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                    <text>BINGHAMTON
UNI VER SIT Y
STATE UNIVERSIT Y OF NEW YORK

usi
D E P A R T M E N T

PERCUSSION RECITAL:
DEVAN TRACY AND ANDRES CASTILLO

Wedne sday, May 1, 2013
8 p.m.
Casadesus Recital Hall

�PROGRAM
Fantasy on a Shona Theme (2006) ................. .............. Glenn Kotche
(b.1970)
Devan Tracy, vibraphone
Once Removed (2003) ................. ................. ......... John Fitz Rogers
(b.1963)
Adam Goldenberg and Devan Tracy, marimba
Mashup of Us (2004) and You're Gonna Miss Me (2009) ................ .
................. ........ Regina Spektor (b.1980) &amp; Lulu and the Lampshade s
Emily Goetz, vibraphone
Nicholas Thompson, violin
Devan Tracy, marimba &amp; vocals
Shane Tracy, guitar
Dhanya Sridhar, vocals
Paul Watrobski, cello

INTE RM IS SI O N
Autumn Leaves ................. ................. ................. ...... .Johnny Mercer
(1909 - 1976)
Blues in F ................. ................. ................. ................. ... Eric Harland
(b.1976)
Song For My Father ..... ................. ................. .............. Horace Silver
(b.1928)
Word to Herb ................. ................. ................. ...... David Fiuczynski
(b. 1964)
Andres Castillo, drum set &amp;vibraphon e
Anthony Gabriele, piano
Lucas Hennessey, Bass
Devan Tracy, congas &amp; drum set
Improvised Drum Set Duet
Andres Castillo and Devan Tracy, drum set

�PERFORMERS
DEVAN TRACY is a senior at Binghamton University,
originally from Saratoga Springs, NY. She is currently
majoring in Mechanical Engineering with a minor in
Sustainable Engineering. She will be bicycling across the
country and getting a job in the sustainable energy or
infrastructure industry after graduation. De.van started her
music career in kindergarten on the piano, but soon gave up
when she realized that the musical alphabet stopped at
Nonetheless, she is back in action and has
"G#.
participated in the BU Percussion Ensemble, Harpur Jazz
Ensemble, and Nuporfke African Drumming Ensemble, and
Walnut Grove Family bluegrass band throughout college.
During the summer, she has been seen performing with the
Ryan Jenson Band, and has been working on making a selftitled CD of originals. You might also find Devan running,
hiking, motorcycling, slacklining, or doing yoga.
11

ANDRES CASTILLO is a senior at Binghamton University,
originally from Mahopac, New York. He is currently majoring
in Instrumental Music Performance. He has participated in
the Harpur Jazz Ensemble, the BU Percussion Ensemble
and has his own jazz trio, called the Andres Castillo Trio. He
also performs at Greater Faith and Deliverance as the
drummer playing gospel music. You can find him as a
DJ/producer on his free time and interacts with other
budding producers throughout the world.

�Bing hamt on Univ ersity Music Depa rtme nt's
Com ing Events
Thursday, May 2- Mid-D ay Conce rt- 1:20 p.m. -Ande rson
Center Chamber Hall - free
Thursday, May 2- Opera Scenes- 8:00 p.m. -Ande rson Center
Chamb er Hall- $6 genera l public ; $3 faculty/staff/seniors; free for
students
Friday, May 3 - Music from the Seminar (Christopher Loy's Class) 7 p.m. - Casadesus Recital Hall- free
Saturday, May 4 - Master's Recital: Molly Adams-Toomey, mezzosoprano - 8 p.m. - Casadesus Recital Hall- free
Sunday, May 5 - University Symphony Orchestra and Chorus:
- 3:00
Symphony" &amp; Durufle's
Schubert's
p.m. - Osterh out Concert Theater - $6 genera l public ; $3
faculty/staff/seniors; free for students
"Unfinished

"Requiem"

Wednesday, May 8 - Nukporfe African Drumming and Dance
Ensemble - 7:00 p.m. - Wafter 's Theater - $3 genera l admission at
the door
Thursday, May 9- Student Recognition Mid-D ay Concert - 1:20
p.m. - Casadesus Recital Hall-f ree
Thursday, May 9- Recita[/Masterclass: Guest Artist Victor Chavez
Jr., clarinet- 4:30- 6 p.m. - Casadesus Recital Hall- free
Thursday, May 9- Harpur Chorale and Women's Choru s- 8:00
genera l public ; $3
p .m. - Anders on Center Chamber Hall - $6
faculty/staff/seniors; free for students
Friday, May 10 - Junior Recital: Kerianna Krebushevski, soprano 8:00 p.m. - Casadesus Recital Hall - free
or call (607)
For tickets or to be added to our email list, visit anderson.bingham ton.edu
visit
7-2592,
77
(607)
call
777-ARTS. For a complete list of o ur concerts
k.
Faceboo
on
fan
music.bin ghamton.edu o r become a
If you were inspired by this performa nce, consider supportin g the
Departm ent of Music with a financial gift. Your support helps to
continue the work of students, faculty, and guest artists and their
contribut ions to our commun ity. Please make your do nation payable to
the Bingham ton Universit y Music Departm ent, and send your check to
BU Music Departm ent, P.O . Box 6000, Bingham ton, NY 13902.

�</text>
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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K

[4

wdee

D E P A R T M E N T

UNIVERSITY  PERCUSSION
ENSEMBLE CONCERT
Julie Licata, Conductor

Featuring
Emily Goetz, Vibraphone
Benjamin Ramos, Marimba

Tuesday, April 30, 2013
8:00 PM
Anderson Center Chamber Hall

�PROGRAM

PROGRAM NOTES

Children’s Songs #9, #2, #14 (1973/1979) ..

.Chick Corea

(b. 1941)
arr. David Steinquest

Threads (2006) . 
. 
I.  Prelude (Aria I) 
VI.  Chorus ll

. 

. 

. Paul Lansky
(b. 1944)

Broken Silence (2002) .

Mark Glentw orth
(b. 1960)
Emily Goetz, vibraphone

Bloom ( 2011)  ..

....Ivan Trev ino
(b. 19 8 3)

October Night (1986).

.. Michael Burritt

Benjamin Ramos. marimba

The Shape o f Things to C ome (2012) ..

(b.1962)

.. Nick Zammuto

(b. 1975)

Arr. SP201 3 Percussion  Ensemble

Chick Corea’s  Children’s Songs No. 9, 2 and I 4  (1973 and 1979) were

originally  written  for  piano,  violin  and  cello.  Tonight.  we  are
performing only three of twenty short tunes in this collection.  Each song

is  relatively  short,  containing  just  a  simple  theme  with  little  to  no
development.  In the preface  of the annot ated version, Corea states that

he aimed to “convey simplicity as beauty. as represented in the Spirit of a

child.“

Threads  (2006).  written  for  So  Percussion  Ensemble  by  Princeton
composition  professor  Paul  Lansky,  is  a  half­hour  long  cantata  for

percussion quartet  in ten short  movements.  There  are  three  threads
interwoven throughout the piece; arias and preludes that  focus on the

metallic pitched  sounds  of the  vibraphones,  glockenspiel  and metallic
pipes; choruses in which drumming predominates; and recitatives made
largely  from  John  Cage­like  noise  instruments,  bottles,  ﬂowerpots,
crotales, etc.  The aims of the diﬀerent threads are to highlight the wide
range of qualities that percussion instruments are capable of, from lyrical
and  tender  to  forceful  and  aggressive,  and  weave  them  into  one

continuous texture,  Tonight we w ill perform tw o of the ten movements

­ the ﬁrst metallic thread and a drumming chorus from the middle of the
cantata.
Broken Silence, by Mark Glentworth, is  one of three movements  from
Vibraphone  Suite  No.  1  ­  the  others  being  limo and  Sunbell.  Each
movement has been written in such a way that it can be performed as a
solo, or as forming a part of the suite. Although Broken Silence was the
ﬁrst movement to be composed for the suite, the performer may change
the order of the movements when performing the  whole suite.  Mark
Glentworth is  a composer  living and working in London(UK), mostly
known  for  his  solo  tuned  percussion  pieces  and  his  work  with
Actor/Director Steven Berkoﬀ.

�The  Shape  of  Things  to  Come  is  the  penultimate  track  on  Nick
lvan Trevino is a musician who wears many hats. He’s a rock drummer at
heart, and brings  that  spirit  into  other  avenues  of his  life,  including
classical  percussion, composing  and teaching.  Trevino  has  drummed.
recorded and composed extensively  with  Break  of Reality.  a  national
touring  cello  rock  band.  Bloom.  scored  for  four  marimbas,  weaves
between minimalism and post­rock, reﬂecting the composer’s interest in
bands like Radiohead and Explosions in the Sky.  Much like minimalism.
post­rock  compositions  feature  motivic  ideas  that  develop  organically
over time.  Rather than utilizing the verse­chorus form of standard rock
music, post­rockers  tend to create an atmosphere of textures, utilizing
thick  orchestrations and a wide range of dynamic.  With  Bloom. the

Zammuto‘s self­titled album. Zammuto, released on April 3, 2012.  Prior
to the release of this album, Nick Zammuto was a member of a band

called The Books.  Zammuto is his ﬁrst release after ending The Books
project in early 2012.  The arrangement you will hear tonight was put

together by all the current members of the percussion ensemble.  Each
member contributed to the tasks of transcribing and notating the melody.

rhythm  and  harmonies  of  the  recorded  song  on  an  open  internet
program called Noteﬂight.  Once all the notes were transcribed. speciﬁc
notes were assigned t o various percussion instruments. and parts were

assigned. the ensemble played through the piece.  Upon hearing how the
piece ﬁt together at each rehearsal. all ensemble members contributed to

composer created the same idea  of texture  and motivic development.

decisions about how to add t o the piece. how to compensate for the

while maintaining the energy and accessibility of the bands that inspired
the  work.  Bloom  was  awarded  1“  Prize  in  the  2011  Percussive  Arts

diﬀerences  between  the  original  instrumentations  and  the  chosen
percussion instruments and how to make our interpretation of the piece
unique.

Society  Composition  Contest.  Trevino  is  currently  on  faculty  at  the
Hochstein School of Music &amp; Dance in Rochester. NY, where he teaches
percussion, composition, and chamber music. He is also on faculty at the
Eastman School of Music. where he teaches a course in music business.

October Night was written in the fall of 1986 and was Michael Burritt‘s
ﬁrst  serious attempt  at composition.  The piece is dedicated to  famous

marimbist Gordon Stout, a former teacher and good friend of Burritt.
The work was inspired by the Dylan Thomas poem. Do Not Go Gentle
Into That Good Night. The poem conveys two very powerful and very
diﬀerent  moods:  one of sorrow  and  deep  remorse  and the  other of
aggression and anger.  Thus a piece in two movements evolved depicting
these contrasting emotions.  The ﬁrst movement is a chorale painting the
sadness expressed in the poem of Thomas’ father’s impending death.  It is
written in a romantic style and moves between the keys of C and B­ﬂat
major.  Movement Two is an energetic allegro depicting the intensity of
the  poet’s  emotions  as  he  begs  his  father  to  ﬁght  against  death.  It
develops  motivically  through  the  use  of perfect  5ths  and  major  6ths
separated by minor 2nds and augmented 4ths. it is in sonata form and
concludes the work with the coda from the ﬁrst movement.

�UNIVERSITY PERCUSSION ENSEMBLE

percussion from the University of North Texas (D.M.A.). University of

Andres Castillo
Emily Goetz
Steve Olson
Benjamin Ramos
Alexander Rava
Devan Tracy
Andrew Williamson

As an active performer and advocate of new music. Julie has developed
relationships with many great composers. premiering and commissioning

PERSONNEL

About the Performers
EMILY GOETZ is  a sophomore at  Binghamton University. majoring in
computer science.  She has been playing percussion  for seven years. At
BU, Emily has played in the University percussion ensemble and wind
symphony  for two years.  Currently. she also plays in the Binghamton
Community Orchestra and the Southern Tier concert band and formerly
played  in  SUNY  Ulster’s  Community  Band  and  SUNY  New  Paltz’s
College­Youth Symphony.
BENJAMIN RAMOS  is  a  senior at  Binghamton University  majoring  in
computer science and minoring in music.  Benjamin has participated in
the percussion ensemble for 3.5 years and was previously featured as a
soloist  for the spring 2011  concert.  After graduating, Benjamin would
like to  pursue a software engineering job around the  Broome County
area while also continuing his percussion studies.
JULIE  LICATA  has  been  teaching  percussion  lessons  and  percussion
ensemble at Binghamton University since Fall 2012.  Julie also serves as
Assistant Professor of Music at State University of New York, College at
Oneonta. At Binghamton University and SUNY College at Oneonta, Julie
teaches  ensembles  and  private  lessons  that  span  a  wide  range  of
percussion instruments and styles. and teaches a seminar course Music
Cultures  of  the  World.  Julie  has  received  performance  degrees  in

South Carolina (M.M.) and Capital University (B.M.).

numerous works over the last ten years by composers such as  Thomas
Licata.  Greg  Dixon,  Chapman Welch.  Scott  Comanzo.  Jude  Vaclavik.
Steve Winstead and Brett Masteller. Signiﬁcant recent  accomplishments
include  performances  at  the  Society  for EIectro­Acoustic Music  in the

United States (SEAMUS). the International Computer Music Conference
(ICMC). New Music Focus Week at SUNY Oneonta, New Genre Festival
in  Tulsa.  Oklahoma.  NOW  Music  Festival  at  Capital  University  and
numerous  performances  at  the  Center  for  Experimental  Music  and
lntermedia at the University of North Texas. In addition, Julie completed
her D.M.A. from the University o f  North Texas in December 2009.  Her

dissertation,  entitled  “Physical  Gesture.  Spatialization,  Form  and
Transformation  in  Watershed I/IV.  for Solo Percussion and Real­Time
Computer Span’a/Izaf/‘on by Roger Reynolds” includes several analytical
approaches  demonstrated  through  embedded  video  excerpts  of  her
performances of Watershed IV.
In addition to contemporary  music performance and research.  Julie  is
also active in the ﬁeld of ethnomusicology.  Julie spent the summer of
2008 performing, recording and transcribing traditional drumming of the
Ewe people in the Volta Region of Ghana.  She is currently planning a
trip to Indonesia to study Balinese and Javanese gamelan. and a return to
Ghana to continue her study of various regional music and dance styles.
and speciﬁcally to study Ewe master drumming.

�Binghamton University Music Department ’s

Coming Events

Wednesday, May I – Percussion Recital: Devan Tracy and Andres Castillo –
8:00 p.m. – Casadesus Recital Hall – free
Thursday, May 2­ Mid­Day Concert – 1:20 p.m. – Anderson Center Chamber
Hall – free

Thursday, May 2 – Opera Scenes – 8:00 p. m. – Anderson Center Chamber Hall ­
$6 general public: $3 faculty/staft/seniors; free for students
Friday, May 3 – Music from the Seminar (Christopher Lay’s Class) – 8:00 p.m. ­
Casadesus Recital Hall – free

Saturday. May 4 – Master’s Recital: Molly Adams­Toomey, mezzo­soprano
(tentative) – 8:00 p.m. – Casadesus Recital Hall – free
Sunday, May 5  ­ University Symphony Orchestra and Chorus – 3:00 p.m. ­

Osterhout Concert Theater – $ 6 general public: $3 faculty/staft/seniors; free for
students

Wednesday. May 8 – Nukporfe African Drumming and Dance Ensemble –

7:00 p.m. – Watter'; Theater – $3 general admission at the door

Thursday, May 9 – Student Recognition Mid­Day Concert ­ 1:20 p.m. –
Casadesus Recital – free
Thursday, May 9 – Recital/Masterclass: Guest Artist Victor Chavez Jr., clarinet –

4:30 – 6:00 p.m. – Casadesus Recital Hall ­ free

Thursday, May 9 – Harpur Chorale and Women ' ;  Chorus­ 8: 0 0  p.m. ­

Anderson Center Chamber Hall ­ $6 general public: $3 faculty/staﬀ/seniors; free
for students

Friday, May 10 – Junior Recital: Kerianna Krebushevski, soprano – 8: 0 0  p.m.
Casadesus Recital Hall ­ free
Saturday, May 11 – Sophomore Recital: Daniel Rosenau, organ – 4: 0 0  p.m. ­

Trinity Memorial Church– free
M

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For tickets or to be added to our email list, visit anderson.binghamtan.edu or call (607) 777­
ARTS. For a complete list of our concerts call (607) 777­2592, visit music.binghamton.edu or
become a fan on Facebook.
[ = ]  = [mu] 

If  you  were  inspired  by  this  performance,  consider  supporting  the
Department of Music with a ﬁnancial gift. Your support helps to continue
the work of students, f aculty, and guest artists and their contributions to

E 
E 

our community. Please make your donation payable to the Binghamton
University  Music  Department,  and  send  your  check  to  BU  Music
Department, P.O. Box 6000, Binghamton, NY 13902.

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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E   UN I V E R S I T Y  OF  NE W  YORK

[4

w d e c

D E P A R T M E N T

Harmony Club
Fundraiser Concert

Thursday, April 1 1, 20 13

7:30 p.m.

Casadesus Recital Hall

�PROGRAM
. W. A. Mozart

ln uomini, in soldati. 

( 1 7 56 ­ 1 791)
arr. by Benjamin Britten
( 19 13­1976)

from Cosi Fan Tutte 
The last rose ofsummer. 

Caitlin Gotimer, soprano
Chai­Kyou Mallinson, piano
Sonata No. 2 in B­ﬂat minor, Op. 35 . 
Grave – doppio mwimento 
Daniel Malinovsky, piano
11  Barcaiolo

Heart, we will forget him,. 
from Twelve Poems of Emily Dickinson 
Widmung, Op. 25, No. 1 . 

Christina Santa Maria, soprano
Chai­Kyou Mallinson, piano
Nigun . 
from the Ball Shem Suite 
Elea nor Krasner, violin
Chai­Kyou Mallinson, piano

. Fr éi éric Chopin
( 1810–1849)

Gacta no Donizetti
( 1872­19 15)
Aaron Copland
(1900­1990)
Robert Schumann

( 18104856)

Ernest Bloch
( 1880 ­ 1959)

Caitlin Gotimer, soprano
Christina Sa nta Maria, soprano
Chai­Kyou Mallinson, piano

A &lt; I N T E R M I S S I O N  m4

(b.  1 9 26)

Andante sostenuto 

Allegro vivo

William Marsiglia, trombone

Chai­Kyou Mallinson, piano
.Domenico Scarlatti
(1685­1757)
comp/arr. Heiner Wiberry

Sonata No. 44 .  
arr. Fred Hemke 
Ulla In Africa. 

The Binghamton University Saxophone Quartet
Danielle Smner, soprano saxophone
Veronica Mantilla, alto saxophone

(b. 1944)

Christopher Murdock. tenor saxophone
Ph il  Wes tc ot t, bari tone saxophone

Sonata 1 
Cantabile 

Spiritoso e staccato a Tempo Moderato

Ernst Galliard
(1687­1749)

Largo e Staccato
Hornpipe a l’inglese:  Allegro e Staccato
Vivace
Zachary Stanco, bass clarinet
Chai­Kyou Mallinson, piano

October Night (movement 1)

,Michae1 Burritt
(b.1962)

Benjamin Ramos, marimba
Gioachino Rossini

D l le t t o  b u ﬀ o d  i  d u e g  a t t i

.Jacques Casterede

Sonatine for Trombone and Piano. 

(1792 ­ 1868)

. Raymond Premru

Felicity.

(1934­1998)

Daniel Speer

Sonata No, 1 

( 1636­1 707)

Allegro 

William Marsiglia, trombone
Chris Beard, Gary Bennett, trombone

If you or you know someone who would like to make an additional donation,
checks can be made payable to the Harmony Club and mailed to Mary Chen,
Treasurer, Harmony Club, #1 3, 4 Oak St., Binghamron, NY  13905.

�STUDIO STARS
C hris Beard: Freshman; Computer Science major, enjoys sailing; from the studio of

Donald Robertson.
  e n ne t t :  Senior; Chemistry major/ M usic minor; interested in composition; from the
Gar y B

studio of Donald Robertson.

Caitlin Goti mer: Sophomore; Vocal Performance major; Resident Artist in Dickinson;
from the studio of Thomas Goodheanrt.
Elea n or  Krasner: Freshman; English and Music majors; from the studios of Janey Choi
and Peter Rovit.

Dan iel M alinovsky: Sophomore, Financial Engineer major, loves to travel and would like
to go abroad to study in Italy; from the studio of Jinah Lee.
Veron ica M antilla: Sophomore; Chemistry major;  Member of Student Conduct  Board

and Undergraduate Art History  Association; loves architecture;  from the studio of  April
Lucas.
Willia m M arsiglia: Senior; Biochemistry and M usic majors; works in a chemistry lab;
from the studio of Donald Robertson.

C h risto pher M urdock: Junior, Accounting Major; bowls  for BU Intramural  Bowling
League; from the studio of April Lucas.

Be n ja mi n j os hua Ra mos: Senior; Computer Science major; mentors at the Boys and
Girls Club of Binghamton; Webmaster 20 1 1 ­  20 12 ; member of the Society of  Asian
Scientists and Engineers; Outreach Chair 201 I ­ 20 1 2; from the studio of Julie Licata.
Christina Santa M aria: Sophomore; Vocal Performance and Linguistics major; President
of Mu Phi Epsilon, the professional coeducational music fraternity at Binghamton
University; from the studio of Mary Burgess.
Zachary S ta nco:  Senior; English and Philosophy majors; writes for the Opinion section of

the school paper; from the studio of Sarah Chandler.

Dan ielle S t o ner :  Sophomore; Music and Integrative Neuro Science majors; active in  the
professional  music fraternity  Mu  Phi  E psilon;  plays  in  the  pit  band  for the  Binghamton

University Theatre musicals; from the studio of April Lucas.

P h i l  Westcott: Senior; English­Creative Writing and M usic majors; General Manager of

BU free format radio station WHRW; intern for WSKG Community Conversations radio
show, from the studio of April Lucas.

Special thanks to pianist Chai­Kyou Mallinson &amp;
coordinator Stephen Stalker.

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                    <text>BINGHAMTON
U N I V E R S I T Y
STATE  U N I V E R S I T Y   OF  N E W   Y O R K

O

w d e c
D E P A R T M E N T

1” 

11,f EE

f_ J 1,112; A L

Sun da y, A p ril  7,  2 013
3 p . m .
Phelps Mansion Museum

�PROGRAM
Cinque, dieci, venti, trenta

from Le Nozze di Figaro 
Matthew Samluk (Figaro)
Rachel Young (Susanna)

In uonimi, in soldati 
from Cosi fan Tu tte 
Caidin Goﬁmer (Despina)
Mab, la reine des mensonges. 
from Romeo and  Juliette 
Michael Celentano (Mercu tio)

. W. A. Mozart
(1756 ­ 1791)

. W. A. Mozart
(1756 ­ 1791)

Je dis que rien ne m ’épouvante 
from Carmen 
Kerianna Krebushevski (Micaela)

Georges Bizet
(1838 ­ 1875)

Card Aria (En vain pour éviter) 
from Carmen 
Emily Geller (Carmen)

Georges Bizet
(1838 ­ 1875)

ra­INTERMISSIONﬁ

. W. A. Mozart
(1756 ­ 1791)

Soave sia i l v  ento
from Cosi fan Tu tte 

. W. A. Mozart
(1756­ 1791)

Rachel Young (Fiordiligi)
Daniela Rivera (Dorabe lla)
Ma thew Samluk (Don Alfonso)

Avente Torto. 
from Gianni Schicchi 

Giacomo Puccini
(1858 ­ 1924)
Hana Ryu (Rinuccio)

Golden Days.. 
from The Student Prince 
Michael Celentano (Engel)
Cole Tornberg (The Pr ince)
Mr. Snow 
from Carousel 

.. W. A. Mozart
(1756 ­ 1791)

Ambroise Thomas
(1811 ­ 1896)

Sull’ aria. 
from Le Nozze di Figaro 
Caitlin Gotimer (Coun tess)
Elizabeth Keyes (Susanna)

.Charles Gounod
(1818 ­ 1893)

.  Jacques Oﬀenbach
Barcarolle. 
(1819 ­ 1880)
from Les Contes D’Hoﬀman 
Molly Adams~Toomey (Giulietta)
Emily Geller (Nicklausse)

La  c i darem la mano 
from Don Giovanni 
Charles Hyland (Don Giovanni)
Christina Santa Maria (Zerlina)

Me voici dans son boudir. 
from Mignon 
Daniela Rivera (Frédéric)

Rodgers and Hammerstein 11
(1902 ­ 1970) (1895 ­ 1960)
Elizabeth Keyes (Carrie)

Umbrella Duet 
from Trouble in Tahiti 
Charles Hyland (Sam)
Molly  Adams Toomey (Dinah)
Si puo? . 
from I Pagliacci 

.. Sigmund Romberg
(1887 ­ 1951)

Robert Heepyoung Oh (Tonio)

.. Leonard Bernstein
(1918 ­ 1990)

.Ruggero Leoncavallo
(1857 ­ 1919)

�ton University Music Departm ent’s
 
Bingham 
Co ming Events
m

m

m

m

m

w

Sunday, April  7 ­ Master ’s Recital: Mario  EuneHwan Bae, tenor ­ 7 :30 p.m.
Casadesus Reci tal Hall – free

  1 ­ Mid­Day Concert– 1:20 p.m. – Fine Arts Room 21– free
Thursday, Ap ril 1

Thursday, April 11 ­ Harmony  Club Fundraiser Con cert­ 7:30 p.m. – Casadesus

Recital Hall – free (a  $10 donation will be accepted at the door)

Sunday, April 1  4 ­ Alaster ’s Recital: Charlie Hyland, baritone – 7 :30 p.m. –
Casadesus Recital Hall – free
Tuesda y, A pril 16 ­ String Fever (Suing Classes an d Stu dio String Recital) ­
8:00 p.m. – Casadesus Recital Hall – free
Thursda y, A pril 18 ­  Alid­Da y Conc er t –  1:20 p.m. – Casadesus Recital Hall ­  free

Friday, April 1  9 – String Orchesua Concert– 4:00 p.m. – Grand Corridor – free
Saturday, April 2  0  ­Senior R acial: Sungkyun Ryu, piano ­ 8:00 p.m. ­
Casadesus Reci tal Hall – free

Sun da y, A pril Z I  ­ M u  Phi E psilon Conc er t ­ 3:00 p.m. – Casadesus Recital Hall
free
— 

  iano– 7 :30 p.m. ­
Sunday, Apr­i121 ­ Master ’s Recital: Seonghyang Ki m, p
Casadesus Reci tal Hall – free

Thursday, Ap ril  2 5  ­ jazz Mid­Day Concert with jazz pianist Larry Ha m  ­ 1:20
p.m. – Osterhout Concert Theat er –  free

Thursday, Ap ril  2 5 ­  Harpur jazz Ensemble Concert with jazz pianist Larry

H a m  – 8:00 p.m. – Osterhout Concert Theater – $6 general public; $ 3
faculty/staﬀ/ seniors; free for students

m

w

m

m

m

m

For tickets or  to be added  to our email lis t, visit anderson.binghamton.edu or  call (607)
7 7 7­ARTS.  For  a  complete  list  of  our  concerts  call  (607)  7 7 7­2592,  visit
music.binghamton.edu or become a fan on Face book.
– 
[ = ]  

[ = ] ;  

. 
— 

If  you  were inspired  by  this  performance, consider supporting the
Department of  Music with a  ﬁnancial gi ft. Your support helps  to
continue the work of students,  faculty, and  guest artists and  their
contributions  to  our  community.  Please  make  your  donation
payable  to  the  Binghamton  University  Music  Department,  and
send  your  check  to  BU  Music  Department,  P.O.  Box  6000,

Binghamton, NY 13902.

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                    <text>BINGHAMTON
U  N  I  V  E  R  S  l  T  Y
S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K

7

%

D E P A R T M E N T

MASTE R’S REClTAL
MARIO EUN HWAN BAE, TENOR
JOHN ISENBERG, PIANO

Sunday, April, 7,  2073

7:30 p.m.

Casadesus Recital Hall

�ABOUT THE PERFORMERS

PROGRAM

MARIO EUN HWAN BAE, tenor, is from Busan, South Korea

currently  studying  at  Binghamton  University  for  his  MM

.. Francesco Paolo Tosti

Non t‘amo piu. 

(1848­1916)

Ideale 
Segreto

Ich trage meine Minne.. 

' 

Allerseelen 
Heimliche Auﬀorderung
Zueignung

La donna &amp; mobile. 
from Rigoletto 

. 

; 

. Richard Strauss

(1864­1949)

. Giuseppe Verdi

(1813­1901)

Extase 

Le Manoir de Rosemonde
A cycle of Life 
Prelude 

Down in the forest (Spring)
Love I have won you (Summer)
The winds are calling (Autumn)
Drift down, drift down (Winter)

in Vocal Performance at  Yonsei University  in  Seoul, Korea

and his BM at The Korea National University of Arts in Seoul.
Korea.  He  has  performed  with  Tri­Cities  Opera  as  “First
Priest/Armored Guard” in The Magic  Flute. “Arturo” in Lucia

di  Lammermoor  and  “Rodolfo”  in  La  Boheme.  Other
appearances  include:  KEPCO  Art  Center,  Seoul,  Korea;

“Alfred” in Die Fledermau, Seoul Opera: “Matteus” in Hamel
e  Sanhong.  Sejong  Center;  The  Night  of  Opera  and  Aria
(Highlight);  “Alfredo”  in  La  Traviata.  Zenus  Opera:
“Roderigo” in Otello, Sejong Center; Summer Classic Series, 3
Tenor Concert, Seoul Metropolitan C horus: and performed as
a  soloist  with  Prime  Philharmonic  Orchestra  in  30th
Anniversary of Concert.

JOHN  ISENBERG.  a  native  of  Endicott.  NY,  holds  a
Bachelor’s Degree in Music and a Master‘s Degree in Italian

wlNTERM/SSIONCJ

Lamento. 

Opera degree in Vocal Performance. He has received an MM

Literature from Binghamton Univer sity.  He performs many
diﬀerent musical genres including Opera. Gilbert and Sullivan.

. Henri Duparc

(1848­1933)

. Sir Landon Ronald

(1873­1938)

classical Art Song, Broadway, Celtic, Rock, and many styles of
sacred  music.  For  11  years,  John  worked  for  the  Tri­Cities

Opera in Binghamton, NY, ﬁrst as Accompanist. then later as
Education Outreach Coordinator and Chorus Master. As part
of Opera­Go­Round touring program, he organized over 300
performances  and  accompanied  over  500  performances
throughout New Y ork State and northern Pennsylvania. John
has  played  for  WSKG  radio  broadcasts  of  numerous

Opera/ogue  preview  performances  including  Puccini‘s
Madama  Butterﬂy.  Donizetti’s  Lucia  di  Lammermoor  and
Mozart‘s  The Magic Flute.  He has worked with various other
groups in the Binghamton area, including the Madrigal Choir
of Binghamton, the Binghamton Downtown Singers and SRO
Productions.  John  is  also  the  Organist/Pianist  and  Choir
Director at  Sarah Jane Johnson Memorial United Methodist
Church in Johnson City.

�TRANSLATIONS
Non tamo pia
(1 don’t love you anymore)
Do you still remember the day we

met,
Do you still remember the promises
you made...?
Love­insane l followed you... We
loved each other
And next to you I dreamt. love­
insane.

I dreamt of a lustful chain of
caresses
And kisses fading into the sky;
But your words weren’t truthful...
Because your heart is as cold as ice.
Do you still remember that?
Do you still remember that?
Now you aren’t my only faith any

more.

My immense desire nor my dream
of love
i don’t long for your kisses. and
don’t think about you anymore:
I dream other dreams:
i don’t love you anymore.

Through the days dearly passed

together,

I strewed ﬂowers across your path:

I would have oﬀered my body and

soul!

Do you still remember it?
Do you still remember that?
Now you are no longer my faith...

Ideale

(Ideal)
I followed you like a rainbow of

peace
Along the paths of heaven:
I followed you like a friendly torch
in the veil of darkness,
And I sensed you in the light. in the
air,
In the perfume of ﬂowers,
And the solitary room was full
of you and of your radiance.

Absorbed by you, I dreamed a long
time
Of the sound of your voice,
And earth’s every anxiety, every
torment
I forgot in that dream.
Come back, dear ideal, for an
instant
To smile at me again,
And in your face will shine for me
a new dawn.

You were the only hope of my
heart:
You the only thought of my desire.

Segreto
(Secret)

You forced me to beg you, you
turned me pale,
You saw me dying  in your
presence:
Only in order to fulﬁll a desire of
yours

That little by little will make me

There is a wound in my heart that is
bleeding.
die.

Pierced by pain. my soul languishes:
I am in love and I cannot tell my
secret.

I sometimes see my secret love 
»
beside me, 
As beautiful as the light.
She passes by me and I feel
shattered.
It is a force of joy and of pain..

* 

I never had hope. Even from the
ﬁrst day,

I closed my secret love within me.
And she will never know that she
was loved.
She will see me lying dead and will
not know why.
And when I see her, I want to open
my arms,
to tell her that I love her and that I
give her my heart.
I want to look into her face with
courage.
But my heart trembles and I cannot
lift up my eyes.
There is a wound in my heart that is
bleeding.
That little by little will make me
die.

Ich  trage meine Minne
(1  carry my love)

I carry my love mute with delight,
In my heart and in my mind with

me wherever.

Yes, that l have found you, you
beloved child,
That makes me joyful everyday,
and that is granted to me.
And no matter if the sky is gloomy,
coal­black the night.
Brightly shines my love’s gold­
shining splendor.
And even as the world lies through
its sinfulness, and I am heavy­
hearted.

The evil must become blind from
your snowy innocence.

Allerseelen
(All Souls’ Day)
Place on the table the fragrant
mignonettes,
Bring inside the last red asters,
And let us speak again of love.
As once we did in May.
Give me your hand, so that I can
press it secretly:

And  someone sees us. it ’s all the

same to me.

Just give me your sweet gaze,
As once you did in May.

Flowers adorn today each grave,
sending oﬀ their fragrances:
One day in the year are the dead
free.
Come close to my heart. so that I
can have you again,
As once I did in May.

Heimliche Auﬀorderung
(Secret  invitation)
Up, raise the sparkling cup to your
lips,
And drink your heart’s ﬁll at the

joyous feast.

And when you raise it, so wink

secretly at me.

Then I’ll smile and drink quietly, as

you...

And quietly as I. look around at the
crowd
Of drunken revelers ­­ don’t think
too ill of them.
No. lift the twinkling cup. ﬁlled
with wine,
And let them be happy at the noisy
meal.

�But when you’ve savored the meal.
your thirst quenched,
Then quit the loud gathering’s joyful
fest.
And wander out into the garden. to
the rosebush,
There shall I await you, as often of
old.
And ere you know it shall I sink
upon your breast.
And drink your kisses, as so often
before.
And twine the rose’s splendor into
your hair.
Oh, come. you wondrous, longed­
for night!

Zueignung

(Dedication)
Yes, you know it, dearest soul.
How l suﬀer far from you,
Love makes the heart sick,
Have thanks.

Once I, drinker of freedom.
Held high the amethyst beaker.
And you blessed the drink.
Have thanks.

it’s untrue. 

.

Woman is ﬂighty.  '
Like a feather in the wind,
she changes in voice
and in thought!

Always miserable

is he who trusts her.
he who conﬁdes in her
his unwary heart!

Yet one never feels
fully happy
who from that bosom
does not drink love!
Woman is ﬂighty.
Like a feather in the wind,
she changes her words.
and her thoughts!

Lamento
(Lament)

Do you know the white tomb
Where ﬂoats with plaintive sound.
The shadow of a yew tree?
On the yew a pale dove,
Sad and alone under the setting sun.
Sings its song:

And you exorcised the evils in it.
Until I. as i had never been before,
Blessed. blessed sank upon your
heart.
Have thanks.

One would say that an awakened
soul
Is weeping under the earth in
unison
With this song.
And from the misfortune of being

La donna é mobile
(Woman is ﬂighty)

Moans its sorrow in a cooing

Always a lovely.
pretty face.
in tears or in laughter.

Oh! Never again near the tomb
Shall 1 go, when night lets fall
lts black mantle.
To hear the pale dove
Sing on the limb of the yew
Its plaintive song!

Woman is ﬂighty.
Like a feather in the wind.
she changes in voice
and in thought.

forgotten,

very softly.

Extase
(Ecstasy/Nocturne)

On your pale breast my heart is
sleeping
A sleep as sweet as death
Exquisite death, death perfumed
By the breath of the beloved
On your pale breast my heart is
sleeping

A sleep as sweet as death

Le manoir de Rosamonde
(Rosamonde‘s  Manor­House)

Love. like a dog, has bitten me
with its sudden, voracious teeth
Come, the trail of spilt blood
will enable you to follow my tracks.
Take a horse of good pedigree
And set oﬀ on the arduous route i
took.
Through swamps and overgrown
paths.
I f that’s not too exhausting a ride

for you!

As you pass where l passed.
You will see that l travelled
Alone and wounded through this
sad world.
and thus went oﬀ to my death
far, far away, without ever ﬁnding

Rosemonde’s blue manor­house.

�Binghamtan University Music Department’s
Coming Events

M 6 M &amp; 6 M &amp; M w é ﬂ v § &amp;

Thursday, April 11 – Mid­Day Concert – 1:20 p.m. – Fine Arts Room 21­
free
Thursday, April 11 – Harmony Club Fundraiser C onert –  7 :30 p.m. –
C asadesus Recital Hall  – free (a  $10 donation will  b e  accepted at the
door)

Sunday, April 14 – Master’s Recital: Charlie Hyland, baritone – 7:30 p.m.

– Casadesus Recital Hall –   free

Tuesday, April 16 – String Fever (String Classes and Studio String Recital) –
8:00 p.m. – Casadesus Recital Hall – free
Thursday, April 18 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital
Hall  – free

Friday, April 1 9 – String Orchestra Concert – 4:00 p.m. – Grand Corridor
— free
Saturday, April 20 ­Senior Recital: Sungkyun Ryu. piano – 8:00 p.m. –
Casadesus Recital Hall – free
Sunday, Apri121 – Mu Phi Epsilon Concert – 3:00 p.m. – Casadesus
Recital Hall – free
Sunday, April 21 – Master’s Recital: Seanghyang Kim, piano – 7:30 p.m. –
C asadesus Recital Hall  – free
Thursday, April 25 – Jazz Mid­Day Concert with jazz pianist Larry Ham –
1:20 p.m. – Osterhout C oncert Theater –  free
Thursday, April 25 – Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham – 8:00 p.m. – Osterhout Concert Theater – $6 general public: $3
faculty/staft/seniors; free for students

Friday, April 26 – Flute Studio and Flute Chamber Concert – 10:15 a.m. –
Casadesus Recital ­ free
6&amp;6t3’66­6Mr3­ér3­«6Mé­«ﬁta­

For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607)
777­ARTS.  For  a  complete  list  of  our  concerts  call  (607)  777­2592,  visit
musicbinghamtonedu or become a fan on Facebook.
o p ‘  E  If you were  inspired  by this performance, consider  supporting the
­
Department  of  Music  with  a ﬁnancial  gift.  Your  support  helps  to
conﬁnue the work  of  students, faculty, and  guest  artists and  their
contributions to our community. Please make your donation payable
to the Binghamton University Music Department, and send your check
E 
to BU Music Department, P.O. Box 6000, Binghamton, NY 13902.
t 

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                    <text>BINGHAMTON
UN I V ER S IT Y
STATE UNIVERSITY OF NEW YORK

,,

usic
D E P A R T M E N T

MASTER'S RECITAL
Charles Hyland, baritone
John Isenberg, piano

Sunday. April, 14, 2013
7:30 p.m.
Casadesus Recital Hall

�PROGRAM
My Home Town ............................................................. Tom Lehrer
The Masochism Tango
(b. 1928)
I Hold your Hand in Mine

lch habe genug, BWV 82 .................................................... .J.S. Bach
(1685-1750)

Che imbarazzo è mai questo ... Crudel, perchè finora .....W.A. Mozart
from Le nozze di Figaro, Act Ill
(1756-1791)
Kathleen Jasinskas, soprano

Hai già vinta la causa ... Vedrò mentr'io sospiro

INTERMISSION

Im Walde (Waldesnacht), D. 708 ............................... Franz Schubert
(1797-1828)

Danse macabre ....................................................Camille Saint-Saens
(1835-1921)

Three Macabre Songs .................................................... Kyle Gullings
I. To One in Paradise
(b. 1983)
II. Sonnet - Silence
Ill. The Conqueror Worm

�ABOUT THE PERFORMERS
CHARLES HYLAND, Baritone, is currently pursuing a Master of Music in
Opera at Binghamton University, and also sings regularly with the TriCities Opera. Over the past two years, Charles has sung the roles of
Schaunard in La bohème (TCO), Papageno in Die Zauberflote (TCO),
Yamadori in Madama Butterfly (TCO), the Father in Hänsel and Crete!
(BU), and Melchior in Amahl and the Night Visitors (BU), as well as
performing as a Studio Artist with Central City Opera in Colorado. Other
previous roles include Masetto in Don Giovanni (Prelude to
Performance, Martina Arroyo Foundation), Figaro in Le nozze di Figaro
and Dr. Falke in Die Fledermaus (Catholic University of America). as well
as Haly in L 'italiana in Algeri and Lorenzo in / Capuleti e i Montecchi (Bel
Cantanti Opera). He has also appeared as the baritone soloist in several
oratorios and choral works, including Mozart's Requiem, Dubois' The
Seven Last Words of Christ, and Vaughan Williams' Five Mystical Songs.
This past March, Charles competed in the Eastern Region NATS (National
Association of Teachers of Singing) competition and placed first in the
Advanced Lower category. After graduation, Charles plans to spend most
of his time rocking back and forth in a fetal position and wondering why
he ever left the protective cocoon of academia.

JOHN ISENBERG, a native of Endicott, NY, holds a Bachelor's Degree in
Music and a Master's Degree in Italian Literature from Binghamton
University. He performs many different musical genres including Opera,
Gilbert and Sullivan, classical Art Song, Broadway, Celtic, Rock, and
many styles of sacred music. For 11 years, John worked for the Tri-Cities
Opera .in Binghamton, NY, first as Accompanist. then later as Education
Outreach Coordinator and Chorus Master. As part of Opera-Go-Round
touring program, he organized over 300 performances and accompanied
over 500 performances throughout New York State and northern
Pennsylvania. John has played for WSKG radio broadcasts of numerous
Opera/ague preview performances including Puccini's Madama Butterfly,
Donizetti's Lucia di Lammermoor and Mozart's The Magic Flute. He has
worked with various other groups in the Binghamton area, including the
Madrigal Choir of Binghamton, the Binghamton Downtown Singers and
SRO Productions. John is also the Organist/Pianist and Choir Director at
Sarah Jane Johnson Memorial United Methodist Church in Johnson City.

�TRANSi.ATIONS
lch habe genug
l have enough!
I have taken the Savior, the hope of the faithful, into my yearning
arms!
I have seen him!
My faith has pressed Jesus to my heart!
Now, even on this day, I wish to depart from here with joy!

Le nozze di Figaro, Act Ill
Count: What an embarrassment! An anonymous letter, the maid
locked in the closet, the Countess confused, a man who jumps
from the balcony into the garden, and another man who claims to
be that one - l don't know what to think! And Susanna ... who
knows if she has already betrayed my secret? If she has told
anyone, I'll make Figaro marry the old woman!
Susanna: (Marcellina!) My lord!
Count: What do you want?
Susanna: You appear to be angry...
Count: Do you want something?
Susanna: My lord, your wife has the vapors again, and she's asking
for her jar of smelling salts.
Count: Take it.
Susanna: I'll bring it right back!
Count: No - you can keep it for yourself.
Susanna: For myself? The vapors aren't an affliction of low-born
women.
Count: A woman in love, who loses her dear husband at the very
moment of gaining him ... ?
Susanna: But if I were to pay off Marcellina with the dowry you
promised me?
Count: l promised you? When?
Susanna: l thought we had come to an understanding ...
Count: Yes, but only if you wanted to "understand" me yourself.
Susanna: It'smy duty - and it pleases me to do whatever your
lordship wishes.
Count: Cruel girl! Why have you made me languish like this until
now?
Susanna: My lord, a woman always needs some time before she
says "yes."
Count: So you'll come to the garden?

�Susanna: If it pleases you, I'll come.
Count: And you won't leave me waiting?
Susanna: I won't leave you waiting.
Count: I feel so happy; my heart is filled with joy!
Susanna: [aside] Forgive me for lying, all you who understand
love!

Count: But the Countess will be needing her smelling salts ...
Susanna: That was only a pretext; l couldn't have spoken to you
without one.
Count: Dearest!
Susanna: Someone's coming!
Count: [aside] She belongs to me and no other!
Susanna: [aside]Wipe away that smile, shrewd master.
Figaro: Hey, Susanna -where are you going?
Susanna: Quiet! You've just won your case without needing a
lawyer!
Figaro: What's happened?
Count: "You've just won your case!" What do I hear? Into what
trap have l fallen? Liars! I want to punish you in such ways - your
sentence will be at my pleasure! But if they've paid off the old
woman ... Paid her? In what way? And then there's Antonio, who
will refuse to let his niece marry a man of questionable birth like
Figaro! Nurturing the pride of that imbecile ... everything lends
itself to my trick! The blow has been struck!
Count: Shall l see my servant happy while l sigh? And should he
possess a love which I desire in vain? Shall I see the woman who
has aroused an unrequited passion in me become united by the
hand of love to a base-born thing? Ah, no - I refuse to leave this
happy man in peace! Audacious one, you were not born to
torment me and possibly even to laugh at my unhappiness! The
mere hope of revenge already consoles my heart and makes me
rejoice!

Im Walde (Waldesnacht)
The whispering of the wind, the wings of God,
Deep in the cool night of the forest!
As the hero leaps into the S?}ddle of his steed,
So does the power of thought soar.
As the old evergreens rustle,
So do we hear the surging spirit roar.

�Wonderful is the gleaming of fire
In the red light of morning's radiance.
Or the lightning which illuminates the fields.
Often the harbinger of death.
The flame quickly flickers and blazes,
As if called upward to God.
The eternal murmuring of gentle springs
Conjures flowers forth from woe,
But amid the waving linden trees,
Enticing pain strikes us in the heart:
The spirit is pulled far away,
Through the waves which beckon to us.
Life longs to cast off its shroud.
The wild struggle of powerful desires
Becomes the most beautiful fullness of love,
Eased by the breath of the spirit.
We feel the wafting of creative airs
Spread throughout our souls.
The whispering of the wind, the wings of God,
Deep in the dark night of the forest!
With all its reins released.
The power of thought soars.
We listen without fear
As the song of the spirits rings in the air.

Danse macabre
Zig, zig. zag! Death. in rhythm,
Is striking a tomb with his heel.
Death plays a dance tune a midnight,
Zig. zig, zag, on his violin.
The winter wind blows and the night is dark,
Groans drift out of the linden trees;
White skeletons move through the darkness,
Running and leaping beneath their great shrouds.

�Zig, zig, zag! Each one dances about,
You can hear the bones of the dancers rattling,
A lustful couple sits down on the moss,
As if to savor long-lost pleasures.
Zig, zig, zag! Death continues
To endlessly scrape on his shrill instrument.
A veil has fallen! The dancer is nude!
Her partner grasps her amorously.
The lady is, they say, a marquise or baroness,
And her green admirer a poor wheelwright Horror! And see how she gives herself to him,
As if the boor were a baron!
Zig, zig, zag! What a sarabande!
What circles of the dead offering their hands!
Zig, zig. zag! One can see among the group
A king frolicking with a serf!
But hush! All of a sudden, they abandon the ronde,
They move aside, they flee; the cock has crowed.
Oh! What a beautiful night for the poor world!
And long live death and equality!

�Binghamton University Music Department's
Coming Events
Tuesday, April 16 - String Fever (String Classes and Studio String Recital) 8:00 p.m. - Casadesus Recital Hall - free
Thursday, April 18 - Mid-Day Concert - 1:20 p.m. - Casadesus Recital
Hall-free
Friday, April 19-String Orchestra Concert- 4:00 p .m. - Grand Corridor
-free
Saturday, April 20 -Senior Redtal: Sungkyun Ryu, piano - 8:00 p.m. Casadesus Recital Ha/I-free
Sunday, April 21- Mu Phi Epsilon Concert - 3:00 p.m. - Casadesus
Recital Hall- free
Thursday, April 25 -Jazz Mid-Day Concert with jazz pianist Larry Ham 1:20 p.m. - Osterhout Concert Theater- free
Thursday, April 25 - Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham - 8:00 p.m. - Osterhout Concert Theater - $6 general public; $3
faculty/staff/seniors; free for students
Friday, April 26 - Flute Studio and Flute Chamber Concert- 10:15 a.m. Casadesus Recital- free
Friday, April 26 -Wind Symphony Concert: "The Divine Comedy" 8:00 p.m. - Anderson Center Chamber Hall - $6 general public; $3
faculty/staff/seniors; free for students
Friday, April 26 -Tri-Cities Opera presents Mascagni's "CAVALLERIA
RUSTICANA" and Leoncavallo's "PAGLIACCI" - 8:00 p.m. - The Forum
Theatre - call (607) 772-0400 for tickets

For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607)
777-ARTS. For a complete list of our concerts call (607) 777-2592, visit
music.binghamton.edu or become a fan on Facebook.
If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to
continue the work of students, faculty, and guest artists and their
contributions to our community. Please make your donation payable
to the Binghamton University Music Department, and send your check
to BU Music Department, P. 0. Box 6000, Binghamton, NY 13902.

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                    <text>BINGHAMTON

‘ U N I V E R S I T Y
S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K

W

[4

0

D E P A R T M E N T

String students from the
Studio Lesson and Chamber Music

program present

STRING FEVER
Assisted by Margaret R eitz, piano

Tuesday, April 16, 2013
8 p.m.
Casadesus Recital Hall

�PROGRAM
Variations on Lo, How a rose ‘ere Blooming. 
for solo cello 
Paul Watrobski, cello

.Mark Summer
(b. 1963)

DMO for cello quartet .
with energy

. Shirl Jae Atwell
Paul Watrobski
Eric Wuu
Andew Card

Xander Edwards
Concerto for Violin. Op. 14

Emily Sui, violin
Margaret Reitz. piano

Salmacis. A Tale of Unrequited Love 
Dance of Salmacis and Hermaphroditus 

Transformation and Finale

.Samuel Barber
(1910­1981)

Teasing Song #26
Burlesque #16
Mosquito Dance #22
Santino DeAngelo
(b. 1990)

Eric Wuu, cello
Margaret Reitz. piano

. Bela Bartok

Duos for Two Violins, Sz. 98..

(1881­1845)

Rebecca Sgroi
Na ta lie Bock

Sorrow #28

Ife Samms

Nicholas Thompson
Baal Shem: Three Pictures from Hassidic Life . 
Nigun (Improvisation) 
Eleanor Krasner, violin
Margaret Reitz. piano

Sonata in E minor, Op. 38 .. 
for cello and piano 
Allegro non troppo 

'

Xander Fdwards, cello
Margaret Reitz. piano

.Ernest Bloch
(1880­1959)

. Johannes Brahms
(1 833­1 897)

Ruthenian Kolomeika #35
Eleanor Kramer
Joseph Vanderpool
Pillow Dance #1 4
Bagpipes #36
BU String Studios Violin Ensemble

.arr. Natalie Bock

Celtic Medley..
BU String Studios Ensemble

zolNTERMlSSIONos

�MEMBERS OF THE BU STRING STUDIO
AND CHAMBER MUSIC PROGRAM
Violins 

Violas

Natalie Bock 
Nathaniel Christman 
Fanny Chu 
Wesley Ha 
Sara Kohtz 
Eleanor Krasner 

Jillian Chen
Harrison Dulin
Tom Fuchs
Ethan Schaber
Tamera Raysor
Kaila Umbach

Jingwei Li 
Gabrielle Maire 

Cellos
Andrew Card

WonJae Lee

Jiwon Namm 
Jaclyn Podd 

Xander Edwards
Deborah Mariottini

Emily Sui 

Eric Wuu

Ife Samms 
Rebecca Sgroi 

Nicholas Thompson
Joseph Vanderpool 

Kelly Mercer
Paul Watrobski

Basses
Robert Durante
Evan Flury
Lucas Hennessey
Nicholas Hoyos

From the studios of Roberta Crawford,
Stephen S talker, Janey Choi and Peter Rovit

If   you  were  inspired  by  this  performance,  consider
s upporting the Department of Music with a ﬁnancial gift.
Your  support  helps  to  continue  the  work  of students.
faculty,  and guest artists and their  contributions to our
community. Please make your donation payable to the
[=]¢ 
Binghamton University Music Department, and send your
check to BU Music Department, P.O. Box 6000, Binghamton. NY 13902.

 a.
–  p
[uw]  “ E

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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E   U N l V E R S I T Y   O F   N E W  Y O R K

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MID­DAY
CONCERT
Thursday, April 1 8, 2013

1:20 p.m.

 

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Casadesus Recital Hall

�PROGRAM
Six Studies in English Folk Song . 

Ralph Vaughan Williams

I. Adagio 
Il. Andante sostenuto

(1 872 ­ 1958)

V. Andante tranquillo
VI. Allegro vivace
Joo Won Kim, clarinet
Margaret Reitz. piano

Ricky Nan. tenor
John Isenberg, piano

..Franz Liszt

(1811­1886)

GiI Cohen, piano

The Green Hills of Somerset. 

. Eric Coates

(1886­1957)

Mister Snow. from C AROUSEL (1945).... Richard Rogers (1902­1979)
and Oscar Hammerstein Jr. (1895­1960)
Elizabeth Keyes, soprano
William James Lawson. piano

Edouard Lalo
(1832­1892)

.. Benjamin Britten
(1913­1976)

The Choirmaster’s Burial..

Cole Harrison Tornberg, tenor
William James Lawson, piano

. Leonard Bernstein
Duets from WEST SIDE STORY (1957). 
(1918 ­ 1990)
One hand. one heart 
Tonight
Christina Santa Maria, soprano

Un sospiro (A Sigh). 

Vainement, ma bien­aimée. from LE ROI D’YS

Als Luise die Briefe, K.520

. Wolfgang Amadeus Mozart

Ridente la calma. K.210a.

. Wolfgang Amadeus Mozart

(1756­1791)

(1756­1791)

. Wolfgang Amadeus Mozart
(1756­1791)
Kerianna Krebushevski, soprano
Willliam James Lawson. piano

Vado, ma dove?. K.583

.Edvard Grieg

Six Songs, Op. 48 

Gruss 
Dereinst. Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum

Molly Adams­Toomey, mezzo­soprano
William James Lawson, piano

(1 843­1907)

�Binghamton University Music Department’s
m

Coming Events

m

m

m

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m

Friday, April 19 – String Orchestra Concert– 4:00 p.m. – Grand Corridor

— free

Saturday, April 20 ­Senior Recital: Sungkyun Ryu, piano – 8:00 p.m. –
Casadesus Recital Hall –   free

Sunday, April 21 – Mu Phi Epsilon Concert – 3:00 p.m. – Casadesus
Recital Hall – free

Thursday, April 25 – Jazz Mid­Day Concert with jazz pianist Larry Ham –
1:20 p.m. – Osterhout Concert Theater –  free
Thursday, April 25 – Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham – 8:00 p.m. – Osterhout Concert Theater – $6 general public: $3
faculty/staft/seniors; free for students

Friday, April 26 – Flute Studio and Flute Chamber Concert – 10:15 a.m. –
Casadesus Recital Hall ~f ree
Friday, April 26 – Wind Symphony Concert: “The Divine Comedy” –
8:00 p.m. – Anderson C en fer Chamber Ha ll – $6 general public: $3
faculty/staft/seniors; free for students

Friday. April 26 – Tri­Cities Opera presents Mascagn i’ s “CA VALLERIA
  A GL/AC Cl ”– 8:00 p.m. – The Forum
R UST lCANA " and Leoncavallo’s “ I P
Theatre – call (607) 772­0400 for tickets

Saturday, April 27 – Master’s Recital: Brister Hay IV, tenor – 3:00 p.m. –
Casadesus Recital Hall  – free
Saturday. April 27 – Faculty Recital: Christopher Morgan Loy – 8:00 p.m.
– C asadesus Recital  Hall –   $6 general public: $3 faculty/staﬀ/seniors; free
for students

m

E 

[=l¢ 

m

m

m

m

m

For  tickets  or  to  be  added  to  our  email  list.  visit
anderson.binghamton.edu  or  call  (607)  777­ARTS.  For  a
complete  list  of  our  concerts  call  (607)  777­2592.  visit
music.binghamton.edu or become a fan on Facebook.
I f  you were inspired  by this performance, consider supporting

the Department of Music with  a ﬁnancial gift.  Your support
helps  to  continue  the  work  of students  faculty,  and  guest  artists  and  their
contributions to  our community.  Please make your  donation payable  to  the
Binghamton University Music Department.  and send your  check  to BU Music
Department. P.O. Box 6000. Binghamtan. N Y 1 3902.

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                    <text>BINGHAMTON
UNIV ERSIT Y
STATE UNIVERS I TY O F NEW YORK

D

E P A

R T

M

E N

STRING
ORCHESTRA
CONCERT
Directed by Heather Worden

Friday, April 19, 2013
4p.m.
Grand Corridor

T

�PROGRAM

Dobra, Dobra .............................................. ... ..... arr. by H. Worden

Symphony No. 1 for Strings ......................... ... ........... .Jeff Manookian

BRIEF

PAUSE

Game of Thrones Theme ............................. ........ ..... arr. H. Worden

Pavane pour un Infante Defunte ... .......... .... ........ ...... .. Maurice Ravel
arr. by Jeff Mookian

Viva La Vida ...... ......... .. .. ...... ............ .. .... ............................ Cold play
arr. Sebastia Salvà

�MEMBERS OF THE STRING ORCHESTRA
Directed by Heather Worden

Violins
Won Jae Lee, principal
Fanny Chu
Henry Savit
Trey James
Wesley Ha, principal
Julia Kenny
Kimberly Griffin
Ron Miles+
Caleb Chang
In the String Orchestra we
alternate the violins between
first and second parts with each
piece. This gives every player
the challenge of playing lead
parts.

#Community member
+Binghamton University Faculty

Violas
Tom Fuchs, co-principal
Tamera Raysor, coprincipal
Alison Tuck
Cellos
Ryan Ference, principal
Danielle Koontz
Raeleen Bichler
Dae Young Jung+
Dennis McGee+
Basses
Nicholas Hoyos
Tim Roossien#

�Binghamton University Music Department's
Coming Events
Saturday, April 20 -Senior Recital: Sungkyun Ryu, piano - 8:00 p.m. Casadesus Recital Hall - free
.Sunday, April 21-Mu Phi Epsilon Concert- 3:00 p.m. - Casadesus
Recital Hall - free
Thursday, April 25 - Jazz Mid-Day Concert with jazz pianist Larry Ham 1:20 p.m. - Osterhout Concert Theater- free
Thursday, April 25 - Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham - 8:00 p.m. - Osterhout Concert Theater - $6 general public; $3
faculty/staff/ seniors; free for students
Friday, April 26- Flute Studio and Flute Chamber Concert- 10:15 a.m. Casadesus Recital Hall - free
Friday, April 26 - Wind Symphony Concert: ''The Divine Comedy" 8:00 p.m. -Anderson Center Chamber Hall - $6 general public; $3
faculty/staff/ seniors; free for students
Friday, April 26- Tri-Cities Opera presents Mascagni's "CAVALLERIA
RUST/CANA " and Leoncavallo's "PAGL/ACC /"- 8:00 p.m. - The Forum
Theatre - call (607) 772-0400 for tickets
Saturday, April 27 -Master's Recital: Brister Hay IV, tenor- 3:00 p .m. Casadesus Recital Hall - free
Saturday, April 27 - Faculty Recital: Christopher Morgan Loy- 8:00 p.m.
- Casadesus Recital Hall - $6 general public; $3 faculty/staff/ seniors; free
for students
For tickets or to be added to our email list, visit anderson.bin ghamton.edu or call
(607) 777-ARTS. For a complete list of our concerts call (607) 777-2592, visit
music.bingha mton.edu or become a fan on Facebook.
If you were inspired by this performance, consider
supporting the Department of Music with a financial gift.
Your support helps to continue the work of students,
faculty, and guest artists and their contributions to our
community. Please make your donation payable to the
Binghamton University Music Department, and send your
check to BU Music Department, P.O. Box 6000,
Binghamton, NY 13902.

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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129099"&gt;https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129099&lt;/a&gt;</text>
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          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
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'Single' - Only the entire current page will be visible and Zoom will be set to page width.&#13;
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.&#13;
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.&#13;
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.&#13;
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)&#13;
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)</description>
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                <text>Works by Manookian, Ravel. Held at 4:00 p.m., April 19, 2013, Casadesus Recital Hall.</text>
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                <text>Worden, Heather</text>
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                <text>Binghamton University Libraries</text>
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