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                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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              <text>James Humes (1934 - 2020) was an author, lawyer, profesor, politician, and former presidential speechwriter. Humes earned his Bachelor's degree from Williams College and his Law degree from George Washington University. He was elected as a Republican to the Pennsylvania House of Representatives in 1962 and served as a speechwriter for Presidents Dwight Eisenhower, Richard Nixon, Gerald Ford and Ronald Reagan. Humes, a professor of Language and Leadership at the University of Southern Colorado,&amp;nbsp; was the author of numerous books, including Nixon's Ten Commandments of Leadership and Negotiation, Confessions of a White House Ghostwriter, and The Wit and Wisdom of Winston Churchill.</text>
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              <text>1960s; Anti-war protest; Richard Nixon; Class of people; War; Student protests; Vietnam; Vietnam War; Media; Protests; Generational gap; Baby Boomers.</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
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                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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                    <text>AN
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HARPUR JAZZ MIDDAY PROGRAM
December 7, 2006

Pe]

; 

Featuring:

Bruce Johnstone
Program selected from the following:
. Steve Swallow

Let’s Eat.. 

Second Handy MOLION.....ciiciricnnnnrccniencsnnnessenssssssssesssssssnsssensssssnssssssannsansanenness 
‘

l

Swallow

Bite Your Grandmother .

Steve Swallow

Five Spot After Dark 

Benny Golson

‘ 1
A

Who’s Got Rhythm? (Bruce Does). 

Al Hamme

in’ f or B aroque 
Gom 

A l  H amme

Longing for Bahia 

.Dorval Caymmi

Stolen 

m Nelson

1­1 1 ]£

Bruce Johnstone ­ Baritone Saxophone
Albert Hamme: Tenor Sax &amp; Flute
Mike Carbone: Alto Sax &amp; Flute
Camille Thurman: Soprano Sax
Dino Losito: Piano
Andrew Williams: Bass
Joe Roma: Drum set

�Bruce Johnstone

Bruce Johnstone b.Sept 1st 1943 Wellington New Zealand.
Bruce Johnstone’s ﬁrst exposure to American audiences was as a member of Maynard
Ferguson’s band in 1972. He recorded three albums with the Ferguson Band which, along with
live concert appearances placed him in the #3 spot in Down Beat Magazine’s Readers Poll
behind Gerry Mulligan and Pepper Adams. He held this position for the next ten years.
Leaving Ferguson in 1976, he moved to N.Y., signed with Arista’s new Freedom label and with
co­leaders Rick Petrone and Joe Corsello formed the new Jazz Fusion band New York Mary.
Both albums produced by this band met with great critical success. While in N.Y. Bruce also
recorded with Anthony Braxton (Creative Orchestra Music 1976) with blues singer Luther
Allison. (The horn section being Michael and Randy Brecker, Lew DelGatto and Bruce
Johnstone.) In 1977 Bruce joined The Woody Herman Band and toured and recorded with the
band until April 1978.

Since 1978, he has lived and worked in Western N.Y.(primarily Buﬀalo N.Y. and Erie PA) and
maintains a busy concert/clinic schedule including appearances with The Dave Stevens Big
Band, The Buﬀalo Brass, The Erie Philharmonic Pops, The Bemus Bay Pops, his own small
groups and with The Don Menza Octet. He is currently Director of Jazz Studies
at SUNY Fredonia.
Prior to coming to the States with Ferguson, Bruce had had solid musical careers in
Copenhagen Denmark where he played with Ben Webster and Dexter Gordon. London
England where he was a studio musician. Sydney Australia where he was a studio musician and
Assistant Musical Director at a prominent Sydney Nightclub called Chequers, and Wellington
New Zealand, where he was a member of the NZBC Radio Big Band while still in High School.
Bruce plays a Selmer MkVI Baritone with a Lawton 8*B mouthpiece and uses Rico 3 1/2 reeds.

�</text>
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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E   U N I V E R S I T Y  O F   N E W  Y O R K

[4

(20 7224

D E P A R T M E N T

JAZZ M I D ­ D A Y
CONC E R T

featuring :

Ma rko Mar cinko, d r u m set
also featuri ng

BillC
  arter, piano
Mik e  Carbone, saxophones
Ton y Mari no, bass

Th u rs d ay, A pr il 10, 20 14

1:20 p. m.

Oster hou t Conce r t Th ea t e r

�ib­  PROG RAM  &amp;»

&amp;  ABOUT THE PERFORMER  «~&amp;

Program selected from the following and
announced from the stage:

Marko  Marcinko ca me  onto  the  international  music  scene  in  1994
while touring and  recording with trumpet legend Maynard  Ferguson.
Marko served as drummer and arranger for Ferguson and his Big Bop
Nouveau  Band  for  three  years.  Marko  appears  on  the  Concord
Recording  “One  More  Trip  To  Birdland”.  Born  in  Archbald,
Pennsylvania, Marcinko studied technique with drumming master Joe
Morello and continued his training at the University of M iami where
he  studied  classical,  jazz,  brazilian  and  afrocuban  styles  under
professors  Fred  Wickstrom.  Steve  Bagby,  Steve  Rucker.  Harry
Hawthorne and Ney Resaro. Over the years Marko has pla yed with jazz
greats Joe  Henderson,  Phil Woods, Clark  Terry, Bob  Dorough,  Red
Rodney, Michael Brecker, Randy Brecker, M ulgrew Miller, Mike Stern,
Tierney  Sutton,  Terrell  Staﬀord  and  Will  Lee.  Other  notables
Marcinko has  worked with include Jon Secada, Joan Rivers, Connie
Francis,  Don  Rickles,  Melba  Moore, J uan  Gabriel,  Clay Aiken,  Jay

Dance 24 . 

.Bill Carter

Mr. Syms.. 

. John Coltrane

Elegy . 

It Might as Well be Spring‘ 

Brent’s Beadle . 

Bill Carter

Rodgers and Hammerstein

Bill Carter

Leno. Bob Newhart and Nicol Williamson. During his  years in the
music industry, Marcinko has worked as a freelance musician  playing
drum set, percussion, piano/keyboards, bass guitar and trombone. He
has also served as a studio session player, arranger, musical director and
producer  for  numerous  commercial  jingles,  indie­ﬁlms  and  oﬀ,
broadway /  club and  theater engage ments. Currently, Marcinko tours
and  records  with  jazz  saxophone  icon  and  N EA  jazz  master  Dave
Liebman.  Discography  includes:  The  Dave  Liebman  Group,
“Conversation”  SunnySide  Records,  “Blues  Always”,  Omni  Tone

Records, “Back On The Corner” Tone Center Records,  “Beyond The
Line",  Omni  Tone  Records.  “TurnAround”  the  music  of Omette
Coleman, Jazzwerkstart Records, “As Always” The DLBB Live, MAMA
Records. You can also hear Marcinko’s drumming and arranging on
“ Essentials”  CD  a  retrospective of Maynard  Ferguson.  Marko  more
recently has been touring and recording with The Organik Vibe Trio

Co~sponsored by  the Binghamton University Music
Department and the Harpur Jazz Project

featuring multi Grammy award winning jazz great Dave Samuels.  CD
titled  “Moscow”  The  Organik  Vibe  Trio.  Mr.  Marcinko  is  also  an
adjunct professor of jazz studies at Penn State University, State College,
PA. He also serves as the artistic director for the Scranton Jazz Festival,
The Pa Jazz Alliance and the Keystone College Jazz Institu te. For more
info on Marko Marcinko please visit www.markomarcinko.com. Marko
endorses  Zildjian  Cymbals,  Yamaha  Drums,  Vic  Firth  Sticks  and

Aquarian Drum Heads.

�Bingha mton U n iversity M usic
De part ment’s Com ing Eve n ts
M 6 $ ~ ﬁ b 6 M M § ﬂ ﬂ é m ¢ b ¢ 6 M ﬁ 6 ﬁ ﬂ

Thursday, April 1
  0 ­ H ar pur  J a z z  Ensemble Concert with guest artist

Marko Marcinko ­ 8:00 p.m. ­ Osterhout Concert Theater ­ $7 general
public; $5 faculty/ s taﬀ/ seniors; free for students
Thursday, Apri124, Mid­Day Con cer t  1:20 p.m. ­ Casadesus Recital
Hall ­ free
Saturday, April  2 6  – Senior Reci tal: Kerianna Krebushevski, soprano –

8:00 p.m. ­ Casadesus Recital Hall ­ free

Sunday, April  2 7  ­ Senior Reci tal: P a ul  Watrobski, cello  ­  1:00 p.m. ­
Casadesus Recital Hall ­ free
Sunday, April  2 7  – Univeristy Chorus and Wind Symphony Concert:
An American Music Celebration – 3 :00 p.m. ­ Osterhout Concert
Theater ­ $10 general public; $7 faculty/staﬀ/seniors; $5 for students
Sunday, April  2 7, Master’s Reci tal:  Seonghyang Kim, p
  iano ­ 7 :3 0 p. m.

­ Casadesus Recital Hall ­ free

Tuesday, April  29 ­ Piano Ensemble Concert ­ 8:00 p.m. ­Casadesus
Recital Hall ­ free
Thursda y, Ma y 1 – Mid­Da y Con cer t – 1 :2 0 p.m. – Casadesus Recital  Hall
— 
free
Friday,  Alay 2– String Orchestra Concert – 4 :00 p.m.  – Grand Corridor –

free

M

W

M

W

M

W

W

For tickets or  to  be  added  to  our  email list, visit anderson.binghamton.edu or  call (607) 7 7 7­
ARTS. For a complete list of our concerts call (607 ) 777­2592, visit music.binghamton.edu or
become a fan on Facebook.
E

—

[ = ] g  

‘ 
a 

E

If 
  you  were  inspired  by  this  performance,  consider  supporting  the
Department  of  Music  with a ﬁnancial  gift.  Your  support  helps  to
continue  the  work  of  students,  faculty,  and  guest  artists  and  their
contributions to our community. Please make your donation payable to
the Binghamton University Music Department, and send your check  to
BU Music Department, P.O. Bax  6000, Binghamton, N Y  13902.

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                    <text>BINGHAMTON
UNIVERSITY
STATE UNIVERSITY OF NEW YORK

Co-SPONSORED BY THE BINGHAMTON UNIVERSITY MUSIC
DEPARTMENT AND THE HARPUR JAZZ PROJECT

JAZZ MID-DAY CONCERT
WITH GUEST ARTIST MICHAEL PHILIP MOSSMAN

Thursday, November 15, 2012
1:20 p.m.
Osterhout Concert Theater

�If you enjoy this performance, join us here
at 8 p.m. for the evening concert!

�PROGRAM
Program selected from the following:

Blues for Barretto ................................. Michael Philip Mossman

Dance of Denial ................................... Michael Philip Mossman
Mama Soho .......................................... Michael Philip Mossman

Oclupaca .............................................. Michael Philip Mossman
Quiero Ir Contigo ............. ............ ........ Michael Philip Mossman
Trouble in Taipei ............ ...... ........ ... ..... Michael Philip Mossman

Michael Philip Mossman - Trumpet
Mike Carbone - Alto &amp; Tenor Saxophone
Mo "Reese" Taylor - Trombone
Gene Cothran - Piano
Tom Westcott- Bass
Jorge T. Cuevas - Percussion
Joe Roma - Drums

H

125 YEARS OF PAS SION &amp; PERFO RMANCE

�,Binghamton University Music Department's
Coming Events
Thursday, November 15- Harpur Jazz Ensemble Concert with guest artist- 8:00 p.m. Osterhout Concert Theater- $6 general public; $3 faculty/staff/seniors; free for students
Friday, November16- String Orchestra Concert-4:00 p.m. - Grand Corridor- free
Concert Cancelled • Friday, November 16 Alumni Recital Series with Briana Sakamoto,
soprano and Margaret Reitz, piano 8:00 p.m. Casadesus Recital Hall free
Sunday, November 18 - Mu Phi Epsilon Fall Semester Recital- 12noon - Casadesus Recital
Hall - Free
Sunday, November 18 -An Enchanted Italian Evening (Italian Diction Class Recital)- 7:00
p.m. - Casadesus Recital Hall - free
Thursday, November 29- Mid-Day Concert-1:20 p.m. -Fine Arts Room 21- free
Friday, November 30-Flute Studio and Flute Chamber Concert- 10:15 a.m. - Casadesus
Recital Hall - free
Saturday, December 1 - "Holiday Concert for Organ, Brass and Percussion" featuring
Jonathan Biggers and the Ithaca Brass - 4:00 p.m. - United Presbyterian Church, 42 Chenango
Street, Binghamton - $9 general public; $6 faculty/staff/seniors; $3 students
Sunday, December 2 - Wind Symphony Concert - 3:00 p.m. - Anderson Center Chamber Hall
- $6 general public; $3 faculty/staff/seniors; free for students
Tuesday, December 4 - Percussion Ensemble Concert - 8:00 p.m. - Anderson Center
Chamber Hall - $6 general public; $3 faculty/staff/seniors; free for students
Thursday, December 6 - Holiday Mid-Day Concert- 1:20 p.m. - Casadesus Recital Hall - free
Saturday, December 8- University Symphony Orchestra- 3:00 p.m. - Osterhout Concert
Theater- $6 general public; $3 faculty/staff/seniors; free for students
Saturday, December 8- Master's Recital: Meghan Çakalli, soprano (tentative)- 8:00 p.m. Casadesus Recital Hall- free
Sunday, December9- Hansel and Gretel-1:00 p.m.&amp; 4:00 p.m. - Anderson Center Chamber
Hall- $9 general public; $6 faculty/staff/seniors; $3 students
For t ickets or to be added to our email list, visit anderson.binghamton .edu or call (607} 777-ARTS.
For a complete list of our concerts call (607) 777-2592, visit music.binghamton.edu or become a Jan
on Fa cebook.
If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to continue
the work of students, faculty, and guest artists and their contributions to
our community. Please make your donation payable to the Binghamton
University Music Department, and send your check to BU Music
Department, P.O. Box 6000, Binghamton, NY 13902.

�</text>
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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E   U N I V E R S I T Y  O F   N E W   Y O R K

[4

w d e e

D E P A R T M E N T

JAZZM
  ID—D AY
CONCE RT
J e ﬀ  S tock ha m –  T ru m pet &amp;

French Horn
&amp;

Mike Du baniewic z – Saxop hones
A

Bill Carter: Piano
Mike Carbone: Saxophones
Tony Marino: Bass
Tom Whaley : Drums

Th u rsd ay, N ovem be r 20, 2014

1:20 p.m.
Osterhou t Concert Thea te r

� OGRAM  4 .

Trumpeter/homist  J E F F   STOCKHAM  is  w e l l ­ k n o w n , “   yN
e

selected from the following:
Grew ’s Tune. 

.Mulgrew Miller

I Remember Cliﬀord. 

Rit  .Benny Golson
.
Arr. By Mike Solazzo

I ’ve Heard the News. 

.Bill Carter

Meet Benny Bailey . 

.

. Quincy Jones
Arr. By Ray Brown

The Quota.

Jimmy Heath

Strollin‘ . 

Horace Silver

So What. 

Miles Davis

music  fans.  A graduate of the  Eastman  School of Music and a  W 3 4 5 ? »   :
renowned  Eastman  Jazz Ensemble, his performance credits read like a Who’s ‘ »
Who of the upstate New York music scene. H e  has performed with the Central ,
New York Jazz Orchestra, Salt C ity Jazz Collective, the Stan Colella Orchatra, the
Mario DeSantis Orchestra, The Balcklites, The Destination, Little Georgie &amp; the
Shuﬀlin’  Hungarians,  Larry  Arlotta,  the  Bearcat  Jass  Band,  the  Syracuse
University  Brass  Ensemble,  Joe  Salzano  &amp;  the  Blue  Devils,  Atlas,  Danny

D’lmperio’s  Big  Band  Bloviation,  the  Syracuse  Symphony.  the  Rochester
Philharmonic Orchestra, and many other regional mainstays. He has backed up
numerous national artists including Tony Bennett, Frank Sinatra Jr., Rosemary
Clooney,  Aretha  Franklin,  Josh  Groban,  Harry  Connick  Jr.,  Robert Goulet,
Natalie Cole, Johnny Mathis, Wayne Newton, Tommy Tune, Marvin Hamlisch,
Jeﬀ Muld. uer, Al  Martino, Don Rickles, Jimmy Cavallo, Jerry Vale, Leslie G ore,
Shari  Lewis, and  many others.  He has been a  mem ber of the orchestra for the
national touring company of Les Miserables. He has toured Europe and Africa
with Chicago blues guitarist Jimmy Johnson.
J e ﬀ  is also one of the few musicians world wide to play jazz on French horn. H e  is
trumpeter  and  French  hornist  in  Thelonius Monk  Jr.'s  “Monk  on Monk” big

band, with which he  has  toured Europe, Israel, and  the  United  States several
times, and with which he has had the opportunity to perform in concert with jazz
luminaries such as Ron Carter, Herbie Hancock, Bobby Watson, Wallace Roney,
Don Braden,  Howard  Johnson,  Ronnie  Matthews,  Danilo Perez,  Gerri  Allen,
Diane  Reeves, Nnenna  Frelon, Jacky  Terrasson,  Helen  Sung,  James  Knowles,
Bobby  Porcelli,  Kevin  Mahogany,  Marcus  Roberts,  Willie  Williams,  John
‘  Fedchock, and Joe Henderson. He has also appeared in concert on trumpet in the
~ T.S. Monk Sextet.

, He is a member of “Dreaming The Duke", a project blending jazz and classical
5J:reatments  of the  music  of Duke  Ellington.  With  the  “Dreaming  The Duke”
Ensemble, he  has  performed  with such  world­class  musicians  as  pianist Mike
“Garson, sopranos Nnenna Frelon and Harolyn Blackwell, drummer Adonis Rose,
‘saxophonist  Virginia  Mayhew,  trombonist  Andrew  Hunter,  and  violist  Ron

wrence.

if  you enjoyed this  performance, join us  for  the evening
jazz concert ut  7:30 p.m. in Osterhout Concert Theater

­ has also been a member of the George Grunt  Cont‘crt Jazz Band, one of the
preeminent  jazz ensembles  in Europe.  The personnel included such celebrated
lcinns ns  Le w  Soloﬂ’, Howard Johnson, Joe Magnarelli, Alex  Sipiagin, Dave
_  ­n, Scott Robinson, Gary Smulyan, Chris Hunter, Sal Giorgianni, Luciano

,  ­ ini, and Tanya Darby.

 s\ “  YCharter  mem ber of the Central New York Jazz Orchestra, he has perfo rmed
‘the las t two decades years with a host of top jazz artists including C lark Terry,
‘ , 
nnell, Phil Woods, Eddie Daniels, Howard Johnson, Houston Person,
reus  Pr in tu p, Wallace Roney, J oe Locke, Bill Dobbins, Jimmy Heath, Cla udio

�Roditi, A l Vizzutt i,  Dan  Miller,  Byron Stripling,  Michael  Phillip  Mossma n, Bob
Berg, Antonio Hart, Bob  Mintzer, Gary  Smulyan,  Rufus R eid, Michael Davis,
Slide Hampton, Kevin Mahogany. Diane Schuur, and many others.
Hailing  from  Syracuse,  NY,  M I K E   DUBAN IEWICZ   graduated  from  Th e
Universi ty of No rth Texas with a Bachelor of Music Educa tion degree. Following
that, he moved to New York C ity to attend the Manhattan School of Music and
pursue a freelance  music ca reer. Wh ile at the Manh attan Sc hool he played lead
alto in  the Jazz Orchestra perfor ming wi th such  jazz lege nds as J on Hend rix, Sir
Roland  Hanna, Michael  Brecker, Joe Lovano, and Frank Foster. M ike received a
Master o f Music in  Jazz and  Comme rcial Music from MSM in 1997 . Furthermore,
in  2009  he was a warded  the  Doctor of Musica l Arts d egree fro m  the  Eastman

School o f Music.

From  1998­2003,  Mike  toured  the  world  with  Maynard  Ferguson ’s  Big  Bop
Nouveau Band serving as a featured soloist  and music direc tor (2002­03). I n  the

summer of 2006 he was asked back by M r. Ferguson to join him  on a tou r that
culmina ted  at  the  famed  Blue  Note jazz club  in NYC. Shortly thereafter Mike
joined Maynard i n studio and recorded what would be the trumpet legend’s ﬁnal
studio recording, The One and Only Maynard Ferguson.

­.'  “e  ‘  g i n  over  20  countries  including  Thailand,  Germany,
l. f  ,» ,  ,  Australia,  Russia  and Sweden. In addition, he has shared the
‘  Franklin,  Phil  Woods,  Frankie  Valli,  The  Vanguard  Jazz

,  w 
l  i.  f") 
1.515115 
'  Reid, a nd  The  Temptat ions.  He  has  also
.  .  5 m!»  .  wit]  Phil ‘Ra mone, Michael Feinstein,  Bobby Shew, Wayne Be rgeron
‘ and Dianne Sch uur.
Trumpet legend  Maynard  Ferguson described  Mike as a  “creative and engaging
jazz soloist, whose playing is ﬁrst rate". No ted author, and J azz Times contributing

columnist Ira G itler calls Mike’s saxophone play ing “exploratory". Furthermore,
Scott  Yannow ;  author  of  ten  jazz  books  describes  him  as  “A  swinging  alto

saxophonist with a beaut iful tone”.

His saxophone  teachers have  included Jerry Santy, Dick Oatts, Ramon Ricker,
Walt Weiskopf. Ralph Lalama, and Steve Slagle.
Mike’s  arrangements  and  compositions  have  been  performed  by  Maynard
Ferguson,  jazz  pianist  Billy  Childs  and “Th e  Eastman  School  of  Music  Jazz
Ensemble.
His product endorsements include : Cannonball Saxophones, AMT Microphones
and Bari Mouthpieces.
In 2009 Mike released his ﬁrst C D as a leader entitled  Drive Time (Jazzed Media).
I n  March 09, the C D  entered the national charts by breaking in to the top 40 on
JazzWeek.com.
You can visit Mike on the  web at: www.mdsax.net.

�</text>
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                    <text>BINGHAMTON

U  N  I  V  E  R  S  I  T  Y
STAT E  U N I V E R S I T Y   O F   N E W   Y O

RK

D E P A R T M E N T

THURSDAY
M ID ­D A Y  CONCERT
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)

THURSDAY, APRIL 14, 2011

1:20 P.M.
OSTERHOUT CONCERT
THEATER

�Midda y Musicians

PROGRAM
Program selected from the following:

To m  Demp sey: G uitar

All Blues..... ......... ......... ......... ........Miles Da vis

AL Hamme, Saxophones
Mike  Carbone,  Saxophones

Bridge Over Troubled Wa ter.... 

Mambo Inn . ......... 

Paul Simon

Arr. by Tom Dempsey

.........Mario Bauza

Arr. by Steve Brown

One H undred Ways 

.........Quincy Jones

Povo. ......... ......... ......... ......... ..Fred die Hubbard

Arr. by Al Hamme

Saucey 

......... .Tom Dempsey

Stolen Moments.... ....... 
Take Your Pick.. 

.........Oliver Nelson
. Hank Mobley

Arr. by Don Sickler/ Edited by Al Hamme

Mo  Reese” Taylor, Trombone
J o e y  Lieber, Frano

Paul Watrobsks,  Bass

Devan  Tracy,  Drums

Guitarist  Tom De mpsey ’s  reputation  for  hard  swinging  sophistication
and pure musicali ty has made him a distinc t voice in  the New  York Ja zz
Scene.  In  recent  years,  Tom  has  performed  and/or  recorded  with
renowned jazz musicians  such as: Wynton Marsalis, Paquito D’Rivera,
Jim  Hall,  John  Abercrombie,  John  Scoﬁeld,  Tal  Farlow,  Buddy
Montgomery,  George  Coleman,  Kenny  Barron,  Roy  Haynes,  Jack
McDuﬀ, Bobby M cFerrin,  Gerald Wilson, Mel Torme, Richard Wyands,
Muhal Richard Abrams, a nd Dave Brubeck .  Since 19 92, Tom has been
performing at some of the top jazz venues throughout the world including
the  JVC  Jazz  Festival,  Jazz  at  Lincoln  Center,  San  Francisco  Jazz
Festival,  The  Blue  Note,  Yoshi’s,  Smalls  and  Smoke.  Dempsey  has
worked e xtensively with Sa vion Glover in “Bring in ‘da Noise, Bring in ‘d a

Funk” and he has made numerous appearances on New York radio and
television including performances on  “The Rosie O’Donnell Show” and

the HBO series “Sex and the City". H e has received no teworthy attention
as  a  composer  as  well.  Because  of  his  distinctive  sound  and  style,
Dempsey ’s  music  has  been  described  as  having  "ﬁne  composi tional
ability  and  stylistic  accessibility.”  He  has  taught  at  Jazz  at  Lincoln
Center, SUNY Ne w Paltz, Rutgers University, New Y ork Jazz­Academy
and  as  Artistic  Director  of  the  Jazz  Summit  at  the  National  Guitar
Workshop.  He has written books and re corded o ver 170 online les sons.
Tom rece ived his Bachelor o f Music Degree in Jazz Studies from Mason
Gross  School of the  Arts  at Rutgers  University  in May 1991. In  May
1996,  he  acquired  his  Masters  Degree  in  Jazz/Commercial  Music  at
Manhattan School of Music.

�Binghamton Universit y Music Departmen t ’ s

U P C O M I N G  E V E N T S
aoaeaeaeaoaeaoaeae
Friday, April 15 – Lecture “ Mother, Come and Cure M e " :  Songs of
“B lind Tom ” Wiggins by Stephanie Jensen­Moulton – 3 :00 p.m. –
Casadesus Recital Hall – free

Thursday, April 28 – Mid­Day Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Thursday, A pril 28 – Trumpet Studio Concert – 8 :00 p.m. –

Casadesus Recital Hall – free
Saturday, April 30 – Harpur Chorale and Women ’s Chorus – 8 :00
p.m. – Anderson Center Chamber Hall – free

Sunday, May 1 – Wind Symphony Concert : Solo Comp etition
Winners – 3 :00 p.m. – Anderson Center Chamber Hall – free
Sunday, May 1 – Master ’s Recit al : J ames Hsia, violin – 7 :30 p.m. –
Casadesus Recital Hall – free
Thursday, May 5 – Mid­Day Con c ert – 1 : 20 p.m. – Casadesus Recital

Hall – free

Thursday, May 5 – African Music Ensemble – 7:00 p.m. – Anderson
Chamber Hall – free
Friday, May 6 – Flute Studio Recit al – 10:15 a.m. – Casadesus Recital

Hall – free

Friday, May 6 – Faculty Recital : Jinah Lee, pianist – 8:00 p.m. –
Casadesus Recital Hall – $5 general public
Saturday, May 7 – African Drum Ensemble – 3:00 p.m. – Library
Tower (Spring Fling) – free
Saturday, May 7 – Master ’s Recital : Robert Muller, French horn –
3:00 p.m. – Casadesus Recital Hall – free

For ticket information, please call the
Anderson Center Box Oﬀic e at 777­ARTS
To see all events, please visit music.binghamton.edu
Become a fan on Facebook by visiting
Binghamton Universit y Music Departm en t

�</text>
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                <text>Dempsey, Tom</text>
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                <text>Hamme, Albert</text>
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                <text>Carbone, Michael</text>
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                <text>Taylor, Reese</text>
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                <text>Lieber, Joey</text>
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                <text>Watrobski, Paul</text>
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                <text>Tracy, Devan</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Binghamton University Libraries</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2011-04-14</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>In copyright</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>sound</text>
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