92 10 1775 https://omeka.binghamton.edu/omeka/files/original/ed48c90814e26ac667758f830f85bb75.pdf 619414fe37138bc50f636274af134427 PDF Text Text UNIV BINGHAMTON UNIVERSITY State University of New York Department of Music Flute Ensemble Georgetta Maiolo, director Saturday, April 30, 2005 12:00 noon Casadesus Recital Hall �Program Advent Music, Opus 8, No. 1............. ........ T. Donley Thomas 1. Prelude on "In Dulci Jubilo" (b. 1929) 2. Interlude 3. Postlude on "Valet Will Ich Dir Geben Marche Miniature ..................................... Peter Ilyitch Tchaikovsky (1840-1893) Arranged-by Arthur Ephross Londonderry Air ............................... Arranged by Ricky Lompardo Introduction to the Flute Family & Childhood Favorites Arranged by Ricky Lombardo Chanson Triste ......................................... Peter Ilyitch Tchaikovsky (1840-1893) Arranged by Clair W. Johnson Selections from the opera "Carmen" .......................... Georges Bizet Introduction (1840-1893) The changing of the Guard Masques ................................... ................................. Anne McGinty (b. 1945) The Pink Panther. ................................... ................... Henry Mancini The Pink Panther Theme (b. 1924-1994) Shades of Sennett Arranged by Amy Rice-Young When The Saints Go Marching In .... Arranged by Ricky Lombardo �About the Director GEORGETTA MAIOLO is a member of the faculty of Binghamton University and Broome Community College, teaching Flute and directing Flute Ensembles. From 1977 to 1996, she held the position of Assistant Professor of Flute at Ithaca College, Ithaca, New York. She also taught flute at West Virginia University, Morgantown, West Virginia. Mrs. Maiolo is a graduate of Duquesne University, Pittsburgh, Pennsylvania and attended graduate school at West Virginia University, Morgantown, West Virginia. She studied with Bernard Goldberg, principal flutist of the Pittsburgh Symphony, Marcel Moyse at Marlboro School of Music, and Victor Saudek. At the age of 15, she made her solo debut with the Pittsburgh Symphony. Mrs. Maiolo is the recipient of numerous honors, including the NCMEA National Music Award, the Pittsburgh Tuesday Musical Club, the Enola M. Lewis Scholarship and the Mu Phi Epsilon Sterling Achievement Award. Mrs. Maiolo is the principal flutist of the Binghamton Philharmonic Orchestra, Tri-Cities Opera Orchestra, Southern Tier Concert Band and Downtown Singers Orchestra. In addition to her playing positions, she concertizes as a soloist, recitalist and chamber musician. In 1983, Mrs. Maiolo was honored to conduct the NYSSMA All-State Flute Choir. She served as the flute chairperson for the NYSSMA Manual from 1981 to 2001. She is a "clinician" for the Selmer Company. Binghamton University Flute Ensemble Stephanie Dodge Michelle Grossman Leah Hays Stephanie Holleran Joanna Hunt Kelley Kimball Nicole Lean Caitlynn McMullen Manessha Lal Lauren Silinonte Kira Slocum Valerie Spiller Meghan Tate Jennifer Weintraub �COMING EVENTS Saturday, April 30 - Master's Recital: Amber Alarcon, mezzo-soprano 8:00 p.m. - Casadesus Recital Hall - free Sunday, May 1 - University Wind Ensemble - We Band of Brothers - 3:00 p.m. - Anderson Center Chamber Hall - free Sunday, May 1 - Junior Recital: Melissa Mattern, viola - 7:30 p.m. Casadesus Recital Hall - free Monday, May 2 - Master's Recital: Robin Kindig, bassoon - 8:00 p.m. Casadesus Recital Hall- 8:00 p.m. - free Wednesday, May 4 - Student Conductors' Concert - 8:00 p.m. - Watters Theater - free Thursday, May 5 - Student Recognition Mid-Day Concert - 1:20 p.m. Casadesus Recital Hall - free Thursday, May 5-:- Harpur Chorale and Women's Chorus - 8:00 p.m. Anderson Center Chamber Hall- free Saturday, May 7 - Master's Recital: Theresa Perrone, clarinet- 3:00 p.m. Casadesus Recital Hall - free Saturday, May 7 - Student Recital: Christina Wan, violin - 8:00 p.m. Casadesus Recital Hall - free Sunday, May 8 - Student Saxophone Quartet - 3:00 p.m. - Casadesus Recital Hall-free Thursday, May 12 - Master's Recital: Donald Truesdail, string bass - 8:00 p.m. - Casadesus Recital Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:27:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243736&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243736&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243736&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute Ensemble, April 30, 2005 Description An account of the resource Works of Thomas, Tchaikovsky, Lombardo, Bizet, McGinty, Mancini. Held at 12:00 noon, April 30, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maiolo, Georgetta Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-30 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/3b5115deb9e93c1db93d224ea25a9da4.pdf 2f10534dd3a91fbf26bb1fb8e8576aa3 PDF Text Text BINGHAMTON U N I \' E R S I T Y State University of New York Department of Music THURSDAY MID-DAY CONCERT April 7, 2005 -1 :20 p.m. - Casadesus Recital Hall Sonata in A minor, Op. 42, D 845 ........................................................................... Franz Schubert Andante, poco mosso (1797-1828) Nancy Schneider, piano Automne ................................................................... ................................................... Gabriel Fauré Aurore (1845-1924) Les Berceaux Neu Amber Alarcon, mezzo-soprano Chai-Kyou Mallinson, piano Romance and Rondo ...................................... ............................................................... Franz Keyper (1756-1815) Talitha Phillips, double bass Margaret Reitz, piano Per La Gloria D' Adorarvi ................................................................... Giovanni Battista Bononcini (1670-1747) O Del Mio Dolce Ardor ....................................................................... ... Christoph Willibald Gluck (1714-1787) Deanna Bunal, mezzo-soprano Chai-Kyou Mallinson, piano Suite, Op. 14 ................................................................................................................. Béla Bart6k Allegretto (1881-1945) Scherzo Allegro molto Sostenuto Sut Han Che, piano Suite D-Dur ................................................................................................ Georg Friedrich Händel (1685-1759) Ouverture Allegro (Gigue) Aire Bourrée March Erinn Hibbard, trumpet Margaret Reitz, harpsichord � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243752&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243752&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243752&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 7, 2005 Description An account of the resource Works of Schubert, Fauré, Keyper, Bononcini, Gluck, Bartók, Händel. Held at 1:20 p.m., April 7, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Schneider, Nancy Alarcon, Amber Mallinson, Chai-Kyou Phillips, Talitha Reitz, Margaret Bunai, Deanna Han, Che Sut Hibbard, Erin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-7 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/fb3bc9de80dd81ae3f59dd67a029aee8.pdf 2a9d2cbefb21795b467860c4ef3ae124 PDF Text Text UNIVARC Recital tap e 2005 BINGHAMTON UNIVER SITY State University of New York Department of Music 5-1 SPEC COL University Wind Ensemble Il Timothy Perry, Director Stephen Boel, Associate Director We Band of Brothers The British Band Connection: Folk-Song to l?uH Symphon ic Sunday, May 1, 2005 3:00 p.m. Anderson Center Chamber Hall �Program The Binghamton University Department of Music presents the University Wind Ensemble Dr. Timothy Perry, Director and Conductor Stephen Boel, Associate Conductor We Band of Brothers Sunday 3:00 p.m. May 1, 2005 Chamber Hall Anderson Center for the Arts Program English Folk Song Suite (1923) .. ....... ..Ralph Vaughan Williams I. March- "Seventeen come Sunday" (1872-1958) 2. Intermezzo - "My Bonny Boy" 3. March- "Folk Songs from Somerset" A' Bhirlinn Taibhseil (1993) .... .... ............... William Sweeney "The Ghost Longship" Oligopoly (2005) premiere performance..... .. Timothy Michael Rolls Sketches on a Tudor Psalm (1971) ......... ............. ..Fisher Tull Lincolnshire Posy (1937) ....... ..... ......... ......... Percy Grainger 1. Dublin Bay (1882-1961) 2. Harkstow Grange 3. Rufford Park Poachers 4. The Brisk Young Sailor 5. Lord Melbourne 6. The Lost Lady Found Thank you for attending today's concert. We congratulate all of our graduates, thank all of our outstanding players and look forward to serving you with more great Wind Ensemble music next season. ~Timothy Perry, Director ~Stephen Boel, Associate Conductor ~Robert Smith, Conductor-designate �Wind Ensemble Piccolo Amy Forgacs Flute Joanna Hunt• Nicole Kalisz Subin Lim Elise Martingale Lauren Silinonte• Valerie Spiller Clarinet Heather Boland* Caroline Bravo Alice Choi Shanika Cooper Colin Edmunds Michelle Grexer Simon Hawk Andrew Hsu• Andrei Lee• Bass Clarinet Joshua Schaier Christopher Strub Soprano/Alto Saxophone Emily Alkiewicz Amy Natiella Tenor Saxophone Kevin Kneifel Baritone Saxophone Joe Sobel Trumpet Mark Alfes Garret Clark* Philip Deitz* Derek Ersbak Thomas Osa Steven Pan Andrew Sanfratello* French Horn Megan Caruso Greg Cecere• Patrick Lokken Al Jacobsen Trombone Jamie Cepler David Hennan• David Ricotta Baritone/Euphonium John Testa Richard Mokan* Tuba Erik Appleyard* Dan Gallagher Percussion Christopher Jacobson Ai Karasawa Spencer Lo Christine Jackson Mark Turley• Keyboard Robert Magee Violin Tina Chiu Amanda Dumont Lauren Moscowitch Rosa Nam *principals �COMING EVENTS Sunday, May 1 - Junior Recital: Melissa Mattern, viola - 7:30 p.rn. Casadesus Recital Hall - free Monday, May 2 - Master's Recital: Robin Kindig, bassoon - 8:00 p.rn. Casadesus Recital Hall - 8:00 p.rn. - free Wednesday, May 4 - Student Conductors' Concert - 8:00 p.rn. - Watters Theater - free Thursday, May 5 - Student Recognition Mid-Day Concert - 1:20 p.rn. Casadesus Recital Hall - free Thursday, May 5 - Harpur Chorale and Women's Chorus - 8:00 p.rn. Anderson Center Chamber Hall - free Saturday, May 7 - Master's Recital: Theresa Perrone, clarinet - 3:00 p.rn. Casadesus Recital Hall - free Saturday, May 7 - Student Recital: Christina Wan, violin - 8:00 p.rn. Casadesus Recital Hall - free Sunday, May 8 - Student Saxophone Quartet- 3:00 p.rn. - Casadesus Recital Hall- free Thursday, May 12 - Master's Recital: Donald Truesdail, string bass - 8:00 p.rn. - Casadesus Recital Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:00:28 Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243739&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243739&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243739&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource We Band of Brothers: the British band connection: folk-song to full symphonic, May 1, 2005 Description An account of the resource Works of Williams, Sweeney, Rolls, Tull, Grainger. Held at 3:00 p.m., May 1, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Boel, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-5-1 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/9288ef42d75093e77c93aa0ac2d363c3.pdf 7036645b841720ccc4d3d217d7eb36a8 PDF Text Text UNIV ARC Recital BINGHAMTON Tape UNIVERSITY 2005 State University of New York Department of Music 5-2.J S EC COL Master's Recital Robin Kindig, bassoon with Margaret Reitz, piano Kira Slocum, flute Theresa Perrone, clarinet Monday, May 2, 2005 8:00 p.m. Casadesus Recital Hall �Program Sonate....................................................................... Paul Hindemith (1895-1963) I. Leicht bewegt II. Langsam, Marsch, Pastorale Robin Kindig, bassoon; Margaret Reitz, piano Trio II ...................................................................Francois Devienne (1759-1803) I. Allegro II. Rondo: Allegro, Minore Kira Slocum, flute; Theresa Perrone, clarinet; Robin Kindig, bassoon Concerto in F, F VIII no. 8 ..................................... Antonio Vivaldi (1678-1741) I. Allegro non mo/to II. Andante III. Allegro mo/to Robin Kindig, bassoon; Margaret Reitz, piano Please remember to turn offor silence all cell phones and pagers during the performance. Thank you. �About the Performers Robin Kindig is a local from Endwell, New York. She attended the Maine-Endwell Central Schools and was heavily involved in musical activities while there. Her passion for music led her to Houghton College, where she studied bassoon with Ed Wadin. Robin graduated from Houghton in May 2003 with a Bachelor of Music in Music Education. She is currently a Master of Music student in bassoon performance and studies with Lynn Hileman. Upon the completion of her degree, she hopes to teach elementary or middle school band. Margaret Reitz, piano, received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria . Reitz has been on the faculty at Binghamton University since 1991 and The Ithaca College School of Music since 1999. Kira Slocum is a senior Music and Comparative Literature major. She is a student of Georgetta Maiolo, and is currently a member of the University Symphony Orchestra and Flute Ensemble. She has also played in the Harpur Jazz Band and participated in the 2003 Concerto and Aria Competition. Theresa Perrone earned her undergraduate degree in Music Education at Ithaca College, studying the clarinet with Dr. Richard Faria. She currently teaches Kindergarten, First, and Second Grade vocal music and directs a Fourth and Fifth Grade chorus in the Greene Central School District in Greene, NY. In addition, Theresa has a private studio of woodwind students. She is also pursuing her Masters in Clarinet Performance at Binghamton University, studying with Dr. Timothy Perry. �COMING EVENTS Wednesday, May 4 - Student Conductors' Concert - 8:00 p.m. - Watters Theater - free Thursday, May 5 - Student Recognition Mid-Day Concert - 1:20 p.m. Casadesus Recital Hall - free Thursday, May 5 Hurpur Chorale and Women's Chorus - 8:00 p.m. Anderson Center Chamber Hall - free Saturday, May 7 - Master's Recital - Theresa Perrone, clarinet - 3:00 p.m. - Casadesus Recital Hall - free Saturday, May 7 - Student Recital: Christina Wan, violin - 8:00 p.m. Casadesus Recital Hall - free Sunday, May 8- Student Saxophone Quartet- 3:00 p.m. - Casadesus Recital Hall- free Thursday, May 12 - Master's Recital: Donald Truesdail, string bass - 8:00 p.m. - Casadesus Recital Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Robin Kindig, bassoon, May 2, 2005 Description An account of the resource Works of Hindemith, Devienne, Vivaldi. Held at 8:00 p.m., May 2, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Kindig, Robin Reitz, Margaret Slocum, Kira Perrone, Theresa Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-5-2 Rights Information about rights held in and over the resource In copyright Format The file format, physical medium, or dimensions of the resource 1 audio disc https://omeka.binghamton.edu/omeka/files/original/e013955b63face2cb56d890f643cf483.pdf 02654933be3b0263befc5e9552b6ae21 PDF Text Text UNIV ARC Recit BINGHAMTON al U N I V E R S I t ape 2005 5-4 SPEC COL T Y State University of New York Department of Music Undergraduate Student Conductors' Concert University Chamber Chorus University String Orchestra University Orchestra Wednesday, May 4, 2005 8:00 p.m. Watters Theater �The Binghamton University Department of Music presents the Undergraduate Student Conductors' Concert with the University Chamber Chorus University String Orchestra University Orchestra Program Gloria, selected movements ..........Antonio Vivaldi (1678-1741) I. Gloria in excelsis, conducted by Rob Magee II. Et in terra pax, conducted by Deanna Bunal IV. Gratias agimus tibi, and V. Propter magnam gloriam, conducted by Nicole Kalisz VII. Domine Fili Unigenite, conducted by Cari Begeal XII. Cum Sancto Spiritu, conducted by Ryan Bagg University Chamber Chorus, accompanied by Jody Schum Capriol Suite .......................Peter Warlock (1894-1930) Movements 1 and 6, conducted by Alex Wiesendanger Film Music from Henry V ..........William Walton (1902-1983) Movement 1, Passacaglia: Death of Falstaff Movement 2, Touch Her Soft Lips and Part, conducted by Emily Creo University String Orchestra Four Waltzes, op.39 (arr. Stone) .... .Johannes Brahms (1833-1897) Movements 1 and 2, conducted by Juliana Maslen Movements 3 and 4, conducted by Matt Cosnett Purcell Suite (arr. Siennecki) ... . ...... Henry Purcell (1659-1695) Movements 1 and 3, conducted by Matt Green Movement 2, conducted by Remington A. Gregg University Orchestra �About the Conductors Rob Magee is a Junior Music major studying piano with Jody Schum. He hopes to focus on conducting and vocal accompaniment and one -day work as a music director on Broadway (or something equally prestigious). He would like to thank Dr.'s Borton, Perry, Rolls, Goldstaub, and Reardon for fostering his passion for the divine art of music. Deanna Bunal, originally from Lee Center NY, is a Senior at Binghamton University. Her specialization is voice, under the tutelage of Mary Burgess. She will be graduating this spring with a B.A. in Music and plans to continue on to Syracuse University where she will pursue an MST in Music Education. Nicole Kalisz is a Senior Music (B.A.) and Biology (B.S.) major. She plays the flute and piano and is a member of the University Wind Ensemble. Originally from Buffalo, she will be teaching math next year in New York City under the NYC Teaching Fellows program. Cari Begeal, a native of Bath, NY, is a Junior at Binghamton. She is double majoring in Political Science and Music, with a minor in Spanish. She currently studies voice with Mary Burgess, and is a member of the University Chorus. After graduation she plans on pursuing a career in choral conducting. Cari would like to dedicate this performance to her mother. Ryan Bagg is a Senior Music major from Vestal. He plays guitar and is the musical director of the Binghamton Crosbys. Ryan is currently applying to graduate school to pursue a degree in Music Education. Alex Wiesendanger is a Senior Music and Political Science double major. He would like to thank Professors Borton and Perry for their �hard work, as well as Professors Stalker, Sunwoo, Goldstaub, Loy and Reardon for all their support, and his parents for forcing music on him when he was three. Finally he would like to thank the orchestra for putting up with him. Emily Creo, a native of Vestal, is a Junior Music major studying both cello and voice. Emily is a member of the University Orchestra and Harpur Chorale. She credits her enthusiasm and success in music to exceptional teachers Denise Heckel and Dennis Powell. She would like to thank her parents for all their love and support. Juliana Maslen is a Senior at Binghamton University. She is graduating with a degree in Music and Psychology. She studies piano with Chai-Kyou Mallinson and is a member of the University Chorus. After graduating she will be doing research and working as a teacher's aid for children with autism. Juliana plans on getting her Ph.D. in Clinical Psychology. Matt Cosnett is a Senior majoring in Music at Binghamton University. He has studied percussion for twelve years and is currently studying under Dan Fabricius. Matt is from Vestal, New York. Matthew Green is a Senior percussionist finishing up his B.A. in Music. After undergraduate studies, Matt will be pursuing a Masters degree in Music Education. Remington A. Gregg is a Junior majoring in Philosophy, Politics, and Law. He is director of Classical Music at the campus radio station, WHRW, and a member of the University Chorus. He presently studies piano under Jody Schum. Remington is an assistant to the Organist-in-Residence at St. Mary's Episcopal Church in his hometown of Staten Island, New York, and Assistant Organist at Calvary United Methodist Church, Vestal. �String Orchestra Violin 1 Christina Wan Tiffany Chang James Leddy Karen Krause Rosa Nam Elizabeth Mansdorf Violin 2 Claire Bryne Micah Banner-Baine Dana Kerker Marie Mizuno Jennifer Hsu Rachel Jacobs Cello Matthew Woolever Justin Wong Yi-Eun Park Kathleen Bradley Bass Elizabeth Bartlett Donald Trusdail Viola Melissa Mattern Melissa Lee Beth Vayshenker Cassandra Aikman Janet Ievins Full Orchestra Violin 1 Akira Maezawa Reme Doh Alisa Selman Samuel Wang Tamara Potapova Karen Tang Jennifer Liebman Violin 2 Corinne Paull Jungsun Oh Jennifer Paull Stephanie Mawhirt Richard Goldman Mark Liu Viola HyunjungOk Kerry Conway Christopher Trow Christopher Fiore Cello Heajung Kim Katy Walker Nicholas Capone Mackenzie Wen Bass Christopher Hui Andrew Eiche Serena Murray Flute Kelsey Bauer Kris Gilbert Kira Slocum Oboe Rebecca Rodbart Clarinet Bethany Bonhof Caroline Bravo Bassoon Kimberly Meeker David Weinberg Trumpet Garrett Clark Steve Pan Horn Diana Amari Ernie Epelman Al Jacobsen Patrick Lokken Trombone Harris Brenner David Hennan Percussion Matthew Chedister �University Chamber Chorus Soprano Emily Burr MayBelle Golis Margaret Hays Barbara Herne Connie Lamando Kerry Nienstedt Mary Joan Ragard Susan Sarzynski Barbara Alhart Simon Barbara Thamasett Bass Eric Bare Anthony Biconish Garret Clark J. Scott Husted Conrad Krebs Phil Millspaugh Joseph E. Nelson Edward Orosz Christian Ritter David L. Schriber Alto Lois Bare Barbara Barno Maria Luisa Cook Jeanne Fenzel Grace Houghton Cheryl Labban Nancy McGee Judie Meador Ethel F. Molessa Anna Nicholas Joyce Printz Jane Shear Susan Szczotka lnyoungYu Tenor H.B. King Dennis Leipold Sherry Williamson Floyd R. West The Conducting II class is under the direction of Professors Bruce Borton and Timothy Perry. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:57:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243742&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243742&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243742&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Undergraduate student conductors' concert, May 4, 2005 Description An account of the resource Works of Vivaldi, Warlock, Walton, Brahms, Purcell. Held at 8:00 p.m., May 5, 2005, Watters Theater. Creator An entity primarily responsible for making the resource Magee, Rob Bunal, Deanna Kalisz, Nicole Begeal, Cari Bagg, Ryan Creo, Emily Maslen, Juliana Cosnett, Matt Green, Matthew Gregg, Remington A Wiesendanger, Alex Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-5-4 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/143d8c4d58b9ec7a39c5bec247d91feb.pdf fcada20481c1b6544e8a14e06013ae16 PDF Text Text BINGHAMTON UNIVERSI TY State University of New York Binghamton University Department of Music THURSDA Y MID-DAY RECOGNITION CONCERT May 5, 2005 -1:20 P.M. Casadesus Recital Hall Etude inc-sharp minor, Op. 25, No.7 ..................................................................... Frédéric Chopin (1810-1849) Nancy Schneider, piano Recognized by Michael Salmirs, Professor ofpiano Andante .................. ............................................................................................ Serge Koussivitzky (1874-1951) Talitha Phillips, double bass Margaret Reitz, piano Recognized by Stephen Stalker, Professor of cello Fripperies ..................................................................................................................... Lowell Shaw (b. 1930) Ballad Allegro Greg Cecere, Ernie Epelman, Al Jacobsen, Pat Lokken, horns Recognized by Brian Sternberg, Professor of French horn Nur, wer die Sehnsucht kennt, Op. 6, no. 6 .................... ....................................... P. Tschaikowsky (1840-1893) Deanna Bunal, mezzo-soprano Chai-Kyou Mallinson, piano Recognized by Mary Burgess, Professor of voice Romance for Violin and Piano, Op. 3 ............................. ... ...................................... Reinhold Glière (1875-1956) Christina Wan, violin Jody Schum, piano Recognized by Patricia Sunwoo, Professor of violin (please tum over) �Canci6n de cuna para dormir a un negrito ....................................................... Xavier Montsalvatge (b. 1912) Amber Alarcon, mezzo-soprano Chai-Kyou Mallinson Recognized by Mary Burgess, Professor of voice Sonata for Two Clarinets ......................................................................................... Francis Poulenc (1899-1963) Presto Theresa Perrone, clarinet Caroline Bravo, clarinet Recognized by Timothy Perry, Professor of clarinet Estampes: III. "Jardins Sous La Pluie" .............................................................................. Cluade Debussy (1862-1918) Jessica Cheng, piano Recognized by Eva Mackiewicz-Wolfe, Professor ofpiano The Year's at the Spring .................................................................................... ............. Amy Beach (1867-1944) Timothy Fallon, tenor Chai-Kyou Mallinson, piano Recognized by Timothy LeFebvre, Professor of voice • • o cara"............................................................................... Gi1useppe verdi1 Scene an d Duet, "P ar1g1, (1813-1901) (from Act III, La Traviata) Leslie Hochman, soprano (Violetta) Timothy Fallon, tenor (Alfredo) Julia Ebner, soprano (Annina) Duane Skrabalak, piano Recognized by Duane Skrabalak and Peter Sicilian, Professors of opera Erinn Hibbard, trumpet- recognized by Benjamin Aldridge, Professor of trumpet Stephen Boe[, , instrumental conducting and trumpet - recognized by Timothy Perry, Professor of music and recognized by Benjamin Aldridge, Professor of trumpet Christian Ritter, composition - recognized by Paul Goldstaub, Professor of composition **Please join us for a reception in the Green Room following the concert** �About the Performers NANCY SCHNEIDER is being recognized for her many accomplishments. Having graduated from the Decker School of Nursing last Spring, she is completing her BA in Music this semester. Throughout the intensive nursing program, Nancy has found time to organize, direct, and perform three multimedia productions in addition to performing her Honors Recital for which she earned High Honors. She is a member of the Golden Key International Honor's Society and will be leaving for St. Petersburg, Russia as a Rotary International Cultural Ambassadorial Scholar. Most of all, Nancy is being recognized for her devotion to music and for her sincere, good heart, evident to all who know her. I will miss her greatly. Michael Salmirs TALITHA PHILLIPS Bravo, Talitha. Congratulations on your four years of exceptional achievement in the Music Department. You came in as a virtual beginner on the upright bass, starting from scratch, so to speak, and made remarkable progress. You became a main stay in the jazz program, but also continued to pursue the bass as a classical, solo instrument. You gave us many colorful performances in the String Seminars. You were the Music Director for the Dickenson College production of Godspell. Your Honors Recital was a wonderful demonstration of your many diverse achievements. It has been great having you with us. Best wishes and good luck to you in your future endeavors. · Stephen Stalker GREG CECERE, EMIE EPELMAN, AL JACOBSEN, PAT LOKKEN The four members that comprise this horn quartet came together over the last two years to fashion a close-knit team that has accomplished some lofty deeds. The culmination of their efforts was the preparation of the extremely difficult Konzertstucke for four horns and orchestra by Robert Schumann. This piece calls for virtuoso playing from each member. They performed this with the University Orchestra this spring. Each has been a regular participant in the major performing organizations, as well as various chamber ensembles. They are performing here as a quartet although each deserves personal recognition. The music selected today was written by horn player Lowell Shaw specifically for horn players. Al, Pat, and Greg will be graduating this semester. They will be missed. Brian Sternberg �DEANNA BUNAL, mezzo, is from Lee Center, NY, and is completing her B. A. in Music as a voice major studying with Prof. Mary Burgess. Always the activist, Deanna has been a member of the Harpur Jazz Project, the Undergraduate Music Advisory Committee (UMAC), the Executive Committee of Music Organizations, and Students for Music. She has sung with Harpur Chorale for seven semesters, currently serving as President of that organization. Outside the Music Department Deanna has continued to support the awareness and appreciation of music through groups such as WHRW, the campus radio station, and REALM, a group dedicated to the open-minded sharing of music and viewpoints. Deanna is the recipient of the Nielsen Music/Theatre scholarship, 2003-2005, and the Arnold G. and Lenora Meyer Scholarship, 2003-2005. Chosen by the Music Dept. faculty to receive the 2005 Stevenson Barrett Memorial Award, given to a senior for highest achievement in vocal performance, Deanna performed an Honors Recital in Casadesus Hall last Saturday. She plans to pursue a Masters of Teaching in music education.------Deanna is recognized by her teacher for outstanding improvement and for her tireless efforts on behalf of the Music Department. Mary Burgess CHRISTIAN WAN is the 2004-05 recipient of the Janet Brady Memorial Scholarship, in recognition of outstanding leadership and dedication to music performance. She has been concertmaster of the University Orchestra, and contributed her services to the Music Department in innumerable ways. She will graduate with a BA in Music Performance, and plans to continue her studies in graduate school. Her presence will be missed. Patricia Sunwoo AMBER ALARCON, mezzo, is a native of Los Angeles, CA. She earned a B.Mus. degree in vocal performance and choral-vocal music education from California State University, Long Beach, and is now completing her Master's degree in Voice as a student of Prof. Mary Burgess. Amber has been active in Harpur Chorale and in Tri-Cities Opera Chorus; has appeared as soloist with the University Chorus and Orchestra under the direction of Prof. Perry; and after graduation will join the Resident Artists Training Program at Tri-Cities Opera. Amber received a Clark Fellowship here at Binghamton and has been a most valuable teaching assistant in the Music Department, where her duties included, among many others, teaching a class in beginning voice and maintaining a large studio of private voice students. How did Amber come to Binghamton from Los Angeles? Prof. Colleen Reardon heard her in Los Angeles and urged her to apply for the Voice program here. Colleen and Amber, as it happened, studied with the same voice teacher in Los Angeles!---Amber is recognized by her teacher for her outstanding improvement and for exemplary contributions to the Music Department. Mary Burgess �THERESA PERONNE a graduate of Ithaca College, teaches elementary vocal music in the Greene school district. A member of the University Orchestra, she presents her first Master's Clarinet recital this coming Saturday. In addition to studies at Binghamton and maintaining a full-time teaching position, Theresa manages to maintain a private studio of woodwind students. She is a delightful example that those that teach, CAN in fact 'do' ! Timothy Perry CAROLINE BRAVO graduates next week with a bachelor1s degree in History. She has participated in the Wind Ensemble and the University Orchestra throughout her career at Binghamton, sometimes performing in both, and completed her studio studies with her senior recital on April 17th. She is cofounder and e-board member of Binghamton University's culinary club, Taste Buds, and a member of the honors fraternity Sigma Alpha Lambda. Caroline will take time off to travel next year before moving onwards towards graduate Law School. Timothy Perry JESSICA CHENG has been my student for the last four years. She is very bright, a quick learner and an excellent musician. I have been very fortunate to have her in my studio for the last four years. In November, 2001 she was a winner of B.U. Symphony Orchestra Concerto Competition; in 20022003 she performed a piano duo recital as well as Chopin joint recital, both with pianist Lisa Wang; in October 2004, she performed the Carnival of the Animals by C. Saint-Saens, with fellow pianist Jody Schum and B.U. Symphony Orchestra; and in April, 2005 she presented a Senior Honors Recital, a very demanding program including R. Schumann Carnaval which is usually performed on the graduate level. She received the Highest Honors. On campus, she is an active member and a past President of the Taiwanese Student Organization. Majoring in music and accounting, Jessica will graduate in May and will be working full time as an auditor at KPMG, one of the Big 4 accounting firms in the U.S. Ewa Mackiewicz-Wolfe TIMOTHY FALLON, tenor, is a native of Binghamton New York. He is a graduating Master of Music major in opera student and sings with Tri-Cities Opera. He has performed several roles with the company including Beppe in Pagliacci and Tonio in La Fille du Regiment and will appear this May as Alfredo in LaTraviata. This past summer he performed at the Music Academy of the West in Santa Barbara, CA under the tutelage of Marilyn Horne. This coming summer he will perform public masterclasses with Marilyn Horne in Villecroze, France and perform with the Merola Program of the San Francisco Opera in San Francisco, California. In the Fall Mr. Fallon will be a member of Juilliard Opera Center at the Juilliard School of Music in New York City. Mr. Fallon holds a B.A. degree from Westminster Choir College, Princeton, NJ. Timothy LeFebvre �LESLIE HOCHMAN graduates this year with a Master of Music degree with Opera Specialization. In addition to her academic successes, Leslie has appeared at Tri-Cities Opera as the Sandman in Humperdinck's Hansel and Gretel, Sister Genevieve in Puccini's Suor Angelica, Mrs. Gobineaux in Menotti's The Medium, Belinda in Purcell's Dido and Aeneas, and will appear as Violetta in a special matinee performance of Verdi's La Traviata on May 9th at 10:00 a.m. We wish her the best ofluck and continued success in her career. Duane Skrabalak and Peter Sicilian ERINN HIBBARD, trumpet, completed her undergraduate studies at Ithaca College where she studied with Frank Campos. She was a teaching assistant in the Department of Music and was the recipient of the Music Faculty Award. She has performed with distinction as a member of the Orchestra, the Trumpet Ensemble and Brass Quintet, and the Jazz Ensemble, in addition to having presented very successful solo and chamber recitals during her tenure at BU. She performs throughout the Southern Tier in various performing groups. Erinn's accomplishments are all the more significant in light of the serious health problems she has had to endure while pursuing her degree here. Benjamin Aldridge STEPHEN BOEL is a graduate student in Instrumental Conducting at Binghamton University, where he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, MA, Boel doublemajored in Music Education and Music Performance. Stephen Boel, in addition to his excellent large ensemble conducting work, has given numerous strong performances on trumpet in both solo and ensemble capacities. Additionally, he also organized, and did most of the rehearsal/preparation for, what has easily been the best (and most active) brass quintet we've had on campus in many, many years. He has been an outstanding student conductor, leader and human being. Stephen is a hard worker who nonetheless always goes beyond what is 'expected' to produce results which are consistently excellent. He brings to his work an unfailingly positive attitude, a desire for personal improvement, and an abiding respect not only for the musical tasks before him but for each person with whom he works. He is a model of a young conductor. Timothy Perry and Benjamin Aldridge CHRISTIAN RITTER is completing the Master of Music in Composition, and has been chosen for special recognition by Dr. Goldstaub. Christian has composed over a dozen pieces and a 38-minute thesis since last year, writing for organ, brass, orchestra, percussion, solo voice, synthesized sounds, piano and chorus. His music is high quality, interesting and enjoyable, and, most significantly, he has earned the respect of the musicians who have devoted their time to performing his music. Christian also has been an excellent teaching assistant in theory and musicianship classes, where his organizational skills and personality have been a great asset. His latest contribution is his assistance in the creation of the new graduate theory web page, which will allow all incoming students to practice dictation online. It has been a pleasure to work with Christian, and we wish him great success as he moves on to new opportunities as a composer and music educator. Paul Goldstaub � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 9:20;29:20 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243745&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243745&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243745&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day recognition concert, May 5, 2005 Description An account of the resource Works of Chopin, Koussivitzky, Shaw, Tschaikowsky, Glière, Montsalvatge, Poulenc, Debussy, Beach, Verdi. Held at 1:20 p.m., May 5, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Schneider, Nancy Philips, Talitha Cecere, Greg Epelman, Emie Jacobsen, Al Lokken, Pat Bunal, Deanna Mallinson, Chai-Kyou Perrone, Theresa Bravo, Caroline Cheng, Jessica Fallon, Timothy Hochman, Leslie Ebner, Julia Skrabalak, Duane Boel, Stephen Ritter, Christian Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-5-5 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/118c822193c3b36442298db1bee97261.pdf b26d4f72e7ef86f26c014fac1c63a672 PDF Text Text ni 9 ) 1 1 1 l A St ate University of New York \ A ~ . a ’ N D ~ N N J “ ~ \ / / e e s c c Master ’s Recital M a r k Sch midt, tenor Joan na Heckert, piano i i l l Saturday, August 27, 2005 3 :00 p.m. Casadesus Recital Hall �P rogram Translations I. Arias from Messiah... ...George Frederick Handel Arioso, “Comfort Ye” (16851759) Air, “Every Valley” Air, “Thou Shalt Break Them” II. BEOMRIEEE ........cocovnsneiosssosmioqsinssessrniitiiibnsin–sts Paolo Tosti Ideale La serenata Non t’amo piu! (1846–1916) L’ultima canzone II. Ideale Perfection I followed you like a rainbow o serenade, ﬂy. I felt you in the light, in the air, The moon is shining white; silence spreads its wings, and behind the veils in the dark alcove a lamp is lit: the moon is shining white. I followed you like a friendly torch in the veil of night. in t he scent o f t h e ﬂowe rs ; the lonely room was full of you, and your beauty. –INTERMISSION– III. Berceuse, from Jocelyn... s i s i i m p r a i s o s m s iTa mTi sIs s Godard “Oh! N e t ’ éveille pas” (18491895) From Schwanengesang, D. 957 IV. Standchen VIII. Der Atlas XIII. Der Doppelganger X. Das Fischermadchen IV. Franz Schubert (1 7971828) V. Aria of Cavaradossi, “Recondita armonia,”........... Giacomo Puccini from Tosca, Act 1 (18581924) is resting between her sheets: of peace across the paths of the sky: Entranced by you, by the sound of your voice, Fly, anguish of the world in that dream. turns between her sheets: o serenade, ﬂy. I dreamt at length; and I forgot all the trouble and C o m e back, dear perfection, come back for a moment and smile on me again, and a new dawn will shine o n me from your face. L a Serenata Serenade Fly, o serenade: my beloved is alone, and with her lovely head lying back, o serenade : my beloved is alone; but, smiling, still half asleep, The waves dream on the shore, the wind is amid the branches; my fair lady still denies shelter to my kisses! On the shore the waves dream... �Non t ’amo piu! I love you no longer! Do you remember the day we met ; do you still remember the promises you made? Madly in love, I followed you, we fell in love, and by your side I dreamed, madly in love. Happily I dreamed of endless caresses and kisses stretching into heaven: but your words were false, for your soul is made of ice. I no longer place my faith in you now, n o more are yo u m y great desire, or my dream of love: I do not seek your kisses, nor think of you; I dream of another perfection; I love you no longer. Lo In those dear days we spent together, I strewed your path with ﬂowers: you were the single hope of my heart; the only thought in my mind. You saw me beg, grow pale, you saw me weeping before you: I solely to satisfy your least desire, would have given my blood and my faith. I no longer place m y faith in you now, no more are you my great desire, or my dream of love: I do not seek your kisses, nor think of you; I dream of another perfection; I love you no longer. I I Leaf of mint!” long thread of gold, child, let it be complete. III. O h! Ne t ’éveille pas O h! Do not awaken Hidden in this retreat where God has led us, united by misfortune, during the long nights we both rest sleeping under their veils, where we pray to the gazes of the trembling stars! Nina, you ’re to be wed, and yet I still sing my serenade to you! There, on the empty plains, there, in the shady valley, Oh! Do not awaken yet, so the beautiful angel of your dream may ﬁnish unwinding his long thread of gold, child, let it be complete. how often I ’ve sung it to you! “Rose petal, o amaranth ﬂower, even though you marry, I’ll be with you still, rose petal.” you ’ll Oh! Do not awaken yet, so the beautiful angel of your dream the kisses I gave you! L ’ultima canzone The last song They’ve told me that tomorrow, Tomorrow “Leaf of mint, ﬂower of pomegranate, Nina, remember Sleep! The day has hardly shown! Holy Virgin, watch over her! be surrounded by celebration, smiles and ﬂowers, you won’t give a thought to our old love. But night and day, forever ﬁlled with passion, lamenting, my song will come to you. I I Under the wing of the Lord far from the noise of the crowd; And like a holy wave that softly ﬂows away, we have seen days pass after days, without ever growing weary of imploring His help. may ﬁnish unwinding his Sleep! The day has hardly shown! Holy Virgin, watch over her! IV. Stindchen Serenade Softly through the night my songs entreat you; Come down to me, sweetheart, in the still glade! Slender treetops rustle and whisper in the moonlight. O, fair one, have no fear of those who might listen and betray! Do you hear the singing of the nightingales? Ah, how they too implore you, with the sound of their sweet lament. They know the yearnings of the soul, the pain of love, and touch each gentle heart with their silvery tones. �Then let your heart be stirred, my love, O hear me! Trembling, I await you come give me joy! Der Atlas Atlas I, wretched Atlas, must bear the world, a whole world of sorrows. I bear the unbearable, and within my body my heart would break. O arrogant heart, this was your desire! You wanted happiness, inﬁnite happiness or inﬁnite misery; and now, proud heart, misery! you have Der Doppelgﬁnger The Double The night is still, the narrow “streets are sleeping. In this house lived my sweetheart who left the town long ago. But the house is still in the same place. A man stands there, staring up at it, wringing his hands in silent grief; I shudder as I see his face – for the moon reveals my own image. You counterfeit, pallid companion of mine! Why do you mimic the suﬀering of love, which tormented me here on many a night, in times gone by? Das Fischermidchen The FisherMaiden O beautiful ﬁshermaiden, bring your small boat to the shore. Come here to me, and sit with me lovingly hand in hand. V. Recondita Armonia Hidden ha rm on y Hidden harmony of diverse beauties! Floria, my ardent lover, is dark, and you, unknown beauty, are surrounded with blonde hair. You have blue eyes, Tosca has black eyes! Art in its mystery mixes the diverse beauties together: But in painting this wo m a n... My only thought, Ah! my only thought is you! Tosca, is you! Lay your dear head upon my breast; and do not be too afraid: you who entrust yourself each day to the sea so free of care! My heart is just like the ocean, with its storms and ebbs and ﬂows; and in its depths is resting many a beautiful pearl. n �About the Performers Mark GizziSchmidt, tenor, currently resides in Rochester, NY, where he teaches vocal music and performs. In his two seasons as a Resident Artist at TriCities Opera, he was seen as Alfred in Die Fledermaus, Kaspar in Amahl and the Night Visitors, Prince Yamadori in Madama Butterﬂy, the ﬁrst man in Armor in the Magic Flute, and the Chief of Police and the Imam in Kismet. He has sung extensively with Opera Theater of Rochester in a variety of concerts and operas including the leading roles of Canio in I Pagliacci and Alfredo in La Traviata. He has performed in Buﬀalo, NY on several occasions most notably in Buﬀalo Opera Unlimited’s production of Tosca as Cavaradossi and as Alfredo in La Traviata. He has also performed with Opera Theater of Memphis and Central Florida Lyric Opera. His range of performances as a tenor oratorio soloist have included such great works as Mendelssohn’s Elijah, Haydn’s Creation, Handel’s Messiah, Rossini ’s Stabat Mater, Mozart’s Requiem, and Verdi ’s Requiem. Mark has also appeared on the musical theater stage as Billy Bigelow in Carousel, Curly in Oklahoma and Tony in West Side Story. He received his undergraduate degree from the Eastman School of Music in Rochester. NY. He currently studies voice with Mary Burgess. Joan na Heckert, piano, was born in Edinburgh, Scotland and moved to the United States at the age of four where she was raised in Florida. She holds a Bachelor of Music degree in Piano Performance from the University of Central Florida, where she received the prestigious Presser Award ‘and eventually became a staﬀ accompanist. She also played for the University choral groups, and in over 100 student forums and recitals. Joanna was a member of Sigma Alpha Iota while at UCF, and was also inducted into Pi Kappa Lambda and Omicron Delta Kappa. She received a Masters Degree in Piano Performance from Bob Jones University in Greenville, South Carolina, where she played for a great number of Masters Recitals. She also served as the rehearsal pianist for all of the University’s operatic productions. Other credits include performances with Orlando Opera Factory, the Rochester Opera Factory and numerous churches and community groups. She currently resides in Syracuse, NY, and serves as accompanist for several school districts in Rochester, New York while maintaining her own private studio. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243774&amp;change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243774&amp;change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243774&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Mark Schmidt, tenor, August 27, 2005 Description An account of the resource Works of Handel, Tosti, Godard, Schubert, Puccini. Held at 3:00 p.m., August 27, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Schmidt, Mark Heckert, Joanna Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-8-27 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/3869f4d23c19e1c750f8b6c192c7148d.pdf 085dd9d68ae5373895f99e815d56c2c9 PDF Text Text L V N U l y R i ] A V L a ~ U l r . l (© { 1 R C BINGHAMTON l x I \ l l { \ l l l State University of New York pe . , i “ \ l < i l l Flutist G eorgetta Maiolo a nd F riends M usic fro m t he 1 8 ” c e nt u ry to two world premieres J onat ha n Biggers, harpsichord Stephen Stalker, cello M a ry Burgess, soprano Marlon Torres, dancer Ma rga ret Reitz, piano Ti mothy Michael Rolls, composer l ’aul Goldstaub, composer Sat u rda y, September 1 7, 2005 8 :00 p.m. A nderson Center C ha m be r Hall l l l i I i l �P ROG R A M Sonate Opus 2, No. 4, g minor, “La Lumagne”..........Michel Blavet for ﬂute, harpsichord and basso continuo ( 1 7001 768) Adagio Allemande Sicilienne Presto Le Lutin Jonathan Biggers, harpsichord Stephen Stalker, cello Aria, “Rossignols Amoureux ”, ...JeanPhilippe Rameau from the opera Hippolyte et Aricie, ( 16381 764) for voice and ﬂute and harpsichord ( 1 733) Sonate en Concert, Opus 1 7, pour Flute, Cello et Piano ( 1 946) Stephen Stalker, cello Margaret Reitz, piano JeanMichel Damase (b. 1928) Wot on C1) ~INTERMISSION~ “A Child ’s Life” for Solo Flute (2005)........ Timothy Michael Rolls (b. 1967) (World Premiere) 1. A Child ’s Life 2. Dance 1: A Spring A fternoon 3. A Child ’s Nightmare 4. Dance I I: Holiday Break Mary Burgess, soprano Jonathan Biggers, harpsichord L a Capinera ( The Wren)... m(l88l) for soprano, ﬂute and piano 0’ Syrinx for Flute and Dancer (1912)........................ Claude Debussy ( 18621 918) Choreographed by Marlon Torres Sir Julius Benedict ( 1804 I 885) Mary Burgess, soprano Margaret Reitz, piano Marlon Torres, dancer . X X V Opera Snatches.. for Unaccompanied F Jute ( 1978) Deux Stcles Orientées pour Chant et Flute ( 1 925) I. Mon amante a les vertus de I ’ e a u . I I. On me dit... Mary Burgess, soprano Jacques Ibert (1890 I 962) ...William Schumann (19101992) Pastorale I I for Flute A lone (2005)............cccceueuue.... Paul Goldstaub (b. 1 947) ( World Premiere) Duet for Flute and Dancer ( (1966)...........ccoueeeeee....... [Ezra Laderman (b. 1924) (”horeographcd by Marlon Torres Marlon Torres, dancer �TRANSLATIONS A ria, “ Rossignols Amou re u x ” (Amorous Nightingales) Rameau Amorous nightingales, respond to our wishes b y the sweetness o f your warbling! Render the tendercst homage to the divinity who reigns in our woods! Deux Stéles Orientées (Two Monoliths Oriented ) Ibe rt I. Mon a ma nt e a les v ertus de I ’eau . . . (M y love has t he vi rt ues of water) My love has the virtues of water: a clear smile, ﬂowing movements, a voice pure and harmonious, drop by drop. And when sometimesin spite of Now, W l N D changes direction, it’s peremptory. Thus, do not take this woman.” And then, there’s the commentary, listen: “He’s hurling himself against rocks! He’s entering a bramblepatch! He’s putting on a hairshirt..." and other criticisms which it is better to leave unsaid. ﬂames, simmering : water thro wn “~ upon red coals. My “water” lives, here she is, spread out, all on the ground! She slips by, she escapes me...and l‘m thirsty, and I run after her. With my hands I make a cup. With my two hands I scoop it up with intoxication I grab her, I bring her to my lips And I swallow a handful of deception. I I . On me dit... (They tell me...) They tell me, “You should not marry her. All the omens agree, and are unluck y : notice, in her name. W A TER, ﬂung to its fate, is replaced by WlNl). 7 l Do not, then, choose this woman. A Child ’s Life for Solo Fl ute. Timothy Michael Rolls l . ‘‘A Child ’s Life” The theme starts out much like a child: a small fragment that ultimately develops into it’s own full idea. 2. Dance 1: A Spring Afternoon With the end of winter, the children quickly and gleefully I answer : Admittedly, there are dubious omens. emerge from their captivity to t he freedom of the outdoors. 3. A Child’s Nightmare To a child, monsters are very real and frightening creatures. While they don’t want to see them, for some reason they feel the need to get up and look for their monster. While this child is looking for his monster, the monster is following close behind, as if playing tag. Everytime the child moves, the monster follows (represented by the ﬂuttertongue playing). Finally, the child tums and sees the monster and runs back to bed to hide under the covers, mockingly followed by it’s ever faithful monster. B ut let us not gi ve t he m too m u c h importance. After all, she is a widow; and all o f that concerns her ﬁrst husband! Prepare the chair for the wedding ceremony! La Capinera ( The \Vre n) Benedict myselfthe ﬁre comes into my eyes, she kno ws how to fan the P ROGRAM NOTES With sweet April’s return, You return. my dear onc, And come to sing your song A mong the lovely ﬂowers on my balcony. Your voice gives me such pleasure That it gives me the desire to sing! 4. Dance 11: Holiday Break This dance is reminiscent of kids getting out o f school and running home as fast as they can so as to not waste a moment of their precious play time. Let ’s si n g toge t he ryo u lead! Let’s sing of love, of youth! Let’s sing together o f love and youth. The plants and ﬂowers greet you In that secret langua ge o f theirs. The murmur of the breeze Seems to seek a k iss from you. And while my heart, close to you, I s full o f bliss div ine, I wish to sing! You lcad me Let ’s sing together o f lo v e and youth! l \ Pas torale II for Flute Alone .................ccuucuu.e...... Paul Goldstaub Dedicated to Georgetta Maiolo, begins with a short, introspective phrase that uniﬁes the piece. The pitches (C# G#) and the rhythm (dotted eighth, sixteenth, eighth in compound time ) recur in man y forms as the piece grows to its highpoint and then returns to its origins. �ABOUT T H E PERFORM ERS GEORGE TTA MAIOLO is on the faculty of Binghamton University and Broome Community College teaching Flute and directing Flute Ensembles. From 1977 to 1996, she held the position of Assistant Professor of Flute at Ithaca College, Ithaca, New York. She also taught ﬂute at West Virginia University, Morgantown, West Virginia. Ms. Maiolo i s a graduate o f D uquesne University, Pittsburgh, Pennsylvania, and attended graduate school at West Virginia University, Morgantown, West Virginia. She studied with Bernard Goldberg, principal ﬂutist of the Pittsburgh Symphony, Marcel Moyse at Marlboro School of Music, and Victor Saudek. At the age of 15, she made her solo debut with the Pittsburgh Symphony. Ms. Maiolo is the recipient of numerous honors, including the NCMEA National Music Award, the Pittsburgh Tuesday Musical Club, the Enola M. Lewis Scholarship and the Mu Phi Epsilon Sterling Achievement A ward. Ms. Maiolo is the principal ﬂutist of the Binghamton Philharmonic Orchestra, TriCities Opera Orchestra, Southern Tier Concert Band, and Downtown Singers Orchestra. In addition to her playing positions, she concertizies as a soloist, recitalist, and chamber musician. Ms. Maiolo conducted the 1983 NYSSMA AllState Flute Choir. She served as the ﬂute chairperson for the NYSSMA Manual from 1981 to 2001. She is a “clinician” for the Selmer Company. She has recorded for Crest Records and NPR. JONATHAN BIGGERS, cited as “one of the most outstanding concert organists i n the United States,” maintains an active carcer as both a pro fessor o f & organ and as a concert organist of the ﬁrst order. Presently Chair of the Department of Music and Professor of Organ and Harpsichord at Binghamton University in New York, Dr. Biggers has presented concerts in church and university settings throughout the United States, Canada, and Europe. He has also appeared with various orchestras in North America. and has been featured on NPR, Canadian Broadcast Corporation, and Radio Suisse Romande broadcasts. The Kansas City Star, in a review of a concert by Biggers, noted that his performance demonstrated “authority and eloquence™ a nd stated “were there more pla yers like this, the organ would be far less a minority interest.” Dr. Biggers studied with Russell Saunders (Eastman School of Music), Lionel Rogg (Conservatory of Music. Geneva, Switzerland), J. Warren Hutton (The University of Alabama), Wallace Zimmerman (Atlanta), Harold Vogel (Bremen, Germany), and has won numerous prizes in many diﬀerent competitions. In particular, he was awarded a unanimous ﬁrst prize in the 1985 Geneva International Competition, secondprize in the 1982 A merican Guild o f Organists National Organ Playing Competition, and unanimously won the 1990 Calgary International Organ Festival Concerto Competition. Two highly acclaimed Compact Disc recordings o f his work (“Slecpers, Wake! A Reger Perspective” and “Bach on the Fritts!™) have been issued by Calcante Recordings, and Dr. Biggers will be recording several other releases in the future, to be issued by Loft Recordings. STEPHEN STALKER, cellist, teaches cello and double bass at Binghamton University. H e formerl y taught at Colgate University, Mansﬁeld University, Ithaca College, and in the Binghamton City Schools. He has performed extensively with the Catskill Chamber Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in concerts at Binghamton University. He plays with the Northeastern Pennsylvania Philharmonic and was the principal cellist of the Ca yuga Chamber Orchestra in Ithaca, NY. M ARY BURGESS, soprano, a graduate of the Curtis Instit ute of Music, has been a member of the Binghamton University voice faculty for over twenty years. Ms. Burgess made her U. S. operatic debut with New York City Opera while still a student at the Curtis Institute, and subsequently appeared with Santa Fe Opera, Washington Opera, New Orleans Opera, Nevada Opera, and many other regional companies including TriCities Opera in Binghamton. Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaic in Brussels, and with Dublin Grand Opera. Burgess has appeared as soloist with more than two dozen U. S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such prestigious festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati Ma y Festival. Her repertory of forty roles in ﬁve languages ranges from Monteverdi and Cavalli to Britten and V irgil Thomson. Her performances o f Britten’s Les Illuminations and Mahler’s Symphony No. 2 with the Omaha Symphony were ﬁlmed for broadcast by Nebraska ETV. She has recorded for Columbia, Masterworks, CRI, Sony Classical and Telarc. M A R L O N TORRES is a native o f Caracas, Venezuela, where he was active in dance and entertainment including several scasons on a popular TV show as a featured performer. In the United States, he studied Musical Theatre at Tampa University before graduating with a degree in Theatre from Binghamton University, where he received the prestigious Friars Foundation Award for Excellence in the Arts. Marlon performed with several theatre and dance companies in New York and Indiana before becoming a principal dancer with Galumpa ( formerly The Second Hand Dance Company). Mr. Torres hopes in t he fut u re to c reat e a n Institute for t he Pe rfo rm i ng A rts in his hom eto wn o f Caracas. �M AR GA RE T R EIT Z is a native o f the Binghamton area. She recei ved he r Bac helor and M aster o f M usic degrees in pia no performa nce with accompany ing emphasis. She attended Boston Un iversit y, Ne w England Conse rva tor y a nd Bingha mton U niversity. She has acco mpanied throughout the U nited States , in England, South Ame rica, a nd at the A me rica n I nst itute o f M usical St udi es in Graz, A ust ria. She and Binghamton U niversity fac ult y mem bers Timothy Pe rry and Stephen Sta lker were invited to pr ese nt a recital at the International Cl arinet Conference in Tokyo this past sum me r. She has been on the facult y at Bingha mton U niversity since 199 1 a nd Ithaca College School of M usic s ince 1999. She ma inta ins a private piano studio in Vesta l, N ew York. She is on the Execut ive Board of the New York District MTNA organization. She is past President of the local Sout hern Tier Mu sic Teachers Association and is an act ive adjudicator for the National Piano Guild Organization. TI MO TH Y MI CH AE L R OL LS joi ned the faculty of Binghamton U niv ersity since 1999 teaching music t heory, mu sicianship a nd technology. He ea rne d an AA from Broome Comm uni ty Colleg e, a BA in Music from State U nivers ity of New York at Ne w Paltz, a n M M in Composition from Bi nghamton U niv ersity and a DM A i n Composition from th e U niversity of Houston. His work s have been performed in the South America , Japan, a nd South Korea as well as t he United States. In the spring of 2005 , his work Oligopoly was premiered by th e Bingha mton Universit y Wind Ens em ble. Unity for Alto Sax, Vio la (or Cla rinet), and Piano was commissi oned by the Universit y of Houston and premiered in 2004. A work comme morat ing the Dece mber 2004 South East Asia Tsunam i has bee n commissi oned by the Bingha mton Comm uni ty Orchestra to be pre mie red du ring t hei r 2 005 06 season. PA UL GO LD ST AU B is Associate Pro fessor of Theory a nd Compositio n, a nd direct s the annual Musica No va concer t o f contemporary music . His work s h ave been pla yed by ensem bles here at Bingha mton Universit y and ma ny other col leges and universit ies, the St. Paul Cham ber Orchestra, the M innesota O pera, and the East ma n W ind Ensem ble. He has present ed guest lect ures at the O berlin Conse rva tory, the Chautauqua Institu tion, SUNY Potsda m, the Universit y of Minnesota, Sanford Universit y (Birm ingham, A labama), and the College M usic Soc iety, the NationalAssoc iation o f Schools o f Music and sta te music educ ation organizat ions in Massachusetts, Ne w Jersey, and Vermont. His mu sic is published by La wsonGould Publish ing, Roger Dean Publishing, and the Int ernational Trombone Assoc iation Press. Dr. Goldstaub, who earned the DM A degree at the Eastman Sch ool of Music, has taught at the College Co nse rva tory o f Music in Cincin nat i, the Sta te Un ive rsit y of Mi nnesota (Mank ato), Ithaca College School of Music, and Eastem Michigan Un iversit y. He joined the fac ult y at B inghamton Universit y in 1998. Special Thanks to: Steve Machlin, Dan Sonnen. Jane Zuckerman and Marnie Wrigher � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:09:00 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flutist Georgetta Maiolo and friends: music from the 18th century to two world premieres, September 17, 2005 Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Works of Blavet, Rameau, Debussy, Ibert, Damase, Rolls, Benedict, Schumann, Goldstaub, Laderman. Held at 8:00 p.m., September 17, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Biggers, Jonathan Stalker, Stephen Burgess, Mary Torres, Marlon Reitz, Margaret Rolls, Timothy Michael Goldstaub, Paul Source A related resource from which the described resource is derived Library Catalog Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-9-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context BIN01-001764199 https://omeka.binghamton.edu/omeka/files/original/cbca8caf06730dc0a5451c5980bd2b51.pdf 5c2eec6a63e94d3a7ce8f99e87d6403e PDF Text Text BINGHAM TON U N I V E R S I T Y State University of N ew York 1 M11» \1’ A c [4 Zldee N O W vf 2 L <l Jf u ee.} 3 ) (e’ { R — \\ a y t i . V i e ( D E P A R T M E N T MUSIC AND D ANCE Timothy LeFebvre, baritone ChaiKyou Mallinson, piano and Galutaph a Andy Ho rowitz Marlon T orres with ! guests: Gabriela Ranallo Emily Hoo per Erin Stanley Saturday, April 1 8:00 p.m. Sunday, April 2 3:00 p.m. Anderson Center Chamber Hall �PROGRAM Dichterliebe, Op. 48..........oo i i Im wunderschonen Monat Mai Aus meinen Tranen sprieﬂen Die Rose, die Lilie, dei Taube Wenn ich in deine Augen seh Ich will meine Seele tauchen Im Rhein, im heiligen Strome Ich grolle nicht Und wiiBten’s die Blumen, die kleinen Das ist ein F loten und Geigen Hor ich das Liedchen klingen Ein Jiingling liebt ein Madchen Am leuchtenden Sommermorgen Ich hab im Traum geweinet Allndchtlich im Traume Aus alten Marchen Die alten, bosen Lieder i SChumann (18101856) Poems by Heinrich Heine ~Intermission~ From Old Am erican Songs The Boatmen ’s Dance Long Time Ago Simple Gifts I Bought Me A Cat The Little Horses Zion’s Walls At The River ChingARing Chaw Aaron Copland (19001990) �Program Notes Dichterliebe 4 After the eighteenyearold Robert Schumann had visited Heinrich Heine in Munich he remarked : “On his lips there played a bitterly ironic smile, but it was a lo fty smile aimed at the trivialities of life and a scorn for petty men.” The Heine that Schumann m et was the poet who had called himself the last Romantic and the ﬁrst modern, and the composer was sensitive to Heine’s poetic method: the skillful use of the old Romantic iconography, subtly interlaced with and ultimately undercut by a selfironic awareness. Schumann, who owned the 1 827 ﬁrst edition of Heine’s Lyrisches Intermezzo and had set the twenty poems within a nineday span in June, 1840, was keenly aware of the book’s ironic premise contained in the prologue. In these opening verses Heine recounts the story of a knightpoet who is abruptly confronted by a vision of his destiny. In Heine’s sharptongued, often griml y bitter se ries of sixtysix poe ms the protagonist is the object of his own scathing wit as he realizes the bitter fate that refuses him the fulﬁllment of his love and passion. In selecting and ordering the twenty songs Schumann intended to designate as Opus 29, the composer created a cycle which, inspired by his youthful impressions of the poet’s own visage, cloaked complex feelings with seeming naiveté of expression. As it stands in its original manuscript version, the 20 Lieder are less a cycle about a poet’s unrequited love than they are a scathing exploration of the poet’s fateful inability to love. Old American Songs The ﬁrst set of Old American Songs was completed in 1950, and William Wa rﬁeld gave the ﬁrst performance in New York on January 28, 195 l. The second set, comprised of ﬁve more adaptations of Old American Songs, was ﬁnished in 1952, and was present ed for the ﬁrst time at the Castle Hill Concerts. Both sets were arranged for medium voice and small orchestra b y the composer in 195455. The Boatmen ’s Dance – published in Boston in 1843 as an “original banjo melody” by Old Dan. D. Emmett, who later composed Dixie; from the Harris Collection of American Poetry and Pla ys in Brown University. Long Time Ago – issued in 1837 by George Pope Morris, who adapted the words, and Charles Edward Horn, who arranged the music from an anonymous, original “blackface” tune ; also from the Harris Collection. Simple Gifts – a favorite song of the Shaker sect, from the period 1837184 7. The melody and words were quoted by Edward D. Andrews in his book of Shaker rituals, songs and dances, entitled The Gift To Be Simple. I Bought Me A Cat – a children’s nonsense song. This version was sung to the composer by the American playwright Lynn Riggs, who learned it during his boyhood in Oklahoma. The Little Horses ~ a children’s lullaby song originating in the Southern States – date unknown. This adaptation founded in part on John A. and Alan Lomax’s version in Folk Song U.S.A. Zion ’s Walls – a revivalist song. Original melody and words credited to John G. McCurry, compiler of the Social Harp; published by George P. Jackson in Down East Spirituals. At the River – h ymn tune. Words and melody are by Rev. Robert Lowry, 1 865. The words have been adapted from the original, in the Chingaring Chaw ~ minstrel song. h e A D a i n l h D w a r TT T n a v a r c i t y r S M �TRANSLATIONS Dichterliebe I. Im wunderschonen Monat Mai, Als alle Knospen sprangen, Da ist in meinem Herzen Die Liebe aufgegangen. Poet’s Love In the lovely month of May, When all the buds were blooming, Then in my heart Did love well up. Da hab ich ihr gestanden Mein Sehnen und Verlangen. In the lovely month of May, When all the birds were singing, Then did I to her confess My longing and desire. II. Aus meincn Tranen sprieﬂen Viel blﬁhcndc Blumen hervor, Und meine Seufzer werden Ein Nachtigallenchor. From my tears spring forth Many a ﬂower in bloom, And my sighs become A choir of nightingales. Und wenn du mich lieb hast, Kindchen, Schenk ich dir die Blumen all’, Und vor deinem Fenster soll klingen Das Lied der Nachtigall. And if you love me, little one, I will give you all the ﬂowers, And at your window shall sound The song of the nightingale III. Die Rose, die Lilie, die Taube, die Sonne, Die liebt ich einst alle in Liebeswonne. Ich lieb sie nicht mehr. Ich liebe alleine Die Kleine, die F cine, die Reine, die Eine; Sie selber, aller Liebe [Bronne,] Ist Rose und Lilie und Taube und Sonnc. [Ich liebe alleine Die Kleine, die Feine, die Reine, die Eine.] The rose, the lily, the dove, and the sun; I once loved them all with wondrous bliss. I love them no longer. I love only My tiny, ﬁne, pure, rare darling; She herself is [the fountain] of all love, She is rose and lily and dove and sun. [I love only My tiny, ﬁne, pure, rare darling] IV. Wenn ich in deine Augen seh ’, So schwindet all mein Leid und Weh; Doch wenn ich kﬁsse deinen Mund, So werd ich ganz und gar gesund. When I look into your eyes, All my pain and sorrow vanish; But when I kiss your lips, Then I become whole and healthy. Wenn ich mich lehn an deine Brust, Kommt’s tiber mich wie Himmclslust; Doch wenn du sprichst, “Ich liebe dich!” So muss ich weinen bitterlich. When I lay myself on your breast, Heavenly bliss envelops me; But when you say “I love you!” Then I can only weep bitterly. Im wunderschénen Monat Mai, Als alle Vogel sangen, �V. Ich will meine Seele tauchen In den Kelch der Lilie hinein; Die Lilie soll klingend hauchen Ein Lied von der Liebsten mein. I want to plunge my soul Into the cup of the lily; The lily would breathe melodiously A song of my beloved. Das Lied soll schauern und beben Wie der KuB von ihrem Mund Den sie mir einst gegeben In wunderbar stiller Stund.’ The song would shiver and tremble Like the kiss from her lips Which she once gave me In a wonderfully sweet hour. VI. Im Rhein, im heiligen Strome, Da spiegelt sich in den Well’n, Mit seinem groﬂen Dome Das groBe, heilige Koln. In the Rhine, in that holy river Is mirrored in the waves, With its towering cathedral The holy city of Cologne. Im Dom da steht ein Bildnis, Auf goldenem Leder gemalt; In meines Lebens Wildnis Hat’s freundlich hineingestrahlt. In the cathedral there is a picture, Painted on golden leather; Into the wilderness of my life Ii shone with friendly radiance. Es schweben Blumen und Eng’lein Um unsre liebe F rau; Die Augen, die Lippen, die Wianglein, Die gleichen der Liebsten genau. Flowers and little angels ﬂoat Around our blessed Lady; Her eyes, her lips, her cheeks, Are just like those of my beloved. VII. Ich grolle nicht, und wenn das Herz auch bricht, Ewig verlomes Lieb! Ich grolle nicht. Wie du auch strahlst in Diamantenpracht, Es fallt kein Strahl in deines Herzens Nacht. I will not complain, even if my heart does break, Forever lost, o love! I will not complain. However you may shine in bediamonded splendour, No ray illuminates the night in your heart. DaB weiB ich langst. Ich sah dich ja im Traume, Und sah die Nacht in deines Herzens Raume, Und sah die Schlang, die dir am Herzen friﬁt, Ich sah, mein Lieb, wie sehr du elend bist. [Ich grolle nicht, ich grolle nicht.] Long have I known this. Yes, I saw you in a dream, And saw the night in the abyss of your heart, And saw the serpent that gnaws at yo ur breast, I saw, my love, how miserable you are. [I will not complain, I will not complain!] �VIII. Und wiissten’s die Blumen, die Kleinen, Wie tief verwundet mein Herz, Sie wﬁrden mit mir weinen, Zu heilen meinen Schmerz. If only the little ﬂowers knew, How deeply wounded my heart is, They would cry with me, T o heal my sorrow. Und wiissten’s die Nachtigallen, Wie ich so traurig und krank, Sie liessen frohlich erschallen Erquickendcn Gesang. And if the nightingales knew, How sad and sick I am, They would gladly release a torrent Of restorative sound. Und wiissten sie mein Wehe, Die goldenen Sternelein, Sie kamen aus ihrer Hohe, Und sprachen Trost mir ein. And if they knew my pain, The little golden stars, Would come down from heaven, Sie alle konnen’s nicht wissen, Nur eine kennt meinen Schmerz: Sie hat ja selbst zerrissen, Zerrissen mir das Herz. But all of them cannot know, One alone understands my suﬀering, It is she who has rent, Rent my heart. IX. Das ist ein F loten und Geigen, Trompeten schmettern darein; Da tanzt den Hochzeitreigen Die Herzallerliebste mein. There is the sound of ﬂutes and ﬁddles, Trumpets blaring shrilly, There dancing the wedding dance, Is my own dearly beloved. Das ist ein Klingen und Drohnen, Ein Pauken und ein Schalmein; Dazwischen schluchzen und stohnen Die lieblichen Engelein. There is a ringing and roaring, The sound of a drum and the sound of shame; Between the sobs and moans Of the lovely little angels. X. Hor ich das Liedchen klingen, Das einst die Liebste sang, So will mir die Brust zerspringen Von wildem Schmerzendrang. When I hear the little song, That once my dearest sang, Then my breast wants to burst From a wild surge of pain. Es treibt mich ein dunkles Sehnen Hinauf zur Waldcshoh, Dort lost sich auf in Tranen Mein iibergrosses Weh’. T o give m e c omfort. A dark longing drives me Out onto the forest pea ks, There I ﬁnd relief in tears for My overwhelming grief �XI. Ein Jiingling liebt ein Madchen, Die hat einen andern ewahlt; Der andere liebt eine andre; Und hat sich mit dieser vermahlt. A youth loves a maiden. And she has chosen another; He, in turn, loves another And marries her. Das Madchen nimmt aus Arger Den ersten, besten Mann, Der ihr in den Weg gelau fen; Der Jiingling ist ﬁbel dran. The maiden in her anger Marries the next best man Who comes her way; The youth takes it badly. Es ist eine alte Geschichte, Doch bleibt sie immer neu; Und wem sie just passieret, Dem bricht das Herz entzwei. It is an old story, Yet it remains ever new; And to whomever it happens, His heart is rent in two. XII. Am leuchtendcn Sommermorgen Geh’ ich im Garten herum. Es ﬂiistern und sprechen die Blumen Ich aber wandle stumm. On a bright summer morning I walk about in the garden. T he ﬂowers whisper and speak, But I wander silently. Es ﬂiistern und sprechen die Blumen, Und schaun mitleidig mich an; “Sei unsrer Schwester nicht bose, Du trauriger, blasser Mann!” T he ﬂowers whisper and speak, And look at me with pity; “Do not be angry with our sister, You sad, pale man.” XIII. Ich hab’ im Traum geweinet, Mir traumte du lagest im Grab. Ich wachte auf, und die Trane FloB noch von der Wange herab. I wept in my dream, I dreamed you lay in your grave. I woke, and the tears Still ﬂowed from my cheeks. Ich hab’ im Traum geweinet, Mir traumt’, du verlicBest mich. Ich wachte auf, und ich weinte Noch lange bitterlich. I wept in my dream, I dreamed you left me. I woke and I continued to cry Bitterly for a long time. Ich hab’ im Traum geweinet, I wept in my dream, I dreamed you were still mine. I woke and my tears still Flowed unceasingly. Mir traumte, du warst mi r noch gut. Ich wachte auf, und noch immer Stromt meine Tranenﬂut. ! �XIV. Allnachtlich im Traume she ’ ich dich Und sehe dich freundlich grﬁssen, Und laut aufweinend stiirz’ ich mich Zu deinen siissen Fussen. Every night in my dreams I see you, And see you giving me a friendly greeting And sobbing aloud, I throw myself At your feet. Du siehest mich an wehmﬁtiglich, Und schiittelst das blonde Kopfchen; Aus deinen Augen schleichen sich Die Perlentranentropfchen. You look at me with pity, And shake your little blonde head; From your eye silently Steal pearly little teardrops. Du sagst mir heimlich ein leises Wort, Und gibst mir den Strauss von Cypressen. Ich wache auf, und der Strauss ist fort. Und’s Wort hab’ ich vergessen. XV. Aus alten Marchen winkt es Hervor mit weiBer Hand, Da singt es, und da klingt es Von einem Zauberland. You secretly whisper a gentle word, And give me a cypress bouquet. I wake and the cypress is gone. And I have forgotten what you said. From the old fairytales Beckons a white hand, There is singing and the sounds Of a magic land. Wo bunte Blumen bluhen, In goldnen Abendlicht, Und lieblich duftend glithen Mit brautlichem Gesicht; Where colorful ﬂowers grow, In golden evening light, And in the lovely fragrance glow With the radiant face of a bride; [Und grilne Baume singen Uralte Melodein, Die Lufte heimlich klingen, Und Voglein schm ettern drein; [And green trees sing Their ageold melodies, The breezes whisper secretively, And the birds warble there; Und Nebelbilder steigen Wohl aus der Erd’ hervor, Und tanzen luft’gen Reigen Im wunderlichen Chor; And misty shapes rise up Right out of the earth, And dance airy dances In a marvelous strange chorus; Und blaue Funken brennen An jedem Blatt und Reis, Und rote Lichter rennen Im irren, wirren Kreis; And blue sparks burn On every leaf and twig, And red lights swirl In a crazy, confused circle; Und laute Quellen brechen Aus wildem Marmorstein, Und seltsam in den Bachen Strahlt fort der Widerschein.] And noisy springs gush From the wild marble rocks, And in the brook ’s strange Reﬂections ﬂicker back and forth. ] �Ach, konnt ich dorthin kommen, Und do rt mein Herz erfreu’n, Und al ler Qual entnommen, Und frei und selig sein! Ah, if I could go there, And let my heart rejoice, And there be relieved of all pain, And be free and happy! Ach! jenes Land der Wonne Das seh’ ich o ft im Traum ; Doch kommt die Morgensonne, ZerﬂieBt’s wie eitel Schaum. Ah, that land of bliss, I have often seen in dreams; But with the m orning ’s sunrise, It vanishes like mist. XVI. Die alten, bosen Lieder, Die Traume bos und arg, Die laBt uns jetzt begraben; Holt einen groﬂen Sa rg. The wicked old songs, The nasty grim dreams, Let us now bury them; Come, fetch a large coﬀin. Hinein leg ich gar manches, Doch sag ich noch nicht was; Der Sarg muB} sein noch groﬂer, Wie’s Heidelberger FaB. Therein shall I lay many a thing, But I will not yet say what; The coﬀin must be even larger, Than Heidelberg ’s huge vat. Und holt eine Totenbahre Und Bretter fest und dick; Auch muf sie sein noch langer, Als wie zu Mainz die Brﬁck’. Bring me a bier And ﬁrm, thick planks; It must be even longer, Than the bridge over the Mainz. Und holt mir auch zwolf Riesen, Die miissen noch starker sein Als wie der starke Christoph Im Dom zu Koln am Rhein. Then fetch me twelve giants, They must be stronger Than the strong St. Christopher In the cathedral of Cologne on the Rhine. Die sollen den Sarg forttragen Und senken ins Meer hinab, Denn solchem groBen Sarge Gebiihrt ein groﬂes Grab. They must carry away the coﬀin And sink it deep in the sea; Because such a large casket Needs a deep grave. WiBt ihr, warum der Sarg wohl So groB und schwer mag sein? Ich senkt auch meine Liebe Und meinen Schmerz hinein. Do you know why the coﬀin Must be so big and heavy? Because I am also burying in it My love and pain. Translated by Thomas Hampson & Carla Maria VerdinoSiillwold 199 4 �ABOUT THE PERF ORM ERS mer. Baritone TIMO THY L EFEBV RE is in demand as both a concert singer and operatic perfor arpless His recent performances include Beethoven ’s 9” Symphony with Syracuse Symphony, Sh ah d Messi rsity an in Madama Butterﬂy with Syracuse Opera, a solo recital at Binghamton Unive hony, with Pensacola Symphony. LeFebvre has appeared in concert with the Vermont Symp gh Pittsbur ra, Orchest ny Minnesota Symphony, Syracuse Symphony, American Sympho hire Symphony, Spokane Symphony, Binghamton P hilharmonic, Rochester Bach Festival, Berks les kaneate , the S Society Choral Festival, Williamsport Symphony, Syracuse Chamber Music ert at Festival and with the prestigious Marlboro Music Festival. He has also appeared in conc cludes New York’s Carnegie Hall and Alice Tully Hall. LeFebvre’s operatic experience in ooga leading roles with San Francisco Opera, TriCities Opera, Sarasota Opera, Chattan urgh. Symphony and Opera, Syracuse Opera, Indianapolis Opera, and Opera Theater o f Pittsb ards Mr. LeF ebvre is a winner of the New York Liederkranz Vocal Competition, and other aw y and include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton Universit e of graduat Regional Finalist in several Metropolitan Opera Competitions. LeFebvre is a at Carnegie Mellon University and Binghamton University and is currently on the faculty New the with Binghamton University. His 20052006 engagements include appearances Requiem, Dominion Chorale in Brahms ’ Requiem, West Virginia Symphony in Mozart ’s llad ra in Ba ity Ope Jacksonville Symphony in Bernstein’s Arias and Barcarolles and Central C of Baby Doe. Music at CHAI KYOU MALL INSON , currentl y on the faculty of the Departm ent of nement ’Enseig nce d rd, Lice Binghamton University, received a B.M. degree in P iano from Jullia ton from Ecole Normale de Musique de Paris, France and a M.A. degree from Bingham lton il and A es Gent ase, Jul University. Her teachers include Jean Casadesus, JeanMichel Dam an Jones. She also perform ed in Master Classes by Robert Casadesus. A prize winner in the Kore wood National Music Competition, she was awarded the French Government Scholarship, Tangle Full Summer School Full Scholarship and the Fontainebleau American Conservatory list, Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been active as a recita tor of vocal coach, accompanist, and chamber music performer, as well as an active adjudica achers iano Te ild of P nal Gu e Natio piano auditions and competitions. She is a member of th Association and the Music Teachers National Association. aul She has premiered compositions of contemporary composers including Ezra Laderman, P hree Goldstaub, Meyer Kupferman and William Klenz. Among many concerts she performed, t with were sponsored by the New York State Council on the Arts. She appeared in a performance d respecte ost rea’s m of Ko the Seoul Philharmonic Orchestra, which Eumag Choonchu, one music magazines, described as “of rare quality, moving and lyrical.” n ANDY H O R O W I T Z attended Oberlin College, Shifan University in Taiwan, earned a BA i ed in Theatre from Binghamton University, and an MBA from Syracuse University. Andy act Wild Kung Fu movies, traveled extensively through remote reaches of China, and worked as a for West stunt rider. Andy speaks Chinese and is sometimes asked to act as a court interpreter eir two Chinese speaking defendants in Binghamton, where he lives with his wife Carol and th s children, Elias and Talia. Andy makes the company’s costumes and props. Andy is alway ure, building something, whether it be electric guitars, congas, leather bound journals, furnit is on the additions on his house or strange and fun props to play with onstage. Andy Horowitz faculty as Artist in Residence at Binghamton University Department o f Theater. �MARLON T ORRES is imported from Caracas, Venezuela. Marlon became a child star in Venezuela, dancing for several seasons on the popular TV show, Sabado Sensacional. In the United States he studied Musical Theatre at Tampa University and graduated with a degree in Theatre from Binghamton University. Before joining Galum pha Marlon performed with The Second Hand, and with the Lincoln Amphitheatre of Indiana. He thanks his wonderful family, friends, teachers and mentors for their support and encouragement. In the future, he would like to return to Venezuela and foun d an Institute for the Performing Arts in Ca racas. ERIN STAN LEY is in her junior year of a Binghamton University Economics major. She has performed with Ballet Arts Theatre, the Endicott Performing Arts Center, and TriCities Opera. Erin studies the martial art Tang Soo Do, and has won many competitive awards including First Place in Women’s Sparring at the International World Championships in Cardiﬀ, Wales. Erin is a teaching assistant for Professor Fred Weiss’ Jazz Dance Class at Binghamton University . GABRIELA RANALLO is a senior math major at Binghamton University. A lifelong dancer, she is Vice P resident of the Kickline Dance Team and Teaching Assistant for Pro fessor Fred Weiss’ Jazz Dance class. Gabby has extensive performance experience including a collaboration with Galumpha in 2004 and a dance role in TriCities Opera’s recent production of Lucia di Lammermoor. EMILY HOO PER is a philosophy major at Ithaca College and will graduate in the spring of 2006. She was trained in classical ballet by Tina ChristinaPrice, attended the Central Pennsylvania Youth Ballet’s summer program, and danced with Ballet San Jose Silicon Valley in California. This is Emily’s third artistic collaboration with Galumpha. E32 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:22 51:24 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203972">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203972</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music and dance, April 2, 2006 Recital Tape 2006-4-1/2006-4-2 Description An account of the resource Works of Schumann, Copland. Held at 8:00 p.m., April 1, 2006 and 1:00 p.m., April 2, 2006, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource LeFebvre, Timothy Mallinson, Chai-Kyou Horowitz, Andy Torres, Marlon Ranallo, Gabriella Hooper, Emily Stanley, Erin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 83923007-1d7c-439c-aac0-93ab2f3731c6 https://omeka.binghamton.edu/omeka/files/original/e8067e25af2f0f04a7fe40314b124c3d.pdf 495661b877cb6fa5e80124da267f4f07 PDF Text Text UN NI V Reci ' RC l tap BINGHAMTON 20 10-12 SPEC UNIVERSITY COL State University of New York Binghamton University Department of Music THURSDAY MID-DAY CONCERT October 12, 2006 - 1:20 p.m. - Casadesus Recital Hall Chanson d 'Amour ........................................................................................................ Gabriel Fauré En Prière (1845-1924) Nell Amy DeLeo, soprano Chai-Kyou Mallinson, piano Sonata in D major for 4 hands ..................................................................................... W.A. Mozart Allegro (1756-1791) Andante Allegro Mo/to Wendy Lee, piano Chai-Kyou Mallinson, piano from Die Schone Müllerin ........................................................................................ Franz Schubert Danksagung an den Bach (1798-1827) Am Feierabend Der N eugierige Alexander Blitstein, tenor Chai-Kyou Mallinson, piano Non posso vivere ................................................................................................. Giacomo Carissimi (1605-1674) Vaga luna ............................................................................................................... Vincenzo Bellini (1801-1835) Katrina L. Cox, soprano Chai-Kyou Mallinson, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:40:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204303">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204303</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, October 12, 2006 Recital Tape 2006-10-12 Description An account of the resource Works of Fauré, Mozart, Schubert, Carissimi, Bellini. Held at 1:20 p.m., Oct. 12, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource DeLeo, Amy Lee, Wendy Blitstein, Alexander Cox, Katrina Mallinson, Chai-Kyou Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-10-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 969a8b97-4f4f-4f43-9f8a-9d0e92e68ea5