Opera production of Porgy and Bess. (He conducted the first­ever production of Porgy  in Cape Town in 1995).  From 2009 to 201 2, Mo. Waters was Adjunct lnsrnictor of Opera. and Music Director  of (he  Opera  Theater at  the University of Connecticut (Storrs). Since  2004,  he  has  been  music director of Prelude  to  Performance, a  summer  training program for young singer. sponsored by the Martina Arroyo Foundation in  New York City. lu January, 2011 Maestro Waters conducted the 31* annual Martin Luther  King Celebration  Concert  with  the  Cleveland  Orchestra.  Bernstein’s  Candide  for  the University of Connecticut’s Opera Theater, “A Night at the Opera” with the Hartford Symphony, and an evening of opera choruses with Concora, a fully­professional chorus in Hartford.  Among his most recent engagements are Tosca for Opera Memphis, The Grand  Duchess  of  Gérolstein,  for  the  Franco­American  Vocal  Academy  (France)  and University o f Connecticut Opera Theater, The Tales of Hoffmann for the Franco­American Vocal  Academy.  and  Die  Fledermaus  at  Northwestem  L’niversity.  He  has  recently conducted L’Elisir d’amore and I l  Barbiere dl Simghd for Prelude.  He w ill  conduct Madama Butterfly for Prelude this summer. John lsenberg. a native of Endicotr. NY. holds a Bachelor’s Degree in Music and a Master’s Degree in Italian Literature from Binghamton University. In addition to opera, he performs many musical genres  including musical theater.  traditional Scottish and various  styles  of  sacred  music.  John  formerly  worked  for  (he  TriCities  Opera  in and Mozart’s  The  Magic  Flute. He has worked with numerous  theater and  musical groups in the Binghamtou area, including SRO Productions, the Madrigal Choir of Binghamton, the Binghamton  Downtown Singers and the Summer Savoyards. John is his ability to transform opera characters into living breathing people and for his clarity in  storytelling.  h  is  these  attributes  that  allow  him  to  create  fresh  and  exciting productions that capture audiences. The new year contains several exciting projects for Mr. Toulson including a scenes program for Webster University in  St. Louis. a one­act opera based on the life of Muhammad Ali  for North Carolina Opera. his directorial debut with Tri­Cities Opera. and a return to Temple University in Philadelphia to direct a production of Mozart’s La  finta giardiniera. Thomas Goodheart, baritone, Assistant  Professor of Voice at Binghamton L’niversity BM, MM Manhattan School of Music, Voice faculty at Purchase College Conservatory of Music 1999­2010. Baritone Thomas Goodheart has performed over 40 leading roles in  opera  and  oratorio with  companies  throughout  the  United States  including The Opera  Theatre  of  St.  Louis,  Chautauqua  Opera,  New  York  City  Opera  National Company. Connecticut Opera. Opera Theatre of Pittsburgh. Des Moines Metro Opera, Artpark Opera and Tri­Cities Opera. Recent performances include the American stage premiere of the role of Bruno in James MacMillan’s opera Parthenogenesis. Leading roles include Marcello in La  Bohéme, Escamillo in Carmen, Germont in L a  Traci­am. Sharpless in  Madama  Butterfly,  Michele  in  ll Tribune  and  Enrico in  Lucia  di  lammermoor.  Mr. Goodheart has  appeared as  a guest soloist with symphony orch o (as  in  the United States and  South  America.  He  has  received  awards  from  the  Metropolitan  Opera National  Council,  the  New  York  State  Council  on  the  Arts,  the  Joy  in  Singing Competition, Bel  Canto Opera Foundation,  the  Ezio Pinza Counc il  for  American Singers, the Lincoln Center Institiute and the Tri­Cities Opera. Mr. Goodheart is the Director o f Vocal/Opera studies for the “Songe d’été en musique” Festival in  Quebec. Canada. Mr. Goodheart maintains a private voice studio in NYC and is on the voice faculty of The Westchester Summer  Vocal  Institute, the  Metropolitan  International Music Festival, New York City.  His students have gone on to graduate study at  the Juilliard  School,  Eastman  School  of  Music,  Mannes  College  of  Music,  Indiana University. Manhattan School of Music. Guild Hall (London, England) and the Opera Institute  of  Boston  University  among  others.  They  have  won  prestigious  voice competitions and are singing professionally throughout the United States and Europe �Matthew Samluk is a recent graduate of the Masters of Music program at Binghamton University. He has appeared on stage with  Tri­Cities Opera as Colline in La Boheme .Ferrando  in Il  Trovatore,  and  Frank  in Die Fledemnaus. On  the  concert  stage.  Mr. Samluk  has  been a  guest  artist  with  the  Schuylkill Valley  Symphony  (Brahms’ Ein Deuuclws  Requiem and  Faure’s Requiem),  Pottstown  Symphony (Handel’s Messiah). and Reading Choral Society (Vaughan Williams’ Fantasia on Christmas Comb). 80  ABOUT THE PERFORMERS 03 Soprano Stacey Geyer is a first­year master’s student in  Binghamton Unive .'ty’  M.M. Opera  Program,  studying  privately  with  Professor  Thomas  Goodheart.  A  four­time winner  of  the NATS vocal competition, she  travelled  to Verona, Italy,  to attend  the Opera Viva! Program, interned and performed with Opera Theater Pittsburgh and New England Consenatory. and was a featured soloist in Songe d’été en  musique Music School and Festival in Québec. While in her undergraduate studies at Susquehanna University. Ms. Geyer had the privilege of performing a diversity of major roles. including the title role in Suor Angelica, Adele in Die Flzdennaus, soprano soloist in Francis Poulenc  Gloria, as well as Cinderella in  law the Woods. Ms. Geyer hails from the small town of Halifax. Pennsylvania. Max Rydqvist, baritone, is currently in the chorus at Tri­Cities Opera. This is his second year at Binghamton University. H e  is  from Stockholm, Sweden and has sung with a boys choir in Oslo that has toured Europe. He has also sung the father in Hansel and Gretel and the roles of John the Baptist/Judas in the musical “Godspell” in high school and has been in all­state and all­county choirs. Max has received the John M. and Marcella M. Keeler Scholarship in  Music this semester.  Max attended the Westchester Summer Vocal Institute in New York this past summer, as w ell as Songe d’ete en Musique Quebec.  He is working towards a Bachelor o f Music Degree in  Vocal Perfonnance.  Max is a student o f Professor Thoma, Goodheart and coaches with Maestro Willie Waters. Cole Tornberg, tenor, is a junior in Binghamton’s Music Performance undergraduate degree program. Cole comes from the Villag e of Sea Cliff. His recent roles include an excerpt from Manon by Massenet as Le  Chevalier des Grieux, Lord Tolloler in lolanrhe, The Witch in Hansel and Gretel, and Marco  in The Gondoliets. He has  also been actively  singing  in  the  chorus  for  Tri­Cities  Opera  including  their  most  teccnt productions  of  Rigoletto,  La  Bahéme,  Carmen  and  Don  Giovanni.  Cole  studies  with Professor Mary Burgess. Christina Santa Maria, soprano, is a senior Bachelor of Music  student studying with Mary  Burgess.  Her  roles  include  both Gretel and Hansel in  BU’s  201 2  and  2013 productions of Humperdinck’s Hansel and Gretel, the soprano soloist in Bach’s Christmas Oratorio with the BU Symphony Orchestra and Chen  (2013) and several opera scenes with the Stage Techniques for the Singing Actor class. She is currently a member o f University Chorus and has performed in Tri­Ciries Opera Chorus from 2011­2014. She has performed at venues in Italy, Austria as well as Avery Fisher Hall, Carnegie Hall, Jazz at Lincoln Center, Madison Square Garden with Elton John and The Barclay Center with Barbra Streisand. Karima J ibril is a sophomore from Staten Island, New York and she is currently working towards  her  Bachelor  of  Music  Degree  in  Vocal  Performance.  Her  perfonnance experience includes Valerie Zeta in LaGuardia High School’s production of The Merry Widow  and  an  extensive  choral  background  performing  works  such  as  leonard Bernstein’s  Chichester  Psalms.  Her awards  include  the Polydor Music  Scholarship  for vocal, second place in the Richmond Choral Society vocal competition, and the Emily A. Nielsen and Orville F. Nielsen, MD  Music Scholarship  in honor  of Professor  Mary Burgess. Karima is a student of Professor Mary Burgess. Jordan Schreiner, tenor is a first year Masters student pursuing an M.M. in Opera in conjunction with Tri­Cities Opera’s Resident Artist Training Program and studying with Professor Mary Burgess.  Jordan received his Bachelor’s Degrees in Vocal Perfonnance and Music Business: Management at Mansfield University where he studied with Dr. Alissa Rose.  His recent performances include his Tri­Cities Opera debut as  Botsa in Verdi’s Rigoletto as well as appearances with the Mansfield University Opera Theatet as Frederic in Gilbert and Sullivan’s Pirates of Penzance and Martin in Aaron Copland’s The Tender  Land. This past spring Jordan was awarded first place in the Senior Men division at the Eastern Regional NATS competition at Hofstra University. Jenny Gac, soprano, is from Newark Valley, NY  and is concluding her master’s studies in opera at Binghamton University and Tri­Cities Opera. Previous roles include Countess Ceprano in Rigoletto, Sally in Die Fledermaus, Rosalinda in Die Fledermaus (scenes), Mother in Hansel  and  Gretel. First  Lady  in The  Magic  Flute (scenes).  Zerlina  in Don Gtomnnl (Scenes). and Nora in The Sailor­Boy and  the Falcon. She ha. also appeared as the soprano soloist in  Dvorak’s Te Deum. She has been awarded 1 st place in  the NA TS vocal competition a n d   is  the  recipient o f  a  Binghatnton University Graduate Assistantsh ip, Jewel Griffith Vocal Music Scholarship, New York State Retired Teachers Association Scholarship,  and  the  SL’NY  Potsdam  Adirondack  Mountain  Scholarship.  She  is  a student o f Prof. Mary Burgess. Nikola! Arden, baritone, recently moved from Chicago, lllinois to begin his Masters of Music in  Opera at Binghamton University. H e  completed a Bachelor of Arts degree in Vocal Performance with a theater minor from  Butler University and has done graduate work in vocal performance at Northwestern University. Mr. Arden is a graduate of the young artist programs of Cedar Rapids Opera Theatre and Opera Santa Barbara. His opera  credits  include  Melchoir  in  Amalil  and  the  Night  Visitors,  Scarpia  (cover)  and Sciarrone in Tosca, Tonio in Pagliacci, Count Almaviva in Le Nozze di Figaro, and Ford in Falsmff.  ln  addition  to opera  Nikolas’ concert  repertoire  includes  the  baritone/bass soloist in Dubois Les sept paroles du  Christ, Faure’s Requiem, Brahms’ Ein deutsches Requiem, �Handel’s Messiah, Mozart’s Requiem, and CPE Bach’s Magnificat. Mr. Arden currently studies  with  Thomas  Goodheart  and  coaches  with Diane  Richardson and  Stephen Crawford. Abigail Smith, soprano, is a first year masters student in the MM Opera program at Binghamton  University.  where  she  studies  with Mary  Burgess.  Abigail was  recently featured as a Dater in  Speed Dating Tonight with Tri­Cities Opera and as Alice Ford in scenes from Falstaff with Binghamton University. Ms. Smith recently graduated with her BM  in  Vocal  Performance  from  Boston  University  Abigail  was  featured  in  several mainstage productions with the Boston University Opera Institute. including the Boston premiere  of  Daniel  Catan’s Spanish  opera  Florencia  en  el Amazonas.  Abigail  was  a member of Boston University’s Opera Workshop program for 2 years and was awarded the  Boston University Departmental Award  for Opera by the Opera Institute. Favorite roles include Beatrice Mitchell in Three Decembers. Vitellia in La  clemenza di Tito, and Second Woman in Dido and Aeneas. In  the summer of 2012, Abigail was a Young Artist with the  International  Performing Arts  Institute  in  Bavaria,  where  she  performed  in scenes, masterclasses, and lieder concerts. This April, Abigail will perform in Faust with Tri­Cities Opera where she w ill s ing in  the chorus and cover the role of Marguerite. CodyRay  Caho  is  currently  studying  his  master’s  degree  in opera  performance  at Binghamton University under the direction of Thomas Goodheart. Mr. Caho holds a bachelor’s of Vocal Performance from SL’NY Fredonia. He has performed with Tri­Cities Opera, Greensboro Light Opera and Song, Westem New York  Chamber Orchestra, Hillman, Opera, SUNY Fredonia, and Crittenden Opera workshop. His roles include Marullo in Verdi’s Rigoletto, Giuseppe in  Gilbert and Sullivan’s The Gondoliers, Frank in Strauss’ Die Fledermaus, Alidoro in  R ossini’s La  Cenerentola, The Secret Police Agent in  Menotti’s The Consul, Marco in Puccini’s Gianni Schicchi, Pish­Tush in  Gilbert and Sullivan’s The Mikado among others. Ricky  Feng  Nan  (Fenton and Dr. Caius),  tenor,  is  an  international  student  from Guangzhou.  China.  He  is currently  pursuing  a  Bachelor  of  Arts  degree  in Vocal Performance at Binghamton University, where he is  in his final year of study. Ricky has sung in the chorus at Tri­Cities Opera in  both production of Orv­men. and Die fledmnaus, He won the first runner­up in  his division of the NATS Regional Conference in 2014, and second place in the 2014 Chinese American Singing Contest. Ricky is a student of Professor Thomas Goodheart and coaches with Professor William Lawson. Josiah Davis is a  twenty’three year old  bassbaritone  from Ossining, NY .   He recently completed his Bachelor o f Music  in Vocal Per formance  from the University o f  Mary Hardin­Baylor in Belton, TX, where he studied with George Hogan.  He is pursuing his Master of Music in  Opera from Binghamton University currently. where he studies with Tom Goodheart.  Josiah has performed as Dr. Falke in Johann Strauss’ Die Fledermaus, Guglielmo in Mozart’sCosi Fan Tutte, Gasparo in Donizetti’s Rita, Dr. Dulcamara in John Davies’ Pinocchio, Wolfgang Bigbad in John Davies’ The Three Pigs, and The Big Bad Wolf in  John Davies’ Little Red’s Most Umuual Day Tenor  Kevin  Truax,  a native  of  Pennsylvania,  is  currently  completing  his  Master of Music in Opera degree at Binghamton University and received his Bachelors of Music in  Vocal Performance at Susquehanna University. He has appeared on  stage with Tri­ Cities Opera in the ml  of El Remendado in Carmen, Don Ottavio in Don Giovanni, and Alfred in Die Fledermmo.  He has also performed the role of the  Witch in Hansel and Gretel as part of Binghamton University Opera Studio and will be performing the role of Bardolfo  in their  upcoming  performance  of Falstaff in  December. Kevin has  served locally as a  soloist with the SUNY Broome Orchestra and in  Binghamton University Choms’s performance of Bach’s Christmas Oratorio last year. He is a student of Thomas Goodheart. Rachel  Young, soprano, is a third year undergraduate voice student of Professor Mary Burgess  in  pursuit  of her  Bachelor’s  degree  in  vocal  performance  at Binghamton University.  At  BU, Ms.  Young  has  performed  the  role  of  Gretel  in  Engelbert Humperdinck’s  “Hansel  and  Gretel”  as  well  as scenes  from  Verdi’s  “Falstaff”  as Nanetta, scenes  from Mozart’s  “Cosi  fan  tutte”, “Le nozze di Figaro". and Donizetti’s “L’elisit  d’amore”.  Ms.  Young  recently performed  the  role  of  Kaylee  in  Michael Ching’s opera “Speed  Dating,  Tonight!”  with  Tri­Cities  Opera  company. Additionally“ with TCO, she sang in  the chorus of “Carmen” and. in  April. w ill sing in the chorus of  “Faust".  On April  35th she will  give  a free junior  recital at 7:30  PM  in Casadesus recital hall. She thanks her friends and family for their unending support and love. Lindsay Brown, mezzo­soprano  is a  first year Masters of Music  in Opera student at Binghamton  University.  Lindsay  received  her  undergraduate  degrees  in  Vocal Performance and Music Education at Mansfield University in December 2013. Lindsay made  her  professional debut with Tri­Cities Opera this past October as Giovanna  in Verdi’s  Rigoleno.  Performances with Mansfield  University Opera  Theater  include  Ma Moss in Copeland’s The  Tender Land,  The Duchess in Samuel Adler’s  The Outcasts of Poker  Flat, Third Lady  in Mozart’s The  Magic  Flute,  and  Marcellina  in The  Marriage of Figaro. Lindsay has also made appearances as a concert soloist. performing sections from Bach’s Missa Brevis in F, Haydn’s Mass in Time of War, Mozart’s Requiem in D Minor and Handel’s Messiah. Upcoming engagements for Lindsay include Marthe in Faust with Tri­ Cities Opera. Calli  Seigart (1st  Friend),  soprano,  from  Syracuse,  New  York  is  a  sophomore  at Binghamton  University  working  toward  a  Bachelor  of  Music  degree  in  Vocal Performance.  Ms.  Seigart  was  recently  seen  in  the  chorus  of Die Fledermaus and Carmen with Tri­Cities Opera. Over the summer she participated in  Songe d'été  en  Musique, a  music  program  in  Quebec.  She  is a  student  o f Prof.  Thomas Goodheart. Soprano  Carina Kahane  is a  freshman voice  student  in Mary  Burgess  studio.  She graduated from LaGuardia High School  for Performing Arts this past June, and is very happy to be a part o f Binghamton’s wonder ful music program. Carina was cast in  two fully staged opera productions at LaGuardia; The Merry Widow, and la Belle  Helene. �, . ­ .  . . . ' S l i t  a l s o  p e r f o r m e d  i n  s e v e r a l  o p e r a  s c e n e s  d u r i n g  l i c r  t i m e  a t  l a k i u n r t l m .  S o m e  o f  h e r   scene  roles  include  Zerlina  in  a scene  (mm  Mozart’s  Don  Giovanni, and  Lakmé  in  .I  B i n g h a m t o n  C 0 ’ n m u n n j ) O   r c h e s t r a   l  7. scene I’rnm Delibe’s l Lakmé.  l  2 3  l r i C i r m  Opera tlclmt in 20 1 3 as Zuniga/Carmen and since then has per formed the roles  of Lrporrllu/lhm Giovanni, Frosch/Die Fledermaus, and Count k‘i­pmno/Rigoletru. Critics  called  his Leporello “one o f  t h e  highlights o f  the evening...” a n d ,  “as  the  jailer  Frosch,  and  Tree/Armchair in  L’unfant et  les Smuleges (Bel Cantanti Opera), Antonio (cover)/Le Nozze di  Figaro, and Guccio, Betto (cover), Spinellocc io (cover)/Gianni Krlnt’tlu (Hubbard  Hall  Opera  Theater).  Stamatis  continues his  2014­1 5  SEASON  with  Tri­Cities Opera in   i l a   :  February  as  laxltlvo  in Ross n i ’ s   L ’ l t a l i a na  in   Al ger i .   W i t h  t h e   B i n g h a m t o n   l  m w r d n   Orchestra he has performed as the Bass soloist in Bach’s Ch ristmas Oratorio (part one). .  _  A  ’  and also performed a pair of  arias tmin Mozart’s Le  Nozze tli Figaro as a winner oi the  <  l  P r e s e n t i n g  Q u a l i t y  y ’ a k ‘ r M / fi f t fl l w f ” “    4  B a s s b a r i t o n e  J a k e  S t a ma t i s  i s  o n  t h e  c u s p  o f  a n  e x c i t ing  c a r ee r  i n  ope r a .  H e  m a d e  h i s   [Stamatis] never mug a note yet stole  the third act with  lns  hilarious delivery  of lines.”  Other  roles  from  his  2013–14 season  included Captain von  Trapp/The Sound  of  Music,  .  l  2 2 0 , + 2 0 , 5  g  l  .  _ i  g) :  . . . E B  , .  “ T h e  Nligh‘." H andful”  &  Saturday, November 2 ’  2014  ' ' e E “HOW S u i t e  I t  1 5!”  ]l  hf  lllJ Saturday. February 28­ 2015;  3  & .  .  “Romantic Spring”  '  x  L 1 o y a Saturday, May 9   201 5  Y s   l  L – I  E u  © t  . –   ’  I  2 Yeo) Welcoming back to the podium as conductor  ;  > , _  D r.  T imothy Per r y  2013­14 BU  Concerto &  Aria  Competition. Stamatis received  his  Bachelor’s Degree in  Vocal Performance at Susquehanna University where he studied with Jeffrey Fahnestock. He is currently pursuing .n  Master’s Degree in  Opera here at Binghamton University  in   :  3 I “d u C o n c e r t s  s t a rt  a t  7  p m   i  East Middle  school  1 6 7  E ast Frederick Street  conjunction  with  Tri–Cities  Opera Compam ’s  Resident  Artist  lrnlnina l‘rugmm.  H e   studies with  Thomas Goodheart.  : )  1  ii ¥  Binglutminnl 1 a Community } 1 ,   Orchestra l Binghamton, NY 13904  . Visit \\\\ “zBinglmmiunCummunityOrchesmorg for more information! I lRl­Cl’lll­N  E )  PERA  o J;   ­‘ :  >  l .  i  a  ‘  = A  t  , s :  _ l‘  \  *9 fi  A pr ilid 7,  8 pm April 1 9, 3pm m&\SO i  G ou n o d ’s  g l o r i o us feiss  lv  2 h , & )   '  ‘  ’ \  .  4  4  hi  f o   '  musicmeets Goethe’s   most famous  fable.  A h   The Forurp Theatre  =  Bear/£22222? RY  1  VTIX : 607.772.0400   <.1 m k — “ n — fl fi u — M h PSlllglllg l h e  PSZIlIllS '  Sunday,  M a y  1 7,  2 0 1 5, 3:00 p.m. .  Trinity M emorial Church 44 Mai n Street, B i nghcmio n tricitiesopera.com u ­ M M ‘ D Q v h h m n n — v — m n — u u m m m m — u – u u – q m .   c  B l u es t o l m h ©  M m h fl h l fl ­ M fi u m m fl fi m t — fl l [  The Madrigal Choir of Binghamton m m ” 2  01 3­2014  7 37th Season w w w . ma d n g a l c h o i r c o m   l  6 0 7  2 1 7   ” 0 » �Binghamton University  Department of Music Coming Events asbfibfisaecfiéemafibefibafiaem­fibofiawfib Thursday, March 19 – Mid­Day Concert­ 1: 20 p.m. – Casadesus Recital Hall – free Thursday. March 19 – Lontano Ensemle: Music Now! – 7:30 p.m. – Casadesus Recital Hall – $7 general public; $5 faculty/staff/seniors/alumni; Free for students Thursday, March 19­ Master Class BU Alumnus Lee Musiker, piano ­  6 ­  7:30 p.m. ­  Fine Arts 24 – free Friday, March 20 –  Master Class B U  Alumnus Ira Gitler, composer –  3:00 p.m. –  Casadesus Recital Hall ­ free Thursday, March 26 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Friday, March 27 – Junior Recital: Jessica Biogiotti, flute – 7:30 p.m. – Casadesus Recital Hall – free Sunday, March 29 – Songs My Students Taught Me with Janey Choi, violin and Pej Reitz, piano (tentative) – 3 p.m. – Casadesus Recital Hall – $7 general public; $5 faculty/staff/seniors/alumni; Free for students Wednesday, April 1 – Harmony Club Fundraiser Concert – 7:30 p.m. – Casadesus Recital Hall – S 10 suggested donation Thursday. April 2 – Mid­Day Concert– 1:30 p.m. – Casadesus Recital Hall – free Thursday, April 16 – Mid­Day Concert– 1:20 p.m. ­  Fine Arts Building, Room 21 – free Thursday, April 16 – Faculty Recital: Zachary Sweet, cello and Michael Salmirs, piano ­  7:30 p.m.  –  Casadesus  Recital  Hall  –  $7  general  public;  $5  faculty/staff/seniors/alumni;  Free  for students Friday, April 17 ­  Joint Sophomore Recital: Skylar Buono, clarinet and Michelle Li, flute –  5 p.m. – Casadesus Recital Hall – free Friday, April 17 – Tri­Cities Opera presents Gounod’s Faust – 8 p.m. – The Forum Theater – call (607) 772­0400 for tickets o fi r b o fi w b fi b a fi a e fi b fi é e fi fi a fi é fi c fi b a fi w b For tickets or  to  be  added  to our email list, visit  anderson.binghamton.edu or  call (607)  777­ARTS. For  a complete list of our concerts call (607) 7 7 7­2 592, visit musrc.hinghamton.edu or become a fan on Facebook. [ = ] L   1 —  [ = ] ¢   0 ]   If  you  were  inspired  by  this  performance,  consider  supporting  the Department of  Music with a financial gift. Your support helps to continue the work  of students, faculty, and guest artists and their contributions  to our  community.  Please  make  your  donation  payable  to  the  Binghamton University  Music  Department,  and  send  your  check  to  BU  Music Department, P.O. Box 6000sss, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:44:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74808">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74808</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Opera Workshop presents Opera Scenes from The Marriage of Figaro, Cosi Fan Tutte, Carmen, Of Mice and Men, The Crucible, Lakme, and Turandot, March 15, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Bizet, Mozart, Floyd, Puccini. Held at 3:00 p.m., March 15, 2015, Phelps Mansion, Binghamton, New York. Creator An entity primarily responsible for making the resource Students of the Opera Workshop Waters, Willie Anthony Isenberg, John Toulson, David Carl Goodheart, Thomas Samluk, Matthew Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Bizet, Georges, 1838-1875 Mozart, Wolfgang Amadeus, 1756-1791 Floyd, Carlisle Puccini, Giacomo, 1858-1924 Date A point or period of time associated with an event in the lifecycle of the resource 3/15/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/740807e5138884e07a3f61ef74853778.pdf 2216ed4a5c201339a01a9b98df6038a0 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F   NE W  Y O R K Ld 1245224 D E P A R T M E N MASTER OF MUSIC Recital   DEEB, ME RGE K H A L I A A SO PRANO WI TH MICHAEL LEWIS, PIANO BRANDON YOUNG,  TRUMPET SATURDAY, MARCH 14, 2015 4:00 P.M. CASADESUS RECITAL T �ion  PROGRAM «6 Care selve .  Program Notes George Frideric Handel from Atalanta  V’adoro, pupille from Giulio Cesare Let the Bright Seraphim from Samson Brandon Young. Trumpet Vier Lieder, Op. 2  (1685­1759) .Arnold Schoenberg Erwartung  Schenk mir deinen goldenen Kamm Erhebung Waldsonne Quando m’en vo  from La Bohéme  (1874­1951) Giacomo Puccini (1858­1924) @» Intermission @» Ouvre ton coeur.  Adieuxz de l’hotesse Ara be  Comment, disaient­ils  Ohl quand je dors  Cantata  Prelude  Rondo Recitative Georges Bizet (1838­1875) Franz Liszt (181 1­1886) John Daniels Carter (1931­1982) George Frideric Handel composed music in almost every classical genre, from  orchestral  music  to  operas.  He  traveled comfortably  throughout German,  Italian  and  English  speaking  countries,  making  him  a  truly intemational  composer.  The  musical  characteristics  of  these  various countries are evident in much of his music. The opera  Atalanta  was  composed  for  the  London celebrations of  the 1736 marriage of Frederick, Prince of Wales, to Princess Augusta of Saxe­ Gotha. The first performance took place on May 12, 1736 in the Covent Garden Theatre. The anonymous Italian libretto is loosely based upon the story  of  the  mythological  female  athlete  Atalanta, and  set  in  ancient Greece.  The  opera  was  performed  seven  additional  times  during  the season of its  premiere, and was  revived the  following November.  The printed score of the opera was the most successful in terms of copies sold in Handel’s lifetime. The arioso “Care selve” which is performed by the character Meleagro is now the most  frequently performed portion of the opera, often being featured on recitals and recordings. Cleopatra’s da capo aria  “V’adoro, pupille” comes from the opera Giulio Cesare which premiered at  the King’s  Theatre in Haymarket, London on February 20.  1724. In this aria Cleopatra attempts to use her charms to seduce Cesare to get him to support her as the queen of Egypt. The oratorio Samson  is based  on the figure Samson from Chapter  16 of the Book of Judges. This aria comes at the very end of Samson, just before the final chorus. Sung by an “Israelite Woman,” the aria commands the celestial  hosts of seraphim  and  cherubim  to  hail, with  trumpet  figures responding to the singer. 1. Care selve Dear woods, blessed shadows, I come in search of my beloved! V’adoro, pupille Ai r Toccata I adore you, eyes, arrows of love,  Your sparks are welcome in my  breast.  This program is offered in partial fulfillment of  the requirements for the degree of Master of Music in Opera. My sad heart, which always calls you its beloved, desires that you will show pity. Let the Bright Seraphim Let the bright Seraphim in burning row, their loud uplifted angel trumpets blow. Let the Chenibic host, in tuneful choirs, touch their immortal harps with golden wires. �Arnold  Schoenberg  was  a  prominent  composer  influenced  by  the expressionist  movement  in  Berlin  during  the  early  1900s.  He experimented with new forms of tonal organization, and is known for his twelve­tone­row  concept  for  composing  music.  The  opus  2  songs  are Schoenberg’s  earliest  published  pieces,  displaying  characteristics  of German Romantic  music,  though his sense  of hamionic  tension  and rhythmic freedom are also evident. I I. 1. Erwa rtung (Anticipation) Out of the sea green pond, near the red villa, under the dead oak, shines the moon. Where its dark image reaches through the water, a man stands and draws a ring from his hand. Three opals glimmer; red and green sparks swim through the pale stones and they sink. And he kisses them, and his eyes glow like the sea green depths: a window opens. Out of the red villa, near the dead oak, the pale hand of a woman beckons to him. 2. Schenk mir deinen goldenen Kamm Present me with your golden comb; every morning shall remind you that you kissed my hair. Present me with your silken sponge; every night I want to have an idea for whom you prepare yourself in the bath, O Mary! Present me with everything you have; my soul is without vanity, I receive your blessing with pride. Bestow on me your heaviest burden don’t you want to lay your heart on my head, Magdalena? 3. Erhebung (Exhaltation) Give me your hand, only your finger, then I will look upon this entire world as my own. Oh, how my country blooms! Behold it for yourself, it can rise with us above the clouds to the sun! 4. Waldsonne (Forest Sun) In the brown, rustling nights, intrudes a flickering light, a green­golden glow. There sparks the flowers and grass and the singing, leaping forest streams, and memories. Although long since faded: they awaken again in the golden glory, all your joyous songs. And I see your golden hair shine, and I see your golden eyes shine out of the green, Murm uring nights. And it is a.  if I were lying next to you on the grass and you were, again playing upon the shiny pan pipe into the blue airy sky. In  the brown, restless nights, flickers a light, a  golden glow. Giacomo Puccini is widely recognized for his contributions to the operatic repertoire.  His opera  La  Boliéme  premiered on  February  I, 1896  at  the Teatro Regio of Torino. Puccini is best known for the large sweeping vocal lines and the dramatic emotional intensity. The Act II aria Quando m’en vo is Musetta ’s attempt to get her former lover Marcello to pay attention to her, though she is  currently out on the town with another man. IIL  Quando m’en vo  When  walking  alone  on  the  streets.  People stop and stare  And examine my beauty From head to toe... And then I savor the craving  Which from their eyes transpires And  from  the  obvious  charms they perceive The hidden beauties. So  the  scent  of  desire  is  all around me, I t  makes me happy! And  you  who  know,  who remember and yearn, You shrink from me? I know why this is: You do not want  to  tell me of your anguish, But you feel like dying! Georges Bizet composed almost fifty songs which are influenced by the style of his teacher Charles Gounod. Elements of this style are well suited to  the voice,  and  the  accompaniment  is  filled  with  rhythmic  flair  and nuances. Ouere ton  coeur and Adieux de l’héterse Arabe are two examples of exoticism  and  orientalism  which were  prevalent  in France  during  the romantic period. The songs of Franz Liszt have mostly been overshadowed by his orchestral and piano compositions.  The vocal melodies of these songs are operatic and sometimes recitative­like in style. The song OlL’ Quand je dors has come to be the most popular and most frequently perfonned amongst his song repertoire. IV.  So  that  a  dream  may  enchant The shadow has closed  its eyes  Like a flower opens to the sun! Ouvre ton Coeur  The daisy has closed its petals,  for the day. Beauty, will you speak to me?  Open your heart to my love!  Oh young angel, to my flame,  your sleep. I want to reclaim my soul, Adieux de l’hétesse Ara be (The  farewells  of  the  Arab hostess) �Since nothing holds you to  this happy land, neither the shade of a palm tree nor the yellow corn, neither rest nor abundance nor seeing beat at the sound of your voice the youthful breasts of our sisters, whose dance, like that of a  hive  of  bees,  crowns  the evening hills. Farewell,  handsome  traveler. Alas! Oh, why aren’t you one of those who limit  their lazy feet to their own roofs of branches or canvas! Who, dreamers, listen  to stories without making any, and dream of flying away to the stars, sitting before  their  doors  in  the 7  Had  you  wished  it, evening.  perhaps one of us, young man, would  have  liked  to  serve  you, kneeling,  in  our  huts  that  are always  open.  She  would  have lulled  you  to  sleep  and  made a fan of green leaves to chase away the flies from your brow. If you don’t  come  back,  think sometimes  on  the  desert’s daughters,  sottwoiced  sisters dancing  barefoot  on  the  dune. Handsome  young  white  man, lovely bird of passage, remember, for  perhaps,  oh  rapid  stranger, your  memory  remains  in more than one of them! Comment, disaientls? “ How,”  the  boys  asked,  “with our tiny boats can we escape the law?” “Row!” the girls replied. “How,”  the boys asked. “can we forget  our quarrels, poverty and perils!” “Sleep,” the girls replied. “How,” asked the boys, “can we enchant beauties without subtle potions?” “Love,” the girls replied. Oh! quand je dors Oh! While 1 sleep, come  to  my bedside just as Laura appeared to V.  Prelude  Rondo  Peter go ring dem bells.  Wonder  where  my  mother has  gone!  Heard from Heaven today.  Recitative  Sometimes I feel like a  motherless child,  A long way from home. Sometimes I feel like I’m almost  gone,  A long way from home.  True believer, a long  way  from  home.  Petrarch.  And  in   passing,  let Air your breath touch me... Suddenly my lips will part! On  my troubled  brow, where  a dark dream  that lasted  too long is perhaps ending, let your gaze fall like a star... Suddenly my dream will become radiant! Then on my lips, where a flame flickers  a  flash  of  love  which God made pure, place a kiss. and from angel become woman... Suddenly my soul will awaken! Oh come! Just as Laura appeared to Petrarch! Le t  us break bread  together  on African­American  pianist  and  composer John  Daniels Carter  is widely recognized for his Cantata for voice and piano, which is his only published work. However, little information has been published abou t Carter ’s life, his compositional output, or career as a pianist.  This piece consists of a brief piano prelude followed by unique settings of the spirituals “Peter go Ring Them Bells”, “Sometimes I  Feel like a  Motherless Child", “ Let Us Break Bread Together", and “Ride on King Jesus". our knees. When I fall on my knees, Wid my face to da rising sun, Oh Lord have mercy on me. Let us  drink  wine  together  on our knees. When I fall on my knees, Wid my face to da rising sun, Oh Lord have mercy on me. Let  us  praise  God  together  on our knees. When I fall on my knees, Wid my face to da rising sun, Oh Lord have mercy on me. Amen. Toccata Ride on King Jesus, No man can a hinder me. He is King of Kings, He is Lord of Lords. Jesus Christ, first and last, No man works like him. King  Jesus  rides  a  milk  white horse, No man works like him, The river of Jordan he did cross, No man works like him. “ n u n n " . n u n " . n u n n " fi n " a n o n – " n u n ” ABOUT TH E  P E RFORME RS Soprano Meroé Khalia Adeeb is  a  native of Accokeek,  Maryland.  Ms . Adeeb began her operatic training at Louisiana State University 2010. She performed the role of Chembino Pig in  The Three Little Pigs with the Louisiana Opera Outreach Program,  and  the  1st Spirit  in  The  Magic  Flute with Opera  Louisiane.  In  the summer of 2012 Ms. Adeeb attended  Martina Arroyo’s Prelude to Performance where she performed in the chorus of Verdi’s Falstaff and audited the role of Nannerta. and then performed the role with Opera Louisiane in September 2012. She returned to Prelude to Performance in 2013 to perform the  role of Stella in Les comes d’'Hoffmann. Now as a Master of Music in Opera student at Binghamtou University and Resident Artist with Tri­Cities Opera, she has been performing roles and singing in the the m.  In 2013, M.  Adeeb performed the role of Gretel in  Hansel and  Gretel with  Binghamton  University, and  in  the  chorus of Carmen with Tri­Cities Opera. In  the spring of 2014 Ms. Adeeb performed  the  role of Donna  Elvira  in  Don  Giovanni  and Gilda  in Verdi’s  Rigoletto  in  October, 2014 with Tri­Cities Opera. Most recently Ms. Adeeb recently competed in the Middle �Atlantic Region of the  Metropolitan Opera  National  Council Auditions where she won third place.  She is a studen t of Prof. Mary Burgess. Michael Lewis, Adjunct Lectu rer at BU and Assistant Music Director at Tri­Cities Opera,  earned  his  undergraduate  degree  in  Vocal  Performance  from  Ithaca College  in  May  2013.  He  has  had coaching  experience with  the  International Vocal  Arts  Institute,  Mill  City  Summer  Opera,  CoOPERAtive  program  and Ithaca College School of Music. While at Ithaca  College, Michael was involved with the inaugural season of  the first stude nt­run opera company at  IC, Ithaca College Light Opera, in which he served as Assistant Music Director and Vocal Coach. He went on to lead the group in their second season as Music Director. The opera company continues to perform one one–act opera each semester. As a vocalist,  he has performed a variety of roles in  Ithaca  College’s mainstage productions. In  his final year a t Ithaca, he had  the opportunity to play the title role in Gianni  Schicchi.  This production was paired with Suor Angelica, for which Michael served  as opera  choru  master.  In  the  past decade,  Michael  has been actively developing his style as a composer. H is current works which focus on the voice  and  piano  have  been  performed  throughout  the  United  States  and Australia. Brandon You ng is a junior  from  Farmingville, N.Y. who is  pursuing a double major in Mathematics and Economics.  He started playing the trumpet in 2004, and  currently studies with  Benjamin Aldridge  here at Bingha mton  University. Brandon  is currently  a  member  of Ben’s  Trumpet  Ensemble,  the  Harpur Jazz Ensemble  directed  by  Michael  Carbone  and  the  University  Wind  Ensemble directed  by  Daniel  Fabricius.  In  his  free  time,  Brandon  likes  to  read,  mostly literature related to Math and Economics, and enjoys tutoring, which he currently does through the Student­Athlete Success Center. i t i t i t i i i i t t i i i i ’ t t i t t ‘ . ‘ i fi t t i t t ­ f t t t t t t i t t t i l fl k i fi i t i ff i k i This recital is dedicated to my late grandmother Levolia “MaLee” Jordan ( 1921­ 2014) who lived a life of worship and singing. I would like to thank the following people  for maximizing my artistic growth in this short time I have been in Binghamton: Mary Burgess, my voice teacher who expects  nothing  less  than  10096  whether  I  am  singing  for  only  her  or for a thousand people.  Diane Richardson  who  has  nurtured my  operatic  soul and pushed  me to become  not  just  a  singer  but  a  true artist. Sco tt  Bergeson who catered his coaching skills to  fit my individual needs and was extremely patient with  me.  Tri­Cities  Opera,  thank  you  for  giving  me  professional  performing opportunities in a safe learning environment. I would also like to thank my family for supporting and encouraging me through my journey. Enfin, je souhaite remercier de  tout coeur mon fiance Ghislain. Je n’aurai  jamais imaginer avoir  un  meilleur ami  et  partenaire com me  toi. Je  suis infiniment benie de t’avoir a coré pour la  \ie. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58m 23s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74997">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74997</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master of Music recital with Meroë Khalia Adeeb, Michael Lewis, and Brandon Young Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Hansel, Schoenberg, Puccini, Bizet, Liszt, Carter. Held at 4:00 p.m., March 14, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Adeeb, Meroë Khalia Lewis, Michael Young, Brandon Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Handel, George Frideric, 1685-1759 Schoenberg, Arnold, 1874-1951 Puccini, Giacomo, 1858-1924 Bizet, Georges, 1838-1875 Liszt, Franz, 1811-1866 Carter, John Daniels Date A point or period of time associated with an event in the lifecycle of the resource 3/14/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/fc5db18b3491cc5707712c073f58bfc3.pdf 0fbe6defbfe9fd342f096e26ab323ebc PDF Text Text BINGHAM TO N U  N  I  V  E  R  S  I  T  Y S T A TE   U N I V ER S I T Y   O F   NEW  Y O R K e l d  EC kd D E P A R T M E N SONA TA MAS TE RP IEC ES S TE P H E N  S TA LK ER , CE LLO STEPHEN ZANK, PIANO S u nd ay, M a rch 1, 20 1 5 3 p.m. Anderso n Center  Cha mber Ha ll T �as  ABOUT THE PERFORMERS 08 80  P ROG RAM 05 Sonata in A major, Op. 69, for piano and cello. .Ludwig van Beethoven (17701827) l.  Allegro ma non tanto 11.  Schezo, Allegro molto Ills Adagio ca ntabile; Allegro vivace Sonata for cello and piano, 19 15.  . I.  Prologue: Lent, sostenuto e molto risoluto II.  Sérénade: Modérément animé lll. Finale: An imé, léger et nerveux .Claude Debussy (1862­1918) Madison S tring Quartet, he  was a finalist in  the Naumberg Chamber Music Competi tion in  N ew York  City and  the  Evian  lnremational String Quartet Co mpetition in Evian, France. He  has performed in many recital appearances with  pianist, Michael Salmirs. He perfonus  regularly with  the  Trio  Amici,  Trilogy,  Baroque  ‘n  Blue,  Early On  and  in concerts at Binghamton University.  He is  a past president  of the New  York  State Chapter of the American String Teachers Associat ion and was Strings Chair for the New York State  School  Music  Association.  He  is  a  founder  of  the  Southern  Tier  Music Teachers  Association  and  the  Binghamton  Cello  Festival.  He  is  a  graduate  of  the Manhattan School of Music in New York City. S TE P H E N  ZANK is a broa dly tra ined musician, with degrees in pe rformance, litera ture, and  historical  musicology  (Ph.D.,  Duke  University).  He  began  studying  piano, counterpoint, and composition in Binghamton a t the age of five, and his formal training was in the class of Theodore Le ttvin at the N ew England Conservatory in Boston, where w  INTERMISSION c s Sonata in A major for cello and piano, 1886 I.  Allegretto ben moderate II.  Allegro III.  Ben moderato: Recitativo­Fantasia IV. Allegretto poco mosso STEPHEN ST ALKER,  cellist, teaches at Binghamton University. He formerly taught at Colgate  University,  Mansfield  University,  lthaca  College  and  the  Binghamton  City School District. He was the principal cellist of the Cayuga Cham ber Orchestra in ltham. NY, and has performed extensively with the Catskill Chamber Players of Oneonta, NY, and in concerts at Binghamton University. Performing with the Catskill Chamber Players he  has presented “Meet the Composer” concerts with prominent American composers including John Cage, Virgil Thomson, Lou Harrison and George Crumb. The Chamber Players appeared at Weill Recital Hall, premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio  cycle at Binghamton University. He perfonued with Solisri New York on their Alaskan cru ise of the Inner Passage from Va ncouver to Juneau. As a member of the . Césa r Franck (1822­1890) he  earned  a  BM  in  performance  with  honors  and  won  all  of  the  major  piano competitions. During this time he also studied privately with Leon Fleisher in Baltimore, Byron Janis in New York, and then subsequently for five years with Philippe Entremont and Gaby Casadesus in Paris.  Zank has both perfonued and published widely in Europe and the United States, appearing in numerous recital and cham ber music venues as well as  soloist  with the  Bordeaux,  Toulouse  and French radio  orchestras  in France,  the Florida Symphony, Boston Pops and other regional orchestras in  the United State‘s. His scholarly  work  includes  contributions  to  topics  as  varied  as  American  music, orchestration, organology,  performance  practice,  French  music  of  the  19th  and  20th centuries, and two monographs on the music of Maurice Ravel (most recently, Irony and Sound, in the distinguished Eastman Music Series, University of Rochester Press, 2009). H e  has taught fulltime for more than twenty years at several major universities in  the Midwest, South west and Northeast including SU NY­Binghamton and the University of Rochrsrer. �Bingha m ton U n iversi ty D e pa rt me n t of M usic Coming Events « a w a w w w w b fi w b fi w w fi b a a Th ursday. March 5 ­  Mid­Day Concert ­  1:20 prmr  ­  Casadesus Recital Hall ­  free Friday. March 6 ­ Master’s Recital: Nicholas Follett, saxophone ­  7:30 p.m. ­  Casadesus Recital Hall ­  free Saturday, March  7  – Harpur Chorale and Women’s Chorus  –  7 :30 p.m.  ­  Anderson Center Chamber Hall ­  57 general public ; 55 faculty/staff/seniors/alumni; Free for students Sunday, March 8  ­  University Wind  Symphony: Just Like a Concert  in the Park ­  3 p.m.  ­ Osterhout Concert Theater ­  57 general public ; 55 faculty/staff/seniors/alumni; Free for students Sunday, March 8 ­  Sophomore Reci tal: Hannah Watrobski, viola ­  5 p.m.  ­  Casadesus Recital Hall ­  free Thursday. March  1 2  ­  Opera Scenes Mid­Day  Concert (Thomas  Goodheart)  ­  1:20  p.in.  ­ Anderson Center Chamber Hall ­  free Th ursday, Ma rch 12 ­  Opera Scenes ­  7 :30 p.m. ­  Anderson Center Chamber Hall ­  $10 general public ; 57 faculty/staff/seniors/alumni; $5 for students Saturday, March  1 4  ­  Master’s Recital : Meroé Khalia  Adeeb, soprano  ­  4  p.m.  ­  Casadesus Recital Hall ­  free Saturday, March 14 ­  University Symphony O rchestra: Dark P assions ­  7:30 p.m. ­  Osterhout Concert Theater ­  57 general public ; $5 faculty/staff/seniors/alumni; Free for students Sunday,  March  15  ­  Opera Scenes and Airas ­  3:00 p.m. ­  Phelps Mansion,  191 Court Street. Binghamton ­  $10 general  public;  BU  students  free with 1D  ­  for  reservations call  the  Phelps Mansion at (607) 7224873.  This concert is cosponsored by  the Binghamton University Music Department and Phelps Museum. Thursday, March 19 ­ Mid­Day Concert  ­ 1 :20 p.m. ­  Casadesus Recital Hall ­ free é w w w w w w w w w w w a p For tickets or to  be added  to  our  email list, visit anderson.binghamton.edu or call (607) 7 77­ARTS. For a comple te list of our concerts call (60 7) 7 7 7­2592, visit music.binghamton.edu or become a fan on Facebook. i f  you  were  inspired  by  this  perfomtance.  consider  supporting  the Department of Music with a financial gift. Your support helps to continue the  work of students,  faculty, and guest  artists  and  their  contributions  to our  community.  Please  make  your  donation  payable  to the  Binghamton University  Music  Department,  and  send  your  check  to  BU  Music Department, P.O. Box 6000sss, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:06:20 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75000">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75000</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sonata masterpieces, March 1, 2014  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Beethoven, Debussy, Franck. Held at 3:00 p.m., March 1, 2015, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Zank, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Debussy, Claude, 1862-1918 Franck, César, 1822-1890 Date A point or period of time associated with an event in the lifecycle of the resource 3/1/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/b459f9a4e80d3d7e917a340b02c416bc.pdf 76056a6ec82435f7408e47c9697a92c6 PDF Text Text BING HAMTON U N I V E R S I T Y S T A I E  U N I V E R S I T Y   O F   NEW  Y O R K d e Ld c D E P A R T M E N T GLEB IVANOV PIA NO Sat urday, February  7, 20 15 7:30 p.m . Anderson Cen ter Cha m ber Hal l �About the Performer 0­  PROGRAM  0 Sonata in A major, D. 664, O p. 120.  Allegro nwderato  Andante Allegro Sonata in A major, D. 784, Op. 120.  Allegra giusto  Andante . Franz Sc hubert (1797­1828) . Franz Sch ubert (1797­1828) Allegro vivace &I n termissi ond®s Consolations, S. 1 72.  No. I :  Andante con moto  No. 2 : Poco piu mosso . Franz Liszt (1 8 1 1­1 886) Sonata in  B Minor, S. 178”  . Franz Liszt (1811­1886) A soughta fter conce rto soloist, GLEB IVANOV pe rforms a wide range of concerto repertoire, from Mozart to Rac hmaninoff and has a ppeared with orchestras  including  the Symphony Orchestras of Missouri, Johnstown, West  Michigan,  Eastern  Connecticut,  South  Bend,  Westmoreland, Southwest  Florida,  Peoria,  Knoxville,   Dearborn,  Las  Cruces,  Grand Rapids, Springfield and Napa Valley, the Indianapolis Chamber Orchestra and the Colorado Springs Philharmonic. Adored in Paris, he has been re­ engaged  four  times by  the  Louvre Museum  for  specially requested  all­ Schubert and all­Chopin concerts. Mr. Ivanov has also been frequently re­ engaged by Princeton University, The Paramount Theater in Vermont, the Isabella  Stewart  Gardner  Museum  in  Boston,  “Pianofest ”  in  East Hampton, Bargemusic in New  York City, and at Fishers Island Concerts. Highlights of this season include appearances as soloist with orchestras in Illinois and Georgia, and in recital at the Lied Center of Kansas and the Morgan Library and Museum in New York. He also performs with the Taos Chamber Music Group. In recognition of impressive career achievement, Ivanov was awarded the Michaels  Award of Young Concert  Artists, which brought  his  Lincoln Center recital debut at Alice  Tully Hall and a rave review  in The New York  Times.  His  program  of  Russian  repertoire  included  works  by Prokofiev  and  the  Rachmaninoff  Cello  Sonata  with  New  York Philharmonic principal cellist Carter Brey (YCA Almnus) as his guest. At a young  age  in  Russia,  Ivanov  was  a  protege  of Mstislav  Rostropovich, appearing as soloist under the famous maestro with the Nizhny Novgorod Philharmonic. He also performed with the Moscow State Orchestra, wirh the  Kremlin  Orchestra,  and  at  the  Pushkin,  Glinka,  and  Scriabin Museums  in Moscow. Mr. Ivanov won First Prizes at the  1994 and  1996 International  “Classical  Legacy”  Competition,  and  the  prize  for  Best *there are no movement markings for the Liszt Sonata in  B Minor Performance  of  a  Beethoven  Sonata  at  the  First  Vladimir  Horowitz Competition  in  Kiev.  Months  after  arriving  in  the  United  States,  Mr. Ivanov won First Prize in the 2005 Young Concert Artists International Auditions. He received an award  from the  Jack Romann Special Artists Fund of YCA and made his New York debut in 2006 at Carnegie’s Zankel Hall and  his  Washington,  D C  debut  at  the  Kennedy  Center,  to  rave critical acclaim. Musical Studies Grants from the Bagby Foundation. �Bi ngha mton U niversity  De pa rtmen t of M usi c Co mi ng Even ts 6 & 6 é ­ 6 fi ­ 6 b w m w fi Saturday, February 7 ­  Guest Art ist: Pianist Gle b Ivanov ­  Chamber H all ­  $20 general public ; $15 faculty/s taff/ n fi b ­ é b 7:30 p.m. ­ Anderson Center seniors/alumni; $10 for students Sunday, February 8  – Tr i­Cit ies O pera  presents  Ross i ni’s  The Italia n Gi rl i n  A lgier s – 8:00 p.m. ­  The Forum Theater ­ call (607) 772­0400  for tickets Sunday, February 1 5 ­  Com pose rs at the Conflu ence: Wa r and Consequ ence ­  2:00 p.m. ­  Phelps Mansion Museum ­ $ 10 general public; f ree for BU students with ID  (Call 607­ 722­487 3 for reservations) Thu rsday. Feb ruary 26– Mid­Day Con cert – 1:2 0 ­  p.m.  – Casadesus Recital Hall ­ free Thu rsday,  February  26  –  Tri­Cities  Ope ra  prese nts  Michael  Ching’s  “Speed  Dati ng Ton ight!” – 8:00 p.m. – Ope ra Ce nter, 315 Clin ton Street, Bingham ton, NY – Cal l 607­ 772­0400 for t ickets Friday,  February  27  –  Tri­Cities  Ope ra  prese nts  Michael  Ching’s  “Speed  Dating Ton ight!” – 8:00 p.m. – Ope ra Cente r, 31 5 Cl inton Street, Binghamton, NY ­  Call 607­ 772­0400 for tickets Satu rday,  February  28  –  Join t  Junior  Reci tal:  Brandon  You ng,  trum pet  and  Chris Beard, trombone ­  3:00 p.m . ­  Casadesus Recital  Hall ­  free Satu rday.  February  28  ­  Tri­Cities  Ope ra  prese nts  Michael  Ching’s  “Speed  Dati ng Ton ight!” ­ 8:00 p.m. ­  Ope ra Cente r, 31 5 Cl inton Street, Binghatmon, NY ­  Call 607­ 7720400 for ticke ts. Sunday, March  1 – Sonata Masterp ieces for  cello and  piano wi th Stephen Stalke r and Stephen  Zank –  3:00 p.m . –  Anderson Cen ter C ham ber  Hall ­ $10 ge neral pu blic; $7 facu lty/staff/seniors/al um ni; $ 5 for  students Thu rsday, Ma rch 5 – M id­Day Conce rt ­  1:20  p.m . ­  Casadesus Recital Hall – free Friday, March 6 –  Master’s Reci tal: N icholas F ollett, saxophone – 7:30 p.m . ­  Casadesus Reci tal Hall ­ free fi s h ­ fi fi n w é w fi u fi b é fi ­ M fi M fi ' fi fi fl ­ fi fi =  [ = ]   E  '  .  For  tickets  or  to  be  added  to  our  emai l  list,  visit anderson. binghamton.edu  or call (60 7) 777­ART‘S. F or a complete list  of  our  concerts  call  (607)  777­2 592.  visit music.binghamton.edu or become a fan on  Facebook. If you were  inspired  by  this  perfornulnce. conside r supporting  the Department of M usic with a fina ncial gift.  Your  support  helps  to conti nue the work of students, faculty. and guest a rtists  and  their contributions  to  our  community.  Please  make  your  donation payable to  the Binghamton University Music Depart ment, and send  your  check  to  B U   Musi c  Departmen t,  P.O.  Box 6000,Binghamton, NY  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:22 42:25 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74871">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74871</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gleb Ivanov recital, February 7, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Schubert, Liszt. Held at 7:30 p.m., February 7, 2015, Year, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Ivanov, Gleb Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Schubert, Franz, 1797-1828 Liszt, Franz, 1811-1866 Date A point or period of time associated with an event in the lifecycle of the resource 2/7/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d72f31da65fa1d36e1924f844681abc8.pdf 09e4c029d9524b68bcd28a6cd9376053 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K [4 D E P A R 1227224 T M E N T JOINT JUNIOR RECITAL CHRISTOPHER BEARD, TROMBONE BRANDON YOUNG, TRUMPET Saturday, February  28, 2015 3 p. m. Casadesus Re cital  H a l l �¥  ABOUT THE PERFORMERS 06 so  PROGRAM «3 Concerto, op. 4 5.  I.  Preludium: Allegro pomposo  II.  Aria: Andante sostenuto III.  Finale: Allegro giecose The  Maid of the M ist.  Brandon  Young  is  a  junior  from  Farmingville,  N.Y.  who  is  double .Lars­Erik Larsson (1908­1986) Fabricius.  In his free time, Brandon li kes to read, mostly literature related to Math and Economics, and enjoys  tutoring, which he currently does through the Student­Athlete Success Center. .. Herbert L. Clarke . Oskar Bohme (1870–1938) .Arthur Pryor (1870­1942) Divertimento.  I.  Allegro  II.  Andantino III.  Presto IV.  Moderato V.  Allegretto VI VII. Presto Christopher  Beard  is  a  junior  from  Kingston  N.Y.,  who  is  double majoring in Computer Scie nce and Mathematics. He has been playing the trombone  since  fourth  grade,  and  currendy  studies  with  Donald Robertson  here  at  Binghamton  University.  He  is  a  current  member  of Don’s  Low  Brass  Studio  Ensemble  as  well  as  the  University  Wind 80  INTERMISSION 08 Thoughts of Love ..  Trumpet  Ensemble,  the  Harpur  Jazz  Ensemble  director  by  Michael Carbone  and  the  University  Wind  Ensemble  directed  by  Daniel (1867­1945) Konzert­f­moll .  I.  Allegro moderato  majoring  in  Mathematics  and  Economics.  He  has  been  playing  the trumpet since fourth grade, and currently studies with Benjamin Aldridge here at Binghamton University.  Brandon is currently a member of Ben’s .. Boris Blacher (1903­1975) Ensemble, which  is directed  by  Daniel  Fabricius. He  has also previously performed  with  the  University  Symphony  Orchestra,  directed  by  Dr. Timothy  Perry.  In  his  free  time,  Chris  likes  to  work  on  programming projects,  solve  puzzles,  and  make  multi­track  trombone  recordings  of himself. �Bingham ton University  Department of Music Coming  Events « M M M M M M a ­ é b m w w a Saturday, Feb ruary 28 ­  Tri­Cities Ope ra presents Michael Ching’s “Speed Dating Tonight!” ­ 8:00 p.m. ­  Opera Center, 315 Clinton Street, Binghatmon, NY ­ Call 607­772­0400 for tickets. Sunday, Marc h 1 – Sonata Masterpieces for cello and  piano wi th Stephen Stalker and Stephen Zank  ­  3:00  p.m.  ­  Anderson  Center  Chamber  Hall  ­  $10  general  public;  $ 7 faculty/staff/seniors/alumni; $5 for students Thursday, March 5 ­  Mid­Day Concert ­  1:20 p.m. ­ Casadesus Recital Hall ­  free Friday, March 6 ­  Master’s Reci tal: Nicholas Follett, saxop hone ­  7:30 p.m. ­  Casadesus Recital Hall ­  free Saturday, March 7  – Harpur Chorale and Women’s Chorus ­  7:30 p.m.  ­  Anderson Cen ter Chamber Hall – $7 general public; $5 facul ty/staff/seniors/alumni; Free for students Sunday, March 8 ­  University Wind Symphony: Just Like  a Concert in  the Park – 3 p.m.  ­ Osrerhout Concert Theater ­ $7 general public; $5 faculty/smff/seniors/alumni; Free for students Sunday, Marc h 8 ­  Sophomore Recital: Hannah Watrobski, viola ­  5 p.m. ­  Casadesus Recital Hall – free Thursday, March  1 2   ­  Opera Scenes  Mid­Day  Concert  (Thomas Goodheart)  ­  1:20  p.m.  – Anderson Cen ter Chamber Hall ­  free Thursday, March 12 – Opera Scenes ­  7:30 p.m. ­  Anderson Cen ter Chamber Hall – $10 general public; $7 faculty/staff/ seniors/ alumni; $5 for students  ‘ Saturday, March 14 ­  Master’s Reci tal: Meroé Khalia Adeeb,  soprano  ­  4  p.m.  ­  Casadesus Recital Hall – free Saturday, March 14 ­  University Symphony Orch estra : Dark Passions ­  7:30 p.m. ­  Osterhout Concert Theater ­ 57 general public; $5 faculty/staff/seniors/alumni; Free for students a fi w w m fi M M M M M M b ­ é b For  tickets or to be added  to our email lis t, visit undermnbinghamtonedu or call (607) 777­ARTS. For a complete list of  our concerts call (607) 777­2592, vuit music.binghamton.edu or become a fan on  Facebook. If  you  were  inspired  by  this  performance,  consider  supporting  the Department of Music with a financial gift. Your support  helps to continue the work  of  students,  faculty, and  guest  artists and  their contributiom  to our  community.  Please  make  your  donation  payable  to  the  Binghamton University  Music  Department,  and  send  your  check  to  BU  Music Department, P. O. Box 6000sss, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:30:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74862">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74862</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joint junior recital with Christopher Beard and Brandon Young, February 28, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Larsson, Clarke, Böhme, Pryor, Blancher. Held at 3:00 p.m., February 28, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Beard, Christopher Young, Brandon Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Larsson, Lars-Erik Clarke, Herbert L. Böhme, Oskar Pryor, Arthur Blacher, Boris Date A point or period of time associated with an event in the lifecycle of the resource 2/28/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/78570bb0e7c68bf4de2a7fd026fb822c.pdf 3efd9a0171076bf647ea0f06596de53b PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E  U N I V E R S I T Y  O F  N E W  Y O R K zedeC B E  P A R T M E N T MID­DAY CONCERT 1I A w a ‘i N  0 e Th ursday, Fe bruary 23, 2015 1:20 p.m. Casadesus Recital Hall 3   �&  PROGRAM  «6 LarsErik Larsson Concertina ... l.  Preludium: Allegro pomposo  ” 2 0  ll“. Il.  Aria: Andante sostenuto  7‘ 9 :3 4  . III.  Finale = Allegro giocoso  Z ? ’ 0   (1908­1986) Christopher Beard, trombone Margaret Reitz, piano Sonata for Viola and Piano ... I.  Allegro moderato 3 2   43".­ II.  Larghetto ma non troppo 4 3 , 7 7 .....Mikael Glinka (1804­1857) Hannah Watrobski, viola Margaret Reitz, piano Seis estudios dc concierto.. II.  Im prom ptu(1945) 5 3 ’ 2  ? “ .  Julian Menéndez (18961975) Timothy Perry, clarinet Margaret Reitz, piano Sonata... Prologue I t0  2 :10   Serenade et F inale]  , 07% 357 Stephen Stalker, cello Stephen Zank, piano ....Claude Debussy (1862­1918) �Bingham ton University  Depart ment of Music Coming Events fi a w w w é ­ M M M M M M é ­ o é é ­ Thursday,  February  26  –  Tri­Cities  Opera  presents  Michael  Ching’s  “Speed  Dating Tonight!” ­  8:00 p.m. ­  Opera Center, 315 Clinton Street, Binghamton, NY ­  Call 607­ 7720400 for tickets Friday,  February  27  ­  Tri­Cities  Opera  presents  Michael  Ching’s  “Speed  Dating Tonight!” ­  8:00 p.m. ­  Opera Center, 315 Clinton Street, Binghamton, NY ­  Call 607­ 7720400 for tickets Saturday,  February  28  ­  Joint Junior  Recital: Brandon  Young,  trumpet  and  Chris Beard, trombone ­  3:00 p.m. ­  Casadesus Recital Hall ­  free Saturday,  February  28  ­  Tri­Cities  Opera  presents  Michael  Ching’s  “Speed  Dating Tonight!” ­  8:00 p.m. ­  Opera Center, 315 Clinton Street, Binghatmon, NY ­  Call 607­ 7720400 for tickets. Sunday, March 1 ­  Sonata Masterpieces for cello and  piano with Stephen Stalker and Stephen Zank  ­  3:00  p.m.  ­  Anderson Center  Chamber  Hall ­ $10 general  public; $7 faculty/staff/ seniors/ alumni; $5 for students Thursday, March 5 ­  Mid­Day Concert ­  1:20 p.m. ~ Casadesus Recital Hall ­  free Friday, March 6 ­  Master’s Recital: Nicholas Follen, saxophone ­  7:30 p.m. ­  Casadesus Recital Hall ­ free Saturday, March  7  ­  Harpur Chorale and Women’s Chorus ­  7:30  p.m.  ­  Anderson Center  Chamber  Hall  ­  $7  general  public;  $5  faculty/staff/seniors/alumni;  Free  for students Sunday, March 8 ­  University Wind Sym phony: Just Like a Concert in the Park ­  3 p.m. ­  Osterhout Concert  Theater  ­  $7 general public; $5 faculty/staff/seniors/alumni; Free for students Sunday, March 8 ­  Sophomore Recital: Hannah Watrobski, viola ­  5 p.m. ­  Casadesus Recital Hall ­  free 6 M M M M M M 6 M M M $ For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 7 7 7­ARTS. For a complete list  of our concerts call (60 7) 777­2592, visit  music.binghamton.edu or  become a fan on Facebook. [ = —  ]   if you  were  inspired  by  this  performance,  consider  supporting  the Department  of  Music  with a financial gift. Your  support  helps  to continue  the work  of  students,  faculty , and  guest  artists  and  their contributions to our community. Please make your donation  payable to  the  Binghamton  University  Music  Department,  and  send  your   usic  Department,  P.O.  Box 6000sss,  Binghamton, check  to  B U M NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47:19:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74850">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74850</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, February 26, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Larsson, Glinka, Menéndez, Debussy. Held at 1:20 p.m., February 26, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Beard, Christopher Reitz, Margaret Watrobski, Hannah Perry, Timothy Stalker, Stephen Zank, Stephen . Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Larsson, Lars-Erik Glinka, Mikael Menéndez, Julián Debussy, Claude, 1862-1918 Date A point or period of time associated with an event in the lifecycle of the resource 2/26/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ad265ac2b92c9fe8f5616993ceb9bd6c.pdf b489cd840d933d212764d540b117dd99 PDF Text Text BINGHAMTON UN I VE R S IT Y STATE U IVE SITY OF NEW YO R K usi D E P A R T M E N T COMPOSERS AT THE CONFLUENCE: WA R AND CON SEQ UEN CE Featu ring work s b y: Evan Flury Jame Budi nich Richa rd Hugu n in Sunda y,Fehru ary, 15th, 2015 2 p .m . Phelp s M an ion Muu um �PROGRAM ABOUT THE COMPOSERS Phrases ..... ... .. ............ ............... .. ........... .. .. ......... .. .......... . Jame B ud ini h I. fo r a mo ment (l99 ) Elean o r Kra ner, violin Brothers ... .. ... ...... ............... .... ............ ...... ... ....... .. .... .. .... .. Jam Budini h (l990} Alexio C hang, i.olin Elea no r Kra ner, io lin Grim conscience .... .. .. ... ...... ... ............. ........ .... ...... ... ... ..... . Jame Budinich ( l 990) CodyRay Caho, bari ton e Michael Lewis, piano Piano Sonata 11. Adag io o. 1, Op. 17 .. ... ..... .... .. .... ... ........... .. ... Richard Hugunine ( 1953) Ill. Vivace - Ro ndo tep hen Zank, piano Jam Budinich (b. l990, orthport, grew up urrounded by a mix of Croatian folk music, Jaz z pianis , uch as Thelonious Monk and Bill Evans, and the driving rock guitar o groups Like Led Zeppelin. After a few years of playing in rock bands out of friends' garage , he went o to college, where he d iscovered the world of Classical Music. James is currently working cowards h.is Master of Music in Composition at Binghamton ni er ity, cudying with Daniel Thomas Davis. He has previously srudied with Jared Miller, and also with Chri Arrell and Osvaldo Golijov a the College of the Holy Cross, where he completed hi BA. Throughout college he also studied classical guitar, with Rober ullivan and Mateo Arnáiz. His work ha been performed by the Momenta uartet, and upcoming e ents include perfo rmances by Loncano Ensemble, and ew ore Code. Evan Flury (b . 1992) ound his love of music in high school in Buffalo, in his early cudies with Kevin Moehringer, Greg Piontek and Craig Farrey in Jazz and Electric Bass. Through college, he played in variou rock and jazz bands before beginning to srudy mu ic om ition with Daniel Thomas Davis. Upcoming events include a piece for m/wire a well a performing in Bingham on University's production of Black Orpheus. R.icba.rd Hugunine (b. l 95 ) began hi profe ional music career in h.is teens as a church . From 1972 to 19 4 he provided improvi atory piano music for ballet classes a ional cademy of Dance in Champaign, Illinois, as clas pianist and personal iani t or Patricia ilde at Ame rican Ballet Theatre, as Music Di rector and Composer in R idence at Ballet Bingham on, as lead cla s pianist at the ational chool of Ballet in W hing on, D.C., and a on-call balle pianist at the Kennedy Center for the Performing Ar in a hing on, D.C. Folio ing a 20- ear care r as a con ulcant in the automation of corporate administrative roce e, r. Hugunine reru med o Binghamton Univer sity in 2011 to complete his BA in comp ition, cudying horal arranging with Or. Bruce Borton, and graduating Magna a 20 l 2. He i cu rrently working on hi Mast er of Music degree in Binghamton niver i under the direction of Daniel Thomas Davis. INTERMI 10 War and Consequence ........ .............. .. ........ ..... .... ... ..... ...... .... .. E an Flu it:,,t>(J, (l 992) Da ni el Ro mbe rger, co nd u to r Chri tina anta Maria, oprano Daniella Rivera mezzo- oprano Cole T ornbero, teno r Jake ta mati , bas -ba ri t n teph anie Verh age axop ho n Raelee n Bi hler, violonc ell Robe rt D urante, co n rraba Alex Ra a, pe rcu io n PROGRAM OTE Ph.ras moment: for a momentis the fir t piece in a series of works for solo in struments. er reading The Rubaiyat of Omar yyam, I was drawn to the beauty of ertain ph r es, which might not cand ou o a reader on their own. A reader might ea ily a b the e instances and no notice Khayyam 's word choices. for a moment lor a sing! musical idea, the in erval of a second, ju ta a reader could explore the ily as b hra es of Omar Khayyam' Rubaiyat. (tum over) �ou r B rother : Having grown up with a brother l always wanted to write a piece based on relations hip. In this work I attempt ed to portray ou r bond on two levels, using related, the individu al instrum ents clash against but contrast ing, material in the two violins. each other, they represen t the pranks and fights chat have occurred between my brother the and me over the years. Anothe r le el shows the unique qualities of each violin line; two pares are able co complem ent each ocher, just like my relation ship with my brother. er, Grim coo cieoce: Ta en from an l 90 i ue of The Sun, a ew York based newspap Grim conscience depicts a narrator recalling an unforrun ace acciden t involving a beggar. before The narrator brings the listener back to the moment s leading up co the inciden t, as we reflecting back on the event. The music follows the changes in the narrator's psyche hear his story un old. form. Piano ooata o. 1, Opus 17 is Mr. Huguni ne's earliest foray into the sonata and Begun in Occober, 20l3, it was compl ted in early March 20l 4. Only the second third moveme nt are pre enced o n chis program . tona Il. Adagio: The moveme nt opens with planed 7th chords which establish the u nd gramma r of the moveme nt. An o tinato line in the middle regi cer provides backgro the fo r two indepen dent melodi lines involved in a dialogue. Another voice joins in and in gesrures with whole evolves into an emotion al stateme nt, resolving much like it began this the piano's highest register. The broad ope of the regisce involved required hand moveme nt to be cored o n three caves. The perform er is required to choo e which structure hand er's to utilize co play note on the middle staff, dependi ng on the perform and span. again ID. i ace - R ondo: cored in a lively 6/ , the principl e heme rerurns again and in various treatments of range, conalicy and expression. W ar and on equence: The idea o r t ar and Consequence began sitting in Phelps the experien ce Mans ion listening to a BU MM Opera rudenc inging. I loo ely follo ar fo llowing the WW I Christm as of a namele soldier's bru h with the concept but rmistice. I wanted to not only celebrat e the ntennial celebration of the Armistice, was to also look at the reaction s and implicat ion o w r through out history. Text, then, s clipping aken from a number of cure includin g the Iliad and both poems and news of from W orld ar One and Two. The oprano and mezzo-soprano are p r onificat ion ely. the respon es to war by the private, home life and the public, political life, respectiv a of study a Though not critical o all war by design, Warand Consequence became ace of somewh at ine capable, rimele ace through the lens of he la uncoord inated eace between armies in a rime o war. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:05:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74868">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74868</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composers at the Confluence: War and Consequence , February 15, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Evan Flury, James Budinich, Richard Hugunine. Works by  Held at 2:00 p.m., February 15, 2015, Phelps Mansion Museum, Binghamton, New York. Creator An entity primarily responsible for making the resource Krasner, Eleasnor Chang, Alexio Caho, CodyRay Lewis, Michael Zank, Stephen Romberger, Daniel Santa Maria, Christina Rivera, Daniella Tornberg, Cole Stamatis, Jake Verhage, Stephanie Bichler, Raeleen Durante, Robert Rava, Alexa Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Budinich, James R. Flury, Evan Date A point or period of time associated with an event in the lifecycle of the resource 2/15/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound