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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presen ts

Cha r les Brewer, Harps ichord

Sa t . , Dec . 11, – 1 9 71 – 8 : 1 5
Rec i t a l Ha l l

�PROGRAM

Ga l l ia rd
Anon. (The Mul l ine r Book ca. 1555)
Pavane
Louis Couperin , ca . 1626– 1661 (Pa rvi l le MS)
Four p ieces f rom the “ In tabola tura Nova D i Ba l l i ” (Ven ice, 1551)
Pass ’ e mezo nouvo (I , I I , I I I )
Sa l ta re l lo d e l Re
Pavana ‘ F us i ’
Moneghima Gag l ia rda
Pavana Lachrymae
John Dowland , 1562– 1626
set by W i l l iam Byrd, 154 3– 1623
( F i t zw i l l iam V i r g ina l Book, CXXI )
Suonata p r ima,
‘
Johann Kuhnau, 1660– 1 722
I l Comba t t imen to tra David e Go l ia t h
(The F igh t be tween Dav id and Go l ia t h)
(1) Go l ia t h ’ s s tamp ing and ran t ing
(2) The t remb l ing of the Is rae l i t es , and thei r prayer
to God a t the s ig h t of t h is horr id enemy
(3) The s tead f as tness o f David , h is urge to crush the
g ian t ’ s boas t f u l d eﬁan c e , and h is c h i l d l ike t rus t
i n God ’s help
(4) The cha l leng ing words exchang ed between David and
Go l ia t h, and the ﬁ g h t i ts e l f , i n which the stone
i s s lung in to Go l ia th ’ s forehead , by which he i s
f e l led and even k i l led
(5) The ﬂ i g h t of the P h i l is t ines , as we l l as how the
Is rae l i t es chase them and s lay them by the sword
(6) The re jo ic ing o f the Is rae l i t es a t t h is V ic tory
(7) The concert to the g lo ry of David , performed by
the women i n cho irs
(8) And ﬁ n a l l y the general happ iness which shows
i ts e l f i n an abundance of danc ing a f ro l ic king
(S i x B ib l ic a l Sonatas f or Keyboard, 1 700)
INTERMISSION

In Nomine
SpanyBle r Tancz
Hopper dancz

Doctor John B u l l , ca . 1562– 1628
( F i t zw i l l iam V i r g ina l Book, XXXVII )
Hans Weck, ca. 1510

Four P ieces f rom the Keyboard P ub l ica t ions of P ie rre A t ta ingnan t ,
. 1 55 2
Chanson "Cel le q u i ma tan t pourmen e'– C laudin (Dixneu f dChansor
Pavane, Ga i l la rde (Quatorze ga i l la rdes , neuf pa rmes . . . 1530)
,
15 29)
Chanson "Tant que vivray "– C laudin (V ing te t Cinq Chansons , . . .
1530)
O Rosa Be l la
John Duns tab le, ca . 1370– 1453
(Buxheim Organ Book, ca . 14 70)
My Lady Cakeys Dompe
Anon. (B r i t ish Museum, R . App . 5 8, ca . 15 1C
Cen to P a r t i t e sopra Passaca g l i
G i ro lamo Fresc oba ldi, 158 3– 164 3
(Toccate d ’ In t a ro la t u ra . . . , Lib ro P r imo, 16 37)
Concerto Op . 3, No. 1 2
An ton io V i va l d i
t ransc ribed f o r so lo Keyboard by J . S . Bach
Harps ichords
“ French", 2 manuals , 2 x 8' , 1x4!”
“ I ta l ian " , 1 manua l, 2x8 ’
“ V i rg ina ls , 1 manua l, 1x8 ”

W i l l i a m Dowd , 1 9 6 8

W i l l iam Dowd, 1968
Derwood Crocker , 1 965

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents

Th e
Manh a t t an

String Quartet
F r i . , Dec“ 1 0 , 1971 – 8 : 1 5
Re c i t a l Ha l l

Eric Lewis, violin
John Mcleod, violin
Andre w Berdahl, viola

Judith Glyde, cello

�PROGRAM

Bee thoven
(17 70– 1827)

Quar te t Op . 1 8 , No . 3
A l le g ro
Andan te con mot o
A l le g ro
P res to

Kirchner Quar te t No. 3 f o r S t r ings and E lec t ronic t ape

The f o l low ing re mar ks are by the compose r:

Qua r te t No . 3 f o r S t r ings and
E lec t r i c Tape ( 1967)

Leon Kirchner
(b . 19 19 )

INTERMISSION

Quar te t No . 4 (1928)
A l le g ro
P res t iss imo , con so rd ino
Non t roppo len t o
A l le g re t t o p i zz ica to
A l le g ro Mol t o

“Bef ore beg inning my Th i rd S t r ing Quar te t I gave cons ide rab le thou gh t
to the par t icular at t r ibu tes of e lec t ronic mus i c . The e lec t ronic med ium i s
f requen t ly spoken o f as being absol u te ly un l imi ted in poss ib i l i t y . In gene ral ,
I wou ld say that mus i c has g ained new ins i gh ts f rom the man ipu la t ions of e lec–
t ron i c sounds , but the supposed l ac k of l i mi t a t i on i s rea l ly qu i te decep t ive .
Theo re t i ca l ly , i t wou l d seem to be un l i mi t ed , and yet I th ink t h is i s the
area wh i ch i s mos t p roble ma t ic - and w i t h compu te rs , even more so . By a
th i rd , i f not second , per f or mance o f even an exe mplary e lec t ronic p iece ,
one deve lops a ce r tain l is tene r ’ s f at ig ue . . . i t could be bored om. The re
i s no ‘ ch a rac te r is t i c l i mi t ’ o r ins t an t accommoda t ion t o a b r i l l i an t wh i m

Bar tok
(1881– 1945)

THE MANHATTAN QUARTET i s i n res idence at Co rne l l U n i ve rs i t y
and w i t h the Young A r t is t s P rog ra m i n Chamber Mus i c a t
SUNY /Bingh a mt on .

or ‘acc iden t . ’ The s ub t le mani f es t a t ions that are sub jec t to h uman con t rol
i n the great per f or mer ha ve l i t t le or no l i f e at a l l i n the e lec t ronic
med ium.
“ More interes t ing to me are combinat ions of ins t ruments wi th elec t ronic
sounds and ﬁ l t e rs . The ins t rumen t al qual i t ies are then somehow reﬂe c t ed ,
extended and en larged . ‘ Human involve men t ’ is , of course , essen t ial , f or the
proble ms of compos i t ion re main the p r imary f ac tors . My Th i rd Quarte t was
w r i t ten w i t h a l l o f t h is i n mi nd . I se t out to produce a mean ing f u l con–
f ron t a t ion be tween ‘ new ’ e le c t ron i c sounds and those o f t he t r ad i t i ona l

s t r ing quartet - a k ind of d ialog ue-idea i n wh i ch the e lec t ronics are qu i te
in te g ra l .
“There i s a g reat dea l of t alk these days about systems analys is , de te rmina t ion o f ru les , and so f or th , but the ac t of tot al involve men t , o f phys ical
and sp i r i t ua l p lay , see ms t o be f o rgot ten . Ru les are va l uab le , and , w i t h
proper unders tand ing , we can cons t ruc t mode ls f rom wh i ch inval uab le inf or–
ma t ion may be inf e r red . Howeve r , the adequacy of a ru le i s en t i re ly dependent
upon h igh ly reﬁned and sens i t ive observat ion , and , g iven an adequate rule ,
we mus t also unde rs tand that the va r iab les (a mos t produc t ive area) are
d i ﬀ i c u l t to ‘ cove r . ’ When we g rasp a f ac t by desc r ib ing i t , the re i s no
reason to ass ume that we ha ve unde rs tood the t ot al phenomenon . One o f the
na i ve assump t ions i n the cons t ruc t ion of computer mus ic , f or ins t ance , i s that
i f one programs the parameters (durat ion , dens i t y , p i tch , e t c . , e t c . , ) mus i c
should resul t . Gran ted compe tence i n techniques , i t i s the i r us e that i s
essen t ial - and the i r ar t is t ic use depends on the vas t and tot al me mory bank
of the h uman mind . In th is sense , though the e lec t ronic sounds i n my Quar te t
t ook f ou r days t o w r i t e , t he no tes t ook f o r t y y ea rs .

“Nus ic i s an ar t , not a sc ience . The recent , almos t e xc l us ive invol ve –
ment w i th the ‘ s ubs t an t ive ’ and the c raze f or ‘ ve r iﬁc a t ion ’ or ‘ caus al e xp lanat ion ’ seems to me to f oss i l i ze that art and make i t b lood less . Th is
i s wha t I ’ ve always t r ied to a void . My Quar te t ilo. 3 i s not concerned w i t h

sys te ms , ru les , p rocedures - o r tha t mons t ros i t y k nown as ‘ t o t a l c on t ro l . ’

I composed the wor k because o f sheer mus ical urge . I t was f un , and wh i le I
composed i t I was ve ry conscious of the j oy of c reat ing mus i c . ”

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
LENOX QUARTET
David Montgomery, piano
guest artist
Sat., Dec. 4, 1971 - 8:15
Watters Theater
PROGRAM
Quartet in F major, K. 590
Allegro moderato
Allegretto
Menuetto (Allegretto)
Allegro

Mozart

Quartet no. 2 (1917)
Moderato
Allegro molto capriccioso
Lento

Bartok

INTERMISSION
Quintet in þÿE&amp;m
for Piano and Strings,
Op.44
Allegro Brilliante
Marche funebre
Scherzo
Finale. Allegro

Schumann

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC

presents

************************
*
*
*
THE HARPUR COLLEGE SYMPHONY ORCHESTRA
*
*
*
conducted
by
*
*
*
*
Stefan
Bauer-Mengelberg
*
*
*
*
*
*
************************

Thursday
December 2, 1971

8:15 p.m.
Don A. Watters Theater

�****************
*
*
* WOLFGANG AMADEUS MOZART *
*
*
(1756-1 791)
*
*
*
*
****************

Concer to in C Major, for Oboe and Orches tra, K. 314

This Concer t is dedica ted to the memory of
William J. Mitche ll, 1906-19 71.
Mr. Mitche ll came to State Univer sity of New York
at Bingham ton as a DISTINGUISHED PROFESSOR OF MUSIC from
Columb ia Univer sity in 1968. Intern ationa lly renowne d
as a schola r and teache r, he made an immeas urable and
unforg ettable contrib ution to our univer sity and community during his last three years. Colleag ues, studen ts
and friends revere the memory of this wonder ful being.

Allegro aperto
Adagio non troppo
Rondo: Allegr etto
Ronald Rosema n, solois t

Eine kleine Nachtm usik, in G major, for String s, K. 525
Allegro
Romanze: Andante
Menuet to: Allegr etto
Rondo: Allegro

INTERMISSION

Concer to No. 27, in B-flat major, for Piano
and Orches tra, K. 595
Allegro
Larghe tto
Allegro
Jean Casade sus, solois t

�THE HARPUR COLLEGE SYMPHONY ORCHESTRA
VIOLIN
Eric Lewis, Concertmast er
John McLeod, Principal,
Second Violins
Andrea Andros
Mary Barton
Alice Click
Browning Cramer
Diane Feigin
Paul Friedman
Joanne Jenner
Andrew Jennings
Arthur Mannis
Oscar Maxwell
Daniel Mowery
Robert Rozek
Mark Sokol
Martha Strassberge r
Michael Sturm
Joan Tanenhaus
Debra Tanklow
Lydia Werbizky
VIOLA
Andrew Berdahl,Pri ncipal
Peggy Acker
Zelman Bokser
Pat Foley
John Kochanowsky
Carolyn Lohman
Joyce Stetzl
Willy Sucre
Orchestra Manager:

CELLO
Judith Glyde, Principal
Rachel Abbey
Miriam Diamond
Norman Fischer
Sarah Hartshorne
Carolyn McIntosh
Timothy Perry
Jennifer Rae
Fred Raime
BASS
Robert Keith Kolber,
Principal
Michael Sanders
Robert Scott Taffet
FLUTE
Betsy Ross
OBOE
Stan Moshman
Dorian J. Schwartz
BASSOON
Carol Shapiro
Douglas Epstein
FRENCH HORN
Janice DeWolf
Cindy Weldon

Browning Cramer

�</text>
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                    <text>State University of New York at Binghamton
Harpur College
The Department of Music

THE HARPUR CHORALE

Sunday, November 21, 1971, 4:00 P.M.
The University Union

�PROGRAM

NACH DIR, HERR, VERLANGET MICH ( Canta ta 150)
Diane Krasin ski, Sopran o Solo
1.
2.
3.
4.
5.
6.
7.

J.S. Bach
(1685- 1750)

FREOOME - FREEDOM

Sinfon ia
Chorus
Aria
Chorus
Trio
Chorus
Chorus

Elliot Carter
(b 1908- )

Coleri dge-Ta ylor Perkin son
(b. 1936- )

Eugen ia Falins ki, Contr alto Solo
Barba ra Savage , Piano
Rober t Kolbe r, Bass
Joseph Roma, Drums

Instru menta lists

PSALM THIRTEEN

(premi ère)

Karl Korte
(b-192 8)

For mixed chorus with synthe sized and proces sed sound
Gregor y Matthe ws, Tape Opera tor
MAGNI FI CAT
For mixed chorus a cappe lla

Sergei Rachm aninof f
(1873- 1943)

MY LORD WHAT A MORNIN'

Harry Burlei gh
(1866- 1949)

EVERY TIME I FEEL THE SPIRIT
Philip Wu

Willia m Dawson
(b 1901- )

Intermission
THE CREATION

THE HARMONY OF MORNING
For Women's Chorus
Woodwind Quint et, Piano and String s

(A Rock Canta ta)

Beverl y Penn, Sopran o Solo
Terry Harte r, Richar d Toulso n, Tenors
Barbar a Wild, Piano
Eric Lench ner, Guitar
Robert Taffe t, Bass Guitar
Joseph Roma, Drums

Violin s
Eric Lewis , Rober t Rosek, Andrea Andros
John McLeod, Joanna Jenne r, Mary Barton
Violas
Andrew Berda hl, Patric ia Foley, Edward Petten gill
Celli
Judith Glyde, Frede rick Raimi
Bass
Micha el Sande rs
Flute
Valeri e Vasto la
Oboe
Dan Cross

David Bobro witz
and Stephe n Porter

Clarin et
Sheldo n Berkow itz
Bassoo n
Carol Shapir o
French Horn
Janice DeWolfe
Piano
Claire Howard

�THE HARPUR CHORALE
David L. Buttolph, Director
Fred Thayer, Graduate Assistant

The Women's Chorus
Maria Bartolotto
Linda Finn
Carol Flamm
Diane Krasinski
Beverly Penn
Doryce Penn
Alice Weintraub
Carol Weir

Jill Borenstein
Ellie Chiccarelli
Kathy Denmark
Eugenia Falinski
Linda Lockwood
She rri Strichman
Maria Theodore
Linda Uhly
Susan Winnett

Joan Appleton
Ka ren Fung
Carol Gill
Sue Ho ffmeis t e r
Allison Jameson
Debbie Kanter
Nancy Lazeski
Ann Marsland
Barbara Savage
Janet Stecher
Barbara Wild
Stacie Williams

The Men's Chorus
John Evans
Terry Harter
Mike Kass
Nino Lama
Fritz Rath
Richard Toulson

Marc Berman
Tim Dungan
Leon Fried
Gregory Gibbs
Keith Gorham
Bob Halliday
Bob Kendall
Mitchel Mendelson
Russell Senti

James Elniski
Jon Krieger
Gary Levine
Ira Miller

Ken Morgan
Bruce Sabecek
Philip Wu

Officers
Nino Lama . .
Gary Levine.
Barbara Wild
James Elniski.
Susan Winnett.
Carol Weir . .
Allison Jameson .
Richard Toulson.
Janet Stecher. .

President
V.P. of Men's Chorus
V.P . of Women's Chorus
Secretary of Men's Chorus
Secretary of Women's Chorus
Treasurer
Librarian
Wardrobe
Tour Manager
Next Choral Concert

The Harpur Men's Chorus and The Oneonta State University Women' s Chorus in a
combined concert: Sunday, December 5, 1971, 4:00 P.M. in the University Union.

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
THE LENOX QUARTET
Mon., Nov. 8, 1971 - 8:15
Don A. Watters Theater
PROGRAM
Quartet in þÿE&amp;m
major, Op. 20, no.l
Allegro moderate
Menuetto-Allegretto
Affettuoso e sostenuto
Finale. Presto
Quartet inf minor, Op. 95
Allegro con brio
Allegretto ma non troppo
Allegro assai vivace, ma serioso
Larghetto espressivo - Allegretto agitato

Haydn

Beethoven

INTERMISSION
Quartet in F
Madere - Très doux
Assez vif - Tres rythme
Très lent
Agitl

Ravel

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC

HARPUR COLLEGE SYMPHONY ORCHESTRA
STEFAN BAUER-MENGELBERG, conductor

Sunday, Oct. 31, 1971 - 8:15 PM
Don A. Watters Theater

�ORCHESTRA

PROGRAM
Fingal's Cave Overture
("The Hebrides")

Felix Mendelssohn
(1809-1847)

Symphony No. 8. in G major, Op. 88

Antonin Dvorak
(1841-1904)

Allegro con brio
Adagio
Allegretto grazioso
Allegro, ma non troppo
IN TE RMI S S ION
Concerto No. 1, ind minor, for Piano and Orchestra, Op. 15
Johannes Brahams
(1833-189 7)
Maestoso
Adagio
Rondo: Allegro non troppo
Paul Hersh, soloist

VIOLIN
FLUTE
Eric Lewis, Concertmaster
Betsy Ross
John McLeod, Principal 1 second violin
Valerie Vastola
Andros
Andrea
Piccolo
Barton
Mary
Valerie Vastola
William Bergman
OBOE
Click
Alice
Stan Moshman
Cramer
Browning
Dorian J . . Scwartz
Feigin
Diane
ENGLISH NORN
Paul Friedman
Dorian J. Schwartz
Paul Goodman
CLARINET
Joanne Jenner
Wendy Osteyee
Andrew Jennings
Berkowitz
Sheldon
Mannis
Arthur
BASSOON
Oscar Maxwell
Carol Shapiro
Daniel Mowery
Douglas Epstein
Robert Rozek.
FRENCH HORN
Mark Sokol
Janice DeWolf
Martha Strassberger
Cindy Weldon
Michael Sturm
Brett Brackman
Joan Tanenhaus
Stuart Reeve
Debra Tank.low:
TRUMPET
Lydia Werbizky
Robert E. Lindstrom
VIOLA
Dave Hibbard
Andrew Berdahl, Principal
TROMBONE
Peggy Ack.er
Mike Rosen
Zelman Bok.ser
Dave Beaudreau
Pat Foley
Grant Sullivan
John Kochanowsky
TUBA
Carolyn Lohman
Keith Balser
Joyce Stetzl
TIMPANI
Willy Sucre
Joseph A. Roma, Jr.
CELLO
Judith Glyde, Principal
Rachel Abbey
Miriam Diamond
Norman Fischer
Sarah Hartshorne
Carolyn McIntosh
Timothy Perry
J ennifeer Rae
Fred Raime
BASS
Robert Keith Kolber
Michael Sanders
Robert Scott Taffet

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
PAUL HERSH, piano
Sun. Oct. 24, 1971 - 8:15
Don A. Watters Theater
PROGRAM
BEETHOVEN - THE LAST SONATAS
Sonata in E major, Op . .109
Vivace, ma non troppo
Prestissimo
Andante molto cantabile ed espressivo
(variations)
Sonata in þÿA&amp;m,
Op. 110
Moderato cantabile, molto espressivo
Allegro molto
Adagio ma non troppo-Arioso delente-FugaArioso-poi a poi di nuovo vivente
INTERMISSION
Sonata in e minor, Op. 111
Maestoso-Allegro con brio ed Appassionato
Arrietta: Adagio molto semplice e cantabile

The next concert on the Fall Chamber Music Series will take place
on Nov. 8, 1971, in the Don A. Watters Theater. (The concert
was originally scheduled for Nov. 7)

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
MUSIC DEPARTMENT
presents
DELMAR PETTYS, violin
PAUL HERSH, piano
Friday , Sept. 17, 19 71

Don A. Watters Theater - 8 :15 PM

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Sonata No. 1 in g minor for Violin solo
Adagio
Fuga
Siciliana
Presto
Fantasia in C Major - Op. 159

J. S. Bach

Schubert

Andante molto-Allegretto Andantino(variat ions)-Tempo IAllegro Vivace-Allegrett o-Presto
intermission
Sonata No. 9 in A Major, "Kreutzer", Op. 47
Adagio Sostenuto:Presto
Andante con Variazioni
Presto

Beethoven

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
THE LENOX STRING QUARTET
in residence
Sunday, September 12, 1971

8:15 pm Don A. Watters Theater

program
Quartet in D Major, opus76 no. 5

Quartet no. 4 (1928)

Haydn

Bartok

- intermission-

Quartet in C Major, opus 59 no. 3

Beethoven

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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Lenox String Quartet in Residence, September 12, 1971</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Concerts </text>
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                <text> Instrumental music </text>
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                <text> Live sound recordings&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Works of Haydn, Bartok, and Beethoven.  Held at 8:15 pm, September 12, 1971 Watters Theater.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lenox String Quartet</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Binghamton University Libraries</text>
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            <name>Date</name>
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                <text>1971-9-12</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>In copyright&#13;
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            <name>Contributor</name>
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                <text>Beethoven, Ludwig van, 1770-1827 </text>
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                <text> Bartok, Bela, 1881-1945 </text>
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                <text> Haydn, Joseph, 1732-1809</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>39091020073528</text>
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                <text> 39091020073478</text>
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                <text> 39091020073429</text>
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