99 10 1775 https://omeka.binghamton.edu/omeka/files/original/3cd7b2d0700e519400728903afc1ee81.pdf 5b45f41ae9cb326ca23cb0ee3e9ba365 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC WA LT E R PONCE Piano SUNDAY, APRIL 17, 1977 §:15 P.M. WATTERS THEATER �PROGRAM *kkkkkx Three Moments Musicaux, Opus 94. - - - . - F.3chubejz/t C Major Al Major § minor WALTER PONCE, PIANO So n ata i n § minor, Opus 5 7 . . . . . L . van Beethoven Allegro Assad Andante con moto Allegro ma non thoppo ¥* * * INTERMISSION * * * Sonata i n BP M a j o n . . . . . . . . . . . . . . . . . . . F. S c n a b e j u t Molto moderato Andante Sostenuto Scherzo: Allegro vivace con d el i catez z a Allegro ma non troppo �COMING EVENTS RRRRRRRKRRK KK Satu rday, A p r i l 23 a t §:15 Inene Rosenberg, piano Sunday, A p r i l 24 a t §:15 David Hoppe, c e l l o Monday, April 25 a t §:15 J a y H i lg i g e r, conducting Saturday, A p r i l 30 a t 8:15 George Myers, violin Sunday, May 1 a t 8:15 Sara Whitmore, organ Tuesday, May 3 a t §:15 Collegium Musicum Wednesday, May 4 a t §:15 Paul Ketchoyian , c l a r i n e t Thursday, May 5 a t 8:15 Composers Concent Saturday, May 7 a t 8:15 Miriam Greenberg, piano Sunday, May § a t 3:00 Doug Beardsle y, piano Sunday, May 8 a t 8:15 E l i o t Friedman, oboe Tuesday, May 10 a t 8:15 J a n Lawiidsen, paino � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:20 51:08 56:41 39:31 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333654">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333654</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Recital, April 17, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977-4-17b Description An account of the resource Held April 17, 1977. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-04-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:26 35:44 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59342 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59342"> Jean Casadesus Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jean Casadesus Concert Description An account of the resource Held at 8:15 pm, October 13, 1968, College Theater. Works of Bach, Mozart, Brahms, Ravel, Debussy. Creator An entity primarily responsible for making the resource Casadesus, Jean, 1927-1972 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-10-13 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bach, Johann Sebastian, 1685-1750 Mozart, Wolfgang Amadeus, 1756-1791 Brahms, Johannes, 1833-1897 Ravel, Maurice, 1875-1937 Debussy, Claude, 1862-1918 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020094417 39091020094466 https://omeka.binghamton.edu/omeka/files/original/4e1a9eb136b29e2f6836dc55b68f9c8b.pdf dab378d8f19a7e2d4b89fed87b613d05 PDF Text Text S TAT E U N IVE RS IT Y O F N E W YO R K A T B I N G H A M TO N HA RPl ’ R COLLEGE T H E D E PA R T M E N T O F MUSIC THE HARPUR ORCHESTRA Da v i d Bu t to l p h , co nd u c to r with JEAN CASADESUS, PIANISTIN RESIDENCE Sunday, January 7, 1968, 8 :15 p. m. T he College T heater �PR OGRAM Suite de Pulcinella Sinfonia Serenata Scherzino Allegro Andantino Tarantella Toccata Gavotta con due variazione Vivo Minuetto Finale Concert Champétre pour Piano et Orchestre Jean Casadesus, pianist Allegro molto Andante Presto Igor Stravinsky Francis Poulenc Intermission Siegfried Idyll Richard Wagner Second Concerto pour Piano et Orchestre (Op. 22) Camille SaintSaéns Jean Casadesus, pianist Andante sostenuto Allegro scherzando Presto A RECEPTION honoring this evening’s performers will be held in the Green Room Lounge adjacent to the Music Recital Hall immediately following the concert. T he audience is cordially invited to attend. Ushering courtesy of Alpha P hi Omega and Gamma Sigma Sigma. Smoking is permitted in the hallways, but not in the theater. �P ulcinella Suite Stravinsky ) (1882~ In the years 19171920, the director of the Ballet Russe (Diaghileﬀ) conceived the idea of devising some new productions based upon music by old Italian composers. Instead of merely arranging and transcribing the material chosen, Stravinsky reverted in imagination to the environment of the Neopolitan musicmakers of the early eighteenth century. Taking material f rom ﬁve trio sonatas and a popular song as a point of departure, Stravinsky creates a highly original “portrait” of Pergolesi, a distillation of the spirit of the tunes, an enlivening and strengthening of phrases rather than arbitrary decoration. Concerto Champetre Poulenc (18991963) T he Concerto Champetre, or “Rustic Concerto” belongs to the com poser’s socalled “elegant period. ” Composed in 192728, Poulenc desc ribes the work as “set in a very deﬁnite atmosphere of the eighteenth century. ” Not surprising when we realize that the work was inspired by Poulenc ’s f riendship with the late Wanda Landowska, and written originally for harpsichord. T he piano version (authorized later) can scarcely disguise the musical alliance between the Baroque style and the surprises of modern harmony. Siegf ried Idyll Wagner (18131883) Composed in November of 1870, the Siegf ried Idyll was rehearsed in utmost secrecy and performed early on Christmas morning on the stairs of the Wagner home as a surprise birthday present to the composer’s wif e, Cosima. T he Idyll is a piece of intensely quiet and purely instrumental music, connected with the opera only by a private undercurrent of poetic illusion. Concerto in G Minor SaintSaéns (18351 921) Anton Rubinstein wanted to conduct a concert in Paris and asked his good f riend, Camille SaintSaens, if he would write a concerto. Three weeks later the work was performed, the composer playing as soloist. T he year was 1868. T he G minor concerto second of ﬁve piano concerti is unquestion ably stamped with the mark of a master musician, brillian organist and piano virtuoso ; a man who, by reason of his high standards in form, style and workmanship, was greatly responsible for the emergence of French instrumental music f rom a subservience to the opera tradition during the latter half of the 19th century. �THE HARPUR ORCHESTRA VIOLINS Marianne Wallenberg Barbara Hull Nancy Robbins Gaye Butler Judith Sackser Marcia Carpenter Edward Pettengill Kay Roberts Diane Berde Ruth Everett Sally Shaf er Sophie Horowitz Marie Kulasza Jeﬀrey Feinsilver John Hagopian VIOLAS David Einf eldt Valarie Gara bedian Russell Colton Kenneth Hollister Karl Getz Ira Miller CELLOS Fritz Wallenberg Jane Whitmore Donal O’Buckley Linda Driver BASSES Richard Thomas Dayle Sherba Stephen Kotrch FLUTES Margaret Jackson Christine Dietrich OBOES Sue Weiner Geoﬀrey Barron CLARINETS Beverly Tomasosky Michael Bereha BASSOONS Dennis Williams Linda Crane Louise Belsky HORNS Karen Kester George Papstrat Brian Sternberg Timothy Wetherbee TRUMPETS John Williams Delbert Cobleigh T ROMBON ES John Baldon Allen Thompson TUBA Alan Thrasher TIMPANI David Crowe P ERCUSSION Robert Mersky Christian Granger PERSONNEL MANAGER Alan Thrasher LIBRARIAN Ann Grant � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 23:59 27:59 23:52 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63025 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63025"> Jean Casadesus Concertl</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jean Casadesus Concert, January 7, 1968 Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, January 7, 1968, College Theater. Works of Stravinsky, Poulenc, Wagner. Creator An entity primarily responsible for making the resource Casadesus, Jean, 1927-1972 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-01-07 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Stravinsky, Igor, 1882-1971 Poulenc, Francis, 1899-1963 Wagner, Richard, 1813-1883 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Jean Casadesus Concert_1968-01-07.pdf https://omeka.binghamton.edu/omeka/files/original/0f56a71cd6b4c803e64e3374c107e5ce.pdf f03a285826dbd900971287b84af59518 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC Presents JEAN CASADESUS, PIANIST Sunday, November 23, 1969 8:15 p.m. Don A. Watters Theater PRO GRA M Sonata in A Ma jor, Op. 13, No. 6 Joseph Haydn Etudes Symphoniques, Op. 13 Robert Schumann Intewn i ssion Impromptu, A Flat Ma jor, Op. 29 Frederic Chopin Nocturne, C Sharp Minor, Op. 27, No. 1 Frederic Chopin Polonaise, A Flat Major, Op. 53 Frederic Chopin Sonata f or Piano (1926) Allegro Moderato Sostenuto e pesante Allegro Molto FRIDAY, DECEMBER Don A. Watters Theater Bela Bartok FUTURE EVENTS 5, 8:15 p.m. SUNDAY, DECEMBER 7, 8 :15 p.m. Music Recital Hall No charge FRIDAY, DECEM BER 12, 8 :15 p.m. Music Recital Hall No charge *Chamber Music Series THE LENOX STRING QUARTET* WILLIAM LEWIS, tenor DAPHNE PAYNE, soprano ‘ CONT EMPORARY MUSIC’ Sara Lawrence Chorus � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:37 30:27 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59835 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59835">Jean Casadesus Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jean Casadesus Concert, November 23, 1969 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Haydn, Schumann, Chopin, Bartok. Creator An entity primarily responsible for making the resource Casadesus, Jean, 1927-1972 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-11-23 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Haydn, Joseph, 1732-1809 Schumann, Robert, 1810-1856 Chopin, Frédéric, 1810-1849 Bartók, Béla, 1881-1945 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058099 39091020058040 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:09:03 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243675">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243675</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jean Casadesus, Hommage à Robert, Jean Casadesus, January 2, 1973 Recital Tape 1973-1-2 Creator An entity primarily responsible for making the resource Casadesus, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1/2/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/3073c79bef89d3666eb2cb145bd89711.pdf bec148365b589c217eea54738e84885f PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC JEAN CASADESUS, PIANIST Friday, January 8, 1971 Don A. Watters Theater 8:15 p.m. PROGRAM Preludes, First Book Claude Debussy Danseuses de Delphes Voiles Le Vent Dans la Plaine Les Sons et les Parfums tournent dans l'air du Soir Les Collines d' Anacapri Des Pas dans la N eige Ce qu'a vu le Vent d'Ouest La Fille aux Cheveux de Lin La Sérénade interrompue La Cathedrale engloutie La Danse de Puck Minstrels Intermission Prelude, Choral and Fugue Cesar Franck Three Miniatures Dance Song Hymn Karl Korte Two Etudes Resonance Chords Robert Casadesus FUTURE EVENTS Tuesday, January 12, 1971 Music Recital Hall 8:15 p.m. Studio Voice Recital and Opera Scenes by the students of Roberta Schlosser and William Lewis � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:55:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63372 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63372">Jean Casadesus, Pianist, Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jean Casadesus, Pianist, Concert, January 8, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Debussy, Franck, Korte, and Robert Casadesus. Held at 8:15 pm, January 8, 1971, Watters Theater. Creator An entity primarily responsible for making the resource Casadesus, Jean Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-1-8 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Debussy, Claude, 1862-1918 Franck, Cesar, 1822-1890 Korte, Karl, 1928- Casadesus, Robert, 1899-1972 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064857 39091020064907 https://omeka.binghamton.edu/omeka/files/original/dfa40c170b8e4f154cafae235f877c3d.pdf 8d5362b9fd864a7318724f820f800023 PDF Text Text STATE UNIVERSITY OF NEW YORK AT B I N G H A DEPARTMENTOF MUSIC presents JEAN ELAINE FISCHER, piano Sat., Feb. 26, 1972 - 8:15 Recital Hall PROGRAM Sonata in D major, K. 576 Allegro Adagio Allegretto W. A. Mozart Sonata in E major, Op. 109 Vivace, ma non troppo Prestissimo Andante molto cantabile ed espressivo (variations) Beethoven INTERMISSION M. Ravel Valses Nobles et Sentimentales Nocturne in þÿD&m major, Op. 27 no. 2 Sonata #3, in A minor, Op. 28 F. s. Chopin Prokofieff � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:11:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63603 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63603"> Jean Elaine Fischer, Piano, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jean Elaine Fischer, Piano, Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Beethoven, Ravel, Chopin, and Prokofieff. Held at 8:15 pm, Feb. 26, 1972, Recital Hall. Creator An entity primarily responsible for making the resource Fischer, Jean Elaine Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-2-26 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Beethoven, Ludwig van, 1770-1827 Ravel, Maurice, 1875-1937 Chopin, Frederic, 1810-1849 Prokofiev, Sergey, 1891-1953 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096123 39091020096172 https://omeka.binghamton.edu/omeka/files/original/4dce87f8da8c4870a5a03f0bd8338f69.jpg aa85c6ae3c4b6210ed04c8f5ec5b57ba https://omeka.binghamton.edu/omeka/files/original/af3920921506581209bbad8d247b4611.jpg 5ab78113beda8fea478f81edf561eee0 https://omeka.binghamton.edu/omeka/files/original/6851587f39277703173ac7990706d96a.jpg c8c6c12d5fbf8a47965016c4cd828d4c https://omeka.binghamton.edu/omeka/files/original/6f6c7106dca16967121e2bab10783fd2.jpg aa11da05ef846642a40ddee1174086f6 https://omeka.binghamton.edu/omeka/files/original/6a83d3a329852bd220df313d2e3b03fc.jpg c727d13a030205471a13a2540cbc25a6 https://omeka.binghamton.edu/omeka/files/original/f7307362ef850334f4c08030f4cb6a7c.jpg 0a6a5f92200982e3e0a80ed930000b7b https://omeka.binghamton.edu/omeka/files/original/b7be2b8b871dec6440359803a5f30e17.jpg 423b3ec247a4046cc4b215a1e3905067 https://omeka.binghamton.edu/omeka/files/original/2ef4cca1403accd1602f481ee3856159.jpg 787710aac6d8d23d61bbeefefaf1931e https://omeka.binghamton.edu/omeka/files/original/449a5a582f9ddc34a9940c4f51113c41.jpg 637b7d19ccc5781ceedc17d40e1f140d https://omeka.binghamton.edu/omeka/files/original/b8dea9936805a424bd174906e0a00a56.jpg 7c84dd84565597e177eb468095e7bd59 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Typed manuscript, bound as book. Reinhardt’s version of Jedermann as performed at Salzburg Festival. No markings or notations. Previous library information on inside cover: “Marked on title page “Nach d. Inszenierung M. Reinhardts für die Salzburger Festspiele, neu eingerichtet, Eigentum der Direktion d. Salzb. Festp.” Marked in black pencil, “Fassung Lothar.” “The copy of the script for Everyman in the version of Ernst Lothar, a Reinhardt actor and director who, after World War II, staged Everyman at the Salzburg Festivals and prepared his own version based upon M.R.’s version.” Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29.5cm x 21cm Earlier version Earlier version (dcterms:isVersion Of) Jedermann Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.55 Production(s) Salzburg Festival (no dates listed) Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jedermann : das Spiel vom Sterben des reichen Mannes [promptbook] Subject The topic of the resource Hofmannsthal, Hugo von, 1874-1929 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Hofmannsthal, Hugo von, 1874-1929 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 8229 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/51293554810b7e26ba041741397bdfd6.pdf 774043d1da4718ff9c88b318649d83f0 PDF Text Text INGHAMTON B U N I V E R S I T Y S TAT E U N I V E R S I T Y O F N E W Y O R K D E P A R T M E N T MASTER’S R ECITAL JENNIFER GROVES SORRANO with M ar gar et7 361234 P i a n o Saturday, May 8, 2010 8:00 p. m CayadaSWRecétal/Halb �PROGRAM PROGRAM O leggiadri occhi belli . Anonymous Intorno all’idol mio. Antonio Cesti (16231669) Che ﬁero costume ..Giovanni Legrenzi (16201690) Vaghe stele. . Francesco Cavalli (16021676) Cinq mélodies populaires Grecques... . . I. La réveil de la mariée II. La bas, vers I'église Ill. Quel galant! IV. Chanson des cueilleuses de lentisques V. Tout gai! Maurice Ravel (18751937) wINTERMISSIONa . . . . . . ...GustavMahler (18601911) Early in the Morning . . . . . . . . . Ned Rorem O You Whom I Often and Silently Come (b. 1923) Stopping by Woods on a Snowy Evening I am Rose Go, Lovely Rose developed a fondness for the “handsome“ youth, who is currently in a poison induced deep sleep. Oh lovely, beautiful eyes. my beloved eyes. (18581924) Liebstdu um Schdnheit.. Fruhlingsmorgen Erinnerung Scheiden und Meiden Erismena, currently disguised a s a young captured soldier. Aldimira has 0 leggiadri occhl belli (Oh Lovely, Beautiful Eyes) Quando me’n vo’ . . . . . . . . . . Giacomo Puccini From La Bohéme The ﬁrst set of Italian songs all date to the 17'“ Century. With the exception of the ﬁrst piece, each of these songs are originally from operas. “Intorno all’idol mio” is from the opera Orontea, which premiered in 1656. Orontea, the Queen of Egypt sings to her secret love, Alindoro, a common painter, after he has fainted. “Che ﬁero costume,” from the opera Ereocle e Polinice, opened in 1675. It tells the Greek story of Oedipus’ twin sons. This arietta, one of 90 arias from the opera, is a rant about the unhappiness caused by Cupid and the irony that he is still a suckling babe. “Vaghe stelle” is from the opera Erismena. It opened in 1655 in Venice. A manuscript of an English version of the opera from the 1670‘s makes it the earliest known opera written in English. In January 2009, Bodleian Library of Oxford University announced the acquisition of the earliest surviving score of Erismena purchased from a private collection. The translation given here is from this English version. Aldimira, the courtesan to the king, is trying to wake living rays from heaven, so bright and clear, since you desire so much to see me languish, to see me die, lovely eyes that I adore, see how I die. Oh bright lights, oh beloved lights, so cruel and merciless to my love, since you so enjoy the ﬁre that I feel from my severe aﬀliction, oh look at me a little and rejoice in my ﬁre. Intorno all’idol mio (Around my Idol) Around my idol Breathe, merely breathe, Winds sweet and gracious And on the favored cheeks Kiss him for me, courtly breezes! In my love who rests On the wings of peace Pleasant dreams provoke. And my h idden ardor Reveal to him for me O spirits of love. �Che liero costume (How Cruel the Custom) What a cruel practice, that Cupid, the winged god, Should make himself adored by causing pain. And yet in m y passion the traitorous god makes me worship a lovely face. Labas, vers I'église (Yonder, Near the Church) Yonder, near the church, Near the church Ayio Sidero, the church, 0 Virgin Saint, the church Ayio Constanndino, are gathered together, What a cruel fate, that a blind child not yet weaned, should have made himself so important! But this tyrant, with barbarous deception entering through my eyes, made me sigh. assembled in inﬁnite numbers, in the world, 0 Virgin Saint, all the bravest in the world. Vaghe stelle (Stars Transcendent) Stars transcendent, lights resplendent, why thus sleep ye? Que! galant! (What Gallant!) What gallant can be compared with me among those who are seen passing by? Tell me, Mistress Vassiliki? Display the serene of your beauteous eyes, Let love play his part on this stage of m y heart, Shoot hither his shafts and ﬁx here his dart. Ye splendors so clear, unveil and appear. Look, hanging on my belt pistols and a sharp sword And it is you whom I love. Stars transcendent, lights resplendent, why thus sleep ye? Cinq mélodies populaires Grecques (Five Popular Greek Melodies) These ﬁve songs, set in 1907, are authentic Greek folk songs harmonized by Ravel. From the fourth song, a Ientisk is a small evergreen shmb found all over Greece. It is cultivated for its resin but the leaves and fruit are also used for various uses from cooking to lamp oil. The resin has been used as chewing gum since ancient Greece. Le réveil de la Mariée (The Awakening o f the Bride) Wake up, dear little partridge, Open your wings in the morning. Three beauty spots have set my heart aﬂame. See the golden ribbon that I bring you to tie around your hair. If you wish, my beauty, come let us be married! In our two families all are related. Chanson des cuellleuses de lentisques (Song of the Lentisk Gatherers) O joy of my soul, joy of m y heart, treasure so dear to me; joy of the soul. and of the heart, you whom I ardently love, you are more beautiful than an angel. O when you appear, angel so sweet, before our eyes, like a lovely, blond angel under the bright sun, alas, all our poor hearts sigh! Tout gai! (All Gay!) All gay. ah, all gay; lovely leg, tireli that dances, lovely leg, the crockery dances. Tralala. �Quando m’en vo Erinnerung (Memory) My love wakens the songs ever anew! Musetta, a coquette, has arrived at the Café Momus with her new aging admirer. She sings this to force attention from Marcello, her former lover, whom she still has feelings for. M y songs waken my love ever anew! My lips which dream of your fervent kisses, In song and melody they have to chant of you! And if my thoughts would like to dismiss love, When I go out alone in the street People stop and stare... and they all study in m e my beauty from head to foot. And then I savor the subtle desire that breathes forth from their eyes, which know how to appreciate, the hidden beauties of my obvious charms. Thus the ﬂow of desire completely surrounds me; It makes me happy! And you who know, who remember and are melting with passion—you avoid me so? I know well: your suﬀerings—you don’t want to tell them; I know well, But you feel like you’re dying! Then my songs come to m e with Iove‘s lament! Thus I am h eld captive by these two forever! The song will waken love! And love wakens the songs! Scheiden und Meiden (Partings) There rode three horsemen out of the gate Goodbye! Goodbye! Liebst du um Schénheit was originally composed in 1902, with piano accompaniment for Mahler‘s wife Alma. On November 13, 1889, shortly after his mother’s death, Mahler premiered Fn‘ihlingsmargen, En’nnemng, and Scheiden und Meiden together in a concert in Budapest. Eventually these songs were published as part of the collection Lieder und gesénge. Liebst du um Schonheit (If You Love for Beauty) If you love for beauty, 0 love not me! Love the sun, she has golden hair! If you love for youth, 0 love not me! Love the spring who is young each year! If you love for riches, O love not me! Love the mermaid who has many shining pearls! If you love for love, oh yes, love me! Love me ever, I’ll love you always! Friihlingsmorgen (Spring Morning) There taps at the window the linden tree With branches, blossomladen: Arise! Arise! Why do you lie in a dream? The sun has come up! Arise! Arise! And what is more, I saw your merry sweetheart already. Arise, you sleepyhead! Sleepyhead, arise! Arise! Arise! i A sweetheart looked out of the window! Goodbye! Goodbye! Goodbye! And if we really must part, Then give me thine little gold ring! Goodbye! Goodbye! Yes, parting and separation causes pain! Yes, parting and separation causes pain! Goodbye! Goodbye! Goodbye! The child will leave already in its cradle! Goodbye! Goodbye! When will my sweetheart be mine? Goodbye! Goodbye! And if it won’t be tomorrow, Oh, could it be but today! It would make us both so happy! Goodbye! Goodbye! Goodbye! Goodbye! Goodbye! Goodbye! Yes, parting and separation causes pain! Yes, parting and separation causes pain! Goodbye! American composer, Ned Rorem is best known for his proliﬁc song writing, over 500 art songs in total. The songs I have chosen are mainly from earlier in his career although he has not stopped composing. Earty in the Morning, composed 1955, text by Robert Hillyer; O You Whom I Often and Silently Come, composed 1957, text by Walt Whitman; Stopping by Woods on a Snowy Evening, composed 1947, text by Robert Frost; I am Rose, composed 1955, text by Gertrude Stein, Go, Lovely Rose, composed 1978 1979, text by Edmund Waller. ' �ABOUT THE PERFORMERS Jennifer Groves Jennifer Lee Groves, lyric soprano, has been praised for her “beautiful phrases and soft high notes” (Broome Art Mirror) in her recent role as Lauretta in Gianni Schicchi with Tri Cities Opera, where she is currently a resident artist. She is also ﬁnishing her Masters of Music in Opera at Binghamton University. Other roles with TriCities Opera include Gianetta (L’elisir d’amore), Barbarina (Le nozze di Figaro), Sandman/Dew Fairy (Hansel and Gretel), Miss Pinkerton (The Old Maid and the Thief), Page (Amahl and the Night Visitors), and Page (Rigoletto). She received her Bachelors in Vocal Performance from SUNY Geneseo where she studied with William Leyerle. Currently she studies with soprano Mary Burgess and TCO Artistic Directors Peter Sicilian and Duane Skrabalak. This summer she will be in Colorado making her Crested Butte Music Festival debut as a young artist singing Musetta in La Bohéme, in addition to participating in a series of opera scenes and concerts. Ms. Groves is a native of Pawling, NY. Margaret Reitz Pej Reitz, pianist, is a native of the Binghamton Area. She received her Bachelor and Master o f Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain and at th e American Institute of Musical Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. She has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is on the Executive Board of the New York District MTNA organization. She is President of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:25:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145292">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145292</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jennifer Groves, master's recital, May 8, 2010 Recital Tape 2010-5-8 Description An account of the resource Works by Cesti, Legrenzi, Cavalli, Ravel, Puccini, Mahler, Rorem. Held at 8:00 p.m., May 8, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Groves, Jennifer Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:01:12 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147765">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147765</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jieun Jangig Recital Prokofien, December 1, 2010 Recital Tape 2010-12-1 Description An account of the resource Works by Prokofiev, Serget Creator An entity primarily responsible for making the resource Jang, Jieun Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound