96
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/4ba733045209cca5e886d10b5acf40c8.pdf
821790ecf9fce299b406a6f417c2a63a
PDF Text
Text
WI L L I A M
L E WI S
t e n o r
with
BARBA RA
GARGE S
p i an o
Sunday , May 9, 19 71
3:00
PM
Music Recital Hall
�PRO GR AM
Future Events
I
Trois Psalmes
Sunday, May 9th, 8:15 PM
Don A. Watters Theater
Lenox String Quartet
Chamber Music Series.
Admission.
Tuesday, May 11th, 8:15 PM
UU Social Room
Harpur College Orchestra.
David Buttolph, conductor.
Paul Knoeffler, pianist.
Wednesday, May 12th, 8:15 PM
Music Recital Hall.
An Evening of Contemporary
Music. Works of student and
faculty composers.
Thursday, May 13th, 8:15 PM
Music Recital Hall
Voice Studio Recital. Students
of Roberta Schlosser and
William Lewis.
Sunday, May 14th, 8:15 PM
Music Recital Hall
Diana Berde, pianist.
Senior Recital.
Saturday, May 15th, 2:00 PM
Lecture Hall I
Jazz Concert. Harpur Jazz
Workshop, Albert Hannne,
director.
Sunday, May 16th, 3:00 PM
Music Recital Hall
Kathleen Tyrrell, mezzo
soprano. Junior Honors
Recital.
Sunday, May 16th, 8:15 PM
Music Recital Hall
Elizabeth Korte, pianist.
Arthur Honegger
II
Comment, Disaient-ils
O, quand je dors
Enfant, si j'etais Roi
Franz List
III
Tel jour, telle nuit
(cycle of nine songs)
i
,Francis Poulenc
n t e r mi s s
i
o n
IV
Pain
Myth
Love
William Lewis
V
Song of Orpheus
William Klenz
Como
Hush
The Peddler
[.
.
. snow.
. .]
VI
Outside this House
(from "Vanessa")
Samuel Barber
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
28:47:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63465
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63465">William Lewis and Barbara Garges</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
William Lewis, tenor, and Barbara Garges, piano, May 9, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Honegger, List, Poulenc, Lewis, Klenz and Barber. Held at 3:00 pm, May 9, 1971, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Lewis, William
Garges, Barbara
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-5-9
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Honegger, Arthur, 1892-1955
Liszt, Franz, 1811-1866
Poulenc, Francis, 1899-1963
Lewis, William
Kienzl, Wilhelm, 1857-1941
Barber, Samuel, 1910-1981
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069849
39091020069799
-
https://omeka.binghamton.edu/omeka/files/original/57e0e46dddb87b2bcabfcda871bfa232.pdf
0f204f87fece42755c4859563e0544f5
PDF Text
Text
SPRING CHAMBER MUSIC SERIES
LENOX STRING QUARTET
Sunday, May 9, 1971
8:15 PM
Don A. Watters Theater
�PROGRAM
Future Events
Second Quartet for Strings (196·5)
(In one movement)
Tuesday, May 11, 8:15 PM
UU Social Room
Harpur College Orchestra.
David Buttolph, conductor.
Paul Knoeffler, pianist.
Wednesday, May 12, 8: 15 PM
Music Recital Hall.
An Evening of Contemporary
Music. Works of student and
faculty composers.
Thursday, May 13, 8:15 PM
Music Recital Hall
Voice Studio Recital. Students
of Roberta Schlosser and
William Lewis.
Friday, May 14, 8:15 PM
Music Recital Hall
Diana Berdt, pianist.
Senior Recital.
Saturday, May 15, 2:00 PM
Lecture Hall I
Jazz Concert. Harpur Jazz
Workshop, Albert Hamme,
director.
Sunday, May 16, 3:00 PM
Music Recital Hall
Kathleen Tyrrell, mezzo
soprano. Junior Honors
Recital.
Sunday, May 16, 8:15 PM
Music Recital Hall
Elizabeth Korte, pianist.
Sincronie (1964-7)
i n t e r m
Quartet No. 1
(1956)
Karl Korte
Luciano Berio
i
s s
i
o n
Gunther Schuller
Lento
Allegro
Adagio
Liberata II
(1968)
Paul Zonn
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:42:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63460
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63460">Spring Chamber Music Series Presents Lenox String Quartet</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spring Chamber Music Series Presents Lenox String Quartet, May 9, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Korte, Berio, Schuller, and Zonn. Held at 8:15 pm, May 9, 1971, Don A. Watters Theater.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-5-9
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Korte, Karl, 1928-
Berio, Luciano, 1925-2003
Schuller, Gunther
Zonn, Paul Martin, 1938-2000
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069470
39091020069690
39091020069641
-
https://omeka.binghamton.edu/omeka/files/original/a21428ddb378a2f4b2e637beb9bd0201.pdf
618f9935f11ff6724142595d9a9138ec
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
The Department of Music
presents
A N
EVENING
OF
PUCCINI
by
Students frcm the Opera Workshop
William Lewis, director
Thursday, May 6, 1971
Friday, May 7, 1971
8 :15 PM
Music Recital Hall
�P R0 G R A M
I
Flower Duet from Act II of Madame Butterfly
Cio-eio-san---soprano----------Margaret Kotylo
Suzuki--------mezzo-soprano------Claire Wit lin
III
GIA NNI
SCHICCHI
Scene:
The bed–chamber of Buoso Donati
Time:
1299 in Florence
II
Excerpt from Act I of LaBoheme
O, mimi tu piu non torni (Rodolfo &
Marcello)
Che gelida manina
(Rodolfo)
Si mi chiamano Mimi
(Mimi)
O soave fanciulla
(Duet)
Mimi-=-==------goprano---------Toby Jean Manker
Rodolfo-------tenor------------Serge Boldireff
Marcello------baritone---------------Philip Wu
Characters:
Gianni Sehicehi-------=====--------Terrance Howell
Lauretta, his daughter---------May 6 Kvitka Cisyk
--m-m--=-May 7
Susan Ball
Zita, called the “0ld Woman,”
Buoso ’s cousin-------------Kathleen Tyrrell
Rinuceio , Z i ta ’ s nephew,
in love with Lauretta-------Anthony Brienza
Gherardo, Buoso ’s nephew-----------Charles Seltzer
Nella, his wife----=-======--eeeeee---–Beverly Penn
Gherardina, their daughter------------Nicole Lewis
i n t e r m i 3 s i o n
Simone, Buoso ’s OOUBLN~-=--------------Larry Zukof
La Ciesca, Buoso ’s niece-------------Linda Holgers
Master Spinelloceio, Physician--Robert Robertiello
Amantio Di Niecolao, Notary-----------Thomas Strain
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:45:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63452"> Evening of Puccini by Students of the Opera Workshop</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evening of Puccini by Students of the Opera Workshop, May 7, 1971
Subject
The topic of the resource
Concerts
Live sound recordings
Description
An account of the resource
Works of Puccini. Held at 8:15 pm, May 7, 1971, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-5-7
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Puccini, Giacomo, 1858-1924
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020070185
39091020070136
-
https://omeka.binghamton.edu/omeka/files/original/0826c69cf767c4045403aff1bfb47441.pdf
618f9935f11ff6724142595d9a9138ec
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
The Department of Music
presents
A N
EVENING
OF
PUCCINI
by
Students frcm the Opera Workshop
William Lewis, director
Thursday, May 6, 1971
Friday, May 7, 1971
8 :15 PM
Music Recital Hall
�P R0 G R A M
I
Flower Duet from Act II of Madame Butterfly
Cio-eio-san---soprano----------Margaret Kotylo
Suzuki--------mezzo-soprano------Claire Wit lin
III
GIA NNI
SCHICCHI
Scene:
The bed–chamber of Buoso Donati
Time:
1299 in Florence
II
Excerpt from Act I of LaBoheme
O, mimi tu piu non torni (Rodolfo &
Marcello)
Che gelida manina
(Rodolfo)
Si mi chiamano Mimi
(Mimi)
O soave fanciulla
(Duet)
Mimi-=-==------goprano---------Toby Jean Manker
Rodolfo-------tenor------------Serge Boldireff
Marcello------baritone---------------Philip Wu
Characters:
Gianni Sehicehi-------=====--------Terrance Howell
Lauretta, his daughter---------May 6 Kvitka Cisyk
--m-m--=-May 7
Susan Ball
Zita, called the “0ld Woman,”
Buoso ’s cousin-------------Kathleen Tyrrell
Rinuceio , Z i ta ’ s nephew,
in love with Lauretta-------Anthony Brienza
Gherardo, Buoso ’s nephew-----------Charles Seltzer
Nella, his wife----=-======--eeeeee---–Beverly Penn
Gherardina, their daughter------------Nicole Lewis
i n t e r m i 3 s i o n
Simone, Buoso ’s OOUBLN~-=--------------Larry Zukof
La Ciesca, Buoso ’s niece-------------Linda Holgers
Master Spinelloceio, Physician--Robert Robertiello
Amantio Di Niecolao, Notary-----------Thomas Strain
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:30:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63452
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63452"> Evening of Puccini by Students of the Opera Workshop</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evening of Puccini by Students of the Opera Workshop
Subject
The topic of the resource
Concerts
Live sound recordings
Description
An account of the resource
Works of Puccini. Held at 8:15 pm, May 6, 1971, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-5-6
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Puccini, Giacomo, 1858-1924
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020070086
39091020070037
-
https://omeka.binghamton.edu/omeka/files/original/18cd477e45975d5e79542ebd42e1f154.pdf
ea982e7df4102b70af684ab853a9775a
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
THE DEPARTMENTOF MUSIC
presents
THE HARPUR COLLEGE BRASS ENSEMBLE
Sam Chianis, director
and
a Special Performance of DAVID HARVEY'S New vork
GLORIA
by
THE BAINBRIDGE GUILFORD CENTRAL SCHOOL
CHOIR AND ORCHESTRA
Roy H. Stock, conductor
Tuesday, May 4, 1971
8:15 PM
Lecture Hall I
�THE HARPUR COLLEGE BRASS ENSEMBLE
Sam
Chianis, Director
THE BAINBRIDGE GUILFORD CENTRAL SCHOOL
CHOIR AND ORCHESTRA
Vaclav Nehybel
under the direction of Mr. Roy H. Stock
Mutations from Bach
Samuel Barber
with Mr. E. !Eynold Johnson, tenor soloist
Suite for Brass
March
Blues
Reel
Leonard Lebow
Designs for Brass
GLORIA
by David Harvey
Introduction and Allegro
Robert Beadell
I.
II.
III.
IV.
v.
VI.
Personnel
Trumpets
Trombones
Thomas Sigler
Gary Courtright
George Berke
Wendy Natter
Bob Lindstran
David Beaudreau
Dennis Martin
Jim Buttolph
Tan Fleck
Baritone
French
Horns
Steven Hershkowitz
Steven Kliewer
Robert M c G r i l l
Pat o:::,...iden
Tuba
M=l Camberiati
"Intrata"
Gloria
Laudamus Te
Domine Deus
Qui Sedes
CUm Sancto Spiri tu
Notes
Traditionally, the Gloria has been one of the most
exciting parts of the Mass.
The setting here is
one of extreme individuality and personal view.
The "Intrata" forecasts a strange, mysterious shadow,
moving quickly into atonement, and finally to a
spirited exaltation. The "Gloria" movement reflects
the stalwart piety of the Mass itself. The "Laudamus
Te" contrasts with a spontaneity of congregational
praise, adoration, and wonderment. The mood shifts
into the "Domine Deus"to one of quiet servitude as
the tenor soloist intones the plea for mercy, and
reception of prayer. The trumpets'' proclamation of
stature resolves into the calm of assurance and the
undisputed faith.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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21:02
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63448">Harpur College Brass Ensemble and a Special Performance of David Harvey's New Work Gloria by the Bainbridge Guilford Central School Choir and Orchestra</a><a> </a>
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Harpur College Brass Ensemble and a Special Performance of David Harvey's New Work Gloria by the Bainbridge Guilford Central School Choir and Orchestra
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Nehybel, Barber, Lebow and Beadell. Held at 8:15 pm, May 4, 1971, Lecture Hall I.
Publisher
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Binghamton University Libraries
Date
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1971-5-4
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Barber, Samuel, 1910-1981
Lebow, Leonard
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sound
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39091020069989
39091020069930
-
https://omeka.binghamton.edu/omeka/files/original/350b8e0dba5d86916b3d4587fb0fe74a.pdf
a94ffa0ced68eedab47b7350eb403c33
PDF Text
Text
P AUL
H E R S H
pianist and violist
assisted by
CHRISTINE LINDSAY
harpsichord
Saturday, May 1, 1971
8:15 PM
Music Recital Hall
�FUTURE EVENTS
Sunday, May 2nd, 8:15 PM
Music Recital Hall
P R O G R A M
William Lewis, tenor.
Scholarship benefit performance. Admission.
Bach
Gamba Sonata No. 2 in D Major
Tuesday, May 4th, 8:15 PM
Lecture Hall I
World Premiere of David
Harvey's Gloria for chorus
winds and percussion. Also
Brass Choir performance.
Thursday, May 4th, 4:10 PM
Music Recital Hall
Student Recital
Adagio
Allegro
Andante
Allegro
Piano Sonata in A Major, Opus 101
Thursday and Friday,
May 6th and 7th, 8: 15 PM
Music Recital Hall.
Opera Workshop production
of Puccini's Gianni Schicchi.
Admission.
Saturday, May 8th, 7:30 PM
Music Recital Hall
Music for Flute and Piano.
Maria Cisyk, piano and
Bruce Merley, flute.
Allegro ma non troppo
Vivace alla Marcia
Adagio, ma non troppo, con affetto
i
Sunday, May 9th, 3:00 PM
Music Recital Hall
Diana Berdé, pianist.
Senior Recital.
Sunday, May 9th, 8: 15 PM
Don A. Watters Theater
Lenox String Quartet.
Chamber Music Series.
Admission.
Tuesday, May 11th, 8:15 PM
UU Social Room
Harpur College Orchestra.
David Buttolph, conductor.
Paul Knoeffler, pianist.
Wednesday, May 12th, 8:15 PM
Music Recital Hall.
An Evening of Contemporary
Music. Works of student and
faculty composers.
Thursday , May 13th, 8: 15 PM
Voice Studio Re cital. Student s
of Roberta Schloss e r and
William Lewis.
Beethoven
n t e r mi s s i o n
Sonata in B-flat minor
Chopin
Grave; Doppio movimento
Scherzo (Presto ma non troppo)
Marche funebre (Lento)
Finale (Presto)
Paul Hersh, piano and viola
Christ i n e Lindsay , harpsi ch o rd
State Univers i t v o f New Yor k at Binghamton
Depa rtment o f Mus i c
�
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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3 sound tape reels
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34:25:00
OHMS Object
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https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63444
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63444"> Paul Hersh, Pianist and Violist Recital Assisted by Christine Lindsay, Harpsichord</a>
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Paul Hersh, Pianist and Violist, Recital, assisted by Christine Lindsay, Harpsichord, May 1, 1971
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Back, Beethoven, and Chopin. Held at 8:15 pm, May 1, 1971, Music Recital Hall.
Creator
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Hersh, Paul
Publisher
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Binghamton University Libraries
Date
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1971-5-1
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In copyright
Contributor
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Bach, Johann Sebastian, 1685-1750
Beethoven, Ludwig van, 1770-1827
Chopin, Frederic, 1810-1849
Type
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sound
Identifier
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39091020069880
39091020069831
-
https://omeka.binghamton.edu/omeka/files/original/bbbdfeb29ecde4a2d49bd45463f52eb8.pdf
63bb8ecdfdc49b35d6dd5bd64ba05a9c
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
with
THE DEPARTMENT OF THEATER
present
ME N O T T I ' S
THE OLD MAID AND THE THIEF
by
Students from the Opera Workshop
Thursday, April 29, 1971
Friday, April 30, 1971
8: 15 p.m.
Studio I
�THE OLD MAID AND THE THIEF
A Grotesque Opera in 14 Scenes
Libretto and Music by
GIAN CARLO MENOTTI
- Overture
- Scene 1 -- Miss Todd's Parlor: Miss Todd, Miss
Pinkerton, Leatitia, Bob.
- Scenes 2 and 3 -- The Kitchen of Miss Todd's House;
Bob's Bedroom: Miss Todd, Laetitia, Bob.
- Scene 4
The Street: Miss Pinkerton, Miss Todd.
- Scene 5
Miss Todd's Parlor: Miss Todd, Laetitia,
Bob.
- Scene 6
The Kitchen of Miss Todd's House: Laetitia.
- Scene 7
The Porch of Miss Todd's House: Miss Todd
Miss Pinkerton.
- Scenes 8 and 9 -- Bob's Bedroom; Miss Todd's Parlor:
Bob, Laetitia, Miss Todd.
- Scene 10 -- In Front of the Liquor Store: Laetitia,
Miss Todd.
- Scene 11 -- Miss Todd's Parlor: Miss Pinkerton, Miss
Todd, Laetitia.
- Scene 12 -- Bob's Bedroom: Miss Todd, Laetitia, Bob.
-Scenes 13 and 14 -- Bob's Bedroom, Miss Todd's
Parlor: Bob, Laetitia, Miss Todd.
Characters
Miss Todd
Laetitia
Miss Pinkerton
Bob
Mezzo-soprano
Soprano
Soprano
Baritone
Michele Milligan
Margaret Koty lo
Donna Ribble
James Osborne
The Action takes place in a Small Town somewhere
in the United States.
Time:
The Present
Musical Preparation and Conductor - -- Roberta Schlosser
Dramatic Director
-- Charles Dietrich
Coach and Accompanist
-- Barbara Garges
Liquor Store Proprietor
-- Martin Kass
Assistant Stage Director
-- John Sturman
Lighting
-- Dennis Crozier
Properties
-- Claire Witlin, Janet Randall
Sound
-- Sherry Teitelbaum
Photography
-- Herman Paikoff
Right of performance granted by Belwin
Publishing Corporation.
Mills
Notes by Gian Carlo Menotti
In his middle age, an artist is apt to look back at his
youthful works with much embarrassment. Later in life,
more often than not, the embarrassment turns to sentimental affection. On listening to The Old Maid and the
Thief, I no longer smile at what for a time seemed
utter
naivete, but, rather, admire the courage of the young man .
who wrote it.
Still in my twenties, with only one other opera to
my credit (Amelia Goes to the Ball), I was connnissioned
by NBC to write an opera especially conceived for radio.
It turned out, as far as I know, to be the very first opera
written for this medium, just as, years later, Arnahl and
the Night Visitors inaugurated a long series of operas
written for TV.
I had already lived in America for a few years, but
my knowledge of the English language was yet rather primitive to say the least. Still, the sound of it fascinated
me. I thought that because of its greater sharpness and
greater variety of sounds, it offered to the musician
much greater rhythmic possibilities than Italian. After
studying Elizabethan madrigals, I became quite convinced
of this. Only the arrogance of youth, however, could convince me that I was ready to supply myself with an English
libretto. I thought, perhaps, that I could not do much
worse for myself than some of Verdi's and Donizett's librettists had done for their composers.
As for the subject, youthful arrogance, again, encouraged me to tackle what I considered, then, a very
American plot. I was living in America, why not write
about the American scene?
At the time, I was in the habit of often visiting the
family of my Curtis Institute fellow-student, Samuel Barber,
�in West Chester, Pennsylvania, which was then still a very
little sleepy town of quiet oak-lined streets. Coming as I
did from a noisy Italian family of ten children, the
Barber household, with its quiet Presbyterian background
and its subdued dignity, was quite a change for me. In
fact, I was incredibly charmed by what seemed to me the exotic quaintness of that little American town. I sound found
out, however, from the quiet gossip overheardduring tea and
Bridge parties in Mrs. Barber's and her friends' parlors,
that behind those innocent 18th century wooden facades all
sorts of secret dramas took place; some grim, some comic and
all of them, of course, "scandalous." And so, it was the
deceptive innocence of West Chester, Pennsylvania which inspired the subject for my second opera.
Should I write such an opera today, I'd probably be
much more sympathetic and charitable towards Miss Todd and
more critical of Laetitia's happy-go-lucky synicism. After
A Street Car Named Desire, it is difficult to contemplate
frustrated sexual desires with anything but compassion. (I
myself, an old bachelor, should know!) But then I was a
devoted admirer of comrnedia dell'arte: old unmarried people
had to be grotesquely funny, young "servette" had to be
sparkling, witty and the handsome hero had to get what he
wanted.
In spite of the cynical turn of the plot (a man cannot help becoming what people want him to be), and its
gentle touch of misogynism, the opera is more or les_s stock
commedia dell'arte. As for the music, what can I say? If,
as I believe, the true artist is he who is able to reveal
his inner self with both precision and spontaneity, I cannot but envy the young man who wrote The Old Maid and the
Thief. It is now with gnawing self-doubt that I try to capture my real face beneath the layers of masks that little
by little life imposes on me. What seemed so easy then has
become unbearably difficult. If The Old Maid has any merits
the main one is that it faithfully reveals the young man
I was. But, of course, not all young men are charming or
amusing. Besides, in art, youth in itself has little value
unless it is able to capture, as Bizet did in his "Symphony
in C" the very essence of youth. Be it far from me to claim
the same for "The Old Maid" but as long as its youthfulness
can still make people smile, I am glad that the ever-ready
undertakers have not yet succeeded in burying her.
*
Notes taken from Mercury phonograph record number SR9O521.
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
22:59
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63440
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63440">Gian Carlo Menotti's Old Maid and the Thief by Students of the Opera Workshop </a><a> </a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Gian Carlo Menotti's Old Maid and the Thief by Students of the Opera Workshop, April 30, 1971
Subject
The topic of the resource
Concerts
Live sound recordings
Description
An account of the resource
Works of Gian Carlo Menotti. Held at 8:15 pm, April 30, 1971, Studio I.
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-4-30
Rights
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This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton University.
Contributor
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Menotti, Gian Carlo, 1911-2007
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069781
39091020069732
-
https://omeka.binghamton.edu/omeka/files/original/2971dbea17976f3fb33d3607d72ae4d5.pdf
63bb8ecdfdc49b35d6dd5bd64ba05a9c
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
with
THE DEPARTMENT OF THEATER
present
ME N O T T I ' S
THE OLD MAID AND THE THIEF
by
Students from the Opera Workshop
Thursday, April 29, 1971
Friday, April 30, 1971
8: 15 p.m.
Studio I
�THE OLD MAID AND THE THIEF
A Grotesque Opera in 14 Scenes
Libretto and Music by
GIAN CARLO MENOTTI
- Overture
- Scene 1 -- Miss Todd's Parlor: Miss Todd, Miss
Pinkerton, Leatitia, Bob.
- Scenes 2 and 3 -- The Kitchen of Miss Todd's House;
Bob's Bedroom: Miss Todd, Laetitia, Bob.
- Scene 4
The Street: Miss Pinkerton, Miss Todd.
- Scene 5
Miss Todd's Parlor: Miss Todd, Laetitia,
Bob.
- Scene 6
The Kitchen of Miss Todd's House: Laetitia.
- Scene 7
The Porch of Miss Todd's House: Miss Todd
Miss Pinkerton.
- Scenes 8 and 9 -- Bob's Bedroom; Miss Todd's Parlor:
Bob, Laetitia, Miss Todd.
- Scene 10 -- In Front of the Liquor Store: Laetitia,
Miss Todd.
- Scene 11 -- Miss Todd's Parlor: Miss Pinkerton, Miss
Todd, Laetitia.
- Scene 12 -- Bob's Bedroom: Miss Todd, Laetitia, Bob.
-Scenes 13 and 14 -- Bob's Bedroom, Miss Todd's
Parlor: Bob, Laetitia, Miss Todd.
Characters
Miss Todd
Laetitia
Miss Pinkerton
Bob
Mezzo-soprano
Soprano
Soprano
Baritone
Michele Milligan
Margaret Koty lo
Donna Ribble
James Osborne
The Action takes place in a Small Town somewhere
in the United States.
Time:
The Present
Musical Preparation and Conductor - -- Roberta Schlosser
Dramatic Director
-- Charles Dietrich
Coach and Accompanist
-- Barbara Garges
Liquor Store Proprietor
-- Martin Kass
Assistant Stage Director
-- John Sturman
Lighting
-- Dennis Crozier
Properties
-- Claire Witlin, Janet Randall
Sound
-- Sherry Teitelbaum
Photography
-- Herman Paikoff
Right of performance granted by Belwin
Publishing Corporation.
Mills
Notes by Gian Carlo Menotti
In his middle age, an artist is apt to look back at his
youthful works with much embarrassment. Later in life,
more often than not, the embarrassment turns to sentimental affection. On listening to The Old Maid and the
Thief, I no longer smile at what for a time seemed
utter
naivete, but, rather, admire the courage of the young man .
who wrote it.
Still in my twenties, with only one other opera to
my credit (Amelia Goes to the Ball), I was connnissioned
by NBC to write an opera especially conceived for radio.
It turned out, as far as I know, to be the very first opera
written for this medium, just as, years later, Arnahl and
the Night Visitors inaugurated a long series of operas
written for TV.
I had already lived in America for a few years, but
my knowledge of the English language was yet rather primitive to say the least. Still, the sound of it fascinated
me. I thought that because of its greater sharpness and
greater variety of sounds, it offered to the musician
much greater rhythmic possibilities than Italian. After
studying Elizabethan madrigals, I became quite convinced
of this. Only the arrogance of youth, however, could convince me that I was ready to supply myself with an English
libretto. I thought, perhaps, that I could not do much
worse for myself than some of Verdi's and Donizett's librettists had done for their composers.
As for the subject, youthful arrogance, again, encouraged me to tackle what I considered, then, a very
American plot. I was living in America, why not write
about the American scene?
At the time, I was in the habit of often visiting the
family of my Curtis Institute fellow-student, Samuel Barber,
�in West Chester, Pennsylvania, which was then still a very
little sleepy town of quiet oak-lined streets. Coming as I
did from a noisy Italian family of ten children, the
Barber household, with its quiet Presbyterian background
and its subdued dignity, was quite a change for me. In
fact, I was incredibly charmed by what seemed to me the exotic quaintness of that little American town. I sound found
out, however, from the quiet gossip overheardduring tea and
Bridge parties in Mrs. Barber's and her friends' parlors,
that behind those innocent 18th century wooden facades all
sorts of secret dramas took place; some grim, some comic and
all of them, of course, "scandalous." And so, it was the
deceptive innocence of West Chester, Pennsylvania which inspired the subject for my second opera.
Should I write such an opera today, I'd probably be
much more sympathetic and charitable towards Miss Todd and
more critical of Laetitia's happy-go-lucky synicism. After
A Street Car Named Desire, it is difficult to contemplate
frustrated sexual desires with anything but compassion. (I
myself, an old bachelor, should know!) But then I was a
devoted admirer of comrnedia dell'arte: old unmarried people
had to be grotesquely funny, young "servette" had to be
sparkling, witty and the handsome hero had to get what he
wanted.
In spite of the cynical turn of the plot (a man cannot help becoming what people want him to be), and its
gentle touch of misogynism, the opera is more or les_s stock
commedia dell'arte. As for the music, what can I say? If,
as I believe, the true artist is he who is able to reveal
his inner self with both precision and spontaneity, I cannot but envy the young man who wrote The Old Maid and the
Thief. It is now with gnawing self-doubt that I try to capture my real face beneath the layers of masks that little
by little life imposes on me. What seemed so easy then has
become unbearably difficult. If The Old Maid has any merits
the main one is that it faithfully reveals the young man
I was. But, of course, not all young men are charming or
amusing. Besides, in art, youth in itself has little value
unless it is able to capture, as Bizet did in his "Symphony
in C" the very essence of youth. Be it far from me to claim
the same for "The Old Maid" but as long as its youthfulness
can still make people smile, I am glad that the ever-ready
undertakers have not yet succeeded in burying her.
*
Notes taken from Mercury phonograph record number SR9O521.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 sound tape reels
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26:42:00
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63440">Gian Carlo Menotti's Old Maid and the Thief by Students of the Opera Workshop</a>
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Title
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Gian Carlo Menotti's Old Maid and the Thief by Students of the Opera Workshop, April 29, 1971
Subject
The topic of the resource
Concerts
Live sound recordings
Description
An account of the resource
Works of Gian Carlo Menotti. Presented at 1:00 pm, April 29, 1971, Recital Hall.
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
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Binghamton University Libraries
Date
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1971-4-29
Contributor
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Menotti, Gian Carlo, 1911-2007
Identifier
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39091020069906
39091020069856
-
https://omeka.binghamton.edu/omeka/files/original/6743b798e0ccc7e920f55c45c58faf01.pdf
0b5df37f7414fa726048320390be0ea6
PDF Text
Text
SPECIAL LECTURE
"THE THEORETICAL BACKGROUND FOR
MOZART'S TEMPOS"
by
Neal Zaslaw
of
Cornell University
THURSDAY, APRIL 29, 1971
1:00 PM
RECITAL HALL
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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3 sound tape reels
Duration
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23:10
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63432
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63432">Theoretical Background for Mozart's Tempos by Neal Zaslaw of Cornell University</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
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Title
A name given to the resource
Theoretical Background for Mozart's Tempos by Neal Zaslaw of Cornell University
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Presented at 1:00 pm, April 29, 1971, Recital Hall.
Creator
An entity primarily responsible for making the resource
Zaslaw, Neal, 1939-
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-4-29
Rights
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This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton
Contributor
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Mozart, Wolfgang Amadeus, $d1756-1791
Type
The nature or genre of the resource
sound
Identifier
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39091020069807
-
https://omeka.binghamton.edu/omeka/files/original/11bdf8a341ecca5f402ab49ff6f929d6.pdf
528a941c6015486dfda885852824fdba
PDF Text
Text
AN EVENING OF MOZART
Peter Marsh,
violin
ChristineLinds ay, piano forte
Tuesday,
April 27, 1971
Music
RecitalHall
8:15 PM
�AN EVENING OF MOZART
Future Events
Thursday and Friday
April 29th and 30th
Studio I, 8:15 PM
Admission.
Opera Workshop first
Spring production:
Menotti's The
Old- Maid
--and the Thief.
Saturday, May 1st, 8:15 PM
Music Recital Hall
Paul Hersh, pianist
Solo recital.
Sunday, May 2nd, 3:00 PM
Music Recital Hall
Admission.
William Lewis, tenor
Scholarship benefit
recital.
Tuesday, May 4th, 8:15 PM
Lecture Hall I
David Harvey, composer.
Premiere of his MA thesis
composition for chorus
and orchestra.
Thursday and Friday
May 6th and 7th, 8:15 PM
Music Recital Hall
Admission.
Opera Workshop second
Spring production:
Puccini's Gianni Schicchi.
program
Sonata in E-Flat Major, K. 481
Malta Allegro
Adagio
Thema con Variazions
Sonata in B-Flat Major, K. 454
Music for Flute and Piano
Maria Cisyk, piano and
Bruce Merley, flute.
W. A. Mozart
Largo - Allegro
Andante
Allegro
i n
t e r mi s s i o n
Six Variations in G minor, K.
374b
W. A. Mozart
uber das franzosische lied:
"Au bard d'une fontaine" ("Helas,
j 'ai perdu man amant")
Sonata in A Major, K. 526
Saturday, May 8th, 8:15 PM
Music Recital Hall
W. A. Mozart
Molto Allegro
Andante
Presto
W. A. Mozart
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
36:25:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63427
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63427"> Peter Marsh, Violin, and Christine Lindsay, Pianoforte, Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Peter Marsh, Violin, and Christine Lindsay, Pianoforte, Recital, April 27, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart. Held at 8:15 pm, April 27, 1971, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Marsh, Peter
Lindsay, Christine
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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1971-4-27
Rights
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In copyright
Contributor
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Mozart, Wolfgang Amadeus, 1756-1791
Type
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sound
Identifier
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39091020070177
39091020070128
39091020070078