96 10 1775 https://omeka.binghamton.edu/omeka/files/original/a931da8662bc8216b5b371a17888af5c.pdf 12fe92efc018ea856f68992c8d606728 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y OF N E W Y O R K d e [4 c D E P A R T M E N T M U P H I E P S I L O N FALL SEMESTER RECITAL ~ . l 1 M L ‘. 3 1 ] .:_I i ‘ (m J Sunday, N ovember 9, 2014 2:00 p.m. Casadesus Recital Hall �80 PROGRA M c s Variations on a Theme by Rossini . F FTG IAEEL from the opera, La Cene’rentola for ﬂute and piano A Theme I. Con anima II. Piu lento III. Vivo IV. Con brio Jessica Biagiotti, ﬂute Natasha Talukdar, piano An die Musik Franz S N A (179 A ’ ' Deanna Feuerbach, soprano i Danielle Stoner, piano Sonata for Bassoon and Piano, Op, 168................Camille SaintS . Laura Earls, bassoon Karen Fu, piano (1835192 Revolutiona ry Etude, Op. 10, No. 12 .. ..............Frédéric0 (181018 k Natasha Talukdar, piano Quatour pour saxophones........................Faustin & Maurice Jean I. Gaiete Villageoise (18971 9 II. Doux Paysage III. Papillons Nicholas Follett, soprano saxophone Stephi Verha ge, alto saxophone Danielle Stoner, tenor saxophone Andrew Pﬁeﬀer, baritone saxophone �i fraternity s6rtcd on in 2Collcge of Music” . Sterling and Elizabeth eh V’ﬁ’lmnity is to recognize ﬀ? develop a bond among is nce musi c in the community, t h e promotion of musicianship, tion, with an emphasis on service rt ; , ' ‘ you all for coming to our event today. all free event, we would ask tha t if you like our . . ease donate to our fra ternity. Your donations ‘more proliﬁc throughou t the community. etion go to facebook.com/muphibing �Binghamton Universi ty M usi c De part m en t’s Comin g Ev en ts n a W é M M é M w b Sunday, November 9 Composers Concert : Hugunine and Silrora 4:00 p.m. Phelps Mansion Museum $10 general public; free for BU students with lD. For reservations call the Phelps Mansion at (60 7) 7 2 2 4 8 7 3 . l 4 Thursday, November 1 3 MidDa y Co n ce r t 1 : 20 p.m. – Casadems Recital Hall free Saturday, November 1 5 – U niversity Chorus: Haydn’s Mass i n Time o f War 7:30 p.m. ~ Osterhout Concert Theater $7 general public; $5 faculty/staﬀ/senims/alumni; free for students Sunday, November 16 Senior Reci t a l: Alexio Chang, vio lin 3 :00 p.m. Casadesus Recital Hall – free Monday, November 1 7 – Momenta Quarte t Master Class 8:15 10:00 p.m. Casadem Recital Hall Tuesday, November 18 Momenta Quaten Music Now! 7:30 p.m. Camdesus Recital Hall $10 general pubic; $5 faculty/staﬀ/seniors/alumni; free for students Thursday, November 20 Jazz Mid Day Concert with jeﬁStockbam, mumpet and Mike Dubaniewicz, saxophone ~ 1:20 p.m. Osterhout Concert Theater free Thursday, November 2 0 – Harpur Jazz Ensemble Concert wi tb gueet artist 7:30 p.m. – Osterhout Concert Theater $ 7 general public; $5 faculty/staﬀ/seniors; free for students Sunday, November 2 3 Universi ty Wind Symphony: I n M emory and I n Tribute An Homage in Music – 3:00 p.m. – Anderson Center Chamber Hall $ 7 general public; $5 faculry/staﬀ/seniors/alumni; free for students Tuesday, December 2 Per cussion Ensemble Concert 7:30 p.m. Osterhout Concert Theater $ 7 general public; $5 faculty/staﬀ/seniors/alumni; free for students ﬂ é w w b ﬂ é M d b a é l b G M M M M M Q — O f y p, For tickets or to be added to our email list, uuit anderwnibinghamtonedu or call (607) 7 7 7ARTS For a complete list of our concern call (607) 7 7 7 2 592, visit music.binghamton.edu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department of Music with a ﬁnancxal gift . Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Bmghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000, Bmghamton, NY 13 902 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:51 Streaming Audio Streaming URL 3<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75083">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75083</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mu Phi Epsilon fall semester recital, November 8, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Chopin, Schubert, Saint-Saëns Chopin, Jean. Held at 2:00 p.m., November 9, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mu Phi Epsilon Biagiotti, Jessica Talukdar, Natasha Feuerbach, Deanna Stoner, Danielle Earls, Laura Fu, Karen Follett, Nicholas Verhage, Stephi Pfieffer, Andrew Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Chopin, Frédéric, 1810-1849 Schubert, Franz, 1797-1828 Saint-Saëns, Camille, 1835-1921 Jean, Maurice Date A point or period of time associated with an event in the lifecycle of the resource 11/9/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8a41c90566bc2f8a63682d9e166575f4.pdf a07fe75bdb556e17fa3b8ee9a7cc75ff PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K [4 zldeC D E P A R T M E N T JU N IOR R ECI TAL Dan iel Rosenau organ (Studio of D r . Jona than Biggers) November 8, 2014 4:00 p.m. Fine Arts 2 1 �80 ABOU T THE PERFORMER (93 80 PRO G RA M (98 A native of the Binghamton area, Daniel Rosenau is completin g his Praeludiu m in Earninor. . Nikolaus Bruhns (16651697) B.Mus, degree in organ performance at Binghamton University, and plans to gradua te in May, 2015. He presently serves as organ ist of Ves tal Methodist Church. k a n i t n k A a n o n l ’ a t t t t t a x a n t x t t t ﬁ i ﬂ ﬁ 8 0 P r og r a m N o tes 0 8 2 ChoralePreludes Vater unset im himmelreich.. Ein feste Burg ist unser Gott, BuxWV184 iGeorg Bohm (16611733) Dieterich Buxtehude (16371707) 2 ChoralePreludes Allein Ga n in der hoh sei Ehr, BWV663 Johann Sebastian Bach (16851750) O Mensch, bewein dein Sande gross, BWV627 J. S . Bach Prelude and Fugue in Dmajor, RWVSBZ. ® Organ by H ellmuth W olﬀ « 8 The Pmeludium in Eminor by Nikolaus Bruhns is one of four “pra eludia ” modeled after those of his famous teacher, Dieterich Buxtehude. Bruhns studied composition and organ with Buxtehude durin g his musical education in Lubeck, Germany, and subsequently assumed the position of organist of the Stadtkirch in Husum (Northern Germany). Only ﬁve organ works by Bruhns have survived the ravages of time. The Praeludium . in Eminor is set in a multisection format com mencing with a brilliant opening toccata, followed by a fugue ; sections follow that alterna te free ' ‘writing with con trapuntal fugal tex tures. ‘ _Georg Bohm served as organist of the Johanniskirche in Liineburg for 35 ' ‘yents, and is one of the ﬁgures that inﬂuenced the young Joha nn _ bastian Bach when Bach was enrolled in the school of the Church of St. ' ichael in 1700. Although there is no direct evidence to support that studied with Bohm , the style of Bohm’s music certainly impacted ' Bach’s compositional style, as clea rly seen in the choralepreludes and le partitas that Bohm wrote. The choraleprelude on Vater unser im Himmelreich (“Our Father who art in Heaven") is a substa ntial composition featuring the melody of the chorale in a highly embellished form, set t a simple ac companiment fea turing a repeated ﬁguration in the _ \ “ best source of information about the birthplace of Dieterich 3 v tide is an obituary which appeared in a monthly literary journal for er ltic Sea area in the su mmer of 1707, which included the statement (over) �that “he lived for about 70 years". Buxtehude was best known as the organist at the Marienkirche in the North German city of Liibeck, and is regarded as the principal composer of his generation. The 47 chorale preludes of Buxtehude were doubtless composed in the context of his duties as church organist, and would have served as hymn introduction for congregational singing. Ein fest Burg ist unser Gott (“A Migh ty Fortress is our God”) is among the more popular of Buxtehude’s chorale settings. lohann Sebastian Bach is the principal Baroque composer for the organ, and wrote in all forms popular during his time, including preludes and fugues, choralepreludes, choralepartitas, trio sonatas, etc. Allein Gott in der Hoh sei Her (“All Glory be to God on High") is an example of a highly embellished treatment of the chorale melody so popular during Bach’s time; in this case, the melody appears in the tenor, performed on a reed _ ' stop (Cromorne), which adds color to highlight the highly stylized melody. O Mensch, babein dein Sande grass (“O man, bewail thy grievous sin”) is one ' of the most ﬂorid, beautiful chorale setting that Bach composed in his entire life. The melody is set in the soprano, highly embellished to the point that the original melody is diﬀicult to ascertain. This chorale prelude is included in Bach’s Orgelbﬁchlein (“Little Organ Book”), and is the most elaborate and lengthy composition in the set. Although written when Bach was relatively young, the highly expressive manner in which Bach orna ments the chorale melody places it among his most personal and beautiful works. The Prelude and Fugue in Dmajor is an earlier work of Bach, written during his service as court organist at Weimar (17081717). The work is a unique combination of two virtuoso pieces which contain stunning displays of both pedal and manual technique. Bach’s compositions during this period tend to be highly dramatic, virtuoso works that emphasize th e technical skill of the performer. Program notes by Jonathan Biggers � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:33:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75086">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75086</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior recital with Daniel Rosenau Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Bruhns, Buxtehude, Bach. Held at 4:00 p.m., November 8, 2014, Fine Arts Building, Room 21. Creator An entity primarily responsible for making the resource Rosenau, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Bruhns, Nicolaus, 1665-1697 Buxtehude, Dieterich Bach, Johann Sebastian, 1685-1750 Date A point or period of time associated with an event in the lifecycle of the resource 11/8/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/cbf31209025718f30b4b25bb61d784ad.pdf 5c80ba2b48fbdc858c44df5ad6dffc49 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE UN:VEQSITY OF NEW YORK ud/r’o D E P A R T M E N T Tnunsmv Nib DA V CONCERT Pp / “ 1 l Y O N 7 ) zﬁ'ﬁ" \ Smt 4 Q5 m unwnmo vmn m 6, 2014 1:20 P.M. CASADESUS RECITAL HALL �PROGRAM In this program we present an aﬁemoon of dance–drumming from southern Ghana. These ensembles are the collective work the Beginning and Advanced sections of African Dance (THEA 289J/389J;AFST 289J/389J) and the African Music Ensemble (MUS 143B/MUSP 257;AFST 188B). These courses are oﬀered each semester through the Departments of Africana Studies, Music, and Theatre Dance. Beginning African Dance Class l. Gahu. Gahu is a neotraditional dance that has been adopted and adapted by the Ewe people of Ghana. It is an oﬀshoot of the Gome dance, a Pan Atlantic African dance form that emerged in the 19th century from the synthesis of European hymns and marches with West African musical sensibilities. The name Gahu suggests an airplane, and represents local experiences with new technology and culture. The songs are often humorous and fun, suggesting themes of courtship and celebration. Advanced African Dance Class/ Nukporfe African Music Ensemble ll. Slow Agbekor. Agbekor is a war dance of the Ewe people of Ghana. As the drummers and dancers proceed to the stage in traditional fashion, they sing a war song that calls the warriors to battle against the European colonial powers. The second song memorializes the great warrior Kundo who led warriors into battle and has been killed, The movements imitate moments of the battle, and follow the drum language of the lead drum, atsimevu. Nukporfe African Music Ensemble Illl Kparsa (Ghana). This dance comes from a neighboring group of the Ewe, known as the GaAdangbe. The characteristic movement of Kpatsa is a limping gait that imitates the movements of dwarfs, a magical race of beings that inhabit rural areas in Ghana. These movements were embellished with dance combinations and eventually became a social and recreational dance known as Kpatsa, whose name is an onomatopoeic reference to the movement of dwarfs. Beginning African Dance Class IV . Kpanlogo. Kpanlogo is also a new form o f traditional music that was created by the Ga people, who reside in and around the capital o t h an a , Accra. it uses a distinct rh ythmic background that is found throughout the Black Atlantic region in musics like Samba, Calypso and Rumba. Advanced African Dance Class/ N uk porfe African Music Ense mble V. Fumefume. Fumefume is another new form of traditional music among the Ga people. Mustapha Tettey Addey, a renowned Ga drummer, is credited for having created Fumefume out of earlier sacred dances that were performed during traditional ritual events and ceremonies. This dancedrumming is now performed during life cycle events such as birth, naming, initiation, marriage/wedding and funerals among others. Open Invitational Dance Vl. Kinka (Ghana). Kinka is a relatively modern style of Ewe funeral music that became popular in the 1950s. It features a distinctive body of songs and drum language phrases that juxtapose images and themes from traditional Ewe culture with modern life. For this piece we will invite members of the audience to come up and dance! PERFORMERS Dances Directed and Choreographed by Elikem Nyamuame, Departments of Music &T heatre Dance Drumming directed and arranged by James Burns, Departments of Music and Africana Studies Gavin Webb, Department of Music If y ou lik e the music please follow our Facebook page (Nukporfe African DanceDrumming Ensemble) for upcoming perform ances. All of the music and dance that you see today is performed by students at Binghamton University, who are taking one of the following courses in th e Departments of Music, Africana Studies, and Theatre Dance: If you are interested in learning the dancing please register for the Beginning (THEA 289J/ AFST 289J) or Advanced (THEA389J/ AFST389J) sections of African Dance. If you are interested in the drumming and singing, register for the Beginning African Drum ming class (MUS l43B/AFST 188B). x . Ethnic Groups of G hana �Bingb amton Unive rsity Mus ic Depa rtm ent’s Comin g E ven ts m m w w w w Saturday, November 8 – Seru’or Recital. Dan R osenau, organ – 4 : 00 p.m. ~ F A 2 1 – free Sunday, November 9 Mu P h i E psilon Fa l l R e c i t a l 2 : 0 0 p.m. – Casadesus Recital Hall – free Sunday, November 9 Composers Concert: Hugunine and Sikor a 4 :00 p.m. ~ Phelps Mansion Museum $ 1 0 general public; free for B U students with ”J. For reservations call the Phelps Mansion at ( 6 0 7) 72 2487 3 . 4 Thursday, November 1 3 MidDay Concert 1 :20 p.m. Casadesus Recital Hall free Saturday, November 15 –U n i versity C horus : Hay dn’s Mass in Time of War– 7:3 0 p.m. Osterlwut Concert Thea ter $ 7 general public; $5 faculty/smﬀ/senims/alumni; free for students Sunday, November 16 Senior Recital: A lexia Chang, vio lin 3 : 00 p.m. Casadesus Recital Hall – free Monday, November 1 7 – Momenta Quartet Master Class 8:15 10:00 p.m. Camden“ Recital Hall Tuesday, Novem ber 18 – Momenta Qrmrteu Music Now! – 7:30 p.m. Casadesus Recital Hall «$10 general pubic; $5 faculty/staﬀ/uniars/ahmni; free for students .11mirdey, November20 – I w W D a y Concert w ith Jeﬀ Stockham, numpetandM’lre ﬂ Dubnniemla, saxophone – 1:20 p.m. _ Osterhout Concert Theater f m Thursday, November 2 0 – Harpur Jazz Ensemble Concert Witb guest arulst – 7:30 p.m. Osterhout ConcertTheacr $7 general public; $5 faculty/staﬀ/seniors; free for students Sunday, November 2 3 – Universi ty Wind Symphony: I n M emory and I n Tribute A n Ho m age i n Mus ic – 3 p.m. – Anderson Center Chamber Hall $ 7 general public; $5 faculty/staﬀ/seniors/alumni; free for students Tuesday, December 2 Percussion Ensemble Concert 7 : 3 0 p.m. Osterhout Concert Theater – $ 7 general public; $5 facu lty/rmﬀ/scmors/alumm; free for students Thursda); D c c emb c r l birdDay Concert – 1:20 p.m. Fine Arts Building, Room 21 a free Friday, De cember 5 Flu te Studio and Flu te Chambe r Cancer! 1 0 : 4 5 a.m. Casadesus Recital Hall free ééeuéiwﬁbéb'ééﬂ–éb–éﬁ'ééﬂébﬁéeeéibéd‘b E E — ; . — E For tickets or to be added to our email list, visit nmiersonbinglutmtonedu or call (607 ) 777.»\l\"l S. For a com plete list of o u r concerts call (607 ) 7 7 7 7592, visit m m : binghnmtonetlu or beco me a fan on Facebook. If you were inspired by this performance, consider supporting tltr Department of Music w ith a ﬁnancial gift. Your su p port helps to continue the uork of students, faculty, and guest artists and their contributions to o ur communi ty. Please make your donation paynhlr to the Brnghnmton University Music Deparsment , and send y our check to BU Music De part ment , P.O. Box 6 0 0 0, Binghamt on, N Y 1 3902 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 52:01:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74882">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74882</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, November 6, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Dances directed and choreographed by Elikem Nyamuame Beginning African dance class Advanced African dance class drumming directed and arranged by James Burns Nukporfe African Music Ensemble. Held at 1:20 p.m., November 6, 2014, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Nyamuame, Elikem Burns, James Date A point or period of time associated with an event in the lifecycle of the resource 11/6/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a5c814853f0eb5596f9b408bbedd8756.pdf a2d15439b5f37378436a5254c22f06cf PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K * D E P A R zedec T M E N T B i n g h a m t o n (1311117575722? CWM QSymphony pri (353/15 ”Q9: W W W } ? 47161 05711 77112145 ~ A n Oﬂymayﬂ in Mu sic” D ANIEL FABRICIUS , CONDUCTOR Sunday, November 23, 2014 3:00 p.m. Anderson Center Chamber Hall �PROGRAM HOMAGE ( 1 9 9 4 ) J a n Van der R0 (b. 195 ELEGY FOR A YOUNG AMERICAN (1964)............................Ronald Lo Presti (b. 1961! . SCENES FROM “THE LOUVRE” (1966)..............................Norman Dello Joio (19132008) i ' I. The Portals II. Children’s Gallery III. The Kings of France IV. The Nativity Paintings V. Finale "’ * * "' * lNTERMlSS/ON * * "‘ "" * . SLAVA! (1977)....ccosssmmmsssssmsssanssssssssssssassassmssssanssssansessensassess Bernstei . (19181990)? Transcribed by Clare Grundman MUSIC FOR PRAGUE 1968 (1968)..................................................Karel Husa. (b.1921¥ I. Introduction and Fanfare II. Aria III. Interlude IV. Toccata and Chorale �24 ( RSITY WIND SYMPHONY Daniel Fabricius, Conductor ALTO SAXOPHONE Andrew Pfeiﬀer Nicholas Follett Julia Dunnigan ' ‘rsuo n SAXOPHONE Crystal Fisher BARITONE SAXOPHONE Daniel Gross , TRUMPET Brandon Young 371 Brandon Ashley Letitia Kar Hoo TROMBONE Jacob Solon Joshua Yamuder Daniel Romberger EUPHONIUM Ryan Shumaker TUBA Matthew Vegiard Patrick Jones PERCUSSION Emily Goetz William Potts Alex Rava Robert Hopkins 1 : Masha Pazdar Wm», E r �CONDUCTOR Daniel Fab ricius h a s b een a member of the music faculty since 1992, percussion i n s t r u c t O r for twenty years before his appointment as con the Bingh amton UHlVersity Wind Symphony. He holds degrees from ma University and I t h a c a College and has studied conducting with Donal (Mansﬁeld Univers ity) Rodney Winther (Ithaca College), Stephen pe (Ithaca Co llege). COI Arnald Gabriel (US Air Force), and Mallory Th (Northwestern UniVErsi ty). In addition to his duties at BU he also s” Director of B a n d s at Owego Free Academy where he has develop outstanding lnStru mental music program. The bands at OFA have r plenty of praises a n d the OFA Jazz Band has been honored to present performances a t t h e NYSSMA Winter Conference in 2008 and 2013. " He is highly r e g a r d e d in the region as a conductor, as a percussion pe " and as a m u s i c educator. He has been a member of the Bingh Philharmonic p e rc u s s i o n section since 1982 but is also comfortable perfor in popular, r o c k , Jazz, and other styles. He has played as a freW percussionist, acco mpanyin g national touring artists such as Michael W § Tommy Tune, J e r r y Vail, Lorrie Morgan, Ringling Brothers Circus, the S Brothers, and E l l a Fitzgerald. Professor Fabricius has served the New Yo " Slil’lOOl Music ASSOC lation as an AllState Percussion adjudicator for many He also serves N Y S S M A as the Instrumental Jazz Reviews editor of The Sc Music News a n d i s t h e Jazz Editor for the NYSSMA Manual. In additio, t collegiate work a t B U , he has also served Ithaca College as a consultan member of the S u m m e r Session faculty, and as a cooperating teacherf 35 student t e a c h e r s , He also serves the Summer Music Academy atf"1 College as a p e r c u s s i o n instructor and jazz ensemble conductor. I Presented many C l i n i c s at music conventions and conferences and often. as a guest CO PdUCtO” for honor band festivals. � ”* , 7 PROGRAM NOTES ost literal sense: a piece for an occasion. The actual occasion ns ’ s’t’wentieth anniversary as a conductor of the top Dutch brass Gloria” (Leeuwarden). To mark the occasion, the band ii” “Belgian composer Jan Van der Roost to create a surprise owledge of the person being celebrated, a suitable source of , f’ g; ught for. After some thought the choraletheme from Camille ' ‘ “ symphony was chosen, a piece with which Jan de Haan has a }ft from this chorale, Homage is also based on the names of m Jan de Haan’ and ‘Soli Deo Gloria’, resulting in the tone row: sments are combined together and form a grand climax towards e when the whole band unites in the Saint Saéns’ theme. , ‘ was born in Duﬀel, Belgium, in 1956. He studied trombone, ‘t ’and musical education at the Lemmensinstituut in Leuven m , tinued his studies at the Royal Conservatoires of Ghent and ihe qualiﬁed as a conductor and a composer. At present, he Wmensinstituut in Leuven (Belgium), is special guest professor itute of Music” in Tokyo, guest professor at the “Nagoya " and visiting professor at Senzoku Gakuen in Kawasaki (Japan). liﬁc composer, he is very much in demand as an adjudicator, ' ‘ n ga nd a guest conductor: his increasing musical activities ore than 40 diﬀerent countries in 4 continents, whereas his being performed and recorded all over the world. Many of , s have been broadcast on radio and TV in various countries . have been recorded on CD by renowned performers all over _ 7 ‘ der Roost exclusively composes commissioned works, till g Z « ' such countries like Belgium, Holland, Switzerland, Italy, the France, Singapore, Austria, Canada, Norway, Germany, M ' rg and Hungary. r. , g . A r YOUNG AMERICAN – Elegy for a Young American was written in ' ~ .. ed to the memory of President John F. Kennedy. The many ' ing can be felt as the work unfolds. A quiet adagio sets a tone dna ﬁsoiemnity in the beginning. Feelings of shock and denial are he dynamics and octave jumps in the melody. Anger and remorse ﬁles, but they are replaced with a resolution of the loss and an ‘ ‘ ion of the contributions of this great American. The maestoso s us again of our loss. �Ronald LoPresti, clarinetist and composer, was born in 1933 in Williamstown, Massachusetts. After graduating from the Eastman School of Music he received many grants from the Ford Foundation and has also served as the Composerin Residence for the Ford Foundation. LoPresti has taught at Texas Technical University, Indiana State College, and Arizona State University. His most popular work is Elegyfor a Young American, but he has also composed A Festive Music; Introduction, Chorale, and Jubilee; Pageant Overture; Suite for Winds; Tribute; and Tundra. SCENES FROM “THE LOUVRE” Scenes from the Louvre comes from a 1964 television documentary produced by NBC News called A Golden Prison: The Louvre, for which Dello Joio provided the soundtrack. The documentary tells the history of the Louvre and its worldclass collection of art, which is in many ways inseparable from the history of France. Dello Joio chose to use the music of Renaissanceera composers in his soundtrack in order to match the historical depth of the ﬁlm. He collected the highlights of this Emmywinning score into a ﬁvemovement suite for band in 1965. The ﬁrst movement, Portals, is the title music from the documentary, and it consists entirely of Dello Job’s original material, complete with strident rhythms and bold 20thcentury harmony. The second movement, Children’s Gallery, never actually appears in the ﬁlm. It is a lighthearted theme and variations of Tielman Susato’s Ronde et Saltarelle. The stately third movement is based on themes by Louis XIV’s court composer, Jean Baptiste Lully, and is aptly titled The Kings of France. Movement four, The Nativity Paintings, uses the medieval theme In Dulci Jubilo. The Finale uses the Cestiliche Sonata of Vincenzo Albrici as its source material, to which Dello Job adds his own harmonic ﬂavor, particularly in the ﬁnal passages of the piece. The band work, commissioned by BaldwinWallace College for its symphonic band, was premiered in 1966 with the composer conducting. Norman Dello Joio was born in New York City to Italian immigrants and began his musical career as organist and choir director at the Star of the Sea Church on City Island in New York at age 14. His father was an organist, pianist, and vocal coach and coached many opera stars from the Metropolitan Opera. He taught Norman piano starting at the age of four. In his teens, Norman began studying organ with his godfather, Pietro Yon, who was the organist at Saint Patrick’s Cathedral. In 1939, he received a scholarship to the Juilliard School of Music, where he studied composition with Bernard Wagenaar. As a graduate student at Juilliard he arrived at the conclusion that he did not want to spend his life in a church choir loft, and composition began to become �his primary musical interest. In 1941, he began studies with Paul Hindemith, the man who profoundly inﬂuenced his compositional style. It was Hindemith who told Dello Joio, “Your music is lyrical by nature, don’t ever forget that.” A proliﬁc composer, the partial list of Dello Joio’s compositions include over fortyﬁve choral works, close to thirty works for orchestra and ten for band, approximately twentyﬁve pieces for solo voice, twenty chamber works, concertos for piano, ﬂute, harp, a Concertante for Clarinet, and a Concertino for Harmonica. He has also written a number of pedagogical pieces for both two and four hands. Dello Joio taught at Sarah Lawrence College, the Mannes College of Music, and was Professor of Music and Dean of the Fine and Applied Arts School of Boston University. From 1959 until 1973, he directed the Ford Foundation’s Contemporary Music Project. SLAVA! – When prominent Soviet cellist and conductor Mstislav ”Slava” Rostropovich invited his friend Leonard Bernstein to help launch his inaugural concert as Music Director of the National Symphony Orchestra, he also asked him to write a rousing opening piece for the festivities. The world premiere took place in 1977 at the Kennedy Center in Washington, DC. Slava! is ﬁlled with joyous tunes and contrasts. Theme one is a vaudevillian razz matazz with slideslipping modulations and glissing trombones. Theme two, which features the electric guitar and soprano saxophone, is a canon in 7/8 time. Near the end, the ubiquitous trombones quote from the ‘Coronation Scene’ of Mussorgsky’s opera Boris Godunov where the chorus sings ”slaval” (”gloryl”), paying homage to Rostropovich, to whom the work is fondly dedicated. Leonard Bernstein was an American composer, pianist, and conductor. He was born to Russian immigrants and attended Boston Latin School, Harvard University, and the Curtis Institute of Music. His studied with composers Edward Burlingame Hill and Walter Piston as well as conducting with Fritz Reiner. In the summers of 1940 and 1941 he studied conducting at Tanglewood with Serge Koussevitzky along with Frederick Fennell, Lukas Foss, and Walter Hendl. He become assistant conductor of the New York Philharmonic in 1943 and it was in this role he became famous by ﬁlling in last minute for Bruno Walter for a national broadcast on 14 November 1943. His Symphony No. 1, “Jeremiah” was premiered by the Pittsburgh Symphony in January 1944 followed by Fancy Free and On the Town by the end of the year. These successes led to numerous opportunities overseas, including being the ﬁrst American to conduct at La Scala. In 1951 he become the head of conducting at Tanglewood and seven years later became Music Director of the New York Philharmonic (19581969). �In this position he promoted new music, developed a series of Young People’s Concerts, and recorded the symphonies of Mahler but was limited in his time to compose. Bernstein was able to compose more in the 1970s. He wrote in many styles encompassing symphonic and orchestral music, ballet, ﬁlm and theatre music, choral works, opera, chamber music and pieces for the piano. Many of his works are regularly performed around the world, although none has matched the tremendous popular and commercial success of his musical theater masterpiece, West Side Story. MUSIC FOR PRAGUE 1968 – “It is not as beautiful a music as one always would like to hear. But we cannot always paint ﬂowers, we cannot always speak in poetry about beautiful clouds, there are sometimes we would like to express the ﬁght for freedom.” Karel Husa Music for Prague 1968 was commissioned by the Ithaca College Concert Band. It was premiered by the commissioning ensemble in Washington, D.C., on 31 January 1969, Dr. Kenneth Snapp, conductor, at a concert for the Music Educators National Conference. Three main ideas bind the composition together. The ﬁrst and most important is an old Hussite war song from the 15th century, “Ye Warriors of God and His Law,” a symbol of resistance and hope for hundreds of years, whenever fate lay heavy on the Czech nation. It has been utilized by many Czech composers, including Smetana in My Country. The beginning of this religious song is announced very softly in the ﬁrst movement by the timpani and concludes in a strong unison (Chorale). The song is never used in its entirety. The second idea is the sound of bells throughout; Prague, named also The City of “Hundreds of Towers,” has used its magniﬁcently sounding church bells as calls of distress as well as of victory. The last idea is a motif of three chords ﬁrst appearing very softly under the piccolo solo at the beginning of the piece, in ﬂutes, clarinets, and horns. Later it reappears at extremely strong dynamic levels, for example, in the middle of the Aria. Diﬀerent techniques of composing as well as orchestrating have been used in Musicfor Prague 1968 and some new sounds explored, such as the percussion section in the Interlude, the ending of the work, etc. Much symbolism also appears: in addition to the distress calls in the ﬁrst movement (Fanfares), the unbroken hope of the Hussite song, sound of bells, or the tragedy (Aria), there �is also the bird call at the beginning (piccolo solo), symbol of liberty which the City of Prague has seen only for a few moments during its thousand years of existence. Program Notes by Karel Husa At the time of the composition, Husa was an exile from his native Czechoslovakia because of his avant garde music. He was contemplating the inspiration for a new work commissioned by the Ithaca College Concert Band. Through the ﬁrst eight months of 1968, Czechoslovakia’s new Communist Party chief, Alexander Dubcek set in motion a series of sweeping reforms aimed at making Czech socialism more liberal and humane, now known as the ”Prague Spring". The Soviet government apparently could not entertain the thought of this reformist movement succeeding so they ordered the combined armies of the Warsaw Pact nations to invade and seize control of the government on August 20, 1968. The tragic events that followed provided Husa with inspiration. Listening to news of the event happening in his homeland, Husa was ﬁlled with the need to write a piece to honor the beauty of his native city and express the utter devastation and injury that he felt because of its great suﬀering. The piece is full of allusions to war, chaos, and destruction, but it also includes the theme of a 15th century Hussite war song; birdcalls, which symbolize ﬂeeting freedom; the use of brass to convey power; and the use of percussion to represent the bells of Prague. Within the next seven weeks, scoring at a high level of inspiration and incentive, Husa composed Music for Prague 1968 ﬁnishing the score in October. Twentyﬁve years ago with the astonishing fall of the Berlin Wall and the eventual “opening up” of Czechoslovakia, friends and admirers ﬂooded Husa with expressions of support, knowing how deeply he felt his cultural heritage. In 1990 Husa was ﬁnally able to conduct the work in the city of Prague. It was a poignant homecoming, marking not only the success and perseverance of an individual artist, but heralding a changing world – changing this time in favor of hope, new freedom, and new dignity. �Binghamton Community Orchestra 5 I Presenting Quality Orchestral Lgperiences for the 20742015 Season “The Mighty Handful” Saturday, ‘oyember 22, 2014 I I I 5 . 5 l I “How Suite It Is!” ! Saturday, February 28, 2015 ' “Romantic Spring” Saturday, May 9, 2015 l 1 . . 1l I l l Welcoming back to the podium as conductor 1 >~, Dr. Timothy Perry (I a s ) Concerts start at 7 pm East Middle School 167 East Frederick Street B i n g h a m t o n . N Y 1 3 9 0 4 : 2! 1 H i 1) il p B inglmrrllml Tl A Cirrrrrrlrmily I , 1) Orchestra \, lsil my“:BinghamlonComlnunityOrchesIraorg for more information! : T i e B i n g h a m t e n X “ h u r l s / 1 9 ” ~ ” ” l ’ [ 1 u i r D e p a r t m e n t p r e s e n t s Act ‘1 ofVchIS comic opera “Falstaﬀ based on Shakespeare’s “The Merry Wives of Wlndsor’ and a scene from Douglas Moore’s The Ballad of Baby Doc Sunday, December 7 at 1 p.m. and 4 p.m. In the Anderson Chamber Hall For tickets, call (6071 777ARTS or VISIl anderson binghamton edu �B I N G H A m T O N r PHILHARMO NlC JoséLuis Nova ( j Music Director V A (ileum (W luiafm ‘ ileum IVl usic! 4 4J”. 6077233931 www.binghamtonphilharmonic.org “35?!” = ' Nod A S F. A S O N O F ir‘.\fr;.\iGr2... REVEL RY... REDEMPTION! P A A u ;1 [RS T R E Y E Y E REIN A i w l i m u u w ’ r E n g l i s h S u p g r t i t i e l l FebruaryB & 8, 2015 A . . W “s ' spFRIt 1] u Ze ISs PERA~ E C wes @PBlueStor m TriCities O p e ra p ro d u 1s are m a d e p ossible b y the N e w Vorh .c...m.i..rn...u wtih the 4; wernor Andrew C u o m o a n d t he N e w York S t a i r Legislature. G e n e ra l O p e ra t i n g Support us provided to TriCities Opera by a grant ‘ m m t he United Cultural Fund, mngmmr". a, r . Magnum . , _ \ E N \ ' Enolan p e n April17&1 9.201 ' 5 The Forum Theatre 236 Washington St, » Binghamton, NY 1 _ _ F o r t i c k e t s c a l l 607 772 0400 O f purchase online at tricitiesopera.com. �Bing ham ton U niver sity M usic Department’s C o m i n g E vents 4&65–ﬁﬁﬂﬂébﬂébﬁﬁéﬂ6éﬂhﬁbﬁéﬂ Tuesday, Decem ber 2 Percussi on Ensem ble Conc ert – 7:30 p.m. – Osterhout Concert Theat er $7 general public; $ 5 faculty/staﬀ/seniors/alumni; free for students 771ursday, D e c e m b e r 4 M i d D a y C o n c e r t 1:20 p.m. Fine Arts Building, Room 21 free Friday, D e ce m b e r 5 F l u t e S t u d i o a n d F l u t e C h a m b e r C o n c e r t 10:45 a.m. Casadesu s Recital Hall free Friday, December 5 Holiday Organ Concert featuring jonathan Biggers – 7:30 p.m. United Presbyterian Church, 42 Cheango Street, Binghamton $5 general public; free for students Saturday, December 6 – University Symphony Orchestra: From the New World 3:00 p.m. Osterhout Concert Theater $7 general public; $5 faculty/staﬀ/seniors/alumni; free for students Saturday, Decem ber 6 Italian D iction Cl ass Recital 7:30 p.m. Casadesus Recital Hall free Sunday, Decemb er 7 F i r st A c t o f Verdi’s “ Falstaﬁ" ' lp.m & 4 p.m. Anderson Center C hamber Hall $10 general public; $7 faculty/staﬀ/seniors/alumni; $5 for students Tuesday, Decem ber 9 P i a n o Ensemb le C o n ce r t – 7:30 p.m. Casadesus Recital Hall – free Wednesd ay, Dece mber 1 0 N u k p o r fe African Drummi ng,I a n d D ance En semble 7:30 p.m . Watters Theater $5 general admission at the door 77tursday, Decem ber 1 1 – Holida y MidDay Concert 1:20 p.m. Casadesus Recital Hall free Thursda y, Decem ber 1 1 H a r p u r Chorale a n d Women ’s C h o r u s H o l i d a y Concert 7:30 p.m . Trinity Memorial Church, Binghamton a free donation will be collected at the door Friday, D ecembe r 12 Chinese Singing Class Re cital 7:30 p.m. Casadesus Recital Hall free 6 a f & 6 b e 6 b ﬁ ﬁ M W ﬁ M ﬁ b For tickets or to be added to our email list, visit andersonbinghamtoncdu or call (607) [ = ] 777ART S. For a complete list of our concerts call (607) 7772592. visit — music.binghamton.edu or become a fa n on Facebook. I f you were inspired by this performance, consider supporting the Department of M usic with a ﬁn ancial gift. Your support helps to continue the work of students, fac ulty, and [ = ] ; guest artists and their contributi ons to our comm unity. Please make you r donatio n payable to the Binghamton University Music Department, and send your check to B U Music Department, P. O . Box 6000 , Binghamton, N Y 1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. 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Held at 3:00 p.m., November 23, 2014, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource University Wind Symphony Fabricius, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Van der Roost, Jan Lo Presti, Ronald Dello Joio, Norman Bernstein, Leonard, 1918-1990 Grundman, Clare Husa, Karel Date A point or period of time associated with an event in the lifecycle of the resource 11/23/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f85017e0e39e2a0cfeb3fb5e7e77c5b4.pdf e8aa52542cad5364d4f508e832fb0057 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K [4 w d e e D E P A R T M E N T JAZZM ID—D AY CONCE RT J e ﬀ S tock ha m – T ru m pet & French Horn & Mike Du baniewic z – Saxop hones A Bill Carter: Piano Mike Carbone: Saxophones Tony Marino: Bass Tom Whaley : Drums Th u rsd ay, N ovem be r 20, 2014 1:20 p.m. Osterhou t Concert Thea te r � OGRAM 4 . Trumpeter/homist J E F F STOCKHAM is w e l l k n o w n , “ yN e selected from the following: Grew ’s Tune. .Mulgrew Miller I Remember Cliﬀord. Rit .Benny Golson . Arr. By Mike Solazzo I ’ve Heard the News. .Bill Carter Meet Benny Bailey . . . Quincy Jones Arr. By Ray Brown The Quota. Jimmy Heath Strollin‘ . Horace Silver So What. Miles Davis music fans. A graduate of the Eastman School of Music and a W 3 4 5 ? » : renowned Eastman Jazz Ensemble, his performance credits read like a Who’s ‘ » Who of the upstate New York music scene. H e has performed with the Central , New York Jazz Orchestra, Salt C ity Jazz Collective, the Stan Colella Orchatra, the Mario DeSantis Orchestra, The Balcklites, The Destination, Little Georgie & the Shuﬀlin’ Hungarians, Larry Arlotta, the Bearcat Jass Band, the Syracuse University Brass Ensemble, Joe Salzano & the Blue Devils, Atlas, Danny D’lmperio’s Big Band Bloviation, the Syracuse Symphony. the Rochester Philharmonic Orchestra, and many other regional mainstays. He has backed up numerous national artists including Tony Bennett, Frank Sinatra Jr., Rosemary Clooney, Aretha Franklin, Josh Groban, Harry Connick Jr., Robert Goulet, Natalie Cole, Johnny Mathis, Wayne Newton, Tommy Tune, Marvin Hamlisch, Jeﬀ Muld. uer, Al Martino, Don Rickles, Jimmy Cavallo, Jerry Vale, Leslie G ore, Shari Lewis, and many others. He has been a mem ber of the orchestra for the national touring company of Les Miserables. He has toured Europe and Africa with Chicago blues guitarist Jimmy Johnson. J e ﬀ is also one of the few musicians world wide to play jazz on French horn. H e is trumpeter and French hornist in Thelonius Monk Jr.'s “Monk on Monk” big band, with which he has toured Europe, Israel, and the United States several times, and with which he has had the opportunity to perform in concert with jazz luminaries such as Ron Carter, Herbie Hancock, Bobby Watson, Wallace Roney, Don Braden, Howard Johnson, Ronnie Matthews, Danilo Perez, Gerri Allen, Diane Reeves, Nnenna Frelon, Jacky Terrasson, Helen Sung, James Knowles, Bobby Porcelli, Kevin Mahogany, Marcus Roberts, Willie Williams, John ‘ Fedchock, and Joe Henderson. He has also appeared in concert on trumpet in the ~ T.S. Monk Sextet. , He is a member of “Dreaming The Duke", a project blending jazz and classical 5J:reatments of the music of Duke Ellington. With the “Dreaming The Duke” Ensemble, he has performed with such worldclass musicians as pianist Mike “Garson, sopranos Nnenna Frelon and Harolyn Blackwell, drummer Adonis Rose, ‘saxophonist Virginia Mayhew, trombonist Andrew Hunter, and violist Ron wrence. if you enjoyed this performance, join us for the evening jazz concert ut 7:30 p.m. in Osterhout Concert Theater has also been a member of the George Grunt Cont‘crt Jazz Band, one of the preeminent jazz ensembles in Europe. The personnel included such celebrated lcinns ns Le w Soloﬂ’, Howard Johnson, Joe Magnarelli, Alex Sipiagin, Dave _ n, Scott Robinson, Gary Smulyan, Chris Hunter, Sal Giorgianni, Luciano , ini, and Tanya Darby. s\ “ YCharter mem ber of the Central New York Jazz Orchestra, he has perfo rmed ‘the las t two decades years with a host of top jazz artists including C lark Terry, ‘ , nnell, Phil Woods, Eddie Daniels, Howard Johnson, Houston Person, reus Pr in tu p, Wallace Roney, J oe Locke, Bill Dobbins, Jimmy Heath, Cla udio �Roditi, A l Vizzutt i, Dan Miller, Byron Stripling, Michael Phillip Mossma n, Bob Berg, Antonio Hart, Bob Mintzer, Gary Smulyan, Rufus R eid, Michael Davis, Slide Hampton, Kevin Mahogany. Diane Schuur, and many others. Hailing from Syracuse, NY, M I K E DUBAN IEWICZ graduated from Th e Universi ty of No rth Texas with a Bachelor of Music Educa tion degree. Following that, he moved to New York C ity to attend the Manhattan School of Music and pursue a freelance music ca reer. Wh ile at the Manh attan Sc hool he played lead alto in the Jazz Orchestra perfor ming wi th such jazz lege nds as J on Hend rix, Sir Roland Hanna, Michael Brecker, Joe Lovano, and Frank Foster. M ike received a Master o f Music in Jazz and Comme rcial Music from MSM in 1997 . Furthermore, in 2009 he was a warded the Doctor of Musica l Arts d egree fro m the Eastman School o f Music. From 19982003, Mike toured the world with Maynard Ferguson ’s Big Bop Nouveau Band serving as a featured soloist and music direc tor (200203). I n the summer of 2006 he was asked back by M r. Ferguson to join him on a tou r that culmina ted at the famed Blue Note jazz club in NYC. Shortly thereafter Mike joined Maynard i n studio and recorded what would be the trumpet legend’s ﬁnal studio recording, The One and Only Maynard Ferguson. .' “e ‘ g i n over 20 countries including Thailand, Germany, l. f ,» , , Australia, Russia and Sweden. In addition, he has shared the ‘ Franklin, Phil Woods, Frankie Valli, The Vanguard Jazz , w l i. f") 1.515115 ' Reid, a nd The Temptat ions. He has also . . 5 m!» . wit] Phil ‘Ra mone, Michael Feinstein, Bobby Shew, Wayne Be rgeron ‘ and Dianne Sch uur. Trumpet legend Maynard Ferguson described Mike as a “creative and engaging jazz soloist, whose playing is ﬁrst rate". No ted author, and J azz Times contributing columnist Ira G itler calls Mike’s saxophone play ing “exploratory". Furthermore, Scott Yannow ; author of ten jazz books describes him as “A swinging alto saxophonist with a beaut iful tone”. His saxophone teachers have included Jerry Santy, Dick Oatts, Ramon Ricker, Walt Weiskopf. Ralph Lalama, and Steve Slagle. Mike’s arrangements and compositions have been performed by Maynard Ferguson, jazz pianist Billy Childs and “Th e Eastman School of Music Jazz Ensemble. His product endorsements include : Cannonball Saxophones, AMT Microphones and Bari Mouthpieces. In 2009 Mike released his ﬁrst C D as a leader entitled Drive Time (Jazzed Media). I n March 09, the C D entered the national charts by breaking in to the top 40 on JazzWeek.com. You can visit Mike on the web at: www.mdsax.net. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75076">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75076</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz mid-day concert, November 20, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Gillespie, Gershwin, Gershwin, Raye, DePaul, Taylor, Castillo, Kupka, McClain, Shrew, Beach, Shutack, Weber, Wonder, Green. Held at 1:20 p.m., November 20, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Stockham, Jeff Carter, Bill Carbone, Mike Marino, Tony Whaley, Tom Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Gillespie, Dizzy, 1917-1993 Gershwin, George, 1898-1937 Gershwin, Ira, 1896-1983 Raye, Don DePaul, Gene Taylor, Mark Castillo, Emilio Kupka, Stephen McClain, Marlon Shrew, Bobby Beach, Doug Shutack, George Weber, Andy Wonder, Stevie Green, Susaye Date A point or period of time associated with an event in the lifecycle of the resource 11/20/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Format The file format, physical medium, or dimensions of the resource audio/wav https://omeka.binghamton.edu/omeka/files/original/63688cf8ea7ce476a836061ee8f68d87.pdf 4172cad55f1f87b567a63ef14c3ce265 PDF Text Text BI NGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K W [4 0 D E P A R T M E N T HARPUR JAZZ ENSEMBLE DIRECTED BY MIKE CARBONE F EA TU RI NG J eﬀ Stock ha m, t r u m pe t « french hor n M ike D ubaniewicz, saxo phone A Thursday, November 20, 2014 7:30 p.m. Osrcrhout Concert Theater �2c) P ROG RAM (93 FIRST HALF G roovin ’ High..... . Embraceable Y o u . . . . . . o i o c . George Gershwin and. ‘ G Arrangedey’ ' i Love Chan t. . t eeseria ns ,,. G e e s e s t e e s r r e n a s You Don’t Know What Love Is. A Waltz for Patrice o o u u n u m n o u ‘ RRs Souled Out....Emilio Cast illo SECOND HALE? Blue... j oooootoaoooir‘ﬂ Castine................. o . . . o o o o o . o o . . n o o u o v u “ 1 ’ Cruisin’ For a Bluesin'. Got R h y asee ns t t er e s e s e n n s t h .3 lCan ’t Help It ......ooueeureencssensuscassassn SLEIGH Like Someone in L o v e .. . ..Emilio Castillo, and Marlon McClain Arranged by M i k e B e Night Train .. . .Stevie Wonder & Sus Arranged by M i ke There’s Only So Much Oil In the G rou nd” ..Stephen Kupk Emillo Castillo Arranged by Mike T‘ �i“ BOUT THE PE RFO RME RS &A TOCK HAM is wellknown to Upstate New York music tsni‘ t J E F F S of the E astman School of Music and a veteran of the renowned zz En: ble,’his performance credits read like a Who’s Who of the fuse 1sic scene. He has perfo rmed with the Central New York Jazz Collective, the Stan Colella Orchestra, the Ma rio DeSantis alcklites, “The Destina tion, Little Georgie & the Shuﬀlin ’ arcat Jass Band, the Syracuse U niversity Brass a s a, ‘ the Be I D the Blue Devils, Atlas, Danny D’lm perio’s Big Band [M i n it he Rochester Philharmonic Orchestra, and ' i ﬁ é ' h a s backed up numerous national artists kw mantra Jr., Rosemary Clooney, Aretha Franklin, r., Robe rt Goulet, Natalie Cole, Johnny Mathis, isch, Jeﬀ Muldauer, Al Martino, Don mg i ”SimplLewis, and many others. He l touring company of Les nationa ¥ , ‘ reago blues guita rist Jim my yalp MPijafzz on French horn. He is on Monk” big band, n p . “Monk 5C! ted States several times, and ‘1 p: » in concert with jazz lum inaries ,no ‘ Wallace Roney, Don Braden, Allen, Diane Reeves, ed e Bobby Porcelli, b a ,s i l S e x t e t. : c . bake” pianist Mike immer «Morris Rose, d / violist Ron M i ' Jazz Ba nd, one of the el included such celebrated 3 2,‘ Joe Magnarelli, Alex Sipiagin, Dave an, Chr is Hunter, Sal G iorgiann i, Luciano 3 ehT , 4 , , NeW’Y’ork Jazz Orchestra, he has performed with a h ost of top jazz artists i ncluding Clark Terry. a , Eddie Daniels, Howa rd Johnson, Houston Person, R‘0ney,‘JOe Locke, Bill Dobbins, Jimmy Heath, Claud io �Roditi, Al Vizzutti, Dan Miller, Byron Str i pling, Michael P h ﬂ lh ; Berg, Anton io Hart, Bob Mintzer, G ary Smulyan, Rufus Reid , Mi . Hampton, K evin Mahogany, Diane Schuur, and many others, 3 1 1 Hailing from Syracuse, NY, MIKE DUBANIE WICZ graduated U niversity of North Texas with a Ba chelor of M usic Educat ion degree that, he moved to New York City to attend the Manhatta n School of pursue a freelance music career. While at the Manhattan Sc hool he pla in the Jazz Orchestra performing wit h such jazz legends as Jo n Hendrix, : Hanna, Michael Brecker, Joe Lovano, and Fran k Foster. M ike r e ce i ve d y Music in Ja zz and Com mercial Music from MSM in 1997. Furthermo he was awa rded the Doctor of M usical Arts degree from the Eastma n Music. From 19982003, Mike toured the world with Maynard Ferguson’sa Nouveau Band serving as a featured soloist a nd music d irector (200203 5“ summer of 2006 he was asked back by Mr. Ferguson to join him on a i e :. culminated at the famed Blue Note jazz club in NYC. Shortly thereafter Mik 132,, Maynard in studio and recorded what would be the trumpet legend’s ﬁnal recording, The One and Only Maynard Ferguson. . h’ Mike has performed in over 20 countries including Thailand, Germ Azerbaijan, Israel, Australia, Russia and Sweden. In add ition, he has sh stage with Aretha Franklin, Phil Woods, Frankie Valli, The Vangu. Orchestra, Slide Hampton, Rufus Reid, and The Temptations. He .E; recorded wi th Phil Ramone, Michael Feinstein, Bobby Shew, Wayne Bergeron Dianne Schuur. , Trumpet legend Mayna rd Ferguson described M ike as a “creative and e 3.5 .i soloist, whose playing is ﬁrst rate”. Noted author, and Jazz Times contrib columnist Ira Gitler calls Mike’s saxophone playing “exploratory". Furthem Scott Yannow; author of ten jazz books describes him as “A swinging saxophonist with a beautiful tone". ‘ . His saxophone teachers have included Jerry Santy, Dick Oatts, Ramon R icker, “ Weiskopf, Ralph Lalama, and Steve Slagle. “ Mike’s arrangements and compositions have been performed by Mayn: Ferguson, jazz pianist Billy Childs and The Eastman School ofMusic Jazz Ense His product endorsements include: Cannonball Saxophones, AMT M icrophon and Bari Mouthpieces. g i In 2009 Mike released his ﬁrst C D as a leader entitled Drive Time (Jazzed In March 09, the C D entered the national charts by breaking into the top Jazz Week.com. ' You can vis it Mike on the web at: www.mdsax.net. �ABOUT THE DIRECTOR 4» Ensemble director, MICHA EL J . CARBONE, is a native of U tica, " l ' . to the Bingha mton area in 1 981 and is an instrumental music ei j6hnson City School district where he currently is Coordinator of ' of Concert Band, and Jazz Ensemble at the high school. He joined on U niversity music faculty in 1997 and serves as the Directo r of the ogram and the Director of the Harpur J azz Ensemble. He holds a : the Crane Sc hool of Music and a M.M. from Bingham ton University. performed as a side man with many wellknown artists including Al ie Cole, Tom my Tune, Mel Torme, The Jimmy Dorsey Orchestra, ' v, 10’s Big Band Bloviation, the Central New York Jazz Orchestra, and us. Mike currently is the saxophonist with the local and popular jazz ? 1 Ahead. THE HA RPU R JAZZ ENSEMBLE 4» OPHONES .hanie Verhage al Sauer m ick Follett ‘ ‘ ' Angyal GUITAR Juntoku Shim izu PIANO Mo “Reese” Taylor nr Vanderaa nielle Stoner ‘. Ft I‘E’IS 7b “ ‘ Barber es (Cole , ' uel Davis na/ Ginsburg i Alice” Xue . on Young ‘M’BONES ' . Jones Marquardt ‘ " kci McG ra th cob Solon BASS Lucas Hennessey Jeremy Raphael DRUM SET Sam Wolﬀ Andy Castillo VIBRAPHONE & PERCUSSION Alexander Strong VOCALIST Inez Nelson �VIS IONS2 0142015 SEASON _ a n ne u m r on, r JoséLuisNovo Q ; “(8mm MI ME 6077233931 www.binghamtonphilharmonic.org ‘ g e ;ﬁl m’sf: “ . . l f —A n n . . ~ A s E A S 0 N o f REVENGE... REVELRY... ; .JKEDEMFTION! W‘ﬂﬁ ALGR IS n u ; witt ipertities Fobtaary 6 &8, 2015 TRI(‘II [lib ‘” = 4 Ti–Cit PERA f A " "» ' ’ . ' u A’B/uuﬁror/y 11 n ; u mn suncil of ~ A ‘ m l ’ l h ‘ 1d the N e w v o w L. 5 W ‘ W ’ I v : Cul tu ra l F u ra . i ; nu! h by the New York tr of < Ann m (’"" "'”‘""“"”‘ es O pe r a m . 5 1 . 1 7 ” ! m the U ( a d Bun u n ty Arts C “ m . “ T h e F o r u m T h e a t r e 2 3 6 W ash ing ton St. ' B inghamton, N Y For tickets call 6 077720400 or » 2 Rak purchase online a t tricitiesopera.com. �1 i ngham t on Com munity Orchestra — 2 1.9 1 '–' l C.) fe Preﬁx/(ﬂy Quality Or chestral afar/077005 f ” ﬁ ,_. i & 20742075 Season The Migh ty H and ful” l aturdaY November 22. 2014 , . _ . l G) 7 H “ H ow Su ite It Is!” !1 V Saturday. February 28. 20 15, . –l¢ Cl.) ._‘£ O Q o — “ Romantic Sp ring” = Saturday, M ay 9, 2015 Q =) Welcoming back to the podium as conductor O >» Dr. Timothy Per ry [as] — . –' Concerts start at 7 pm East Middle School ) Bﬁxhunm,” } 0 ' . Community 167 East Frederick Street Binghamton, N Y 13904 I O rrhesl m i n g h a m t o n C o m m u n i t y O r c h e s t r a . o r g f o r m o r e i n fo r m a t i o n! . www.B i a > Fa lstaﬀ T he B i n g h a m t e n “ i v o r y / [ y * T fI/[lm irr . I ’ l ﬂ l r t m u n l I ) r t ’ 4 { ' ) l [ . . f Act 1 of Verdi’s comic opera “Falstaﬀ” based on Shakespeare’s ”The Merry Wives of Windsor” and a scene from Douglas Moore‘s ‘The Ballad of Baby Doe’ Sunday, De cember 7 at 1 p.m. and 4 pm , in the Anderson Chamber Hall For tickets, call (607) 777ARTS or visit anderson blnghamton edu �B i n g h a m t o n Un i ver si ty M usic D e p a r t m e n t ’ s Co m i ng E ven ts e ﬁ é ﬂ a é b é é ﬂ ﬂ é ﬁ ﬂ é b é i b ﬂ ﬁ b é b ﬁ é ﬂ Sunday, No vember 2 3 – Uniwrsi ty Wind Sym ph ony: I n M emory and I n Tribute – A n Homage i n Music – 3 :00 p.m. – Anderson Center Chamber Hall $7 general public; $5 facul ty/ staﬀ/ seniors/ alumni; free for students 7 – Percussion Ensemble Concert – 7:30 p.m. – Osterhout Tuesday, Dc vnbcr 2 Concert Theater $ 7 general public; $5 fuculIy/Slujj/xcniors/ulumni; free for students Thursday, D c m b e r 4 – Mid1);u’ C on c er t 1:20 p.m. Fine Arts Building, Room 2 1 – free Friday, D e c e m ber 5 Flute Studio and Flun.~ Chamber Concert 10:45 (1.771. Casadesus Recital Hall free Friday, December 5 Holiday Oman Concert featuring Jonathan Burgers 7:30 p.m. – United Presby terian Church, 42 Cheango Street, Binghamt on $5 genera l public; free for students Saturday, December 6 – University Symphony Orchestra: From the New World 3:00 p.m. – Osterhout Concert Theater $7 general public; $5 faculty/staﬀ/seniors/alumni; free for students Saturday, D ecember6 Italian Dielion Class Recital 7:30 p.m. Casadesus Recital Hall free Sunday, December 7 – First Act o f Verdi’s ”I"'a lstaﬂ”– 1 p m & 4 p.m. – Anderson Center Chamber Hal l – $ 1 0 general public; $ 7 faculty/staﬀ/seniors/alum ni; $ 5 for students Tuesday, December 9 – Piano Ensemble Concert – 7:30 p.m. Casadesus Recital Hall free H’cdnaﬁlay. December 1 0 – Nukporfe African Drumming and Dance Ensemble – 7:30 p.m. W’uucrs Thea ter 5 5 general admission at the door Thursday, December 1 1 Ho liday Mid–Day Concert 1 : 2 0 p.m. Casadesus Recital Hall free Thursday, December 1 1 H arpur Chora le and l l bmcn '.~' Chorus Ho liday Concert 7 : 3 0 p.m. – Trinity Mum unul Church, Binghamton – u free donation will be collected m t he door h ar bon é ib n ﬁ i é o a é é ﬂ ﬁ é u é ib n é f a ﬂ é é n é é n é é n é é ﬂ ﬁ w é ' — E a p l = [ w m ] For tickets or to be added to our email lbl, visit anderson .bi nghamt on .edu or (till ( 607 ) 777ARTS. For a mmplclc lni of o u r concerts (till ( 607 ) 7772592, r im music.binghamt on.edu or beco me a fan on Facebook. 1}. you were inspired by this performa nce, rou nder supporting the Department of Music with l l ﬁnancial gift. Your supporl helps to continue the work of students, faculty, uml guest artists rind (heir contributions to our community. Please make your donation payable m the Bmgluimlon University Music Department, mid send your check to B u M usic Department, l’,( ). Box 6000, Binghamton, N Y 1 390 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 57m 11s Streaming Audio Streaming URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75076 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Jeff Stockham and Mike Dubaniewicz Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Gillespie, Gershwin, Gershwin, Raye, DePaul, Taylor, Castillo, Kuupka, McClain, Shrew, Beach, Shutack, Weber, Wonder, Green. Held at 7:30 p.m., November 20, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Harpur Jazz Ensemble Stockham, Jeff Carbone, Michael Dubaniewicz, Mike Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Gillespie, Dizzy, 1917-1993 Gershwin, George, 1898-1937 Gershwin, Ira, 1896-1983 Raye, Don DePaul, Gene Taylor, Mark Castillo, Emilio Kupka, Stephen McClain, Marlon Shrew, Bobby Beach, Doug Shutack, George Weber, Andy Wonder, Stevie Green, Susaye Date A point or period of time associated with an event in the lifecycle of the resource 11/20/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/40f766ed4f3f30998f899f8721f5be77.pdf 1611fea3a53607f6428cd026b593758d PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y OF NEW Y O R K r ed e D E P A R T M E N T JUNIOR RECITAL Alexio Cha ng, violin with Margaret Reitz, p iano and Kieran Murphy, violin Hannah Watrobski, viola Ma ry Spencer, cello Sunday, November 16, 2014 3:00 p.m. Casadesus Recital Hall �® PROGRAM (8 artet, No. 4, Op. 18 in C minor Ludwig van Beethoven Alexio Chang, Kieran Murphy, violins Hannah Watrobski, viola Mary Spencer, cello (17701827) N o. 2 in D minor for solo violin ........ Johann Sebastian Bach (16851750) 1004 Chaconne Alexio Chang, violin Margaret Reitz, piano ;‘ ncerto in D major, K. 218 Wolfgang Amadeus Mozart (17561791) Allegro Andante Rondeau (Andante grazioso Allegro ma non troppo) Alexio Chang, violin Margaret Reitz, piano � t ’s m ton Un iversi ty Music De part men B i ngha Comi n g Even ts 5 E 0 0 5 »6 Mf a n a é i a n – ﬁ w b ﬂ é r ’ b ’ Monday, Nove mber 1 7 Momenta Quartet Master Class 8:15 – 1 0 :00 p.m. – Casadesus Recital Hall Tuesday, November 1 8 Momenta Quartet: Music Now! 7 :3 0 p.m. Camdesus Recital Hall $ 1 0 general pubic; $5 faculty/staﬀ/seniors/alumni; free for students tockham, trumpet and Mik e Thursday, November 20 ~ jazz Mid Day Con cert with J e ﬀ S Dubaniewicz, saxophon e 1 :20 p.m. Osterhout Concert Theater – free Thursday, Nove mber 2 0 – Harp ur jazz Ense mb le Con cert with guest arti st – 7 :3 0 p.m. ~ Oxterhout Concert Theater $ 7 general public; $5 faculty/staﬀ/ seniors; free for students emory and I n Tribute – An Sunday, November 23 Universi ty Wind Sympyhony: I n M Ho ma ge in Music – 3 :00 p.m. Andersn Center Chamber Hall $7 general public; $5faculty/staﬀ/seniors/alumni; free for students Tuesday, Dece mberZ – Percussion Ensemble c on cer t 7 :3 0 p.m. Osterhout Concert Theater $7 general public; $5 famlty/staﬀ/seniors/alumni; free for studetns Thursday, Deoem ber4 MidDay Conc er t– 1 :20 p.m. – Fine Arts Building, Room 21 free * ‘ ' ~ ‘ F a a a n o ec e m b e ﬁ – Flute Studio and Flute Chamber Conoert– 10:45 a.m. ~ Casadesus Recital Hall free Friday, Dece mber5 – Holiday Organ Concert {canningjonathan Biggers 7 :3 0 p.m. United Presbyterian Church, 42 Cheango Street, Binghamton $ 5 general public; free for students Saturday, December 6 – Universi ty Symphony Orchestra: From the Ne w World 3 :00 p.m. – Osterhout Concert Theater $7 general public; $5 faculty/staﬀ/seniors/alumni; free for students Saturday, December 6 Ita lian Dic tion Class Recita l 7:30 p.m. ~ Casadesus Recital Hall – free Sunday, December 7 First Act o f Verdi ’s “Fa lstaﬀ” 1p.m 6! 4 p.m. Anderson Center Chamber Hall – $ 1 0 general public; 57 faculty/staﬀ/seniors/alumni ; $5 for students aﬁiéﬂﬁébﬁéibﬂéibﬂﬁbﬂééﬂébﬂéibﬂﬁéﬂééﬂﬁﬁﬂéé‘ E — 1 — [ = ] E 0 For tickets or to be added to our email list, vim anderson.binghamton.edu or 7 7ARTS. For a complete list of our concerts call (60 7) 7 7 72 592, call (607) 7 visit muncbinghamtonedu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to B U Music Department, P.O. Box 6000, Binghamton, N Y 1 3902 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44m 15s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75043">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75043</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior recital with Alexio Chang with Margaret Reitz, Kieran Murphy, Hannah Watrobski, and Mary Spencer, November 16, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Beethoven, Bach, Mozart. Held at 3:00 p.m., November 16, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Chang, Alexio Reitz, Margaret Murphy, Kieran Watrobski, Hannah Spencer, Mary Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Bach, Johann Sebastian, 1685-1750 Mozart, Wolfgang Amadeus, 1756-1791 Date A point or period of time associated with an event in the lifecycle of the resource 11/16/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6b2cee0ef39a6c7c8ddaa645f746dc64.pdf f4447b0911bb2d846556741155c63f3a PDF Text Text BINGHAMTON U N I V E R S I T Y sure umvsnsurv OF NEW V O W D E P A R T M E N T MIDDAY CONCER T on Thursday, Nove mber 13 2014 1:20 p.m . Casades us Recital Hall �lb PROGRAM 4 Pierre Lander (19101998) Claude Debussy (18621918) Nicholas Fallen, alto saxophone Margaret Reitz, piano ysPieces, Op. 121 . Robert Schumann (18101856) Daniel Malinousky, piano F Major . Benedetto Marcello (16861739) Margaret Reitz, piano .N o . z i a n i nor , B W V 1004. e Alexia Chang, violin i 1 for Two Pianos, Op. 5 . JohannSebasﬁanBach (16851750) Sergei Rachmaninoﬀ (18731943) Benjamin Calhoun and Samantha Bangug, piano ' Tango for Two Pianos .. b Annie Tao and Natasha Talukdar, piano Astor Piazzolla (19211992) �B i ng ha m t on Universi ty Mus ic De part ment’s Co m ing Events W W W Saturday, November 15 University Chorus: Havdn’s Mass i n Time of War 7:30 p m – Osterhout Concert Theater $7 general public; $5 faculty/staﬀ/seniors/alumni; , free for students Sunday, November 16 – Sen ior Recital. Alex io Chang, violi n – 3 :00 p.m. – Casadesus Recital Hall – free Monday, November 17 – Mome nta Quartet Mas ter Class ~ 8 : 1 5 – 1 0:00 p.m. Casadesus Recital Hall Tuesday, November 18 Momenta Quartet: Music Now! 7:30 p.m. – Casadesus Recital Hall ~ $ 10 general pubic; $ 5 famlty/staﬀ/seniors/alumni; free for students Thursday, November 20 Jazz Mid Day Concert with Jeﬀ Stockham, trump et and Mite Dubaniewicz, saxophone – 1:20 p.m. – Osterhout Concert Theater – free Thursday, November 20 – Harpur Jazz Ensemble Concert with gues t artist – 7:30 p.m. ' ‘ 0 4 Osterhout Concert Theaurv $7 general public; $5 faculty/staﬀ/seniars; free for students v e i n w o n t ” w h o m S E I S ) l i b i s h y [ I G G J U L S L I B U C I I L Tuesday, December 2 – Percuss ion Ensemble c oncert – 7 :30 p.m. Osterhout Concert Theater $ 7 general public; $ 5 faculty/staﬀ/seniors/alumni; free for studetns Thursday, December4 – MidDay Co ncert 1:20 p.m. Fine Am Building, Room 21 free Friday, December 5 Firs t A ct o f Verdi ’s “Fals taﬀ” 10:00 a.m. Anderson Center Chamber Hall call (607) 77730 04 for group reservations Friday, December 5 Flute Studio and F lute Chamber Concert – 10:45 a.m. Casadesus Recital Hall free é w w w w w w w w ﬁ e é w w b E — [ = ] ; . E For tickets or to be added to our email list, visit andersonbmghamtonedu or call (60 7) 777ARTS. For a complete list of our concerts call (60 7) 777 2592, visit musicbinghamtonedu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department of Music with a ﬁ nancial gift. Your support helps to continue the work of students, faculty, a nd guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to B U Music Department, P.O. Box 6000, Binghamton, NY 13902 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45m 10s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75046">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75046</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, November 13, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Debussy, Schumann, Marcello, Bach, Rachmaninoff, Piazzolla. Held at 1:20 p.m., November 13, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Follett, Nicholas Reitz, Margaret Malinovsky, Daniel Chang, Alexio Calhoun, Benjamin Bangug, Samantha Tao, Annie Talukdar, Natasha Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Debussy, Claude, 1862-1918 Schumann, Robert, 1810-1856 Marcello, Benedetto Bach, Johann Sebastian, 1685-1750 Rachmaninoff, Sergei, 1873-1943 Piazzolla, Astor Date A point or period of time associated with an event in the lifecycle of the resource 11/13/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2f0cecd06db7232ea175ccacba70a26a.pdf 5a20ad19c978375762cc9189b403d64b PDF Text Text BING HAM TON U N I V E R S I T Y S T A T E U N I V E R S I T Y OF N E W Y O R K Ld v o d ee D E P A R T M E N T S o 1 W 1,» “ d “ ; : \ : ' = “ l ’ i Hx t t ‘4‘ , ( L w 7 Q “.‘6’4” ' ‘ i Q ‘ D s o N ¢ ‘ e . c h s yO MI DDAY CONC ERT Thursda y, October 9, 2014 1:20 p.m . Casadesus Recital Hall ‘a’f‘l’ I �PROGRAM , ,1 r Joseph Haydn [ I ’ 3 5 Adagio from Concerto in D. Major, Op 101 (17321809) 181.95 Nocturne (1918) .. . Lili Boulanger (18931918) Timothy Perry, clarinet Stephen Stalker, cello Margaret Reitz, piano 25 73 OWhy God Why (b. 1944) ..Robert Wright and George Forrest (19142005) (19151999) Ricky Nan, tenor William Lawson, piano (agile Largo from Concerto in G major, Op. 49 .. Timothy Perry, clarinet Stephen Stalker, cello Margaret Reitz, piano L’ ' " ' . Dmitri Kabalevsky (19041987) (18181893) ... Richard Hugunine l 5‘ 9 5 Prairie Da w n Stacey Geyer, soprano Richard Hugunine, piano ‘ 9k ; 47 \ (b. 1953) . Edward Elgar (18571934) ..Johannes Brahms (18331897) .Emile Paladilhe (18441926) Nicolas Dalayrac (17531809) Psyche leunes Fillettes .. 1‘0‘133 Joseph Keller, baritone William J. Iawson, piano .Charles Gounod lTl ( 2 3 Meditation Vision. 1711‘5Adagio from Quintet, Op. 1 15 .. Timothy Perry, clarinet Stephen Stalker, cello Margaret Reitz, piano .ClaudeMichel Schonberg ... 2 1 ,‘f}5tranger in Paradise ir) Li ll! Lpdagio for Concerto in E minor, Op. 85 . Andantino from Piano Trio, Op. 1 20.. Timothy Perry, clarinet Stephen Stalker, cello Margaret Reitz, piano Arr. ].B. Wekerlin ..Gabriel Faure (18451924) �Bi ngha mton University M usic De part men t’s Comi ng Events M M Chorale and Harpur y, Symphon Wind Concert ( Saturday, October 1 1 Family Weekend Women? Chorus) – 3 p.m. Osterhout Concert Theater – free Thursday, October 1 6 – MidDay Concert 1:20 p.m. Casadesus Recital Hall – free Saturday, October 1 8 Univer sity Symphony Orchestra. We Like to Move It ! 3 p m ~ Osterhout Concert Theater $5 general public Thursday, October 23 – MidDay Concert 1:20 p.m. Casadesus Recital Hall free Friday, October 2 4 – TriCities Opera presents Verdi ’s Rigoletto 8 p.m. The Forum ) 7720400 for tickets Theatre —call (607 Saturdry, October 25 ~ Ear ly Om M usic from Now and Then 7 :30 pm Fine Arts Building, Room 2 1 – $5 general public; free forstudents Sunday, October 2 6 TriCities Opera presents Verdi ’s Rigoletto ~ 3 p.m. The Forum 7 720400 for tickets Theatre —call (607) Thursday, Octobe r fo MidDay Concert 1:20 p.m. Casadesus Recital Hall free Saturday, November 1 Senior Recital: Joseph Ke ller, baritone 7:30 5 m “asad Recial Hall frer Sunday, November Z English mdAmerr’an Art Songs 3 p.m. Phelps Mansion, 191 Court Street, Binghamton $10 general public; BU students free with 1D For reservations call the Phelps Mansion at (607 ) 72 24873. This concert is cosponsored by the Binghamton University Music Department and Phelps Mansion Museum. Thursday, Novem ber6 MidDay C ’oncert– 1 :20 p m Anderson Center Chamber Hall free Saturday, Novem ber8 Senior Recital: Dan Rosenau, organ – 4:00 p.m. – FA 21 ~f ree Sunday, Novem ber9 Mu Phi Epsilon Pal/Reciml 1 1:00 a.m. Casadesus Recital Hall free Thursday, November 13 MidDay Concert– 1:20 p.m. – Casadesus Recital Hall – free W – M M M b For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 777~ARTS. For a complete list of our concerts call (607) 7772592, u = [ = ] visit music.binghamton.edu or become a fan on Facebook. lf you were inspired by this performance, consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and sendyour check to BU Music Department, P.O. Box 6000, Binghamton, NY 1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:08:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74918">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74918</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, October 9, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Haydn, Schönberg, Wright, Forrest, Kabalevsky, Gounod, Hugunine, Elgar, Brahms, Paladilhe, Dalayrac, Faure. Held at 1:20 p.m., October 9, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Stalker, Stephen Reitz, Margaret Nan, Ricky Lawson, William Geyer, Stacey Hugunine, Richard Keller, Joseph Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Haydn, Joseph, 1732-1809 Schönberg, Claude-Michel Wright, Robert Forrest, George Kabalevsky, Dmitry Borisovich, 1904-1987 Gounod, Charles, 1818-1893 Hugunine, Richard Elgar, Edward Brahms, Johannes, 1833-1897 Paladilhe, Émile Dalayrac, Nicolas Faure, Gabriel, 1845-1924 Date A point or period of time associated with an event in the lifecycle of the resource 10/9/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/682054c98751a83fd7d0d1880441ff5e.pdf 0c07c72bef68d99241ecaabd6fcea638 PDF Text Text BINGHA MTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K D D E P A R T e l de c / 3 < 5 j"x ?‘l‘l\A d . { J 336}; E ) Wz ' 2 x ' 3 “ ,£ 5 12,1 FN9 ” ﬂ " MIDDAY CONCERT Thursday, October 30, 2014 1:20 p.m. Casadesus Recital Hall M E N T �PROGRAM John Isenberg, piano The Sally Gardens... ..Benjamin Britten (19131976) Ricky Nan, tenor It’s All I Have to Bring.. Karima Jibril, soprano Come Ready and See Me.. .. Ernst Bacon (18981990) ( . Richard Hundley Rachel Young, soprano Will There Really Be a Morning. .Roger Quilter Calli Seigart, soprano The Bird... Carina Kahane, soprano Lean Away.. I Shall Not Live in Vain . Abigal Smith, soprano . Ralph VaughanWilliams ( l 87 2 195 8) Stacey Geyer, soprano Silent Noon Jake Stamatis, bass Gwyneth Walker (b. 1947) Christina Santa Maria, soprano Not in a Silver Casket... Jenny Gac, soprano Ralph VaughanWilliams (18721958) arr. Andrew Thomas ..Jake Heggie (b. 1961) .Charles Ives Tom Sails Away.. Cole Tornberg, tenor Thy Fingers Make Early Flowers . John Duke (18991984) (b. 1958) Nikolas Arden, baritone (b. 1956) (18771953) Gene Scheer (b. 1931) Ricky lan Gordon Daniela Rivera, mezzosoprano Linden Lea Love’s Philosophy . (18741954) ..Jake Heggie (b. 1961) �Bingha mton University M us ic De part men t’s Com i ng Even ts m m 6 0 Thursday, October.” MiaLDay Coneert– 1 :20 p.m. Casadesus Recital Hall free Saturday, November 1 Senior Recital: J oseph Keller; baritone 7:30 p.m. Casadesus Recial Hall – free Sunday, November 2 English and A mer ia n Art Songs 3 p.m. Phelps Mansion, 191 Court Street, Binghamton – $10 general public; BU students free with 1D – For reservations call the Phelps Mansion at (60 7) 72 24873. This concert is cosponsored by the Binghamton University Music Department and Phelps Mansion Museum. Thursday, November 6 MidDay Concert 1:20 p.m. Anderson Center Chamber Hall free Saturday, November8 Senior Re cital: Dan Rosenau, organ – 4 :00 p m – FA 2 1 – free Sunday, No vem ber9 M u P h i Epsilon Fall Recital l 1 :00 a.m. Casadesus Recital Hall – free Sunday, November 9 Composers Concert: Hugunine and Sikora 4:00 p.m. Phelps Mansion Museum $10 general public; free for BU students with ID. For reservations call the Phelps Mansion at (607) 7224873. Thursday, Novem ber 13 MidDay Co n cer t 1:20 p.m. – Casadesus Recital Hall free Saturday, November 1 5 Univexsi ty Chorus: Havdn’s Mass in Time of W ar 7:30 p.m. Osterhout Concert Theater $7 general public; $5 faeulty/staﬀ/seniors/alumni; free for students Sunday, November 1 6 Senior Recital: A lexio Chang, violin 3 :00 p, m. – Casadesus Recital Hall free Monday, November 1 7 Momenta Quartet Master Class – 8:15 – 10:00 p.m. – Casadesus Recital Hall ew w b e M M b a w w e ew b a e For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 7 7 7ARTS. For a complete list ofour concerts call (607) 7 7 72592, a = [ w m ] visit music.binghamton.edu or become a fan on Facebook. lfyou were inspired by this performance, consider supporting the Department of Music with a ﬁnancial gi ft. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music usic Department, P.O. Box 6000, Department, and send your check to B U M Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:59:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74885">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74885</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, October 30, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Bacon, Hundley, Gordon, Lea, Williams, Walker, Quilter, Duke, Scheer, Heggie, Ives. Held at 1:20 p.m., October 30, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Nan, Ricky Jibril, Karima Young, Rachel Rivera, Daniela Tornberg, Cole Geyer, Stacey Santa Maria, Christina Seigart, Calli Kahane, Carina Arden, Nikolas Smith, Abigail Stamatis, Jake Gac, Jenny Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Bacon, Ernst, 1898-1990 Hundley, Richard Gordon, Ricky Ian Lea, Linde Vaughan Williams, Ralph, 1872-1958 Walker, Gwyneth Quilter, Roger Duke, John Scheer, Gene Heggie, Jake Ives, Charles, 1874-1954 Date A point or period of time associated with an event in the lifecycle of the resource 10/30/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound