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                    <text>~
J

&lt; 

r

~ x

HARPUR JAZZ MIDDAY PROGRAM
April 26, 2007
Featuring:

Steve Davis

Program selected from the following:
The Quota . 

. Jim my Heath

How Deep Is The Ocean...

..Irvi ng Berlin a rr. by Al Ha m me

Ya rdbird Suite

Charlie Parker

You Don ’t Know W hat Love Is 

Speak LOW isssssssissovionissiriarssssistioissiantertsssiomsissnsetntossiobomssbsisnsisse 

..  Don Raye

.

. . Ku r t  Weil

Blue SKieS...occiiinensiniensininnssnssinennisnninssnsnmssisseessss 
IFVINE Berlin a rr. by Al Ha m me

Things Ain ’t What They Use to Be.. 

Steve Davis ­ Trombone

Albert Hamme: Alto Sax &amp; Flute
Mike Carbone:  Tenor Sax &amp; Flute
Camille Thurman: Tenor Sax
Gene Cothran: Piano
Andrew Williams: Bass
Joe Roma : Drum set

Du ke Ellington

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                    <text>MT( IN
BINGHA
”C x  i  ‘  l  l.  ,  : I  l
 U
Staet Univ ersity
ANT  1  t
= 
a

~ . .

™

d e c
[4

D E P A R T M E N T

N 1 
a

Ha rpu r Jazz Ensem ble
Michael C arbo ne, d i recto r

with guest artist

Ste ve Davi s

Thursday, April 26, 2007
8:00 p. m.
Osterh out Concert Theater

�ABOUT T H E  PERFORM ERS
M I C H A E L  J .  CARBONE,  conductor,  is  an  instrumental  music
teacher in the Johnson City School district where he is  Director of
Concert  Band  and  Jazz  Ensemble.  He  joined  the  Binghamton
University music faculty in  1997 and serves as the Director of the
Jazz Studies P rogram and as Director of the Harpur Jazz Ensemble.
He holds a B.M.E. from th e Crane School of Music and a M.M.
from  Binghamton U niversity.  Carbone has  performed with many
well­known  artists  including  Al  Marino,  Natalie  Cole,  Tommy
Tune,  Mel  Torme,  The  Jimmy  Dorsey  Orchestra,  Danny
D’Imperio’s  Big  Band  Bloviation.  the  Central  New  York  Jazz
Orchestra, and The Temptat ions.  Carbone curre ntly performs with
the local jazz group “Miles A head.
STEVE  DAVIS  is  widely  regarded  as  one  of  today’s  leading
improvisors o n the trom bone.  His lyrical, ha rd­swinging st yle ﬁrst
gained him broad recognition during the 1 990’s while working with
the bands of jazz legends Art Blakey, Jackie McLean, Chick Corea’s
acclaimed sex tet Origin and the renowned cooperative sextet, One
For All.
Born in  Worcester. M A in  1 967, Steve was raised  in  Binghamton,
N Y and graduat ed in  1989 from The Hartt School’s Jackie McL ean
Institute  of  Jazz  (University  of  Hartford).  It  was  Mc  Lean’s
guidence and recommendation that helped Davis land his ﬁrst major
gig  with  Art  Blakey  in  N YC  in  Dec  1989.  Steve  returned  to
Hartford  in  1 992  to  join  Mc  Lean’s  sextet  and  begin  teaching
alongside  his  mentor  at  both  the  Hartt  School  and  Artist’s
Collective.  Davis has resided in Hartford ever since.
In May 2006, Davi s presents his 9th CD as a leader, “Update ” (Criss
Cross) which features the stellar line­up o f Peter Bernste in, Anthony
Wonsey,  Nat  Reeves.  Joe  Farnsworth  and  special  guest  Roy
Hargrove.

Lately, Steve has been leading his own bands with more  frequency
including an all­star quintet  featuring  Steve  Nelson.  Larry  Willis,
Nat  Reeves  and  Joe  Farnsworth.  Davis  has  also  formed  a  new

(

l

quartet/quinte t  featuring risin g stars Dav id Bryant (piano), Dezron

Douglas (bass ) and renowned drummer. Eric McPherson.

On  occasion,  the  band  is  augmented  by  exciting,  frontline­mates
Mike DiRubbo ­ alto sax and/or Ray Mc Morrin ­ tenor sax, Josh
Evans ­ trumpet. Steve also continues to  perform and  record  with
the  well­known, collective unit One For All ( feat. Eric Ale xander,
Jim Rotondi,  David Hazelt ine, Peter  Washington, Nat  Reeves  or
David Williams and Joe Farnsworth).  The band has recorded  11
CD’s  since  1997  for  Sharp  Nine,  Criss  Cross  and  Venus/Japan.
Both  their  recordings  and  live performances  have  garnered rave
reviews.  In 2006, Seco nd Floor Music will  be publishing One For

All  sextet c harts in  t wo sets, as re corded o n  the group’s ﬁ rst t wo

CD’s. “Too Soon To Tell” (1 997) and “Opt imism” (1998) for Sharp
Nine Records.

Ever in­demand as a sideman. Davis is  featured on over seventy
recordings and  has worked  in  recent  years with  a broad  range of
jazz  icons  including  Horace  Silver,  Cecil  Payne,  Larry  Willis,
Freddie  Hubbard  (w/  New  Jazz  Composers  Octet),  The  Dizzy
Gillespie Alumni All­Star Big Band/Sextet, Slide Hampton‘s World
of Trombones, Wynton Marsalis (w/ Lincoln Center Jazz Orchestra)
and Steve Turre’s One 4 J.
Steve  has also  worked  with a variety of his peers  over the  years
including Claudia Acuna. Eric Alexander, A braham Burton, Avishai
Cohen,  Mike  DiRubbo,  Dena  DeRose,  John  Farnsworth,  Jimmy
Greene. Roy Hargrove, Stefon Harris, Nicholas Payton and Michael
Weiss.
Davis  continues  to  lead  an  active  teaching  career  at  the  Hartt

School‘s Jack ie  McLean Instit ute of Jazz (U niversity of Hartford)
where  he  has  been  on  faculty  since  1991  and  now  teaches
exclusively.  Steve also continues his long­time aﬀiliation with the
Artist‘s  Collective  (founded  by  Jackie  and  Dollie  McLean)  in
Hartford, CT where he mak es his home (i n West Hartfo rd) with his
wife, pianist M ary DiPaola­Davis and child ren Tony and Angie.

�P rog r a m

! 

X

F IRS T HALF
John La Barbera

Tiger o f San Pedro 

SECOND HAL F with S t e v e  D a v i s
Program selected from the follo wing:

Arabia..

How Sweet lt ls......... Edward &amp; Brian Holland and Lamont Dozier
arr. by Mark Taylor
 
T Groove 

Milt Jackson
arr. by John Cla yton

Groovin Hard 

Don Menza

E

 
Straight N O C h E S E L . . . . . . . . . . . . . c c i c c i i Monk
arr. by John La Barbera
New York City B

l

u

e

You ’ve Changed

[ Can’t Believe You ’re In Love 

The Jazz Police 

s

Q

u

m

c

 
y Jones

Bill Carey &amp; Carl Fischer
arr. by Mark Ta ylor 
...Clarence Gask ill &amp; 
Jimmy McHugh
arr. by Billy May

Gordon Goodwin

Curtis Fuller
arr. by Chris Casey

I Got It  Bad (And That Ain’t Good) .. 

Mean What Yo u Say 
Slo­Funk 

That Warm Feeling 

.. Duke Ellington

Thad Jones
Bob Mintzer

Sammy Nestico

�HARPUR JAZZ ENSEMBLE
H

h

 

David Faranda. 1  alto 
 
Dan Fagen. 2 ” alto 
Camille Th urman. 1* tenor 
 
Michael Marchisotto. 2 ” tenor 
Margaret Hager. Baritone Sax 
Bob Pompi. Bariton e Sax 

Harris Brenner
Julian Goetz 

T r u m pets 
Rudy Bellanton 
Laura Kinne 
Paul Persichette
Alex Weiser 
Glen Widjeskog 

D r u m Set &amp; percussion
Aaron Fumarola
Brad Koegel

Trobones 

Christopher Delama ter 

h

A 

allo
“ 3

‘
h : ty  
h :   s g
na n ~ Swaaley

 
a s percussion
o y   ' e a n

Flute
Stefanie DeVito

Mo “Reese ” Taylor
Christine Hubert
Harris Brenner

Clari net
Richard Silvagni

a 

a
t a  e
eKatrina Cox 

Gabriel Luce 
David Katcher

Rhonda Plunkett 

Jamie Cepler 

This concert is co­sponsored by
the Department o f Music and the
Harpur Jaz z Project

Bass 
s
s

¢

Vocalists 

J a z z  A p p r e c i a t i o n  M on t h

 

This performance also partially funded by the

f
v ition
J 
 yi
t .  , '    LP
: 
. 
oi Jazz Educa
 AssoczatIOnf
International

N e w  Y o r k S t a t e  C h a p t er

�Comngi  C‘ents
Sat urday,  April  28 –  Master ’s  Recital :  Nicole  Hsu,  piano – 8:00  p.m.  –
Casadesus Reci tal Hall – free
Sunday,  April  29  –  University  Wind  Ensem ble  and  t he  Southe rn  Tier
Concert Band – 7:30 p.m. – Osterhout Concert Theater – free

Tuesday, May 1 – University Percussion Ensemble – 8:00 p.m. – Anderson
Center Chamber Hall – free
Casadesus Recital  Hall 
Th u rsda y, May 3 – Mid­Day C oncert – 1 :20 p.m . – 
free

­

Friday,  May 4 – Flute  Studio Recital  – 10:15 a.m. – Casadesus Reci tal Hall 
free

­

Sat u rda y, Ma y 5 – Fl ute Ensem ble Rec ital – 1 0:15 a.m . – Casadesus Recital
Hall ­  free

– 
Su nda y, May 6 – St udent R ecital : Rosa N am, pia no  3:00 p.m . ­ Casadesus
Recital Hall ­  free
Sunday –  May 6  –  Master ’s  Recital :  Danielle Sofer, piano 
Casadesus Recital Hall ­  free

7:00  p.m.

­ 

Wed nesda y, Ma y 9 – G limmerg lass O pe ra You ng A rtists E nsem ble  8:00

p.m. ­  Casadesus Recital Hall  ­  free

– 

1:20  p.m.

Th u rsda y, May 1 0  St udent  Recogn ition  Mid­Da y Conc e rt 
Casadesus Recital Hall  free
Thursday, Ma y  1 0  –  Harpur  Chora le &amp;  Women ’s Chor us 
Anderson Center Chamber Hall  ­ free

­ 

8 :00 p.m.

Sat u rda y, Ma y  1 2  –  Master ’s  Recital :  William  G ilchrest , tru m pet 
p.m.  ­ Casadesus Recital Hall ­ free

8:00

�</text>
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                    <text>BINGHAMTON
V E R S I T Y
U N I

State University of  New York
Th 

­ 

\ 

\ 

A N   as,

A 2 0 4  

1
eo  9
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C

  E N T
B E P A R I M

W

UNIVERSITY PE RCUSSION
ENSEMBLE
Daniel Fa b ricius, cond uctor

Tuesday, May 1, 2007
8:00 p.m.
Anderson Center Chamber Hall

�PROGRAM
DICHOTOMY ( 1 986).................................An t ho ny Cirone

Rush
Arranged by Marc &amp; Richard Silvagni

XXY (1982) 

 
LEKSAKER (1 989)... c o r i c v i v i v v n v m . Hasenpﬂug
RONDO B

A

R

E

R

 
K Frederic Dutton

C

O

e...... 
THREE BROTHERS ( 1 9 5 4 ) . . . . . . . . . . c c c c c 0 Michael Colgrass

YOU GOT S

~Intermission~

E

D

Mark Turley

JESU. JOY OF MAN’S DESIRING.......COCOVSASEVSSSSSOISNSSANSS  J.S. Bach
Arranged by Steve Mathieson

LOG CABIN BLUES (1924)...................... George Hamilton Green
Arranged by Bob Becker
Marc Silvagni, Xylophone
WORKING TITLE (2007) 

V

Mark Turley

We Will Rock You – Queen
Baba O’Riley – The Who
Back In Black – AC / DC
Light My Fire – The Doors
Money – Pink Floyd
Heartbreaker – Led Zeppelin
Smoke on the Water – Deep Purple
(Don ‘t Fear) The Reaper – Blue Oyster Cult

 
FIESTA LATINA . . . . . . . . . . 8 i s i s 0 a 8 Mancini

�ABOU T T H E  COND UCTO R
DANIE L FABR ICIUS  took  the  post  of percussion  instructor at  Binghamton

Univers ity in September 1992.  He also  has been director o f b ands at O wego Free

Academy  since  1989.  Fabricius  is active as a performing percussionist  in the
Southern Tier.  He is a member of the Binghamton Symphony Orchestra as well

as  timpanist/principal percussionist  for  the  Orchestra  of the  Southern  Finger

Lakes.  In recent years, he also has performed as a percussion soloist in chamber
ensembles, in musical theater productions and with a variety o f nationally known
artists. He performs often as a freelance musician and as a member of the local
dance band “Classy Brass.”

As a music educator, Fabricius holds pro fessional memberships in the New York
State Sc hool Music Association, the Inte rnationa l Association of Jazz Ed ucators,
the Percussive  Arts Society, and the National Band A ssociation.  He also has
served t wo terms as president of the New York State Band Directors Association.
He has  worked on the summer session  faculty  for the Ithaca College School o f
Music and also serves as a cooperating teacher for senior student teachers.  He has
conducted many honor band  festivals, presented clinics on a variety  of music
education topics, and has adjudicated at music festivals throughout New Y ork.

UNIV ERSI TY P ERCU SSIO N EN SEM BLE
Caleb DeGroote
Kristine Jackson
Ai Karasawa
Subin Lim
Richard Postelnik
Marc Silvagni
Kelly T ufo
Mark Turley
Lee Vl insky

Coming 

‘Crents

Sunday, May 6 –  Student  Recital:  Rosa  Na m, pian o –  3:00 p.m . ­ Casadesus
Recital Hall – free
Wed nesday, Ma y 9 – Gl i m merglass O pe ra Young A rtists Ensem ble – 8:00 p.m.
­ Casadesus Rec ital Hall – free
T h u rsda y,  M a y  1 0  –  St uden t  Recogni tion  M id­Day  Conce rt  –  1 :20  p.m.  –
Casadesus Recital Hall – free

�</text>
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                    <text>UNXVV  ARC

Recital
topo
091
5­4

MT

U N I V E R S I

State University of  New York

Binghamton University Department of Music

geeg COL

Flute Studio Recital

Friday, May 4, 2007
10:15 A.M. ­ Casadesus Recital Hall

Progranl
Image pour Flute Seule................ ...

i........Eugene Bozza
(1905­1991)

Erica Leo, Flute

Slowly and Swingy for Flute and Piano
1.  Poco andante (con fantasia)

2. Allegro giocoso

Pierre Max Dubois
(1930­1995)

Jennifer Weintraub, Flute
Mrs. Margaret Reitz, Piano

C an t a b i l e  Presto for Flute and Piano

...Georges Enesco
(1881­1955)

Valerie Spiller, Flute
Mrs. Margaret Reitz, Piano

Serenade for Solo Flute
Prelude
Caprice
Intermezzo
Arioso
Finale

........Philip Glass
(b.1937)

Melissa Voldan, Flute

..........Scott Joplin
(1867­1917)
Arranged by Tony Santorella

The Entertainer

Melissa Voldan, Bass Flute
Mrs. Margaret Reitz, Piano
Flutists a re from the Flute Studio of George tta Maiolo

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                    <text>BINGHAMTON
L  . \   i  V  i;  R  \  I  1  3

State University of  New York

UNVI  JFﬂﬂ 

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B E Y  A R T  M E N T

T HE BINGHAMTON UNIVERSITY
SAXOPHONE STUDIO
CONCERT
Featu ring the
Binghamton University
Saxophone Q uartet
And the

Binghamton University Saxophone
Ensemble
W ith

Margaret Re itz, P iano
A nthony Ald uino, Bass Saxophone
co­sponsored b y
The Binghamt on University Music Depart m ent
May 5, 2007
3:00 p. m.
Casadesus Recital Hall

�PROGRAM
+vereeeen.  Eugene Bozza
(1905­1 991 )

Aria (1936)

Marissa Roe, Alto Saxophone
Georg Phillip Telemann
(1681­1 767)

Sonata 1
II Adagio
III Allegro

Emily Alkeiwitz and Am y Natiella, Alto Saxophones

..Ronald Caravan

Quiet Time........

(B. 194 7)

Steven Inganamort, Tenor Saxophone
siOoon ge  Produc
Sonata  No. 3......cccenneee a 
o k Handepl
11 Allegro
Katherine Navarett, Alto Saxophone
.........A ntone V ivaldi
Suite in C Minor........ooevenes
(1678­1759)
II Corrente
IV Sarabnade
V Gigue
Kristen Weiss, Tenor Saxophone

Hector Villa Lobos
Fantasia (1948)........ccceenens
(1887­1 959)
I Anim e’
Amy Natiella, Soprano Saxophone
WINTE RMISS IONC3
Three Preludes ..............ceue.
1%  movem ent
2™  movem ent
3 ”  movem ent

rovin.G eorge Gershwin

(1898­1 937)

The Binghamton University Saxophone Quartet
Amy Natiella, Soprano Saxophone
Emily Alkeiwitz, Alto Saxophone
Michael Marchisotto, Tenor Saxophone
Marissa Roe. Baritone Saxophone

ABOU T T H E  P E R F O R M E R S
APRIL L UCAS earned both a Bachelor of Arts and Master o f Music at Binghamton
University and is currently on the  faculties  of Binghamton University  and Broome
Commun ity College and a former m ember of the Hartwick Col lege music faculty. Ms.
Lucas is a founding member of the Empire Saxophone Quartet and has recorded with
the Hudson Valley Saxophone Quartet, the Saxophone Sinfonia, the New Sousa Band
and the Empire Saxophone Quartet. A former regional director of the North American
Saxophone  Alliance,  Ms.  Lucas  has  served  as  a  clinician  and  guest  conductor
throughout New  York  State.  She is a  full time  instrumental music  teacher  for the
Susquehanna  Valley  School  District.  Ms.  Lucas  is a member  of the  Binghamton
Philharmonic Orchestra, the Tri­Cit ies Opera Orchestra, and the Southern Tier Concert
Band and has been a member of the New Sousa Band under the direction of Keith
Brion since 1989. April Lucas has been soloist with the Southern Tier Concert Band,
the Binghamton Community Orchestra and the New Sousa Band.

MARGA RET RE ITZ, pianist, is a native of the Binghamton Area. She received her
Bachelor  and Master  of Music  degrees  in piano performance  with  accompanying
emphasis,  and  attended  Boston  University,  New  England  Conservatory  and
Binghamton  University.  She  has  studied  piano  with  Jean  Casadesus,  Victor
Rosenbau m, Seymour Fink and Wa lter Ponce and accompany ing with  Allen  Rogers.
She has accompanied throughout the United States, England, South America, and at the
American  Institute  of Musical  Studies  in  Graz,  Austria.  Reitz  and  Binghamton
University  faculty  member  Timothy  Perry  were  winners  of  the  1997  Artistic
Ambassadors Program by the United States ln fonnation Agency in partnership with the
John F. K ennedy Center for the Performing Arts. During the summer of 2005, Reitz,
clarinetis t Timothy Perry and cellist Stephen Stalker were invited to perform at the
lntemational Clarinet Conference in Tokyo, Japan. Other notable performances include
guest  chamber  music  artist  in  Morges,  Switzerland  and  guest  soloist  with  the
Binghamton University Orchestra.  She  was the  oﬀicial accompanist at the MTNA
State and Eastern Division Competition at Ithaca College in 200 1 and will be returning
in 2006.  In addition, she  was selected to  attend the  Accompanying  Workshop  for
Singers and Pianists held at Northwestern University. During the summer of 2006, she
will compose the musical score for an independent ﬁlm  by MANDIS Production, to be
released in February 2007.
ANTHONY ALDUINO (baritone saxophone) is a music educator in the Susquehanna
Valley School District and an active musician in  the Southern Tier. He has a woodwind
studio  for private instruction and has performed w ith the B inghamton and Syracuse
Symphony Orchestras. Tony has recorded with the Rascher Ensemble, the Fredonia
Saxophone Ensemble and  the  Saxophone  Sinfonia. He is a  former member of the
Onondaga Commu nity College faculty.

�Perpetuum Mobile 

Johann Strauss II
(1 825­1 899)

Arr. P. Aldi

The Bingham ton University Saxophone Q uartet
Amy Natiella, Soprano Saxophone
Emily Alkeiwitz, Alto Saxo phone
Michael Marc hisotto, Tenor Saxophone
Marissa Roe. Baritone Saxo phone

Percy CIDRID REY
(1882­1961)
Arr. P. Cohen

Shepherd’s Hey 

o v  Grainger
Spoon RIVEL ........coomm mmm i mmmmsiiad iindP ians. 
(1882­1961 )
Arr. P. Cohen
The Binghamton University Saxophone Q uintet
Amy Natiella. Soprano Saxophone,
Emily Natiella, Alto Saxophone
Kristen Weiss, Alto Saxophone
Michael Marchisotto, Tenor Saxophone
Marissa Roe. Baritone Saxophone

Two Rags for Saxophone E nsemble (1974) 
1  Sad Rag 
II Glad Rag

Arthur Frackenpohl
(B. 1923)

The Binghamton University Saxophone E nsemble
Amy Natiella. Soprano Saxophone
Emily Natiella, Alto Saxophone

Kristen Weiss, Alto Saxophone
Michael Marc hisotto, Tenor Saxophone
Marissa Roe. Baritone Saxo phone

Anthony Alduino, Bass Saxophone
T he St u d ent Perfor m ers are from t he Studio of A pril Lucas

�Coming 

‘Cuents

Sunday, May 6 – Stu dent Recital : Rosa Nam, p iano – 3:00 .m. – Casadesus
Recital Hall – free

Wednesday, May 9 – Glimmerglass Opera Young Artists Ensemble – 8 :00
p.m. ­ Casadesus Recital Hall – free

Th u rsday, May 1 0 – Stu dent Recognition Mid­Day Con cert – 1 :20 p.m.
Casadesus Recital Hall – free
Th u rsday, May  1 0 –  Har pu r Chora le &amp;  Women ’s Chor us –  8:00  p.m. –
Anderson Center Chamber Hall – free
Satu rday, May 1 2 – Master ’s Recital : William G ilch rest, t ru m pet ~ 8:00
p.m. – Casadesus Recital Hall ­ free

�</text>
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                    <text>©  U N T Y   R R C

Rec va)
i Ot 3

Joa
5

SPEC Colo

Composi tion  331
Class Co ncer t
of
Stud ent Com posi tion s
Monday, May 7, 2007

Fine Arts 111
Binghamton University

�“Hold You In My Smile” (Text by Ernestine
 Northover)
Composed by Maria Roccisano

Sweet moment, stay with me,
and pray do not ﬂee so soon,
Let me enjoy the bliss o f that
ﬁrst kiss beneath the moon.
I wish to cradle this feeling,
that has only just been found,
A feeling that has unexpectedly
turned my world around.
Do not depart, Oh please remain
within my heart awhile,
So that I can savour you once more,
and hold you in my smile.

M M M ﬂ u n m
Did I Ever Tell You How Lucky You Are? (
Text by Dr. Seuss)
Composed by Patrick Deeney

When I was quite young and quite small f
or my size, I met  and old
man in the Desert of Drize.  He sang me
 a so
ng I will never forget.
At least, well, I haven ’t forgotten it yet.
He sat in a terribly prickly place, but he sang w
ith a sunny sweet
smile on his face :

When you think things are bad, when you fe
el sour and blue, when
you start to get mad you should do w
hat I do!
Just tell yourself, Duckie, you’re really q
 lucky! Some people are
much more...oh, ever so much more...oh,uite
 mu
chly much­much more
unlucky than you!
Thank goodness for all the things you are not
.  Thank goodness
you ’re not something someone forgot, and le
ft al
l alone in some
punkerish place like a rusty tin coat hanger 
hanging in space.
That ’s why I say, ‘Duckie! Don ’t grumble! 
Don ’t stew!  Some critters
are much­much oh, ever so much­much,
 so m
uchly much­much more
unlucky than you!’

“ I m m a d w m m

Since feeling is ﬁrst (Text by e.e. cummings) 
Composed by Ion

Ho

Since feeling is ﬁrst
who pays any attention
to the syntax of things
will never wholly kiss you ;

wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all ﬂowers. Don’t cry
­ the best g esture of my brain is less than
your eyelids’ ﬂutter which says
we are for each other ; then
laugh, leaning back in my arms
for life’s not a paragraph

And death i think is no parenthesis

ﬂ h ­ M ‘ M M H
Lines (Text by Martha Collins) Composed b
y Scott Goldhaber

Draw a line. Write a line. There.
Stay in line, hold the line, a glance
between the lines is ﬁne but don ’t
turn corners, cross, cut in, go over
or out, between two points of no
retum’s a line of ﬂight, between
two  points of view’s a line of vision.
But a line of thought is rarely
straight, an open line’s no party
line, however ﬁne your point.
A line of ﬁre communicates, but drop
your weapons and drop your line,
consider the shortest distance from x
to y, let  x be me, let y be you.

Scot  Gow
l haber ,v o c a l i s t

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Rec 

Tog 0
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Binghamton University Music Department

STRING PROGRAM RECITAL

Cal  L’s  ( j

Concerto in A Minor, BWV 1041 

J.S. Bach

Allegro moderato 

Jennifer Liebman, violin
Margaret Reitz, piano

Passacaglia on an Old English Tune (1943) 
Melissa Lee, viola 
Margaret Reitz, piano

Meditation from “Thais” 
Jennifer Paull, violin 
Margaret Reitz, piano

Fantasy 

Sarah Sterling, viola 
Margaret Reitz, piano

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Rebecca Clarke
(1886–1979)

Jules Massenet
(1 842–1912)

Johann Nepomuk Hummel
(1778–1837)

Ignaz Pleyel

Allegro 

Jennifer Paull
Beth Vayshenker

Quartet in D minor, Op. 76, No 2 “Quinten” 
Andante, o piu tosto Allegretto 
Allegro

(1685–1750)

(1757–1831)

Joseph Haydn
(1732­1 809)

Elizabeth Sterling and Griﬀin Sargent, violins
Sarah Sterling, viola  Ryan Joyce, cello

Concerto No.3 in G Major, BWV 1048 “Brandenburg ” 
(Allegro) 
Adagio
Allegro
Janey Choi, Akira Maezawa, Griﬀin Sargent, violins
Roberta Crawford, Melissa Lee, Sarah Sterling, violas
Stephen Stalker, Heajung Kim, Ryan Joyce, cellos
Peter Browne, continuo

Tuesday May 8, 2007, 8:30 PM
Casadesus Recital Hall

J.S. Bach
(1685–1750)

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                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
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